{"title":"Amadeus","description":null,"products":[{"product_id":"amadeus-rolla-a-zwei-sonaten-alto-violoncelle-384864","title":"Rolla A. - Zwei Sonaten - Alto \u0026 Violoncelle","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e  \u003cp\u003e\u003cstrong\u003eTwo Sonatas\u003c\/strong\u003e highlights the writing of Alessandro Rolla, a major figure of the Italian tradition between Classicism and early Romantic impulses. These two sonatas offer rich musical material, where architectural clarity meets the refinement of melodic discourse. They feature precise work on motifs, responses, and breaths, with particular attention to singing, harmonic logic, and dramatic progression.\u003c\/p\u003e   \u003cp\u003eThis score is perfectly suited for musicians wishing to enrich their repertoire with structured and expressive works while consolidating essential foundations: tempo regularity, articulation, dynamics, sense of accents, and phrase continuity. The sonatas also allow for exploring the construction of a musical narrative over time, learning to distinguish themes, highlight transitions, and manage character contrasts.\u003c\/p\u003e   \u003cp\u003eThanks to its elegant aesthetic and musical readability, this collection naturally finds its place both in study and performance preparation. It easily integrates into style work (balance, clarity, rhythmic precision) and encourages a refined interpretation, attentive to intentions and colors. A valuable reference for deepening the classical Italian repertoire and developing solid musicality, serving an expressive and controlled interpretation.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAlessandro Rolla\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMichael Jappe\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Amadeus","offers":[{"title":"Default Title","offer_id":54356639678739,"sku":"384864","price":19.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/04ff97d4c77748238aba7b346b85573c5ca925ca_BP1791.jpg?v=1792666752"},{"product_id":"amadeus-delavigne-ph-les-fleurs-vol-1-2-flutes-a-bec-41195","title":"Delavigne PH. - Les Fleurs Vol. 1 - 2 Flutes A Bec","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e  \u003cp\u003eWith \"Pièces pour les musettes ou vielles, avec accompagnement de violon ou de flûte, op.4,\" you hold an emblematic collection of French Baroque taste, where the melodic line sings naturally and the second voice complements, supports, or imitates to create a true dialogue. The musette (or hurdy-gurdy) finds an ideal expressive ground here, between pastoral elegance and dance energy, while the violin or flute brings clarity, flexibility, and relief.\u003c\/p\u003e   \u003cp\u003eDesigned for two instrumentalists, these pieces are particularly appreciated for their balance: rich enough to work on musicality and style (breathing, inequalities, ornaments, articulation), while remaining accessible for quick learning. The short piece format also allows for building a progressive program, alternating tempi and characters, and easily integrating this repertoire into a pedagogical path focused on early music.\u003c\/p\u003e   \u003cp\u003eWhether you play on historical or modern instruments, this score emphasizes musical conversation and stylistic sense. 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Beyond the simple musical text, this type of edition aims to guide the performer in the choices that make a difference: understanding the style, coherence of breathing, management of articulations, and establishing a singing phrasing, particularly important on the \u003cstrong\u003erecorder\u003c\/strong\u003e.\u003c\/p\u003e\u003cp\u003eThanks to the comments, the study becomes more structured and effective: technical points to stabilize (breath control, clarity of attacks, rhythmic regularity) are identified more quickly while developing a solid artistic approach. 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It is particularly suitable for musicians who wish to enrich their stylistic vocabulary, refine their listening, and gain confidence in interpreting van Eyck's repertoire on the recorder.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJacob van Eyck\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eRec (recorder)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Amadeus","offers":[{"title":"Default Title","offer_id":54356740145427,"sku":"74988","price":19.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/748011c0b26b9108a5146cfadaf2e891426702ae_BP0704.jpg?v=1792508933"},{"product_id":"amadeus-tomesini-g-p-sonata-flat-major-alto-piano-384753","title":"Tomesini G.P. - Sonata Flat Major - Alto \u0026 Piano","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e  \u003cp\u003e\u003cstrong\u003eSonata in Es-dur\u003c\/strong\u003e by Giovanni Paolo Tomesini, in an edition linked to Winfried Michel, offers a work designed for expressive dialogue between the viola and piano. The sonata fits within an aesthetic oriented towards the Baroque and Frühklassik (early Classicism), emphasizing clarity of form, melodic momentum, and elegant harmonic construction.\u003c\/p\u003e  \u003cp\u003eThis score is intended both for violists wishing to develop their musicianship within an \"early\" stylistic framework and for viola-piano duos seeking a concert, study, or audition piece. The writing highlights the projection of the viola's timbre while maintaining a piano accompaniment designed to support the discourse, renew rhythmic energy, and emphasize the phrase's breathing.\u003c\/p\u003e  \u003cp\u003ePractically, it is an excellent option to work on articulation, phrasing, and formal coherence, while exploring a sonata whose musical ambition rests on inventiveness and stylistic sense. A relevant score for building a program around Baroque and Classical music or to bring a different color to your viola library.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGiovanni Paolo Tomesini\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eViola and piano\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArranger\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eWinfried Michel\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical sheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Amadeus","offers":[{"title":"Default Title","offer_id":54356953137427,"sku":"384753","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/5dbd49158488efc6b661cde866d7182f2f4ac66a_BP1394.jpg?v=1792513428"},{"product_id":"amadeus-janitsch-j-g-quadro-in-g-dur-altblockflote-oder-querflote-oboe-violine-und-bc-425173","title":"Janitsch J. G. - Quadro in G-Dur - Altblockflöte oder Querflöte Oboe Violine und Bc.","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003eWith \"6 Sonaten - Band I: Sonaten 1-3,\" GALLIARD, John Ernest (c. 1680-1749) offers a triptych of Baroque sonatas where the dialogue between the solo voice and the basso continuo forms the core of the musical discourse. These pieces fit within the aesthetic of the chamber sonata: alternating contrasting movements, expressive melodic lines, and passages that invite attention to both virtuosity and cantilena.\u003c\/p\u003e\u003cp\u003eDesigned for the recorder, this edition also adapts to the transverse flute or oboe, making it a valuable resource for teachers as well as instrumentalists wishing to expand their repertoire. The presence of the \u003cstrong\u003eBc.\u003c\/strong\u003e (basso continuo) encourages precise work on realization and coordination with the harpsichord, organ, or any harmonic instrument, supported by a bass instrument (cello, viola da gamba, bassoon, etc.). A particularly relevant score for approaching Baroque rhetoric, balance of sound layers, and building a stylistically informed interpretation.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJohn Ernest Galliard\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBaroque sonatas\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlockflöte (Querflöte, Oboe) and Bc. (basso continuo)\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Amadeus","offers":[{"title":"Default Title","offer_id":54357076771091,"sku":"425173","price":16.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/9295642670472af3805f3e36132b95ae2c17a56f_9790015047800.jpg?v=1792524170"},{"product_id":"amadeus-janitsch-j-g-sonata-alto-piano-384752","title":"Janitsch J.G. - Sonata - Alto \u0026 Piano","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e  \u003cp\u003eWith \u003cstrong\u003eSonata\u003c\/strong\u003e, Johann Gottlieb Janitsch offers a work that fits within the sonata aesthetic with basso continuo, at the heart of instrumental practice in the 17th and 18th centuries. This edition emphasizes musical efficiency and practicality: it allows the performer to focus on the line, articulation, style, and balance with the accompaniment.\u003c\/p\u003e   \u003cp\u003eThe highlight of this publication lies in the \u003cstrong\u003ebasso continuo realization\u003c\/strong\u003e by Harry Joelson. Practically, it provides a pre-constructed harmonic accompaniment, useful both for autonomous work (reading, setup, understanding transitions) and for rehearsal with a polyphonic accompanying instrument. This facilitates the construction of the musical discourse, rhythmic stability, and coherence of cadences, while leaving room for interpretative choices (ornamentation, phrasing, dynamics).\u003c\/p\u003e   \u003cp\u003eWhether you are a performer, accompanist, or teacher, this score constitutes a reliable foundation for exploring the language of the sonata and consolidating continuo playing reflexes: vertical listening, shared breathing, precision of entrances, and sense of resolutions. A relevant choice to develop a stylistic and musical approach while having an immediately usable support.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJanitsch, Johann Gottlieb\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJoelson, Harry\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArranger\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJoelson, Harry (basso continuo realization)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eclassical score\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Amadeus","offers":[{"title":"Default Title","offer_id":54357077721363,"sku":"384752","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/5ab9246199d1c8c7290059e0afe9113af4c62623_BP1793.jpg?v=1792524046"},{"product_id":"amadeus-telemann-g-p-triosonate-in-g-moll-twv-42-e11-316322","title":"Telemann G.P. - Triosonate In G-moll TWV 42:E11","description":"\u003ch3\u003eSummary of 81. Triosonate in g minor TWV 42:e11 (after the e minor sonata)\u003c\/h3\u003e\u003cp\u003eThis score offers \"81. Triosonate in g minor TWV 42:e11 (after the e minor sonata)\" by \u003cstrong\u003eGeorg Philipp Telemann (1681-1767)\u003c\/strong\u003e, a representative work of the German Baroque repertoire, designed for dialogue between two melodic voices and the harmonic foundation of the basso continuo. The trio sonata texture highlights articulation, shared breathing, and rhythmic precision, while offering beautiful melodic lines that respond to and complement each other.\u003c\/p\u003e\u003cp\u003eWritten for \u003cstrong\u003e2 alto recorders\u003c\/strong\u003e, the piece can also be performed by \u003cstrong\u003e2 transverse flutes\u003c\/strong\u003e, making it particularly interesting for mixed formations and ensemble workshops. The \u003cstrong\u003ebasso continuo\u003c\/strong\u003e (Bc.) serves as the foundation: it can be realized by a harmonic instrument (harpsichord, organ) supported by a bass instrument (cello, viola da gamba, bassoon), according to your ensemble's practice. This is an ideal score for working on intonation, stylistic ornamentation, voice leading, and sound balance within an authentic Baroque aesthetic.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTELEMANN, Georg Philipp (1681-1767)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBaroque score (trio sonata)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2 alto recorders (transverse flutes) and Bc.\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Amadeus","offers":[{"title":"Default Title","offer_id":54357214724371,"sku":"316322","price":16.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/861b95316d4bcb88e22dbbc3596e0c2cbe82af23_AMABP819.jpg?v=1792529060"},{"product_id":"amadeus-wutky-cajetan-drei-duos-op-2-alto-violoncelle-384877","title":"Wutky Cajetan - Drei Duos Op.2 - Alto \u0026 Violoncelle","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eDrei Duos\u003c\/strong\u003e is a collection focused on playing in pairs, designed to develop essential duo skills: breathing together, anticipating entries, adjusting intonation, and constructing a shared musical phrase. The title implies the presence of three duos, allowing for alternating atmospheres and progressive development without multiplying purchases or prints.\u003c\/p\u003e\u003cp\u003eThis score is particularly aimed at musicians wishing to enrich their small ensemble chamber music repertoire. Duo work is excellent for gaining precision: each part becomes more exposed, encouraging careful attention to articulation, dynamics, and tempo stability. In rehearsals, these duos provide an effective framework to address coordination (attacks, phrase endings, rests) as well as musicality (sound layers, dialogues, imitation, responses).\u003c\/p\u003e\u003cp\u003eWhether for a lesson, an audition, an ensemble workshop, or simply the pleasure of playing together, this collection allows for quickly establishing a practice routine: sight-reading, setup, then exploration of intentions and colors. It also serves as a relevant foundation for learning to \"lead\" or \"accompany\" depending on the moment, and for developing active listening, essential to any duo repertoire.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eCajetan Wutky\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMichael Jappe\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Amadeus","offers":[{"title":"Default Title","offer_id":54357653553427,"sku":"384877","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/fdc704fa1bde4a959319d5246381d9a15d658059_BP1622.jpg?v=1792537630"},{"product_id":"amadeus-rolla-antonio-idyllen-alto-solo-384733","title":"Rolla Antonio - Idyllen - Alto Solo","description":"\u003ch3\u003eSummary of This Sheet Music\u003c\/h3\u003e\u003cp\u003eWith \"Idyllen,\" Alessandro Rolla offers an expressive writing style conducive to exploring singing, musical breathing, and color. This sheet music is intended for musicians who wish to work on a characterful piece capable of adding a poetic touch to a program, while remaining focused on the essentials: line, balance, and intention.\u003c\/p\u003e\u003cp\u003eEdited by Bernhard Päuler, this publication provides a solid foundation for approaching the work under good reading conditions. It is particularly suitable for moments when one seeks to refine musicality: articulation, dynamic control, tempo regularity, and coherence of expression. Whether you are in the discovery phase, refining your skills, or preparing for the stage, \"Idyllen\" integrates easily into a practice routine, encouraging an attentive approach to style and phrasing.\u003c\/p\u003e\u003cp\u003eThis sheet music is a wise choice for musicians looking for a piece that is both evocative and educational, allowing the development of expressiveness and precision while exploring the universe of a key composer of his era.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eRolla, Alessandro\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePäuler, Bernhard\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Amadeus","offers":[{"title":"Default Title","offer_id":54358029402387,"sku":"384733","price":12.7,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/42fcdb5fb045878211925ab7a7705728f7bd81a0_9790015258206.jpg?v=1792547261"},{"product_id":"amadeus-graun-j-g-sonata-b-dur-alto-piano-384281","title":"Graun J.G. - Sonata B-dur - Alto \u0026 Piano","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003eThis sonata for viola and harpsichord obbligato is part of the 18th-century German tradition, where the writing highlights musical rhetoric, clarity of discourse, and a taste for contrasts. The viola finds an expressive place, with a line designed for projection, smooth legato, and subtle nuances, while the harpsichord, a true partner, carries a structurally and musically active part.\u003c\/p\u003e\u003cp\u003eInterpreting this work involves developing a centered and flexible viola tone, precise articulation, and phrasing oriented towards dance and declamation. The dialogue with the harpsichord calls for careful attention to breathing, balance of sound layers, and tempo coherence, especially in passages where the viola line relies on the harmonic and rhythmic framework of the keyboard. This score is perfectly suited for violists wishing to develop their chamber music instincts and refine their understanding of Baroque style (ornamentation, accents, momentum).\u003c\/p\u003e\u003cp\u003eWhether for concert performance, chamber music class work, or exploring the Baroque repertoire for viola, this sonata is a relevant choice: musical, educational, and rewarding, it emphasizes mutual listening and ensemble precision, while offering an ideal ground to build a personal interpretation.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJohann Gottlieb Graun\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eviola and harpsichord\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMichael Jappe\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eclassical score\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Amadeus","offers":[{"title":"Default Title","offer_id":54358119285011,"sku":"384281","price":14.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/9a9098e161ee0da30fa8d59c467ce7587ccfd9bc_BP1794.jpg?v=1792552023"},{"product_id":"amadeus-beethoven-l-v-sonatine-alto-violoncelle-384855","title":"Beethoven L.V. - Sonatine - Alto \u0026 Violoncelle","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eSonatina\u003c\/strong\u003e belongs to the world of Ludwig van Beethoven, an essential composer for understanding the transition from Classicism to a more personal and contrasted expression. This score offers a concise piece, designed to focus on the essentials: a clear structure, distinct musical ideas, and a discourse that demands both rigor and sensitivity.\u003c\/p\u003e\u003cp\u003eIn practice, this sonatina is particularly interesting for developing a nuanced reading of style: management of accents, tempo stability, quality of attack, and coherence of legato. It allows approaching interpretation with concrete objectives, such as establishing musical breaths, hierarchizing motifs, and seeking a balanced sound. It is also an excellent foundation for working on musicality beyond the notes, by constructing phrases and refining transitions.\u003c\/p\u003e\u003cp\u003eWhether you use it in lessons, audition preparation, or simply to enrich your repertoire, this score provides a reliable support for progressing in listening and mastering the classical language. It integrates easily into a pedagogical program focused on precision and understanding of form, while remaining expressive enough to inspire a personal interpretation.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBeethoven, Ludwig van\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eHess, Willy\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Amadeus","offers":[{"title":"Default Title","offer_id":54358229811475,"sku":"384855","price":12.7,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/af60c5bf848d63d050e6dd940078ea2547530af4_BP607.jpg?v=1792556784"},{"product_id":"amadeus-vivaldi-a-concerto-in-a-moll-op-3-8-60199","title":"Vivaldi A. - Concerto In A-moll Op 3-8","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003eThis edition offers a \"piano reduction and parts\" format, particularly appreciated in ensemble practice as well as pedagogy. The piano reduction allows the conductor, teacher, or coach to have a global view of the musical texture, while providing a solid support to work on intonation, entrances, and balance of sound layers. It is also an effective solution when the full ensemble is not available at every session.\u003c\/p\u003e\u003cp\u003eThe separate parts are designed for collective playing: they improve readability, avoid page sharing, and make rehearsals smoother. The indicated instrumentation (2 Vn, Strings, Bc) corresponds to a string formation with basso continuo, a central configuration in the Baroque repertoire. It suits both conservatory work and concert programming, allowing adaptation of the accompaniment (harpsichord, organ, cello, double bass) according to the ensemble's resources.\u003c\/p\u003e\u003cp\u003eMusically, one finds the energy and clarity characteristic of Antonio Vivaldi: dialogues between the two violins, clear rhythmic accents, string lines supporting the dynamics, and structuring basso continuo. This score is an excellent support to develop listening between sections, Baroque articulation, precision of attacks, and dynamic control, whether in a small ensemble or a string orchestra.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAntonio Vivaldi\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2 Vn, Strings, Bc\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Amadeus","offers":[{"title":"Default Title","offer_id":54358246064403,"sku":"60199","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/4d7820a1fee8539e7b82d10b1e4558cd42107622_PARTOCHE.jpg?v=1792551938"},{"product_id":"amadeus-wassenaer-unico-drei-sonaten-altblockflote-und-basso-continuo-425174","title":"Wassenaer Unico - Drei Sonaten - Altblockflote und Basso Continuo","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003eWith \u003cstrong\u003eDrei Sonaten (F major, G minor, G minor)\u003c\/strong\u003e, \u003cstrong\u003eWASSENAER, Unico Wilhelm van (1692-1766)\u003c\/strong\u003e offers a triptych of \"Italian-style\" sonatas, clearly linked to the Venetian taste. Written \u003cstrong\u003efür Altblockflöte und Bc.\u003c\/strong\u003e, these pieces highlight the alto recorder in a discourse that is both lyrical and rhythmically animated, supported by a basso continuo that structures the harmony and energizes the progression. One finds here an immediately recognizable Baroque grammar: \u003cstrong\u003earpeggios\u003c\/strong\u003e (Dreiklangsbrechungen) outlining the melodic line, \u003cstrong\u003edeceptive cadences\u003c\/strong\u003e (Trugschlusswendungen) creating surprise, and \u003cstrong\u003esequences\u003c\/strong\u003e (Quintfallsequenzen) that give momentum and coherence to the development. This score is aimed both at recorder players wishing to explore an expressive sonata repertoire and at duos and ensembles seeking an effective concert work, where the balance between measured virtuosity, cantabile, and musical rhetoric remains central.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eUnico Wilhelm van Wassenaer (1692-1766)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBaroque sonatas (chamber music)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAlto recorder and basso continuo (Bc.)\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Amadeus","offers":[{"title":"Default Title","offer_id":54358266904851,"sku":"425174","price":21.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/40afcd4d8ca7ff241c72c8c07bfd020c61b1367a_9790015120008.jpg?v=1792556759"},{"product_id":"amadeus-mancini-francesco-12-sonates-vol-1-sonates-1-3-flb-alto-bc-268455","title":"Mancini Francesco - 12 Sonates Vol.1 (sonates 1-3) - FLB Alto \u0026 BC","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003e12 Sonatas\u003c\/strong\u003e brings together a coherent set of Baroque-style sonatas designed to highlight the melodic line of a treble instrument while relying on the stability and harmonic richness of the \u003cstrong\u003ebasso continuo\u003c\/strong\u003e. This formula, central to the repertoire of the 17th and 18th centuries, allows for working on both musicality and the construction of the discourse: phrasing, articulation, breathing, dynamics, and coordination with the accompanist.\u003c\/p\u003e\u003cp\u003ePrimarily intended for the \u003cstrong\u003ealto recorder\u003c\/strong\u003e, this score is aimed at players wishing to deepen their Baroque playing and develop a singing tone, precise articulation, and fluent reading. The mention of an alternative for \u003cstrong\u003eflute\u003c\/strong\u003e or \u003cstrong\u003eoboe\u003c\/strong\u003e also opens the door to varied configurations, in classes, chamber music, or educational settings, while preserving the spirit of the sonata.\u003c\/p\u003e\u003cp\u003eThanks to the continuo accompaniment, the performer can approach essential concepts such as harmonic realization, pulse, cadence management, and balance between soloist and bass. Whether preparing for an audition, a concert program, or regular stylistic practice, this volume provides an effective resource for exploring the Baroque language: motifs, sequences, contrasts, and musical drives typical of the period.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFrancesco Mancini\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ealto recorder (flute, oboe) and basso continuo\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eWinfried Michel\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eVol. 1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Amadeus","offers":[{"title":"Default Title","offer_id":54358409281811,"sku":"268455","price":23.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/b58619e709f30a414ef5b2630d69b48276f38aff_HL_AMA863.jpg?v=1792561691"},{"product_id":"amadeus-boismortier-j-6-pastorales-op-42-172842","title":"Boismortier J. - 6 Pastorales Op.42","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003eWith \u003cstrong\u003e6 Pastorales, op. 42\u003c\/strong\u003e, Joseph Bodin de Boismortier offers a collection designed for the pleasure of playing in duo, in a language typical of French Baroque music: singing lines, imitative responses, dance-like measures, and elegant phrasing. Each pastorale highlights the \u003cstrong\u003emusical conversation\u003c\/strong\u003e between the two voices, making it an excellent resource to develop intonation, rhythmic stability, and tuning in a small ensemble.\u003c\/p\u003e\u003cp\u003eThe option to perform these pieces as a \u003cstrong\u003eduo of alto recorders\u003c\/strong\u003e or a \u003cstrong\u003eduo of flutes\u003c\/strong\u003e broadens their use: repertoire work in conservatories, chamber music among students, or a light and refined program for concerts. During rehearsals, the clarity of the writing facilitates the setting of articulations, breaths, and dynamics, while leaving real space for interpretation (nuances, ornamentation, pastoral character).\u003c\/p\u003e\u003cp\u003ePublished by \u003cstrong\u003eAmadeus\u003c\/strong\u003e and prepared by \u003cstrong\u003eBernhard Päuler\u003c\/strong\u003e, this score naturally fits into a \u003cstrong\u003echamber music\u003c\/strong\u003e library for winds. A relevant choice for those seeking a duo score combining pedagogy, style, and immediate playing pleasure.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBoismortier, Joseph Bodin de\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2 alto recorders or 2 flutes\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAmadeus\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Amadeus","offers":[{"title":"Default Title","offer_id":54358412984595,"sku":"172842","price":16.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/c0dbaaeab0d14bda8aea14dc8bbacf8cc3751d31_BP0964.jpg?v=1792561718"},{"product_id":"amadeus-galliard-john-ernest-6-sonaten-vol-2-n-4-6-blockflote-und-basso-continuo-425172","title":"Galliard John Ernest - 6 Sonaten vol.2 N° 4-6 - Blockflote und Basso Continuo","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e  \u003cp\u003eWith \"6 Sonaten - Band II: Sonaten 4-6,\" John Ernest Galliard (c. 1680-1749) presents three sonatas (nos. 4 to 6) designed to highlight a singing and articulated solo line, supported by a basso continuo (Bc.) that structures the harmony and rhythmic drive. This volume is aimed at instrumentalists wishing to approach or deepen their understanding of the Baroque aesthetic through a sonata repertoire where phrasing precision, clarity of articulation, and mastery of ornaments are paramount.\u003c\/p\u003e  \u003cp\u003eThe score is designated for recorder, while leaving the door open to other melodic instruments such as transverse flute (traverso) or oboe, making it a particularly relevant choice for classes, ensembles, and variable formations. The continuo can be realized on keyboard and\/or with a bass instrument, providing an ideal foundation for working on intonation, sound balance, and musical breathing in chamber music settings. An excellent resource for building a coherent repertoire, developing stylistic interpretation, and gaining ease in the dialogue between soloist and accompaniment.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJohn Ernest Galliard\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlockflöte (Querflöte, Oboe) and Bc.\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Amadeus","offers":[{"title":"Default Title","offer_id":54358425338131,"sku":"425172","price":16.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/03d16111637c1f1b9ae076b098be4a0619553330_9790015052903.jpg?v=1792561567"},{"product_id":"amadeus-schmitt-joseph-viola-concerto-c-major-alto-piano-384755","title":"Schmitt Joseph - Viola Concerto C Major - Alto \u0026 Piano","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eConcerto in C major - Klavierauszug mit Solostimme\u003c\/strong\u003e is a concerto for \u003cstrong\u003eviola and orchestra\u003c\/strong\u003e attributed to \u003cstrong\u003eJoseph Schmitt (1734-1791)\u003c\/strong\u003e. 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PH. - Die Kleine Kammermusik","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e  \u003cp\u003eWith \u003cstrong\u003e6 Partitas\u003c\/strong\u003e, you have a collection designed to highlight a solo instrument supported by a \u003cstrong\u003ebasso continuo\u003c\/strong\u003e. The mention \"violin (recorder, flute, oboe) and basso continuo\" emphasizes a particularly practical approach: depending on your training, the main line can be played on \u003cstrong\u003eviolin\u003c\/strong\u003e or assigned to a wind instrument (recorder, flute, oboe), while maintaining the harmonic and rhythmic foundation of the basso continuo.\u003c\/p\u003e  \u003cp\u003ePartitas are often conceived as suites of contrasting movements, making them an excellent tool to work on \u003cstrong\u003ebuilding a musical discourse\u003c\/strong\u003e: linking atmospheres, balancing tempi, refining transitions, and developing true musical coherence. For the solo instrument, this type of writing emphasizes the \u003cstrong\u003eline\u003c\/strong\u003e (singing, possible ornamentation, phrase direction) and precision of attacks. For the basso continuo, the challenge is to provide a \u003cstrong\u003elively support\u003c\/strong\u003e: pulse, harmonic relief, shared breathing, and constant listening to the soloist.\u003c\/p\u003e  \u003cp\u003eThis score will naturally find its place in \u003cstrong\u003elessons\u003c\/strong\u003e, \u003cstrong\u003echamber music workshops\u003c\/strong\u003e, or for preparing a performance. It is also well suited for musicians wishing to enrich their repertoire with adaptable pieces, while maintaining the stylistic demands specific to playing with continuo: sound balance, clarity of voices, and sense of movement.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eviolin (recorder, flute, oboe) and basso continuo\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Amadeus","offers":[{"title":"Default Title","offer_id":54358520955155,"sku":"150609","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/86f406f441b388c8a07735ca8f6b0816ed0fa6dd_HL_AMA2400.jpg?v=1792561604"},{"product_id":"amadeus-fasch-j-f-sonate-in-b-dur-conducteur-parties-288685","title":"Fasch J.F. - Sonate In B-dur - Conducteur \u0026 Parties","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003eThe score \"Sonata in Bb major\" by Johann Friedrich Fasch offers a work in \u003cstrong\u003eB-flat major\u003c\/strong\u003e for \u003cstrong\u003ealto recorder\u003c\/strong\u003e (flute), \u003cstrong\u003eoboe\u003c\/strong\u003e, \u003cstrong\u003eviolin\u003c\/strong\u003e, and \u003cstrong\u003ebasso continuo\u003c\/strong\u003e. The ensemble highlights a genuine conversational interplay between timbres: the flexibility and clarity of the recorder, the projection of the oboe, and the support of the violin, all anchored by a structuring basso continuo. This format suits both established ensembles and educational projects focused on chamber music, where rhythmic precision, intonation accuracy, and articulation coherence are sought.\u003c\/p\u003e\u003cp\u003eThe edition, prepared by \u003cstrong\u003eBernhard Päuler\u003c\/strong\u003e, is provided in \u003cstrong\u003escore and parts\u003c\/strong\u003e, an advantage for efficient rehearsal work: each musician has a reading adapted to their part, while the score allows the section leader or continuo player to maintain an overall view of the musical architecture. Whether you are an alto recorder player, oboist, violinist, or continuo player, this sonata constitutes an excellent foundation to refine phrasing, balance dynamics, and polish attacks within a demanding ensemble music aesthetic.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFasch, Johann Friedrich\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ealto recorder (flute), oboe, violin, and basso continuo\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePäuler, Bernhard\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Amadeus","offers":[{"title":"Default Title","offer_id":54358580035859,"sku":"288685","price":19.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/a556eb42a57a36be8a24c17aea0d53394e38de91_BP795.jpg?v=1792566511"},{"product_id":"amadeus-galliard-john-ernest-6-sonaten-vol-1-n-1-3-blockflote-und-basso-continuo-425171","title":"Galliard John Ernest - 6 Sonaten vol.1 N° 1-3 - Blockflote und Basso Continuo","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003eWith \"6 Sonaten - Band I: Sonaten 1-3,\" GALLIARD, John Ernest (c. 1680-1749) offers a triptych of Baroque sonatas where the dialogue between the solo voice and the basso continuo forms the core of the musical discourse. These pieces fit within the aesthetic of the chamber sonata: alternating contrasting movements, expressive melodic lines, and passages that invite attention to both virtuosity and cantilena.\u003c\/p\u003e\u003cp\u003eDesigned for the recorder, this edition also adapts to the transverse flute or oboe, making it a valuable resource for teachers as well as instrumentalists wishing to expand their repertoire. The presence of the \u003cstrong\u003eBc.\u003c\/strong\u003e (basso continuo) encourages precise work on realization and coordination with the harpsichord, organ, or any harmonic instrument, supported by a bass instrument (cello, viola da gamba, bassoon, etc.). A particularly relevant score for approaching Baroque rhetoric, balance of sound layers, and building a stylistically informed interpretation.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJohn Ernest Galliard\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBaroque sonatas\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlockflöte (Querflöte, Oboe) and Bc. (basso continuo)\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Amadeus","offers":[{"title":"Default Title","offer_id":54358610510099,"sku":"425171","price":16.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/cd370667cdea0ed44e1aa86a0345fb8a706a981d_9790015052804.jpg?v=1792566445"},{"product_id":"amadeus-rust-f-w-sonata-in-f-dur-alto-piano-384292","title":"Rust F.W. - Sonata In F-dur - Alto \u0026 Piano","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e  \u003cp\u003eTitled \u003cstrong\u003eSonata F major\u003c\/strong\u003e, this score invites you to enter the aesthetic world of Friedrich Wilhelm Rust, a figure of German Classicism. The key of F major, often associated with a warm and stable sound, encourages attention to the clarity of lines and building an interpretation with a clear sense of breathing and cadences. It is a work particularly suited for practicing rhythmic placement and balancing tension and relaxation, essential elements in classical writing.\u003c\/p\u003e   \u003cp\u003eIn practice, this sonata provides an excellent ground to refine articulation (detached, legato, accentuation), organize sonic layers, and give direction to each phrase. It calls for a steady pulse, controlled dynamics, and constant attention to harmonic progression. For both students and more advanced musicians, it is a score that promotes attentive and musical reading, prioritizing precision without losing the fluidity of the discourse.\u003c\/p\u003e   \u003cp\u003eWhether you study it as part of a learning process or to complement a classical music program, this sonata will help develop essential interpretative reflexes: tempo stability, sense of form, coherence of transitions, and sound quality. A wonderful opportunity to explore a less frequently performed composer while remaining at the heart of stylistic fundamentals.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eRust, Friedrich Wilhelm\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Amadeus","offers":[{"title":"Default Title","offer_id":54358616178963,"sku":"384292","price":14.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/b1f6efa7754f34cdca9f081cf68fe20a4db1da98_BP873.jpg?v=1792566373"},{"product_id":"amadeus-hoffmeister-f-a-romance-alto-piano-384734","title":"Hoffmeister F.a. - Romance - Alto \u0026 Piano","description":"\u003ch3\u003eSummary of This Sheet Music\u003c\/h3\u003e \u003cp\u003eRomance by Franz Anton Hoffmeister is a score designed to make the instrument sing and establish natural expression from the very first measures. It features a typical Classical style writing, focused on a fluid melodic line and a clear structure, making it an excellent choice for both study and performance. This Romance allows working on the regularity of musical breath, evenness of sound, and control of dynamics, while developing the listening to phrasing and cadences. It integrates easily into an audition, exam, or concert program, thanks to its elegant character and accessible harmonic language. A repertoire piece that is both educational and rewarding, emphasizing sensitivity, rhythmic precision, and style.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eHoffmeister, Franz Anton\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMichel, Winfried\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Amadeus","offers":[{"title":"Default Title","offer_id":54358820749587,"sku":"384734","price":17.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/8d4b447e168460c912bb514bd450b2ca5d30ad30_BP1785.jpg?v=1792573579"},{"product_id":"amadeus-telemann-6-sonates-pour-2-flutes-a-bec-alto-vol-1-sonates-1-3-337138","title":"Telemann - 6 Sonates Pour 2 Flutes A Bec Alto Vol.1 - Sonates 1-3","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003eThis first volume brings together \u003cstrong\u003eSonatas 1 to 3\u003c\/strong\u003e from Telemann's \"\u003cstrong\u003eSechs Sonaten\u003c\/strong\u003e\" (references \u003cstrong\u003eTWV 40:101-103\u003c\/strong\u003e), in a version intended for \u003cstrong\u003etwo alto recorders\u003c\/strong\u003e \u003cstrong\u003ewithout basso continuo\u003c\/strong\u003e. The enjoyment of these sonatas lies in the richness of the two-voice writing: each instrument alternately serves as rhythmic driver, theme bearer, echo partner, or responder. Naturally, this allows work on \u003cstrong\u003earticulation\u003c\/strong\u003e (attack, detached notes, slurs), \u003cstrong\u003eensemble coordination\u003c\/strong\u003e (shared pulse, entrances, phrase endings), and \u003cstrong\u003esonic balance\u003c\/strong\u003e between the two recorders.\u003c\/p\u003e\u003cp\u003eIn rehearsal, this collection is an excellent tool to refine \u003cstrong\u003eintonation accuracy\u003c\/strong\u003e (listening to intervals, note holding), stabilize \u003cstrong\u003epitch\u003c\/strong\u003e during moving passages, and develop a coherent \u003cstrong\u003eensemble breathing\u003c\/strong\u003e. From an interpretative perspective, the absence of basso continuo encourages careful line shaping, dynamics, and clarity of musical intentions, to make the discourse lively and clear. An ideal score to enrich a program of \u003cstrong\u003ebaroque chamber music\u003c\/strong\u003e, whether in class, recital, or concert.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGeorg Philipp Telemann\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical score (Baroque music)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArranger\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eWinfried Michel (editor)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePages\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e22 pages + 4 pages\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAmadeus Verlag\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eYear of Publication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1979\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2 alto recorders (without basso continuo)\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Amadeus","offers":[{"title":"Default Title","offer_id":54358944612627,"sku":"337138","price":14.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/12dc98617ab05af3ee9fae5ea657413cb3b5fc55_AMABP2426.jpg?v=1792573547"},{"product_id":"amadeus-pichl-wenzel-drei-duos-op-16-alto-violoncelle-384876","title":"Pichl Wenzel - Drei Duos Op.16 - Alto \u0026 Violoncelle","description":"\u003ch3\u003eSummary of This Sheet Music\u003c\/h3\u003e\u003cp\u003eWith \u003cstrong\u003e3 Duos\u003c\/strong\u003e, Wenzel Pichl offers a program focused on the joy of playing together, in the spirit of chamber music: active listening, shared breathing, and building a unified sound. This sheet music is aimed at musicians who wish to develop essential duo skills such as voice balance, dynamic control, articulation, and precise entrances.\u003c\/p\u003e\u003cp\u003eThe \"duos\" format is particularly effective for making progress: each part is exposed, which enhances each player's musical responsibility and fosters a nuanced understanding of harmony and counterpoint. In practice, these pieces serve as excellent material for lessons (working on ensemble setup, phrasing, style) as well as for independent rehearsal, thanks to a writing style that highlights the interaction between the two partners.\u003c\/p\u003e\u003cp\u003eWhether you are looking for sheet music to enrich your chamber music library, prepare for an audition, or simply diversify your duo repertoire, \u003cstrong\u003e3 Duos\u003c\/strong\u003e naturally fits into a musical training path. The \u003cstrong\u003ePäuler, Bernhard\u003c\/strong\u003e edition offers a stable and pleasant reading format, suitable for regular use on the music stand.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePichl, Wenzel\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePäuler, Bernhard\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Amadeus","offers":[{"title":"Default Title","offer_id":54359017455891,"sku":"384876","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/305ff2ab90959326efffc8e98e91306dbd8bc69b_BP897.jpg?v=1792573545"},{"product_id":"amadeus-paganini-n-sonate-alto-piano-384875","title":"Paganini N. - Sonate - Alto \u0026 Piano","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003eTitled \u003cstrong\u003eSonata\u003c\/strong\u003e, this score highlights the writing of \u003cstrong\u003eNiccolò Paganini\u003c\/strong\u003e, an iconic composer whose musical language demands both rigor and a sense of discourse. The \"sonata\" format offers a clear structure, ideal for organizing practice: theme presentation, development, transitions, and conclusion, all useful landmarks for progressing in both reading and interpretation.\u003c\/p\u003e\u003cp\u003eThe edition entrusted to \u003cstrong\u003eFranz Beyer\u003c\/strong\u003e aims to provide a musical text usable on a daily basis, whether for sight-reading, setup, or detailed work (breathing, phrasing, dynamics). 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Written for two upper voices and basso continuo, these pieces fully embody the Baroque aesthetic: singing lines, rhythmic energy, affect contrasts, and a sense of discourse. The writing highlights duo playing, with a genuine interplay between the two instruments, sometimes in imitation, sometimes in complement, making it a stimulating score to develop listening and ensemble cohesion.\u003c\/p\u003e   \u003cp\u003eThe mention \"for 2 Melodieinstrumente (Violinen, Blockflöte, Flöten, Oboen) und Bc.\" emphasizes an open approach to instrumentation: these sonatas can be performed by string or wind duos and are very suitable for mixed ensembles. The basso continuo (Bc.) provides a solid harmonic framework and allows refinement of intonation, musical breathing, and cadences. Depending on your ensemble, the continuo realization can be entrusted to a harmonic instrument and a bass instrument to support the pulse and phrase architecture. 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Whether you are looking for an expressive piece to work on to gain musicality or a more lyrical moment to include in a program, \u003cstrong\u003eCantilene\u003c\/strong\u003e is a relevant option, focused on the quality of the line and the sensitivity of the performer.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJansa, Leopold\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePäuler, Bernhard\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Amadeus","offers":[{"title":"Default Title","offer_id":54360391975187,"sku":"384738","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/3157c6b8acb205cec1f5fcc5f151007400954195_9790015176203.jpg?v=1792609652"},{"product_id":"amadeus-quantz-j-j-capricen-fasin-und-anfangsstucke-flute-59920","title":"Quantz J.J. - Capricen Fasin Und Anfangsstücke - Flute","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003eThis score highlights the elegant and demanding writing of Johann Joachim Quantz, a composer and pedagogue emblematic of the Baroque aesthetic. 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Paired with a continuo (harpsichord, organ, theorbo, viola da gamba, or cello depending on practice), it allows exploration of tempo flexibility, articulation, and ornaments with musicality and stylistic coherence.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJohann Joachim Quantz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFl, Bc\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1st edition by W. 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Concerto Op. 44\/11 G-dur","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003e\"Reduction for recorder and basso continuo\" offers a streamlined and effective presentation, focused on the balance between the solo voice and the harmonic foundation. This format is particularly valued in the Baroque repertoire and the practice of early music ensembles, where the recorder must combine rhythmic precision, careful articulation, and a sense of singing.\u003c\/p\u003e\u003cp\u003eThanks to this reduction, the performer concentrates on the essentials of the musical discourse: the melodic line, its breathing, its accents, and phrasing, while relying on the basso continuo to build harmony and dynamics. It is an excellent tool for working on listening and placement, especially when the accompaniment is realized on keyboard (harpsichord, organ) and\/or by a bass instrument (cello, viola da gamba, bassoon), according to your ensemble's habits.\u003c\/p\u003e\u003cp\u003eThis score is intended for recorder players who wish to develop a stylistically coherent interpretation, gain musical autonomy, and strengthen ensemble playing. It is also well suited for work in lessons, chamber music workshops, or rehearsal contexts, facilitating communication between soloist and continuo player.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eWinfried Michel\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003erecorder and basso continuo\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Amadeus","offers":[{"title":"Default Title","offer_id":54360561189139,"sku":"83420","price":16.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/cdfbe285ab8ee7f30bade82cde77f4d418fa941a_BP_0820.jpg?v=1792614434"},{"product_id":"amadeus-kiel-f-3-romances-alto-piano-384754","title":"Kiel F. - 3 Romances - Alto \u0026 Piano","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e  \u003cp\u003eDrei Romanzen op. 69 by Friedrich Kiel (1821-1885) is at the heart of 19th-century German chamber music, where romantic expression is combined with great compositional rigor. Long celebrated as a master of polyphonic technique, Kiel here deploys a particularly natural language for the viola: generous melodic lines, broad phrasing, and a sense of cantabile, all supported by a piano part constructed with solid harmonic logic.\u003c\/p\u003e  \u003cp\u003eThese three romances offer a journey through atmospheres, ranging from restrained lyricism, progressive intensity, to elegant style. The viola occupies a central role, sometimes close to the human voice, sometimes more instrumental and incisive, while the piano acts as a full partner, weaving accompaniment and counter-melodies with great finesse. This score is an excellent choice for violists wishing to deepen their romantic repertoire for viola and piano, working on tone quality, articulation, voice leading, and duo cohesion.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFriedrich Kiel (1821-1885)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eclassical score (romantic chamber music)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eviola and piano\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Amadeus","offers":[{"title":"Default Title","offer_id":54360577376531,"sku":"384754","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/0f3716596648e04eb3666bfc74f0ef89862f0163_BP1589.jpg?v=1792619813"},{"product_id":"amadeus-van-eyck-der-fluyten-lust-hof-ii-60179","title":"Van Eyck - Der Fluyten Lust-Hof Ii","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e  \u003cp\u003eThis \u003cstrong\u003e1st commented edition\u003c\/strong\u003e dedicated to \u003cstrong\u003eJacob Van Eyck\u003c\/strong\u003e is aimed at instrumentalists wishing to approach a demanding and formative repertoire, where the precision of musical gesture directly serves expression. The editorial commentary provides useful insight into the text, musical realization, and interpretative choices, supporting both independent study and guided work with a teacher.\u003c\/p\u003e   \u003cp\u003eThroughout the pages, this score offers an excellent ground for progress in building a stable sound, refining note attacks, managing accents, and clarifying articulations. It also invites exploration of the logic of variations, balance of lines, and continuity of discourse-central elements to bring out the character of early music. The indicated instrumentation \u003cstrong\u003eFlb\u003c\/strong\u003e (common abbreviation for recorder) makes it a natural choice for flutists eager to enrich their repertoire with an edition designed for practice, while consolidating fundamental technical and stylistic skills.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJacob Van Eyck\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFlb\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1st commented edition\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Amadeus","offers":[{"title":"Default Title","offer_id":54360604508435,"sku":"60179","price":19.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/d2861c8b094560e62f594c0df6242e319ae6dfe7_BP0705.jpg?v=1792619912"},{"product_id":"amadeus-the-division-flute-ii-58767","title":"The Division Flute Ii","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003eThis score brings together emblematic pages from the Baroque repertoire, offering a journey from 17th-century English music to the Italian ground aesthetic, without forgetting the elegance of the French chaconne. Designed for musical practice, it highlights ostinato basses and variations, excellent for developing rhythmic regularity, harmonic listening, and the construction of musical discourse.\u003c\/p\u003e\u003cp\u003eIntended for flute (with alto recorder option) accompanied by basso continuo, it naturally fits into chamber music work: voice balance, shared breathing, setting of accents, and understanding harmonic progressions. A relevant resource to approach the codes of Baroque interpretation and enrich one's repertoire with essential forms such as the ground and the chaconne.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFl (alto recorder), Bc\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBaroque score (17th-century repertoire)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Amadeus","offers":[{"title":"Default Title","offer_id":54360688525587,"sku":"58767","price":19.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/7d6894d4c7db66ffd188225b32cfc4716f488173_BP711.jpg?v=1792624654"},{"product_id":"amadeus-taglichsbeck-thomas-concertstuck-alto-piano-384737","title":"Taglichsbeck Thomas - Concertstuck - Alto \u0026 Piano","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eConcert piece\u003c\/strong\u003e is a concert work composed by Thomas Täglichsbeck. Designed for public performance, this score belongs to a repertoire that prioritizes musical impact and the construction of a clear narrative from beginning to end. It allows for work on sound projection, contrast management, and articulation quality, while developing a nuanced interpretation.\u003c\/p\u003e\u003cp\u003eThroughout the piece, the musician is encouraged to maintain tempo stability, balance tension and relaxation, and ensure coherence in transitions. This approach makes it a relevant tool for preparing a stage performance, consolidating sight-reading skills, and refining ensemble coordination. 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Designed for solo soprano recorder, this volume is intended for players wishing to deepen their understanding of a demanding historical repertoire, both in terms of intonation and expressiveness.\u003c\/p\u003e\u003cp\u003eThis \u003cstrong\u003e1st annotated edition\u003c\/strong\u003e offers a particularly valuable editorial approach: beyond the music, it provides a \u003cstrong\u003edetailed commentary\u003c\/strong\u003e that sheds light on the practice, style, and musical intentions related to this corpus. It is an asset for working methodically, refining interpretation, and gaining autonomy, whether you are a conservatory student, an advanced amateur recorder player, or a teacher seeking a serious resource.\u003c\/p\u003e\u003cp\u003eThanks to its \u003cstrong\u003esolo\u003c\/strong\u003e format, this collection is also an excellent playground for developing breathing, articulation, management of repeats, and the construction of musical discourse. 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Thanks to the work of Bernhard Päuler (author \/ Herausgeber), this publication provides carefully edited content, designed for clear reading and practical use in a context of study, research, or musical preparation.\u003c\/p\u003e \u003cp\u003eWhether you are a musician looking for guidance, a teacher seeking a reliable resource, or simply a curious individual wishing to enrich your musical culture, this work serves as a relevant support to better contextualize Willy Hess and guide your explorations of the repertoire. The Continuo edition offers a polished presentation, suitable for regular consultation in media libraries, conservatories, or personal libraries.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eWilly Hess\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eContinuo\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArranger\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBernhard Päuler (Herausgeber)\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Amadeus","offers":[{"title":"Default Title","offer_id":54361203376403,"sku":"380079","price":14.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/7fc775a24f0053fcf2c59b5fbed27b62a37f3fdd_BP423.jpg?v=1792639239"}],"url":"https:\/\/woodbrass.shop\/collections\/amadeus.oembed?page=2","provider":"Woodbrass.com","version":"1.0","type":"link"}