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A relevant choice to enrich your \u003cstrong\u003erecorder sheet music\u003c\/strong\u003e repertoire, work on musicality in duo (or with accompaniment), and approach the sonata with precise and motivating technical goals.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGiovanni Paolo Cima and Tomaso Cecchino\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDOWANI 3 Tempi Play Along\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArranger\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eManfredo Zimmermann\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDifficulty\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eElementary\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSoprano Recorder and Basso Continuo\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Dowani","offers":[{"title":"Default Title","offer_id":54357224915219,"sku":"67350","price":31.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/0174a3cd22417b65d0d343d60878bc6723a11a86_DOW01508_400.jpg?v=1792529021"},{"product_id":"dowani-vivaldi-a-concerto-op-3-n-3-rv-310-in-g-major-violon-cordes-bc-67793","title":"Vivaldi A. - Concerto Op. 3 N°3 Rv 310 In G-Major - Violon Cordes Bc","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e  \u003cp\u003eThis score for \u003cstrong\u003eviolin and basso continuo\u003c\/strong\u003e is part of the \u003cstrong\u003eDOWANI 3 Tempi Play Along\u003c\/strong\u003e collection, designed to learn to play with accompaniment while maintaining control of the tempo. The program follows a typical tripartite form of the Baroque repertoire, alternating energy and musical breathing: \u003cstrong\u003e1. Allegro\u003c\/strong\u003e, \u003cstrong\u003e2. Largo\u003c\/strong\u003e, \u003cstrong\u003e3. Allegro\u003c\/strong\u003e. Each movement targets specific skills: rhythmic stability and articulation in the Allegros, sound quality and phrase shaping in the Largo.\u003c\/p\u003e  \u003cp\u003eThanks to its \u003cstrong\u003eelementary\u003c\/strong\u003e difficulty, this score is particularly suitable for early-cycle violinists who wish to approach Vivaldi in a progressive and motivating framework. Working with the basso continuo helps develop harmonic listening, intonation, and precision in entries, while preparing the student for ensemble playing situations. An excellent resource for lessons, technical reviews, and building a more musical violin playing.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMethods\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAntonio Vivaldi\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDOWANI 3 Tempi Play Along\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eViolin and basso continuo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDifficulty\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eElementary\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Dowani","offers":[{"title":"Default Title","offer_id":54357445116179,"sku":"67793","price":31.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/cbaf7f47476e21dfc93eb8a57fd11a6c9f61bf4c_DOW04502_400.jpg?v=1792533781"},{"product_id":"dowani-rieding-o-concertino-in-hungarian-style-op-21-in-a-minor-violon-piano-67378","title":"Rieding O. - Concertino ?In Hungarian Style? Op.21 In A Minor - Violon Piano","description":"\u003ch3\u003eSummary of This Sheet Music\u003c\/h3\u003e  \u003cp\u003eThis sheet music for \u003cstrong\u003eviolin and piano\u003c\/strong\u003e highlights the writing of \u003cstrong\u003eOskar Rieding\u003c\/strong\u003e, in a version arranged by \u003cstrong\u003eHerbert Scherz\u003c\/strong\u003e. Designed for young players and beginner violinists, it follows a progressive approach: readable phrases, easy setup, and piano accompaniment that helps work on intonation, rhythmic regularity, and musicality.\u003c\/p\u003e  \u003cp\u003eThanks to its inclusion in the \u003cstrong\u003eDOWANI 3 Tempi Play Along\u003c\/strong\u003e collection, this edition naturally fits into a structured practice routine: taking time to establish fingerings and bowings, then gaining fluidity up to the target tempo. Both in lessons and at home, the violin-piano duo format encourages motivation and prepares players for the first ensemble playing reflexes (listening, entries, breathing, phrase endings). A valuable resource to enrich your \u003cstrong\u003ebeginner violin sheet music\u003c\/strong\u003e repertoire while maintaining real playing enjoyment.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMethods\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eRieding, Oskar\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDOWANI 3 Tempi Play Along\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArranger\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eScherz, Herbert\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDifficulty\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eElementary\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eViolin and piano\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Dowani","offers":[{"title":"Default Title","offer_id":54357514748179,"sku":"67378","price":31.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/22ae9a6bd6c540066100c8abfb6610cb91288a66_DOW04512_400.jpg?v=1792533714"},{"product_id":"dowani-bach-j-s-sonate-bwv-1031-flute-cd-305953","title":"Bach J.S. - Sonate BWV 1031 - Flute + CD","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e  \u003cp\u003eThis score presents a work organized into three sections, offering a smooth reading and a natural musical progression. The first movement, \u003cstrong\u003eAllegro moderato\u003c\/strong\u003e, establishes a lively but measured tempo, ideal for refining setup, accent balance, and precision of musical gesture. It allows working on rhythmic stability while maintaining a coherent phrase direction.\u003c\/p\u003e  \u003cp\u003eThe central section, \u003cstrong\u003eSiciliana\u003c\/strong\u003e, provides an expressive contrast: a more flexible and singing atmosphere, conducive to working on legato, phrasing, and dynamics. This section encourages attentive listening to musical breaths and continuity of the discourse, with particular focus on sound quality and pulse regularity.\u003c\/p\u003e  \u003cp\u003eFinally, the last movement, \u003cstrong\u003eAllegro\u003c\/strong\u003e, concludes with a more assertive energy. This dynamic ending emphasizes momentum, clarity of articulation, and tempo control, while maintaining a precise musical rendering. 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The writing emphasizes fundamentals: rhythmic placement, intonation in a comfortable key, articulation, and musicality, with piano accompaniment that helps establish listening skills and tempo stability. The included \u003cstrong\u003eCD\u003c\/strong\u003e fits the \"play along\" spirit of the \u003cstrong\u003e3 Tempi Play Along\u003c\/strong\u003e collection, useful for working on the piece progressively and building confidence in playing, both at home and in lessons. 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Each volume gathers 26 very easy scales selected from a solid pedagogical tradition, relying on key figures in study literature (Cherubini, Mazas, Bériot, Dancla, Wohlfahrt, David, Kayser, Gebauer, Pennequin, Sevcik). The goal is clear: to develop stable intonation, a more confident left hand, better coordination, and concrete knowledge of the fingerboard through short, structured exercises.\u003c\/p\u003e\u003cp\u003eThe didactic approach is deliberately modern: no detailed explanations on keys, harmony, or degrees. This method is not a music theory course but a practical concept that integrates easily into weekly practice, especially with children. The teacher retains full freedom to add theoretical landmarks appropriate to the student's age and pace of progress, making the book flexible and easy to personalize.\u003c\/p\u003e\u003cp\u003eTo support home practice, recordings are available online in MP3 format. You have a full version, ideal for hearing the musical result, as well as a version where only the second voice is kept: an excellent tool for working on rhythmic precision, interval listening, and intonation in context, as in a duo. A particularly relevant resource to establish good habits from the early years of violin study.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMethods\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eCherubini, Mazas, Bériot, Dancla, Wohlfahrt, David, Kayser, Gebauer, Pennequin, Sevcik\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLanguage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFrench\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eviolin (two-voice work, with \u0026quot;second voice only\u0026quot; audio version)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDifficulty\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ebeginner\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emethod \/ violin scales and technique\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Dowani","offers":[{"title":"Default Title","offer_id":54359574053139,"sku":"370609","price":29.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/f702cb5e53ef292d149ba52afee4b4179d37e7cb_DOW04600.jpg?v=1792587573"},{"product_id":"dowani-sonata-no-1-for-clarinet-and-piano-367595","title":"Sonata No. 1 For Clarinet And Piano","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003eThis edition highlights one of the most famous works of the Romantic clarinet repertoire: the \u003cstrong\u003efirst sonata for clarinet and piano\u003c\/strong\u003e (Op. 120 No. 1) by \u003cstrong\u003eJohannes Brahms\u003c\/strong\u003e, written for an expressive and dense dialogue between the two instruments. A true cornerstone of 19th-century chamber music, this sonata is an important milestone for any clarinetist wishing to develop musical maturity, dynamic range, and phrasing skills.\u003c\/p\u003e\u003cp\u003eThe main asset of this score lies in the presence of \u003cstrong\u003eplaybacks\u003c\/strong\u003e designed for methodical practice. For each piece, listening begins with a \u003cstrong\u003econcert version\u003c\/strong\u003e (clarinet and piano) serving as an audio reference: balance, breathing, articulation, style, and musical intention. You then have a \u003cstrong\u003epiano accompaniment alone\u003c\/strong\u003e at \u003cstrong\u003eslow tempo\u003c\/strong\u003e, perfect for establishing intonation, securing delicate fingerings, mastering transitions, and stabilizing rhythm without sacrificing musicality.\u003c\/p\u003e\u003cp\u003eOnce the setup is acquired, a second accompaniment at \u003cstrong\u003eintermediate tempo\u003c\/strong\u003e allows gradual progression toward playing in context, working on breath continuity, legato smoothness, and anticipation of harmonic changes. Finally, when the movement is mastered, you can play with the accompaniment at the \u003cstrong\u003eoriginal tempo\u003c\/strong\u003e to validate endurance, projection, and sound balance with the piano.\u003c\/p\u003e\u003cp\u003eThe fact that all versions were \u003cstrong\u003erecorded live\u003c\/strong\u003e adds a particularly educational dimension: the accompaniment sounds like a true partner, encouraging active listening, more precise placement, and a more convincing interpretation. This edition thus constitutes an excellent resource for preparing a lesson, audition, exam, or concert, while preserving the joy of playing Brahms in conditions close to the stage.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJohannes Brahms\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eclassical score, chamber music\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eclarinet and piano\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Dowani","offers":[{"title":"Default Title","offer_id":54359585849619,"sku":"367595","price":31.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/61195c640cf0a55cd3e8b27a94713d04e66d3a3b_NEW_DOW07507404.jpg?v=1792592365"},{"product_id":"dowani-album-ii-for-alto-saxophone-and-piano-227661","title":"Album II For Alto Saxophone And Piano","description":"\u003ch3\u003eSummary of this booklet \u003c\/h3\u003e\u003cp\u003eThis booklet brings together eight pieces from the Classical and Romantic repertoire, selected to offer a rich variety of moods and styles. It includes two minuets, a sarabande, an andantino, an andante, a gigue, as well as Robert Schumann's famous piece \"Von fremden Länder und Menschen\". The collection provides an interesting way to discover different musical forms while developing sensitivity, pulse and phrasing quality.\u003c\/p\u003e\u003cp\u003eThe selection brings together several major names from music history, with a particular emphasis on Carl Czerny, whose works feature prominently in the table of contents. This type of collection is especially appreciated for its progressive and lively approach: it allows players to explore a variety of characters, from stylised dances to poetic miniatures, while developing listening skills and rhythmic accuracy.\u003c\/p\u003e\u003cp\u003eThis sheet music booklet is suitable for educational use, regular sight-reading practice or building a small study repertoire. It will appeal to musicians looking for short, musical and instructive pieces in the spirit of Classical anthologies. Please note, however, that the copy offered is in imperfect cosmetic condition, with a creased cover and possible label marks, without detracting from the musical interest of its contents.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMethods\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eW. F. Bach, Carl Czerny, J. S. Bach, Robert Schumann, Anonymus\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Dowani","offers":[{"title":"Default Title","offer_id":54359875420435,"sku":"227661","price":12.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/70bd719e68bbaf5b16c1b42bb74bd8a0be9b1f33_PARTOCHE.jpg?v=1792597379"},{"product_id":"dowani-album-iv-for-descant-recorder-and-basso-continuo-125145","title":"Album IV For Descant Recorder And Basso Continuo","description":"\u003ch3\u003eSummary of This Sheet Music\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003e7 Easy Pieces by J.S. Bach, G.G. Gastoldi, C. Gervaise, Ph. de Lavigne, C. Negri, and O. Vecchi\u003c\/strong\u003e brings together seven short pieces with very distinct characters, perfect for building a small repertoire and exploring different aesthetics of early music. The collection alternates between lyrical pages and dances, allowing work on both melodic line and pulse, accentuation, and rhythmic drive.\u003c\/p\u003e\u003cp\u003eYou will find \"Questa dolce sirena\" (Gastoldi) for legato sense and expressiveness, a \"Contredance\" (de Lavigne) with a clear rhythmic profile, as well as \"Une jeune Fillette\" (anonymous, arrangement by Manfredo Zimmermann) which highlights phrase clarity. The dances \"Branle de Champaigne\" (Gervaise) and \"Pavana: Le forze d'Hercole\" (Negri) invite attention to articulation and style, while \"So ben mi ch'ha bon tempo\" (Vecchi) brings a vocal color typical of the Renaissance. The collection concludes with a \"Menuet\" by Bach, ideal for approaching a more Baroque elegance, with particular focus on phrasing and accents.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJohann Sebastian Bach, Giovanni Giacomo Gastoldi, Claude Gervaise, Philibert de Lavigne, Cesare Negri, Orazio Vecchi\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eArranger\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eManfredo Zimmermann (on \u0026quot;Une jeune Fillette\u0026quot;)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Dowani","offers":[{"title":"Default Title","offer_id":54359898816787,"sku":"125145","price":31.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/c41c2371eaa883d0e91f262c2785ebd9c097a96e_DOW01506_400.jpg?v=1792602087"},{"product_id":"dowani-bach-j-s-concerto-bwv-1041-in-a-minor-violon-piano-67381","title":"BACH J.S. - CONCERTO BWV 1041 IN A MINOR - VIOLON PIANO","description":"\u003ch3\u003eSummary of This Sheet Music\u003c\/h3\u003e\u003cp\u003eThis sheet music for \u003cstrong\u003eviolin and piano\u003c\/strong\u003e offers a progressive approach to the repertoire of \u003cstrong\u003eJohann Sebastian Bach\u003c\/strong\u003e, with a clear objective: to allow the violinist to focus on the essentials while enjoying a musical and educational piano accompaniment. The \u003cstrong\u003eelementary\u003c\/strong\u003e level makes this resource particularly suitable for early-cycle students, those returning after a break, or anyone wishing to consolidate their fundamentals on a reference piece.\u003c\/p\u003e\u003cp\u003eIn the spirit of the \u003cstrong\u003eDOWANI 3 Tempi Play Along\u003c\/strong\u003e collection, the work is built around tempo stability and ease of reading. It is an excellent training ground to develop internal pulse, gain precision in durations, and improve left-hand\/right-hand coordination. The piano duo also encourages listening: breathing, phrase endings, entries, sound balance, and accuracy of dynamics.\u003c\/p\u003e\u003cp\u003eMusically, this sheet music is an effective gateway to the Baroque aesthetic: careful articulation, clarity of expression, sense of accents and cadences. The violinist can work on a focused tone, stable intonation (especially on sustained notes and transitions), as well as a more \"singing\" phrasing thanks to the harmonic support of the piano. A relevant choice to enrich one's repertoire, prepare an audition, or diversify studied pieces with an iconic work.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMethods\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBach, Johann Sebastian\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDOWANI 3 Tempi Play Along\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eViolin and piano\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDifficulty\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eElementary\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Dowani","offers":[{"title":"Default Title","offer_id":54361111265555,"sku":"67381","price":31.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/c5604484eaf52db5ec3179d5e23f5647ae6131f6_DOW04511_400.jpg?v=1792634445"},{"product_id":"dowani-quz-j-j-concerto-qv-5-174-in-g-major-flute-traversiere-bc-67842","title":"Quz J.J. - Concerto Qv 5 : 174 In G Major - Flute Traversiere Bc","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e  \u003cp\u003eThis score for transverse flute and basso continuo highlights Baroque aesthetics through elegant, lyrical, and structured writing, typical of Johann Joachim Quantz. Designed to develop the foundations of stylistic playing, it allows working on articulation, rhythmic placement, and dynamics within an immediately expressive musical framework. Thanks to its elementary level, it serves as an excellent tool to consolidate sight-reading, breath control, and phrasing quality, while discovering interpretative reflexes specific to the Baroque repertoire (momentum, clarity, balance between melodic line and bass).\u003c\/p\u003e   \u003cp\u003eThe progression of the movements offers a complete expressive panorama: a fast movement to gain precision and stability, a slow movement conducive to singing and sound control, followed by a lively conclusion to refine responsiveness and clarity of playing. The whole fits perfectly into a flute lesson, personal practice, or ensemble playing with continuo, emphasizing listening and musical cohesion.\u003c\/p\u003e   \u003cp\u003e\u003cstrong\u003eContents:\u003c\/strong\u003e\u003cbr \/\u003e1. Allegro assai\u003cbr \/\u003e2. Arioso e mesto\u003cbr \/\u003e3. Presto\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMethods\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eQuantz, Johann Joachim\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDOWANI 3 Tempi Play Along\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTransverse Flute and basso continuo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDifficulty\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eElementary\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Dowani","offers":[{"title":"Default Title","offer_id":54362072580371,"sku":"67842","price":15.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/c8514c60d0c88bc7810fbb8e1d1fa46de0401205_DOW05502_400.jpg?v=1792661559"}],"url":"https:\/\/woodbrass.shop\/collections\/dowani.oembed","provider":"Woodbrass.com","version":"1.0","type":"link"}