{"title":"King's Music","description":null,"products":[{"product_id":"king-s-music-partitions-chant-gluck-je-t-implore-iphegenie-en-tauride-58429","title":"Partitions Chant - Gluck Je T'implore (iphégénie En Tauride)","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e  \u003cp\u003eThis score highlights the writing of Christoph Willibald Gluck in a typical Classical aesthetic configuration: a soprano solo voice supported by an orchestra with clear and transparent colors. The instrumentation brings together woodwinds in pairs (2 oboes, 2 bassoons), two horns to support harmony and projection, as well as a string section that ensures both rhythmic drive and flexibility of expression.\u003c\/p\u003e  \u003cp\u003eDesigned to serve detailed musical work, this edition allows focusing on the essentials: stylistic accuracy, balance of sound layers, and precision of attacks. For the singer, it is an excellent tool to develop a stable vocal line, controlled legato, and intelligible diction, while respecting breathing and phrasing accents. For the orchestra, the presence of woodwinds and horns provides an ideal setting to work on intonation, timbre blending, and coordination with the solo part.\u003c\/p\u003e  \u003cp\u003eWhether in a concert setting, a vocal class project, or an orchestral workshop, this score naturally fits into a program dedicated to the Classical repertoire. It enhances collective musicality, invites attentive listening between sections, and encourages a nuanced interpretation, where dynamics and articulations contribute to the clarity of the musical narrative.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eChristoph Willibald Gluck\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eS-solo, 2 Ob, 2 Bsn, 2 Hn, Strings\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClifford Bartlett\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"King's Music","offers":[{"title":"Default Title","offer_id":54356678181139,"sku":"58429","price":4.57,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/60f1db7202657462fed1cf29b6cec6e97e20323b_PARTOCHEEEE_58d794e7-8f45-4de7-b6eb-0e0f00fd2ed5.jpg?v=1789465929"},{"product_id":"king-s-music-monteverdi-c-beatus-vir-selva-morale-1640-59678","title":"Monteverdi C. - Beatus Vir (Selva Morale 1640)","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003e\"String Set\" is a score designed for a tight and demanding formation: Vn 1, Vn 2, and Bc. This type of ensemble highlights chamber music at its most formative: the responsibility of each voice, precision of entrances, management of dynamics, and shared articulation. The two violin parts engage in dialogue and complement each other, while the bass part supports the harmony and rhythmic foundation, inviting the group to build a homogeneous sound.\u003c\/p\u003e\u003cp\u003eThanks to this instrumentation, this set easily fits into an ensemble rehearsal program: trio rehearsals, auditions, or sight-reading workshops. It allows working on intonation (chords, thirds, fifths), balances (melody\/accompaniment, inner voices), and musical coherence (phrasing, breathing, bowing attacks). 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Designed for a \u003cstrong\u003estrings\u003c\/strong\u003e formation with \u003cstrong\u003ebasso continuo\u003c\/strong\u003e, it allows simultaneous visualization of the essential lines to build a clear gesture, anticipate entrances, and control the balance between sections.\u003c\/p\u003e\u003cp\u003eParticularly suited for rehearsals, this format emphasizes the readability of the sound layers: continuity of the bass, dialogue of the strings, rhythmic coherence, and articulation. Whether you are a conductor, principal player, or teacher, you will have an effective resource to approach the French baroque repertoire with a precise musical approach (phrasing, dance, accentuation) and a true overall logic.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJean-Baptiste Lully\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eStrings, Bc\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"King's Music","offers":[{"title":"Default Title","offer_id":54357061304595,"sku":"59663","price":3.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/98cb6edcf1698a80808b3a782b93935344420496_PARTOCHEEEE.jpg?v=1789453063"},{"product_id":"king-s-music-monteverdi-c-il-ritorno-d-ulisse-in-patria-80423","title":"Monteverdi C. - Il Ritorno D'ulisse In Patria","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e  \u003cp\u003eThis conductor's score is designed to provide a clear and efficient overall reading, to guide musical direction and facilitate rehearsal preparation. As a conductor's score, it allows simultaneous tracking of structure, entrances, and balance of the different parts, making it particularly suitable for rehearsals, analysis, and ensemble conducting.\u003c\/p\u003e  \u003cp\u003eThe edition is attributed to Clifford Bartlett, a detail that will interest musicians attentive to editorial consistency and material presentation. The conductor's score primarily targets functionality: navigation, reading continuity, and mental space for note-taking (phrasing, articulations, dynamics, tempo changes, measure cues).\u003c\/p\u003e  \u003cp\u003eNote: the copy is reported as damaged, with a worn cover and possible label presence. These signs of wear generally do not impede musical use, but may matter to those seeking near-mint condition. Conversely, for intensive use (classroom, conducting stand, orchestral work), it is often an excellent choice: a score that can be handled and annotated without concern.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClifford Bartlett\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eConductor\u0026#039;s score\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"King's Music","offers":[{"title":"Default Title","offer_id":54357166326035,"sku":"80423","price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/9d49f3d3f19166c46482aee171d2d01fe1be0cb4_PARTOCHE.jpg?v=1789465947"},{"product_id":"king-s-music-pitions-ch-monteverdi-laetatus-sum-s5-1650-58506","title":"Pitions Ch - Monteverdi Laetatus Sum S5 1650","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003eThis score highlights the vocal art of Claudio Monteverdi, a major composer at the crossroads of the Renaissance and Baroque periods. Written for an SATTB choral ensemble (soprano, alto, tenor 1, tenor 2, bass), it offers rich musical material to develop section cohesion, line leading, and tuning accuracy within chords. The presence of an organ part allows approaching the work with solid harmonic support, particularly useful during initial readings, then to stabilize tempo and collective breathing.\u003c\/p\u003e\u003cp\u003eDesigned for collective practice, this edition is suitable both for demanding amateur choirs and ensembles specialized in early music. The SATTB format encourages detailed work on polyphonic textures, clarity of entrances, and articulation of the sung text (according to repertoire practice). In rehearsal, it is perfectly suited for studying vertical balance (chords) and horizontal phrasing, with a particular emphasis on legato, diction, and group dynamics.\u003c\/p\u003e\u003cp\u003eFor a choir conductor, this score provides an excellent resource for approaching the Monteverdian style: sense of declamation, expressivity, and rhythmic precision serving the music. It naturally fits into a concert program dedicated to Baroque music but can also be integrated into an educational path focusing on polyphony and organ continuo.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClaudio Monteverdi\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSATTB, Org\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClifford Bartlett\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"King's Music","offers":[{"title":"Default Title","offer_id":54357511373075,"sku":"58506","price":2.28,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/42e2aa144b29bf2e7f56d8c3d7a8c7bfc0b531be_PARTOCHEEEE.jpg?v=1789465889"},{"product_id":"king-s-music-cavalli-francesco-sonata-a-6-1656-62156","title":"Cavalli Francesco - Sonata A 6 (1656)","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e \u003cp\u003eThis score offers a particularly rich instrumentation, bringing together a core of strings (2 violins and 2 violas), a trombone duo, and a basso continuo for harmonic foundation. This combination provides a wide range of colors, with melodic lines carried by the strings, a warm and structuring presence from the trombones, and a solid foundation thanks to the basso continuo, serving phrasing and overall balance.\u003c\/p\u003e \u003cp\u003eEdited by Clifford Bartlett, this edition emphasizes readability and efficiency in performance situations, whether in rehearsal or concert. It is intended for musicians and conductors wishing to work on intonation, ensemble cohesion, and listening between sections, particularly in the dialogue between brass attacks and string articulation.\u003c\/p\u003e \u003cp\u003eNote: this copy is sold in damaged condition. The corners of the cover are dog-eared and a label may be present. This does not prevent musical use, but the aesthetic aspect may be affected. A relevant choice if you are looking for a working score, for a classroom library, or to build rehearsal material with less cosmetic requirement.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClifford Bartlett\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2 violins, 2 violas, 2 trombones, and basso continuo\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"King's Music","offers":[{"title":"Default Title","offer_id":54357919432979,"sku":"62156","price":7.3,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/4588772c1df2286629e4f12b4f8ce8f2402f3681_PARTOCHEEEE.jpg?v=1789444573"},{"product_id":"king-s-music-purcell-h-dido-and-aeneas-violon-1-399966","title":"Purcell H. -dido And Aeneas - Violon 1","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e  \u003cp\u003eThis score highlights the expressive and refined world of Henry Purcell, an emblematic composer of the Baroque period. Designed to combine solo passages and choral interventions, it offers particularly rich musical material to work on vocal projection, clarity of the sung text, and overall cohesion. The alternation between solo lines and choral episodes allows for building a nuanced interpretation by playing on contrasts of character and dynamics.\u003c\/p\u003e   \u003cp\u003eThe instrumentation pairs strings with basso continuo, serving a lively and structuring accompaniment. The strings provide the color, flexibility, and rhythmic drive characteristic of the Baroque style, while the basso continuo supports the harmony and architecture of the piece. This setup is especially suited to stylistic work: articulation, accentuation, management of collective breaths, balance between voices and instruments, as well as the implementation of cadences and emphases.\u003c\/p\u003e   \u003cp\u003ePublished by Clifford Bartlett, this edition aims for fluid reading and effective rehearsal preparation, whether in a formed choir, vocal ensemble, or academic setting. It integrates easily into a program of sacred or secular Baroque music depending on the work involved, and provides a solid foundation for approaching historically informed performance practices while remaining accessible to various performance contexts.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eHenry Purcell\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSoli, Choir, Strings, Bc\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClifford Bartlett\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"King's Music","offers":[{"title":"Default Title","offer_id":54357995651347,"sku":"399966","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/43863bc3ea3e165f715dbccef70d3e7f2a57b421_GN425648_d67aae84-65fd-4c1e-af75-ee9870153f3c.jpg?v=1789466000"},{"product_id":"king-s-music-pitions-ch-monteverdi-laetatus-sum-1650-a-5-istrumenti-e-6-voci-58505","title":"Pitions Ch - Monteverdi Laetatus Sum (1650) A 5 Istrumenti E 6 Voci","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003eThis score highlights the artistry of Claudio Monteverdi, a major figure at the Renaissance-Baroque transition, with writing that combines clarity of musical text, rhetorical intensity, and a keen sense of dialogue between voices and instruments. The vocal distribution in SSTTBB (two sopranos, two tenors, two basses) allows exploration of dense polyphony while maintaining clarity of lines, particularly interesting for a vocal ensemble wishing to deepen their understanding of Baroque style and performance practices.\u003c\/p\u003e\u003cp\u003eThe instrumentation combines 2 violins, 2 trumpets, a trombone, and basso continuo, offering a sound palette that is both solemn and luminous. The strings provide flexibility and agility, while the brass enhance the brilliance of the tutti and the ceremonial dimension of the ensemble. The basso continuo (Bc) structures the harmony and supports the vocal lines, a key element for working on intonation, pulse, and articulation within an early music context. This score is suitable both for concert preparation and advanced pedagogical work (conservatory, specialized ensemble, chamber choir), emphasizing style, phrase breathing, and balance between sections and instruments.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClaudio Monteverdi\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSSTTBB, 2 Vn, 2 Tr, Bon, Bc\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClifford Bartlett\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"King's Music","offers":[{"title":"Default Title","offer_id":54358259990803,"sku":"58505","price":2.65,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/cb232139f3d7ed14257521ff6422d69d180c3b2a_PARTOCHEEEE.jpg?v=1789470135"},{"product_id":"king-s-music-partitions-chant-monteverdi-laudate-pueri-a-5-da-capella-1650-transposed-down-a-fourth-58509","title":"Partitions Chant - Monteverdi Laudate Pueri A 5 Da Capella (1650) - (transposed Down A Fourth)","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003eThis score dedicated to Claudio Monteverdi is aimed at singers and conductors who wish to work on demanding vocal writing, typical of the early Baroque period. The SA\/TTTB forces allow exploration of a rich texture, with a soprano and alto line that soars above a fabric of three tenor parts and a bass, offering many possibilities for colors, accents, and dialogues between sections.\u003c\/p\u003e\u003cp\u003eThe basso continuo (Bc) accompaniment is a major asset for musical realization: it structures the harmonic progression, supports entrances, and promotes a more authentic stylistic approach, whether with organ, harpsichord, theorbo, or a mixed continuo. This configuration is particularly relevant for working on diction, articulation, and phrasing, while developing vertical listening (chords) and horizontal listening (line leading).\u003c\/p\u003e\u003cp\u003eEdited by Clifford Bartlett, this score naturally fits into the repertoire of vocal ensembles focused on early music, whether a small established choir or a group of soloists. It is suitable both for concert preparation and pedagogical work centered on Baroque style, voice balance, and rhythmic precision, with particular attention to breathing and the cohesion of the continuo with the voices.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClaudio Monteverdi\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSA\/TTTB, Bc\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClifford Bartlett\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"King's Music","offers":[{"title":"Default Title","offer_id":54358395978003,"sku":"58509","price":2.26,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/75444a088244cc73d82b9e297e3892766bbb923b_PARTOCHEEEE.jpg?v=1789470020"},{"product_id":"king-s-music-handel-g-f-sing-unto-god-hwv263-80477","title":"Händel G. 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The ensemble forms an ideal material to work on polyphonic precision, voice leading, and intonation, while developing a nuanced interpretation of Baroque phrasing. Thanks to its instrumentation, this work lends itself both to a cappella practice (to build vocal balance) and to a version with instruments, allowing exploration of timbral contrasts and the musical rhetoric characteristic of Monteverdi. A relevant resource for chamber choirs, Baroque ensembles, and educational projects focused on the Italian vocal repertoire.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClaudio Monteverdi\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e5 Voices, 2 Vn\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClifford Bartlett\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"King's Music","offers":[{"title":"Default Title","offer_id":54358633480467,"sku":"58493","price":4.57,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/f788aeecf5587cd9dd5715ff962f7d66c5b0a340_KM144_977df696-abd3-4337-b2ef-88b8df6faca8.jpg?v=1789470134"},{"product_id":"king-s-music-partitions-chant-monteverdi-cantate-domino-a-6-58494","title":"Partitions Chant - Monteverdi Cantate Domino A 6","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003eThis score by Claudio Monteverdi is intended for vocal ensembles seeking a demanding and musical work, driven by finely crafted choral writing. The SSATTB formation (two sopranos, alto, two tenors, and bass) allows for great textural richness: dialogues between registers, balance of sound layers, and phrasing possibilities that highlight the line of each section. The addition of the organ provides valuable support, especially to stabilize intonation, clarify entrances, and sustain harmonic progression during rehearsal.\u003c\/p\u003e\u003cp\u003eIdeal for concert choral repertoire or a program focused on early music, this edition allows exploration of a language where expressivity is paramount: articulation, consonant management, and dynamic shaping play a crucial role in serving the musical rhetoric. Depending on your choir's level and size, the work lends itself both to precision work (chord balance, interval tuning, vowel consistency) and interpretative exploration (tempo flexibility, shared breathing, section contrasts). An excellent option to enrich a choral score library with a piece that develops listening skills and ensemble musicianship, while remaining manageable thanks to the organ support.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eReligious, Sacred\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClaudio Monteverdi\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSSATTB, Org\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClifford Bartlett\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"King's Music","offers":[{"title":"Default Title","offer_id":54358744596755,"sku":"58494","price":1.84,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/8e3f5ebc7365f3949ea6b0307f70378662a8e6e6_PARTOCHEEEE_1ab34569-2755-4c06-a7bf-3b9a96805075.jpg?v=1789470111"},{"product_id":"king-s-music-rosenmuller-studenten-music-1654-suite-in-b-flat-62101","title":"Rosenmüller - STUDENTEN-music (1654) - Suite In B Flat","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eClifford Edition by Brian Clark\u003c\/strong\u003e offers string writing focused on balance between voices, with two violin sections, two viola sections, and a continuo part that serves as a harmonic and rhythmic foundation. This instrumentation provides a rich and warm texture, particularly interesting for developing horizontal listening (dialogue between lines) while strengthening ensemble precision.\u003c\/p\u003e\u003cp\u003eHaving the \u003cstrong\u003econductor's score\u003c\/strong\u003e and \u003cstrong\u003eseparate parts\u003c\/strong\u003e makes this material immediately usable: the conductor or ensemble leader benefits from an overall view to work on dynamics, articulation, and balance, while each musician has a clear and dedicated part. In rehearsal, the 2 violins \/ 2 violas distribution allows for careful attention to section homogeneity (bow strokes, phrasing, attacks) and fine-tuning intonation on sustained intervals, often crucial in this type of formation.\u003c\/p\u003e\u003cp\u003eRegarding the continuo, this score suits both a \"figured bass \/ realization\" approach (if your practice includes it) and a supportive reading depending on the available personnel. 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The conductor's score allows following all lines (voice, strings, and basso continuo) and anticipating entrances, breaths, and balances, while the separate parts support sectional work and speed up rehearsals.\u003c\/p\u003e\u003cp\u003eThe instrumentation Voice, Strings, Bc corresponds to the common requirements of the Baroque repertoire: a vocal line supported by the strings, underpinned by the basso continuo, essential for harmonic foundation, rhythmic drive, and style. 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It easily fits into an educational program and is a relevant choice to enrich your library of \u003cstrong\u003escores for violins with basso continuo\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClifford Bartlett\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eThree violins and basso continuo\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"King's Music","offers":[{"title":"Default Title","offer_id":54360193564947,"sku":"62183","price":9.08,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/8e23cace78231311920a956f247367401ef0e24d_PARTOCHEEEE.jpg?v=1789448632"},{"product_id":"king-s-music-rameau-in-convertendo-59939","title":"Rameau In Convertendo","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eInstrumental set\u003c\/strong\u003e showcases a typical formation of the baroque repertoire, combining woodwinds and strings in a writing style that encourages attention to sound balance and rhythmic precision. The \"woodwinds in pairs\" combination allows working on fine nuances and timbral contrasts, while the strings ensure cohesion and overall dynamics.\u003c\/p\u003e\u003cp\u003eThis type of set is particularly interesting for approaching the fundamentals of baroque interpretation: crisp attacks, dance-like phrasing, management of sound layers, and pursuit of clarity in dense passages. The flutes provide a bright color, the oboes emphasize character and intonation, and the bassoons reinforce the foundation and articulation of the lower register, serving a more expressive and structured orchestra.\u003c\/p\u003e\u003cp\u003eWhether in a conservatory context, a demanding amateur orchestra, or an ensemble in training, this score promotes a collective musical approach: active listening, section homogeneity, shared breathing, and style work. 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This combination allows for a wide sonic spectrum, with bright upper voices, a solid harmonic core, and a well-grounded bass foundation. The SSATB setup is particularly interesting for choirs wishing to refine voice blending, chord precision, and polyphonic clarity.\u003c\/p\u003e\u003cp\u003eThe organ here plays the role of a partner: it provides harmonic and rhythmic support, useful for stabilizing intonation, reinforcing cadences, and structuring the musical discourse. In an educational context, the accompaniment facilitates sectional work and ensemble building\u0026#59; in liturgical or concert settings, it contributes to projection and musical continuity.\u003c\/p\u003e\u003cp\u003eIn this \u003cstrong\u003eClifford Bartlett edition\u003c\/strong\u003e, the score is designed for efficient reading by the conductor and choristers, while preserving the spirit of the Baroque style: careful articulation, expressive phrasing, dynamic management, and attention to balance between voices. It is an excellent resource for developing an ensemble's musicality, working on diction (according to the language of the sung text), and approaching interpretative instincts specific to Purcell's repertoire (flexibility, expressiveness, sense of line).\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eHenry Purcell\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSSATB, Org\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClifford Bartlett\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"King's Music","offers":[{"title":"Default Title","offer_id":54360401182995,"sku":"58580","price":1.37,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/ef1759b0d402d47de598a3b3b024c085a50a89d0_PARTOCHEEEE.jpg?v=1789474350"},{"product_id":"king-s-music-rameau-suite-from-les-f-ao-n-tes-d-hebe-ou-les-talents-lyriques-58593","title":"Rameau Suite From : Les f?àö?Ñ¢tes D'HéBé Ou Les Talents Lyriques","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003eDesigned for ensemble work, this score is presented as a \u003cstrong\u003econductor's score and parts\u003c\/strong\u003e: the conductor has an overview to structure balances, entrances, and breaths, while the instrumentalists play from dedicated parts, more comfortable on the stand. 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The writing, typical of Monteverdi's language, emphasizes clarity of lines, fluid phrasing, and text articulation, with sectional dialogues requiring attentive listening, precision, and ensemble cohesion.\u003c\/p\u003e  \u003cp\u003eThe indicated instrumentation allows for the formation of a balanced vocal ensemble, highlighting both the brilliance of the upper voices and the depth of the lower voices. The basso continuo plays a central role: it guides harmonic progression, stabilizes intonation, and provides essential musical support, whether in rehearsal (to establish reference points) or in performance (to give relief and energy to the discourse).\u003c\/p\u003e  \u003cp\u003eDesigned for choral work, this edition promotes a serious and musical approach to the style: tuning, vowel homogeneity, consonant management, and collective breathing. 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The instrumentation indicates two distinct ensembles in SA\/TTB, opening many musical possibilities: alternation between groups, imitative responses, construction of sound masses, as well as emphasizing certain entries according to the desired color.\u003c\/p\u003e  \u003cp\u003eThe presence of basso continuo (Bc) provides the harmonic support characteristic of the Baroque repertoire. It helps stabilize intonation, clarify cadences, and guide the musical discourse. In rehearsal, it becomes a valuable tool to establish tempo, shape articulation, and work on dynamics in connection with declamation.\u003c\/p\u003e  \u003cp\u003eThis edition by Clifford Bartlett follows a practical approach for musicians: readability, useful markers, and a format adapted for use at the music stand. It is particularly suitable for vocal ensembles, chamber choirs, and early music groups wishing to approach Monteverdi with reliable working material, whether for a concert project, a Baroque style workshop, or enriching a sacred or secular music program depending on the performance context.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClaudio Monteverdi\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSA\/TTB, SA\/TTB, Bc\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClifford Bartlett\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"King's Music","offers":[{"title":"Default Title","offer_id":54361726779667,"sku":"58498","price":3.2,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/20aa744ff99afcc5a86ebb21faa42df32ee7ee82_PARTOCHEEEE.jpg?v=1789412797"},{"product_id":"king-s-music-biber-h-i-f-requiem-in-f-conducteur-231116","title":"Biber H.i.f. - 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Thanks to the \u003cstrong\u003econductor's score\u003c\/strong\u003e, the conductor or first desk maintains an overall view of the musical architecture, while the \u003cstrong\u003eparts\u003c\/strong\u003e allow each musician to focus on articulation, intonation, and phrasing. This Brian Clark edition emphasizes readability, facilitating sight-reading, rehearsal organization, and preparation for a polished performance. An excellent choice for any ensemble seeking a chamber music score for strings with basso continuo, both structured and enjoyable to work on.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBrian Clark\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2 violins, 2 violas, and continuo\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"King's Music","offers":[{"title":"Default Title","offer_id":54362160726291,"sku":"62116","price":9.08,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/21dc3c449da5ebbd8dfcf52a14fda4509490ccfc_PARTOCHEEEE.jpg?v=1789426823"}],"url":"https:\/\/woodbrass.shop\/collections\/kings-music.oembed","provider":"Woodbrass.com","version":"1.0","type":"link"}