{"title":"Jazz Studio","description":null,"products":[{"product_id":"jazz-studio-fishman-g-jazz-saxophone-etudes-vol-1-2-cd-s-143070","title":"Fishman G. - Jazz Saxophone Etudes Vol. 1 + 2 CD'S","description":"\u003ch3\u003eSummary of This Method\u003c\/h3\u003e  \u003cp\u003eDesigned as a true work journey, this method offers \u003cstrong\u003e12 studies\u003c\/strong\u003e intended to strengthen your musical and technical mastery of the saxophone, while maintaining a very practical approach to playing: articulation, rhythmic placement, sound control, continuity of ideas, and chorus construction. Each study is presented with a clear pedagogical dimension to help you understand what you are playing and, above all, \u003cstrong\u003ewhy\u003c\/strong\u003e you are playing it.\u003c\/p\u003e   \u003cp\u003eOne of the major strengths of this book lies in its \u003cstrong\u003e2 CDs\u003c\/strong\u003e: you have a version dedicated to the \u003cstrong\u003ealto saxophone\u003c\/strong\u003e and a version dedicated to the \u003cstrong\u003etenor saxophone\u003c\/strong\u003e. For each study, you can listen to \u003cstrong\u003eGreg Fishman\u003c\/strong\u003e's interpretation to internalize the style, sound, and meaning of the discourse, then work with additional \u003cstrong\u003erhythm section tracks\u003c\/strong\u003e designed to help you \"blow\" longer and deepen your improvisational reflexes.\u003c\/p\u003e   \u003cp\u003eThe method also includes a \u003cstrong\u003estyle and analysis section\u003c\/strong\u003e: an excellent resource to identify key elements (intentions, placements, phrase logic) and reuse them in your own solos. Finally, the \u003cstrong\u003edetailed practice guide\u003c\/strong\u003e is aimed both at \u003cstrong\u003eintermediate\u003c\/strong\u003e musicians wishing to structure their progress and at \u003cstrong\u003eadvanced\u003c\/strong\u003e and \u003cstrong\u003eprofessional\u003c\/strong\u003e saxophonists seeking an effective framework to refine precision, consistency, and expressiveness.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJazz, Blues, Soul\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGreg Fishman\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esaxophone study method\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ealto saxophone, tenor saxophone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDifficulty\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eintermediate, advanced, professional\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Jazz Studio","offers":[{"title":"Default Title","offer_id":54357292318995,"sku":"143070","price":11.76,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/99d8bee5614ddba7f43e81eae69b0fdbee7dd9b7_9780976615309.jpg?v=1789444663"},{"product_id":"jazz-studio-fishman-g-jazz-saxophone-etudes-vol-4-2-cd-s-209387","title":"Fishman G. - Jazz Saxophone Etudes Vol. 4 + 2 CD'S","description":"\u003ch3\u003eSummary of This Book\u003c\/h3\u003e\u003cp\u003eThis Volume 4 offers a new series of jazz studies at an intermediate to advanced level, designed to help you progress under conditions close to \"real playing\": linking pieces at different tempos, maintaining a solid pulse, and adapting your improvisational vocabulary to the musical context. The organization of the studies follows a dynamic similar to that of a concert set, which promotes endurance, concentration, and the ability to switch from one groove to another without losing precision.\u003c\/p\u003e\u003cp\u003eThe harmonic progressions are based on chord sequences drawn from popular standards: you will find familiar cadences and phrases (turnarounds, II-V-I, common substitutions), while working on contemporary melodic ideas. This approach helps you immediately connect theory to practice: you strengthen your harmonic reflexes, develop a better sense of chord movement, and gain ease in constructing coherent lines over \"real\" progressions.\u003c\/p\u003e\u003cp\u003eThe play-along CD perfectly complements the book's work: it allows you to position yourself in time, refine your articulation, and verify the solidity of your groove at contrasting tempos. 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The goal is to develop a refined listening to chords by learning to mentally isolate the sound of each note (root, third, fifth, etc.) while maintaining the overall sensation of the harmonic stack. This dual listening skill is a major asset for improvisation, accompaniment, composition, and transcription, as it helps you make more accurate and expressive note choices.\u003c\/p\u003e\u003cp\u003eThe method is based on a gourmet analogy: just as we naturally distinguish the flavors of a dish, we can learn to recognize the \"emotional flavor\" of each chord color. The book provides you with a true \"harmonic menu\": 81 different sounds played in all 12 keys, to train the ear for transposition and avoid dependence on a single comfort key. 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This is a particularly valuable resource for any musician wishing to strengthen chord recognition and enrich their harmonic vocabulary by ear.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTheme\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTheory - Harmony\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArtists\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePetra van Nuis, Jeremy Kahn\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emusic theory, ear training, harmony\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eavailable in C, Bb, and Eb versions\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLanguage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eEnglish\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eall instruments\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePages\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e64\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Jazz Studio","offers":[{"title":"Default Title","offer_id":54358503522579,"sku":"164571","price":29.4,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/2f5b27ed968a458076b96e928c50c7900ea3f386_TASTING_c7a353b5-bed9-4036-8156-1d5cf21ccfce.jpg?v=1789448592"},{"product_id":"jazz-studio-fishman-g-tasting-harmony-bb-cd-164570","title":"Fishman G. - Tasting Harmony BB + CD","description":"\u003ch3\u003eSummary of This Method\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eTasting Harmony\u003c\/strong\u003e offers a direct and musical way to deepen your understanding of harmony, without prioritizing theoretical analysis. The goal is to develop a refined listening to chords by learning to mentally isolate the sound of each note (root, third, fifth, etc.) while maintaining the overall sensation of the harmonic stack. This dual listening skill is a major asset for improvisation, accompaniment, composition, and transcription, as it helps you make more accurate and expressive note choices.\u003c\/p\u003e\u003cp\u003eThe method is based on a gourmet analogy: just as we naturally distinguish the flavors of a dish, we can learn to recognize the \"emotional flavor\" of each chord color. The book provides you with a true \"harmonic menu\": 81 different sounds played in all 12 keys, to train the ear for transposition and avoid dependence on a single comfort key. Each progression is presented as a \"recipe\": you store the ingredients (the chord colors) so you can confidently combine them later without approximation.\u003c\/p\u003e\u003cp\u003eThe audio accompaniment is at the heart of the experience: sing and play along with vocalist \u003cstrong\u003ePetra van Nuis\u003c\/strong\u003e and pianist \u003cstrong\u003eJeremy Kahn\u003c\/strong\u003e. The voice provides a clear melodic reference, ideal for fixing tensions and resolutions, and the chords are announced on the CD to guide your work throughout the tracks. This is a particularly valuable resource for any musician wishing to strengthen chord recognition and enrich their harmonic vocabulary by ear.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTheme\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTheory - Harmony\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArtists\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePetra van Nuis, Jeremy Kahn\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emusic theory, ear training, harmony\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eavailable in C, Bb, and Eb versions\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLanguage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eEnglish\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eall instruments\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePages\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e64\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Jazz Studio","offers":[{"title":"Default Title","offer_id":54358868525331,"sku":"164570","price":29.4,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/de599ad2d6c959d6b8ed0c0cee11d19e1e378211_TASTING.jpg?v=1789448539"},{"product_id":"jazz-studio-fishman-greg-jazz-trumpet-etudes-cd-338250","title":"FISHMAN GREG - JAZZ TRUMPET ETUDES + CD","description":"\u003ch3\u003eSummary of This Book\u003c\/h3\u003e\u003cp\u003eOriginally designed for saxophone, these jazz studies find new life here for trumpet thanks to the work of Greg Fishman, who managed to preserve the \u003cstrong\u003elyrical\u003c\/strong\u003e character and playing pleasure while maintaining a \u003cstrong\u003ecomfortable range\u003c\/strong\u003e. The result \"falls\" naturally under the fingers, allowing you to focus on the essentials: \u003cstrong\u003etone\u003c\/strong\u003e, articulation, and the musical breathing unique to jazz.\u003c\/p\u003e\u003cp\u003eThroughout the studies, you explore typical situations from the jazz and big band repertoire: \u003cstrong\u003emelodic voice-leading\u003c\/strong\u003e, placement of target notes, tension management, and phrase construction that tells a story. Beyond technique, this book emphasizes \u003cstrong\u003esolo development\u003c\/strong\u003e : motif variation, work on approach notes, highlighting important scale degrees, and use of \u003cstrong\u003eleading tones\u003c\/strong\u003e to create movement.\u003c\/p\u003e\u003cp\u003eAlthough the range remains accessible (up to the \"A\" above the staff), the content is not simplistic: some leaps, progressions, and fingerings deliberately push beyond the comfort zone. 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Finally, \u003cstrong\u003eSection 4\u003c\/strong\u003e, \"Intervals in Action,\" offers excerpts from Greg Fishman's popular jazz saxophone books (Jazz Saxophone Studies, Hip Licks for Saxophone, Jazz Phrasing for Saxophone, Jazz Saxophone Duos) to illustrate favorite applications of each interval in a decidedly jazz language.\u003c\/p\u003e\u003cp\u003eIntegrated into your practice, this method acts as a true \"interval thesaurus,\" in the words of David Morrison, and becomes a valuable tool for ear training, improvisation, and constructing more accurate, more lyrical, and more expressive melodic lines.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTheme\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTheory - Harmony\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGreg Fishman, Greg Alper\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Jazz Studio","offers":[{"title":"Default Title","offer_id":54360631705875,"sku":"308699","price":17.16,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/6768fe638a8492cebe89980cc241dd3f5b4f815f_GFJINT.jpg?v=1789448641"},{"product_id":"jazz-studio-fishman-g-jazz-phrasing-for-saxophone-vol-2-2-cd-s-143349","title":"Fishman G. - Jazz Phrasing For Saxophone Vol. 2 + 2 CD'S","description":"\u003ch3\u003eSummary of This Method\u003c\/h3\u003e\u003cp\u003eWith \u003cstrong\u003eJazz Phrasing for Saxophone\u003c\/strong\u003e, Greg Fishman offers a concrete and musical approach to the \"mainstream\" jazz language. The content revolves around \u003cstrong\u003eten short and catchy tunes\u003c\/strong\u003e, designed to be enjoyable to play while conveying the essential phrasing codes specific to Swing, Bebop, and Bossa. Each piece emphasizes \u003cstrong\u003emelodic construction\u003c\/strong\u003e : sequences, line continuity, and voice leading to learn how to connect ideas naturally, as in a real solo.\u003c\/p\u003e\u003cp\u003eThe work is not limited to notes: this method clearly aims at improving \u003cstrong\u003etone\u003c\/strong\u003e, \u003cstrong\u003eattack\u003c\/strong\u003e, \u003cstrong\u003earticulation\u003c\/strong\u003e, and \u003cstrong\u003eplacement\u003c\/strong\u003e. By developing a finer understanding of phrasing, the saxophonist gains clarity and intention, learning to make their lines breathe rather than just stringing together licks. It is an excellent resource for approaching jazz through musicality and for strengthening the ability to create coherent variations from a motif.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003etwo included play-along CDs\u003c\/strong\u003e (one for alto saxophone and one for tenor saxophone) provide motivating accompaniment with a \u003cstrong\u003ehigh-level rhythm section\u003c\/strong\u003e. They feature, on one hand, tracks with Greg Fishman \u003cstrong\u003edemonstrating each piece\u003c\/strong\u003e, and on the other hand, versions with \u003cstrong\u003erhythm section only\u003c\/strong\u003e to work on autonomy, listening, and timing. Presented as the \"prequel\" to his more advanced works, this method serves as an ideal bridge toward a more developed approach to improvisation, while remaining accessible and immediately useful on a daily basis.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJazz, Blues, Soul\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGreg Fishman\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ejazz method (phrasing, improvisation)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ealto saxophone, tenor saxophone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDifficulty\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ebeginner-intermediate\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Jazz Studio","offers":[{"title":"Default Title","offer_id":54360724504851,"sku":"143349","price":29.4,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/ce3acf2c1b3e7b01d977c1c8146fe5dbd6d23009_9780984349227.jpg?v=1789483112"},{"product_id":"jazz-studio-fishman-g-jazz-guitar-etudes-cd-166484","title":"Fishman G. - Jazz Guitar Etudes + CD","description":"\u003ch3\u003eSummary of This Book\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eJazz Guitar Etudes\u003c\/strong\u003e by Greg Fishman is a study book dedicated to bebop jazz, designed to help guitarists enrich their melodic vocabulary through idiomatic lines inspired by great wind players. The content revolves around 12 bebop-style studies, written as \"ready-to-play\" choruses over essential chord changes (blues, rhythm changes, and standard progressions). Each study is presented in traditional notation and tablature, with fingerings tailored for guitar to work on reading, positioning, and phrasing coherence. The book is accompanied by an audio play-along: the student can play along with a guitar version, a tenor saxophone version, or just the rhythm section, which helps develop ear training, rhythmic precision, and the art of accentuation. Recommended by many educators and renowned musicians, this work is a particularly effective resource for analyzing, memorizing, and then reinvesting these ideas into one's own improvisation.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJazz, Blues, Soul\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGreg Fishman, Mike Allemana\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ejazz method, bebop studies\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eguitar\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePages\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e52\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Jazz Studio","offers":[{"title":"Default Title","offer_id":54361119818003,"sku":"166484","price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/3444d89733b8634a08f8dbe0a288cde4886bcaaa_JAZZGUITARETUDES_36ce75cd-3e4d-4cbe-829b-12fcac829502.jpg?v=1789408325"},{"product_id":"jazz-studio-fishman-g-fishman-g-jazz-trumpet-duets-cd-230176","title":"Fishman G. - 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Jazz Saxophone Etudes Vol. 3 + 2 CD'S","description":"\u003ch3\u003eSummary of This Method\u003c\/h3\u003e\u003cp\u003e\"Jazz Saxophone Etudes, Volume 3\" offers twelve melodic studies intended for saxophonists who wish to take their jazz playing to the next level. Mainly focused on medium tempos, these pieces emphasize a singing approach to improvisation: phrase construction, continuity of musical discourse, harmonic direction, and use of credible jazz vocabulary. The result is both educational and musical, with engaging studies that are enjoyable to play and particularly well written for the saxophone's range and reflexes.\u003c\/p\u003e\u003cp\u003eIn the spirit of Greg Fishman's works, the reading is simplified and effective: all saxophonists (soprano, alto, tenor, baritone) play the same written part. This ensures fluid fingerings, natural placement on the neck, and stylistic coherence regardless of your instrument. The rhythm section accompaniment adapts to respect the solo instrument's range, facilitating realistic ensemble playing, rehearsals, or educational settings.\u003c\/p\u003e\u003cp\u003eThis method also serves as a logical follow-up for students who have completed \"Jazz Phrasing for Beginners.\" It helps reinforce acquired skills (phrasing, articulation, swing, intention) while advancing further into melodic solo logic. An excellent resource to enrich your language, gain ease over medium grooves, and consolidate a jazz sound in service of the music.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJazz, Blues, Soul\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGreg Fishman\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJazz method and studies\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSaxophone (soprano\/alto\/tenor\/baritone) with rhythm section accompaniment\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDifficulty\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eUpper intermediate to advanced\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJazz Saxophone Etudes\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Jazz Studio","offers":[{"title":"Default Title","offer_id":54361465454867,"sku":"143072","price":29.4,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/c78a3c691b8cca20eb78a9315a19fdf9ea6ebe44_9780976615354.jpg?v=1789412844"},{"product_id":"jazz-studio-fishman-g-hip-licks-for-guitar-4-cd-s-166453","title":"Fishman G. - Hip Licks For Guitar + 4 CD'S","description":"\u003ch3\u003eSummary of This Method\u003c\/h3\u003e\u003cp\u003eHip Licks for Guitar (Book and Four CD Play-along Set) was designed to help guitarists gain fluency in jazz language through a \"mainstream\" vocabulary that sounds right over the changes and fits naturally into phrasing. The approach is deliberately practical: you can open the book to any page and start playing immediately, like a reference book. The 168 licks cover essential harmonic colors (Maj7, dominant, dominant 7b9, minor, m7b5, diminished, augmented) and target the most used progressions, notably major and minor II-V-I in two- and four-bar formulas, as well as parallel major-to-minor movements and variants with moving guide tones.\u003c\/p\u003e\u003cp\u003eThe CDs enhance the study's effectiveness: each lick is played twice in a row in a \"call and response\" format, ideal for ear training, memory, and vocabulary assimilation. The tracks take you through all 12 keys, with slow and then fast tempo versions, to gradually move from understanding to fluent execution. Finally, \"rhythm section only\" tracks give you space to create your own variations, develop your ideas, and work on improvisation over varied harmonic contexts, while reinforcing your scales, arpeggios, and chords on jazz guitar.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMethods\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGreg Fishman\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eguitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGreg Fishman, Mike Allemana\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ejazz method\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Jazz Studio","offers":[{"title":"Default Title","offer_id":54361507922195,"sku":"166453","price":34.4,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/cdae1e9b4b661b28ddeefaff4d120c0eaa84fa9e_HIPLICKSGUITAR.jpg?v=1789724839"},{"product_id":"jazz-studio-fishman-g-jazz-phrasing-for-saxophone-vol-1-2-cd-s-143344","title":"Fishman G. - Jazz Phrasing For Saxophone Vol. 1 + 2 CD'S","description":"\u003ch3\u003eSummary of This Method\u003c\/h3\u003e\u003cp\u003eWith \u003cstrong\u003eJazz Phrasing for Saxophone\u003c\/strong\u003e, Greg Fishman offers a concrete and musical approach to the \"mainstream\" jazz language. The content revolves around \u003cstrong\u003eten short and catchy tunes\u003c\/strong\u003e, designed to be enjoyable to play while conveying the essential phrasing codes specific to Swing, Bebop, and Bossa. Each piece emphasizes \u003cstrong\u003emelodic construction\u003c\/strong\u003e : sequences, line continuity, and voice leading to learn how to connect ideas naturally, as in a real solo.\u003c\/p\u003e\u003cp\u003eThe work is not limited to notes: this method clearly aims at improving \u003cstrong\u003etone\u003c\/strong\u003e, \u003cstrong\u003eattack\u003c\/strong\u003e, \u003cstrong\u003earticulation\u003c\/strong\u003e, and \u003cstrong\u003eplacement\u003c\/strong\u003e. By developing a finer understanding of phrasing, the saxophonist gains clarity and intention, learning to make their lines breathe rather than just stringing together licks. It is an excellent resource for approaching jazz through musicality and for strengthening the ability to create coherent variations from a motif.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003etwo included play-along CDs\u003c\/strong\u003e (one for alto saxophone and one for tenor saxophone) provide motivating accompaniment with a \u003cstrong\u003ehigh-level rhythm section\u003c\/strong\u003e. They feature, on one hand, tracks with Greg Fishman \u003cstrong\u003edemonstrating each piece\u003c\/strong\u003e, and on the other hand, versions with \u003cstrong\u003erhythm section only\u003c\/strong\u003e to work on autonomy, listening, and timing. Presented as the \"prequel\" to his more advanced works, this method serves as an ideal bridge toward a more developed approach to improvisation, while remaining accessible and immediately useful on a daily basis.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMethods\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGreg Fishman\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ejazz method (phrasing, improvisation)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ealto saxophone, tenor saxophone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDifficulty\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ebeginner-intermediate\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Jazz Studio","offers":[{"title":"Default Title","offer_id":54361563824403,"sku":"143344","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/49ff44159341bf8ac9583355c42e7e3539f31841_9780976615361.jpg?v=1789412822"},{"product_id":"jazz-studio-fishman-g-jazz-phrasing-for-trombone-vol-1-cd-230173","title":"Fishman G. - Jazz Phrasing For Trombone Vol. 1 + CD","description":"\u003ch3\u003eSummary of This Method\u003c\/h3\u003e\u003cp\u003eJazz Phrasing for Trumpet and Jazz Phrasing for Trombone offers ten short, catchy, and decidedly musical themes, designed to be accessible from the first readings while developing a solid jazz language. Each piece highlights fundamental elements of phrasing and melodic construction: the logical chaining of ideas through \u003cstrong\u003esequences\u003c\/strong\u003e, the \u003cstrong\u003evariation\u003c\/strong\u003e of a motif to create a coherent narrative, and \u003cstrong\u003evoice-leading\u003c\/strong\u003e to smoothly connect chords. This results in phrases that \"tell a story,\" rather than just a series of notes, making it a particularly effective tool for methodical improvisation practice.\u003c\/p\u003e\u003cp\u003eThe play-along CD enhances learning by placing the instrumentalist in a realistic group context. Depending on the version, you play with the sound and articulation of a reference soloist (Victor Garcia on trumpet or Russ Phillips on trombone), while also having tracks where Greg Fishman presents each theme on alto saxophone, useful for getting accustomed to another melodic timbre. \" \u003cstrong\u003eRhythm section only\u003c\/strong\u003e \" tracks then allow you to rehearse the pieces, explore the \u003cstrong\u003echords\u003c\/strong\u003e, \u003cstrong\u003escales\u003c\/strong\u003e, connecting lines, and especially to \u003cstrong\u003esolo\u003c\/strong\u003e freely over the changes, working on rhythmic placement and intention.\u003c\/p\u003e\u003cp\u003eRecommended for \u003cstrong\u003eall levels\u003c\/strong\u003e, this method targets improvement of \u003cstrong\u003esound\u003c\/strong\u003e, \u003cstrong\u003earticulation\u003c\/strong\u003e, and \u003cstrong\u003ephrasing\u003c\/strong\u003e, while developing understanding of \u003cstrong\u003ethematic development\u003c\/strong\u003e, a cornerstone of jazz (Swing, Bebop, Bossa). The \"Suggested Use\" section offers concrete practice suggestions, the \"Style \u0026amp; Analysis\" section clarifies essential concepts, and the thematic index facilitates immediate comparison of the openings of the ten pieces (intervals and harmonic context).\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJazz, Blues, Soul\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArtists\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eVictor Garcia (trumpet), Russ Phillips (trombone), Greg Fishman (alto saxophone)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJazz method \/ phrasing and improvisation (Swing, Bebop, Bossa)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTrumpet or trombone (method with play-along tracks)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDifficulty\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAll levels\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Jazz Studio","offers":[{"title":"Default Title","offer_id":54361813123347,"sku":"230173","price":29.4,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/12120d3a360e6babeb45ed69b96210f5b30f5599_JAZZPHRASINGTROMBONE1.jpg?v=1789417582"},{"product_id":"jazz-studio-fishman-greg-hip-licks-for-saxophone-vol-2-4-cd-s-159829","title":"Fishman Greg - Hip Licks For Saxophone Vol.2 - + 4 CD'S","description":"\u003ch3\u003eSummary of This Method\u003c\/h3\u003e\u003cp\u003eDesigned as a true reference book, \u003cstrong\u003eHip Licks for Saxophone Volume 2\u003c\/strong\u003e helps saxophonists develop \u003cstrong\u003efluency in the jazz language\u003c\/strong\u003e through a mainstream vocabulary (swing, bebop, post-bop) that respects harmony and \"lays great on the horn.\" The goal is clear: to enrich your improvisation with effective, idiomatic, and immediately transposable phrases while strengthening your sense of typical chord progressions found in standards.\u003c\/p\u003e\u003cp\u003eThe strength of this method lies in its \u003cstrong\u003esystematic work in all 12 keys\u003c\/strong\u003e and its writing adapted to the realities of the instrument: each lick is presented by key emphasizing \u003cstrong\u003etimbre\u003c\/strong\u003e, \u003cstrong\u003eregister\u003c\/strong\u003e, and \u003cstrong\u003eplayability\u003c\/strong\u003e. Alto and tenor read the same written part, while the accompaniment is recorded in two different keys so that each phrase remains natural under the fingers and sounds optimal on all saxophones.\u003c\/p\u003e\u003cp\u003eYou will find licks built on essential progressions, for example: \u003cstrong\u003eV7#11\u003c\/strong\u003e, \u003cstrong\u003eii m7 \/ V7\u003c\/strong\u003e, \u003cstrong\u003eii m7b5 \/ V7b9\u003c\/strong\u003e, movements toward the major such as \u003cstrong\u003eiv m7 \/ bVII7 \/ I Maj7\u003c\/strong\u003e, cadences like \u003cstrong\u003eb vi m7 \/ bII7 \/ I Maj7\u003c\/strong\u003e or \u003cstrong\u003e#iv m7 \/ VII7 \/ I Maj7\u003c\/strong\u003e, as well as \u003cstrong\u003eturnarounds\u003c\/strong\u003e (4 beats per chord or 2 beats per chord) and colors like \u003cstrong\u003eV7#9#5 \/ i m\u003c\/strong\u003e. The modular design makes each phrase \u003cstrong\u003eself-contained\u003c\/strong\u003e : you can take it out of context, transform it, combine it with others, and use it on a wide variety of tunes.\u003c\/p\u003e\u003cp\u003eThanks to the \u003cstrong\u003erhythm-section-only\u003c\/strong\u003e tracks, you can also experiment with your own variations, work on your \u003cstrong\u003earpeggios\u003c\/strong\u003e, \u003cstrong\u003escales\u003c\/strong\u003e, and rhythmic placements over credible harmonic backgrounds. Finally, \u003cstrong\u003eHip Licks for Saxophone Volumes 1 \u0026amp; 2\u003c\/strong\u003e are designed to work together: the lick numbers in volume 2 pick up where volume 1 leaves off (starting from lick 169), for easy navigation and coherent progression in your daily routine.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMethods\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArtist\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGreg Fishman\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ejazz method \/ improvisation vocabulary\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esaxophone (alto and tenor) with Play-Along accompaniments\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePages\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e36\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Jazz Studio","offers":[{"title":"Default Title","offer_id":54362009043219,"sku":"159829","price":34.4,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/d3a053fa930f6292d4fdec6047bd4875ea7ffe67_9780984349289.jpg?v=1789426739"}],"url":"https:\/\/woodbrass.shop\/collections\/jazz-studio.oembed","provider":"Woodbrass.com","version":"1.0","type":"link"}