{"title":"Cmbv","description":null,"products":[{"product_id":"cmbv-gossec-f-j-quatuor-op-15-xv-n-1-rh-187-127185","title":"Gossec F. J. - Quatuor Op. 15 XV N°1 (RH.187)","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e  \u003cp\u003eWith \u003cstrong\u003eQuartet in C Major\u003c\/strong\u003e, you have a score designed for the queen formation of chamber music: \u003cstrong\u003etwo violins, one viola, and one cello\u003c\/strong\u003e. The key of C major offers a particularly clear ground to approach or consolidate the fundamentals of ensemble playing: rhythmic placement, intonation, coherence of attacks, and quality of phrasing. Each instrument holds a complementary role, inviting musicians to build a common sound rather than an addition of individual parts.\u003c\/p\u003e   \u003cp\u003eThis score naturally fits into a string quartet library to work on coordination between sections (dialogues, accompaniments, imitation passages) and dynamic management. In rehearsal, it allows emphasis on essential skills: listening to the cello bass line to stabilize harmony, balancing the middle voices of the viola, and unifying the articulations of the two violins to gain precision and musicality.\u003c\/p\u003e   \u003cp\u003eWhether you are a teacher, an instrumental cycle student, or an amateur musician practicing chamber music, \u003cstrong\u003eQuartet in C Major\u003c\/strong\u003e provides a reliable support to structure a practice session: sight-reading, sectional setup, then building the musical discourse as a quartet. A relevant choice to develop the autonomy of each part while cultivating the ensemble spirit.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eViolin 1 \u0026amp; 2, viola, cello\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Cmbv","offers":[{"title":"Default Title","offer_id":54356700856595,"sku":"127185","price":3.88,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/2fadf2088b6549e651587ae4c28e0158e94c48d8_PARTOCHEEEE.jpg?v=1789452957"},{"product_id":"cmbv-leclair-j-m-concerto-op-vii-n-2-violon-et-orchestre-conducteur-186929","title":"Leclair J.M. - Concerto Op.vii N°2 - Violon et Orchestre - Conducteur","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eConcerto for Violin and Orchestra op.VII no.6 - keyboard reduction\u003c\/strong\u003e highlights the unique style of Jean-Marie Leclair, considered the most eminent representative of the 18th-century French violin school. Partly trained in Piedmont in contact with the Italian tradition, Leclair successfully fused French elegance and Italian virtuosity, serving a demanding and meticulously crafted writing style.\u003c\/p\u003e\u003cp\u003eThis edition offers a practical approach for the musician: the concerto is provided \u003cstrong\u003ewithout introduction\u003c\/strong\u003e, with \u003cstrong\u003eseparate parts\u003c\/strong\u003e including a \u003cstrong\u003ekeyboard reduction\u003c\/strong\u003e (ideal for piano accompaniment during lessons, auditions, or rehearsals) as well as a \u003cstrong\u003eViolino di concertino\u003c\/strong\u003e part for the soloist. The reduction allows focus on intonation, articulation, and phrasing, while maintaining a clear harmonic overview of the work.\u003c\/p\u003e\u003cp\u003eBeyond virtuosity, this concerto stands out for its \u003cstrong\u003eformal quality\u003c\/strong\u003e and \u003cstrong\u003econtrapuntal\u003c\/strong\u003e writing, uncommon in France at that time. It is a relevant choice to enrich a concert program, work on French Baroque style, and develop polyphonic listening in solo playing.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eList of works:\u003c\/strong\u003e Concerto for Violin and Orchestra (A Major).\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJean-Marie Leclair\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eviolin and orchestra (keyboard reduction included)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eCastelain, Louis (conductor)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eclassical score (concerto)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Cmbv","offers":[{"title":"Default Title","offer_id":54358414328083,"sku":"186929","price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/7d61222211c7de9b46a48ddd7d69c65234dfffe3_PARTOCHEEEE.jpg?v=1789457253"},{"product_id":"cmbv-leclair-j-m-concerto-op-vii-n-3-violon-flute-et-orchestre-186917","title":"Leclair J.M. - Concerto Op.vii N°3 - Violon (flute) et Orchestre","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e  \u003cp\u003eWith \u003cstrong\u003eConcerto for violin [or flute or oboe] and orchestra op. VII no. 3\u003c\/strong\u003e, you have a conductor's score designed to guide the musical work of the ensemble, from the first reading through advanced rehearsals. The option for soloist (violin or flute or oboe) provides real programming flexibility: the same work can fit various contexts, whether it's a student concert, a demanding amateur orchestra, or a season project aiming to showcase an instrumentalist.\u003c\/p\u003e   \u003cp\u003eMusically, this type of concerto naturally emphasizes the \u003cstrong\u003esoloist-orchestra dialogue\u003c\/strong\u003e: call-and-response passages, harmonic support from the accompaniment, and dynamic management to preserve the clarity of the solo line. The conductor's score format facilitates anticipation of entrances, understanding of articulations, as well as control of balance between instrumental families. It is a valuable asset for the conductor, but also for any musician preparing a rehearsal or studying the overall structure of the work.\u003c\/p\u003e   \u003cp\u003eThis score is intended for ensembles seeking a piece of \u003cstrong\u003eclassical music\u003c\/strong\u003e in an orchestral context, with particular interest in the construction of the discourse (themes, transitions, cadenzas) and rhythmic setup. A relevant choice to develop collective listening, work on phrase breathing, and refine nuances without losing the energy of the movement.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eCastelain, Louis\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eOrchestra\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eviolin or flute or oboe and orchestra\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eclassical score\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Cmbv","offers":[{"title":"Default Title","offer_id":54358566404371,"sku":"186917","price":8.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/dc278d82f0853038a1f828f1f01df6263902f322_PARTOCHEEEE.jpg?v=1789430943"},{"product_id":"cmbv-vachon-p-quatuor-op-xi-n-5-en-fa-mineur-78025","title":"Vachon P. - Quatuor Op. Xi N° 5 En Fa Mineur","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003ePierre Vachon (born in Avignon in 1738) was a brilliant violinist, heard on the major stages of Paris, London, and Berlin, before being appointed Konzertmeister of the Royal Orchestra of Berlin in 1786. A particularly inspired composer in instrumental music, he notably left about thirty string quartets of very fine craftsmanship, which rank among the French successes of the late 18th century.\u003c\/p\u003e\u003cp\u003eParisian publishers used the expression \"quatuor concertant\" to designate works where the four instruments are treated with genuine concern for balance. This is precisely the spirit of these 6 quartets: far from a simple melody with accompaniment, each part finds its place, takes the floor, responds, and drives the musical discourse forward. The result is refined chamber music, built on clear writing, elegant imitations, and a beautiful contrapuntal density, ideal for developing listening skills, ensemble coordination, and unified articulation.\u003c\/p\u003e\u003cp\u003eCollected in opus XI, these 6 quartets each distinguish themselves while sharing a coherent structure: each is in 3 movements, opens with a Moderato, and alternates modes and tempi to create contrast and depth. Their duration, ranging from 10 to 20 minutes, makes them easily programmable in concert, while remaining very satisfying for study in rehearsal.\u003c\/p\u003e\u003cp\u003eUnlike other publications of the time, these quartets contain no figured bass, which naturally guides interpretation toward a performance without continuo. In the repertoire, they can be compared to the already published quartets of Gossec: a style both elegant, expressive, and demanding, which values ensemble cohesion and the personality of each instrumentalist.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePierre Vachon\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eclassical score (chamber music)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estring quartet (2 violins, viola, cello)\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Cmbv","offers":[{"title":"Default Title","offer_id":54359603249427,"sku":"78025","price":3.98,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/86c0fbba18675f1f7e0abd39592868024b6523c3_PARTOCHEEEE.jpg?v=1789478611"},{"product_id":"cmbv-du-mont-h-cantica-sacra-76924","title":"Du Mont H. - Cantica Sacra","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003eThis score brings together two complementary liturgical vocal pages, intended for solo singers or a small vocal ensemble, with \u003cstrong\u003ebasso continuo\u003c\/strong\u003e accompaniment. The choice of \u003cstrong\u003eLatin\u003c\/strong\u003e and the key of \u003cstrong\u003emodal G minor\u003c\/strong\u003e immediately establish a contemplative atmosphere, conducive to the text and the projection of the line. Thanks to its concise duration, this collection easily fits into a sacred music program, an office, or a concert mixing short pieces and grand motets.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eBERNARDUS DOCTOR\u003c\/strong\u003e is linked to the \u003cstrong\u003eFeast of Saint Bernard\u003c\/strong\u003e. The writing highlights a force of \u003cstrong\u003e4 voices\u003c\/strong\u003e (solo voice \/ vocal ensemble category) with a vocal organization planned for \u003cstrong\u003e3 Dessus\u003c\/strong\u003e and \u003cstrong\u003eHaute-contre\u003c\/strong\u003e, or an alternative for \u003cstrong\u003e3 Dessus\u003c\/strong\u003e and \u003cstrong\u003eBas-dessus\u003c\/strong\u003e, always supported by the basso continuo. This framework allows you to choose the distribution best suited to your chamber choir (available timbres, balance of sections, desired color) while maintaining the clarity of counterpoint and intelligibility of the text.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eLAUDIBUS CIVES\u003c\/strong\u003e, linked to the \u003cstrong\u003eFeast of Saint Benedict\u003c\/strong\u003e, offers even greater flexibility: it can be performed in \u003cstrong\u003e2 voices\u003c\/strong\u003e or in \u003cstrong\u003e4 voices ZOPC\u003c\/strong\u003e, with solo forces options ranging from \u003cstrong\u003e3 Dessus, Haute-contre\u003c\/strong\u003e to \u003cstrong\u003e3 Dessus, Bas-dessus\u003c\/strong\u003e, or even \u003cstrong\u003e2 Dessus\u003c\/strong\u003e, always with basso continuo. It is an excellent piece to adapt the repertoire to an ensemble with variable forces, work on modal intonation and voice blending, or build a texture contrast (duo then tutti) within the same musical moment.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eReligious, Sacred\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSolo voices \/ vocal ensemble (2 to 4 voices depending on the piece) and basso continuo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLanguage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eLatin\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSacred music, liturgical motets\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Cmbv","offers":[{"title":"Default Title","offer_id":54359644864787,"sku":"76924","price":2.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/fad32410ca4b639bda5db047828ed2acb7eb5a8b_PARTOCHEEEE.jpg?v=1789448582"},{"product_id":"cmbv-leclair-j-m-concerto-op-vii-n-5-violon-flute-et-orchestre-186926","title":"Leclair J.M. - Concerto Op.vii N°5 - Violon (flute) et Orchestre","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003eThis publication highlights Jean-Marie Leclair (1697-1764), considered the most prominent representative of the French violin school of the 18th century. Born in Lyon, he established himself as a soloist after several trips to Piedmont starting in 1722, where the teaching of Somis, heir to Corelli's tradition, left a lasting mark on his style. From 1728, at the Concert Spirituel in Paris, Leclair developed an innovative, demanding, and refined violin writing that transformed the practice of the instrument in France.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003eConcerto for Violin and Orchestra op. VII no 5\u003c\/strong\u003e, probably composed around \u003cstrong\u003e1737\u003c\/strong\u003e, is offered here in score to allow a comprehensive approach to the work by performers. Structured in three movements (Allegro, Largo, Allegro assai), this concerto in A minor combines technical brilliance and a sense of line, with virtuosity serving the clarity of the musical discourse. The spirit of the \u003cstrong\u003econcerto grosso\u003c\/strong\u003e is evident: a \u003cstrong\u003eViolino concertino\u003c\/strong\u003e dialogues with the ensemble, alternating between directing the orchestra and more developed solo passages, making it a particularly formative piece for the violinist as well as for ensemble balance.\u003c\/p\u003e\u003cp\u003eThe orchestra is scored for a structured string ensemble, including \u003cstrong\u003etwo violin parts\u003c\/strong\u003e, \u003cstrong\u003eone viola part\u003c\/strong\u003e, \u003cstrong\u003eone bass part\u003c\/strong\u003e, and a \u003cstrong\u003ebasso continuo\u003c\/strong\u003e. This instrumentation highlights articulation, contrasts, and Baroque rhetoric, while remaining accessible to various ensembles wishing to enrich their repertoire with French Baroque concertos.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJean-Marie Leclair\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBaroque score, concerto (secular)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eEditions du Centre de musique baroque de Versailles\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLanguage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFrench (introduction)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eviolin and string orchestra (2 violins, viola, bass) with basso continuo\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Cmbv","offers":[{"title":"Default Title","offer_id":54359847862547,"sku":"186926","price":8.56,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/e6d71ba1e113e5053821f6f1ef07dc0ac6727e59_PARTOCHEEEE.jpg?v=1789431024"},{"product_id":"cmbv-du-caurroy-e-pieces-ecclesiasticae-80407","title":"Du Caurroy E. - Pieces Ecclesiasticae","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e  \u003cp\u003eThis collection brings together two vocal pieces designed for a cappella choir in a polychoral formation, with modal tonality that highlights the clarity of the Latin text and the purity of the lines. \"Victimae Paschali laudes\" is part of the Easter liturgy: the piece emphasizes the momentum of the chant and the balance of the voice parts to serve a significant moment in the liturgical calendar, while offering a bright and solemn choral rendering. \"Vox Domini,\" based on Psalm 28, exploits the evocative dimension of the text and the dynamics of polychoral alternation, creating call-and-response and echoes between the groups. The indicated vocal forces allow for true ensemble coordination (attacks, vowel blending, tuning), while benefiting from a short, effective, and musically rewarding format for a choir seeking a Latin a cappella choral score suitable for both worship and stage.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePolychoral a cappella choir (2 groups): 2 Dessus, Taille - Dessus, Bas-dessus, Taille, Basse\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLanguage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eLatin\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Cmbv","offers":[{"title":"Default Title","offer_id":54361007816979,"sku":"80407","price":3.44,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/0ee45d938d2ccf40f3c57ebf40dd543cff320e63_CESR001R.jpg?v=1789403876"},{"product_id":"cmbv-du-mont-henry-grands-motets-vol-1-nisi-dominus-76777","title":"Du Mont Henry - Grands Motets Vol. 1 (nisi Dominus)","description":"\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Cmbv","offers":[{"title":"Default Title","offer_id":54361665437971,"sku":"76777","price":5.6,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/14dd35c3b2b4da44488fc6f1c45472c66ef31689_CMBV004A.jpg?v=1789412840"}],"url":"https:\/\/woodbrass.shop\/collections\/cmbv.oembed","provider":"Woodbrass.com","version":"1.0","type":"link"}