{"title":"Audix Microphones","description":null,"products":[{"product_id":"audix-dp-quad-148589","title":"DP Quad","description":"\u003ch3\u003eA pack designed to capture a complete kit with a proven setup\u003c\/h3\u003e \u003cp\u003eThe DP QUAD is designed to address a simple reality: a drum kit sounds \"big\" when the rhythmic foundation (kick\/snare) and the space (cymbals\/toms) are properly balanced via a pair of overheads. This pack therefore brings together four complementary microphones, organized around a clear and quick-to-deploy recording method.\u003c\/p\u003e \u003cp\u003eThe advantage is coherence: you save time during setup, simplify your patch management, and achieve a homogeneous capture, ideal for building a clean mix without multiplying microphones. Whether you are rehearsing, performing live, working in a home studio, or a project studio, the DP QUAD aims for efficiency without locking you into a complex routing.\u003c\/p\u003e \u003ch3\u003eFor which drummers, sound engineers, and situations is this pack ideal?\u003c\/h3\u003e \u003cp\u003eThe Audix DP QUAD pack is aimed at those who want to \u003cstrong\u003eamplify or record a complete kit\u003c\/strong\u003e with a controlled number of microphones. It suits both the drummer who wants to quickly retrieve their sound from one gig to another and the sound engineer looking for a reliable setup for the stage.\u003c\/p\u003e \u003cp\u003eIn concert, this configuration allows for an \u003cstrong\u003eimmediate reading of the kit\u003c\/strong\u003e: the kick drum and snare remain well present in the mix, while the overheads ensure cymbal brightness and overall coherence. In recording, you benefit from a solid foundation to shape your sound with EQ and compression, while maintaining natural dynamics.\u003c\/p\u003e \u003ch3\u003eAn \"overheads + kick + snare\" configuration that is effective, fast, and musical\u003c\/h3\u003e \u003ch4\u003eTwo overheads for space, cymbals, and drum balance\u003c\/h4\u003e \u003cp\u003eThe DP QUAD relies on a pair of overhead microphones to capture the drum kit as a complete instrument. The principle is simple: the \u003cstrong\u003eleft overhead mic\u003c\/strong\u003e covers the hi-hat, cymbals, and rack toms, while the \u003cstrong\u003eright overhead mic\u003c\/strong\u003e handles the floor tom and ride cymbal. The result: a clearer stereo image and a kit that breathes, without having to mic every element.\u003c\/p\u003e \u003cp\u003eDepending on your style, you can bring the overheads closer for more attack (rock, pop) or spread them apart for more breadth (indie, modern jazz). This approach also offers an excellent base if you later want to complement with tom microphones: the overheads will remain the \"glue\" of the kit.\u003c\/p\u003e \u003ch4\u003eKick drum and snare: the foundation and impact at the center of the mix\u003c\/h4\u003e \u003cp\u003eThe kick drum and snare are the two elements that structure most modern mixes. With a dedicated microphone for each piece, you get the \u003cstrong\u003eessential punch\u003c\/strong\u003e and better separation in the mix, whether on a front-of-house console, monitors, or in a multitrack recording session.\u003c\/p\u003e \u003cp\u003eThe kick mic helps lay down a clear, percussive foundation, while the snare mic highlights attack, presence, and \"crack.\" Together, they provide the precision that allows the drums to remain audible in a band, even with dense guitars or wide keyboards.\u003c\/p\u003e \u003ch4\u003eAluminum case: a pack ready to keep up with your pace\u003c\/h4\u003e \u003cp\u003eFor mobile musicians and technicians, transport is a real concern. The DP QUAD comes with a \u003cstrong\u003edurable aluminum transport case\u003c\/strong\u003e designed to protect the whole set while keeping the components organized. The included \u003cstrong\u003eclips and accessories\u003c\/strong\u003e facilitate setup and contribute to quick deployment, especially useful when stage changes follow one another.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einstrument microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edynamic \/ static\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecardioid\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDrum microphone pack\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAudix DP QUAD\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRight overhead\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecaptures floor tom and ride cymbal\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:7;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e1x kick drum mic\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAudix D6\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSnare mic\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ereinforces attack and presence\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e1x snare mic\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAudix i5\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eKick mic\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ereinforces impact and rhythmic foundation\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:9;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e2x overhead mics\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAudix ADX 51 (pair)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePackaging\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edurable aluminum case for microphones, clips, and accessories\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLeft overhead\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecoverage of hi-hat, cymbals, and rack toms\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Audix","offers":[{"title":"Default Title","offer_id":54356584169747,"sku":"148589","price":756.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/08c1da67142b529c9c1165bea6e0bf9f1ad75f84_3AUDIX_DP_QUAD_KIT.jpg?v=1789336128"},{"product_id":"audix-d6-148579","title":"D6","description":"\u003ch3\u003eEssential Information About the Audix D6 Dynamic Microphone\u003c\/h3\u003e \u003cbr \/\u003e\u003cul\u003e \u003cbr \/\u003e\u003cli\u003e\u003cstrong\u003eDeep and precise bass\u003c\/strong\u003e for kick drums, floor toms, and bass cabinets.\u003c\/li\u003e \u003cbr \/\u003e\u003cli\u003e\u003cstrong\u003eVLM Type E diaphragm\u003c\/strong\u003e offering natural reproduction and excellent transient response.\u003c\/li\u003e \u003cbr \/\u003e\u003cli\u003e\u003cstrong\u003eBalanced output\u003c\/strong\u003e and transformerless design for a clean, interference-free signal.\u003c\/li\u003e \u003cbr \/\u003e\u003cli\u003e\u003cstrong\u003eCompact format\u003c\/strong\u003e, lightweight and easy to position, with included pouch and clip.\u003c\/li\u003e \u003cbr \/\u003e\u003c\/ul\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eA modern standard for bass and impact\u003c\/h3\u003e \u003cbr \/\u003eDesigned, assembled, and tested in the United States, the Audix D6 has established itself as a benchmark for capturing the energy of bass-rich instruments. Its sonic signature targets a full and controlled low end while maintaining the clarity needed to cut through a live stage, studio, or broadcast mix.\u003cbr \/\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eWho is it for and what applications?\u003c\/h3\u003e \u003cbr \/\u003eThe D6 is aimed at drummers, live sound engineers, and studio recordists seeking a rugged, \"ready-to-use\" microphone for kick drums, deep toms, powerful percussion, and bass cabinets. Its small size facilitates placement in tight spaces without interfering with playing or tuning.\u003cbr \/\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eWhat sets the D6 apart\u003c\/h3\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eVLM Type E diaphragm\u003c\/h4\u003e \u003cbr \/\u003eThe VLM (Very Low Mass) Type E diaphragm capsule responds quickly, faithfully translating the beater attack and shell texture. The sound combines impact and definition, avoiding the \"muddy\" effect often associated with low frequencies.\u003cbr \/\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eOptimized electronics for signal clarity\u003c\/h4\u003e \u003cbr \/\u003eThe transformerless design, low impedance, and balanced output promote stable and noise-free transmission, even with long cable runs on stage.\u003cbr \/\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003ePracticality and durability\u003c\/h4\u003e \u003cbr \/\u003eLightweight, compact, and easy to orient, the D6 integrates quickly into any drum kit. Supplied with a protective pouch and clip, it is ready to accompany tours as well as intensive studio sessions.\u003cbr \/\u003e \u003cbr \/\u003e\u003cbr \/\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e30 Hz - 15 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edynamic\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einstrument microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ehypercardioid\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:7;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edynamic\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOutput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ebalanced\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePolar pattern\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ehypercardioid\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDesign\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etransformerless\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:9;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e0.8 mV\/Pa at 1 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e51 x 117 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOff-axis rejection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e\u0026gt; 20 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e254 g\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:11;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMax SPL\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e144 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eIncluded\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eprotective pouch and clip\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:12;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eImpedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e280 ohms\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eIdeal for percussion instruments\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ekick drums, floor toms, powerful percussion, bass cabinets\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Audix","offers":[{"title":"Default Title","offer_id":54356659765523,"sku":"148579","price":179.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/eef12703b30bae7edeea121be84ff63e769dd57c_1AUDIX_D6.jpg?v=1789336154"},{"product_id":"audix-f50cbl-158261","title":"F50CBL","description":"\u003ch3\u003eAn All-Purpose Dynamic Microphone in the Cardioid Family\u003c\/h3\u003e\u003cp\u003eThe F50 belongs to the broad category of dynamic moving coil microphones, valued for their robustness and ease of use in a wide range of contexts. With its cardioid directivity and frequency range of 50 Hz to 16 kHz, it positions itself as a practical solution for situations where effective capture is needed without complex setup. Its presence setting described as \"medium\" and its reduced proximity effect aim for a usable sound on many voices and recordings, especially when the distance to the microphone varies during use.\u003c\/p\u003e\u003ch3\u003eWho the F50 Is For and Where It Excels\u003c\/h3\u003e\u003cp\u003eThe F50 dynamic microphone is particularly suitable for users seeking a simple, reliable, and consistent microphone for field applications: speech, hosting, conferences, rehearsals, vocal capture, or supplementary recording. Its cardioid directivity helps maintain intelligibility at the center of the sound image, which is valuable on stage as well as in meeting rooms where acoustics are less than ideal. With a maximum sound pressure level exceeding 138 dB SPL, it can also be used in front of loud sound sources, provided the distance and gain are adjusted appropriately on the mixer or audio interface.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e50 Hz - 16 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edynamic\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ewired microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecardioid\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Audix","offers":[{"title":"Default Title","offer_id":54356914340115,"sku":"158261","price":69.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/0f09de3e8beca180e98b5ca080743d89100d0fc6_AUDIX_ADF50CBL_MICROPHONE_CHANT.jpg?v=1789344885"},{"product_id":"audix-om5-158298","title":"OM5","description":"\u003ch3\u003eA vocal microphone designed for the stage in the spirit of the OM series\u003c\/h3\u003e\u003cp\u003eDesigned for demanding environments, the Audix OM5 follows a clearly \"performance\"-oriented approach: a hypercardioid pattern and a response tailored for vocals to maintain a clean signal even when the stage is crowded. Within the OM series, the OM5 positions itself as a dynamic vocal microphone prioritizing definition and control of bleed, with special attention to clarity and stability in real-world conditions (stage, studio, broadcast).\u003c\/p\u003e\u003ch3\u003eWho is the Audix OM5 for?\u003c\/h3\u003e\u003cp\u003eThe OM5 is aimed at \u003cstrong\u003esingers\u003c\/strong\u003e and \u003cstrong\u003esound engineers\u003c\/strong\u003e looking for a \u003cstrong\u003edynamic vocal microphone\u003c\/strong\u003e capable of remaining intelligible in a dense mix: rock, pop, metal, funk bands, setups with close drums, active amps, or small stages where sources are close together. Its hypercardioid pattern is especially suited for artists wanting to \u003cstrong\u003ereduce bleed\u003c\/strong\u003e and gain \u003cstrong\u003econtrol over stage monitors\u003c\/strong\u003e, while maintaining a clear sound for both front of house and monitors.\u003c\/p\u003e\u003cp\u003eIt is also relevant for \u003cstrong\u003estudio\u003c\/strong\u003e and \u003cstrong\u003ebroadcast\u003c\/strong\u003e applications when a solid, focused, and robust vocal capture is desired, without being overwhelmed by ambient noise or peripheral sounds.\u003c\/p\u003e\u003ch3\u003eDirectionality, presence, and robustness: the signature of the OM5\u003c\/h3\u003e\u003ch4\u003eA hypercardioid pattern to isolate the voice\u003c\/h4\u003e\u003cp\u003eWith its \u003cstrong\u003ehypercardioid pattern\u003c\/strong\u003e, the OM5 focuses capture on the main source, helping to better separate vocals from other instruments. The result: greater precision, less \"pollution\" in the vocal chain, and a better feedback margin when mic placement and monitors are properly managed.\u003c\/p\u003e\u003ch4\u003eClarity designed for live vocal performance\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003emidrange\u003c\/strong\u003e is designed to add extra \u003cstrong\u003epresence\u003c\/strong\u003e to the voice. This emphasis improves lyric intelligibility and helps the singer \"cut through the mix,\" both in the main speakers and monitors. This is a tangible advantage on stage: less need to overload EQ, and a more stable vocal from song to song, even when overall levels rise.\u003c\/p\u003e\u003ch4\u003eHandling high SPL and reducing handling noise\u003c\/h4\u003e\u003cp\u003eThe Audix OM5 is rated to handle \u003cstrong\u003eSPLs above 144 dB\u003c\/strong\u003e without distortion, making it comfortable with powerful voices and intense stage conditions. It is also \u003cstrong\u003enaturally attenuated at 120 Hz\u003c\/strong\u003e to help reduce handling noise and unwanted vibrations. In practice, this results in a cleaner vocal and a tighter low end, especially useful when the singer moves a lot or when the stage transmits vibrations (mic stands, risers, proximity to drums).\u003c\/p\u003e\u003ch4\u003eVLM Type C capsule: precision and consistency\u003c\/h4\u003e\u003cp\u003eEquipped with a \u003cstrong\u003eVLM Type C capsule\u003c\/strong\u003e, the OM5 aims for consistent reproduction and good performance in varied conditions. Combined with the hypercardioid pattern, this capsule contributes to the microphone's focused character and its ability to remain intelligible in noisy environments, whether in rehearsals, concerts, or more controlled production settings.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e48 Hz - 18 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edynamic\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evoice microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ehypercardioid\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDynamic\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2.0 mV\/Pa at 1 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectionality\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eHypercardioid\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e53 x 176 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:8;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMax SPL\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e144 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e330 g\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:9;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRejection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e\u0026gt; 30 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eIncluded\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eProtective pouch and clip\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:10;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eImpedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e200 Ohms\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Audix","offers":[{"title":"Default Title","offer_id":54357000880403,"sku":"158298","price":176.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/1fff3f5bef7f332f3d966f2536918e857083fde1_1AUDIX_OM5.jpg?v=1789344894"},{"product_id":"audix-tm1-plus-170171","title":"TM1 Plus","description":"\u003ch3\u003eTM1 PLUS: a measurement-oriented variant, ready for more demanding protocols\u003c\/h3\u003e\u003cp\u003eDesigned for measurement, the TM1 has built a reputation thanks to its ease of use and consistency, two essential qualities when comparing results over time or repeating tests under similar conditions. The \u003cstrong\u003eTM1 PLUS\u003c\/strong\u003e retains the TM1's DNA (precision and linearity) and enhances it with elements designed for a more rigorous workflow, especially when sensitivity traceability and calibration are required.\u003c\/p\u003e\u003ch3\u003eA microphone designed for studio, calibration, and testing environments\u003c\/h3\u003e\u003cp\u003eThe Beyerdynamic TM1 PLUS is aimed at users needing a microphone dedicated to \u003cstrong\u003eacoustic measurement\u003c\/strong\u003e: sound engineers, system technicians, integrators, studios, educational institutions, or anyone wishing to evaluate a room, verify a broadcast chain, or conduct comparative tests. Its \u003cstrong\u003eomnidirectional directivity\u003c\/strong\u003e facilitates comprehensive capture of the sound field, an asset for measurements and controls where a uniform reading is sought rather than artistic coloration.\u003c\/p\u003e\u003ch3\u003eCalibration, consistency, and practicality: what the PLUS version brings to daily use\u003c\/h3\u003e\u003cp\u003eThe \u003cstrong\u003eprepolarized\u003c\/strong\u003e capsule contributes to simple and effective use in measurement contexts, with a focus on stability and repeatability. The TM1 PLUS emphasizes implementation: the \u003cstrong\u003ecalibration and sensitivity file\u003c\/strong\u003e allows integration of the microphone into a measurement chain taking its response into account, while the \u003cstrong\u003especific windscreen\u003c\/strong\u003e helps reduce disturbances caused by air movement during certain tests.\u003c\/p\u003e\u003cp\u003eTo further support verification procedures, the set also includes the \u003cstrong\u003eCA4231\u003c\/strong\u003e, a \u003cstrong\u003ecalibration adapter\u003c\/strong\u003e designed to simplify calibration operations in a test environment. The result: a measurement microphone ready to fit into a serious workflow, with essential accessories supplied as standard.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003emeasurement microphone\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eomnidirectional\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eGrey\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule diameter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e6 mm\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCA4231\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ecalibration adapter\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Audix","offers":[{"title":"Default Title","offer_id":54357025095955,"sku":"170171","price":294.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/63b3f9e79baf0aba922751c09da858ad3b700918_AUDIX_ADTM1_MICROPHONE_TEST_MESURE_0438466f-8570-447c-a86f-7d15439bd5dd.jpg?v=1788180824"},{"product_id":"audix-ste8-158304","title":"STE8","description":"\u003ch3\u003eA \"standard pro\" format: the drum case designed to cover every kit element\u003c\/h3\u003e \u003cp\u003eDrum mic packs in cases have established themselves as a practical solution to achieve a consistent and reproducible sound from one gig to another. The idea is simple: combine dynamic mics dedicated to drums (attack, punch, isolation) with condenser mics for cymbal definition and the overall kit image. With its 8-piece configuration and mounting accessories, this pack fits into this \"all-in-one\" logic: you have a reliable base to mic a complete drum kit without multiplying references or wasting time on choices and compatibility.\u003c\/p\u003e \u003ch3\u003eFor which drummers, studios, and situations is this pack intended?\u003c\/h3\u003e \u003cp\u003eThis pack is primarily aimed at drummers who play live and want a coherent set that is easy to transport, studios needing a versatile starting point for quick recording, as well as sound engineers and service providers looking for a mic inventory that is simple to deploy. It is particularly suitable for styles where the drums need to remain clear and punchy (rock, pop, metal, funk, contemporary music), while maintaining good cymbal finesse thanks to the condenser overheads and the dedicated hi-hat mic.\u003c\/p\u003e \u003ch3\u003eA complete configuration, from drum punch to cymbal detail\u003c\/h3\u003e \u003cp\u003eThe strength of this pack lies in the complementarity of the transducers: dynamic mics provide robustness and impact on high sound pressure sources, while condensers bring transient precision and better high-frequency reproduction. The result: a kit that sounds quickly \"mixable,\" with clear separation between kick, snare, toms, and cymbals.\u003c\/p\u003e \u003ch4\u003eKick drum: impact, depth, and clarity\u003c\/h4\u003e \u003cp\u003eThe D6 mic is dedicated to the kick drum. It aims for a solid low-end reproduction with a sharp attack, ideal for maintaining definition in a dense mix. It provides an effective foundation both live (where clarity is key) and in recording (where clean and controllable low end is desired).\u003c\/p\u003e \u003ch4\u003eSnare and toms: attack, body, and bleed control\u003c\/h4\u003e \u003cp\u003eThe snare is covered by an i5 mic, designed to capture attack and body while remaining stable at high levels. The toms benefit from two D2 mics, and the floor tom from a D4 mic, to adapt the sound capture to the drum sizes: maintaining a clear attack, with present low-mids and good dynamic handling. This distribution also facilitates equalization and bleed management on stage.\u003c\/p\u003e \u003ch4\u003eOverheads and hi-hat: precision, image, and finesse\u003c\/h4\u003e \u003cp\u003eTwo SCX25A cardioid condenser mics are provided for the overheads. Placed in a pair (according to your technique: AB, XY, ORTF depending on context), they contribute to the stereo image, cymbal definition, and the overall \"glue\" of the drum sound. The hi-hat is assigned to an SCX1-hc hypercardioid condenser mic, useful for gaining focus and better isolating the source when the stage is noisy or cymbals are very close.\u003c\/p\u003e \u003ch4\u003eMounting and transport: everyday efficiency\u003c\/h4\u003e \u003cp\u003eThe 4 D-vice gooseneck clamps allow quick positioning of the mics on drum hoops, with stable and repeatable placement. For the overheads, the 2 SMT25 shock mounts dedicated to the SCX25A improve user comfort by reducing vibrations and handling noise. The whole is gathered in an aluminum case, designed to protect the gear during transport.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ewired microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edynamic \/ static\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ehypercardioid\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Audix","offers":[{"title":"Default Title","offer_id":54357571207443,"sku":"158304","price":3576.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/5b8ab28620c72019cd9c42b6cd754d6822fdd6f5_AUDIX_ADSTE8_KIT_DE_8_MICROS_POUR_BATTERIE.jpg?v=1789352278"},{"product_id":"audix-adx-10-flp-148569","title":"ADX 10 FLP","description":"\u003ch3\u003eA Microphone Born for the Stage, in the Tradition of Audix Miniatures\u003c\/h3\u003e\u003cp\u003eDesigned for wind instruments, the ADX10FLP follows Audix's tradition of reliable and durable miniature microphones. Its discreet size and controlled cardioid directionality limit orchestra and section bleed while preserving the flute's timbre.\u003c\/p\u003e\u003ch3\u003eWho Is It For and What Are Its Uses?\u003c\/h3\u003e\u003cp\u003eThis microphone is intended for orchestral flutists, amplified chamber music, jazz, and contemporary music players, as well as schools and studios seeking close, stable, and consistent capture. It excels live and in rehearsal when isolation and clarity are priorities.\u003c\/p\u003e\u003ch3\u003eDesigned to Capture the Essentials, Without the Superfluous\u003c\/h3\u003e\u003ch4\u003eFocus on the Embouchure Hole\u003c\/h4\u003e\u003cp\u003eThe uniformly controlled cardioid polar pattern isolates the main source from stage noise and other instruments. Placement close to the embouchure hole ensures articulation and definition.\u003c\/p\u003e\u003ch4\u003eQuick and Secure Installation\u003c\/h4\u003e\u003cp\u003eThe dedicated clip attaches directly to the flute head. The machined brass body with matte black finish and modular threaded capsule inspire confidence for intensive use.\u003c\/p\u003e\u003ch4\u003eFlexible Power and Connectivity\u003c\/h4\u003e\u003cp\u003eSupplied with the \u003cstrong\u003eAPS911\u003c\/strong\u003e power supply, the ADX10FLP operates via 9-52 V phantom power. The shielded 8 ft cable terminated with a female mini XLR ensures a clean and reliable connection, both on stage and in the studio.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e50 Hz - 18 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003einstrument microphone\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ecardioid\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eCondenser\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eMicrophone\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003econdenser microphone for flute\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectionality\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ecardioid\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePolar pattern\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003euniformly controlled for source isolation\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum sound pressure level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eover 120 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTransient response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003efast and precise\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConnector\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e3-pin female mini XLR (TQG)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePhantom power required\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e9 - 52 V\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePhantom power supply included\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eAPS911\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCable\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e8 ft, shielded, terminated with female mini XLR\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOther version available\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eADX10FL for use with Audix wireless systems\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBody\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003emachined brass, matte black finish\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLength\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e25 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e110 g\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Audix","offers":[{"title":"Default Title","offer_id":54357730328851,"sku":"148569","price":222.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/5b87eb0e497db9fed4ce985896cb846f57eec0c1_AUDIX_ADX10_FLP_9806d081-d052-4569-a49f-e2db15e05c40.jpg?v=1788182172"},{"product_id":"audix-adx12-158242","title":"ADX12","description":"\u003ch3\u003eA Speech Capture Solution from the ADX Range, Designed for Installation\u003c\/h3\u003e \u003cp\u003eThe ADX gooseneck microphones are designed to meet the typical constraints of speech environments: intelligibility, visual discretion, and precise positioning close to the source. The range is available in cardioid or hypercardioid polar patterns to adapt the capture to the context (distance to the mouth, room acoustics, presence of monitors, ambient noise level). The \u003cstrong\u003eADX12\u003c\/strong\u003e fits this logic with a \"ready to integrate\" approach thanks to its \u003cstrong\u003eintegrated preamplification circuit\u003c\/strong\u003e at the base of the XLR.\u003c\/p\u003e  \u003ch3\u003eWho the ADX12 is For and Where It Makes a Difference\u003c\/h3\u003e \u003cp\u003eThe \u003cstrong\u003eADX12\u003c\/strong\u003e is a conference microphone particularly suitable for \u003cstrong\u003electerns\u003c\/strong\u003e, \u003cstrong\u003econference tables\u003c\/strong\u003e, \u003cstrong\u003eboardrooms\u003c\/strong\u003e, places of worship, auditoriums, amphitheaters, and training spaces. Its gooseneck design allows fine adjustment of orientation and distance, helping to maintain a consistent level and clear diction even when the speaker slightly turns their head. In teleconferencing or speech reinforcement, this precise positioning helps reduce the temptation to \"turn up the gain,\" thereby limiting the risk of feedback and instability.\u003c\/p\u003e  \u003ch3\u003eDirectivity, Integration, and Positioning: Key Points of the ADX12 Gooseneck Microphone\u003c\/h3\u003e \u003ch4\u003eCardioid Directivity: Cleaner Voice Capture\u003c\/h4\u003e \u003cp\u003eWith its \u003cstrong\u003ecardioid directivity\u003c\/strong\u003e, the ADX12 favors capturing what is in front of the capsule while attenuating some sounds from the sides and rear. This is an effective choice for \u003cstrong\u003electern speech\u003c\/strong\u003e and meetings when the goal is to improve clarity without excessively isolating the speaker. This directivity also facilitates the overall system balance, especially in reverberant rooms where preserving intelligibility is important.\u003c\/p\u003e  \u003ch4\u003eIntegrated Preamplification at the XLR Base: Simplified Setup\u003c\/h4\u003e \u003cp\u003eThe ADX12 integrates a \u003cstrong\u003epreamplification circuit\u003c\/strong\u003e at the base of the XLR connector. This architecture promotes a cleaner installation, with simple chaining to the console, audio interface, or sound system. In fixed installations, this detail is valuable: it results in a discreet, coherent, and easy-to-maintain setup while retaining standard XLR cabling practices.\u003c\/p\u003e  \u003ch4\u003eMounting and Compatibility: Permanent Fixation or Microphone Stand\u003c\/h4\u003e \u003cp\u003eTo adapt to field constraints, the microphone can be \u003cstrong\u003epermanently mounted\u003c\/strong\u003e via the supplied mounting bracket or paired with an \u003cstrong\u003eoptional base\u003c\/strong\u003e (for example, models equipped with an internal shock mount). It can also be used on a \u003cstrong\u003estandard microphone stand\u003c\/strong\u003e with a DCLIP-type mount. This flexibility facilitates switching from a \"conference room\" configuration to a more mobile setup (itinerant conference, temporary lectern, event).\u003c\/p\u003e  \u003ch4\u003ePhantom Power 18 to 52 V: Standard Audio Integration\u003c\/h4\u003e \u003cp\u003eThe ADX12 operates with \u003cstrong\u003ephantom power from 18 to 52 V\u003c\/strong\u003e. This is essential in audiovisual and conference sound reinforcement: you can power it directly from many microphone preamps, mixing consoles, stage boxes, or interfaces. For optimal results, simply activate phantom power on the relevant input and carefully position the gooseneck to maximize voice presence.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e40 Hz - 18 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectret\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einstallation microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecardioid\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:5;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epre-polarized condenser\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum SPL\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eN\/A\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eImpedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e250 Ohms\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLength\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e30 cm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:7;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSensitivity at 1 kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e34 mV\/Pa (C), 30 mV\/Pa (HC)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ephantom 18 to 52 V\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOff-Axis Rejection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eN\/A\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Audix","offers":[{"title":"Default Title","offer_id":54358204842259,"sku":"158242","price":265.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/83d46a9a16077ee6dd55ce8933f40adc7e6f0086_AUDIX_ADADX12_MICROPHONE_COL_DE_CYGNE_30CM.jpg?v=1789360886"},{"product_id":"audix-om7-148587","title":"OM7","description":"\u003ch3\u003eA Stage Microphone That Has Become a Reference for Demanding Environments\u003c\/h3\u003e\u003cp\u003ePraised by many professional musicians and sound engineers, the Audix OM7 has established itself on stages worldwide thanks to its exemplary performance in challenging conditions. Within the Audix range, it stands out with a very \"live\" philosophy: priority on control, signal cleanliness, and feedback resistance, without compromising on detailed vocal reproduction. This approach makes it a relevant choice when the stage is crowded, the overall volume rises quickly, or the singer's position relative to the microphone varies during the set.\u003c\/p\u003e\u003ch3\u003eWho and What Uses Does the Audix OM7 Excel In?\u003c\/h3\u003e\u003cp\u003eThe OM7 is designed for \u003cstrong\u003elive vocal performance\u003c\/strong\u003e, especially in contexts where spill is an issue: small stages, clubs, busy lineups, festivals, or setups with close wedges. Its hypercardioid directivity helps isolate the voice and maintain a clearer mix, even with drums and amps nearby. It is also particularly useful for artists who \"cup\" the microphone (holding it with both hands around the grille): the OM7 remains more stable and more resistant to feedback than many classic dynamic microphones in this type of use.\u003c\/p\u003e\u003ch3\u003ePerformance-Oriented Design: Control, Fidelity, and Rejection\u003c\/h3\u003e\u003cp\u003eOne of the OM7's major features is its \u003cstrong\u003eintentionally unconventional output level\u003c\/strong\u003e (about 8 to 10 dB lower than many standard dynamic microphones). This design acts as a \"buffer\" at the capsule level, helping to preserve \u003cstrong\u003ehigh fidelity\u003c\/strong\u003e and a sense of control, especially when the stage becomes very energetic.\u003c\/p\u003e\u003ch4\u003eA Capsule Designed for Voice and Stage\u003c\/h4\u003e\u003cp\u003eEquipped with a \u003cstrong\u003eVLM Type C capsule\u003c\/strong\u003e and an extended frequency response, the OM7 aims for precise vocal reproduction, with clear articulation and good presence in the mix. Its \u003cstrong\u003erejection greater than 30 dB\u003c\/strong\u003e helps contain unwanted noise and limit spill, a direct advantage for gaining clarity and stability.\u003c\/p\u003e\u003ch4\u003eTo Be Paired with a Console Capable of Providing Clean Gain\u003c\/h4\u003e\u003cp\u003eIn practice, the low output level means the OM7 performs best with \u003cstrong\u003equality preamps\u003c\/strong\u003e that offer a comfortable gain margin. On a high-end console or an interface with a quiet preamp, it becomes a formidable tool for achieving a solid, clean, and highly controlled vocal, even at high levels.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ewired microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edynamic\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ehypercardioid\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDynamic\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRejection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003egreater than 30 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e48 Hz - 19 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMax SPL\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e144 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eImpedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e50 Ohms\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e53 x 176 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e0.8 mV\/Pa at 1 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e307 g\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Audix","offers":[{"title":"Default Title","offer_id":54358398763283,"sku":"148587","price":231.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/f518e6e6b437b2b81c411baaa2b23d69e060f358_AUDIX_OM7_ab33e345-918f-4de8-83c5-fa4b44952bb6.jpg?v=1789365081"},{"product_id":"audix-dp8-elite-drumcase-158259","title":"DP8 Elite Drum Case","description":"\u003ch3\u003eEssential Information About the D6\/i5\/D2\/D4\/SCX1 Drum Microphone Kit\u003c\/h3\u003e \u003cbr \/\u003e\u003cul\u003e   \u003cbr \/\u003e  \u003cli\u003e\u003cstrong\u003eComplete kit for drum sound capture\u003c\/strong\u003e: bass drum, snare drum, toms, floor tom, hi-hat, and overheads.\u003c\/li\u003e   \u003cbr \/\u003e  \u003cli\u003e\u003cstrong\u003eQuick and clean setup\u003c\/strong\u003e thanks to the \u003cstrong\u003eDCLIP\u003c\/strong\u003e and \u003cstrong\u003eDVICE\u003c\/strong\u003e mounting systems adapted to various configurations.\u003c\/li\u003e   \u003cbr \/\u003e  \u003cli\u003e\u003cstrong\u003eVersatile for live \u0026 studio\u003c\/strong\u003e: combination of dynamic microphones and condenser microphones for a detailed and balanced sound.\u003c\/li\u003e   \u003cbr \/\u003e  \u003cli\u003e\u003cstrong\u003eSecure transport\u003c\/strong\u003e with a \u003cstrong\u003eprovided aluminum case\u003c\/strong\u003e to organize and protect the entire set.\u003c\/li\u003e \u003cbr \/\u003e\u003c\/ul\u003e  \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eA pack designed as a \"ready-to-mix configuration\"\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eThis kit brings together widely used drum microphone models, selected to cover the entirety of a standard set with a simple logic: one dedicated microphone for each key element, plus a pair of condensers to capture the overall image. The goal is to obtain a coherent sound capture base, easily reproducible from one stage to another or from one session to another, while maintaining the necessary flexibility to adapt to styles (rock, pop, funk, metal, gospel, etc.).\u003c\/p\u003e \u003cbr \/\u003e\u003cp\u003eThe choice of clamps and mounts provided follows the same logic: to limit setup time, reduce clutter around the kit, and secure microphone positioning, even in tight stage environments.\u003c\/p\u003e  \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eWho is this drum microphone kit for?\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eThis pack is intended for drummers, sound technicians, home studio users, and studios who want to \u003cstrong\u003emic a complete drum set\u003c\/strong\u003e without multiplying purchases or mounting incompatibilities. It is particularly relevant if you are looking for an \"all-in-one\" solution to record clean demos, capture serious takes in a home studio, or amplify a drum set in concert with a quick setup.\u003c\/p\u003e \u003cbr \/\u003e\u003cp\u003eIt is also very suitable for service providers and rehearsal spaces that need a robust, coherent, and easy-to-store kit, with microphones dedicated to each drum and condensers to capture attack, cymbals, and the room's ambiance.\u003c\/p\u003e  \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eComplete kit coverage: from impact to subtlety\u003c\/h3\u003e \u003cbr \/\u003e\u003ch4\u003eDedicated capture for each drum\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe distribution of dynamic microphones allows separate treatment of the most demanding sources: \u003cstrong\u003ebass drum\u003c\/strong\u003e (attack and impact), \u003cstrong\u003esnare drum\u003c\/strong\u003e (crack, body, and definition), \u003cstrong\u003etoms\u003c\/strong\u003e (attack and depth), and \u003cstrong\u003efloor tom\u003c\/strong\u003e (low end and sustain). This approach facilitates mixing: more precise equalization, better dynamic management, and the ability to balance each element in the stereo field according to the desired style.\u003c\/p\u003e  \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eOverheads and hi-hat: precision and articulation\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe condenser microphones complete the pack to capture what dynamic microphones do not always pick up with such finesse: cymbal brightness, detail of playing nuances, and the stereo image of the kit. The \u003cstrong\u003ecardioid\u003c\/strong\u003e condenser pair is ideal as overheads to build a clear and controlled image, while the \u003cstrong\u003ehypercardioid\u003c\/strong\u003e condenser microphone dedicated to the \u003cstrong\u003ehi-hat\u003c\/strong\u003e helps isolate this source and gain definition, especially on fast grooves and open\/close playing.\u003c\/p\u003e  \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eIncluded mounts: quick installation, reliable placement\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe \u003cstrong\u003eDVICE\u003c\/strong\u003e and \u003cstrong\u003eDCLIP\u003c\/strong\u003e systems allow efficient setup on hoops and shells while maintaining good positional stability. This is a real advantage for saving time during setup, limiting the use of additional stands, and keeping a cleaner kit both on stage and in the studio. The \u003cstrong\u003ewindscreens\u003c\/strong\u003e provided with the condensers add useful protection against air blasts and help secure the capture in real conditions (breath, proximity, movements).\u003c\/p\u003e  \u003cbr \/\u003e\u003cbr \/\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einstrument microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edynamic \/ static\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDrum microphones\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eD6, i5, D2, D4\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eIncluded mounting systems\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDCLIP, DCLIPS, DVICE\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCondenser microphones\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSCX1C (cardioid) x2, SCX1HC (hypercardioid) x1\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eTransport solution\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ealuminum case\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Audix","offers":[{"title":"Default Title","offer_id":54358442279187,"sku":"158259","price":2399.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/5281fa06c20a8f48fd36a0e48d0ad61b749b4cd5_AUDIX_ADDPELITE8_KIT_8_MICROS_BATTERIE.jpg?v=1789365134"},{"product_id":"audix-fp7-158266","title":"FP7","description":"\u003ch3\u003eA \"kit\" format designed for logistics and field use\u003c\/h3\u003e\u003cp\u003eThis kit combines several complementary references (the \"f\" series, \"DCLIP\", \"DFLEX\" and \"MC1\") in a single packaging. It is a practical solution to centralize equipment, standardize an allocation, and reduce forgetfulness during transport, setup, or technical interventions.\u003c\/p\u003e\u003ch3\u003eWho is it for and what are the uses?\u003c\/h3\u003e\u003cp\u003eThis pack is intended for users who need a set of accessories immediately available: sound and lighting technicians, stage managers, maintenance workshops, schools, rehearsal rooms, service providers, and rental companies. The aluminum case facilitates storage, protection, and transport, especially in situations of frequent assembly\/disassembly.\u003c\/p\u003e\u003ch3\u003eKit contents: essentials without excess\u003c\/h3\u003e\u003cp\u003eThe composition focuses on \"f\" elements (several references and quantities) and clip-type and flexible elements accessories (\"DCLIP\" and \"DFLEX\"), with an \"MC1\" module. The whole is delivered in an aluminum case to keep a coherent kit, easily identifiable and quickly deployable.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einstrument microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Audix","offers":[{"title":"Default Title","offer_id":54358464397587,"sku":"158266","price":415.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/1c3e0e2c0416e2c038cd9b014da28f603589aaf2_AUDIX_ADFP7_KIT_7_MICROPHONES_BATTERIE.jpg?v=1789365145"},{"product_id":"audix-adx-51-158246","title":"ADX 51","description":"\u003ch3\u003eAn Audix \"pencil condenser\" designed for instruments, from stage to studio\u003c\/h3\u003e\u003cp\u003eDesigned as a compact pre-polarized condenser microphone, the ADX 51 fits within Audix's approach: offering robust microphones that are easy to position and versatile enough to cover multiple contexts (live, recording, broadcast). Its uniformly controlled cardioid pattern and extended frequency response (40 Hz to 18 kHz) make it a consistent choice when looking for a mic capable of remaining clear in a mix, even in noisy environments. Without multiplying complex settings, it relies on features directly useful in the field: attenuator and low-cut filter, two essentials for securing a quick and clean recording.\u003c\/p\u003e\u003ch3\u003eFor whom and for what uses?\u003c\/h3\u003e\u003cp\u003eThe Audix ADX 51 is aimed at musicians, sound engineers, and content creators who want a reliable instrument microphone capable of working both in \u003cstrong\u003eclose miking\u003c\/strong\u003e (for more attack and isolation) and \u003cstrong\u003edistant miking\u003c\/strong\u003e (for more air and image). It is particularly comfortable on \u003cstrong\u003eacoustic instruments\u003c\/strong\u003e: acoustic guitar, mandolin, violin and viola, percussion, piano, as well as as an \u003cstrong\u003eoverhead mic\u003c\/strong\u003e to capture a drum kit or percussion section with definition. In broadcast and video capture, its clear signature facilitates intelligibility and presence, while remaining controllable thanks to the low-cut filter and pad.\u003c\/p\u003e\u003ch3\u003eKey features: control, precision, and level handling\u003c\/h3\u003e\u003ch4\u003eCardioid directivity: easier isolation and placement\u003c\/h4\u003e\u003cp\u003eThe ADX 51's cardioid pattern is designed to focus capture on the instrument and reduce off-axis sources. On stage, this helps limit bleed from monitors, neighboring amps, or other instruments. In the studio, it allows easier shaping of the balance between direct sound and room ambiance by simply adjusting distance and placement angle.\u003c\/p\u003e\u003ch4\u003e-10 dB pad: more headroom on loud sources\u003c\/h4\u003e\u003cp\u003eWhen the instrument or source produces high sound pressure levels, the -10 dB attenuator provides extra headroom before saturation of the input stages (preamps, audio interface, console). This is a concrete advantage for percussion, certain highly projecting instruments, or close placements where a more \"present\" and punchy sound is desired.\u003c\/p\u003e\u003ch4\u003e150 Hz low-cut filter: cleaner low end\u003c\/h4\u003e\u003cp\u003eThe 150 Hz low-cut filter helps reduce rumble, stage vibrations, handling noise, and proximity effect excess. The result: a cleaner low-frequency spectrum that is easier to integrate into a mix, especially on acoustic guitar, overheads, and instruments where clarity is preserved without unnecessarily boosting low-mids.\u003c\/p\u003e\u003ch4\u003eCapsule and diaphragm: precision and consistency\u003c\/h4\u003e\u003cp\u003eWith its \u003cstrong\u003eBlack Electret GV Diaphragm\u003c\/strong\u003e capsule and a \u003cstrong\u003e14 mm gold vapor diaphragm\u003c\/strong\u003e, the ADX 51 aims for precise capture, with good definition of attacks and an articulate rendering. Its specified frequency response of 40 Hz to 18 kHz covers the essential spectrum of acoustic instruments while maintaining clear detail reproduction (string brightness, transient articulation, presence).\u003c\/p\u003e\u003ch4\u003eBuild quality: a microphone built to last\u003c\/h4\u003e\u003cp\u003eThe precisely machined brass body, steel mesh grille, and durable black finish reflect a clearly professional orientation. The gold-plated XLR connector contributes to a reliable connection over time, an important point when the microphone is regularly mounted, dismounted, and transported. To complete the package, a protective pouch, clip, and windscreen are included to be ready for use immediately in both live and studio settings.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e40 Hz - 18 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003einstrument microphone\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ecardioid\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eCondenser\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eBlack Electret GV Diaphragm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDiaphragm\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e14 mm (gold vapor)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e17 mV\/Pa at 1 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRejection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003egreater than 15 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMax SPL\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e132 dB\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePad\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-10 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLow-cut filter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e150 Hz\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eImpedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e100 Ohms\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConnector\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eGold-plated XLR\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBody\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eprecision-machined brass\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFinish\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003edurable black\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGrille\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003esteel mesh\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e19 x 160 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e184 g\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eIdeal for\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eOverhead\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eIncluded\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eprotective pouch, clip, windscreen\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Audix","offers":[{"title":"Default Title","offer_id":54358989668627,"sku":"158246","price":274.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/47d0fe9e3457bb02311efe7c24b6cb9890d58391_AUDIX_ADX_51.jpg?v=1788183911"},{"product_id":"audix-vx5-158314","title":"VX5","description":"\u003ch3\u003eA Microphone Designed for Reliability and Clarity in Live Environments\u003c\/h3\u003e\u003cp\u003eThe VX5 is an electret microphone developed to meet the typical constraints of stage and broadcast: proximity to other sources, need for intelligibility, and significant level variations. Its approach aims for a realistic reproduction of the voice, with a definition that remains stable when the environment becomes noisier or more demanding.\u003c\/p\u003e\u003ch3\u003eFor Which Voices and Uses Is the VX5 Intended?\u003c\/h3\u003e\u003cp\u003eThe VX5 is aimed at singers, hosts, speakers, and content creators seeking a clear, present voice that is easy to place in a mix. In live settings, the supercardioid directivity favors gain before feedback by focusing the capture on the main source, which helps keep the voice intelligible on busy stages. In broadcast use (studio, podcast, set), its precision on details and sensitivity to transients highlight diction, controlled breaths, and timbre variations without sacrificing naturalness.\u003c\/p\u003e\u003cp\u003eThanks to the 150 Hz high-pass filter, it also becomes an effective ally for controlling handling noise, stage vibrations, and proximity effect when the speaker gets very close to the capsule. And when the source becomes very dynamic, the -10 dB pad provides a welcome safety margin to maintain a clean capture.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e40 Hz - 16 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectret\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evoice microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esupercardioid\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Audix","offers":[{"title":"Default Title","offer_id":54359325737235,"sku":"158314","price":275.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/ed09b0ff8ad7ccf10dfcaec762158183b231c38c_AUDIX_ADVX5_MICROPHONE_ELECTRET.jpg?v=1789378023"},{"product_id":"audix-adx20i-p-instrument-a-vent-148570","title":"ADX20I-p Wind Instrument","description":"\u003ch3\u003eA Clip Microphone Designed for the Modern Stage\u003c\/h3\u003e\u003cp\u003eClip microphones have become an essential solution when you want to maintain the natural sound of a condenser microphone while freeing the instrumentalist from the constraints of a stand. The ADX20i-P follows this logic: capturing close-up, remaining visually discreet, and providing stable reproduction even when the musician moves. Its cardioid pattern helps prioritize the targeted source, a real advantage in busy stage environments with monitors, amps, and other instruments nearby.\u003c\/p\u003e\u003ch3\u003eFor Which Instruments and Musicians?\u003c\/h3\u003e\u003cp\u003eThe ADX20i-P is particularly well-suited for instruments requiring quick and reliable attachment, such as brass instruments, where the clip becomes an immediate advantage in live settings. It is aimed at stage musicians, sections that need to quickly switch between soundchecks and stage changes, as well as sound engineers seeking close, consistent, and easily reproducible sound capture from one concert to another. Its small size and matte black finish contribute to a clean integration without drawing attention, while maintaining coherent placement relative to the source.\u003c\/p\u003e\u003ch3\u003eWarm Sound and Controlled Capture\u003c\/h3\u003e\u003cp\u003eWith a stated frequency response of 40 hertz to 20 kHz, the ADX20i-P aims for full reproduction, capable of respecting fundamentals while retaining presence and air. The pre-polarized condenser capsule favors detailed capture, useful for retrieving articulation, attacks, and nuances, especially in dynamic playing and fast passages.\u003c\/p\u003e\u003ch4\u003eCardioid Pattern: Focus on the Source\u003c\/h4\u003e\u003cp\u003eIts cardioid pattern allows focusing the pickup on the instrument and limiting side pickup. This approach improves clarity in the mix and helps manage stage conditions where source separation is rarely perfect. The off-axis rejection of over 20 dB supports this goal by reducing what is outside the center of the pickup for better control.\u003c\/p\u003e\u003ch4\u003eDesigned to Handle High Sound Pressure Levels\u003c\/h4\u003e\u003cp\u003eFor powerful instruments, the ability to handle high SPL is essential. With a maximum SPL of 135 dB, the ADX20i-P is designed to remain usable even when the instrument \"pushes,\" minimizing the risk of distortion during the most energetic passages.\u003c\/p\u003e\u003ch4\u003eMounting, Mobility, and Power Options\u003c\/h4\u003e\u003cp\u003eThe included full suspension is a strong point for moving musicians: it helps stabilize the microphone position and maintain consistent capture. Regarding configuration, the ADX20i-P can be integrated into a wireless system for total freedom on stage. And if no phantom power is available, using the optional APS911 power module provides a practical solution to ensure reliable operation depending on the equipment in place.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einstrument microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMicrophone\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecardioid\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectret\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:7;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePre-polarized condenser microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eImpedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e250 ohms\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePolar pattern\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eCardioid\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMounting\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eclip (suitable for applications where a clip is useful, e.g., brass instruments)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:9;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e40 hertz to 20 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFinish\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ematte black\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e5.8 mV\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecompact\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:11;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOff-axis rejection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003egreater than 20 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eIncluded 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Title","offer_id":54359336190227,"sku":"148570","price":246.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/afcfea34f98690bef24a002805ede98754bbf1d2_AUDIX_ADX20IP_MICROPHONE_STATIQUE.jpg?v=1789378088"},{"product_id":"audix-i5-148583","title":"I5","description":"\u003ch3\u003eA Modern Audix Classic Designed for Stage, Studio, and Broadcast\u003c\/h3\u003e\u003cp\u003eDesigned, assembled, and tested in the USA, the Audix i5 has established itself as a versatile dynamic microphone for demanding sound capture. Its design emphasizes reliability and consistency, with a wide frequency response (50 Hz to 16 kHz) that delivers a clear and usable sound whether you are working live, in the studio, or in a broadcast environment.\u003c\/p\u003e\u003ch3\u003eWho Is the Audix i5 For and What Are Its Uses?\u003c\/h3\u003e\u003cp\u003eThe Audix i5 is aimed at musicians, sound engineers, and home studio users who want a microphone that is simple to position and sounds great immediately. It excels on \u003cstrong\u003epercussion instruments\u003c\/strong\u003e (notably the snare drum), but its versatility also makes it an excellent choice for \u003cstrong\u003eguitar amps\u003c\/strong\u003e, \u003cstrong\u003ebass amps\u003c\/strong\u003e, as well as for \u003cstrong\u003evocals\u003c\/strong\u003e and speech capture. Its dynamic character and cardioid polar pattern help keep the source front and center, even in busy setups.\u003c\/p\u003e\u003ch3\u003eClean, Controlled, and Effective Sound Capture Without Over-EQ\u003c\/h3\u003e\u003cp\u003eThanks to its \u003cstrong\u003eVLM capsule\u003c\/strong\u003e and \u003cstrong\u003ecardioid polar pattern\u003c\/strong\u003e, the i5 emphasizes attack and definition while limiting bleed. The result: greater control, reduced feedback risk, and a cleaner capture in live contexts.\u003c\/p\u003e\u003ch4\u003eVLM Diaphragm: Precision and Naturalness\u003c\/h4\u003e\u003cp\u003eThe VLM diaphragm (VLM Type B capsule) is designed to provide \u003cstrong\u003enatural and precise\u003c\/strong\u003e sound reproduction. On a snare drum, it helps retain impact and clarity. On a guitar amp, it highlights detail and presence while remaining consistent when the microphone is moved closer to the grille.\u003c\/p\u003e\u003ch4\u003eHigh Sound Level Tolerance\u003c\/h4\u003e\u003cp\u003eWith a \u003cstrong\u003emax SPL of 140 dB\u003c\/strong\u003e, the Audix i5 can be placed very close to powerful sources without distortion. This is a major advantage for drums, close brass instruments, or pushed speaker cabinets, while maintaining a stable and usable signal.\u003c\/p\u003e\u003ch4\u003eWide Frequency Response: Clear Sound, Quickly Mixable\u003c\/h4\u003e\u003cp\u003eIts \u003cstrong\u003e50 Hz to 16 kHz\u003c\/strong\u003e frequency response promotes clear and balanced reproduction, useful when you want to minimize EQ adjustments. For quick captures (rehearsals, live shows, recordings), this saves valuable time: placement, level, and you're already close to the desired result.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 Hz - 16 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edynamic\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ewired microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecardioid\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDynamic\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMax SPL\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e140 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePolar Pattern\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eCardioid\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eIncludes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eProtective pouch and clip\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:8;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eImpedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e280 Ohms\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e38 x 142 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:9;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1.6 mV\/Pa at 1 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e248 g\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:10;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRejection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e\u0026gt; 23 dB\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Audix","offers":[{"title":"Default Title","offer_id":54359944167699,"sku":"148583","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/655fb5b0fbed9357126a8b7be736f864adb8351a_AUDIX_I5.jpg?v=1789386452"},{"product_id":"audix-fireballv-148582","title":"Fireballv","description":"\u003ch3\u003eA Microphone Dedicated to \"Breath\" Instruments: A Performance-Oriented Approach\u003c\/h3\u003e \u003cp\u003eThe FireBall-V belongs to the family of dynamic microphones designed to address a specific challenge: capturing an expressive instrument, rich in transients and harmonics, while remaining \u003cstrong\u003eeasy to control on stage\u003c\/strong\u003e. The harmonica, whether chromatic or diatonic, can produce very sharp attacks, rapid timbre variations, and close proximity to the capsule. The choice of a dynamic moving coil transducer, combined with cardioid directivity, aims here for a robust, coherent, and usable capture in demanding contexts.\u003c\/p\u003e \u003cp\u003eWhether you play in blues, rock, folk, jazz bands, or more modern setups, this type of \"specialized\" microphone positions itself as a serious alternative to a general-purpose vocal mic, emphasizing \u003cstrong\u003epresence\u003c\/strong\u003e, \u003cstrong\u003estability\u003c\/strong\u003e, and \u003cstrong\u003elevel management\u003c\/strong\u003e.\u003c\/p\u003e \u003ch3\u003eFor Whom and For What Uses?\u003c\/h3\u003e \u003cp\u003eThe FireBall-V is primarily aimed at harmonica players seeking a reliable microphone for the stage, with a response that remains clear in the mix, even when the environment is noisy (drums, guitar amps, stage monitors). Its cardioid directivity helps to \u003cstrong\u003elimit off-axis sound pickup\u003c\/strong\u003e and better focus the capture on the instrument.\u003c\/p\u003e \u003cp\u003eIn the studio, it can be used to achieve a more \"controlled\" take than with some more sensitive microphones, while maintaining a dynamic character. And thanks to its ability to handle high sound pressure levels, it is also suitable for percussive practices such as \u003cstrong\u003ebeatboxing\u003c\/strong\u003e or capturing \u003cstrong\u003esmall percussion instruments\u003c\/strong\u003e when a direct, punchy, and robust take is desired.\u003c\/p\u003e \u003ch3\u003eDesign and Performance: Control, Isolation, and Dynamics\u003c\/h3\u003e \u003ch4\u003eDynamic Moving Coil Transducer: Robustness Serving the Performance\u003c\/h4\u003e \u003cp\u003eThe FireBall-V is based on a \u003cstrong\u003edynamic moving coil transducer\u003c\/strong\u003e, a choice well recognized for stage use: it tolerates intensive conditions, handles high levels very well, and is less sensitive to ambient noise than a more \"open\" capsule. For the harmonica, this allows maintaining a sense of control, especially when transitioning from soft playing to more marked attacks.\u003c\/p\u003e \u003ch4\u003eUniform Cardioid Directivity: Less Bleed, More Precision\u003c\/h4\u003e \u003cp\u003eThe \u003cstrong\u003ecardioid\u003c\/strong\u003e directivity is a major asset for isolating the harmonica and reducing bleed from other instruments. With an \u003cstrong\u003eoff-axis rejection greater than 23 dB\u003c\/strong\u003e, the microphone helps keep a cleaner signal, easier to process (EQ, compression), and more stable live, notably to limit feedback risks depending on your placement and monitor setup.\u003c\/p\u003e \u003ch4\u003eVLM Type B Capsule: A Technical Foundation Designed for Definition\u003c\/h4\u003e \u003cp\u003eThe \u003cstrong\u003eVLM Type B\u003c\/strong\u003e capsule technology contributes to the microphone's signature, with an approach focused on precision and clarity. In a harmonica context, this translates to a capture that highlights articulation and character, while remaining usable across a wide dynamic range.\u003c\/p\u003e \u003ch4\u003eHigh Admissible Level: A Microphone Comfortable When Playing Loud\u003c\/h4\u003e \u003cp\u003eWith a \u003cstrong\u003eMaximum SPL \u0026gt; 140 dB\u003c\/strong\u003e, the FireBall-V is designed to stay comfortable when the source is close, powerful, and rich in transients. This is a key point for the harmonica (proximity, expressiveness), and a notable advantage if you also use it for beatboxing or percussion, where the capsule can be subjected to very high sound impacts.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e50 Hz - 15 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edynamic\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einstrument microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecardioid\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edynamic moving coil transducer\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum SPL\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e\u0026gt; 140 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule technology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eVLM Type B\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConnector\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003egold-plated XLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:8;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOff-axis rejection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e\u0026gt; 23 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLength\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e76 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:9;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutput impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e150 Ohms\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e127.5 grams\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:10;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1.9 mV\/Pascal (ref 1 kHz)\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Audix","offers":[{"title":"Default Title","offer_id":54360068325651,"sku":"148582","price":156.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/2978e266b6695fe55406ff3407c769d7d05fe830_AUDIX_FIREBALLV_MICROPHONE_DYNAMIQUE_HARMONICA.jpg?v=1789391036"},{"product_id":"audix-dp7-158258","title":"DP7","description":"\u003ch3\u003eThe Essentials to Know About the Audix DP7 Drum Microphone Pack\u003c\/h3\u003e \u003cbr \/\u003e\u003cul\u003e \u003cbr \/\u003e\u003cli\u003eComplete set of \u003cstrong\u003e7 Audix microphones\u003c\/strong\u003e designed for acoustic drums, ready for stage and studio use.\u003c\/li\u003e \u003cbr \/\u003e\u003cli\u003eDedicated coverage for each drum and cymbals: D6 (kick drum), i5 (snare), 2x D2 (toms), D4 (floor tom), 2x ADX51 (overheads).\u003c\/li\u003e \u003cbr \/\u003e\u003cli\u003eQuick setup thanks to 4 \u003cstrong\u003eD-Vice\u003c\/strong\u003e rim clamps and 3 sturdy tension microphone clips.\u003c\/li\u003e \u003cbr \/\u003e\u003cli\u003eAluminum case lined with foam for secure transport and storage.\u003c\/li\u003e \u003cbr \/\u003e\u003c\/ul\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eThe Reference Kit in the Audix Series for Demanding Drummers\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eThe \u003cstrong\u003eDP7\u003c\/strong\u003e builds on Audix's expertise in drum miking to offer a balanced and coherent pack. Derived from the renowned Audix drum microphone series, it brings together complementary models selected for their reliability, durability, and musical sound. Whether for touring, rehearsals, or studio work, this pack stands out for its ease of use and consistent results.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eWho Is It For and What Are Its Uses?\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eDesigned for drummers, live sound engineers, and home studio producers, the \u003cstrong\u003eDP7\u003c\/strong\u003e meets the needs of rock, jazz, pop, and contemporary music styles. It is suitable for both fixed setups (studios, music schools) and mobile rigs. The included microphones and accessories allow quick transitions from stage to recording sessions without compromising quality.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eMicrophones Designed for Each Kit Element\u003c\/h3\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eKick Drum Impact and Foundation\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe \u003cstrong\u003eD6\u003c\/strong\u003e is crafted to deliver the attack and depth characteristic of a modern kick drum, with solid low-end reproduction and clear kick articulation.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eSnare Articulation\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe \u003cstrong\u003ei5\u003c\/strong\u003e captures the hit, body, and snap of the snare drum, providing a present sound in the mix without harshness.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eExpressive Toms, Powerful Floor Tom\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe \u003cstrong\u003eD2\u003c\/strong\u003e highlights the musicality of the toms, while the \u003cstrong\u003eD4\u003c\/strong\u003e adds weight and definition to the floor tom, maintaining kit balance.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eStereo Image and Cymbal Detail\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe pair of \u003cstrong\u003eADX51\u003c\/strong\u003e, small-diaphragm condenser microphones, ensure precise and detailed overheads, ideal for both stage and recording. Phantom power is required for these two microphones.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eQuick and Reliable Setup\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe \u003cstrong\u003eD-Vice\u003c\/strong\u003e clamps attach directly to drum hoops for stable placement and significant time savings. The other microphones mount via supplied sturdy clips for a clean and efficient integration.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ewired microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edynamic \/ static\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eD6, i5, D2, D4\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edynamic microphones dedicated to drums (kick, snare, toms, floor tom).\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eADX51\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esmall-diaphragm condenser microphones for overhead and cymbal capture (phantom power required).\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Audix","offers":[{"title":"Default Title","offer_id":54360189665555,"sku":"158258","price":1109.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/b05a0d7de97052db047a8e55e836e58c21cc2bd9_1AUDIX_DP7_KIT.jpg?v=1789391063"},{"product_id":"audix-d2-148577","title":"D2","description":"\u003ch3\u003eA Close-Miking Microphone Designed for Instruments, Within the Audix Approach\u003c\/h3\u003e\u003cp\u003eThe Audix D2 aligns with the brand's philosophy: offering robust instrument microphones ready to withstand real stage conditions while remaining relevant in studio and broadcast settings. Its sonic identity and hypercardioid polar pattern naturally place it in the \"close-miking\" category: positioned close to the source to capture energy, attack, and tone, while minimizing bleed from other instruments as much as possible.\u003c\/p\u003e\u003cp\u003eIn both live and multi-track recording setups, this approach makes a difference: more control at the source, a cleaner mix, and increased coherence when using multiple microphones around the same drum kit or ensemble.\u003c\/p\u003e\u003ch3\u003eIntended Uses and Musicians\u003c\/h3\u003e\u003cp\u003eThe Audix D2 is a particularly relevant choice for drummers, percussionists, and sound engineers seeking a microphone dedicated to sources with pronounced transients. On toms, it helps achieve a present and clear sound with a crisp attack while maintaining good isolation from the snare and cymbals.\u003c\/p\u003e\u003cp\u003eIt is equally comfortable on congas and Latin percussion, where capturing both the \"slap\" and the body of the instrument is desired. For wind instruments (brass, saxophones), it allows close miking without a muddy sound, and its polar pattern helps contain stage ambience. Finally, on a guitar cabinet, it provides an effective alternative to achieve a precise, mix-ready sound with good sound pressure level resistance.\u003c\/p\u003e\u003ch3\u003eDesign and Performance: Isolation and Precision at the Heart of the D2\u003c\/h3\u003e\u003ch4\u003eHypercardioid Polar Pattern: More Control, Less Bleed\u003c\/h4\u003e\u003cp\u003eThe D2's hypercardioid polar pattern is designed to \"tighten\" the sound capture around the source. In a live context, this translates to more gain before feedback and better separation between elements of a drum kit. In the studio, this same pattern facilitates multi-mic recordings by reducing bleed, simplifying equalization and dynamics during mixing.\u003c\/p\u003e\u003ch4\u003eVLM Diaphragm: Natural Sound and Well-Defined Attack\u003c\/h4\u003e\u003cp\u003eEquipped with a VLM Type B capsule, the Audix D2 aims for natural and precise sound reproduction. The goal is clear: to respect the instrument's character while highlighting useful information for clarity (attack, presence, definition). On toms and percussion, it delivers a dynamic sound with a sense of proximity and clear articulation without over-processing the signal.\u003c\/p\u003e\u003ch4\u003eTransformerless Design and Balanced Output\u003c\/h4\u003e\u003cp\u003eThe D2 features a transformerless design combined with low impedance and a balanced output. This combination promotes a stable and clean signal, particularly appreciated in stage environments (long cables, multiple lines, power supplies, and nearby equipment). The result: a reliable instrument microphone ready to perform under demanding conditions while maintaining consistent capture quality.\u003c\/p\u003e\u003cp\u003ePractically, the Audix D2 comes with a clip and a protective pouch: everything needed to quickly integrate it into an existing mic setup, transport it, and protect it between gigs or sessions.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einstrument microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edynamic\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ehypercardioid\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDynamic\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOutput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBalanced\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:9;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePolar Pattern\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eHypercardioid\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDesign\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTransformerless\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e68 Hz - 18 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRecommended for\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etoms, congas, saxophones, guitar cabinets, brass\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:11;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2.5 mV\/Pa at 1 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eIncluded\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eProtective pouch and clip\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:12;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRejection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e\u0026gt; 30 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e39 x 100 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:6;--wb-r:13;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMax SPL\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e144 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e128 g\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:7;--wb-r:14;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eImpedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e250 Ohms\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Audix","offers":[{"title":"Default Title","offer_id":54360662409491,"sku":"148577","price":166.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/749b1ea288e13e9d78333ddd12557bf91cec6c45_1AUDIX_D2.jpg?v=1789399857"},{"product_id":"audix-d4-148578","title":"D4","description":"\u003ch3\u003eEssential Information About the Audix D4 Dynamic Microphone\u003c\/h3\u003e \u003cbr \/\u003e\u003cul\u003e   \u003cbr \/\u003e  \u003cli\u003e\u003cstrong\u003eDesigned for low frequencies\u003c\/strong\u003e: frequency response from \u003cstrong\u003e40 Hz to 18 kHz\u003c\/strong\u003e, ideal for floor tom, cajon, djembe, brass instruments, and bass drum.\u003c\/li\u003e   \u003cbr \/\u003e  \u003cli\u003e\u003cstrong\u003eVery high sound level tolerance\u003c\/strong\u003e: handles \u003cstrong\u003eSPLs above 144 dB\u003c\/strong\u003e without flinching, even very close to drumheads and powerful sources.\u003c\/li\u003e   \u003cbr \/\u003e  \u003cli\u003e\u003cstrong\u003eIsolation and feedback control\u003c\/strong\u003e: \u003cstrong\u003ehypercardioid\u003c\/strong\u003e polar pattern to better reject off-axis sounds and secure the capture on stage.\u003c\/li\u003e   \u003cbr \/\u003e  \u003cli\u003e\u003cstrong\u003eCompact and practical\u003c\/strong\u003e: lightweight and easy-to-place format, supplied with a \u003cstrong\u003eclip\u003c\/strong\u003e and \u003cstrong\u003eprotective pouch\u003c\/strong\u003e.\u003c\/li\u003e \u003cbr \/\u003e\u003c\/ul\u003e  \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eAn Instrument Microphone Designed for Stage, Studio, and Broadcast\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eThe Audix D4 follows the \"dedicated instrument\" approach: a compact dynamic microphone designed to capture sources rich in low-frequency energy while maintaining a clear attack and usable presence in the mix. Its goal is clear: to provide an efficient sound capture, quick to set up, and precise enough to transition from a live stage to a studio session or broadcast applications without changing the adjustment philosophy.\u003c\/p\u003e \u003cbr \/\u003e\u003cp\u003eIn practice, this translates into a \"useful\" oriented signature: firm lows, good definition, and a hypercardioid pattern that facilitates work when several instruments coexist just a few centimeters apart. This is exactly the type of microphone appreciated when you need to save time during setup while securing the console result.\u003c\/p\u003e  \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eWho Is It For and What Are Its Uses?\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eThe Audix D4 dynamic microphone is aimed at drummers, percussionists, sound engineers, and home studio users looking for a \u003cstrong\u003emicrophone for floor tom\u003c\/strong\u003e and instruments with low-mid\/low frequencies that offer excellent handling of high volume levels. On a drum kit, it naturally fits on toms (especially floor tom) and can also be considered for certain bass drum configurations depending on the desired sound and placement.\u003c\/p\u003e \u003cbr \/\u003e\u003cp\u003eRegarding acoustic and wind instruments, the D4 is relevant whenever capturing body without losing control is required: \u003cstrong\u003ecajon\u003c\/strong\u003e, \u003cstrong\u003edjembe\u003c\/strong\u003e, \u003cstrong\u003eacoustic bass\u003c\/strong\u003e, as well as \u003cstrong\u003esaxophone\u003c\/strong\u003e and \u003cstrong\u003etrombone\u003c\/strong\u003e. Its ability to handle high SPLs allows close placement to the source for better isolation while maintaining usable dynamics and good resistance to stage conditions.\u003c\/p\u003e  \u003cbr \/\u003e\u003cbr \/\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e40 Hz - 18 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edynamic\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einstrument microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ehypercardioid\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Audix","offers":[{"title":"Default Title","offer_id":54361685491987,"sku":"148578","price":175.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/2557592d7e1ca25c4ae0b85d2d60ad5a3cbf172c_AUDIX_D4.jpg?v=1789412741"},{"product_id":"audix-usb12-158312","title":"USB12","description":"\u003ch3\u003eA Compact USB Mic Designed for Clear and Natural Capture\u003c\/h3\u003e \u003cp\u003eThe USB12 belongs to the family of USB desktop microphones designed to simplify sound capture: no external preamp needed, no complex chain, everything essential is integrated for quick recording. Its miniature size and robust design make it equally at ease on a home studio desk or in a work environment, while maintaining a \"natural sound\" approach focused on voice and acoustic instruments.\u003c\/p\u003e \u003ch3\u003eWho It's For and What It's For: Voice, Acoustic Instruments, and Computer Recording\u003c\/h3\u003e \u003cp\u003eThe USB12 is suitable for musicians and content creators looking for a \u003cstrong\u003esimple, clear, and reliable USB condenser microphone\u003c\/strong\u003e to capture spoken or sung voice as well as acoustic instruments (guitar, ukulele, strings, small percussion). Thanks to its cardioid polar pattern, it helps prioritize the source facing the mic, improving intelligibility in podcasts, video calls, demos, and audio note-taking. It is also suitable for \"office\" uses requiring clean capture on a computer: reports, dictation, meetings, and speeches.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edigital microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectret\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecardioid\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Audix","offers":[{"title":"Default Title","offer_id":54361924862227,"sku":"158312","price":279.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/dcde84d61f189907a90ff61d1227c74eba29c460_AUDIX_ADUSB12_MICROPHONE_CONDENSATEUR.jpg?v=1789417462"},{"product_id":"audix-dp5-a-148588","title":"DP5-a","description":"\u003ch3\u003eA \"ready-to-mix\" pack designed for modern drum recording\u003c\/h3\u003e \u003cp\u003eThe DP5A is designed to meet a simple and very practical need: to achieve a coherent and effective drum recording on a complete kit without multiplying choices or incompatible sound results. By bringing together five dynamic microphones dedicated to the key elements of a kit (kick drum, snare, toms), Audix offers here a homogeneous solution, tailored for demanding contexts where impact, definition, and good tolerance to high levels are sought. The set naturally fits into a stage configuration (quick setup, frequent transport) while remaining perfectly relevant in a studio environment, especially to capture the energy of powerful playing.\u003c\/p\u003e \u003ch3\u003eWho is this drum microphone pack for?\u003c\/h3\u003e \u003cp\u003eThis pack is aimed at drummers, sound engineers, home studio users, and backliners who want a \u003cstrong\u003ereliable and immediately operational drum mic set\u003c\/strong\u003e to amplify a rock, pop, metal, or fusion kit. On stage, it allows for a drum sound that is present in the mix, with a solid kick drum, a snare that cuts through, and well-focused toms. In the studio, it provides a very effective base to build a clear and punchy drum sound, with dynamic microphones capable of handling close miking and heavy hits.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einstrument microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edynamic\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecardioid\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Audix","offers":[{"title":"Default Title","offer_id":54362067435795,"sku":"148588","price":810.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/59be6dc87e95301c2f11b5e24d815c893ac086f9_1AUDIX_DP5A_KIT.jpg?v=1789426772"},{"product_id":"audix-fp5-158265","title":"FP5","description":"\u003ch3\u003eA kit designed as an \"all-in-one\" solution for miking a drum kit\u003c\/h3\u003e\u003cp\u003eThis kit of 5 dynamic microphones \"specialized for drums\" brings together a selection dedicated to the most common uses: one microphone for the kick drum, one for the snare, and three for the toms. The goal is clear: to obtain a homogeneous set, easy to deploy, and ready to meet the demands of live performance as well as rehearsal studios, without multiplying references or complex setups.\u003c\/p\u003e\u003ch3\u003eWho is it for and for what uses?\u003c\/h3\u003e\u003cp\u003eThis kit is aimed at drummers, sound engineers, rehearsal studios, and sound teams who want an efficient configuration to capture a full drum kit with minimal setup time. It is particularly suitable for contexts where reliability and speed are priorities: concerts, quick soundchecks, demo recordings, live captures, and rehearsals. Thanks to the included accessories, placement is direct and adapted to the shells, helping to keep the stage clean and limit clutter around the kit.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einstrument microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edynamic\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ehypercardioid\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Audix","offers":[{"title":"Default Title","offer_id":54362110755091,"sku":"158265","price":372.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/29ab92786760ba94046ed5a6afe929d98c8b7b3a_AUDIX_ADFP5_KIT_5_MICROPHONES_PERCU.jpg?v=1789426834"},{"product_id":"audix-d6x-436658","title":"D6X","description":"\u003ch3\u003eEssential Information About the D6X Dynamic Microphone\u003c\/h3\u003e\u003cbr \/\u003e\u003cul\u003e\u003cbr \/\u003e  \u003cli\u003e\u003cstrong\u003eThree switchable sound profiles\u003c\/strong\u003e (Deep, Balanced, Natural) to instantly adapt the sound capture to the kick drum, toms, or amps.\u003c\/li\u003e\u003cbr \/\u003e  \u003cli\u003e\u003cstrong\u003eRecessed switch\u003c\/strong\u003e: simple, reliable handling protected against errors both live and in the studio.\u003c\/li\u003e\u003cbr \/\u003e  \u003cli\u003e\u003cstrong\u003eVLM (Very Low Mass) dynamic capsule\u003c\/strong\u003e for deep lows and clear transients, ideal for kick drum attacks.\u003c\/li\u003e\u003cbr \/\u003e  \u003cli\u003e\u003cstrong\u003eCardioid directivity\u003c\/strong\u003e for better isolation, with a \u003cstrong\u003ecompact and lightweight\u003c\/strong\u003e design easy to position close to the source.\u003c\/li\u003e\u003cbr \/\u003e\u003c\/ul\u003e\u003cbr \/\u003e\u003ch3\u003eFrom D6 to D6X: the evolution of a classic kick drum microphone\u003c\/h3\u003e\u003cbr \/\u003eThe D6X is a direct continuation of the famous D6, a dynamic microphone recognized for years on \u003cstrong\u003estage\u003c\/strong\u003e, in \u003cstrong\u003estudio\u003c\/strong\u003e, and in \u003cstrong\u003ebroadcast\u003c\/strong\u003e for its ability to deliver a massive, precise kick sound that is immediately usable in a mix. While the D6 offered a very distinctive and effective signature, the D6X retains this foundation while adding real versatility thanks to its \u003cstrong\u003ethree selectable response curves\u003c\/strong\u003e.\u003cbr \/\u003e\u003cbr \/\u003eThis evolution is designed to meet current realities: the same microphone may need to switch from a very sculpted modern kick to a more traditional bass drum, or even to other sources (percussions, guitar, backline). The D6X thus becomes a more flexible tool without abandoning the DNA that made the D6 famous.\u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eFor whom and for what uses: stage, studio, home studio, and control room\u003c\/h3\u003e\u003cbr \/\u003eDesigned as a \u003cstrong\u003edynamic instrument microphone\u003c\/strong\u003e, the D6X excels whenever extended \u003cstrong\u003ebass reproduction\u003c\/strong\u003e is needed without losing attack definition. It naturally fits in \u003cstrong\u003ekick drum recording\u003c\/strong\u003e, but also on \u003cstrong\u003efloor toms\u003c\/strong\u003e and \u003cstrong\u003ebass cabinets\u003c\/strong\u003e, where both body and precise playing articulation are sought.\u003cbr \/\u003e\u003cbr \/\u003eIts \u003cstrong\u003ecompact\u003c\/strong\u003e and \u003cstrong\u003elightweight\u003c\/strong\u003e format simplifies placement, even in tight setups (kick hoop, limited space between drums, crowded cymbal stand). The \u003cstrong\u003ecardioid\u003c\/strong\u003e directivity helps maintain a clean capture by limiting bleed from other drum elements or the backline, a key point in live and multi-track recording situations.\u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eThree filters, a VLM capsule, and electronics designed for a clean signal\u003c\/h3\u003e\u003cbr \/\u003e\u003ch4\u003eDeep, Balanced, Natural: three personalities for the same source\u003c\/h4\u003e\u003cbr \/\u003eThe D6X features a \u003cstrong\u003ethree-position selector\u003c\/strong\u003e that unlocks immediately usable profiles. In the \u003cstrong\u003eDeep\u003c\/strong\u003e position, you get 100% of the classic D6 sonic signature: a deep and punchy sound designed to \"cut through\" the mix with authority. This is the ideal starting point for modern, rock, metal, or pop kicks when you want generous lows and a clear attack.\u003cbr \/\u003e\u003cbr \/\u003eThe \u003cstrong\u003eBalanced\u003c\/strong\u003e position offers a more balanced approach: more \u003cstrong\u003emidrange\u003c\/strong\u003e and \u003cstrong\u003eupper midrange\u003c\/strong\u003e enrich the body and presence, which works very well for more traditional bass drum sounds or mixes where less sculpting and more naturalness are desired, while retaining the series' typical impact.\u003cbr \/\u003e\u003cbr \/\u003eFinally, the \u003cstrong\u003eNatural\u003c\/strong\u003e position directs the microphone's response toward a more \u003cstrong\u003elinear\u003c\/strong\u003e behavior, with even more midrange and a slight change in high-frequency attenuation. This is the \"Swiss Army knife\" position: it clearly broadens the application range to other sources such as \u003cstrong\u003epercussions\u003c\/strong\u003e, \u003cstrong\u003eguitar amps\u003c\/strong\u003e, and a wide variety of instruments, when you want to keep the dynamics of a robust microphone while achieving a more straightforward reproduction.\u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eRecessed switch: ergonomics designed for the field\u003c\/h4\u003e\u003cbr \/\u003eThe selector is \u003cstrong\u003erecessed into the microphone body\u003c\/strong\u003e, which facilitates daily use: you can change profiles quickly without fear of accidental switching during handling, stage changes, or transport. It's a small detail, but in real conditions, it makes a real difference in securing the session or show.\u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eVLM technology and transformerless low-impedance design\u003c\/h4\u003e\u003cbr \/\u003eThe D6X relies on a proprietary \u003cstrong\u003eVLM (Very Low Mass)\u003c\/strong\u003e dynamic capsule, designed to combine \u003cstrong\u003edeep lows\u003c\/strong\u003e and \u003cstrong\u003eprecise transients\u003c\/strong\u003e. The result: the beater attack remains clear, nuances are better defined, and the kick stays intelligible even in dense arrangements. The electronics are announced as \u003cstrong\u003etransformerless\u003c\/strong\u003e and \u003cstrong\u003elow impedance\u003c\/strong\u003e to promote a \"clean\" performance with reduced sensitivity to interference in busy environments (stage, control room, multicore, lighting).\u003cbr \/\u003e\u003cbr \/\u003eDesigned and manufactured in the United States, the D6X aims for a durable approach: a work microphone ready to withstand road rigors while remaining relevant in the studio, where consistency and repeatability of takes are essential.\u003cbr \/\u003e\u003cbr \/\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003einstrument microphone\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ecardioid\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eLarge Diaphragm\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRecommended applications\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ekick drum, floor toms, bass cabinets\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eUses\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003estage, studio, broadcast\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e3 selectable filters\/profiles via switch\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eDeep, Balanced, Natural\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDeep position\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eclassic series sound signature, deep and punchy\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBalanced position\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003emore midrange and upper midrange for a more balanced sound\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNatural position\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003emore linear response, more midrange, and slight change in high-frequency attenuation\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Audix","offers":[{"title":"Default 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style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e40 Hz - 20 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSmall diaphragm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einstrument microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecardioid\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r 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