{"title":"Hortus Musicus","description":null,"products":[{"product_id":"hortus-musicus-barsi-f-sonate-fur-altblockflote-oder-querflote-und-basso-continuo-c-dur-47017","title":"Barsi, F. - Sonate Fur Altblockflote Oder Querflote Und Basso Continuo C-Dur","description":"\u003ch3\u003eSummary of this score\u003c\/h3\u003e\u003cp\u003eThis score is intended for musicians looking for clear, practical material for small ensemble playing. Featuring a performance score together with a set of separate parts, it provides ideal conditions for working as an ensemble, both in rehearsal and in concert.\u003c\/p\u003e\u003cp\u003eThe instrumentation combines \u003cstrong\u003erecorder\u003c\/strong\u003e, \u003cstrong\u003eflute\u003c\/strong\u003e and \u003cstrong\u003econtinuo\u003c\/strong\u003e, a particularly appealing combination for exploring the colours, contrasts and breathing inherent to the early music repertoire. This configuration offers great interpretive flexibility and is well suited to instrumentalists wishing to develop mutual listening, phrasing accuracy and ensemble cohesion.\u003c\/p\u003e\u003cp\u003eThe editorial work by \u003cstrong\u003eHugo Ruf\u003c\/strong\u003e further enhances the appeal of this publication for students, teachers and amateur or experienced ensembles looking for reliable material. As part of the \u003cstrong\u003eHortus Musicus\u003c\/strong\u003e series, this edition naturally belongs in a music library dedicated to instrumental practice and repertoire for flutes and continuo.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePlaying score; set of parts\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ealto recorder in F or G, flute, basso continuo\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Hortus Musicus","offers":[{"title":"Default Title","offer_id":54357670494483,"sku":"47017","price":7.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/1f3dea631da88f5a222d5158f82911ddba9dbb81_HM183.jpg?v=1792542472"},{"product_id":"hortus-musicus-telemann-g-ph-concerto-en-mi-mineur-pour-flb-alto-fl-cordes-et-bc-57402","title":"Telemann G. Ph. - Concerto En Mi Mineur Pour Flb Alto Fl Cordes Et Bc","description":"\u003ch3\u003eSummary of this part\u003c\/h3\u003e\u003cp\u003eThis separate string part, “Vn 1”, corresponds to the \u003cstrong\u003efirst violin\u003c\/strong\u003e line. It is intended for musicians, teachers, ensemble conductors and music librarians who need a dedicated part for this section without using a full score. This format is particularly appreciated in ensemble settings, as it allows the musician to focus immediately on their role within the group.\u003c\/p\u003e\u003cp\u003eA separate first violin part is an essential resource for many ensembles, especially when the music needs to be distributed efficiently among the instrumentalists. It facilitates rehearsal preparation, as well as the accurate execution of dynamics, articulations and entries specific to the first violin section. For students and experienced musicians alike, this type of edition remains a practical and comfortable choice for everyday use.\u003c\/p\u003e\u003cp\u003eThis part can also be useful for replacing a lost part, completing an incomplete set or preparing focused work on an orchestral passage. In an educational context, it allows musicians to work on sight-reading, rhythmic accuracy and ensemble listening using a document focused on the upper string line. It is therefore a simple yet indispensable format for any serious work on ensemble repertoire.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eViolin 1\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Hortus Musicus","offers":[{"title":"Default Title","offer_id":54360913182995,"sku":"57402","price":3.3,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/34614409da76739f94ef38622cc67dc9985bf63b_HL_BAHM124_74.jpg?v=1792629558"},{"product_id":"hortus-musicus-loeillet-de-gant-j-b-sonaten-i-op-i-1-3-flb-et-bc-47036","title":"Loeillet De Gant J.B. - Sonaten I Op. I\/1-3 - FLB et BC","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003eThis edition, prepared by Johann Philipp Hinnenthal, offers a score by Jean-Baptiste Loeillet of Ghent designed for a solo voice (alto recorder) and basso continuo. The figured bass, complemented by a realization, facilitates harmonic setup and allows for a more immediate approach to continuo practice, whether you play harpsichord, organ, or a bass support instrument. The indicated instrumentation also opens the door to various configurations: the solo line can be performed on flute, oboe, or violin, making it an interesting resource for chamber music classes, auditions, or concert programs centered on the Baroque repertoire. The presence of a structured basso continuo encourages in-depth work on listening, balance, and musical breathing, while developing accompaniment reflexes and ornament improvisation in the style.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJean-Baptiste Loeillet of Ghent\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAlto recorder (Fl, Ob, Vn), Bc\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJohann Philipp Hinnenthal\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Hortus Musicus","offers":[{"title":"Default Title","offer_id":54361075384595,"sku":"47036","price":26.4,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/d236cb8488b1c7ebea4b523b48d69feef5c285fe_HL_BAHM43.jpg?v=1792629481"},{"product_id":"hortus-musicus-telemann-g-ph-concerto-en-mi-mineur-pour-flb-alto-fl-cordes-et-bc-57403","title":"Telemann G. Ph. - Concerto En Mi Mineur Pour Flb Alto Fl Cordes Et Bc","description":"\u003ch3\u003eSummary of this Sheet Music\u003c\/h3\u003e\u003cp\u003e\"Separate String Part: Vn 2\" refers to a part specifically designed for the \u003cstrong\u003esecond violin\u003c\/strong\u003e. This format focuses on the readability of the instrumental line, allowing the musician to immediately concentrate on their role within the section. It is particularly useful when precise practice is required, without being encumbered by the full conductor's score or the other parts.\u003c\/p\u003e\u003cp\u003eIn practice, a separate violin 2 part greatly facilitates rehearsals, sight-reading and individual preparation. The musician benefits from a clear layout designed to follow the entries, phrasing, rhythms and articulations specific to their part. For teachers, students and orchestral players, this type of material is a real asset for greater efficiency and playing comfort.\u003c\/p\u003e\u003cp\u003eThe violin 2 section often plays an essential role in the ensemble's harmonic and rhythmic balance. Having a dedicated part therefore makes it easier to establish dynamics, refine cohesion with the other strings and approach ensemble work under the best conditions. Simple, functional and ready to use, this separate part meets the practical needs of musicians looking for reliable material for ensemble playing.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eViolin 2\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eseparate string part\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Hortus Musicus","offers":[{"title":"Default Title","offer_id":54361318457619,"sku":"57403","price":3.3,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/85bf5330fd9719f9a910ef42c597417cacb87f19_HL_BAHM124_75.jpg?v=1792639286"},{"product_id":"hortus-musicus-telemann-g-ph-4-sonaten-flute-a-bec-et-bc-79531","title":"Telemann G.PH. - 4 Sonaten - Flute A Bec et BC","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e  \u003cp\u003eThis collection offers four sonatas from \"Der getreue Musikmeister,\" an emblematic 18th-century publication conceived as a musical periodical. The edition is based on a copy preserved at the Leipzig Municipal Library and aims for fluid reading for today's performers while preserving the spirit of the source.\u003c\/p\u003e  \u003cp\u003eSpecifically included are: Sonaten F major TWV 41:F2, B major TWV 41:B3, f minor TWV 41:f1, C major TWV 41:C2. The content alternates slow movements conducive to ornamentation and lively movements requiring clear articulation, phrasing sense, and good command of the recorder's registers. The basso continuo realization (figured bass and setup) facilitates working with harpsichord, organ, or piano, while allowing the freedom for a more elaborate realization depending on the context (lessons, chamber music, stage).\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGeorg Philipp Telemann\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eclassical score (Baroque period)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArranger\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJohannes Dietz Degen\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLanguage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGerman, English\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBärenreiter\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDifficulty\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edifficult (level 4)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ealto recorder (in F, G) and basso continuo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eYear of publication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1963\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Hortus Musicus","offers":[{"title":"Default Title","offer_id":54361512018195,"sku":"79531","price":11.3,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/336b3e5a53b7fd6bdf12c593e72e32fb8d5dcedd_HM6.jpg?v=1792644135"},{"product_id":"hortus-musicus-de-fesch-w-sechs-sonaten-vol-1-violon-et-bc-187980","title":"De Fesch W. - Sechs Sonaten Vol. 1 - Violon et BC","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003eSechs Sonaten für Violine (Flöte, Oboe, Viola, Alt-Viola da gamba) und Basso continuo\u003cbr \/\u003eSonatas in D major, C minor, E minor. Solo instrument parts in violin and viola clefs\u003c\/p\u003e\u003cp\u003eThis collection brings together six sonatas designed for a melodic instrument (chosen from those indicated) accompanied by basso continuo. This format makes it a particularly interesting resource for musicians who want to quickly assemble a chamber music program, work on articulation, phrasing, and balance between the solo line and harmonic foundation.\u003c\/p\u003e\u003cp\u003eThe sonatas cover several keys (D major, C minor, E minor), allowing exploration of contrasting characters and different positions, timbres, and line developments. The presence of solo parts in treble and alto clefs makes the work immediately usable by both violinists and violists (and more broadly by players accustomed to reading alto clef), without tedious adaptation.\u003c\/p\u003e\u003cp\u003eThe basso continuo, the heart of the accompaniment, can be realized by a harmonic instrument (harpsichord, organ, piano) generally supported by a bass instrument (cello, viola da gamba, bassoon, or double bass depending on ensemble practices). A relevant collection for study as well as concert performance, with instrumentation designed to adapt to available forces.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esolo instrument (violin, flute, oboe, viola, or alto viola da gamba) and basso continuo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esonatas, chamber music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Hortus Musicus","offers":[{"title":"Default Title","offer_id":54362065535251,"sku":"187980","price":11.1,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/8da5e003047f69331db8be590c38894808ab4805_HL_BAHM127.jpg?v=1792661558"}],"url":"https:\/\/woodbrass.shop\/collections\/hortus-musicus.oembed","provider":"Woodbrass.com","version":"1.0","type":"link"}