{"title":"Editions Delatour France","description":null,"products":[{"product_id":"editions-delatour-france-ritter-d-une-histoire-des-arts-en-chansons-chant-piano-222559","title":"Ritter D. - Une Histoire Des Arts En Chansons - CHANT-piano","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eA History of the Arts in Songs - Opera-choral for mixed choir and chamber orchestra (PIANO-VOCAL)\u003c\/strong\u003e offers a true musical journey through major artistic periods. Designed as a suite of sung scenes, this work allows exploration of different styles, atmospheres, and writing colors, while maintaining dramatic coherence adapted to the \"choral\" format. The piano-vocal reduction effectively supports the setup work (intonation, rhythms, diction, balance) and serves as a solid foundation for rehearsals before the possible integration with a chamber orchestra.\u003c\/p\u003e\u003cp\u003eThe score is structured into clearly identified sequences, with indicative durations useful for building a show flow, managing transitions, and calibrating overall time. Included are:\u003cbr \/\u003ePrologue: 1m 07s\u003cbr \/\u003eAntiquity: 3m 41s\u003cbr \/\u003eRise of the Romans\u003cbr \/\u003e- Intro: 37s\u003cbr \/\u003e- Canon and Coda: 3m 25s\u003cbr \/\u003eEcclesiastical Foundation Beginnings: 2m 48s\u003cbr \/\u003eGregory the Great: 3m 37s\u003cbr \/\u003eThe Age of Knights Crusades Song: 1m 48s\u003cbr \/\u003eLa belle se siet: 2m 58s\u003cbr \/\u003eRise of Polyphony Organum and Polyphonic Structure: 4m 12s\u003cbr \/\u003eRenaissance Quattrocento: 4m 14s\u003cbr \/\u003eThe 16th Century: 2m 35s\u003cbr \/\u003eFrom Baroque to Bossa: 4m 41s\u003cbr \/\u003eClassicism: 6m 40s\u003cbr \/\u003eBreaks Toward Impressionism: 3m 44s\u003cbr \/\u003eModernity: 5m 28s\u003c\/p\u003e\u003cp\u003eThanks to this stylistic progression, this mixed choir score provides a stimulating support to work on polyphonic listening, text comprehension, and expressiveness, while offering a spectacular form suitable for the stage (thematic concert, choral project, educational program around the history of the arts).\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eOpera\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePiano-vocal; mixed choir and chamber orchestra\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eOpera-choral\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Editions Delatour France","offers":[{"title":"Default Title","offer_id":54356617789715,"sku":"222559","price":14.4,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/029855171cfb2aff2806d9da7fe0b59a13c9ccea_PARTOCHEEEE.jpg?v=1789465942"},{"product_id":"editions-delatour-france-de-vienne-bernard-intime-alto-piano-363931","title":"De Vienne Bernard - Intime - Alto \u0026 Piano","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003eThis work carries a genuine aesthetic project: to translate the intimate, the tender, the minute, that \"skin-deep\" emotion that surfaces in relationships between beings, made of fragments of memory, convergences, and divergences. The form is organized around a rapid succession of highly contrasting motifs, which intertwine, respond to each other, and exchange their characteristics, creating a living and changing material.\u003c\/p\u003e\u003cp\u003eThe writing, deliberately refined and seemingly simple, demands great rigor in execution. Performers are invited to carefully attend to the smallest details of timbre and discourse: sound colors, attacks, playing techniques, articulations, phrasing, and dynamics. The challenge is to be able to instantly change character whenever a new indication appears, in order to preserve the mobility of the form and the expressive richness of the whole.\u003c\/p\u003e\u003cp\u003eFor study purposes, the work can be approached in sections: although the flow is designed without interruption, each part can be played independently to work on stylistic accuracy, rhythmic precision, and the palette of nuances. Note: the central part, written in 2001, also exists in a solo viola version under the title \u003cstrong\u003eEsquisse\u003c\/strong\u003e, published separately by Éditions François Dhalmann.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTran Ngoc Nguyen Trinh\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003econtemporary score\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eensemble (several parts, including a central part for solo viola)\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Editions Delatour France","offers":[{"title":"Default Title","offer_id":54357898166547,"sku":"363931","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/4daa65295be544e02b0667bddd492402262434e9_PARTOCHE.jpg?v=1789448649"},{"product_id":"editions-delatour-france-royer-v-les-plus-beaux-airs-italiens-quintette-a-vent-227657","title":"Royer V. - Les Plus Beaux Airs Italiens - Quintette À Vent","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003eThis score is born from a quest: to trace back to the source of Italian opera by exploring the inexhaustible reservoir of traditional melodies and dances from Italy and Sicily. It features the beauty of vocal lines \"polished by time,\" that melodic clarity evoking bel canto and the art of cantabile, in a lineage of listening with Bellini, Donizetti, Rossini, Verdi, or Puccini. Here, there are no words: the goal is to tell stories without words, solely through music, breath, and timbres.\u003c\/p\u003e\u003cp\u003eThe choice of wind ensemble imposes itself as a true dramatic tool. The instrumental voices respond to each other as on a stage: an entrance, a reply, an aside, then an ensemble. Each piece becomes a theatrical miniature, alternating tenderness, humor, tension, and dancing momentum. This writing highlights rhythmic precision (polka, tarantella, pizzica), but also the flexibility of legato and the sense of musical declamation, essential to give these themes all their expressive depth.\u003c\/p\u003e\u003cp\u003eThe suite consists of the following titles:\u003cbr \/\u003e\u003cbr \/\u003e1 - Mi votu e mi rivotu (song)\u003cbr \/\u003e\u003cbr \/\u003e2 - Polca di Ernesto (dance)\u003cbr \/\u003e\u003cbr \/\u003e3 - Neapolitan Tarantella (dance)\u003cbr \/\u003e\u003cbr \/\u003e4 - O bella ciao (song)\u003cbr \/\u003e\u003cbr \/\u003e5 - Palumedda (song)\u003cbr \/\u003e\u003cbr \/\u003e6 - Lu Viddanu (dance)\u003cbr \/\u003e\u003cbr \/\u003e7 - Si maritau Rosa (song)\u003cbr \/\u003e\u003cbr \/\u003e8 - Pizzicarella (dance)\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTraditional, World\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ewind ensemble (wind quintet)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003escore for ensemble, inspired by traditional Italian and Sicilian songs and dances\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Editions Delatour France","offers":[{"title":"Default Title","offer_id":54358212083987,"sku":"227657","price":17.2,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/f3c3ee76c16b5dfdf7c436853804378960980fca_PARTOCHEEEE.jpg?v=1789470252"},{"product_id":"editions-delatour-france-litaize-g-trois-pieces-hautbois-et-piano-227611","title":"Litaize G. - 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CHANTER EN CANON - VOLUME 3","description":"\u003ch3\u003eSummary of This Collection\u003c\/h3\u003e\u003cp\u003eThe \"Chanter en Canon\" series currently comprises four canon collections, conceived as an anthology rather than a uniform program. Each booklet contains about 25 canons and follows a clear editorial choice: not to seek stylistic unity nor uniform performance level, in order to offer genuine musical variety. This approach allows for quick alternation of moods, discovery of different compositional styles, and the creation of dynamic sessions suited to heterogeneous groups.\u003c\/p\u003e\u003cp\u003eWritten for \u003cstrong\u003e2 to 4 voices a cappella\u003c\/strong\u003e, this collection is suitable for sectional rehearsals as well as full ensemble singing, providing real benefits for listening skills, independence of lines, and rhythmic precision. The canon is a particularly effective format for developing intonation, timing, and concentration, while maintaining a convivial dimension: each voice entry highlights the group and strengthens the sense of ensemble. Published on \u003cstrong\u003e09\/01\/2009\u003c\/strong\u003e, this booklet serves as a reliable resource to enrich a \"classical\" choral repertoire and to nurture both learning and the pleasure of singing.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2 to 4 voices a cappella\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDifficulty\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e(3 to 5\/8) Fairly easy to medium advanced\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eYear of publication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2009\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Editions Delatour France","offers":[{"title":"Default Title","offer_id":54359003857171,"sku":"222156","price":8.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/e7bde6399de199bd21496ad9750f756475c86610_DLT2069.jpg?v=1789457274"},{"product_id":"editions-delatour-france-weber-alain-mutances-iii-clarinette-basse-piano-260419","title":"Weber Alain - Mutances III - Clarinette Basse \u0026 Piano","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003eMutances III for bass clarinet and piano continues the line of \"Cheminement\" and \"Mutances II\": Alain WEBER pursues a highly advanced sonic and instrumental exploration, written at the request of clarinetist Jean-Noël Crocq. The objective is clear: to extract the maximum from the instrument, both in the impact of the gesture and in the variety of colors, with writing that demands endurance, precision, and musical commitment.\u003c\/p\u003e\u003cp\u003eThe score is distinguished by rapid and incisive passages, sometimes punctuated by \"slaps,\" which run throughout the piece. The rhythmic dimension is central: binary and ternary pulses overlap or juxtapose, combined with changing time signatures that enhance the sensation of movement and transformation. The piano is not limited to mere accompaniment: it fully participates in the tension and structure, offering a dense and often virtuosic dialogue with the clarinet.\u003c\/p\u003e\u003cp\u003eDesigned to be studied at an advanced level, this work is also perfectly suited for programming in recitals or contemporary music concerts. Finally, note that although it is intended for bass clarinet, the piece can also be played on a B-flat clarinet, opening additional possibilities depending on your instrumentation.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAlain WEBER\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003econtemporary score\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJean-Noël Crocq\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDifficulty\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eadvanced level\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ebass clarinet and piano (also playable on B-flat clarinet)\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Editions Delatour France","offers":[{"title":"Default Title","offer_id":54359363191059,"sku":"260419","price":8.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/bdc392c1fd07bef201505da7f5052b37461b1171_DLT0415.jpg?v=1789478608"},{"product_id":"editions-delatour-france-moriconi-florent-l-ombre-qui-me-suit-saxophone-alto-171466","title":"MORICONI FLORENT - L'OMBRE QUI ME SUIT - SAXOPHONE ALTO","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e  \u003cp\u003eThis score for solo alto saxophone, from the \u003cstrong\u003eNotes de Sax\u003c\/strong\u003e collection, fits within a \u003cstrong\u003econtemporary\u003c\/strong\u003e aesthetic that highlights the color of the alto and the subtlety of nuances. Over \u003cstrong\u003e12 pages\u003c\/strong\u003e, the writing favors an engaging musical structure, where the performer must combine clarity of articulation, dynamic balance, and breath continuity to convey an expressive and modern discourse.\u003c\/p\u003e  \u003cp\u003eWith a \u003cstrong\u003eduration of about 00:08:00\u003c\/strong\u003e, the work easily finds its place in a recital program, audition, or competition, offering sufficient time to develop a genuine musical intention. The \u003cstrong\u003elevel (6\/8) Fairly difficult\u003c\/strong\u003e makes it a relevant study material to deepen rhythmic stability, intonation across registers, as well as the management of contrasts and transitions. 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