{"title":"Heinrichshofen","description":null,"products":[{"product_id":"heinrichshofen-byrd-spielstucke-aus-dem-fitzwilliam-virginal-book-heft-4-59103","title":"Byrd Spielstücke Aus Dem Fitzwilliam Virginal Book Heft 4","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003ePavana und Galliarda in C\u0026#59; Fantasia in C. Arrangement Martin Nitz - separate parts\u003c\/strong\u003e offers a coherent musical journey around three emblematic pieces, brought together for ensemble performance. The pavane establishes a calm and expressive discourse, the galliard brings a more dance-like momentum, while the fantasia highlights freer writing, conducive to developing listening skills and entrances between voices.\u003c\/p\u003e\u003cp\u003eDesigned for \u003cstrong\u003e4 recorders\u003c\/strong\u003e, this score in separate parts is particularly suitable for early music workshops, student ensembles, amateur consorts, and groups wishing to enrich their Renaissance repertoire. Martin Nitz's arrangement allows exploration of phrase construction, rhythmic precision, and tonal homogeneity in an ensemble where every line matters.\u003c\/p\u003e\u003cp\u003eThanks to the diversity of movements, you can work on breath control, articulation cohesion, and cadence execution, while developing a stylistically credible interpretation. An excellent resource for preparing an audition, an educational program, or a short concert piece, all while staying true to William Byrd's aesthetic.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eWilliam Byrd\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e4 recorders\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArranger\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMartin Nitz\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Heinrichshofen","offers":[{"title":"Default Title","offer_id":54357001896211,"sku":"59103","price":4.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/7a2441b0746d6fbd06cd616d3e1eff269b10a0bb_PARTOCHEEEE.jpg?v=1792518459"},{"product_id":"heinrichshofen-bach-j-s-arien-und-chorale-fur-trompete-und-orgel-58864","title":"BACH J.S. ARIEN UND CHORäLE FüR TROMPETE UND ORGEL","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003eThis score offers a study of the music of Johann Sebastian Bach for \u003cstrong\u003etrumpet and organ\u003c\/strong\u003e, a combination highly appreciated for its sonic power, nobility, and immediate impact in reverberant acoustics. It is intended for instrumentalists wishing to perform Bach in various settings: service, wedding, year-end concert, audition, or thematic program \"Baroque Music.\"\u003c\/p\u003e\u003cp\u003eThe writing highlights the natural contrast between the trumpet's melodic line and the harmonic support of the organ. Depending on the needs, the organist can find a solid foundation for precise accompaniment, while the trumpeter benefits from expressive musical material conducive to working on intonation, articulation, and phrasing in the Baroque style. It is a relevant choice for building a \"safe bet\" repertoire and developing a stylistically refined interpretation.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e this product is marked as \u003cstrong\u003edamaged\u003c\/strong\u003e (bent cover). It may also feature a \u003cstrong\u003elabel\u003c\/strong\u003e depending on the copy. This does not prevent its musical use, but it is advisable to consider this if you are looking for a collector's condition item or a gift.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBach Johann Sebastian\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTrp, Org\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eEberhard Kraus\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Heinrichshofen","offers":[{"title":"Default Title","offer_id":54357251326227,"sku":"58864","price":6.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/b1e6d285753b7d453c8a898e68af9939df48be4a_PARTOCHEEEE.jpg?v=1792529114"},{"product_id":"heinrichshofen-bach-j-s-sonate-bwv-1014-flute-a-bec-alto-clavecin-oblige-clemence-gregoire-354135","title":"Bach J.S. - Sonate BWV 1014 - Flute A Bec Alto \u0026 Clavecin Oblige (clemence Gregoire)","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003e\"Sonata BWV 1014\" is part of the group of six sonatas BWV 1014-1019, composed by Johann Sebastian Bach, probably during the Köthen period. These works stand out for their conception: they are primarily designed for obbligato harpsichord, supported by a melodic instrument. The result is rich chamber music, where the keyboard part is not a mere accompaniment but a true partner, carrying the harmonic material and part of the thematic discourse.\u003c\/p\u003e\u003cp\u003eIn this edition, Clémence Grégoire offers an adaptation for alto recorder and harpsichord. The transcription is made to best fit the constraints and strengths of the recorder: range, fingerings, articulation, and breathing. This version thus allows approaching a major work of the Bach repertoire with an instrument very present in Baroque practice, while preserving the spirit of the sonata and the subtlety of the dialogue between the two voices.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJohann Sebastian Bach\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ealto recorder and harpsichord\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArranger\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClémence Grégoire\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Heinrichshofen","offers":[{"title":"Default Title","offer_id":54357810217235,"sku":"354135","price":10.14,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/4652a692ec96202be17f874b19c68cc772df6868_HEIN2607.jpg?v=1792542470"},{"product_id":"heinrichshofen-bach-j-s-drei-sonaten-flute-a-bec-alto-et-bc-93391","title":"Bach J. S. - Drei Sonaten - Flute A Bec Alto et BC","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e  \u003cp\u003e\u003cstrong\u003eBWV 1033, BWV 1034, BWV 1035\u003c\/strong\u003e\u003cbr \/\u003eThis edition highlights a precious selection of Johann Sebastian Bach's flute music, designed to be fully accessible to the advanced recorder player. The goal is clear: to offer a rigorous note text, established on a scientific basis, in order to work on these works with a solid reference, without unnecessary editorial approximations. This is a particularly relevant choice for performers wishing to deepen their understanding of Baroque language codes (rhetoric, breathing, implicit dynamics) while staying as close as possible to the source.\u003c\/p\u003e   \u003cp\u003eThe recorder part has been deliberately left without slur indications, a musical choice that promotes the performer's autonomy. Each musician can thus develop a \"blockflötengerechte\" articulation, that is, truly adapted to the recorder, its bore, fingering, and response. This working framework is ideal for exploring different attack options (detached, light slurs, inequalities, speech accents) and building a personal phrasing, whether in lessons, audition preparation, or chamber music.\u003c\/p\u003e   \u003cp\u003eThe harpsichord part, for its part, offers a realization (Aussetzung) that is both stylistically elegant and respectful of the work. It supports the flute line with a harmonically and idiomatically credible accompaniment, which facilitates setup, understanding of cadences, and sound balance. The result: an ideal score for playing in recorder and harpsichord duo, developing mutual listening, and refining the interpretation of Bach within a demanding Baroque aesthetic.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJohann Sebastian Bach\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eclassical score (Baroque music)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003erecorder and harpsichord\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Heinrichshofen","offers":[{"title":"Default Title","offer_id":54357985329427,"sku":"93391","price":23.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/993f25a2d2876a79ab0cff06c3a71351dfc2ae93_N1279.jpg?v=1792547137"},{"product_id":"heinrichshofen-corelli-a-12-sonaten-op-5-band-1-sonaten-1-und-2-62723","title":"Corelli A. - 12 Sonaten Op.5 Band 1 - Sonaten 1 Und 2","description":"\u003ch3\u003eSummary of this Sheet Music\u003c\/h3\u003e\u003cp\u003eWith Altblockflöte und Basso Continuo, the focus is on an iconic instrumental combination from early music: the alto recorder accompanied by basso continuo. This combination highlights the flexibility of the melodic line, the quality of the breath control and the subtlety of the articulation, while inviting the musician to create a genuine dialogue with the accompaniment.\u003c\/p\u003e\u003cp\u003eThis type of sheet music is particularly useful for working on phrase shaping, rhythmic consistency and stylistic control. The alto recorder finds a very natural expressive setting here, with writing that encourages both clarity of playing and the exploration of nuances and tonal depth. For students and experienced musicians alike, it is a valuable resource for developing a more lyrical and structured interpretation.\u003c\/p\u003e\u003cp\u003eThe basso continuo does not play a secondary role here: it provides the harmonic foundation and essential support for the balance of the ensemble. This relationship between the solo part and the accompaniment makes the work especially instructive, particularly for refining listening skills, entries, breathing and musical coherence from beginning to end.\u003c\/p\u003e\u003cp\u003eWhether for educational purposes, focused individual practice or a chamber music setting, this sheet music is an excellent choice for recorder players looking for expressive, elegant and deeply musical repertoire. It offers an opportunity to explore the alto recorder in a rich context, where technical precision always serves the beauty of the musical discourse.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ealto recorder, basso continuo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLanguage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGerman\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Heinrichshofen","offers":[{"title":"Default Title","offer_id":54358799483155,"sku":"62723","price":15.72,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/c4bedb4df5e6c37a680c01d8da94bde36e24141c_N3538.jpg?v=1792569979"},{"product_id":"heinrichshofen-ferrabosco-a-funf-pavanen-zu-vier-stimmen-114489","title":"Ferrabosco A. - Funf Pavanen Zu Vier Stimmen","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e  \u003cp\u003eDesigned for a string ensemble centered around the formation of 3 violins, viola, and cello, this score is intended for musicians seeking a structured, practical, and immediately usable rehearsal resource. The presence of a 16-page conductor's score facilitates musical direction, entry cues, and balance between sections, while the separate parts (20 pages) provide each player with dedicated, more comfortable reading adapted to group playing.\u003c\/p\u003e  \u003cp\u003eThanks to its instrumentation indicated as \"or other instruments,\" this material offers interesting flexibility to adapt to actual personnel: reinforcement of a section, temporary replacement of a part, or use in an ensemble workshop where distribution varies according to the students. This approach is ideal for educational structures, amateur orchestras, or chamber groups wishing to rehearse efficiently without relying on a strictly fixed lineup.\u003c\/p\u003e  \u003cp\u003ePublished in 1970 by Helmut Mönkemeyer, this document fits within a tradition of editions focused on collective practice: a conductor's score to maintain an overview, and parts to work on rhythmic precision, dynamics, and cohesion between sections. A relevant choice to develop listening, sound balance, and ensemble discipline, whether in regular rehearsals or within the framework of a concert project.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eHelmut Mönkemeyer\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePages\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eConductor\u0026#039;s score 16 pages, parts 20 pages\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e3 violins, viola, cello (or other instruments)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eYear of publication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1970\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Heinrichshofen","offers":[{"title":"Default Title","offer_id":54358905356563,"sku":"114489","price":7.2,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/cf061a8f1137469d32293f0337b71f0be944b209_PARTOCHEEEE.jpg?v=1792573480"},{"product_id":"heinrichshofen-corrette-concerto-c-dur-la-choisy-59179","title":"Corrette Concerto C-dur \"la Choisy\"","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e  \u003cp\u003eThis conductor's score brings together the entire partiture intended for an ensemble with solo horn. Designed for the conductor and rehearsal work, it allows simultaneous visualization of the soloist's line and the responses of the various sections, to refine articulation, breathing, and the balance of sound layers. The writing highlights the horn in an expressive and virtuosic role, while relying on a precise orchestral texture where the woodwinds color the line and the strings provide support and continuity.\u003c\/p\u003e   \u003cp\u003eThe instrumentation combines a solo horn with two oboes and a bassoon, supported by strings and basso continuo. This combination offers a wide spectrum of timbres, particularly useful for working on dialogues and homogeneity between winds and strings. The basso continuo structures the harmony and reinforces the pulse, making it a solid foundation for approaching style, ensemble intonation, and rhythmic coherence. An ideal score for ensembles wishing to enrich their repertoire with a work by Michel Corrette, and for any musician seeking an effective \"conductor's\" reading during practice sessions.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMichel Corrette\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSolo horn, 2 oboes, bassoon, strings, basso continuo\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Heinrichshofen","offers":[{"title":"Default Title","offer_id":54359142269203,"sku":"59179","price":4.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/734d1d6c93f4ccdbacfbf1154a3a23b0b2978df9_PARTOCHEEEE.jpg?v=1792578270"},{"product_id":"heinrichshofen-corelli-arcangelo-sonata-a-moll-flute-a-bec-soprano-et-bc-76502","title":"Corelli Arcangelo - Sonata A-moll - Flute A Bec Soprano et BC","description":"\u003ch3\u003eSummary of this Sheet Music\u003c\/h3\u003e\u003cp\u003eThis sheet music in \u003cstrong\u003escore and parts\u003c\/strong\u003e format is designed to meet the practical needs of musical ensembles. The score provides an overall view of the work, making it possible to follow entrances, balance and ensemble articulations, while the individual parts give each musician dedicated material for their section. This format is particularly sought after for group work, both in rehearsals and performances.\u003c\/p\u003e\u003cp\u003eThanks to this presentation, the conductor or ensemble leader can prepare the interpretation with greater confidence, while instrumentalists benefit from more comfortable reading. This type of edition promotes rhythmic precision, cohesion between sections and a better understanding of the musical writing. For music schools, conservatoires, orchestras or chamber ensembles, it is a practical and relevant choice.\u003c\/p\u003e\u003cp\u003eThe score and parts format is also a real asset for optimising the organisation of rehearsals. 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The result is a comprehensive resource, useful for sight-reading, analysis, and setting up an expressive and stylistically controlled interpretation.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArranger\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMartin Nitz\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Heinrichshofen","offers":[{"title":"Default Title","offer_id":54360216994067,"sku":"56002","price":14.88,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/5ef54c752c62485ab97f4c10f3c7bbc565044aba_3540.jpg?v=1792609660"},{"product_id":"heinrichshofen-corelli-a-12-sonaten-o-5-vol-ii-sonaten-3-et-4-59161","title":"Corelli A. - 12 Sonaten O.5 Vol. II - Sonaten 3 et 4","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e  \u003cp\u003e\u003cstrong\u003eSonata 3 in C major, Sonata 4 in F major. Edition with figured bass and realization\u003c\/strong\u003e\u003cbr \/\u003e This edition brings together two sonatas designed to develop fluent reading and expressive playing, highlighting the musicality of the alto recorder line and the balance with the basso continuo. The \u003cstrong\u003efigured bass\u003c\/strong\u003e allows understanding of the harmony and learning to anticipate cadences, while the \u003cstrong\u003erealization\u003c\/strong\u003e provides immediate support for effective practice, even when an improvised continuo is not available. The set forms a solid foundation to work on intonation, phrasing, breath control, and ornamentation within a clear tonal framework (C major and F major). 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This format places each performer as close as possible to their musical line and supports a practice based on attentive listening. It allows musicians to prepare their part before meeting their partners to work on a shared interpretation.\u003c\/p\u003e\u003cp\u003eIn this three-instrument formation, the work goes beyond simply playing one's own part. Rehearsals are also an opportunity to refine entrances, clarify articulations and seek a balance between the two violins and the cello. Each musician can therefore focus on intonation, rhythmic precision and the coherence of the phrasing within the trio.\u003c\/p\u003e\u003cp\u003eThe separate-parts format lends itself to a progressive approach to rehearsals: identifying passages to revisit individually, comparing interpretive choices, then bringing the different voices together. For instrumentalists wishing to explore Boccherini's repertoire in a small ensemble, this score provides a practice-oriented resource focused on instrumental playing and ensemble coordination.\u003c\/p\u003e\u003cp\u003eIt will have its place on the music stands of a string trio looking to expand its repertoire. 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The SATB format is particularly appreciated for its harmonic richness and versatility: the soprano often carries the top line, the alto and tenor structure the musical fabric, while the bass anchors the ensemble and reinforces rhythmic stability. In rehearsal, this type of writing allows working on cohesion, entrances, shared breathing, and articulation, while developing listening to other voices. It is a relevant resource for addressing essential collective playing skills (intonation, phrasing, dynamics, balance), with instrumentation very common in recorder ensembles. Note: the copy is reported as damaged (worn cover, possible label), which does not prevent pedagogical and musical use of the content.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePeter Heilbut\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e4 recorders (SATB)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Heinrichshofen","offers":[{"title":"Default Title","offer_id":54361413288211,"sku":"59509","price":7.09,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/132fd7d95e23d4d8efe2ae53fcc8830d2dd0c32d_PARTOCHEEEE.jpg?v=1792639332"},{"product_id":"heinrichshofen-quantz-j-j-sonata-g-moll-flb-alto-et-clavecin-oblige-59926","title":"QUANTZ J.J. - SONATA G-MOLL - FLB ALTO ET CLAVECIN OBLIGE","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003eThis edition offers a sonata in E minor attributed to Quantz Hans Joachim, presented in a version established by Grete Zahn from the autograph manuscript. This editorial choice emphasizes an \"urtext\" approach: the goal is to provide a score as faithful as possible to the author's intentions, without unnecessary interpretative overlays, allowing the instrumentalist the freedom to construct their musical discourse.\u003c\/p\u003e\u003cp\u003eThe instrumentation brings together an alto recorder and a harpsichord obbligato. The term \"obbligato\" indicates that the keyboard part is not limited to simple harmonic support: it fully participates in the texture, rhythmic drive, and counterpoint. This duo writing makes it a particularly interesting score for working on listening, balance of sound layers, and precision of attacks, while developing a call-and-response play between melody and accompaniment.\u003c\/p\u003e\u003cp\u003eIdeal for Baroque music performers, this sonata allows one to approach the fundamentals of the style: contrasting articulations, phrasing breath, management of stresses, and construction of harmonic tensions. It is suitable both for musicians seeking concert repertoire and for teachers wishing for a structuring piece for chamber music learning (setup, coordination, intonation and tuning, continuity of discourse).\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eQuantz Hans Joachim\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAlto rec, harpsichord obl\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGrete Zahn\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Heinrichshofen","offers":[{"title":"Default Title","offer_id":54361843007763,"sku":"59926","price":13.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/77da28d73a4575044a27fe763ef41d648b7f9a6b_N2040.jpg?v=1792656616"}],"url":"https:\/\/woodbrass.shop\/collections\/heinrichshofen.oembed","provider":"Woodbrass.com","version":"1.0","type":"link"}