{"title":"Death by audio","description":"","products":[{"product_id":"death-by-audio-crossover-fuzz-417894","title":"Crossover Fuzz","description":"\u003ch3\u003eA Death By Audio fuzz designed as a studio crossover... but in chaos mode\u003c\/h3\u003e\u003cp\u003eWith the Crossover Fuzz, Death By Audio pushes the fuzz concept far beyond simple \"more gain.\" The idea is that of a crossover (as in pro audio): lows and highs are separated, then each is treated differently. The result: you can keep \u003cstrong\u003ethick, solid bass\u003c\/strong\u003e while letting the \u003cstrong\u003ehighs bite and sizzle\u003c\/strong\u003e without everything turning into mush. And since DBA loves extreme textures, the resonant filter section can become a true instrument on its own, capable of very controlled sounds... or intentionally wild, unpredictable behaviors that are pure joy.\u003c\/p\u003e\u003ch3\u003eWho it's for and what it's for: from massive riffs to sound design, in studio and on stage\u003c\/h3\u003e\u003cp\u003eThis pedal is aimed at guitarists, bassists, and tinkerers who want to \u003cstrong\u003esculpt their fuzz\u003c\/strong\u003e rather than endure it. In rock, stoner, noise, garage, post-rock, experimental metal, or electro-inspired guitar, the band separation allows you to keep the impact of the lows while working an aggressive presence in the upper spectrum. Live, it shines if you play through \u003cstrong\u003etwo amps\u003c\/strong\u003e (or a stereo rig): lows on one side, highs on the other, for a huge and clear image. In the studio, it's a \u003cstrong\u003esound design\u003c\/strong\u003e weapon: automation via expression\/CV, filtered fuzz layers, and shifting textures that sit in the mix without complex EQ.\u003c\/p\u003e\u003ch3\u003eControls, routing, and details that make all the difference\u003c\/h3\u003e\u003cp\u003eThe Crossover Fuzz splits your signal into two paths: \u003cstrong\u003eLOWS\u003c\/strong\u003e (low-pass) and \u003cstrong\u003eHIGHS\u003c\/strong\u003e (high-pass). The \u003cstrong\u003eFREQ\u003c\/strong\u003e knob sets the crossover point: the more you turn it, the more you rebalance the share of lows and highs, with an immediate effect on the sense of \"size\" and attack. The \u003cstrong\u003eRES\u003c\/strong\u003e control affects the resonance of both filters: smooth and musical for subtle \"wah\" curves, or extremely sharp to create frequency peaks, up to self-oscillation. Each band has its own \u003cstrong\u003eGAIN\u003c\/strong\u003e (from clean to overdrive then fuzz) and \u003cstrong\u003eVOL\u003c\/strong\u003e (output level), allowing you to compensate, boost one band, or conversely scoop a spectral area.\u003c\/p\u003e\u003cp\u003eTo go further, the \u003cstrong\u003eFREQ EXP\u003c\/strong\u003e input allows external control of the crossover via \u003cstrong\u003eexpression pedal\u003c\/strong\u003e or \u003cstrong\u003e0-5V CV\u003c\/strong\u003e. This is where the pedal becomes \"alive\": synchronized sweeps, transitions between massive and cutting sounds, stereo movements if you use the separate outputs... Finally, an \u003cstrong\u003einternal Light selector\u003c\/strong\u003e lets you change the LED colors (two color sets), handy for stage visibility and pedalboard aesthetics.\u003c\/p\u003e\u003cp\u003eOn the I\/O side, the pedal offers configurations designed for experimentation: in \u003cstrong\u003emono\u003c\/strong\u003e (H or L input) you get a mixed signal on the \u003cstrong\u003eHIGHS MONO\u003c\/strong\u003e output. In \u003cstrong\u003emono to stereo\u003c\/strong\u003e, you send lows to \u003cstrong\u003eLOWS\u003c\/strong\u003e and highs to \u003cstrong\u003eHIGHS\u003c\/strong\u003e (perfect for two amps or two effects chains). In \u003cstrong\u003estereo to mono\u003c\/strong\u003e, you can sum two sources into one output. And in \u003cstrong\u003efull stereo\u003c\/strong\u003e, each input routes to its dedicated output for total separation.\u003c\/p\u003e\u003ch3\u003eSound\u003c\/h3\u003e\u003cp\u003eExpect a \u003cstrong\u003edense, snappy, and highly textured fuzz\u003c\/strong\u003e, with a real sense of depth thanks to the separate band processing. The \u003cstrong\u003elows\u003c\/strong\u003e can stay full and authoritative (ideal for heavy riffs or bass), while the \u003cstrong\u003ehighs\u003c\/strong\u003e bring grain, bite, and a \"torn\" edge. The filter resonance adds an expressive dimension: at moderate settings, you get precise shaping that helps you \"sit\" in the mix\u0026#59; pushing RES, the pedal can generate aggressive peaks, quasi-synth sounds, and reactions that reward dynamic playing and real-time tweaks. Used in split mode, it can give the impression of a wider sound than a classic fuzz, with a spectacular stereo image and a decidedly modern character, all while remaining analog.\u003c\/p\u003e\u003cul\u003e\u003cli\u003eRugged housing designed for intensive use (studio \/ stage)\u003c\/li\u003e\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDistortion \/ Overdrive \/ Fuzz, Fuzz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAnalog\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGreen\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e3 channels\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:11;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFilters\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eresonant low-pass and high-pass, linked control\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWiring modes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emono, mono to stereo (LOWS\/HIGHS split), stereo to mono (summed), stereo (complete separation)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:12;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDisplay\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eresponsive LEDs indicating the crossover position\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAudio connectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eunbalanced 6.35 mm jack (TS)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:13;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFREQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efilter cutoff frequency (low-pass: 30 Hz to 7.6 kHz ; high-pass: 80 Hz to 17 kHz)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eExpression\/CV input\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6.35 mm jack (TRS) for FREQ control\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:14;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRES\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eresonance of both filters, from subtle to self-oscillation\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFootswitch\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eon\/off\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:15;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGAIN\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003egain per band (clean, overdrive, fuzz)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eEnclosure material\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emetal\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:6;--wb-r:16;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eVOL\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eoutput volume per band\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e146 x 132 x 60 mm (including hardware)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:7;--wb-r:17;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFREQ EXP\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eexternal frequency control via expression or 0–5V CV (the FREQ setting defines the minimum achievable frequency)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eapproximately 520 g\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:8;--wb-r:18;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLight internal selector\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e\u0026quot;Sky Light\u0026quot; LED color scheme (yellow low-pass \/ cyan high-pass) or \u0026quot;Cyber Light\u0026quot; (red low-pass \/ blue high-pass)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower consumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e120 mA (effect enabled) ; approximately 43 mA (in bypass)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:9;--wb-r:19;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e2 audio inputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eINPUT H and INPUT L\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eBattery operation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eno\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:10;--wb-r:20;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e3 audio outputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eHIGHS, LOWS, HIGHS MONO (summed output)\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Death By Audio","offers":[{"title":"Default Title","offer_id":54356838383891,"sku":"417894","price":379.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/9bae9a42c0b01b7b7bfb8dcb06b79d18b0b7ed64_FILLING_DBACRO.jpg?v=1793382103"},{"product_id":"death-by-audio-space-ensemble-se-1-reverb-limited-edition-399836","title":"Space Ensemble SE-1 Reverb Limited Edition","description":"\u003ch3\u003eA \"Retro-Futuristic\" Pedal by Death By Audio\u003c\/h3\u003e\u003cp\u003eWith the Space Ensemble SE-1, Death By Audio applies its boutique and experimental philosophy to \u003cstrong\u003evocal processing\u003c\/strong\u003e: a straightforward approach, without menus, designed to play the voice like an instrument. The concept evokes studio aesthetics spanning several decades, combining 70s-inspired doubling, very 80s choruses, and large reverbs that enrich modern productions.\u003c\/p\u003e\u003cp\u003eThe SE-1 follows the line of compact vocal processors aimed at performance: you set it, sing, and immediately get a recognizable tone. Thanks to internal adjustments (input gain and chorus intensity), the pedal can be finely tuned to your microphone and vocal style.\u003c\/p\u003e\u003ch3\u003eWho Is the Space Ensemble SE-1 For?\u003c\/h3\u003e\u003cp\u003eThe SE-1 targets singers, spoken word performers, and musicians seeking a \u003cstrong\u003esimple-to-use vocal effects pedal\u003c\/strong\u003e capable of extensive textural exploration. On stage, it shines when transitioning from a \"slightly wider\" voice to a fully cinematic one, while maintaining control thanks to the Dry\/Wet mix.\u003c\/p\u003e\u003cp\u003eIn studio and home studio settings, it becomes a quick production tool: a short reverb to add depth, a slow chorus to thicken a take, or conversely, a fully wet voice to create layers, unreal doubles, and pads ready for sampling.\u003c\/p\u003e\u003cp\u003eAnd if you like to repurpose gear, its auxiliary input also allows processing an instrument-level source via \u003cstrong\u003e6.35mm Jack\u003c\/strong\u003e (drum machine, synth, output from an external preamp, etc.) to achieve more organic and evolving textures.\u003c\/p\u003e\u003ch3\u003eControls, Effects Loop, and Adjustment Logic\u003c\/h3\u003e\u003cp\u003eThe front panel goes straight to the point: \u003cstrong\u003eChorus Speed\u003c\/strong\u003e controls the modulation speed, from almost imperceptible widening to fast, prominent oscillations. \u003cstrong\u003eReverb Time\u003c\/strong\u003e adjusts the space from a short, clear ambiance to long, lush tails perfect for atmospheric moods.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003eMix\u003c\/strong\u003e knob is key for live comfort: you precisely dose the effect in the mix, with a full range from \u003cstrong\u003e100% dry\u003c\/strong\u003e to \u003cstrong\u003e100% wet\u003c\/strong\u003e. Convenient for maintaining intelligibility during a verse, then switching to a fully processed intro or bridge.\u003c\/p\u003e\u003cp\u003eTwo internal settings refine behavior: \u003cstrong\u003eGain\u003c\/strong\u003e (mic input level) and \u003cstrong\u003eChorus Intensity\u003c\/strong\u003e (depth and feedback of the chorus). The result: you tailor the pedal to your dynamic microphone and output level while keeping ultra-fast controls on stage.\u003c\/p\u003e\u003cp\u003eFinally, the \u003cstrong\u003eSend\/Receive\u003c\/strong\u003e loop is positioned \u003cstrong\u003ebefore\u003c\/strong\u003e the chorus and reverb. You can thus compress, EQ, saturate, or filter your voice upstream, then \"glaze\" everything with the width and space of the SE-1. The \u003cstrong\u003eSend\/Pre Out\u003c\/strong\u003e can also serve as a preamp output depending on your setup.\u003c\/p\u003e\u003ch3\u003eSound Character\u003c\/h3\u003e\u003cp\u003eThe Space Ensemble SE-1 is designed to remain \u003cstrong\u003emusical\u003c\/strong\u003e when set in \"sweetener\" mode (slow chorus, moderate mix, short reverb), with a sense of width that enhances the voice without altering it. Pushing the settings shifts it toward a more \u003cstrong\u003eimmersive\u003c\/strong\u003e signature, with more unstable modulations and a reverb that can become very enveloping.\u003c\/p\u003e\u003cp\u003eThe chorus ranges from warm \"fake doubling\" to faster, almost detuned warbles, very effective for new wave, alternative, and experimental colors. The reverb can stay close and organic or stretch into large pads ideal for ambient, post-rock, and shoegaze textures.\u003c\/p\u003e\u003cp\u003eMost importantly, the SE-1 responds very well to live playing: by remaining partially dry, you keep attack, diction, and presence. Going very wet transforms the voice into a material, perfect for backgrounds, harmonies, and cinematic transitions.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eReverb, Chorus, Preamp, Effects\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:10;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eIntegrated effects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003echorus and reverb\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eReceive\/Aux Input\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eauxiliary input for connecting a source via a 6.35 mm jack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:11;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMix range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efrom 100% dry to 100% wet\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9V (DC) input, centre-negative, 2.1 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:12;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eChorus Speed\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efrom subtle to fast\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ebuffered\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:13;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMix\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eblending of the direct and processed signals\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply mode\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eexternal power supply, no battery compartment\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:14;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eReverb Time\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efrom short to very long\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9 x 15.4 x 7.5 cm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:15;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInternal controls\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eChorus Intensity (depth and feedback), Gain (microphone input)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e437 g\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:7;--wb-r:16;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMicrophone input\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efor dynamic microphones, without phantom power\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eIncluded accessories\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edocumentation, 9V DC power supply\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:8;--wb-r:17;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eoutput with an amplified signal via the internal microphone preamp\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRequired power supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9V DC, centre-negative (2.1 mm)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:9;--wb-r:18;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSend\/Pre Out\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eeffects-loop output, usable as a preamp output\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConsumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e58 mA\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Death By Audio","offers":[{"title":"Default Title","offer_id":54356982104339,"sku":"399836","price":349.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/b4c13787ed6e4b4d4873be35f3a326a0866a755c_FILLING_DBASE1.jpg?v=1793382171"},{"product_id":"death-by-audio-soundwave-breakdown-311652","title":"Soundwave Breakdown","description":"\u003ch3\u003eA Death By Audio Fuzz Designed as a Chaos Generator\u003c\/h3\u003e\u003cp\u003eThe Soundwave Breakdown embodies the DNA of Death By Audio: radical effects crafted to break new ground and surprise with every pick stroke. Here, the idea of a \"howling\" fuzz is pushed to the extreme with a deliberately disorienting architecture, based on selected transistors used in atypical ways to achieve an explosive output. The result is not just another distortion pedal: it's a characterful fuzz made to create happy accidents, overflowing harmonics, and oscillator-like behaviors as soon as you tweak it.\u003c\/p\u003e\u003cp\u003eIf you're looking for a tame, consistent, and \"always clean\" fuzz, look elsewhere. However, if you love when a pedal becomes an instrument in its own right, capable of turning a simple riff into a psychedelic, gritty wall of sound, the Soundwave Breakdown definitely has that temperament.\u003c\/p\u003e\u003ch3\u003eFor Which Guitarists (and Styles)?\u003c\/h3\u003e\u003cp\u003eThis pedal is aimed at musicians who want \u003cstrong\u003echaracter and risk\u003c\/strong\u003e : noise rock, garage, punk, dirty stoner, experimental, psychedelic guitarists, as well as sound designers and lovers of dark atmospheres who enjoy organically dirtying a signal. It can become a \"lead killer\" for soaring solos or a texture tool to bring a simple sustained note to life with artifacts, beats, and unstable harmonics.\u003c\/p\u003e\u003cp\u003eIn the studio, it's formidable for layering takes and creating a unique sonic signature (guitar doubles, overdubs, noise lines). Live, it rewards simple pedalboards and setups where you accept that every venue, amp, and guitar setting influences the outcome. In terms of playing, it loves both strong attacks and nuances: lower the guitar volume to calm the beast, raise it to unleash chaos.\u003c\/p\u003e\u003ch3\u003eControls: Simple in Appearance, Deep in Feel\u003c\/h3\u003e\u003cp\u003eThe Soundwave Breakdown gets straight to the point with \u003cstrong\u003ethree potentiometers\u003c\/strong\u003e, but don't be fooled: here, the important thing isn't \"how many\" controls you have, but \u003cstrong\u003ehow much each position matters\u003c\/strong\u003e. Two controls with deliberately cryptic names shape the waveform and fuzz response: the \u003cstrong\u003esquare wave knob\u003c\/strong\u003e (where the sound can become sharper, more gated, more aggressive, and richer in harmonics) and the \u003cstrong\u003esine wave knob\u003c\/strong\u003e (often associated with a more unstable, \"alive\" behavior, leaning toward synthetic textures, buzzing, and oscillations).\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003evolume\u003c\/strong\u003e controls the overall output level, essential because this fuzz can produce high levels depending on settings and guitar. The real \"user manual\": take your time sweeping the controls slowly, note by note, then with chords. You'll discover zones where the sound opens up, others where it tightens, and balance points where an octave or harmonic beat seems to magically emerge.\u003c\/p\u003e\u003ch3\u003eThe Sound\u003c\/h3\u003e\u003cp\u003eThe Soundwave Breakdown delivers a \u003cstrong\u003ethick, biting, and psychedelic fuzz\u003c\/strong\u003e, with a permanent \"grizzled\" edge: it roars, spits, screeches, and can also \"buzz\" like a circuit on the verge of breaking. The grain isn't designed to smooth your tone but to give it an immediate identity, with a sensation of electric tension under your fingers. Depending on the positions of the two waveform controls, you can move from dense, grainy saturation to finer, almost \"broken radio\" textures, up to behaviors close to a signal generator, with \u003cstrong\u003eoctaves\u003c\/strong\u003e, unexpected harmonics, and oscillation bursts.\u003c\/p\u003e\u003cp\u003eDynamics are key: this fuzz reacts strongly to attack, pickup choice, and guitar volume. On a bridge pickup, expect a biting, very sharp cut\u0026#59; on a neck pickup, the sound can become more massive, darker, more of a \"wall of sound.\" It's a pedal that loves amps with character and can also serve as \"extreme dirt\" in front of a cleaner base for very marked contrasts in a set.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDistortion \/ Overdrive \/ Fuzz, Fuzz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAnalog\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eRed\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e4.86\u0026quot; x 3.67\u0026quot; x 2.06\u0026quot; (including hardware) (approximately 123 x 93 x 52 mm).\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRequired voltage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9V.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e13 oz (approximately 369 g).\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCurrent consumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1 mA.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9V (works with a 9V DC adapter with positive ring and negative tip, or with the included 9V battery).\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Death By Audio","offers":[{"title":"Default Title","offer_id":54357155741971,"sku":"311652","price":229.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/44301fa8b24b58b296787128136f67ab6820121c_DEATHBYAUDIO_SOUNDWAVEBREAKDOWN.jpg?v=1792518334"},{"product_id":"death-by-audio-dream-station-reverb-delay-425636","title":"Dream Station - Reverb\/Delay","description":"\u003ch3\u003ePsychedelic Ambiences, DBA DNA\u003c\/h3\u003eRooted in the experimental reverbs and delays that shaped shoegaze, ambient music and modern psychedelia, the Dream Station distills the “beautiful chaos” spirit of the Destroyer series. It stands out as a constant source of inspiration for anyone looking to go beyond classic effects.\u003cbr \/\u003e\u003ch3\u003eWho is it for and what can it be used for?\u003c\/h3\u003ePerfect for guitarists, keyboard players and sound designers looking for immersive soundscapes. It excels in the studio for creating textures, but also shines live thanks to its direct control and enveloping stereo image. Post-rock, ambient, indie or soundtracks: it opens up new worlds.\u003cbr \/\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eReverb, Delay\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStereo behaviors\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eping-pong, comb filtering, swirling textures.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003e9V DC (center-negative), typical consumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e200 mA.\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Death By Audio","offers":[{"title":"Default Title","offer_id":54357888762131,"sku":"425636","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/651cb5036d0abea5fc507bcc9b1ca1504ffd246e_FILLING_DBADRE.jpg?v=1792542492"},{"product_id":"death-by-audio-robot-311662","title":"Robot","description":"\u003ch3\u003eAn \"Anti-Harmonizer\" Pedal: Death By Audio DNA Serving Glitch\u003c\/h3\u003e\u003cp\u003eThe Robot fits within the Death By Audio philosophy: uncompromising pedals designed to break new ground. Here, there's no question of \"clean\" studio-style transposition: it's an intentionally abrasive 8-bit digital conversion, with a sound that evokes both ring modulation and degraded pitch shifting, and can even reach a true robotic mush. In a range focused on experimentation, the Robot holds a unique place: it's a texture machine, designed to push your guitar, bass, synth, or drum machine into glitchy, lo-fi, and decidedly futuristic territories.\u003c\/p\u003e\u003ch3\u003eFor Whom and For What: From Noise Riffs to Studio Sound Design\u003c\/h3\u003e\u003cp\u003eThe Death By Audio Robot is aimed at guitarists and bassists who like their effect to become an instrument in its own right. If you play alternative rock, noise, industrial, electro, dirty ambient, post-punk, or are simply looking for an 8-bit grain to create atypical hooks, it's in its element. In the studio, it excels at layering textures and crafting wild \"video game\" leads, aggressive octave doubling, or arpeggiated synth-style sequences. Live, it shines on a performance-oriented pedalboard: a twist of the control knob takes you from tight pitch to unstable descent, perfect for transitions, breaks, and controlled chaos build-ups.\u003c\/p\u003e\u003ch3\u003eControls and Modes: A Simple Interface, Extreme Results\u003c\/h3\u003e\u003cp\u003eThe Robot goes straight to the point with ergonomics that encourage playing and improvisation. The \u003cstrong\u003eVolume\u003c\/strong\u003e knob adjusts the overall output level, essential to compensate for perceived volume changes depending on the amount of conversion and aliasing. The \u003cstrong\u003econtrol knob\u003c\/strong\u003e (located on the right side) is the heart of the pedal: fully turned up, you get the maximum pitch of the selected mode\u0026#59; lowering it slows\/lowers the pitch and accentuates digital artifacts, producing stutters, more \"broken\" textures, and typically 8-bit distortions.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003erotary selector\u003c\/strong\u003e provides access to four worlds. In \u003cstrong\u003eNormal\u003c\/strong\u003e, you keep the same base pitch at maximum setting, then gradually drop pitch by turning the control. In \u003cstrong\u003eOctave Down\u003c\/strong\u003e, the pedal generates a deliberately unpleasant and grainy lower octave, and the control lets you go even lower for monstrous bass or unstable drones. In \u003cstrong\u003eOctave Up\u003c\/strong\u003e, you get a sharp, artificial upper octave, ideal for cutting lead lines and cybernetic harmonies. Finally, the \u003cstrong\u003eArpeggiator\u003c\/strong\u003e mode \"jumps\" the pitch in a sequence: the control knob adjusts the arpeggiator speed, perfect for turning a chord into a glitchy rhythmic pattern.\u003c\/p\u003e\u003ch3\u003eThe Sound\u003c\/h3\u003e\u003cp\u003eExpect a \u003cstrong\u003edigital, lo-fi, and highly colored\u003c\/strong\u003e signature. The Robot doesn't aim for transparency: it imposes an 8-bit grain with aliasing, an attack that can become metallic, and a very lively response to control variations. Depending on the mode and control position, you move from a relatively clear \"robotic\" pitch to more abrasive textures, with a ring\/8-bit sensation that cuts through a mix. It reacts especially well to sustained notes, monophonic riffs, and already rich sources (fuzz, synth, open chords), generating artifacts that become part of the playing. If you like pedals that \"talk\" and surprise, the Robot is an inspiring tool, both for creating sounds and sparking ideas.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSynthesizer\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDigital\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlue\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eapproximately 149 x 120 x 67 mm (including hardware) (equivalent to 5.87 x 4.72 x 2.62 inches).\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9V via 9V DC adapter (positive sleeve, negative tip) or via included 9V battery.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e19 oz (approximately 539 g ).\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003erequires a dedicated power supply and does not work with daisy chain power systems.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eControl\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eVolume (main volume).\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRequired voltage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9V DC.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRotary selector\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eNormal, Octave Down, Octave Up, Arpeggiator.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCurrent consumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e23 mA.\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Death By Audio","offers":[{"title":"Default Title","offer_id":54357935030547,"sku":"311662","price":331.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/2283d0691378fa721dfbb58b7214ae97914860c7_DEATHBYAUDIO_ROBOT.jpg?v=1792547124"},{"product_id":"death-by-audio-total-sonic-annihilation-2-311657","title":"Total Sonic Annihilation 2","description":"\u003ch3\u003eA Feedback Machine by Death by Audio, and the Evolution of the Original TSA\u003c\/h3\u003e\u003cp\u003eThe Total Sonic Annihilation 2 (TSA2) takes up the radical idea that made the concept famous: instead of adding \"one more effect,\" it \u003cstrong\u003etwists the very logic of your pedalboard\u003c\/strong\u003e by patching an effects loop onto itself. Where a first-generation TSA already opened the door to self-oscillations, resonances, and unpredictable interactions, the TSA2 pushes the approach further with an active assist circuit designed to make these experiments \u003cstrong\u003emore stable, more adjustable, and more musical\u003c\/strong\u003e when you want.\u003c\/p\u003e\u003ch3\u003eWhich Guitarists (and Sounds) Is the TSA2 Made For?\u003c\/h3\u003e\u003cp\u003eThis pedal is aimed at curious musicians, lovers of extreme sounds, and tinkerers: guitarists, bassists, synth and drum machine enthusiasts who want to break new ground. In the studio, it becomes a sound design tool to create drones, uncontrolled build-ups, industrial atmospheres, glitches, and ambient textures. Live, it transforms into a \u003cstrong\u003eperfectly controllable chaos trigger\u003c\/strong\u003e for breaks, transitions, or noise\/experimental rock climaxes. If you play alternative rock, stoner, shoegaze, post-rock, noise, or ambient, the TSA2 can quickly become the \"secret pedal\" that makes your chain unique.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBoost, Looper, Effects\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAnalog\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eWhite\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Death By Audio","offers":[{"title":"Default Title","offer_id":54358006300947,"sku":"311657","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/f07cabc40767239f7be3211dca41d5e2dd65cdf7_DEATHBYAUDIO_TOTALSONICANNIHILATION2.jpg?v=1792547204"},{"product_id":"death-by-audio-thee-treble-overload-fuzz-425638","title":"Thee Treble Overload - Fuzz","description":"\u003ch3\u003eThe Triumphant Return of the Treble Booster\u003c\/h3\u003eFollowing in the footsteps of the legendary treble boosters of the sixties, brought up to date by Death By Audio, the Thee Treble Overload is designed to cut through the mix without sacrificing musicality. It captures the aggressive, precise spirit of a mythical treble boost, with modern options for seamless integration.\u003cbr \/\u003e\u003ch3\u003eWho is it for and what is it used for?\u003c\/h3\u003eDesigned to push an amp, bring a distortion pedal to life, or add bite to an overdrive. Classic rock, punk, heavy, indie: it adds presence, attack, and clarity to both leads and rhythm parts. In the studio, it refocuses the spectrum\u0026#59; live, it cuts through a wall of guitars.\u003cbr \/\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBoost, Effects\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAnalog\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e9V DC (center-negative), typical consumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 mA.\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Death By Audio","offers":[{"title":"Default Title","offer_id":54358102180115,"sku":"425638","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/38cffc4f26b08648baa158283be6d59cbb27600c_FILLING_DBATHE.jpg?v=1792552096"},{"product_id":"death-by-audio-octave-clang-v2-octafuzz-390347","title":"Octave Clang V2 - Octafuzz","description":"\u003ch3\u003eA Cult Pedal \"Resurrected\" and Modernized\u003c\/h3\u003e\u003cp\u003eThe Octave Clang is one of those Death By Audio effects that have become legendary among fans of extraordinary fuzz: a harmonic machine flirting with the upper octave, distortion, and textures close to ring modulation. The v2 version retains this extreme DNA and makes it more usable daily, notably thanks to a \u003cstrong\u003efootswitchable octave\u003c\/strong\u003e and a reworked control range to cover both devastating sounds and more nuanced saturations. \u003c\/p\u003e\u003ch3\u003eWho Is the Octave Clang v2 For?\u003c\/h3\u003e\u003cp\u003eIf you play \u003cstrong\u003eshoegaze\u003c\/strong\u003e, \u003cstrong\u003enoise rock\u003c\/strong\u003e, \u003cstrong\u003egarage\u003c\/strong\u003e, \u003cstrong\u003epunk\u003c\/strong\u003e, \u003cstrong\u003estoner\u003c\/strong\u003e, or \u003cstrong\u003eexperimental\u003c\/strong\u003e music, the Octave Clang v2 is a sonic identity accelerator. On single notes, it can become a sharp and singing octave-up\u0026#59; on chords and complex voicings, it \"blends\" the signal and twists it chaotically, perfect for guitar walls, dissonant riffs, and leads that cut through the mix.\u003c\/p\u003e\u003cp\u003eIt integrates very well in the \u003cstrong\u003estudio\u003c\/strong\u003e for layering harmonics, and live thanks to its direct control: fuzz alone for the verse, octave to explode the chorus or solo. And although it clearly targets guitarists, it also loves to abuse \u003cstrong\u003ehigh-level sources\u003c\/strong\u003e (basses, synths, drum machines) for industrial and granular textures. \u003c\/p\u003e\u003ch3\u003eSettings, Controls, and Ergonomics: Simple on the Surface, Deep in Feel\u003c\/h3\u003e\u003cp\u003eThe trio of knobs on the front panel is designed for quick adjustments without limiting creativity. The \u003cstrong\u003eVolume\u003c\/strong\u003e controls the output level, capable of going from silence to very high levels to drive the next stage of your pedalboard. The \u003cstrong\u003eGain\u003c\/strong\u003e goes up to \u003cstrong\u003e+39 dB\u003c\/strong\u003e : you can stay in a tight distortion or switch to crushing fuzz. \u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003eTone\u003c\/strong\u003e is not a simple filter: it's a \u003cstrong\u003epre-gain tilt EQ\u003c\/strong\u003e that changes how the circuit saturates. Boosting the lows gives a bigger, more \"blown-out\" sound\u0026#59; favoring the highs adds attack and clarity, especially useful with the octave.\u003c\/p\u003e\u003cp\u003eRegarding footswitches, you have an independent \u003cstrong\u003ebypass\u003c\/strong\u003e and \u003cstrong\u003eOctave Up switch\u003c\/strong\u003e : the idea is to treat the pedal like a real distortion\/fuzz usable all the time, then trigger the octave at the moment that should \"make an impact.\" Two LEDs (red and yellow) make it easy to read on stage. \u003c\/p\u003e\u003cp\u003eFinally, for fine-tuning enthusiasts, an \u003cstrong\u003einternal Bias\u003c\/strong\u003e allows you to \"shift\" the distortion's behavior: perfect for choosing between a more stable and tight grain or a rougher, more unpredictable, and aggressive response.\u003c\/p\u003e\u003ch3\u003eThe Sound\u003c\/h3\u003e\u003cp\u003eThe Octave Clang v2 lives up to its name: it features a \u003cstrong\u003emetallic\u003c\/strong\u003e texture, rich in harmonics, with that \"bell\/clang\" character that emerges when the octave bites into the saturation. The response is \u003cstrong\u003every sensitive to playing dynamics\u003c\/strong\u003e : pick attack, vibrato, and note position strongly influence the perceived octave amount, and the pre-gain Tone acts as a true \"dynamic rudder.\"\u003c\/p\u003e\u003cp\u003eIn context, it's found with artists who need a fuzz unlike any other, such as \u003cstrong\u003eKevin Shields\u003c\/strong\u003e, \u003cstrong\u003eTy Segall\u003c\/strong\u003e, or \u003cstrong\u003eJoanne Shaw Taylor\u003c\/strong\u003e, as well as \u003cstrong\u003eJamie Stewart\u003c\/strong\u003e (Xiu Xiu): all terrains where one seeks saturation that doesn't just sound \"big\" but adds an immediate sonic signature. \u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eOctaver \/ Harmony, Distortion \/ Overdrive \/ Fuzz, Fuzz, Distortion\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAnalog\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eWhite\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eVolume\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eoutput level\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOutput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6.35mm mono jack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:9;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eup to +39 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e122 x 94 x 53 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTone\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epre-gain tilt EQ\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eapproximately 326 g\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:11;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBias (internal)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emisbias adjustment of the distortion circuit\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003enot included\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:12;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLeft footswitch\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBypass (red LED)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003e9V battery\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003enot included\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:13;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRight footswitch\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eOctave Up (yellow LED)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRequired power\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9 V DC center negative, 2.1 mm connector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:7;--wb-r:14;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6.35mm mono jack\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConsumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e10 mA\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Death By Audio","offers":[{"title":"Default Title","offer_id":54358849421587,"sku":"390347","price":253.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/2876bd7db8026ce373495266e9994d68e7ee6e15_FILLING_DBAOCT.jpg?v=1792569965"},{"product_id":"death-by-audio-evil-filter-311643","title":"Evil Filter","description":"\u003ch3\u003eA \"DBA machine\": precision, brutality, and experimental grain\u003c\/h3\u003e\u003cp\u003eAt Death By Audio, the idea is not to faithfully reproduce a classic, but to offer effects with strong personality, designed for adventurous pedalboards. The Evil Filter fits perfectly into this philosophy: a hyper-precise filter with a \"psycho\" character, paired with a fuzz section ready to distort dynamics, compress generously, and transform any source into raw sonic material. If you're looking for a filter pedal that breaks the mold (rather than a simple traditional auto-wah), you are definitely in the right place.\u003c\/p\u003e\u003ch3\u003eWho is it for, which styles, and in what contexts?\u003c\/h3\u003e\u003cp\u003eThe Evil Filter is aimed at guitarists (and bassists) who like to \u003cstrong\u003esculpt timbre in real time\u003c\/strong\u003e and embrace a radical aesthetic: noise rock, post-punk, industrial, sludge, psychedelic, shoegaze, experimental electro, but also more \"conventional\" contexts if used as a very expressive wah\/filter. In the studio, it excels at creating layers, drones, and moving textures\u0026#59; live, it becomes an instrument in its own right thanks to resonance and expression\/CV control.\u003c\/p\u003e\u003cp\u003eIn terms of real-world inspirations, this pedal is found in very diverse universes, from massive, saturated rigs to more alternative setups, with artists like \u003cstrong\u003eMick Thomson\u003c\/strong\u003e, \u003cstrong\u003eCourtney Barnett\u003c\/strong\u003e, and \u003cstrong\u003eLee Kiernan\u003c\/strong\u003e among those often associated with the Evil Filter.\u003c\/p\u003e\u003ch3\u003eControls, modes, and external control possibilities\u003c\/h3\u003e\u003cp\u003eThe filter section revolves around \u003cstrong\u003eFilter Freq\u003c\/strong\u003e (cutoff frequency, graduated in Hz) and \u003cstrong\u003eFilter Output\u003c\/strong\u003e (filter section volume). A \u003cstrong\u003efilter type selector\u003c\/strong\u003e lets you switch between low-pass, band-pass, and high-pass, moving from a thick, round sound to finer, nasal, or downright cutting textures.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eResonance\u003c\/strong\u003e is adjusted via a dedicated potentiometer, supported by a \u003cstrong\u003eNormal\/High switch\u003c\/strong\u003e that changes the operating range. At high levels, the pedal can enter \u003cstrong\u003eself-oscillation\u003c\/strong\u003e : perfect for synthesis effects, controlled screams, and feedback swells, to be handled with intention (and some cool-headedness).\u003c\/p\u003e\u003cp\u003eThe fuzz section features \u003cstrong\u003eFuzz Output\u003c\/strong\u003e (volume) and a \u003cstrong\u003efuzz type switch\u003c\/strong\u003e : in the low position, a cleaner, driving fuzz\u0026#59; in the high position, a crazier, more compressed, and more explosive fuzz, ideal for leads that cut through the mix or noise walls. The whole design encourages pushing beyond reason, up to harmonic-rich behaviors and even octave-like sensations up or down depending on settings and attack.\u003c\/p\u003e\u003cp\u003eFinally, the \u003cstrong\u003eEXP\/CV input\u003c\/strong\u003e opens the Evil Filter to \"hand play\": plug in an expression pedal or a CV control (around 0 to 3 V) to control the cutoff frequency. The \u003cstrong\u003eFilter Freq\u003c\/strong\u003e knob then sets the external control range, handy for precisely matching the sweep amplitude to your guitar, bass, or a hybrid setup with synthesizer.\u003c\/p\u003e\u003ch3\u003eThe sound\u003c\/h3\u003e\u003cp\u003eThe Evil Filter has an immediately recognizable sonic signature: a \u003cstrong\u003eprecise\u003c\/strong\u003e filter, capable of being \u003cstrong\u003esurgical\u003c\/strong\u003e or \u003cstrong\u003ewild\u003c\/strong\u003e depending on resonance, and a fuzz that adds \u003cstrong\u003elush compression\u003c\/strong\u003e with a very \"Death By Audio\" bite. In low-pass, it thickens and \"sucks\" the sound with heavy sweeps\u0026#59; in band-pass, it projects an aggressive nasality perfect for cutting through a mix\u0026#59; in high-pass, it can make a signal nervous, almost metallic, excellent for angular rhythms.\u003c\/p\u003e\u003cp\u003eThe dynamics remain very responsive to touch, but the interest of this pedal is precisely to accept (and magnify) overload: sharp attacks, low tunings, feedback, delays, and reverbs upstream... everything goes through. Used as an extreme wah, it can become one of the most expressive pedals on your pedalboard\u0026#59; used as a sound design tool, it transforms into a generator of textures, screams, and movements.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDistortion \/ Overdrive \/ Fuzz, Remote Control\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAnalog\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:9;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTrue Bypass\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eEXP\/CV input\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6.35mm TRS Jack (external control of Filter Freq)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:10;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePotentiometers\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFilter Freq, Filter Output, Filter Resonance, Fuzz Output\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eIndicative CV range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eapproximately 0 to 3 V\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:11;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e3-position filter selector\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003elow-pass \/ band-pass \/ high-pass\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e7.75 x 4.72 x 2.4 inches (including hardware), approximately 191 x 117 x 64 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:12;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eResonance switch\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eNormal \/ High\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e25 oz, approximately 710 g\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:13;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFuzz type switch\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2 voicings (cleaner vs more extreme)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9 V\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:14;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWarning\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eresonance can cause self-oscillation at high levels\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCompatible\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estandard 9 V DC center-negative adapter (2.1 mm connector) or 9 V battery\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:7;--wb-r:15;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6.35mm Jack (mono)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRequired voltage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9 V DC (center negative)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:8;--wb-r:16;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6.35mm Jack (mono)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConsumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e21 mA\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Death By Audio","offers":[{"title":"Default Title","offer_id":54358880256275,"sku":"311643","price":449.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/a081f6aaabaead8d9aeb60ea9cb3557088c1c3ba_DEATHBYAUDIO_EVILFILTER.jpg?v=1792573591"},{"product_id":"death-by-audio-germanium-filter-366731","title":"Germanium Filter","description":"\u003ch3\u003eA Germanium Distortion in the Spirit of \"Vintage but Dangerous\" Sounds\u003c\/h3\u003e\u003cp\u003eThe Germanium Filter embraces a simple philosophy: take the musicality of germanium transistors and push it into a rawer, more uncontrollable zone, more like an overloaded mixing console. While some germanium fuzz pedals aim for smoothness and velvet tones, this one seeks impact and bite, with a gain reserve capable of ranging from slight dirtiness to snarling distortion and then to bleeding fuzz. Its identity also comes from its very pronounced filter, typical of the Death By Audio approach: not just a simple tone control, but a real lever to change the drive's personality.\u003c\/p\u003e\u003ch3\u003eFor Whom? Guitarists (and Bassists) Who Want a Massive, Lively, and Expressive Grain\u003c\/h3\u003e\u003cp\u003eThis effects pedal is aimed at musicians who like their sound to respond to playing dynamics and instrument volume. In other words: if you use your guitar's volume knob, the Germanium Filter can become a formidable weapon, able to clean up, tighten, or roar without touching the pedal. It will delight styles where character is key: garage rock, punk, noise, stoner, alternative rock, psych, but also for more experimental textures (monolithic riffs, drones, acidic leads, lo-fi breaks). In the studio, it provides an immediately recognizable signature\u0026#59; live, it transforms a \"classic\" pedalboard into a wall-of-sound machine.\u003c\/p\u003e\u003ch3\u003eControls and Design: Simple to Use, Immense in Possibilities\u003c\/h3\u003e\u003cp\u003eThe Germanium Filter keeps it essential with two highly interactive main controls. The \u003cstrong\u003eFilter\u003c\/strong\u003e knob strongly affects the frequency response: you can get endless lows, scooped mids, or conversely bright, aggressive, and punchy highs. The \u003cstrong\u003eGain\u003c\/strong\u003e control starts as a dirty boost, then evolves into saturated overdrive, spitting distortion, and very open fuzz, all while remaining sensitive to attack and instrument volume. To adapt the pedal to your amp, pickups, and place in the mix, an \u003cstrong\u003einternal Volume control\u003c\/strong\u003e allows you to adjust the overall output level: ideal for precisely balancing the level in \"always on\" mode or preparing a big volume jump for solos.\u003c\/p\u003e\u003ch3\u003eThe Sound\u003c\/h3\u003e\u003cp\u003eExpect a thick, lively grain rich in harmonics, with the typical germanium sensation: natural compression, an attack that can become spitty when pushed, and dynamics that follow your nuances rather than flatten everything. The filter adds a radical dimension: at the low end, the pedal can become massive and gooey, perfect for heavy riffs and overflowing bass\u0026#59; at the high end, it becomes cutting, almost \"blade-like,\" for leads that cut through a dense mix. The whole remains very expressive: by playing with the guitar's volume, you can go from dirty crunch to unleashed fuzz, with an immediate response feeling under your fingers.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDistortion \/ Overdrive \/ Fuzz, Fuzz, Boost, Distortion, Overdrive\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAnalog\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eYellow\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eYes\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSaturation pedal\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eboost, overdrive, distortion, and fuzz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e10.6 oz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFilter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eaffects frequency response (huge lows, scooped mids, sharp and punchy highs)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9 V\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:8;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efrom light overdrive to explosive fuzz, highly interactive with guitar volume\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRequired voltage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9 V\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:9;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eVolume (internal)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003econtrols the pedal\u0026#039;s overall output level\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCurrent consumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e5 mA\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:10;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e5\u0026quot; x 2.5\u0026quot; x 2.25\u0026quot; (hardware included)\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Death By Audio","offers":[{"title":"Default Title","offer_id":54358992257299,"sku":"366731","price":279.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/ea87b16a0b633f7df0f026c8d5f7c7de1c10af89_DBAGERM.jpg?v=1792573516"},{"product_id":"death-by-audio-fuzz-war-311650","title":"Fuzz War","description":"\u003ch3\u003eA Modern Fuzz with a \"No Rules\" Temperament\u003c\/h3\u003eThe Fuzz War follows the tradition of fuzz pedals that don't seek politeness but impact: generous compression, grainy texture, and a \"wall\" sensation that instantly fills the sonic space. Death By Audio is known for its uncompromising circuits, crafted for abrasive rock, garage, noise aesthetics, and all music where the guitar needs to dominate. If you like fuzzes with a strong character and a proudly destructive edge, the Fuzz War clearly fits this lineage.\u003cbr \/\u003e\u003ch3\u003eWho Is It For, and Which Styles?\u003c\/h3\u003eThis pedal is aimed at guitarists (and bassists) who want \u003cstrong\u003ethick\u003c\/strong\u003e, \u003cstrong\u003elively\u003c\/strong\u003e, and very present saturation in the mix. It suits both intermediate musicians looking for a fuzz that's easy to dial in and pedalboard veterans seeking an extreme and instantly recognizable tone.\u003cbr \/\u003ePerfect for \u003cstrong\u003egarage rock\u003c\/strong\u003e, \u003cstrong\u003estoner\u003c\/strong\u003e, \u003cstrong\u003epunk\u003c\/strong\u003e, \u003cstrong\u003enoise\u003c\/strong\u003e, \u003cstrong\u003egrunge\u003c\/strong\u003e, and certain \u003cstrong\u003eindie\/alternative\u003c\/strong\u003e approaches. In live settings, it helps keep the guitar \"up front\" even in a dense band. In the studio, it becomes a texture tool: guitar doubles, saturated leads, controlled noise layers, or monolithic riffs.\u003cbr \/\u003e\u003ch3\u003eControls, Settings, and Philosophy of the Fuzz War\u003c\/h3\u003eThe Fuzz War gets straight to the point with three controls, each covering a wide range of sounds. The \u003cstrong\u003eVolume\u003c\/strong\u003e adjusts the overall output level, useful for matching your clean tone or pushing the input of an already hot amp. The \u003cstrong\u003eFuzz\u003c\/strong\u003e controls the gain: at low settings, the pedal acts as a \u003cstrong\u003echaracter changer\u003c\/strong\u003e (thickening and coloring), then moves through a \u003cstrong\u003enervous boost\u003c\/strong\u003e, an \u003cstrong\u003eoverdrive\u003c\/strong\u003e, a \u003cstrong\u003edense distortion\u003c\/strong\u003e, up to a massive and saturated fuzz at maximum.\u003cbr \/\u003eThe \u003cstrong\u003eTone\u003c\/strong\u003e is a multi-curve filter designed to sweep a wide palette: from \u003cstrong\u003every deep bass\u003c\/strong\u003e (ideal for heavy riffs) to \u003cstrong\u003ecutting highs\u003c\/strong\u003e (perfect for piercing the mix, creating sharp textures, or acidic leads). The result: despite its extreme personality, the pedal easily adapts to your guitar, amp, and tuning.\u003cbr \/\u003e\u003ch3\u003eThe Sound\u003c\/h3\u003eThe Fuzz War delivers a \u003cstrong\u003ethick\u003c\/strong\u003e and \u003cstrong\u003esaturated\u003c\/strong\u003e fuzz, with a compression feel that extends sustain and gives immediate presence to notes. The output is deliberately \u003cstrong\u003egrainy\u003c\/strong\u003e and \u003cstrong\u003eaggressive\u003c\/strong\u003e: far from a smooth and round fuzz, here the goal is impact, bite, and a sonic \"wall.\" It responds very well to sharp attacks and chord riffs, while also shifting to dirtier and more explosive textures when pushing the gain.\u003cbr \/\u003eDepending on the Tone setting, you can either thicken the lows for heavy, massive rhythms or harden the top end for saw-like leads and more abrasive textures. It's a pedal that loves already expressive amps but can also awaken a too-smooth clean by turning it into a saturation machine.\u003cbr \/\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDistortion \/ Overdrive \/ Fuzz, Fuzz, Distortion, Overdrive\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGrey\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e5.87 x 4.72 x 2.5 inches (including hardware), approximately 149 x 120 x 64 mm\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCompatible with\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estandard 9 V 2.1 mm center-negative adapter or 9 V battery\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e18 oz, approximately 510 g\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRequired voltage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9 V\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9 V\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCurrent consumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1 mA\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Death By Audio","offers":[{"title":"Default Title","offer_id":54359157440787,"sku":"311650","price":219.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/3ee76cbf38344485764bd01c33cc8ae2b0e6ddcf_DEATHBYAUDIO_FUZZWAR.jpg?v=1792578289"},{"product_id":"death-by-audio-echo-master-311656","title":"Echo Master","description":"\u003ch3\u003eA Vocal Delay with a \"Tape\" Character in the Spirit of Death By Audio\u003c\/h3\u003e\u003cp\u003eThe Echo Master stands apart in the world of delay pedals: here, the goal is not perfectly clean repetition but \u003cstrong\u003etexture\u003c\/strong\u003e. Its \"analog tape lo-fi\" approach embraces the progressive degradation of the signal as the delay time is extended, like a tape echo pushed beyond its comfort zone. Add to that real work on the mic input, and you get a \u003cstrong\u003evocal sound design\u003c\/strong\u003e machine that can both enhance a lead vocal and take spoken word, whispers, or harmonies into controlled musical chaos.\u003c\/p\u003e\u003cp\u003eAmong vocal tools, the Echo Master feels more like an \u003cstrong\u003einstrument\u003c\/strong\u003e than a simple effect: you play it, provoke it, tame it. This is precisely what makes it a pedal of choice for artists seeking a recognizable sonic signature rather than transparent processing.\u003c\/p\u003e\u003ch3\u003eWho It's For and Contexts Where the Echo Master Makes a Difference\u003c\/h3\u003e\u003cp\u003eDesigned for \u003cstrong\u003esingers, backing vocalists, performers\u003c\/strong\u003e, and sound creators, the Echo Master suits both musicians comfortable with tweaking settings and vocalists who want strong results quickly. Live, it becomes a control center for transitions, build-ups, suspended endings, and improvisation moments with feedback. In the studio, it excels on vocal takes seeking depth, but also on unexpected sources (drum machines, synths, guitars in re-amping) whenever you aim for a \u003cstrong\u003edirty, lively, and expressive delay\u003c\/strong\u003e.\u003c\/p\u003e\u003cp\u003eStyle-wise, it feels at home in \u003cstrong\u003erock\u003c\/strong\u003e, \u003cstrong\u003egarage\u003c\/strong\u003e, \u003cstrong\u003epsychedelic\u003c\/strong\u003e, gritty \u003cstrong\u003eambient\u003c\/strong\u003e, experimental \u003cstrong\u003eelectro\u003c\/strong\u003e, \u003cstrong\u003edub\u003c\/strong\u003e with wild echoes, or any aesthetic where the effect becomes a performance element. And thanks to the effects loop, you can customize the chain according to your pedalboard: modulation before delay, saturation within repeats, filtering, pitch shifting, or anything that can transform a voice into a soundscape.\u003c\/p\u003e\u003ch3\u003eControls and Architecture: From Slapback to Walls of Oscillations\u003c\/h3\u003e\u003cp\u003eThe Echo Master combines a straightforward interface with an architecture designed for exploration. The controls respond quickly, encouraging real-time adjustments, especially when flirting with extreme delay and feedback zones.\u003c\/p\u003e\u003cul\u003e\u003cli\u003e\u003cstrong\u003eTime\u003c\/strong\u003e: sets the delay time (values shown in milliseconds). In the red zone, the delay chip is pushed to the extreme: the output becomes more unstable and fidelity decreases as time increases, delivering a true lo-fi character.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eF-Back\u003c\/strong\u003e: controls the number of repeats, from a single echo to infinite repeats, up to a wall of oscillations and feedback.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eMix\u003c\/strong\u003e: balances the delayed signal level relative to the dry signal, from completely dry to an equal blend.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eSend\/Return\u003c\/strong\u003e: effects loop for inserting external pedals. Positioned before the delay line, it affects both the dry vocal and the repeats generated by the Echo Master.\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003eSound Character\u003c\/h3\u003e\u003cp\u003eThe keyword is \u003cstrong\u003egrain\u003c\/strong\u003e. The Echo Master colors the voice with a distinctive presence and energy, then stretches the signal into a delay that naturally ages as you increase the time. At low Time and F-Back settings, you get short, punchy echoes perfect for thickening a vocal without burying it. Increasing feedback stacks and densifies repeats, potentially tipping into \u003cstrong\u003emusical self-oscillation\u003c\/strong\u003e that reacts to your Mix and Time movements.\u003c\/p\u003e\u003cp\u003eThe dynamic is intentionally \"performative\": the effect responds to intent, attack, and how you manage feedback thresholds on stage. The input preamp delivers a sensation of a \u003cstrong\u003ebigger voice\u003c\/strong\u003e, more alive and stable under tough conditions, while retaining that raw edge favored by alternative aesthetics. If you're looking for a clinical delay, look elsewhere\u0026#59; if you want a \u003cstrong\u003elo-fi signature\u003c\/strong\u003e that can shift from elegant to wild in a heartbeat, the Echo Master is formidable.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDelay, Preamp\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6.09\u0026quot; x 3.45\u0026quot; x 2.75\u0026quot; (including hardware), approximately 15.47 cm x 8.76 cm x 6.99 cm.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eEffects loop\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSend and Return jacks for inserting external effects.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e16 oz (with alternative rear plate 30 oz), approximately 454 g (about 850 g with the alternative rear plate).\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRequired power supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9 V, compatible with a standard 9 V 2.1 mm center-negative adapter.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAlternative rear plate\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eavailable version with a rear plate mountable on a mic stand, keeping the pedal within reach and allowing adjustment during performance. Updated with a press-molded screw and a very sturdy welded bracket.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCurrent consumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e25 mA.\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Death By Audio","offers":[{"title":"Default Title","offer_id":54359333699859,"sku":"311656","price":333.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/08724679b403387c8b510f81c7ef93ae3416c3af_DEATHBYAUDIO_ECHOMASTER.jpg?v=1792582953"},{"product_id":"death-by-audio-disturbance-379254","title":"Disturbance","description":"\u003ch3\u003eA Death By Audio Pedal Designed to Break New Ground\u003c\/h3\u003e\u003cp\u003eThe Disturbance doesn't aim to replicate a classic \"as is\": it takes three essential effect families (filter, flanger, phaser) and pushes them into a more experimental zone, typical of Death By Audio's DNA. The idea is simple: start from a recognizable modulation, then give you controls capable of distorting the texture, resonance, and feedback until you get unstable, lively, and truly unique sounds. In a modern setup (guitar, bass, synth, drum machines), it quickly becomes a machine for transitions, textures, and happy accidents.\u003c\/p\u003e\u003ch3\u003eWho Is the Disturbance For, and Which Styles Does It Excel In?\u003c\/h3\u003e\u003cp\u003eThe Disturbance is aimed at guitarists and bassists who like to sculpt their sonic identity: alternative rock, post-punk, noise, psychedelic, shoegaze, stoner, electro-rock, ambient... It suits both seasoned musicians and creatives in home studios, provided they enjoy experimenting (and accept that some settings can get wild). Live, it helps launch a passage, thicken a riff, or create tension builds with a very musical filter movement. In the studio, it shines on overdubs, doubles, and even non-guitar sources (drum machines, effects buses, synths) to add character and movement.\u003c\/p\u003e\u003ch3\u003eControls, Modes, and Modulation Control: A Performance-Oriented Approach\u003c\/h3\u003e\u003cp\u003eAt the heart of the Disturbance is a mode selector \u003cstrong\u003eFilter \/ Flanger \/ Fazer\u003c\/strong\u003e and a set of potentiometers that act as the LFO's control center. \u003cstrong\u003eSpeed\u003c\/strong\u003e sets the rate, \u003cstrong\u003eWidth\u003c\/strong\u003e the sweep amplitude, and \u003cstrong\u003eCenter Point\u003c\/strong\u003e positions the central point around which the modulation moves: handy for staying within a specific spectral zone or sweeping very wide. The \u003cstrong\u003eTensity\u003c\/strong\u003e control is key to the behavior: it influences the amount of feedback and the effect's structure, with two intensity \"characters\" (positions \"-\" and \"+\") that radically change the response depending on the selected mode. Finally, the dedicated LFO freeze footswitch allows you to pause the modulation: you then capture a \"snapshot\" of the texture (sometimes smooth, sometimes strange, sometimes downright aggressive) and hold it in place, like a static filter or modulation locked on a precise point.\u003c\/p\u003e\u003cp\u003eAnother strong point: the Disturbance can also become a control source thanks to its \u003cstrong\u003eCV output\u003c\/strong\u003e. You can send the modulation signal to a compatible device to synchronize movements, create interactions, or control an external parameter with the same LFO as the pedal.\u003c\/p\u003e\u003ch3\u003eThe Sound\u003c\/h3\u003e\u003cp\u003eThe Disturbance stands out with a very \"organic\" modulation, giving a sense of substance and depth. In \u003cstrong\u003eFilter\u003c\/strong\u003e mode, expect wide waves, resonance that can stay sharp without losing clarity, and behavior perfect for dramatic sweeps or almost synth-like textures. In \u003cstrong\u003eFlanger\u003c\/strong\u003e mode, it covers both the classic side (liquid movements, jet effect) and more radical variants: multi-tap, metallic thickness, and feedback that can saturate and scream when you push the intensity. The \u003cstrong\u003eFazer\u003c\/strong\u003e mode (phaser) brings a rich psychedelic color, with a characteristic 8-stage depth: perfect for open chords, arpeggios, or bass lines that need to breathe and undulate.\u003c\/p\u003e\u003cp\u003eWhere the Disturbance truly becomes unique is in its ability to instantly switch from movement to \"frozen.\" By freezing the LFO, you can turn a phaser into a static color, lock a flanger on a precise comb filter, or immobilize a filter on a frequency that puts your riff front and center. The result: a very expressive pedal that responds as much to playing as to settings, giving the impression of \"performing\" the effect rather than simply activating it.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMulti-effects, Chorus \/ Flanger \/ Phaser, Effects\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eRed\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:9;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMulti-effects modulation pedal\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFilter, Flanger, Phaser (\u0026quot;Fazer\u0026quot; mode)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eBattery operation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eno\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePotentiometers\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTensity, Center Point, Width, Speed\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eChassis\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emetal\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:11;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMode selector\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFilter \/ Flanger \/ Fazer\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eManufactured\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ehandmade in New York (USA)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:12;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFootswitch\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eEffect Bypass, Trip (LFO freeze \/ pause)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions (L x W x H)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e126 x 100 x 66 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:13;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6.35mm mono jack\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e369 g\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:14;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6.35mm jack (mono audio output), 6.35mm jack (CV output \/ LFO Out)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCurrent draw\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e67 mA\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:7;--wb-r:15;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePowered by AC adapter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9V DC\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRequired voltage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9V DC (negative center)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:8;--wb-r:16;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePower connector\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2.1 x 5.5mm, negative center polarity\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply included\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eno\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Death By Audio","offers":[{"title":"Default Title","offer_id":54359545413907,"sku":"379254","price":269.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/b01d030770ecfff7ea727ff0bc4dfbacac4196ba_FILLING_DBADIS.jpg?v=1792592320"},{"product_id":"death-by-audio-waveformer-destroyer-311654","title":"Waveformer Destroyer","description":"\u003ch3\u003eA modern distortion designed as a \"set-and-forget\" laboratory\u003c\/h3\u003e\u003cp\u003eThe Waveformer Destroyer fits the Death by Audio spirit: radical analog effects crafted for bold textures and saturations that break the mold. Here, the idea is not just to offer \"more gain\" but to multiply clipping and filtering architectures to achieve a huge palette of behaviors. Between the footswitches and internal DIP switches, you get a true sound design module in pedal format, capable of going from tight, percussive saturation to crushed, screeching, or completely deconstructed fuzz.\u003c\/p\u003e\u003cp\u003eThe \"set and forget\" concept is central: you fine-tune your DIP switches once and for all according to your guitar, pickups, and amp, then use the footswitches as creative levers. The result: a pedal particularly relevant for touring, when you want to keep precise settings from one gig to another without risking misadjusting a set of sensitive knobs.\u003c\/p\u003e\u003ch3\u003eWho is it for, what styles, and in which contexts?\u003c\/h3\u003e\u003cp\u003eThis pedal is aimed at guitarists (and more broadly musicians) who like to shape their sonic identity: nervous rock, post-punk, noise, shoegaze, garage, stoner, industrial, but also any situation where you seek a \"characterful\" saturation with responsiveness and a true signature. If you play with a pick and a sharp attack, you'll appreciate its ability to transform dynamics into texture. And if you prefer open chords and soundscapes, the filter and clipping modes help avoid the \"mush\" effect by repositioning the grit correctly in the spectrum.\u003c\/p\u003e\u003cp\u003eIn the studio, the Waveformer Destroyer shines on double-tracked takes and overdubs: you can reserve a very cutting setting for a rhythm track, then switch to a thicker saturation for a second layer. Live, it excels when you want a simple-to-control pedalboard: one footswitch to engage, and three others to boost, filter, or push the sound into controlled excess.\u003c\/p\u003e\u003ch3\u003eControls, adjustment logic, and combination possibilities\u003c\/h3\u003e\u003cp\u003eThe interface is intentionally performance-oriented: \u003cstrong\u003eEngage\u003c\/strong\u003e activates the effect in \u003cstrong\u003etrue bypass\u003c\/strong\u003e, while \u003cstrong\u003eBoost\u003c\/strong\u003e adds a boost\/distortion stage to thicken the saturation and make the guitar cut through the mix. The \u003cstrong\u003eFilter\u003c\/strong\u003e footswitch acts as an advanced equalizer filter: ideal for tightening bass, scooping an intrusive area, or conversely emphasizing aggressive harmonics. Finally, \u003cstrong\u003eBlast\u003c\/strong\u003e is the \"no compromise\" mode: the one you trigger when you want to explode the texture, increase the sense of crushing, and provoke more extreme behaviors.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003eMaster\u003c\/strong\u003e control sets the overall volume, essential to compensate for level variations depending on the activated combinations. And this is where the pedal becomes unique: inside, \u003cstrong\u003e8 DIP switches\u003c\/strong\u003e modify the very structure of the sound (Overload 1, Overload 2, Thin\/Full, Trash\/Smooth, Deep\/Wide, Norm\/Shift, Break\/Saw, Crush\/Blast). In practice, this lets you choose whether your saturation is finer or more massive, dirtier or smoother, deeper or wider, more regular or shifted, more broken or saw-like, more crushed or more explosive.\u003c\/p\u003e\u003cp\u003eThis system opens up a huge number of combinations: you can build a very musical \"base\" setting, then use Boost, Filter, and Blast as three instant variations around this foundation. It's a formidable approach for those who want multiple drive flavors without multiplying pedals.\u003c\/p\u003e\u003ch3\u003eSound signature\u003c\/h3\u003e\u003cp\u003eThe Waveformer Destroyer has a clearly \u003cstrong\u003eincisive\u003c\/strong\u003e and \u003cstrong\u003eexperimental\u003c\/strong\u003e signature: it can remain relatively defined and articulated if you choose smoother and well-filtered settings, but it is mainly designed to generate character, texture, and harmonics. Depending on the DIP switches, it ranges from a compact saturation, very tight in the low end, to a broader, rumbling distortion with a more abrasive high end. The response can be surprisingly dynamic: lowering the guitar volume partially cleans some settings and reveals a grainier, almost \"velcro\"-like texture depending on the selected mode.\u003c\/p\u003e\u003cp\u003eRegarding inspirations and real-world use, this pedal appears on pedalboards oriented toward modern rock and post-punk, notably with \u003cstrong\u003eMark Bowen\u003c\/strong\u003e (IDLES) and \u003cstrong\u003eMauro Remiddi\u003c\/strong\u003e (Sunny Day Sets Fire). It integrates particularly well with amps that have a solid clean (or slightly crunchy) channel: you keep the attack clarity while adding that typically Death by Audio layer of destruction.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDistortion \/ Overdrive \/ Fuzz, Fuzz, Boost, Distortion, Overdrive\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAnalog\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eYes\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e5.87\u0026quot; x 4.72\u0026quot; x 2.26\u0026quot; (including hardware) (approximately 149.1 mm x 119.9 mm x 57.4 mm).\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRequired voltage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9V DC (positive ring, negative tip).\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 oz (approximately 567 g).\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCurrent consumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6 mA.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9V (works with a 9V DC adapter with positive ring and negative tip or with the included 9V battery).\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Death By Audio","offers":[{"title":"Default Title","offer_id":54359565697299,"sku":"311654","price":336.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/da278422a3bbb0a8ddcd9964383cac9c8486f8fd_DEATHBYAUDIO_WAVEFORMERDESTROYER.jpg?v=1792592439"},{"product_id":"death-by-audio-interstellar-overdriver-w-master-311659","title":"Interstellar Overdriver W\/master","description":"\u003ch3\u003eAn overdrive designed like an old amp pushed to its limits\u003c\/h3\u003e\u003cp\u003eThe Interstellar Overdriver was created with a very specific idea: to recapture the feel of a 1950s tube amp driven hard, where the attack becomes livelier, harmonics stand out, and the sound seems to \"breathe.\" Instead of crushing your signal, this pedal opts for a natural and dynamic approach, with a discrete circuit, to amplify what you already love in your rig. It positions itself as an elegant solution to achieve organic saturation without turning your tone into a caricature.\u003c\/p\u003e\u003ch3\u003eWho is the Interstellar Overdriver for?\u003c\/h3\u003e\u003cp\u003eThis overdrive pedal is aimed at guitarists who want musically credible saturation, from \u003cstrong\u003eclean boost\u003c\/strong\u003e to \u003cstrong\u003erich crunch\u003c\/strong\u003e, while maintaining control over volume and dynamics. It suits both intermediate players and seasoned musicians who heavily control their sound with the \u003cstrong\u003eguitar's volume potentiometer\u003c\/strong\u003e and pick attack.\u003c\/p\u003e\u003cp\u003eIn terms of styles, it excels in \u003cstrong\u003eblues\u003c\/strong\u003e, \u003cstrong\u003evintage rock\u003c\/strong\u003e, \u003cstrong\u003eindie\u003c\/strong\u003e, \u003cstrong\u003egarage\u003c\/strong\u003e, and generally anywhere an expressive drive is preferred over compressed distortion. In the studio, it helps thicken a take without hardening it; live, it serves as a \"pushed\" channel always ready, easy to dial in, and very pedalboard-friendly.\u003c\/p\u003e\u003ch3\u003eFeatures and controls: total simplicity, real control\u003c\/h3\u003e\u003cp\u003eThe Interstellar Overdriver gets straight to the point with two controls. The \u003cstrong\u003eOverdriver\u003c\/strong\u003e knob adjusts the amount of gain: starting from a slight, bright, and punchy boost, then moving toward a thicker overdrive with a grain that progressively fills with harmonics. The \u003cstrong\u003eMaster\u003c\/strong\u003e knob manages the output level: handy for pushing your amp's input when desired, or conversely \u003cstrong\u003ereducing the final volume\u003c\/strong\u003e while retaining the drive's texture and smoothness.\u003c\/p\u003e\u003cp\u003eThis control logic is ideal if you like stacking gains: it can be placed before another overdrive to \"wake it up,\" or after to act as a global master. It also works very well in an \"always-on\" mode to add that little extra dimension and the sensation of an amp working, even at reasonable volume.\u003c\/p\u003e\u003ch3\u003eSound Character\u003c\/h3\u003e\u003cp\u003eThe Interstellar Overdriver's sonic character stands out with a \u003cstrong\u003etransparency\u003c\/strong\u003e that respects your amp's natural EQ, delivering saturation that remains clear and warm. The grain recalls a pushed vintage amp: the attack is responsive, chords retain definition, and single notes sing with rich harmonics. Depending on your guitar and pickups, you can achieve a subtle edge of breakup, a dynamic crunch for riffs, or a thicker drive that stays articulate.\u003c\/p\u003e\u003cp\u003eIt particularly shines when playing with the right hand: hitting harder opens up the sound and makes it growl; playing softer or rolling back the guitar volume returns it to a muscular clean. The result: an inspiring overdrive for those seeking a \"living\" and expressive tone, close to the behavior of an old tube amp.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDistortion \/ Overdrive \/ Fuzz, Overdrive\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAnalog\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGrey\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eOverdriver (gain), Master (output volume)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9 V\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e4.75 inches x 4.05 inches x 2.17 inches (including hardware)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCurrent draw\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1 mA\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e12 oz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRequired voltage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9 V\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Death By Audio","offers":[{"title":"Default Title","offer_id":54359642669331,"sku":"311659","price":219.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/28655ba4172b864aeb9731441d4365ae4352c087_DEATHBYAUDIO_INTERSTELLAROVERDRIVER.jpg?v=1792587498"},{"product_id":"death-by-audio-echo-dream-311638","title":"Echo Dream","description":"\u003ch3\u003eAn Echo Dream Designed as an Instrument, at the Heart of Death by Audio's Aesthetic\u003c\/h3\u003e\u003cp\u003eThe Echo Dream 2 embodies the Death by Audio DNA: effects that do not just \"beautify\" the sound but invite you to play with chaos. Here, the delay becomes a playground for experimentation thanks to an intentionally intense modulation section and a fuzz stage capable of mangling the delayed signal. The result is a pedal that fits both in the creative delay family and among texture machines, perfect for crafting a personal sonic signature on a pedalboard.\u003c\/p\u003e\u003ch3\u003eFor Which Guitarists and Styles?\u003c\/h3\u003e\u003cp\u003eThe Death by Audio Echo Dream 2 is aimed at musicians who like to sculpt space and texture: alternative rock, shoegaze, post-rock, indie, ambient, garage, noise guitarists, as well as anyone seeking a \"living\" delay to break out of overly tame repetitions. In the studio, it excels at creating layers, unstable doubles, worn tape effects, and feedback swells controlled by playing dynamics. Live, it's a formidable tool to fill the spectrum between parts, thicken riffs, or transform a simple line into a soundscape with just a few knob turns.\u003c\/p\u003e\u003cp\u003eIts very responsive character also makes it interesting for sources other than guitar: bass (textures and thickening), keyboards and machines (abrasive space-delay effects), or any signal you want to \"dirty\" and animate.\u003c\/p\u003e\u003ch3\u003e\"Out of This World\" Controls: From Clean Delay to Pulverized Signal\u003c\/h3\u003e\u003cp\u003eThe Echo Dream 2 combines a delay section, a fuzz section, and modulation that acts on the delay time to create pitch movements. The \u003cstrong\u003eD Time\u003c\/strong\u003e control sets the delay time (marked in milliseconds) between \u003cstrong\u003e20 ms and 1 second\u003c\/strong\u003e : as you lengthen the delay, the pedal can generate more beating, noise, and distortion, which is part of its charm.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003eFBack\u003c\/strong\u003e knob adjusts the amount of repeats: from a subtle echo to loops that spiral into self-oscillation. Then, the gain section lets you choose how the delayed signal is treated: raise the \u003cstrong\u003eFuzz\u003c\/strong\u003e to go from clean to thick saturation, then adjust \u003cstrong\u003eMaster\u003c\/strong\u003e to set the overall output level and \u003cstrong\u003eDelay\u003c\/strong\u003e to balance the volume of the repeats.\u003c\/p\u003e\u003cp\u003eOn the modulation side, \u003cstrong\u003eSpeed\u003c\/strong\u003e controls the rate and \u003cstrong\u003eDepth\u003c\/strong\u003e the amplitude. At high depth, the oscillation can cause pitch variations of several semitones, perfect for twisted chorus effects, unstable vibrato, or \"cassette\" style drift. Two toggles complete the approach: the left toggle allows a \u003cstrong\u003eclean blend\u003c\/strong\u003e (dry signal + repeats) or, conversely, \u003cstrong\u003ecuts the dry signal\u003c\/strong\u003e to hear only the delay\u0026#59; the right toggle selects a softer modulation or a sharper \u003cstrong\u003esquare wave\u003c\/strong\u003e ideal for stuttering, nervous effects.\u003c\/p\u003e\u003ch3\u003eThe Sound\u003c\/h3\u003e\u003cp\u003eThe Death by Audio Echo Dream 2 has an immediately recognizable signature: a spacious, rich delay that can remain delicate and \"pretty\" if kept moderate, but quickly reveals an abrasive and organic side when pushed. While some delays aim for transparency, this one embraces \u003cstrong\u003ecolor\u003c\/strong\u003e : saturated repeats, expressive modulation, and sometimes unpredictable reactions when delay time is long and feedback high.\u003c\/p\u003e\u003cp\u003eWith dynamic playing, the pedal responds very well to attack: you can keep a light echo to thicken arpeggios, then let the texture drift by turning depth\/speed, or trigger a feedback swell as a transition effect. It's also an excellent tool for modern sounds inspired by pedalboards of artists exploring alternative and experimental textures: it's notably used by \u003cstrong\u003eThom Yorke\u003c\/strong\u003e, \u003cstrong\u003eOmar Rodriguez-Lopez\u003c\/strong\u003e, \u003cstrong\u003eJoe Trohman\u003c\/strong\u003e, and \u003cstrong\u003eJamie Stewart\u003c\/strong\u003e, proof of its prime place when it comes to creating space, movement, and character.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTremolo, Delay, Fuzz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePurple\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:8;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaster\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003econtrols overall volume\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDepth\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esets modulation amplitude on delay time\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:9;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFuzz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eadjusts gain amount, from clean to fuzzed sound\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRight toggle\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eup for softer waveform, down for sharper square wave\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:10;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDelay\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eadjusts volume of the delayed signal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e127 x 102 x 51 mm (including hardware)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:11;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eD Time\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003econtrols delay time between 20 ms and 1 second\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e595 g\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:12;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFBack\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003econtrols feedback, from repeats to oscillation\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRequired voltage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9V\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:13;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLeft toggle\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eup for clean blend, down to cut dry signal and hear only repeats\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConsumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e40 mA\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:7;--wb-r:14;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSpeed\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esets modulation speed\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Death By Audio","offers":[{"title":"Default Title","offer_id":54359653810451,"sku":"311638","price":339.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/5c796d3b7eaab5ec28594956a56e7cdbd34ae84d_DEATHBYAUDIO_ECHODREAMV2.jpg?v=1792592403"},{"product_id":"death-by-audio-micro-dream-311639","title":"Micro Dream","description":"\u003ch3\u003eA \"bite-sized Echo Dream\": the Death By Audio spirit, Micro version\u003c\/h3\u003e\u003cp\u003eThe MICRO DREAM carries the DNA of Death By Audio delays: a thick, lively, imperfect repetition in the best sense, designed to add character rather than clinical precision. It stands as a simpler and smaller version of the Echo Dream 2, retaining that \"decayed delay\" aspect that instantly thickens a riff, while adding a more pronounced grain when the delay time is extended.\u003c\/p\u003e\u003cp\u003eResult: a pedal that doesn't aim to imitate a hi-fi rack, but to become a true texture tool. The more you push it, the more it \"protests\" with lo-fi artifacts and progressive degradation, ideal for psychedelic, noise, post-punk, garage sounds, and all aesthetics that appreciate depth.\u003c\/p\u003e\u003ch3\u003eWhich guitarists and styles is the MICRO DREAM made for?\u003c\/h3\u003e\u003cp\u003eThe MICRO DREAM suits both the guitarist seeking a \u003cstrong\u003ealways musical delay\u003c\/strong\u003e and the tinkerer who likes flirting with chaos. In short, it works equally well in subtle settings (doubling, slapback, thickness on a lead) as in more experimental terrain (grainy repeats, pseudo-looping, controlled oscillations).\u003c\/p\u003e\u003cp\u003eIt is particularly formidable \u003cstrong\u003ewith a fuzz\u003c\/strong\u003e or \u003cstrong\u003ein an already saturated amp\u003c\/strong\u003e : the delay doesn't just repeat, it thickens and \"glues\" to the sound, maintaining a presence that sits well in a band mix. In the studio, it excels at dirtifying a take cleanly and adding movement. Live, its compact format and three main controls make it quick to master on a pedalboard.\u003c\/p\u003e\u003ch3\u003eControls, internal trimpot, and feedback behavior\u003c\/h3\u003e\u003cp\u003eThe MICRO DREAM gets straight to the point with three potentiometers: \u003cstrong\u003eFback\u003c\/strong\u003e (amount of repeats), \u003cstrong\u003eTime\u003c\/strong\u003e (delay time), and \u003cstrong\u003eDelay\u003c\/strong\u003e (level of delayed signal). The Time can go up to \u003cstrong\u003e1,000 ms\u003c\/strong\u003e : the closer you get to longer values, the more granular the repeats become, with a lo-fi character integral to the pedal's signature.\u003c\/p\u003e\u003cp\u003eThe highlight is the \u003cstrong\u003einternal setting\u003c\/strong\u003e : a \u003cstrong\u003etrimpot\u003c\/strong\u003e allows you to adjust the threshold where Fback switches to self-oscillation. You can thus calibrate the pedal according to your use: stay in a very harmonious \"sweet spot\" zone for an always-on delay, or make the oscillation onset more accessible to create swells, drones, and echo explosions. True Bypass preserves your original tone when the effect is off.\u003c\/p\u003e\u003ch3\u003eSound\u003c\/h3\u003e\u003cp\u003eThe MICRO DREAM delivers a \u003cstrong\u003ethick repetition\u003c\/strong\u003e, slightly compressed, with a \u003cstrong\u003eprogressive degradation\u003c\/strong\u003e reminiscent of vintage delays, without trying to be a faithful \"tape\" or \"bucket brigade\" copy. At short values, it serves as a subtle doubling or a snappy slapback, with a character that remains present without overwhelming. As you extend the Time, the texture becomes more \"chewy,\" darker, and dirtier, with repeats that stretch and crumple in a very inspiring way.\u003c\/p\u003e\u003cp\u003eDynamic-wise, it reacts well to playing: lowering the guitar volume or softening the attack keeps cleaner, more blended echoes; playing hard (or stacking fuzz\/overdrive) yields a wall of granular repeats that thickens the signal. This pedal is notably used by \u003cstrong\u003eLee Kiernan\u003c\/strong\u003e (IDLES) and \u003cstrong\u003eMichael Lemmo\u003c\/strong\u003e, illustrating its positioning: a simple delay machine full of personality, comfortable from rock to noise music.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDelay\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAnalog\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCharacter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003elo-fi, \u0026quot;grainy\u0026quot; repeats\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower adapter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9V DC (center negative) optional\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:7;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDelay time\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eup to 1,000 ms\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eBattery power\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1 x 9V battery (6LR61)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTrue Bypass\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions (H x W x D)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e59 x 66 x 126 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:9;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFback, Time, Delay\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConsumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e28 mA\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInternal setting\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etrimpot to adjust feedback self-oscillation threshold\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRequired voltage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9V\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Death By Audio","offers":[{"title":"Default Title","offer_id":54359909302547,"sku":"311639","price":245.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/cbcd125ffd26530a99647533f85bcb8b8f69a373_DEATHBYAUDIO_MICRODREAM.jpg?v=1792602050"},{"product_id":"death-by-audio-echo-master-black-plate-377283","title":"Echo Master Black Plate","description":"\u003ch3\u003eAn Accessory Designed for the Stage Use of the Echo Master\u003c\/h3\u003e\u003cp\u003eThis clip was designed to meet a concrete need for musicians: keeping the Echo Master within reach without cluttering a table or flight case. The \u003cstrong\u003ev3\u003c\/strong\u003e version offers a more robust construction and a more comfortable screw for smooth mounting\/dismounting between soundchecks and sets.\u003c\/p\u003e\u003ch3\u003eWho and In What Contexts?\u003c\/h3\u003e\u003cp\u003eIdeal for singers, guitarists, and technicians who use the Echo Master in rehearsals or concerts and want an ergonomic placement on a \u003cstrong\u003emicrophone stand\u003c\/strong\u003e to quickly adjust their settings on the spot.\u003c\/p\u003e\u003ch3\u003ePractical Mounting and Quick Handling\u003c\/h3\u003e\u003cp\u003eThe principle is simple: you \u003cstrong\u003ereplace the bottom plate\u003c\/strong\u003e of your Echo Master with this clip, then hang it on your microphone stand. The \u003cstrong\u003elarge screw\u003c\/strong\u003e facilitates tightening and improves ease of use, especially when you need to intervene quickly between songs.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eVersion\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ev3\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eTightening screw\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003elarge screw, easy to handle\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConstruction\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emore robust\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Death By Audio","offers":[{"title":"Default Title","offer_id":54360077697299,"sku":"377283","price":69.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/2720a25c4fed5c3cd445fd08d575b9cc35e3fa0a_FILLING_DBAECHMBP.jpg?v=1792605778"},{"product_id":"death-by-audio-absolute-destruction-311647","title":"Absolute Destruction","description":"\u003ch3\u003eA Pedal Designed to Break Away from the \"Normal Sound\": The Death By Audio Spirit\u003c\/h3\u003e\u003cp\u003eWith the Absolute Destruction, Death By Audio does not aim to reproduce a classic distortion nor to \"beautify\" your signal: the goal is to shake it up, twist it, then push it into a zone where saturation becomes an effect in its own right. Where many pedals simply add gain, this one plays with circuit overload and starvation to create almost living behaviors: signal collapse, natural gating, sudden return, and that feeling of an amp on the verge of explosion.\u003c\/p\u003e\u003cp\u003eIts engine is based on a power amplifier integrated circuit used as a saturation generator, which explains this dense, brutal, and sometimes unpredictable grain (in a good way). Within the DBA range, this pedal clearly belongs to the most radical effects: a pedal made to embrace sonic destruction, not to stay quietly in the mix.\u003c\/p\u003e\u003ch3\u003eWho It's For and Which Styles the Absolute Destruction Excels In\u003c\/h3\u003e\u003cp\u003eThis pedal is aimed at guitarists (and bassists) who like to sculpt a sound that breaks the mold: noise rock, punk, post-hardcore, industrial, stoner, doom, sludge, experimental, and any music where texture matters as much as the note. It's also formidable in the studio for creating aggressive layers, \"broken\" overdubs, or leads that literally cut through the track.\u003c\/p\u003e\u003cp\u003eOn stage, it can become your climax weapon: a progressive build-up of violence, then a shift into a starving, gating saturation, perfect for dramatic breaks and collapsing phrase endings. If you're looking for an ultra-docile and transparent pedal, move along\u0026#59; if you want a distortion that strongly reacts to your settings and dynamics, you're in the right place.\u003c\/p\u003e\u003ch3\u003eControls and Operation: Simple in Appearance, Huge in Possibilities\u003c\/h3\u003e\u003cp\u003eThe interface gets straight to the point with three sliders that define the overall behavior. \u003cstrong\u003eMASTER VOLUME\u003c\/strong\u003e controls the output volume, handy for compensating level changes depending on the amount of destruction applied. \u003cstrong\u003eGAIN\u003c\/strong\u003e increases distortion by pushing saturation towards thicker, denser textures. And most importantly, \u003cstrong\u003eOVERLOAD\u003c\/strong\u003e determines how far the pedal accepts your signal before tipping into overload: set high, the pedal overloads less\u0026#59; sliding it left accelerates access to destruction and starvation\/gating behaviors.\u003c\/p\u003e\u003cp\u003eThe magic (and danger) comes from the interaction between \u003cstrong\u003eGAIN\u003c\/strong\u003e and \u003cstrong\u003eOVERLOAD\u003c\/strong\u003e: oppose them to provoke wilder reactions, or lower one of the two to regain a clearer attack and smoother release. The horizontal sliders are \u003cstrong\u003erecessed\u003c\/strong\u003e to limit shocks and accidental movements, a real plus if you play hard, transport your pedalboard often, or adjust your sounds \"with your foot\" in real conditions.\u003c\/p\u003e\u003ch3\u003eThe Sound\u003c\/h3\u003e\u003cp\u003eExpect a distortion that can be \u003cstrong\u003ethick, granular, and massive\u003c\/strong\u003e, but also unstable, compressed, and biting when you push the overload. The Absolute Destruction can produce harmonically rich textures, with sensations of \u003cstrong\u003escreaming octaves\u003c\/strong\u003e and sharp edges that transform a simple riff into a wall of sound. Going further, the sound can \"eat itself\": natural gating, notes that cut out, then return with spectacular aggression.\u003c\/p\u003e\u003cp\u003eIn playing, the pedal has a very tactile character: depending on the OVERLOAD setting, it can shift from a \"playable\" saturation to a destruction machine that reacts to the slightest dynamic change. It's typically the kind of effect that inspires new phrases because it doesn't just amplify what you play: it \u003cstrong\u003einterprets\u003c\/strong\u003e your signal and transforms it into texture.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDistortion \/ Overdrive \/ Fuzz, Fuzz, Distortion\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eWhite\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaster Volume\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003econtrols the effect\u0026#039;s output volume\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e10 oz, approximately 284 g\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOverload\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esets the threshold at which the pedal overloads; fully up means no overload; sliding left destroys the sound faster\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAdapter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estandard 9 V, 2.1 mm jack, center negative\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:8;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esliding right increases gain and distortion\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRequired voltage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9 V\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:9;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRecessed horizontal sliders\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edesigned to limit bending and accidental movements during play\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConsumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e5 mA\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:10;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e4.95\u0026quot; x 2.61\u0026quot; x 2.34\u0026quot; (hardware included), approximately 12.57 cm x 6.63 cm x 5.94 cm\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Death By Audio","offers":[{"title":"Default Title","offer_id":54360161091859,"sku":"311647","price":199.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/15f78e6b0a9d133af337bc0d860cf289fc0046e1_DEATHBYAUDIO_ABSOLUTEDESTRUCTION.jpg?v=1792605773"},{"product_id":"death-by-audio-moonbeam-phaser-phaser-425637","title":"Moonbeam Phaser - Phaser","description":"\u003ch3\u003eThe Phaser Reinvented\u003c\/h3\u003eInspired by the classic phasers of the 1970s, the Moonbeam breaks the mold by allowing precise selection of the number of phase stages. This ranges from the smooth musicality of vintage phasers to more defined, futuristic contours, all housed in a decidedly modern enclosure.\u003cbr \/\u003e\u003ch3\u003eWho Is It For and What Are Its Uses?\u003c\/h3\u003eGuitarists, bassists, keyboardists, and producers seeking an organic and versatile modulation effect. It fits into various styles: funk, psychedelic rock, indie, ambient, or electronica. In the studio, it subtly colors or leaves a distinctive signature\u0026#59; live, it maintains exemplary clarity.\u003cbr \/\u003e\u003ch3\u003eStage Control, Character Control\u003c\/h3\u003eThe phase stage selector (1 to 6) determines the depth of the spectral notch and the complexity of the movement. Expressive controls allow for slow speeds to create liquid soundscapes or fast sweeps for near-tremolo effects, with resonance adding bite. The compact format fits anywhere without compromising the sonic palette.\u003cbr \/\u003e\u003ch3\u003eSound\u003c\/h3\u003eWarm, spacious, and lively, the Moonbeam preserves analog dynamics while offering an unusual variety of textures. At low stage counts, the sound remains airy and musical\u0026#59; at 5 or 6 stages, the curve becomes more dramatic, with pronounced notches and a hypnotic character. It responds sensitively to playing dynamics, from wide chords to solo lines.\u003cbr \/\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eChorus \/ Flanger \/ Phaser\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAnalog\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePhase stage selection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1 to 6.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003e9V DC (center negative), typical consumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e50 mA.\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Death By Audio","offers":[{"title":"Default Title","offer_id":54360207589651,"sku":"425637","price":289.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/b93a125ce073e40d0262f71badc7190e4ee2876d_FILLING_DBAMOO.jpg?v=1792609558"},{"product_id":"death-by-audio-supersonic-fuzz-gun-311653","title":"Supersonic Fuzz Gun","description":"\u003ch3\u003eA boutique fuzz designed for excess (not half-measures)\u003c\/h3\u003e\u003cp\u003eThe Supersonic Fuzz Gun follows the tradition of fuzz pedals that don't seek restraint but controlled accidents. While a vintage fuzz aims for sustain and thickness, Death By Audio pushes the concept toward deliberately unstable behaviors: pronounced gating, \"velcro\" textures, and especially a self-oscillation usable as a sound source in its own right. In the world of modern fuzzes, it occupies the rare space of a pedal-instrument, designed for musicians who like their effect to react, struggle, and ultimately prevail.\u003c\/p\u003e\u003ch3\u003eWho is it for? Guitarists, bassists, and tinkerers who want to break the mold\u003c\/h3\u003e\u003cp\u003eThis effects pedal is aimed at guitarists comfortable with sensitive settings (or those who want to become so): the Supersonic Fuzz Gun rewards exploration. Perfect for alternative rock, garage, stoner, shoegaze, post-rock, noise, industrial, and experimental music, it also excels in the studio for creating texture layers, \"catastrophic\" transitions, or leads that cut through the mix.\u003c\/p\u003e\u003cp\u003eLive, it becomes a weapon of character: a simple riff can transform into a gated fuzz wall, and sustain can shift into a self-oscillating drone. It works very well on a pedalboard but also shines placed on the floor as an idea machine, controlled by foot and guitar volume.\u003c\/p\u003e\u003ch3\u003eControls and operation: sculpt chaos with precision\u003c\/h3\u003e\u003cp\u003eThe heart of the Supersonic Fuzz Gun is the interaction between its controls. \u003cstrong\u003eBias\u003c\/strong\u003e affects the overall behavior and \"tension\" of the circuit: shifting from a more stable fuzz to hungrier, more gated reactions, sometimes almost synth-like. \u003cstrong\u003eDensity\u003c\/strong\u003e thickens the fuzz input and also influences the oscillation frequency in Osc mode: it's often the key to finding the tipping point between massive grain and musical instability.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eFuzz\u003c\/strong\u003e pushes intensity and saturation, while \u003cstrong\u003eFilter\u003c\/strong\u003e sweeps the highs from a sharp bite to a darker, doom-like mass. Finally, \u003cstrong\u003eLevel\u003c\/strong\u003e adjusts the output volume, useful to compensate for gated settings that sometimes reduce perceived level. The \u003cstrong\u003eGate \/ Oscillation\u003c\/strong\u003e switch changes the philosophy: Gate for a more controllable, chopped fuzz, Oscillation to trigger self-oscillation and generate noises, drones, and aggressive \"beeps.\"\u003c\/p\u003e\u003ch3\u003eSound\u003c\/h3\u003e\u003cp\u003eThe Supersonic Fuzz Gun doesn't aim for transparency: it's a \u003cstrong\u003ecolored fuzz\u003c\/strong\u003e, edgy, which can become extremely compressed and gated depending on Bias and Density. Its attack can snap, crackle, collapse, then restart, and its dynamics depend as much on your playing as on the balance between controls. It can also behave as a \"relatively\" simple rough distortion, but its true personality emerges when pushed into its unstable zones.\u003c\/p\u003e\u003cp\u003eIn pedalboard culture, it's favored by guitarists drawn to radical textures: it's notably associated with styles ranging from \u003cstrong\u003eshoegaze\u003c\/strong\u003e to more modern and massive atmospheres, with artists like \u003cstrong\u003eThe Edge\u003c\/strong\u003e and \u003cstrong\u003eKevin Shields\u003c\/strong\u003e often cited for this type of textured, out-of-the-ordinary fuzz.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] 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style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2 mA\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e4.72\u0026quot; x 3.84\u0026quot; x 2.06\u0026quot; (including hardware)\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Death By Audio","offers":[{"title":"Default Title","offer_id":54361449726227,"sku":"311653","price":324.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/dc769a3908c4cf3bf2ded1d747f36cef5e01ad9e_DEATHBYAUDIO_SUPERSONICFUZZGUN.jpg?v=1792644106"},{"product_id":"death-by-audio-rooms-366732","title":"Rooms","description":"\u003ch3\u003eA modern reverb crafted for sonic exploration\u003c\/h3\u003e\u003cp\u003eThe \u003cstrong\u003eRooms\u003c\/strong\u003e follows the tradition of \"creative\" reverbs: instead of limiting itself to space simulation, it offers several processing architectures, each with its own behavior and zones of musical instability. The result: you can achieve a natural reverb to add depth, or a dense, textured, and intentionally atypical soundscape. The \u003cstrong\u003eALT\u003c\/strong\u003e mode plays a central role here: it transforms the Rooms into a true performance instrument, capable of switching from one sound scene to another without adjusting the basic settings.\u003c\/p\u003e\u003ch3\u003eWho is the Rooms for, and in which styles does it make a difference?\u003c\/h3\u003e\u003cp\u003eThe Rooms is aimed at guitarists and musicians (guitar, bass, synth, drum machines) who want a \u003cstrong\u003estereo reverb\u003c\/strong\u003e that is as convincing in the mix background as it is expressive in the foreground. It is especially suited for \u003cstrong\u003eshoegaze\u003c\/strong\u003e, \u003cstrong\u003epost-rock\u003c\/strong\u003e, \u003cstrong\u003eambient\u003c\/strong\u003e, \u003cstrong\u003enoise\u003c\/strong\u003e, \u003cstrong\u003eindie\u003c\/strong\u003e, and \u003cstrong\u003eelectronic music\u003c\/strong\u003e, but remains very usable in rock whenever depth, dimension, and dynamic expression are sought. Live, it facilitates transitions (atmospheric intro, drier verse, soaring finale)\u0026#59; in the studio, its Dry\/FX level control helps place the effect exactly where you want it, including on a parallel send track.\u003c\/p\u003e\u003ch3\u003eControls, modes, and the \"ALT\" approach\u003c\/h3\u003e\u003cp\u003eThe Rooms offers a clear interface: \u003cstrong\u003eFREQ\u003c\/strong\u003e and \u003cstrong\u003eDEPTH\u003c\/strong\u003e control parameters that change depending on the selected algorithm, while \u003cstrong\u003eTIME\u003c\/strong\u003e adjusts the reverb duration in all modes. The \u003cstrong\u003eDRY\u003c\/strong\u003e \/ \u003cstrong\u003eFX\u003c\/strong\u003e pair acts as a studio-quality output mixer, with an extended range from total cut to \u003cstrong\u003e20 times gain\u003c\/strong\u003e on each path, convenient for adapting the pedal to a pedalboard, mixer, or recording chain.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003eALT\u003c\/strong\u003e footswitch activates a \u003cstrong\u003esecond set of controls\u003c\/strong\u003e: you can switch from one \"manual preset\" to another (no menus), and most importantly unlock \u003cstrong\u003eexpression pedal control\u003c\/strong\u003e (optional). A side switch \u003cstrong\u003eF to T\u003c\/strong\u003e lets you choose whether expression controls \u003cstrong\u003eFREQ\u003c\/strong\u003e or \u003cstrong\u003eTIME\u003c\/strong\u003e when ALT mode is engaged. This logic makes the Rooms highly performative: reverb time sweeps, resonance boosts, progressive modulation... everything becomes playable with your foot.\u003c\/p\u003e\u003cp\u003eRegarding algorithms, each mode has its personality: \u003cstrong\u003eROOM\u003c\/strong\u003e covers classic spaces, \u003cstrong\u003eDIGIT\u003c\/strong\u003e explores fractured delays and feedbacks, \u003cstrong\u003ePEAK\u003c\/strong\u003e combines an intense bandpass with ambient reverb, \u003cstrong\u003eGATE\u003c\/strong\u003e ranges from percussive gating to controllable freeze, \u003cstrong\u003eWAVE\u003c\/strong\u003e adds a chorus\/vibrato-style modulation dimension, and \u003cstrong\u003eGONG\u003c\/strong\u003e takes you to ethereal, crushed textures between aliasing and ring modulation.\u003c\/p\u003e\u003ch3\u003eSound Character\u003c\/h3\u003e\u003cp\u003eThe Rooms can be \u003cstrong\u003esubtle\u003c\/strong\u003e when keeping FX moderate and TIME reasonable, providing a sense of air and depth very useful for widening a clean tone, a lead, or an arpeggiated pattern. But its natural playground is \u003cstrong\u003eexpressive reverb\u003c\/strong\u003e: attacks highlighted by a snappy gate, reverb tails turning into a pad, resonances that \"sing\" in the spectrum, and modulations that bring the reverb to life. It responds particularly well to playing dynamics when you adjust the Dry\/FX ratio: you can maintain the direct signal's clarity while enveloping the sound in a spectacular ambiance, or switch to a very wet sound for ambient and cinematic textures.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eReverb, Effects\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDigital\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eYes\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:12;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions (including hardware)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eapproximately 151 x 98 x 75 mm\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGONG\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFREQ = Modulator Frequency, DEPTH = blend from aliasing (left) to ring modulation (right)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:13;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eapproximately 510 g\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDRY\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edry signal volume, from silence to 20 times gain\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:14;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAlgorithms\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eRoom, Digit, Peak, Wave, Gate, Gong\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFX\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eeffect signal volume, from silence to 20 times gain\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:15;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTIME\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ereverb time in all modes\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eALT footswitch\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eactivates a second set of controls and allows toggling between settings\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:16;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFREQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efrequency parameter depending on mode\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eIn ALT mode\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFREQ is controlled by the F knob, DEPTH by the D knob, TIME by the T knob\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:6;--wb-r:17;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDEPTH\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edepth parameter depending on mode\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eExpression control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eactive only in ALT mode when an expression pedal is connected\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:7;--wb-r:18;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eROOM\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFREQ = Tone of Decay, DEPTH = Pre-Delay\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSide selector F to T\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003echooses whether expression controls FREQ or TIME\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:8;--wb-r:19;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDIGIT\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFREQ = Delay Time, DEPTH = Delay Feedback\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eadapter required (sold separately)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:9;--wb-r:20;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePEAK\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFREQ = Filter Frequency, DEPTH = Filter Resonance\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCurrent draw\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e80 mA\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:10;--wb-r:21;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGATE\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFREQ = Decay Tone, DEPTH = Gate Response Time\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConnector\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2.1 mm center negative\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:11;--wb-r:22;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWAVE\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFREQ = Modulation Frequency, DEPTH = Modulation Depth\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Death By Audio","offers":[{"title":"Default Title","offer_id":54361702662419,"sku":"366732","price":479.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/7d9cff32ae766bf8159ec330a615fcd78b8db5e3_DBAROO.jpg?v=1792651764"},{"product_id":"death-by-audio-reverberation-machine-311666","title":"Reverberation Machine","description":"\u003ch3\u003eA \"spring\" reverb reimagined in Death By Audio style\u003c\/h3\u003e\u003cp\u003eThe Death By Audio Reverberation Machine doesn't try to replicate a spring reverb in a tame and realistic way: it draws inspiration from the \"spring\" character and pushes it into a more electric, saturated, and dramatic territory. Whereas a traditional reverb serves to \"glue\" the sound into a space, here it becomes a true atmosphere generator, capable of transforming a simple riff into a vast soundscape. This exact positioning has made it a cult pedal: a reverb conceived as a full-fledged effect, on par with fuzz or distortion.\u003c\/p\u003e\u003ch3\u003eWho is it for, which styles, and in what contexts?\u003c\/h3\u003e\u003cp\u003eThis pedal is aimed at guitarists (and more broadly instrumentalists) who want a reverb with character and aren't afraid of a \"living\" and sometimes unpredictable pedal when pushed. It excels in alternative rock, noise, post-rock, shoegaze, garage, dark ambient, stoner, and any context where thick, grainy, and expressive reverb tails are sought.\u003c\/p\u003e\u003cp\u003eIn the studio, it's formidable for laying down a sonic signature on a take: huge intros, leads that \"scream\" into space, or background textures that fill the spectrum. Live, it can become a tool for sonic staging, especially if you play with your attack dynamics and mix level. On a pedalboard, it works well both at the end of the chain to maximize space and before distortion to achieve more abrasive and \"blown out\" effects.\u003c\/p\u003e\u003ch3\u003eControls, settings, and personality of the pedal\u003c\/h3\u003e\u003cp\u003eThe Reverberation Machine is built around simple but very sensitive controls, encouraging exploration. The \u003cstrong\u003eVol\u003c\/strong\u003e knob adjusts the overall output level: useful for compensating a very present reverb or, conversely, for using the pedal as a true \"ambiance boost.\"\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003eAltitude\u003c\/strong\u003e control behaves like a gain applied at the heart of the effect: the higher you set it, the more expansive, edgy, and distorted the reverb becomes, with a rough shimmer that thickens the signal. The \u003cstrong\u003eVerb\u003c\/strong\u003e knob controls the amount of reverb, from a subtle halo to a cavernous wash that swallows the sound.\u003c\/p\u003e\u003cp\u003eFinally, the \u003cstrong\u003eDark\/Light\u003c\/strong\u003e selector (indicated on the pedal) changes the tonal color: \u003cstrong\u003eDark\u003c\/strong\u003e emphasizes a darker, more \"tunnel-like\" depth, while \u003cstrong\u003eLight\u003c\/strong\u003e adds a more sparkling brightness, ideal for highlighting arpeggios, open chords, or melodic lines.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eWarning:\u003c\/strong\u003e when \u003cstrong\u003eAltitude\u003c\/strong\u003e and \u003cstrong\u003eVerb\u003c\/strong\u003e exceed noon, the pedal can produce very high volumes, hiss, white noise, and artifacts. This is also where its most extreme sounds lie: increase settings gradually and adjust your amp level accordingly.\u003c\/p\u003e\u003ch3\u003eThe sound\u003c\/h3\u003e\u003cp\u003eThe signature of the Death By Audio Reverberation Machine is this \"abused\" spring reverb: a saturated spring feel, a texture that can become grainy and aggressive, and a sense of space that doesn't quietly stay in the background. At moderate settings, it adds a nostalgic and slightly sinister depth, perfect for adding dimension without losing attack. At more intense settings, it turns into a wall of sound: dense reverb tails, distortion on repeats, and a presence that can fill the entire mix.\u003c\/p\u003e\u003cp\u003eDynamics are key: depending on your playing, the pedal can remain musical and airy or, conversely, start to roar with a very expressive ambient saturation. If you like effects that respond to pick intensity and guitar volume variations, this reverb will give you a real sense of being a full instrument in its own right.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eReverb\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAnalog\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e4.86\u0026quot; x 3.67\u0026quot; x 2.06\u0026quot; (including hardware)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDark\/Light\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edark, cavernous or brighter, shimmering voicing\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:7;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e14 oz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRequired power\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9V DC\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eVol\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emain output volume\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9V DC adapter with positive ring and negative tip or included 9V battery\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:9;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAltitude\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eincreases saturation level and reverb openness\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCurrent consumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e66 mA\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eVerb\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eamount of reverb\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRequired voltage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9V DC\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Death By Audio","offers":[{"title":"Default Title","offer_id":54361731596563,"sku":"311666","price":269.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/39aad5c7e8882da7f0b1a123094b8173d08640bf_DEATHBYAUDIO_REVERBERATIONMACHINE.jpg?v=1792656602"},{"product_id":"death-by-audio-space-bender-white-orange-limited-379255","title":"Space Bender WHITE-orange Limited","description":"\u003ch3\u003eA Space Bender Designed for \"Out of the Box\" Modulations by Death By Audio\u003c\/h3\u003e\u003cp\u003eThe Space Bender is not a \"tame\" chorus meant to gently thicken a clean tone: it's a signal-warping machine. Its engine is based on a set of dynamically modulated delay lines, which explains its ability to navigate between chorus, flanger, and modulated delay, while maintaining an organic and unpredictable character when pushing the controls. \u003c\/p\u003e\u003ch3\u003eWho It's For, and Styles Where the Space Bender Makes a Difference\u003c\/h3\u003e\u003cp\u003eThe Space Bender is aimed at both guitarists and bassists who want expressive and lively modulation with real room for experimentation. It is particularly comfortable in alternative rock, post-punk, indie, noise rock, electronic, and experimental music, whether to texture a riff, create constant movement on chords, or build unstable soundscapes akin to sound design. \u003c\/p\u003e\u003cp\u003eIn the studio, it excels at defining an identity (granular chorus, aggressive flanger, \"sick\" modulated delay). Live, its switch positions allow quick recall of sound families and transition from subtle to outrageous without reprogramming anything.\u003c\/p\u003e\u003ch3\u003eControls, Modes, and Tuning Philosophy: Simple on the Surface, Deep in Practice\u003c\/h3\u003e\u003cp\u003eTwo potentiometers form the core control: \u003cstrong\u003eSpeed\u003c\/strong\u003e affects the LFO speed, envelope sensitivity, and delay times (short times: flanger\/chorus color\u0026#59; long times: modulated delay sensation). \u003cstrong\u003eDepth\u003c\/strong\u003e adjusts modulation depth (LFO or envelope) and delay feedback, from a slight shimmer to long, unstable waves. \u003c\/p\u003e\u003cp\u003eThree selectors expand the palette: \u003cstrong\u003eDelay Time\u003c\/strong\u003e (x1 or x10) sets the delay time range and reverses the envelope polarity, \u003cstrong\u003eModulator\u003c\/strong\u003e switches between LFO (sine wave) and ENV (envelope), and \u003cstrong\u003eIntensity\u003c\/strong\u003e controls the overall intensity level (in high position, the pedal can go into oscillations and feedback). An \u003cstrong\u003einternal Gain\u003c\/strong\u003e control allows output level adjustment, from unity to \"way too loud.\" \u003c\/p\u003e\u003ch3\u003eSound Character\u003c\/h3\u003e\u003cp\u003eThe Space Bender stands out with modulation unafraid to be textured: it can sound \"glossy\" and resonant, become sharp and metallic, or shift toward erratic movements close to sound design. Attacks emerge with a mechanical movement impression (LFO) or breathing feel (ENV), and feedback opens the door to trails, comb filters, and reverse dive effects. \u003c\/p\u003e\u003cp\u003eOn a more artistic level, it is notably found on the pedalboards of \u003cstrong\u003eOliver Ackermann\u003c\/strong\u003e (A Place to Bury Strangers) and \u003cstrong\u003eCameron Picton\u003c\/strong\u003e (black midi), giving a good idea of its playground: modern textures, harmonic tensions, and modulations that \"speak.\" \u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDelay, Chorus \/ Flanger \/ Phaser, Chorus\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eWhite\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:9;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eModulation pedal\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003echorus \/ flanger \/ modulated delay (modulated delay lines)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e127 x 66.8 x 62.2 mm (including hardware)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eModulation modes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eLFO (sine wave) or envelope (ENV)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eapproximately 263 g\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:11;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etrue bypass\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eManufactured\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ehandmade in Queens, New York\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:12;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePotentiometers\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSpeed, Depth\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWarranty\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003elifetime\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:13;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSelectors\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDelay Time (x1 \/ x10), Modulator (LFO \/ ENV), Intensity (LO \/ HI)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFinish\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eWhite\/Orange Limited (limited edition)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:14;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFootswitch\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eactivation \/ bypass\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003enot included\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:7;--wb-r:15;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6.35mm Jack (mono)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRequired power supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9 V DC, center negative (2.1 mm barrel connector)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:8;--wb-r:16;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6.35mm Jack (mono)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConsumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e65 mA\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Death By Audio","offers":[{"title":"Default Title","offer_id":54361816432915,"sku":"379255","price":339.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/6ba0db8f40f250cec521f31fffd86222a2b02ca8_FILLING_DBASPACEWO.jpg?v=1792656595"},{"product_id":"death-by-audio-bass-war-fuzz-399835","title":"Bass War Fuzz","description":"\u003ch3\u003eA \"no compromise\" fuzz suited for modern basses and low tunings\u003c\/h3\u003eThe \u003cstrong\u003eDeath By Audio Bass War\u003c\/strong\u003e follows the brand's sonic philosophy: a raw, expressive saturation designed to shake up a mix rather than stay tame. Here, the idea is not just to add fuzz to a bass, but to offer a \u003cstrong\u003eharmonically rich texture\u003c\/strong\u003e that maintains presence when tuning down, playing in drop, or stacking already dense guitars.\u003cbr \/\u003eWhere some fuzzes can lose low end or become muddy on attacks, the Bass War relies on an effective approach: a truly useful \u003cstrong\u003eblend\u003c\/strong\u003e (MIX) to keep the punch, and a \u003cstrong\u003enotch filter\u003c\/strong\u003e (TONE) capable of scooping or refocusing the spectrum to find the sweet spot that \"speaks\" best in your band.\u003cbr \/\u003e\u003ch3\u003eFor which musicians and styles?\u003c\/h3\u003eThis pedal is aimed at bassists (and baritone guitarists) who want a \u003cstrong\u003echaracterful\u003c\/strong\u003e and spectacular fuzz, but usable in real-world conditions. It excels whenever a huge low end and a gripping texture are needed: stoner, sludge, doom, noise rock, post-rock, metal, industrial, punk, or experimental projects where the bass becomes a source of drone and saturation.\u003cbr \/\u003eOn stage, the \u003cstrong\u003eMIX\u003c\/strong\u003e helps keep the note clear and avoids the \"disappearing\" effect behind guitars. In the studio, the wide range of settings allows recording multiple layers: a clean track for the foundation, and a fuzz track for size and aggression. It also works very well on sources like synths or drum machines if you're looking for abrasive and lively textures.\u003cbr \/\u003e\u003ch3\u003eSimple controls, huge adjustment range\u003c\/h3\u003eThe Bass War goes straight to the point with \u003cstrong\u003e4 potentiometers\u003c\/strong\u003e, each designed to cover a wide territory. \u003cstrong\u003eVOL\u003c\/strong\u003e offers a comfortable margin to push an amp input or compensate a pedal chain. \u003cstrong\u003eFUZZ\u003c\/strong\u003e spans from rough saturation, almost \"dirty overdrive,\" to a very dense, compressed fuzz that immediately fills the space.\u003cbr \/\u003eThe core of the personality often lies in \u003cstrong\u003eTONE\u003c\/strong\u003e: this deep \u003cstrong\u003enotch filter\u003c\/strong\u003e doesn't just darken or brighten, it can truly shift the emphasis of the sound from a heavy, menacing low end to a sharper high end, with scoops that let guitars breathe. Finally, \u003cstrong\u003eMIX\u003c\/strong\u003e lets you adjust the proportion of clean signal to preserve pick attack, finger dynamics, and especially the fundamentals that make the room shake.\u003cbr \/\u003eDesigned for the pedalboard, the pedal offers direct use: bypass footswitch, status LED, and a sturdy chassis ready for rehearsals and touring.\u003cbr \/\u003e\u003ch3\u003eThe sound\u003c\/h3\u003eThe \u003cstrong\u003eDeath By Audio Bass War\u003c\/strong\u003e delivers a \u003cstrong\u003edense, gritty, and aggressive\u003c\/strong\u003e sound, with a biting \"octave\" sensation in the harmonics that stands out especially when played hard. At low FUZZ, you get a nervous dirtiness that retains grain and presence. At intermediate settings, the fuzz becomes \u003cstrong\u003ethick\u003c\/strong\u003e and very musical for heavy riffs. Cranked to the max, it turns into a \u003cstrong\u003esaturation wall\u003c\/strong\u003e: compressed, huge, ideal for hypnotic lines, bass chords, or noise passages.\u003cbr \/\u003eThe \u003cstrong\u003eTONE + MIX\u003c\/strong\u003e duo is what makes it formidable in a band context: you can stay massive without becoming muddy, or conversely scoop and cut to highlight a line in a dense arrangement. The result remains very responsive to playing: right-hand dynamics, pickup choice, and input level truly change how the fuzz \"bites.\"\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFuzz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAnalog\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric bass\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGrey\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFilter\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:8;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eVOL, FUZZ, TONE, MIX\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOutput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6.35mm mono jack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:9;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eVOL\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eoutput level up to +27 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eChassis\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emetal\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:10;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFUZZ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efuzz gain from +16 dB to +64 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions (with hardware)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e150 x 120 x 57 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:11;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTONE\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edeep notch filter, range from 98 Hz to 3.3 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eapprox. 439 g\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:12;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMIX\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eblend of clean signal with fuzz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMade\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ehandmade in New York City (USA)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:6;--wb-r:13;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etrue bypass\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRequired power supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9 V DC (AC adapter), 2.1mm connector, center negative polarity\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:7;--wb-r:14;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6.35mm mono jack\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConsumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e33 mA\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Death By Audio","offers":[{"title":"Default Title","offer_id":54361839108371,"sku":"399835","price":229.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/35f73091708bfdd3060b5d65cb6f168e96e86718_FILLING_DBABAW.jpg?v=1792651721"},{"product_id":"death-by-audio-apocalypse-311648","title":"Apocalypse","description":"\u003ch3\u003eA modern fuzz designed as a sonic destruction laboratory\u003c\/h3\u003e\u003cp\u003eWith the Apocalypse, Death by Audio offers a fuzz that doesn't settle for a single character: the signal is first \"over-boosted,\" then sent to one of five selectable post-amplifiers. The result: a pedal that covers textures inspired by major fuzz families (sustain, octave, scoop, aggressive grain) as well as more unpredictable behaviors typical of radical saturations.\u003c\/p\u003e\u003ch3\u003eWho the Apocalypse is for: from edgy rock to noise landscapes\u003c\/h3\u003e\u003cp\u003eThis pedal is aimed at guitarists (and bassists) who want an expressive fuzz capable of going from thick, articulated riffs to controlled chaos. It is ideal for rock, stoner, grunge, garage, experimental metal, punk, noise, and textured soundtracks. In the studio, it serves as a character and harmonic generator\u0026#59; live, it becomes a machine for solos, walls of sound, and explosive accents without requiring a complex chain.\u003c\/p\u003e\u003cp\u003eIts highly responsive behavior also allows working with the guitar's volume: lower the input level to achieve tamer saturations, then push it to unleash a dense fuzz. And since it accepts \"giving it everything\" (guitar, bass, synth, drum machines), it fits perfectly into creativity-oriented pedalboards.\u003c\/p\u003e\u003ch3\u003eControls and modes: 5 post-amps + an ultra-effective sweepable tone control\u003c\/h3\u003e\u003cp\u003eThe Apocalypse revolves around three main controls, designed for quick sound switching while maintaining a wide adjustment range. The \u003cstrong\u003erotary selector\u003c\/strong\u003e chooses one of five voices: \u003cstrong\u003eTwin-T Scoop\u003c\/strong\u003e (emphasized bass and treble with a more discreet level), \u003cstrong\u003eWar Fuzz\u003c\/strong\u003e (rich, dynamic distortion\/fuzz with strong sustain), \u003cstrong\u003eDual J-FET\u003c\/strong\u003e (in the spirit of War Fuzz with a J-FET architecture), \u003cstrong\u003eOctave Rect\u003c\/strong\u003e (upper octave generation via rectification), and \u003cstrong\u003eGain x1000\u003c\/strong\u003e (extreme gain, erratic reactions, perfect for unstable textures).\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003eDrive\u003c\/strong\u003e knob controls the initial preamp level: lowering it approaches cleaner overdrives and boosts\u0026#59; raising it increases distortion density and fuzz amount. Finally, the \u003cstrong\u003esweepable frequency equalizer\u003c\/strong\u003e is the heart of sound shaping: its range goes from bass boost to mid scoop, then mid boost, before reaching several brightness levels for sharper attacks and increased presence in the mix.\u003c\/p\u003e\u003ch3\u003eSound\u003c\/h3\u003e\u003cp\u003eThe Apocalypse delivers a \u003cstrong\u003emassive, harmonically rich fuzz\u003c\/strong\u003e that is highly versatile: it can sound wide and scooped for imposing riffs, full and singing for leads with generous sustain, or biting and aggressive to cut through a dense mix. The tamer modes retain definition and pleasant dynamics, while extreme settings (notably \u003cstrong\u003eGain x1000\u003c\/strong\u003e ) open the door to \"skid\" effects: pronounced compression, artifacts, controlled instability, and almost synthetic textures. The sweepable equalizer allows shifting from huge lows to razor-sharp brightness, facilitating adaptation to different amps, guitars, and tunings.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFuzz, Boost, Distortion, Overdrive\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAnalog\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlue\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTone\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:7;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRotary selector (5 modes)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTwin-T Scoop, War Fuzz, Dual J-FET, Octave Rect, Gain x1000\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRequired voltage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9V\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eVol\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eoutput level\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAdapter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estandard 2.1 mm center-negative\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:9;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDrive\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einitial preamp level (from cleaner boost\/overdrive to more saturated fuzz)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAlso battery powered\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1 x 9V battery\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSweepable frequency equalizer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ewide-range tone control (bass, mid scoop, mid boost, treble boost)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCurrent draw\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e5.8 mA\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:11;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e5.87 in x 4.72 in x 2.46 in (including hardware)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eVoltage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9V\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:6;--wb-r:12;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 oz\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Death By Audio","offers":[{"title":"Default Title","offer_id":54362003341587,"sku":"311648","price":329.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/8e8f64e0f496a4da69b47bb29eb6cba8fedf1ceb_DEATHBYAUDIO_APOCALYPSE.jpg?v=1792656564"},{"product_id":"death-by-audio-space-bender-367521","title":"Space Bender","description":"\u003ch3\u003eA Chorus Beyond the Norm: The Death By Audio Spirit\u003c\/h3\u003e\u003cp\u003eThe Space Bender follows the tradition of modulation effects that do not just \"beautify\" the sound but transform it. While a classic chorus mainly aims for thickness and perceived stereo width, here the principle is based on \u003cstrong\u003emodulated delay lines\u003c\/strong\u003e that naturally glide into flanger territory, then open up to a broader \u003cstrong\u003emodulated delay\u003c\/strong\u003e. The result: a tool designed as much for color as for exploration, with a true personality and the ability to \"bend\" the signal organically.\u003c\/p\u003e\u003ch3\u003eFor Which Guitarists (and Contexts)?\u003c\/h3\u003e\u003cp\u003eThe Death By Audio Space Bender is aimed at musicians who enjoy sculpting their sonic identity: guitarists, bassists, but also keyboard players or more atypical sources (drum machines, synths, studio reamping). It suits fans of \u003cstrong\u003ealternative rock\u003c\/strong\u003e, \u003cstrong\u003epsychedelic\u003c\/strong\u003e, \u003cstrong\u003eshoegaze\u003c\/strong\u003e, \u003cstrong\u003epost-rock\u003c\/strong\u003e, \u003cstrong\u003eambient\u003c\/strong\u003e, and more noise\/experimental terrains.\u003c\/p\u003e\u003cp\u003eLive, it can serve as a textured chorus to thicken a clean tone, an expressive flanger for marked passages, or a texture machine for transitions. In the studio, it becomes an excellent movement generator: modulated doubles, unstable drones, \"watery\" pads, and \"sci-fi cassette\" effects that breathe with the playing.\u003c\/p\u003e\u003ch3\u003eControls, Modes, and Modulation Possibilities\u003c\/h3\u003e\u003cp\u003eThe Space Bender's interface remains straightforward, but each control affects multiple dimensions of the effect. The idea is to smoothly shift from one sonic universe to another without menus or programming, simply by adjusting speed, depth, delay time, and modulation type.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSpeed\u003c\/strong\u003e controls the LFO rate, envelope sensitivity (ENV mode), and the delay time(s). Short times naturally yield chorus\/flanger territories, while longer settings stretch the effect toward a broad, undulating, and unstable modulated delay.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDepth\u003c\/strong\u003e adjusts the modulation depth (LFO or envelope) and also influences the feedback of the delay(s). At low depth, textures remain fine and musical\u0026#59; increasing this control makes modulation wider, more dramatic, potentially leading to longer, denser tails.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDelay Time\u003c\/strong\u003e sets the overall delay time range (from x1 to x10) and also allows inversion of the envelope polarity. This is crucial for shifting from a \"pulling\" movement to a \"pushing\" one, producing very different tactile sensations.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eModulator\u003c\/strong\u003e selects the main modulation source for the delay line: \u003cstrong\u003eLFO\u003c\/strong\u003e (sinusoidal oscillator) for regular modulation, or \u003cstrong\u003eENV\u003c\/strong\u003e for reactive modulation that follows attack and dynamics. The Speed and Depth knobs take on new roles depending on the chosen mode, multiplying sonic scenarios without complicating usability.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eIntensity\u003c\/strong\u003e adjusts the overall intensity. In moderate zones, the effect remains broad and expressive\u0026#59; at high levels, the Space Bender can enter more extreme behaviors: oscillations, feedbacks, deviant textures, and deliberately \"weird\" sounds. This margin makes it especially interesting on a creativity-focused pedalboard.\u003c\/p\u003e\u003cp\u003eFinally, an \u003cstrong\u003einternal Gain\u003c\/strong\u003e (accessible by unscrewing the rear plate) allows output level adjustment, from unity volume to much higher levels. Handy for adapting the pedal to your chain (already hot amp, pedals before\/after, effects loop) or for driving a following stage harder.\u003c\/p\u003e\u003ch3\u003eSound Character\u003c\/h3\u003e\u003cp\u003eThe Space Bender stands out with modulation that can remain \u003cstrong\u003esubtle and vintage\u003c\/strong\u003e (light flutter, thickness, slow movement) while retaining the possibility to shift into much more pronounced textures. In LFO mode, you get steadier oscillations, ideal for deep choruses, \"liquid\" flangers, or slow sweeps reminiscent of retro sci-fi.\u003c\/p\u003e\u003cp\u003eIn ENV mode, the pedal becomes more tactile: modulation seems to follow the energy of your playing, delivering very \"alive\" sensations on attacks, palm mutes, or sustained notes. By combining delay time range (Delay Time), depth (Depth), and intensity (Intensity), you can achieve clear, glassy resonances, spectacular inverted movements, or unstable drones perfect for dark and hypnotic atmospheres.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDelay, Chorus \/ Flanger \/ Phaser, Chorus\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:7;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eModulation effect pedal\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003echorus \/ flanger \/ modulated delay\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eModulator\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eLFO (sinusoidal) or ENV selection\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e12.7 x 6.7 x 6.22 cm (including hardware)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eIntensity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eoverall intensity, oscillation and feedback capability\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:9;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e263 g\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInternal Gain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eoutput level adjustment (accessible via rear plate)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSpeed\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eLFO speed, envelope sensitivity, delay time(s)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9V DC (standard 2.1mm adapter, center negative)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:11;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDepth\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emodulation depth (LFO\/ENV) and delay feedback\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCurrent consumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e65 mA\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:12;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDelay Time\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eoverall time range (x1 to x10) and envelope polarity inversion\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Death By Audio","offers":[{"title":"Default Title","offer_id":54362171113747,"sku":"367521","price":329.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/1a9280ec303a805800b08ab77980f93ff453e8e0_DBASPACE.jpg?v=1792661703"},{"product_id":"death-by-audio-amp-crash-438301","title":"Amp Crash","description":"\u003ch3\u003eAn extraordinary project born from a simple idea: bringing the room into the pedal\u003c\/h3\u003eThe Amp Crash is the result of a collaboration between Death By Audio and Rainger FX, born from an obsession: to recreate, in a stompbox format, the unpredictable behavior of an amp pushed to its limits. The initial idea was to place a microphone inside a pedal to blend an \"ambient\" element into the guitar signal. The breakthrough came when the prototype also included its own speaker: suddenly, harmonics, natural compression, and feedback started to appear just like on a real combo amp at unreasonable volume.\u003cbr \/\u003eResult: the Amp Crash doesn't just imitate an amp. It \u003cstrong\u003eactually generates\u003c\/strong\u003e these interactions, with that little extra soul (and sometimes resistance) found only when a speaker moves air... even inside a housing.\u003cbr \/\u003e\u003ch3\u003eWho is the Amp Crash made for and what are its uses?\u003c\/h3\u003eThis pedal is aimed at musicians who want to feel the amp \"breathe\" under their fingers, even at low volume: rock, garage, punk, stoner, noise, experimental guitarists, but also anyone looking for a lively overdrive that reacts to pick attack and volume knob. It suits both the curious and veterans of extreme sounds, as you can stay on an expressive edge-of-breakup or shift into a massive, unstable fuzz.\u003cbr \/\u003eIn practice, the Amp Crash excels \u003cstrong\u003eat home\u003c\/strong\u003e (to regain full-amp sensations without stacking gain stages), in the \u003cstrong\u003estudio\u003c\/strong\u003e (textures, controlled feedback, inspiring takes), and on a \u003cstrong\u003epedalboard\u003c\/strong\u003e where you want to add organic and untamable character. It's also an ideal playground for sonic exploration: drones, oscillations, harmonics that \"bloom,\" and happy accidents.\u003cbr \/\u003e\u003ch3\u003eControls, modes, and connectivity: a mini amp + effects engine in one box\u003c\/h3\u003eThe heart of the Amp Crash is its internal 3-watt amp driving a 2-inch internal speaker, while an internal mic captures what's really happening. You then control the blend via \u003cstrong\u003eDI OUT\u003c\/strong\u003e (level of the amp's direct signal sent to the output) and \u003cstrong\u003eMIC OUT\u003c\/strong\u003e (level of the internal mic). This architecture allows you to go from a tight, direct, and percussive tone to a more \"roomy,\" dirtier, more explosive sound with interactions and resonances evolving according to your playing.\u003cbr \/\u003eThe amp section is adjusted via \u003cstrong\u003eGAIN\u003c\/strong\u003e (up to OVERLOAD mode for aggressive distortion, oscillations, and wilder behaviors) and \u003cstrong\u003eTONE\u003c\/strong\u003e (from thick, massive lows to sharper brightness). To control the internal mic when pushing the concept to extremes, a \u003cstrong\u003eMIC GATE\u003c\/strong\u003e switch activates a dedicated noise gate triggered by the instrument input signal.\u003cbr \/\u003eFinally, the Amp Crash includes a selectable SFX section: \u003cstrong\u003eREVERB\u003c\/strong\u003e (digital reverb from small room to huge space), \u003cstrong\u003eECHO\u003c\/strong\u003e (tape-style echo), or \u003cstrong\u003eCHORUS\u003c\/strong\u003e (from metallic modulation close to flanger to wide, lush chorus). The \u003cstrong\u003eDEPTH\u003c\/strong\u003e knob controls the effect mix (and fully bypasses SFX at minimum), while \u003cstrong\u003eTIME\u003c\/strong\u003e adjusts reverb decay, echo delay time, or chorus speed.\u003cbr \/\u003eThe \u003cstrong\u003ePower\u003c\/strong\u003e footswitch operates in \u003cstrong\u003ebuffered bypass\u003c\/strong\u003e: it engages or bypasses the pedal and also manages the internal speaker activation. Connectivity includes an instrument input, main output, 9V DC power supply (2.1 mm center-negative connector), and an \u003cstrong\u003eexternal speaker output\u003c\/strong\u003e: as soon as you connect a cabinet (8 ohms minimum, 3 watts or more), the internal speaker is automatically disabled.\u003cbr \/\u003e\u003ch3\u003eThe Sound\u003c\/h3\u003eThe Amp Crash stands out with a sense of \u003cstrong\u003esubstance\u003c\/strong\u003e: the sound isn't just saturated, it's \"pressurized.\" By blending DI OUT and MIC OUT, you choose between a more direct sound (clear attack, precise grain) and a more organic dimension (harmonic bloom, natural compression, resonances, and feedback). The spectrum can range from a rich, lively, and responsive overdrive to a crushing, sometimes unpredictable fuzz that makes you want to play differently.\u003cbr \/\u003eThe real joy comes from the dynamics: depending on your guitar, pickups, attack, and placement in the signal chain, the Amp Crash can be docile or deliberately unruly, with the feeling of having a \"little moody amp\" under your foot. Add Reverb, Echo, or Chorus, and you get very inspiring textures for singing leads, gritty rhythms, pads, or musical sound effects.\u003cbr \/\u003e\u003cul\u003e\u003cli\u003eConnecting a headphone adapter or an unplugged cable can disable the internal loudspeaker while keeping DI OUT and MIC OUT active\u003c\/li\u003e\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDistortion \/ Overdrive \/ Fuzz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMains or battery\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eWhite\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:14;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffect type\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eguitar effect pedal with internal amplifier, internal loudspeaker and internal microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eTIME\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ereverb decay \/ echo time \/ chorus speed\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:15;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCollaboration\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDeath By Audio x Rainger FX\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einstrument\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:16;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eIntegrated SFX section\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eReverb, Echo, chorus\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOutput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emixed DI OUT + MIC OUT signal (in bypass, the input signal passes through unchanged)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:17;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ebuffered bypass\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9V DC, 2.1 mm center-negative connector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:18;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWarranty\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003elifetime\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eExternal loudspeaker output\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eEXT. SPEAKER (8-ohm minimum cab, 3 watts or more)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:19;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePower Footswitch\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eengages\/bypasses and activates\/deactivates the internal loudspeaker\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eExternal cabinet connection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eautomatically deactivates the internal loudspeaker\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:7;--wb-r:20;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDI OUT\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edirect signal level from the amplifier to the output\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions (with hardware)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e5.9 x 3.76 x 2.85 inches (approximately 150 x 95.5 x 72.4 mm)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:8;--wb-r:21;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMIC OUT\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einternal microphone level to the output\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e19.1 oz (approximately 541 g)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:9;--wb-r:22;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMIC GATE\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eactivates a noise gate for the microphone (triggered via the instrument input)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e3 watts\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:10;--wb-r:23;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGAIN\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einternal amplifier gain (up to OVERLOAD mode)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInternal loudspeaker\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2 inches\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:11;--wb-r:24;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTONE\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eamplifier equalization (from deep bass to focused brightness)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eIncluded product\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDeath By Audio Amp Crash pedal\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:12;--wb-r:25;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSFX SELECTOR\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eReverb \/ Echo \/ chorus selection\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAC power supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003enot included\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:13;--wb-r:26;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDEPTH\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSFX mix level (at zero, SFX bypass)\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Death By Audio","offers":[{"title":"Default Title","offer_id":54595611459859,"sku":"438301","price":499.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/00721568f836381106231c3b9a6d5bb973c2ee99_FILLING_DBAAMP.jpg?v=1793382284"}],"url":"https:\/\/woodbrass.shop\/collections\/death-by-audio.oembed","provider":"Woodbrass.com","version":"1.0","type":"link"}