{"title":"Costallat","description":null,"products":[{"product_id":"costallat-pitions-ch-chentier-de-profundis-tome-20-58377","title":"Pitions Ch - Chentier De Profundis Tome 20","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003eThis score highlights the vocal art of Marc-Antoine Charpentier through a writing conceived for \u003cstrong\u003etwo SATB ensembles\u003c\/strong\u003e (Soprano, Alto, Tenor, Bass), dialoguing and responding to each other to create depth, spatialization, and contrasts. The addition of the \u003cstrong\u003ebasse continue (Bc)\u003c\/strong\u003e provides an essential harmonic foundation for the Baroque style, while guiding the pulse and accents, whether in rehearsal or concert settings.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003etranscription and realization by Guy Lambert\u003c\/strong\u003e offer a clear and structured reading, adapted to the needs of contemporary choirs. The continuo realization allows approaching the work with a coherent accompaniment, respecting the spirit of period practice while remaining effective for setup. This edition thus constitutes an excellent resource for working on the balance between the two choirs, the precision of entrances, dynamic control, and the character inherent to French music of the 17th and 18th centuries.\u003c\/p\u003e\u003cp\u003eRecommended for ensembles wishing to develop a homogeneous sound and a strong sense of text, this score naturally fits into a program of \u003cstrong\u003esacred music\u003c\/strong\u003e or \u003cstrong\u003eBaroque repertoire\u003c\/strong\u003e, and highlights both collective musicality and the finesse of vocal lines.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eReligious, Sacred\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMarc-Antoine Charpentier\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSATB \/ SATB, Bc\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArranger\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGuy Lambert (transcription and realization)\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Costallat","offers":[{"title":"Default Title","offer_id":54356640891155,"sku":"58377","price":1.7,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/afd634d8e61eab4ce13ad704b1d39d0c8d4cdfd2_PARTOCHEEEE.jpg?v=1794322435"},{"product_id":"costallat-pitions-ch-desmarets-lauda-jerum-grand-motet-pour-soli-choeur-orchestre-58404","title":"Pitions Ch - Desmarets Lauda Jerum Grand Motet Pour Soli Choeur Orchestre","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003e\"vocal score - restitution J. Duron\" offers a presentation aimed at musicians seeking effective reading both in rehearsal and individual preparation. The layout emphasizes understanding entrances, responses between sections, and the construction of sections, to facilitate the work of the choir, soloists, and conductor.\u003c\/p\u003e\u003cp\u003eComposed by \u003cstrong\u003eHenry Desmarets\u003c\/strong\u003e, this score belongs to a repertoire where rhythmic precision, articulation of the sung text, and balance between voices and orchestra are essential. It is suitable both for a work revival and a first exploration, providing a clear support to anticipate breaths, dynamics, and dialogues between different sound layers.\u003c\/p\u003e\u003cp\u003eWhether you are a chorister, soloist, choir conductor, or instrumentalist, this vocal score allows working on vertical listening (harmony, chords, cadences) and horizontal listening (line, phrasing, continuity), while maintaining a global vision of the whole. 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This structure allows for a precise approach to the work, clearly distinguishing the roles of each tessitura and the placement of collective interventions.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003eedition by Roger Blanchard\u003c\/strong\u003e provides a reliable framework for study and interpretation: reading vocal lines, spotting entrances, articulating responses between soloists and choir, and constructing the harmonic balance carried by the bass. For ensembles, this presentation encourages structured preparation: first section by section (intonation, attacks, homogeneity), then tutti (blend of timbres, dynamics, understanding of polyphony). Whether you work in a choir, in a music theory class, or within a vocal ensemble focused on early music, this score constitutes a solid foundation to refine style (prosody, phrasing, contrasts) and achieve a coherent musical rendition.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMarc-Antoine Charpentier\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evoices (dessus, haute-contre, taille, basse) and choirs\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArranger\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eRoger Blanchard (edition)\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Costallat","offers":[{"title":"Default Title","offer_id":54357424767251,"sku":"58383","price":2.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/ee2c1d1da8883cf37df1f6de068ace27890bcfac_PARTOCHEEEE.jpg?v=1794370423"},{"product_id":"costallat-pitions-ch-gilles-messe-des-morts-i-introit-ii-choeur-et-lux-perpetua-58425","title":"Pitions Ch - Gilles Messe Des Morts I Introit - Ii Choeur Et Lux Perpetua","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e \u003cp\u003eThis choral score for \u003cstrong\u003eSATBarB\u003c\/strong\u003e is intended for ensembles wishing to expand their sonic palette beyond the classic SATB. 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