{"title":"DPA Microphones","description":null,"products":[{"product_id":"dpa-mmp-es-172554","title":"MMP-ES","description":"\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e15 Hz - 20 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54356827177235,"sku":"172554","price":450.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/506b5ee64a117416095796bc505455c37efeaab0_1DPA_MMP_ES.jpg?v=1789336150"},{"product_id":"dpa-4099-dp-1-199-g-417387","title":"4099-DP-1-199-G","description":"\u003ch3\u003eEssential Information About the DPA 4099 CORE+ Loud SPL Clip-On Microphone with Guitar Clip\u003c\/h3\u003e \u003cbr \/\u003e\u003cul\u003e \u003cbr \/\u003e\u003cli\u003e\u003cstrong\u003eCORE+ Capsule\u003c\/strong\u003e: cleaner and more faithful capture, with optimized handling of high dynamics for a natural acoustic sound.\u003c\/li\u003e \u003cbr \/\u003e\u003cli\u003e\u003cstrong\u003eLoud SPL Version\u003c\/strong\u003e: designed to handle high levels without distortion, ideal for energetic playing, pick attack, or stage situations.\u003c\/li\u003e \u003cbr \/\u003e\u003cli\u003e\u003cstrong\u003eDedicated Guitar Clip\u003c\/strong\u003e: stable and instrument-friendly mounting, with precise positioning close to the area to be captured.\u003c\/li\u003e \u003cbr \/\u003e\u003cli\u003e\u003cstrong\u003eAlmost Unlimited Placement\u003c\/strong\u003e: flexible gooseneck to aim exactly at the projection area of the guitar, mandolin, ukulele, or dobro.\u003c\/li\u003e \u003cbr \/\u003e\u003c\/ul\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eA DPA Reference for Instrument Sound Capture, Modernized with CORE+ Technology\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eThe 4099 series has established itself as an essential solution for amplifying and recording acoustic instruments with a \"studio microphone\" approach... but in miniature format. The 4099 CORE+ continues this philosophy: maintaining the precision and musicality that made the range famous, while introducing an evolution focused on signal transparency. This \u003cstrong\u003eCORE+\u003c\/strong\u003e version follows on from the 4099 models intended for demanding musicians and sound engineers who want a natural sound, excellent separation, and great consistency from one performance to another.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eWho Is It For and What Are Its Uses? A Discreet, Precise Microphone Ready for Stage and Studio\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eThe DPA 4099 CORE+ Loud SPL with guitar clip is aimed at acoustic guitarists (folk, fingerstyle, bluegrass), multi-instrumentalists, and technicians seeking a reliable, quick-to-set-up, and high-performing solution in real-world conditions. Live, it offers greater \u003cstrong\u003econtrol\u003c\/strong\u003e: the microphone stays in place, the capture remains stable, and you get a consistent sound even when changing venues or patches. In the studio, it becomes an excellent complement to a condenser microphone, especially to enhance attack, definition, or isolate the instrument in a multi-track session.\u003c\/p\u003e \u003cbr \/\u003e\u003cp\u003eThanks to the guitar clip, you can exploit different capture zones depending on your goal: more warmth towards the soundboard, more precision towards the projection area, or greater articulation depending on orientation. This placement flexibility is particularly appreciated on mandolin, ukulele, and dobro, where every centimeter changes the balance between brightness, body, and presence.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e80 Hz - 16 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estatic electret\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einstrument microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esupercardioid\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54357073264915,"sku":"417387","price":593.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/2bb727746394d430ed9df8d95100652553d4d932_DPA_4099_DP_1_199_G.jpg?v=1789344845"},{"product_id":"dpa-2012-373797","title":"2012","description":"\u003ch3\u003eA Pencil Microphone Designed as a \"Swiss Army Knife\" Within the 2012\/2015 Family\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eThe 2012 follows a straightforward approach: to offer a pencil microphone capable of delivering on stage, where mechanical reliability, quick setup, and consistent audio quality are expected. It shares with the 2015 a design based on a pre-polarized condenser microphone, but each model features a 17 mm capsule specially designed to meet distinct needs depending on the application. The 2012, with its cardioid directivity, positions itself as the most versatile option for close miking and spill control.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eWho Is the 2012 Ideal For and What Are Its Uses?\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eThe 2012 targets demanding musicians, stage technicians, and sound engineers looking for a compact, efficient, and consistent close microphone from one instrument to another. It is particularly suited for live contexts where the source must remain clear in the mix and where cardioid directivity helps limit bleed from monitors, cymbals, or nearby amps.\u003c\/p\u003e \u003cbr \/\u003e\u003cp\u003eThanks to its natural sound and excellent transient response, it performs well on many sources: snare drum, hi-hat, cymbals, percussion, acoustic guitar, electric guitar amp, bass amp, saxophone, trumpet, and more broadly brass instruments in close miking. It is a relevant choice if you want a coherent sonic signature on stage with a single microphone capable of \"following\" changing setups.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eA Performance-Oriented Design: Precision, Control, and Dynamics\u003c\/h3\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003ePre-polarized Condenser Capsule: Fineness and Speed\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe 2012 is a pre-polarized condenser microphone. This design emphasizes precision and responsiveness, with the ability to reproduce fine details and attacks (transients) very clearly. The result is a \"faster\" and more nuanced capture than many dynamic microphones, particularly useful on percussive instruments, plucked strings, and brass where articulation matters.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eExcellent Transient Response: Sharp Attacks, Cleaner Mix\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eOn stage, the clarity of a snare, the snap of a hi-hat, or the \"pick\" of an acoustic guitar often depends on the first milliseconds. The 2012 stands out with excellent transient response, helping to gain definition without over-equalizing. You get a more immediate sensation while maintaining a natural sound.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eUniform Cardioid Directivity: Isolate the Source Without Altering It\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe 2012's uniform cardioid directivity facilitates placement in real conditions: you can aim at the useful area of the instrument and better control spill. This directivity consistency helps maintain a stable tonal color when the player moves slightly and contributes to a more predictable sound from one concert to another.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eHigh SPL Handling: Comfortable with Powerful Sources\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eBetween cymbals, amps, and certain percussion, levels can rise quickly. The 2012 is designed for excellent handling of high sound pressure levels (SPL), allowing it to maintain a clean and usable signal even when the source is energetic. It also remains relevant on more delicate sounds, reinforcing its \"single microphone\" appeal for multiple situations.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003ePlacement: A Reference at 30 cm and Mastery of the Proximity Effect\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe 2012 (like the 2015) features a linear frequency response at 30 cm. In practice, this provides a simple reference point to aim for a natural balance between definition and body. As a directional microphone, the proximity effect can boost the low end when you bring the mic very close: an asset to thicken a source or a parameter to manage to avoid overly prominent bass. By adjusting distance and angle, you can switch from a very incisive capture to a more open sound without changing microphones.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eBox Contents: Ready for the Stage\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe 2012\/2015 comes with a clip, a windscreen, and a convenient zippered pouch for storage and transport. In stereo pair configuration, you receive two microphones, two clips, and two windscreens, all stored in a sturdy and lightweight zippered pouch designed to keep up with the pace of performances.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003estudio microphone\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ecardioid\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003epencil microphone\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003epre-polarized condenser microphone\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule diameter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e17 mm\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBehavior\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003edirectional microphone (proximity effect considered depending on distance)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTransient response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eexcellent\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSound pressure level (SPL) handling\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eexcellent\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSound reproduction\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003enatural and precise\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTypical applications\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eclose miking on stage (drums, percussion, guitars, amps, brass)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConstruction\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003erobust and reinforced\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAccessories included (2012\/2015)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eclip, windscreen, zippered pouch\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAccessories included (stereo pair 2012\/2015)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2 microphones, 2 clips, 2 windscreens, zippered pouch\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54357281112339,"sku":"373797","price":698.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/f21055bd0db582695477e382c0add71da42c3f58_1DPA_2012.jpg?v=1788181283"},{"product_id":"dpa-2011c-215707","title":"2011C","description":"\u003ch3\u003eA design inherited from the 2000 series, engineered for precision\u003c\/h3\u003e\u003cp\u003eThe 2011C continues the legacy of the 2000 series capsules, known for their technical approach focused on consistency and directivity control. Its construction is based on two pre-polarized diaphragms integrated into two miniature capsules positioned face-to-face, combined with interference tubes. The goal is clear: to create a compact cardioid microphone capable of maintaining a stable frequency response while preserving controlled directivity, even when the source moves, the environment is noisy, or placement must be \"to the millimeter.\"\u003c\/p\u003e\u003ch3\u003eWho the 2011C is for: studio, live, and demanding recordings\u003c\/h3\u003e\u003cp\u003eThe 2011C targets sound engineers, live technicians, home studio users, and content creators who want a reliable, discreet, and easy-to-place microphone. Its compactness is an immediate advantage for tight setups: drums, percussion, brass, guitar amps, piano, film sets, or fixed installations. Where a larger microphone hinders placement or forces compromises, the 2011C facilitates orientation, reduces clutter, and speeds up setup.\u003c\/p\u003e\u003cp\u003eIts ability to handle very high levels (up to 146 dB SPL) also makes it a reassuring choice for dynamic and unpredictable sources. When capturing a performance without fear of distortion and without losing clarity, this microphone provides a valuable safety margin, both for live and recording situations.\u003c\/p\u003e\u003ch3\u003eKey features: control, dynamics, and quick integration\u003c\/h3\u003e\u003ch4\u003eCardioid to isolate the source and keep a clean mix\u003c\/h4\u003e\u003cp\u003eWith its cardioid directivity, the 2011C helps prioritize the targeted source and limit ambient bleed. This is an asset for gaining definition, reducing feedback risks on stage, and facilitating mixing. This cardioid pattern, supported by interference tubes, aims for more precise off-axis behavior control to maintain an exploitable sound even in challenging conditions.\u003c\/p\u003e\u003ch4\u003eDual pre-polarized diaphragm: coherence and extended response\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003edual pre-polarized diaphragm\u003c\/strong\u003e design contributes to recording stability and detailed reproduction across the entire spectrum, with a stated frequency response of 20 Hz to 20,000 Hz. The expected result is a microphone that is both precise for transients and sufficiently broad to reproduce fundamentals, without imposing an excessive character that would complicate equalization.\u003c\/p\u003e\u003ch4\u003eWide dynamic range and standard power supply\u003c\/h4\u003e\u003cp\u003eWith a dynamic range of 117 dB, the 2011C is designed to handle level variations without collapsing or making the recording fragile. The 48 Volt phantom power ensures immediate integration with most preamps, audio interfaces, analog and digital consoles, whether in the studio or on tour.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003estudio microphone\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ecardioid\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e117 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum sound pressure level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eup to 146 dB SPL\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNominal sensitivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e10 mV \/ Pa, -40 dB re. 1 V \/ Pa\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eA-weighted equivalent noise level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eTyp. 20 dB(A) re. 20 µPa (max 23 dBA)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e19 x 92 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e64 g\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFinish\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eMatte Black\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54357403795731,"sku":"215707","price":876.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/99aa806ce1c64c637cf4c86c58b265826389cbee_2DPA_2011C_4e5e0aac-1391-4154-8d88-8fb4e889d08d.jpg?v=1788181760"},{"product_id":"dpa-kit-4099-dc-10c-360494","title":"KIT-4099-DC-10c","description":"\u003ch3\u003eA DPA Reference for Instrument Microphones, Enhanced by CORE by DPA\u003c\/h3\u003e\u003cp\u003eAlready considered a benchmark for clip-on instrument microphones, the \u003cstrong\u003eDPA 4099\u003c\/strong\u003e takes a step further with \u003cstrong\u003eCORE by DPA\u003c\/strong\u003e, an internal evolution aimed at reducing distortion and improving transparency. The result: more clarity, openness, and detail-from the subtlest playing to the most pronounced attacks. Within the range, this Touring kit is intended for those who want a ready-to-go solution for live, rental, and technical setups, while maintaining the DPA signature: faithful reproduction, close to the instrument's \"true voice.\"\u003c\/p\u003e\u003ch3\u003eWho Is It For and What Are Its On-Stage Uses?\u003c\/h3\u003e\u003cp\u003eThe \u003cstrong\u003eDPA 4099 LOUD Touring Kit\u003c\/strong\u003e is designed for musicians, sound engineers, theaters, and service providers who need an efficient system to amplify multiple instruments with a coherent sound. Its supercardioid directivity facilitates work in noisy environments (stage monitors, neighboring drums, brass, amps) while maintaining a natural timbre. The 4099 can be quickly repositioned and moved from one instrument to another (with the appropriate clip), making it particularly practical for stage changes, double bills, and quick transitions.\u003c\/p\u003e\u003cp\u003eThis \u003cstrong\u003eLoud SPL\u003c\/strong\u003e version (red marking) is typically used in close proximity on a wide variety of instruments: strings, woodwinds, brass, guitars, piano, light percussion, etc. If you are looking for an \"all-terrain\" touring-oriented solution, it is an excellent choice to cover the essential needs of a band, ensemble, or orchestra.\u003c\/p\u003e\u003ch3\u003eCORE by DPA, Shock Mount, and Touring Design: What Makes the Difference\u003c\/h3\u003e\u003ch4\u003eCORE by DPA: More Transparency, Less Distortion\u003c\/h4\u003e\u003cp\u003e\u003cstrong\u003eCORE by DPA\u003c\/strong\u003e technology works at the heart of the microphone to minimize distortion and improve clarity. In practice, you get a cleaner image in transients (attacks), a more open high-frequency range, and a better sense of dynamics-particularly appreciated live when the sound capture must remain stable and intelligible within the mix.\u003c\/p\u003e\u003ch4\u003eSupercardioid: Effective Rejection and Gain Before Feedback\u003c\/h4\u003e\u003cp\u003eThanks to its \u003cstrong\u003esupercardioid directivity\u003c\/strong\u003e and uniform off-axis response, the 4099 helps isolate the instrument and limit unwanted noise. This design promotes a \u003cstrong\u003ehigher gain before feedback\u003c\/strong\u003e, useful when seeking a comfortable level without triggering feedback, especially with close monitors or in dense stage environments.\u003c\/p\u003e\u003ch4\u003eOptimized Mounting and Daily Reliability\u003c\/h4\u003e\u003cp\u003eThe 4099 CORE features an \u003cstrong\u003eimproved shock mount\u003c\/strong\u003e to better isolate handling noise and rumble. \u003cstrong\u003eDetachable cables\u003c\/strong\u003e are available in heavy or light versions depending on the application, and the \u003cstrong\u003eintegrated gooseneck extension\u003c\/strong\u003e facilitates quick, precise, and repeatable placement. The whole system is designed for intensive use, with a mounting system that does not damage the instrument's finish and allows for multiple positioning options.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estatic electret\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einstrument microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esupercardioid\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:12;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectional pattern\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSupercardioid\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOutput balancing principle\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBalanced signal with XLR adapter DAD4099-BC or DAD6001-BC\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:13;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOperating principle\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePressure gradient\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCommon mode rejection ratio (CMRR)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGreater than 60 dB from 50 Hz to 15 kHz with XLR adapter DAD4099-BC or DAD6001-BC\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:14;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCartridge type\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePre-polarized condenser\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConnector\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMicroDot\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:15;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffective frequency range +\/-2 dB at 20 cm (7.9 in)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e80 Hz - 15 kHz with a gentle 2 dB boost at 10-12 kHz. Second-order high-pass filter at 80 Hz with DAD4099-BC\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePolarity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+V at MicroDot pin for positive acoustic pressure (and pin 2 on XLR adapter DAD4099-BC or DAD6001-BC)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:16;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSensitivity, nominal, +\/-3 dB at 1 kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6 mV\/Pa; -44 dB re. 1 V\/Pa\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply (for optimal performance)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFor wireless systems: Min. 5 V - max. 10 V via DPA adapter; with DAD6001-BC or DAD4099-BC: P48 (phantom power). Operates from 12 V\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:17;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEquivalent noise level, A-weighted\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTyp. 23 dB(A) re. 20 µPa (max. 26 dB(A))\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCurrent consumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTyp. 1.5 mA (microphone); 3.5 mA with XLR adapter DAD4099-BC or DAD6001-BC\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:7;--wb-r:18;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTotal harmonic distortion (THD) below 1%\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e128 dB SPL RMS, 131 dB SPL peak\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight - Microphone\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e17 g (0.60 oz)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:8;--wb-r:19;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTyp. 108 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight - Microphone stand clip (MS4099)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e27.5 g (0.97 oz)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:9;--wb-r:20;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMax SPL, 10% THD\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e142 dB SPL peak\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight - Cold shoe mount with standard 6.35 mm thread (CS4099)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e5 g (0.18 oz)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:10;--wb-r:21;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNominal output impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMicroDot: 30 - 40 ohms. With DAD4099-BC or DAD6001-BC adapter: 100 ohms\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMicrophone diameter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e5.7 mm (0.22 in)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:11;--wb-r:22;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCable transmission capacity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eUp to 300 m with XLR adapter DAD6001-BC\/DAD4099-BC\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMicrophone length\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e45 mm (1.8 in)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54357540176147,"sku":"360494","price":5844.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/b230af6255206a84a35c5eb77e3992d37549908b_1DPA_KIT_4099_DC_10C.jpg?v=1789352340"},{"product_id":"dpa-4017b-172580","title":"4017B","description":"\u003ch3\u003eA Modular \"Pencil\" DPA Designed for Boom Pole, ENG, and Installations\u003c\/h3\u003e \n\u003cp\u003eThe DPA 4017 belongs to the brand's family of modular pencil microphones, designed to offer a consistent sonic character across models. This continuity facilitates multi-mic shoots and recordings (boom mic, hidden miniature mics, etc.) by limiting timbre differences and thus reducing post-production workload. Its \"short shotgun mic\" design aims for a sought-after balance: marked directivity while maintaining precise and musical reproduction.\u003c\/p\u003e  \n\n\u003ch3\u003eWho Is the DPA 4017 For and In Which Applications Does It Excel?\u003c\/h3\u003e \n\u003cp\u003eThis shotgun mic is tailored for image sound recordists (broadcast, ENG, documentary), film boom teams, as well as fixed installations (sports, studio, occasional recordings). Thanks to its strong directivity, it is particularly suited for \u003cstrong\u003eremote dialogue capture\u003c\/strong\u003e and scenes where the main source must remain intelligible despite a noisy environment. In the studio, it can also become a precision tool when focused and clean capture is desired.\u003c\/p\u003e  \n\n\u003ch3\u003eAcoustic Design and Key Technologies\u003c\/h3\u003e \n\n\u003ch4\u003eSupercardioid + Interference Tube: Focus and Rejection\u003c\/h4\u003e \n\u003cp\u003eThe 4017 combines supercardioid directivity with an interference tube to achieve highly directional capture. This principle increases focus on the front of the microphone and improves rejection of side and rear sounds, a crucial point for boom pole use, sports recording, or studio where ambient noise is omnipresent.\u003c\/p\u003e \n\n\u003ch4\u003eMore Uniform Off-Axis Response: Fewer Audible \"Lobes,\" More Natural Sound\u003c\/h4\u003e \n\u003cp\u003eDPA conducted specific work on the off-axis response to limit nonlinear effects often associated with shotgun mics (related to side lobes). The result: sounds coming from the sides and rear remain more natural, with controlled attenuation rather than marked coloration. This approach improves spatial coherence and intelligibility when framing or boom placement causes axis variations.\u003c\/p\u003e \n\n\u003ch4\u003ePreamp and Filters: Quick Control On Set\u003c\/h4\u003e \n\u003cp\u003ePaired with the MMP-B preamplifier, the capsule forms a short shotgun mic, very lightweight, and designed for shooting conditions. Two integrated filters, operated by rings, allow quick adaptation of the recording: a \u003cstrong\u003eHigh Boost\u003c\/strong\u003e (+4 dB at 8 kHz) useful to compensate for high-frequency attenuation with certain windshields, and a \u003cstrong\u003elow-cut\u003c\/strong\u003e (first order below 120 Hz) to reduce handling noise and wind rumble. A permanent high-pass filter (third order at 50 Hz) helps reduce very low-frequency disturbances.\u003c\/p\u003e \n\n\u003ch4\u003e\"Wireless Boom Pole\" Option: Reduction of Cable and Handling Noise\u003c\/h4\u003e \n\u003cp\u003eFor modern setups where the wireless transmitter is mounted close to the microphone, the 4017 solution dedicated to wireless systems aims to eliminate noise related to the external cable along the boom pole. It relies on an MMC4017 capsule and a short modular active cable MMP-G, integrated into a suspension and wind protection system. The assembly is optimized to accommodate certain compact mic transmitters (for example Lectrosonics SSM or Zaxcom ZMT3-Phantom 2) and protect not only the microphone but also the transmitter from the elements.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eShotgun Microphone\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003esupercardioid\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePolar pattern\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eSupercardioid, lobe-shaped\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOperating principle\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ePressure gradient with interference tube\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCartridge type\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ePre-polarized condenser\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffective frequency range, +\/-2 dB, at 60 cm (23.6 in)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e70 Hz - 18 kHz with typical 3 dB soft boost at 15 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHigh boost\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e+4 dB at 8 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLow-cut\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003efirst-order filter below 120 Hz\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNominal sensitivity, +\/-2 dB at 1 kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e19 mV\/Pa; -34.4 dB re 1 V\/Pa\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEquivalent noise level, A-weighted\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eTyp. 13 dB(A) ref. 20 uPa (max. 15 dB(A))\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEquivalent noise level, ITU-R BS.468-4\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eTyp. 24 dB (max. 26 dB)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eTyp. 124 dB\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e19 mm preamp\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e152 dB SPL before clipping\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDistortion, THD below 1 percent\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e134 dB SPL RMS, 137 dB SPL peak\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMax SPL, THD 10 percent\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e138 dB SPL peak\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum output voltage, RMS\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2.0 V\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNominal output impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e100 ohms\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMinimum load impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2 kohms\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCable drive capability\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e100 m (328 ft)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutput balancing principle\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ebalanced signal\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCommon mode rejection ratio (CMRR)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003egreater than 40 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePolarity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e+V on pin 2 for positive acoustic pressure\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply (for optimal performance)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eP48 (phantom power)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCurrent consumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e4.5 mA\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54357661417747,"sku":"172580","price":1799.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/f0b45a813134f662e66cbd0ccd027b1b7d7f655a_1DPA_4017B_fe741f49-0adc-4855-be2c-24b57bbcec06.jpg?v=1788181761"},{"product_id":"dpa-2015-373800","title":"2015","description":"\u003ch3\u003eA 2015 Model Designed as a Continuation of the \"2012\/2015\" Duo\u003c\/h3\u003e \n\u003cp\u003eThe 2015 fits into a coherent approach alongside the 2012: two pre-polarized condenser microphones designed for targeted uses. They share the same design principle with a 17 mm capsule, specifically optimized according to the intended application. Within this product line logic, the 2015 stands out with a wide cardioid directivity, particularly relevant when seeking a broad, homogeneous, and \"airy\" sound capture on extended sources.\u003c\/p\u003e \n\n\u003ch3\u003eFor Which Sound Captures Is the 2015 Best Suited?\u003c\/h3\u003e \n\u003cp\u003eThe 2015 is a wide cardioid overhead microphone tailored for drum recording and, more broadly, for all instrument ensembles where a coherent image is desired without multiplying pickup points. As an overhead, it captures the overall balance of the kit (cymbals, attack, body) with a sense of openness linked to its directivity. In live contexts, its compact design favors discreet placement, practical when space is limited and stage visibility is as important as sound quality.\u003c\/p\u003e \n\u003cp\u003eIt is also very comfortable on \"wide\" or complex radiating instruments: grand piano (placed inside, close to the strings, to cover a broad area evenly), brass sections, as well as melodic percussion instruments like vibraphone, xylophone, and large marimbas. The goal is clear: to achieve natural and precise reproduction with a capture that remains stable and usable in a mix, even when the source physically occupies a lot of space.\u003c\/p\u003e \n\n\u003ch3\u003eDirectivity, Placement, and Design: What Defines the 2015's Personality\u003c\/h3\u003e \n\n\u003ch4\u003eA Wide Cardioid for a More \"Breathing\" Image\u003c\/h4\u003e \n\u003cp\u003eThe wide cardioid directivity of the 2015 is at the heart of its sonic identity. It helps capture a more generous soundstage than a classic cardioid while maintaining useful orientation to aim at the source and organize the capture. The result: a sound described as more open, with reproduction aiming for naturalness and precision, particularly appreciated on drum overheads or ensembles where cohesion is sought.\u003c\/p\u003e \n\n\u003ch4\u003eA 30 cm Placement Reference and the Importance of the Proximity Effect\u003c\/h4\u003e \n\u003cp\u003eThe 2012 and 2015 are specified with a linear frequency response at 30 cm, providing a concrete reference for building reproducible placement both in the studio and on stage. As directional microphones, the proximity effect becomes a full adjustment parameter: bringing the mic closer can influence the low end, which can be useful to thicken a source... or, conversely, should be monitored to preserve a natural balance. In overhead use, this behavior allows adjusting the balance between impact, definition, and \"air\" simply by changing distance and angle.\u003c\/p\u003e \n\n\u003ch4\u003eRobustness, Discretion, and Daily Mobility\u003c\/h4\u003e \n\u003cp\u003eBetween rehearsals, concerts, and sessions, equipment is handled, assembled, disassembled, and transported constantly. The 2015 therefore relies on robust and reinforced construction and a compact design that facilitates discreet placement. This combination is particularly relevant for drum setups (where microphones are exposed to accidental shocks) and busy stages, where securing the capture without complicating setup is essential.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003estudio microphone\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ecardioid\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;column-gap:2rem;row-gap:0\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTimbre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003enatural and precise reproduction, open rendering linked to directivity\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectional microphone\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eproximity effect considered to optimize positioning\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54357784887571,"sku":"373800","price":713.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/452cbe8467371bdd1f1cdf35e5ce8f456306206d_DPA_2015.jpg?v=1788182139"},{"product_id":"dpa-4055-kick-drum-microphone-366640","title":"4055 - Kick Drum Microphone","description":"\u003ch3\u003eEssential Information About the DPA 4055 Kick Drum Microphone\u003c\/h3\u003e \u003cbr \/\u003e\u003cul\u003e \u003cbr \/\u003e\u003cli\u003eClear and natural sound, linear frequency response to shape your \"kick\" without constraints\u003c\/li\u003e \u003cbr \/\u003e\u003cli\u003eAsymmetric design for easy placement inside or outside the kick drum\u003c\/li\u003e \u003cbr \/\u003e\u003cli\u003eHandles extreme levels: up to 164 dB SPL peak without flinching\u003c\/li\u003e \u003cbr \/\u003e\u003cli\u003eBuilt-in internal suspension and windscreen foam to limit vibrations and unwanted noise\u003c\/li\u003e \u003cbr \/\u003e\u003c\/ul\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eThe 4055, DPA's Vision Applied to the Kick Drum\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eWith the \u003cstrong\u003eDPA 4055\u003c\/strong\u003e, the brand favors fidelity over fixed sound presets. Where other microphones impose a signature, the 4055 reproduces the true personality of your drum kit, both on stage and in the studio. This approach allows you to achieve a modern or vintage \"kick\" depending on your choice of angle and placement, without fighting against built-in EQ.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eFor Whom and What Uses?\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eIdeal for live sound engineers, studios, and demanding drummers, the \u003cstrong\u003e4055\u003c\/strong\u003e excels from jazz to rock, including pop and classical music. Its consistent on- and off-axis behavior facilitates multi-mic recording and integrates naturally into a FOH mix or recording session.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 Hz - 20 kHz, 40 Hz - 18 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estatic electret\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einstrument microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecardioid\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54357791310099,"sku":"366640","price":599.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/f58cb6d874ec6295bdb1106d9c6387d8f19b2910_DPA_4055.jpg?v=1789356541"},{"product_id":"dpa-kit-4099-dp-10c-417384","title":"KIT-4099-DP-10C","description":"\u003ch3\u003eCORE+: an evolution towards even more transparency\u003c\/h3\u003e\u003cp\u003eThe 4099 CORE+ follows a continuous improvement approach: the goal is simple, to offer a clearer and more nuanced reproduction without altering the source. This CORE+ version emphasizes precision, with a \"veil lifted\" sensation that helps better distinguish attacks, articulations, and micro-variations in playing, including when the performer shifts from soft to more forceful playing.\u003c\/p\u003e\u003cp\u003eIn a touring setup, this pursuit of transparency has a very practical benefit: you gain definition in the mix, which often allows you to place the instrument more naturally, with fewer corrections, and maintain a stable sonic identity from one gig to another.\u003c\/p\u003e\u003ch3\u003eWho is this 10-mic kit for and in what contexts should it be used?\u003c\/h3\u003e\u003cp\u003eThis Classic Touring Kit is designed for \u003cstrong\u003esound teams\u003c\/strong\u003e, \u003cstrong\u003etouring musicians\u003c\/strong\u003e, \u003cstrong\u003eorchestras\u003c\/strong\u003e, \u003cstrong\u003eTV studios\u003c\/strong\u003e, and all organizations needing a reliable, ready-to-use microphone inventory. The \"10 microphones\" format is particularly relevant when you need to amplify a full section, manage multiple positions alternately, or build a homogeneous stock for quick setups.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003eLoud SPL\u003c\/strong\u003e variant is recommended whenever the source is energetic: brass, percussion, amps, high-level stages, or any context where a clean and clear sound capture is required even at high volumes.\u003c\/p\u003e\u003ch3\u003eClarity, detail, and level management: what CORE+ changes in the field\u003c\/h3\u003e\u003ch4\u003eGreater clarity in the mix\u003c\/h4\u003e\u003cp\u003eThe clarity and detail improvements brought by CORE+ result in better separation of elements. On stage, this helps to recover the playing intention (attacks, transients, nuances) and maintain musical presence without pushing the level. Practically, you get a more precise image and a natural feel that facilitates mixing, especially when multiple sources share the same sound space.\u003c\/p\u003e\u003ch4\u003eMore usable dynamics\u003c\/h4\u003e\u003cp\u003eOne of the key points highlighted for this 4099 CORE+ is the improvement across \u003cstrong\u003ethe entire dynamic range\u003c\/strong\u003e. This means the microphone remains relevant both on subtle passages and on level peaks, with a sense of continuity and control. For the sound engineer, this secures the sound capture and limits compromises between finesse and power.\u003c\/p\u003e\u003ch4\u003eA kit designed for efficiency on tour\u003c\/h4\u003e\u003cp\u003eThe \"Touring Kit\" format targets logistical simplicity: grouping 10 microphones and their accessories to standardize setups, speed up stage changes, and reduce unforeseen issues. 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style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einstrument microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estatic electret\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esupercardioid\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eModel\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e4099 CORE+ Classic Touring Kit\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eIncluded\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eaccessories (details not specified)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eQuantity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e10-mic kit\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCORE+ Technology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emore clarity and detail across the entire dynamic range\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eVersion\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eLoud SPL\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSound Objective\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eenhanced quality that further distinguishes the microphone from its competitors\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54357890629907,"sku":"417384","price":6149.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/f45297f45580a0df8e5c55c6d87d4d6ccf642795_DPA_KIT_4099_DP_10C.jpg?v=1789356574"},{"product_id":"dpa-kit-4099-dp-10c-c-417977","title":"KIT-4099-DP-10C-C","description":"\u003ch3\u003eAn Instrument Mic Standard Designed for Precision... and Touring\u003c\/h3\u003e\u003cp\u003eThe DPA 4099 has established itself as a reference for capturing acoustic instruments thanks to its ability to capture the grain, attack, and dynamics without altering the timbre. This \u003cstrong\u003e4099 CORE+\u003c\/strong\u003e version takes the \"natural and detailed\" approach even further: the goal is to preserve the subtlety of classical playing while remaining perfectly usable in concert settings where isolation and stability are crucial.\u003c\/p\u003e\u003cp\u003eThis \u003cstrong\u003eclassic touring kit\u003c\/strong\u003e includes \u003cstrong\u003e10 microphones\u003c\/strong\u003e and \u003cstrong\u003eaccessories\u003c\/strong\u003e to outfit a section, ensemble, or small group coherently, providing a homogeneous solution from one instrument to another. Packaging is announced as a \u003cstrong\u003ecardboard box\u003c\/strong\u003e.\u003c\/p\u003e\u003ch3\u003eWho Is It For and What Are Its Uses?\u003c\/h3\u003e\u003cp\u003eThis kit is aimed at sound engineers, stage managers, orchestras, ensembles, and rental companies seeking a reliable solution for close miking instruments, especially in contexts where precision is as important as quick setup. Thanks to its \u003cstrong\u003ehigh sensitivity\u003c\/strong\u003e and \u003cstrong\u003ewide dynamic range\u003c\/strong\u003e, the 4099 CORE+ suits both delicate nuances and more powerful passages while maintaining a clear and controlled image.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003esupercardioid\u003c\/strong\u003e directionality helps limit bleed (other instruments, monitors, stage noise) and keeps the signal clean, simplifying equalization and improving mix clarity. This is a real advantage in concerts, but also in live recording, streaming, and semi-acoustic situations where a \"studio-like\" sound is desired with the convenience of a clip-on.\u003c\/p\u003e\u003ch3\u003eCORE+ Technology and Design: Clarity, Control, and Durability\u003c\/h3\u003e\u003ch4\u003eCORE+: An Additional Layer of Refinement\u003c\/h4\u003e\u003cp\u003e\u003cstrong\u003eCORE+\u003c\/strong\u003e technology is designed to add a perceptible layer of sound quality: more \u003cstrong\u003eclarity\u003c\/strong\u003e and \u003cstrong\u003edetail\u003c\/strong\u003e across the entire dynamic range. In practice, this translates to better articulation of attacks (bow, pizzicato, keys, articulations), a more transparent rendering of harmonics, and a clean sound even when the performance shifts from pianissimo to fortissimo.\u003c\/p\u003e\u003ch4\u003eSupercardioid Directionality: Isolation and Gain Before Feedback\u003c\/h4\u003e\u003cp\u003eWith its \u003cstrong\u003esupercardioid\u003c\/strong\u003e pattern, the 4099 CORE+ focuses on the targeted source and better rejects surrounding sounds. This behavior directly contributes to \u003cstrong\u003esuperior gain before feedback\u003c\/strong\u003e : it provides more headroom before feedback onset, which is especially appreciated on dense stages, reverberant venues, or when sound reinforcement needs to remain discreet yet effective.\u003c\/p\u003e\u003ch4\u003eMicroLock, IP58, and Mounting System: Built to Handle Back-to-Back Shows\u003c\/h4\u003e\u003cp\u003eOn tour, mechanical reliability is as important as sound quality. The \u003cstrong\u003eMicroLock\u003c\/strong\u003e connector ensures a secure connection suitable for repeated handling. The \u003cstrong\u003eIP58\u003c\/strong\u003e certification enhances confidence against field challenges (dust, moisture, handling), while the \u003cstrong\u003eadvanced and flexible mounting system\u003c\/strong\u003e is designed to adapt to placement constraints: quickly finding \"the right spot,\" maintaining stable positioning, and replicating setups from gig to gig without losing time.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] 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style=\"text-align:left\"\u003e\u003cstrong\u003eSystem\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eadvanced and flexible mounting system\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSPL\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ehigh SPL\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eContents\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eclassic touring kit with 10 mics and accessories\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:11;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd 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Title","offer_id":54358187999507,"sku":"417977","price":6540.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/c84446803337fb4866c9168880e91cb9ad23cfd2_DPA_KIT_4099_DP_10C_C.jpg?v=1789360870"},{"product_id":"dpa-kit-4099-dp-4c-c-417978","title":"KIT-4099-DP-4C-C","description":"\u003ch3\u003eAn Instrument Pickup Standard Evolving with CORE+\u003c\/h3\u003e\u003cp\u003eThe 4099 has established itself as a reference for instrument sound reinforcement thanks to its discreet format and ability to deliver faithful sound in demanding contexts. This \u003cstrong\u003e4099 CORE+\u003c\/strong\u003e version continues this philosophy by adding a layer of performance designed to further distinguish the microphone from its competitors: more precision, greater clarity, and more detailed reproduction across the entire dynamic range. In the \"classic\" tour kit, the goal is clear: to offer a coherent, robust, and quick-to-deploy set, designed to handle soundchecks and concerts with maximum consistency.\u003c\/p\u003e\u003ch3\u003eWho Is It For and What Are Its Uses?\u003c\/h3\u003e\u003cp\u003eThis kit is intended for \u003cstrong\u003etouring musicians\u003c\/strong\u003e, \u003cstrong\u003esound engineers\u003c\/strong\u003e, \u003cstrong\u003esound providers\u003c\/strong\u003e, and \u003cstrong\u003etechnical crews\u003c\/strong\u003e who need a reliable and consistent solution across multiple instruments or positions. With its 4 microphones and accessories, it is particularly suitable for setups requiring \u003cstrong\u003eclose and stable pickup\u003c\/strong\u003e while maintaining a musical sound. The supercardioid directionality and higher gain before feedback make it a relevant choice for dense stages, noisy environments, or situations where feedback margin must be preserved.\u003c\/p\u003e\u003cp\u003eThe kit is also well-suited when quick setup matters: clip on, position, adjust, and achieve reproducible placement from night to night. All in a format designed for transport and logistics, with a \u003cstrong\u003ecardboard box\u003c\/strong\u003e and dedicated accessories.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einstrument microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estatic electret\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esupercardioid\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54358270902547,"sku":"417978","price":2592.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/e7b828192fd437d2428c83f59c6494e742bc9276_DPA_KIT_4099_DP_4C_C.jpg?v=1789365221"},{"product_id":"dpa-4011a-172576","title":"4011A","description":"\u003ch3\u003eA Modernized \"Classic\": The Evolution from the 4011 to the 4011A\u003c\/h3\u003e\u003cp\u003eThe DPA 4011A follows in the footsteps of the 4011, which has become an essential reference for demanding sound capture. This improved version features \u003cstrong\u003ecarefully selected high-end components\u003c\/strong\u003e, with a clear goal: to deliver even more faithful reproduction, \u003cstrong\u003eexemplary neutrality\u003c\/strong\u003e, and \u003cstrong\u003eextremely reduced distortion\u003c\/strong\u003e. The result is a \"transparent\" microphone that respects the source while maintaining the musicality and coherence that have built the series' reputation.\u003c\/p\u003e\u003ch3\u003eFor Whom and For What Uses? A Close-Miking Microphone Also Comfortable as a Spot Mic\u003c\/h3\u003e\u003cp\u003eThe 4011A is designed for sound engineers, studios, live control rooms, and musicians seeking a \u003cstrong\u003eprecise cardioid microphone\u003c\/strong\u003e capable of capturing the finest nuances without coloration. In close-miking, it excels on \u003cstrong\u003eacoustic guitar\u003c\/strong\u003e and \u003cstrong\u003egrand piano\u003c\/strong\u003e, as well as on drum overheads, percussion, and wind instruments. As a spot mic, its top-tier cardioid pattern facilitates placement within dense ensembles, up to the symphony orchestra, maintaining a stable image and natural sound.\u003c\/p\u003e\u003cp\u003eIts ability to handle \u003cstrong\u003every high sound pressure levels\u003c\/strong\u003e also makes it a safe choice when moving from delicate sessions (strings, vocals, ambience) to more energetic sources (brass, percussion, dynamic overheads) without changing microphones.\u003c\/p\u003e\u003ch3\u003ePrecision, Phase, and Level Control: The Strengths of the 4011A\u003c\/h3\u003e\u003ch4\u003eA Consistent Cardioid for Clean Separation\u003c\/h4\u003e\u003cp\u003eThe main asset of the 4011A is the \u003cstrong\u003estability of its cardioid polar pattern\u003c\/strong\u003e. 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This compact version of the 4011 series emphasizes discretion and ease of integration while maintaining top-tier performance for professional applications. Where a studio condenser microphone might be too visible or bulky, the 4011C provides a more \"invisible\" alternative without compromising clarity.\u003c\/p\u003e\u003ch3\u003eWho is it for and what are the uses? A versatile microphone for close-miking and demanding contexts\u003c\/h3\u003e\u003cp\u003eThe 4011C is a relevant choice if you work in \u003cstrong\u003efilm\u003c\/strong\u003e, \u003cstrong\u003etelevision\u003c\/strong\u003e, \u003cstrong\u003etheater\u003c\/strong\u003e, \u003cstrong\u003eplaces of worship\u003c\/strong\u003e, or \u003cstrong\u003estudio\u003c\/strong\u003e and are looking for a cardioid microphone capable of remaining discreet while delivering detailed capture. 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This is a concrete advantage in close-miking (strings, winds, percussion, amps, vocals) and in all configurations where better track separation and limiting microphone bleed are desired.\u003c\/p\u003e\u003ch4\u003eDual condenser capsule: definition and coherence\u003c\/h4\u003e\u003cp\u003eThanks to its \u003cstrong\u003edual condenser capsule\u003c\/strong\u003e design, the 4011C aims for fine transient reproduction and precise nuance reading. The result: a clean sound image, readable lows, and detailed highs, useful for preserving the realism of an acoustic instrument or the texture of a voice without artificial effects.\u003c\/p\u003e\u003ch4\u003eVery high SPL handling: a microphone comfortable with powerful sources\u003c\/h4\u003e\u003cp\u003eThe 4011C can handle very high sound pressure levels, making it a reliable tool for sources that \"hit hard\": percussion, brass, very close instruments, or stage environments where levels rise quickly. This safety margin results in more confident capture and a cleaner signal, with less risk of saturation during peaks.\u003c\/p\u003e\u003ch4\u003eVisual discretion and field integration\u003c\/h4\u003e\u003cp\u003eIts \u003cstrong\u003ematte black finish\u003c\/strong\u003e is a real asset for on-camera capture: the microphone attracts less attention and blends more easily into a set, a cluster of microphones, or a stage setup. The XLR connectivity and 48 V phantom power ensure simple integration with most microphone preamps, consoles, and professional audio interfaces.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003estudio microphone\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ecardioid\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutput impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e100 ohms\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMinimum load impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2 kohms\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNominal sensitivity (+\/-2 dB at 1 kHz)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e10 mV\/Pa; -40 dB re. 1 V\/Pa\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMax SPL\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e152 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e121 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTHD\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eless than 1 percent up to 139 dB SPL\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSignal-to-noise ratio\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e76 dB (A-weighted)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSelf-noise\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e25 dB (A-weighted)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e48 V phantom power (+\/-4 V)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConnectors\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e3-pin male XLR\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ediameter 19 mm; length 64 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e58 g\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54358337388819,"sku":"172577","price":1749.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/747cade0f2e68a4e5f7af3fd1dca7c3d6447805e_1DPA_4011C.jpg?v=1788183022"},{"product_id":"dpa-st4011a-253549","title":"ST4011A","description":"\u003ch3\u003eA Modernized \"Classic\": The Evolution from the 4011 to the 4011A\u003c\/h3\u003e\u003cp\u003eThe DPA 4011A follows in the footsteps of the 4011, which has become an essential reference for demanding sound capture. This improved version features \u003cstrong\u003ecarefully selected high-end components\u003c\/strong\u003e, with a clear goal: to deliver even more faithful reproduction, \u003cstrong\u003eexemplary neutrality\u003c\/strong\u003e, and \u003cstrong\u003eextremely reduced distortion\u003c\/strong\u003e. The result is a \"transparent\" microphone that respects the source while maintaining the musicality and coherence that have built the series' reputation.\u003c\/p\u003e\u003ch3\u003eFor Whom and For What Uses? A Close-Miking Microphone Also Comfortable as a Spot Mic\u003c\/h3\u003e\u003cp\u003eThe 4011A is designed for sound engineers, studios, live control rooms, and musicians seeking a \u003cstrong\u003eprecise cardioid microphone\u003c\/strong\u003e capable of capturing the finest nuances without coloration. In close-miking, it excels on \u003cstrong\u003eacoustic guitar\u003c\/strong\u003e and \u003cstrong\u003egrand piano\u003c\/strong\u003e, as well as on drum overheads, percussion, and wind instruments. As a spot mic, its top-tier cardioid pattern facilitates placement within dense ensembles, up to the symphony orchestra, maintaining a stable image and natural sound.\u003c\/p\u003e\u003cp\u003eIts ability to handle \u003cstrong\u003every high sound pressure levels\u003c\/strong\u003e also makes it a safe choice when moving from delicate sessions (strings, vocals, ambience) to more energetic sources (brass, percussion, dynamic overheads) without changing microphones.\u003c\/p\u003e\u003ch3\u003ePrecision, Phase, and Level Control: The Strengths of the 4011A\u003c\/h3\u003e\u003ch4\u003eA Consistent Cardioid for Clean Separation\u003c\/h4\u003e\u003cp\u003eThe main asset of the 4011A is the \u003cstrong\u003estability of its cardioid polar pattern\u003c\/strong\u003e. This consistency helps isolate a source in a busy environment while maintaining timbral coherence during movements or placement variations. In practice, this results in clearer recordings, particularly useful in multi-mic setups or ensemble spot miking.\u003c\/p\u003e\u003ch4\u003eLinear Frequency Response and Controlled Phase\u003c\/h4\u003e\u003cp\u003eThanks to a \u003cstrong\u003elinear on-axis frequency response\u003c\/strong\u003e and \u003cstrong\u003eexcellent phase consistency\u003c\/strong\u003e, the 4011A aims to reproduce sound as close to the original as possible. Its off-axis behavior is also consistent: any leakage from other instruments retains a natural character, facilitating integration into a mix and enhancing the realistic spatial sensation.\u003c\/p\u003e\u003ch4\u003eIntegrated -20 dB Pad: More Headroom, Less Constraints\u003c\/h4\u003e\u003cp\u003eThe 4011A features an \u003cstrong\u003eintegrated -20 dB attenuator (Pad)\u003c\/strong\u003e with a switch located at the center of the XLR connector. This pad allows for \u003cstrong\u003ereducing the microphone's output level\u003c\/strong\u003e to preserve the headroom of your preamp or console input stage, securing recordings on very loud sources without sacrificing definition.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003estudio microphone\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ecardioid\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003esmall diaphragm condenser microphone\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePolar pattern\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ecardioid\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMax SPL\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e158 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAttenuator Pad\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-20 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eImpedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e200 Ohms\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSound fidelity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ehigh\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003erequires Phantom power\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConnector\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54358476194067,"sku":"253549","price":3749.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/0c161a6325cebe8a116005daa2968a3e3c011401_1DPA_ST4011A_f5ae58bf-2417-4d6f-af13-a611d1ba4c4f.jpg?v=1788183423"},{"product_id":"dpa-2028-b-se2-308427","title":"2028-B-SE2","description":"\u003ch3\u003eA DPA Signature Designed for Live Performance, at the Heart of the Vocal Range\u003c\/h3\u003e\u003cp\u003eDesigned to meet the specific demands of stage and studio environments, the DPA 2028 positions itself as a premium choice for those seeking a faithful voice reproduction without excessive coloration or intrusive \"microphone effect.\" Its particularly natural off-axis response helps maintain a coherent image even when the performer moves, while facilitating mixing in noisy environments.\u003c\/p\u003e\u003ch3\u003eWho It's For and What It's For: Stage, Broadcast, and Demanding Vocals\u003c\/h3\u003e\u003cp\u003eThis vocal microphone capsule is aimed at singers, spoken voice artists, hosts, and sound engineers looking for precise, articulate, and stable vocal capture in the mix. In concerts, it helps keep vocals intelligible against monitors and nearby instruments. In broadcast and audiovisual settings, it highlights timbre and dynamics while remaining manageable with minimal equalization, speeding up soundchecks and securing performances.\u003c\/p\u003e\u003ch3\u003eDesign, Directivity, and Feedback Control\u003c\/h3\u003e\u003ch4\u003eSupercardioid: Isolation and Stage Control\u003c\/h4\u003e\u003cp\u003eThanks to its supercardioid directivity, the 2028 prioritizes the voice while reducing pickup from side sources. The result is a higher useful level before feedback and a better-controlled stage, especially appreciated when monitors are loud or multiple microphones are used nearby.\u003c\/p\u003e\u003ch4\u003eInternal Suspension and Pop Filter: A Capsule Designed for Live Realities\u003c\/h4\u003e\u003cp\u003eThe design is entirely new: the capsule is mounted on a suspension that isolates it from handling noise and cannot be disassembled. The pop filter was specifically developed for this model to attenuate plosives while preserving the openness and presence necessary for a modern vocal sound. This approach aims for consistent performance from one concert to another, even under intensive handling conditions.\u003c\/p\u003e\u003ch4\u003eA Natural Sound That Requires Minimal Correction\u003c\/h4\u003e\u003cp\u003eOn stage, the 2028 is designed to deliver a clear and natural sound, with very little equalization needed to regain an \"acoustic\" feel. This allows the artist to focus on performance and the sound engineer to work on the artistic mix rather than compensating for typical flaws associated with some vocal microphones.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estatic electret\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evoice microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esupercardioid\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:11;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePolar pattern\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esupercardioid\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eNominal output impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e150 ohms\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:12;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOperating principle\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epressure gradient\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMinimum load impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1 kohm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:13;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCartridge type\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epre-polarized condenser\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCable drive capability\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e100 m (328 ft)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:14;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffective frequency range 2 dB, 12 cm (4.7 in)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e100 Hz - 16 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOutput balancing principle\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esymmetrical (impedance balanced) with Active Drive\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:15;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePermanent low-cut filter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e3rd order at 80 Hz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCommon mode rejection ratio (CMRR)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003egreater than 50 dB at 1 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:16;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNominal sensitivity (+\/-3 dB at 1 kHz)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e5 mV\/Pa; -46 dB re. 1 V\/Pa\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum output voltage (RMS)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9 Vrms; 19 dBV; 28 dBu\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:7;--wb-r:17;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEquivalent noise level A-weighted\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etyp. 22 dB (A) re. 20 microPa (max 23 dB (A))\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePolarity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+V on pin 2 for positive acoustic pressure\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:8;--wb-r:18;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDistortion (THD \u0026lt; 1%)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e136 dB SPL RMS, 139 dB SPL Peak\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply (for optimal performance)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eP48 (phantom power)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:9;--wb-r:19;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etyp. 117 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCurrent consumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emax 2.5 mA\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:10;--wb-r:20;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMax SPL (THD 10%)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e160 dB SPL peak\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConnector\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eXLR-3M (pin 1: shield, pin 2: signal + phase, pin 3: - phase)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54358494576915,"sku":"308427","price":555.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/73c91c7c6e3a027c0157712e90c991e8ed3b8b54_1DPA_2028_B_SE2.jpg?v=1789365201"},{"product_id":"dpa-4099-dp-1-101-cm-417389","title":"4099-DP-1-101-CM","description":"\u003ch3\u003eA Proximity Reference, Modernized with CORE+\u003c\/h3\u003e\u003cp\u003eThe 4099 series has established itself as a close-miking solution for instruments, appreciated both on stage and in recording, thanks to its discreet form factor and ability to follow the musician's movements. This \u003cstrong\u003e4099 CORE+ Loud SPL\u003c\/strong\u003e variant continues this approach by emphasizing the management of high acoustic pressure levels, while benefiting from \u003cstrong\u003eCORE+\u003c\/strong\u003e technology to enhance transparency and stability of the sound when levels rise.\u003c\/p\u003e\u003ch3\u003eWho Is It For, and In What Applications?\u003c\/h3\u003e\u003cp\u003eThis microphone is intended for instrumentalists and sound engineers who want a \u003cstrong\u003ereliable, isolated, and consistent capture\u003c\/strong\u003e throughout a concert, rehearsal, or studio session. The clip mounting and adjustable support allow for quickly achieving a coherent capture point, useful when running through soundchecks, limiting bleed, or maintaining identical placement from take to take.\u003c\/p\u003e\u003cp\u003eIt is particularly relevant whenever the instrument produces a lot of acoustic energy and transients, and when the goal is to preserve attack, definition, and a natural timbre without struggling against placement variations.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einstrument microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estatic electret\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esupercardioid\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54358715728147,"sku":"417389","price":648.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/cacf7931fd72a6dce1a2fe8b59236dde5011fd7d_DPA_4099_DP_1_101_CM.jpg?v=1789369517"},{"product_id":"dpa-4099-dp-1-101-p-417396","title":"4099-DP-1-101-P","description":"\u003ch3\u003eThe 4099 Series, Optimized with CORE+ for Demanding Recordings\u003c\/h3\u003e\u003cp\u003eThe 4099 has established itself as a reference whenever a discreet, close-to-source microphone is needed and effective in live contexts. This \u003cstrong\u003eCORE+\u003c\/strong\u003e version takes the approach further, with capsule electronics designed to deliver cleaner reproduction and greater headroom before saturation. In this \u003cstrong\u003epiano stereo kit\u003c\/strong\u003e, the benefit is twofold: maintaining the quick setup of a compact microphone while gaining precision, especially when seeking a coherent and repeatable stereo image for recording or live performance.\u003c\/p\u003e\u003ch3\u003eWho This Piano Stereo Kit Is For\u003c\/h3\u003e\u003cp\u003eThis kit is aimed at \u003cstrong\u003epianists\u003c\/strong\u003e seeking a reliable concert solution, \u003cstrong\u003esound engineers\u003c\/strong\u003e looking for clean stereo that's quick to deploy, and \u003cstrong\u003estudios\u003c\/strong\u003e alternating between detailed takes and placement constraints. It is particularly suited for situations where it's necessary to \u003cstrong\u003eisolate the piano\u003c\/strong\u003e in a busy environment, limit unwanted bleed, and maintain a clear attack, without relying on a pair of stand-mounted microphones that can be difficult to secure around the instrument.\u003c\/p\u003e\u003ch3\u003ePrecise Stereo, Convenient Magnetic Mounting, and the Headroom of a Loud SPL Model\u003c\/h3\u003e\u003ch4\u003eMatched Pair: More Consistent Stereo Image\u003c\/h4\u003e\u003cp\u003eIn stereo, coherence between the two microphones is crucial: it determines left-right balance, center stability, and depth quality. Here, the two 4099 CORE+ microphones are \u003cstrong\u003eselected\u003c\/strong\u003e to guarantee sensitivity within \u003cstrong\u003e+\/-1.5 dB\u003c\/strong\u003e. The result: a more predictable stereo image, easier to position in the mix, and more symmetrical equalization adjustments when aiming for a natural keyboard sound.\u003c\/p\u003e\u003ch4\u003eMagnetic Mounts: Versatile Placement and Repeatability\u003c\/h4\u003e\u003cp\u003eThe supplied \u003cstrong\u003emagnetic mounts\u003c\/strong\u003e allow for quick microphone attachment while maintaining excellent stability. This is a major advantage on piano: you can adjust positioning to emphasize attack, warmth, or bass-treble balance, then \u003cstrong\u003ereproduce the exact placement\u003c\/strong\u003e from one concert to the next or from one session to another. This repeatability saves time, reduces variation between takes, and helps secure the sound when setup time is limited.\u003c\/p\u003e\u003ch4\u003eCORE+ and Loud SPL: More Confidence When the Piano Expresses Itself\u003c\/h4\u003e\u003cp\u003eClose miking a piano can generate pronounced transients and high levels, especially during percussive passages. The \u003cstrong\u003eLoud SPL\u003c\/strong\u003e version is designed to handle these demands, while the \u003cstrong\u003eCORE+\u003c\/strong\u003e architecture aims to preserve signal cleanliness under strong dynamics. In practice, this means a clearer capture when playing hard and a useful reserve when working quickly, without fearing unwanted saturation at the most musical moments.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einstrument microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estatic electret\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esupercardioid\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54358782411027,"sku":"417396","price":1239.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/ccf8895420e7fc901f17830ad05aa3e07f7f85a7_DPA_4099_DP_1_101_P.jpg?v=1789369521"},{"product_id":"dpa-2017-382766","title":"2017","description":"\u003ch3\u003eA New Field Standard from DPA\u003c\/h3\u003eThe latest directional microphone from the brand, the DPA 2017 builds on DPA's expertise in broadcast and film sound recording to offer a compact and ultra-reliable solution. It establishes itself as a modern reference for capturing ambience and dialogue outdoors, where stability and sound clarity are as important as durability.\u003cbr \/\u003e\u003ch3\u003eWho Is It For and What Are Its Uses?\u003c\/h3\u003eDesigned for film crews, sound engineers, reporters, and broadcast technicians, the 2017 excels at the edge of sports fields, on a boom pole for documentaries, mounted on cameras, or for capturing stage ambience. Its supercardioid directivity effectively limits lateral noise and potential feedback while maintaining a natural timbre reproduction.\u003cbr \/\u003e\u003ch3\u003eDesign and Performance Built for the Field\u003c\/h3\u003eThe 2017's condenser capsule delivers remarkable clarity and fidelity across the entire useful frequency range, from 20 to 20,000 Hz. The supercardioid pattern ensures an excellent source-to-noise ratio in complex environments, simplifying placement and reducing the need for heavy post-production processing.\u003cbr \/\u003eA true field tool, its construction withstands repeated mechanical shocks and harsh weather. Tested to operate up to 40degC with 90% relative humidity and down to -40degC in cold conditions, it guarantees reliable capture regardless of circumstances. Its slim profile (19 mm diameter) and featherweight design facilitate balancing on a boom pole and mounting on cameras without compromising mobility.\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eShotgun Microphone\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003esupercardioid\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eSmall diaphragm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eDirectional condenser microphone\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e25 mV\/Pa (-32 dB, 1 V\/Pa)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMax SPL\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e148 dB peak (10% THD)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions (L x H x D)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e19 x 184 x 19 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLength\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e184 mm; diameter: 19 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e115 g\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54358922625299,"sku":"382766","price":919.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/a5da46f2995b812676d1e7859986871cdea73966_DPA_2017.jpg?v=1788184903"},{"product_id":"dpa-4099-dp-1-201-b-417390","title":"4099-DP-1-201-B","description":"\u003ch3\u003eA reference for instrument recording, now in CORE+\u003c\/h3\u003e\u003cp\u003eThe 4099 has established itself as a standard for capturing acoustic sources thanks to its miniature format, sound consistency, and ease of installation on the instrument. With \u003cstrong\u003eCORE+\u003c\/strong\u003e, this approach gains finesse: the goal is to preserve the woody character of the double bass while providing a clearer reading of nuances, attacks, and sustain. In its \u003cstrong\u003eLoud SPL\u003c\/strong\u003e version and with the \u003cstrong\u003edouble bass clip\u003c\/strong\u003e, it stands as a \"ready-to-play\" solution to achieve a usable sound quickly, without compromising musicality.\u003c\/p\u003e\u003ch3\u003eFor whom and for what uses on double bass\u003c\/h3\u003e\u003cp\u003eThis microphone is aimed at double bass players who want a \u003cstrong\u003ecredible acoustic sound\u003c\/strong\u003e on stage without relying on a stand microphone, which is often cumbersome and sensitive to movement. It is also suitable for studio contexts where a close, controllable, and unobtrusive capture is desired, especially to complement an ambient microphone or to secure a take in live playing conditions.\u003c\/p\u003e\u003cp\u003eThe 4099 CORE+ is particularly relevant if you alternate pizzicato and arco, play in amplified ensembles (modern jazz, contemporary music, amplified orchestras), or need \u003cstrong\u003estability\u003c\/strong\u003e and \u003cstrong\u003erepeatability\u003c\/strong\u003e from session to session.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einstrument microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDouble bass\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esupercardioid\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estatic electret\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54359049077011,"sku":"417390","price":616.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/254f9ec050564c73307b0d1d5eeb30fa4055dcd9_DPA_4099_DP_1_201_B.jpg?v=1789373897"},{"product_id":"dpa-4097-dc-g-b00-010-373775","title":"4097-DC-G-B00-010","description":"\u003ch3\u003eA compact microphone designed for demanding dialogue capture\u003c\/h3\u003e\u003cp\u003eThe 4097 CORE Micro Shotgun follows the logic of modern \"micro shotgun\" microphones: offering effective directivity without imposing significant bulk. While some shotgun mics rely on length to enhance directional effect, this model favors a more compact approach, practical to install and handle, while maintaining a very focused pickup pattern. The \"CORE\" designation highlights the product's orientation towards both precise and stable capture, with particular attention paid to dynamics, distortion, and background noise-key criteria when it comes to voice and broadcast.\u003c\/p\u003e\u003ch3\u003eWho is the 4097 CORE Micro Shotgun ideal for, and in what applications does it excel?\u003c\/h3\u003e\u003cp\u003eThis microphone is aimed at users who need to capture speech with maximum clarity: broadcasting, interviews, conferences, content capture, voice-over on set, or any situation where the focus is on a primary source while controlling ambient sound. Its supercardioid directivity is especially useful when the environment is less than ideal (reverberation, audience, ventilation, diffuse noise), as it helps focus listening on the microphone axis.\u003c\/p\u003e\u003cp\u003eIt is also relevant when installation constraints are tight: limited space, need for a lightweight setup, or discreet mounting. Finally, its ability to handle high sound pressure levels reassures in contexts where volume may vary abruptly (expressive speaker, live capture), while aiming for a natural and immediately usable sound.\u003c\/p\u003e\u003ch3\u003eAudio performance designed to stay clean, even when things get complicated\u003c\/h3\u003e\u003ch4\u003eUseful directivity with controlled off-axis behavior\u003c\/h4\u003e\u003cp\u003eThanks to its supercardioid polar pattern, the 4097 CORE Micro Shotgun concentrates capture where you point the mic, enhancing dialogue presence and limiting unwanted sources. An important point lies in its off-axis behavior: dialogue and background noise arriving from the sides retain their sound quality but at a lower level. Practically, this avoids a \"degraded\" or artificial rendering of peripheral sounds, facilitating a more natural mix and less fatiguing listening.\u003c\/p\u003e\u003ch4\u003eLow self-noise, high sensitivity: clearer dialogue\u003c\/h4\u003e\u003cp\u003eFor voice, the sense of proximity and definition depends as much on directivity as on self-noise and sensitivity. Here, the combination of low self-noise and high sensitivity contributes to better intelligibility, especially when speech levels are moderate or when margin needs to be preserved before processing. Add to this a response described as linear: the desired result is a balanced and faithful timbre, well suited to equalization and compression without excess.\u003c\/p\u003e\u003ch4\u003eWide dynamic range, low distortion, and high SPL handling\u003c\/h4\u003e\u003cp\u003eWhen the voice rises (emphatic intonation, laughter, shouting, announcements), a microphone can saturate or harden, making the signal aggressive and difficult to recover. The 4097 CORE Micro Shotgun is rated to handle high SPLs to preserve a natural sound without distortion. Its low distortion and extremely wide dynamic range go in the same direction: delivering a clean and stable signal with comfortable headroom, whether the scene is quiet or highly dynamic.\u003c\/p\u003e\u003ch4\u003eField reliability: shocks, humidity, temperatures, and mounting modularity\u003c\/h4\u003e\u003cp\u003eIn real use, microphone quality is not limited to sound: mechanical stability and robustness matter just as much. This model stands out by its small size and light weight, reducing fatigue and facilitating integration on compact supports. The integrated shock mount helps reduce transmission of vibrations and handling noise, a crucial point whenever the mic is mounted on a boom pole, lightweight stand, or mobile device.\u003c\/p\u003e\u003cp\u003eThe microphone is also rated resistant to humidity and extreme temperatures. This resistance aims to secure recordings under variable conditions (temperature changes, humid locations, travel). Finally, extensions and a range of mounting options are available, notably via the 4099 series clips, allowing adaptation of positioning and fixation according to configuration. A specific maintenance kit for broadcast completes the \"production-ready\" approach, to maintain performance over time.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einstrument microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estatic electret\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esupercardioid\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:11;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e\u0026quot;Micro Shotgun\u0026quot; microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSound objective\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eimproves speech intelligibility\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:12;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePolar pattern\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esupercardioid\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSize\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecompact\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:13;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePickup pattern\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ehighly directional\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003elightweight\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:14;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOff-axis behavior\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003elateral sounds retain quality with reduced level\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eShock mount\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eintegrated\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:15;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSelf-noise\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003elow\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eResistance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ehumidity\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:6;--wb-r:16;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ehigh\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eExtensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eavailable\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:7;--wb-r:17;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eResponse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003elinear\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMounting options\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eavailable\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:8;--wb-r:18;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDistortion\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003elow\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eClip compatibility\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e4099 series\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:9;--wb-r:19;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eextremely wide\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMaintenance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003especific broadcast maintenance kit\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:10;--wb-r:20;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLevel handling\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecapable of managing high SPLs for natural sound without distortion\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54359345594643,"sku":"373775","price":474.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/c23d634434a762bcf93fd9e1a5604fb18bd8e9ad_4097_DC_G_B00_010.jpg?v=1789378067"},{"product_id":"dpa-4099-dp-1-199-s-417391","title":"4099-DP-1-199-S","description":"\u003ch3\u003eA modern \"clip-on\" solution in the spirit of close miking\u003c\/h3\u003e\u003cp\u003eThe 4099 CORE+ Mic Loud SPL with Clip for Saxophone fits into an approach that has become essential both live and in the studio: \u003cstrong\u003eclose miking\u003c\/strong\u003e using a miniature microphone attached directly to the instrument. This philosophy allows for a very usable signal, with pronounced presence and consistent capture from one performance to another, while reducing variations related to microphone stand placement.\u003c\/p\u003e\u003cp\u003eIn practice, this type of microphone is aimed at both demanding musicians and sound engineers looking for a clean, quick-to-install, and coherent solution on stage. The \u003cstrong\u003eCORE+\u003c\/strong\u003e designation emphasizes precise capture and controlled reproduction when the instrument shifts from subtle dynamics to more aggressive attacks.\u003c\/p\u003e\u003ch3\u003eFor whom and for what uses: stage, studio, rehearsal, and recording\u003c\/h3\u003e\u003cp\u003eThis clip microphone is an excellent choice if you need a \u003cstrong\u003esaxophone microphone\u003c\/strong\u003e that follows you everywhere: concerts, orchestras, big bands, brass bands, studio, rehearsals, or video recording. Attaching it to the instrument simplifies space management, avoids placement constraints in front of a music stand, and allows the musician to maintain natural gestures.\u003c\/p\u003e\u003cp\u003eOn stage, proximity to the source helps achieve a more direct sound, often easier to integrate into the mix, especially in noisy environments (drums, amps, monitors). In the studio, it becomes a relevant alternative when seeking a very defined capture or when wanting to limit bleed. For saxophonists who double (soprano\/alto\/tenor\/baritone), the announced compatibility with the entire saxophone family makes this model particularly practical.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einstrument microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSaxophone, Alto Saxophon, Soprano saxophone, Tenor Saxophone\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esupercardioid\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estatic electret\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54359583228179,"sku":"417391","price":579.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/bdad1a5fdfdc6ccad69dcd05a9b0f486fbdde4ba_DPA_4099_DP_1_199_S.jpg?v=1789382036"},{"product_id":"dpa-2006a-172571","title":"2006A","description":"\u003ch3\u003eIn the Footsteps of the 4006: The \"Reference Standard\" Spirit at a Remarkable Price Point\u003c\/h3\u003e\u003cp\u003eThe DPA 2006 follows a clear philosophy: to offer sonic authenticity worthy of the brand's references while making this world more accessible. The comparison with the DPA 4006 is almost automatic, and for good reason: there is an obvious kinship in the overall sonic character, the sense of air, neutrality, and the ability to \"disappear\" in favor of the instrument. This closeness is not only due to the nod of the \"06\" in the model number but to a design approach that prioritizes fidelity above all.\u003c\/p\u003e\u003cp\u003eWhere the 2006 carves its own path is through the capsule technology used in the 2000 series. DPA relies here on a specific architecture that retains the advantages of a small diaphragm (speed, precision, extension) while optimizing noise level and the sense of substance. The result: a microphone that behaves like a high-end model and very concretely redefines the quality\/price ratio for demanding acoustic sound capture.\u003c\/p\u003e\u003ch3\u003eA Microphone Designed for Demanding Acoustic Sound Capture, from Home Studio to Classical\u003c\/h3\u003e\u003cp\u003eIf you are looking for an omnidirectional microphone capable of capturing an instrument \"as it sounds in the room,\" the DPA 2006 is a natural candidate. Its very faithful character is particularly suited to sources rich in transients and harmonics: piano, acoustic guitar, wind instruments, ensembles, quartets, choirs, or light percussion. In the studio as well as in concert recording, it excels whenever you want to preserve dynamics and depth without artificially coloring the timbre.\u003c\/p\u003e\u003cp\u003eIn stereo use, the 2006 is also very convincing in a main AB pair. This configuration highlights width, image stability, and a natural stage sensation, with a treble response designed to position itself as an excellent compromise between typical \"near-field\" and \"diffuse field\" behaviors. For the sound engineer, this translates into easier placement and often simpler integration into the mix, while maintaining a very \"true\" signature.\u003c\/p\u003e\u003ch3\u003eTwin Diaphragm Technology and DPA Modularity: Precision, Silence, and Freedom of Configuration\u003c\/h3\u003e\u003ch4\u003eMMC2006 Capsule: Dual Diaphragm, Great Sense of Air\u003c\/h4\u003e\u003cp\u003eThe heart of the DPA 2006 lies in the MMC2006 capsule and its \"Twin Diaphragm\" technology. Concretely, two miniature capsules are assembled back-to-back to form a single capsule with dual diaphragms. This architecture combines the benefits of a small diaphragm (fast transient response, extended frequency response, excellent definition) with reduced noise levels, closer to what is usually expected from larger diaphragms.\u003c\/p\u003e\u003cp\u003eAnother key point: these capsules are paired with Reference Standard series preamplifiers, rather than tiny integrated FET stages as found in miniature microphones. In listening, this results in greater precision, better microdynamic clarity, and a very useful sense of openness for detailed acoustic recordings.\u003c\/p\u003e\u003ch4\u003eMMP-A or MMP-C: Two Approaches, the Same Level of Excellence\u003c\/h4\u003e\u003cp\u003eThe DPA 2006A is delivered with the MMP-A preamplifier: an audiophile choice aimed at the lowest possible distortion and very faithful reproduction. For those prioritizing compactness, the 2006C version (with the compact MMP-C preamplifier) offers easier placement while providing a subtly different tonal balance, with the low register perceived as somewhat \"fuller.\"\u003c\/p\u003e\u003cp\u003eFinally, one of the great strengths of this family is its modularity: the DPA ecosystem allows you to evolve your microphone over time by combining compatible capsules and preamps, all without tools. This approach is particularly relevant for studios wanting to cover multiple scenarios (proximity, distance, placement constraints) while maintaining rendering consistency.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003estudio microphone\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eomnidirectional\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePolar pattern\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eOmnidirectional\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e114 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSensitivity (+\/- 2 dB at 1 kHz)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e40 mV\/Pa; -28 dB ref. 1 V\/Pa\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEquivalent noise level (A-weighted)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eTypical 16 dB(A) ref 20 uPa (max. 18 dB(A))\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54359651320083,"sku":"172571","price":989.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/385bdadf770fc3471fb5686d229e082047941982_1DPA_2006A.jpg?v=1788185172"},{"product_id":"dpa-4018vl-b-b01-238772","title":"4018VL-B-B01","description":"\u003ch3\u003eEssential Information About the DPA d:facto 4018VL-B-B01 Vocal Microphone\u003c\/h3\u003e \u003cbr \/\u003e\u003cul\u003e \u003cbr \/\u003e\u003cli\u003e\u003cstrong\u003eStudio sound, live on stage\u003c\/strong\u003e: Linear voicing of the 4018VL capsule for a natural and faithful vocal reproduction.\u003c\/li\u003e \u003cbr \/\u003e\u003cli\u003e\u003cstrong\u003eUniform supercardioid\u003c\/strong\u003e: Excellent lateral and rear isolation, reduced risk of feedback, and high source separation.\u003c\/li\u003e \u003cbr \/\u003e\u003cli\u003e\u003cstrong\u003eRobust and live-ready\u003c\/strong\u003e: Three-layer pop filter, very low handling noise, capable of withstanding extreme sound pressure levels.\u003c\/li\u003e \u003cbr \/\u003e\u003cli\u003e\u003cstrong\u003eModular wired\/wireless\u003c\/strong\u003e: Interchangeable capsule and adapters for major wireless systems, elegant matte black finish.\u003c\/li\u003e \u003cbr \/\u003e\u003c\/ul\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eThe DPA \"d:facto\" Series, Broadcast-Grade Quality for Live Performance\u003c\/h3\u003e \u003cbr \/\u003eDesigned to bring studio aesthetics to stages and sets, the \"d:facto\" series has established itself through consistent sound and controlled directivity. The 4018VL-B-B01 model features a linear signature, ideal when the engineer prefers to shape the timbre during mixing rather than relying on a predefined high-frequency boost. It carries the DPA DNA: clarity, precise phase, and balanced frequency response. \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eIntended Uses and Artists\u003c\/h3\u003e \u003cbr \/\u003eThe 4018VL excels for demanding singers and presenters in clubs, tours, or television. Its tight supercardioid pattern keeps the voice front and center while effectively reducing stage monitors, side-fills, and ambient noise. Its headroom and pop resistance make it a reliable choice for dynamic performances, from whispers to fortes. \u003cbr \/\u003e\u003cbr \/\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estatic electret\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ewired microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esupercardioid\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54359695655187,"sku":"238772","price":929.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/a150a3468722f0e77b8184e3dec274f78d5108a1_1DPA_4018VL_B_B01.jpg?v=1789382157"},{"product_id":"dpa-mmp-er-172553","title":"MMP-ER","description":"\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54359728881939,"sku":"172553","price":449.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/a873446dd4de03ddc17cf197547cd566c319a4b0_1DPA_MMP_ER.jpg?v=1789386384"},{"product_id":"dpa-4099-dp-1-417386","title":"4099-DP-1","description":"\u003ch3\u003eA Major Evolution Within the 4099 Series: The Arrival of CORE+\u003c\/h3\u003e\u003cp\u003eThe 4099 has established itself as a reference microphone whenever close, precise, and coherent instrument capture is sought without sacrificing musicality. With this \u003cstrong\u003ecompletely redesigned\u003c\/strong\u003e version, the 4099 CORE+ Mic Loud SPL marks a turning point in the range: the goal is not just to \"capture louder,\" but to preserve a high level of detail and naturalness where many microphones become aggressive or compressed. This new generation emphasizes \u003cstrong\u003esignal cleanliness\u003c\/strong\u003e, \u003cstrong\u003estability\u003c\/strong\u003e, and \u003cstrong\u003eenvironmental control\u003c\/strong\u003e, while maintaining the series' identity: a close capture that remains musical.\u003c\/p\u003e\u003ch3\u003eFor Whom and For What Uses? A Microphone Tailored for Noisy Environments\u003c\/h3\u003e\u003cp\u003eThe 4099 CORE+ Mic Loud SPL is aimed at musicians, sound engineers, and technicians working close to powerful sources and busy stages. It is particularly relevant when the priority is to \u003cstrong\u003ereduce bleed\u003c\/strong\u003e (other instruments, monitors, amps, stage ambiance) while preserving a realistic timbre. In the studio, it becomes an effective ally for securing close takes, obtaining a quickly usable signal, and limiting retakes caused by saturation or insufficient definition.\u003c\/p\u003e\u003cp\u003eIt is especially suitable for situations requiring high clarity: dense arrangements, high-volume stages, multi-instrument setups, or recordings where source separation determines the quality of the final mix. Thanks to its \"ready to mix\" character, it allows going straight to the point, with a sound that remains stable even when the context becomes challenging.\u003c\/p\u003e\u003ch3\u003eClarity, Naturalness, and Control: Key Points of the Redesign\u003c\/h3\u003e\u003ch4\u003eCORE+: A Cleaner, More Faithful Signal\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003eCORE+\u003c\/strong\u003e technology is designed to push the idea of transparent capture further. The sought-after result is a microphone that preserves the \u003cstrong\u003etexture\u003c\/strong\u003e and \u003cstrong\u003enuances\u003c\/strong\u003e of the instrument while avoiding artifacts that often appear on high dynamics. This translates into a sound that remains \u003cstrong\u003ecrystalline\u003c\/strong\u003e, with an enhanced sense of naturalness and better tolerance to demanding conditions.\u003c\/p\u003e\u003ch4\u003eLoud SPL Version: Retaining Detail Without Hardening the High End\u003c\/h4\u003e\u003cp\u003eWith powerful sources, the challenge is not only to handle the level but also to prevent the recording from becoming aggressive, \"grainy,\" or constrained. The 4099 CORE+ Mic Loud SPL is designed to maintain a clean and readable signature, with a comfortable headroom sensation in use. You thus retain the attack and energy without losing the finesse that makes the difference between an adequate capture and a truly professional result.\u003c\/p\u003e\u003ch4\u003eExceptional Isolation and Off-Axis Rejection: A Real Advantage in Real Situations\u003c\/h4\u003e\u003cp\u003eThe promise of \u003cstrong\u003eexceptional isolation\u003c\/strong\u003e and \u003cstrong\u003eexcellent off-axis rejection\u003c\/strong\u003e concretely changes daily work: less bleed means more freedom in mixing, simpler equalization, cleaner compression, and better consistency from one track to another. On stage, it also helps achieve a more stable sound, with fewer surprises when the player moves or when the environment becomes louder.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einstrument microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estatic electret\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esupercardioid\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eModel\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e4099 CORE+ Mic Loud SPL\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePurpose\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eimprove signal cleanliness and fidelity of capture\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:9;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eVersion\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eLoud SPL (adapted to high acoustic pressure sources)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eIsolation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eexceptional\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDesign\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecompletely redesigned\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOff-axis rejection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eexcellent (reduction of bleed and better source separation)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:11;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSound character\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecrystalline and natural\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUses\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estage, studio, close miking\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:12;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBehavior\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edistortion-free under intended usage conditions\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eContexts\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003enoisy environments, busy stages, situations requiring strong bleed control\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:6;--wb-r:13;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGoal\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epreserve detail and musicality on powerful sources\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eTypical sources\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einstruments and setups with high sound levels\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:7;--wb-r:14;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eIntegrated technology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eCORE+\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54359751393555,"sku":"417386","price":504.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/085389dd78032dc7cb74b2596e4c86c1c9e69b7f_DPA_4099_DP_1.jpg?v=1789386430"},{"product_id":"dpa-4099-dc-1-101-ms-360508","title":"4099-DC-1-101-MS","description":"\u003ch3\u003eAn Instrument Sound Reinforcement Reference, Now in CORE Version\u003c\/h3\u003e\u003cp\u003eAlready considered a standard in the \u003cstrong\u003einstrument microphone\u003c\/strong\u003e world, the d:vote 4099 has established itself on stage and in recording thanks to its natural reproduction and ability to isolate the source. The \u003cstrong\u003e4099 CORE\u003c\/strong\u003e version takes this signature even further: more openness, increased definition, and better handling of very dynamic passages, while maintaining the balance that has made the 4099 series renowned. The result: a faithful reinforcement of the instrument's timbre, with enhanced precision and transparency in the mix.\u003c\/p\u003e\u003ch3\u003eWho It's For and Intended Uses\u003c\/h3\u003e\u003cp\u003eThe DPA d:vote CORE 4099 (with \u003cstrong\u003emicrophone stand mount\u003c\/strong\u003e) is aimed at demanding musicians, live sound engineers, and stage technicians seeking a \u003cstrong\u003econdenser microphone\u003c\/strong\u003e that sounds \"like the instrument,\" even in noisy environments. It is suitable for reinforcing acoustic instruments (strings, woodwinds, brass, percussion, guitar, piano) as well as denser contexts such as orchestras or TV studios, where presence is desired without sacrificing naturalness. Thanks to its directionality and level handling, it excels on stage where control of spill and feedback is essential.\u003c\/p\u003e\u003ch3\u003eCORE Technology, Reliable Mounting, and Configuration Flexibility\u003c\/h3\u003e\u003ch4\u003eCORE by DPA: More Transparency, Less Distortion\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003eCORE\u003c\/strong\u003e technology integrated into the microphone aims to reduce distortion and improve detail clarity. In practice, this results in a sharper attack, cleaner harmonics, and a more stable sense of space, even when the instrument moves from very soft playing to powerful accents. This is a direct advantage for live sound reinforcement: a better-defined sound often requires less corrective equalization and integrates more quickly into a mix.\u003c\/p\u003e\u003ch4\u003eSupercardioid Directionality: Focus, Rejection, and Feedback Control\u003c\/h4\u003e\u003cp\u003eWith its \u003cstrong\u003esupercardioid\u003c\/strong\u003e pattern, the 4099 CORE primarily captures what is in front of the capsule and further attenuates the rear. On stage, this translates to better isolation and superior \u003cstrong\u003egain before feedback\u003c\/strong\u003e. Note: as with all supercardioids, the proximity effect can boost bass frequencies when the microphone is brought closer to the source, allowing adjustment of warmth through placement.\u003c\/p\u003e\u003ch4\u003eMicrophone Stand Mount, Shock Mount, and Integrated Gooseneck\u003c\/h4\u003e\u003cp\u003eThis version comes with a \u003cstrong\u003emicrophone stand mount\u003c\/strong\u003e (MS4099), convenient when avoiding any contact with the instrument or when stage setup requires \"on-the-fly\" placement. The shock mount system has been improved to better isolate handling noise and rumble. The integrated \u003cstrong\u003egooseneck\u003c\/strong\u003e facilitates precise and reproducible positioning from one concert to another.\u003c\/p\u003e\u003ch4\u003eBuilt to Last: IP58 Certification\u003c\/h4\u003e\u003cp\u003eThe 4099 CORE is \u003cstrong\u003eIP58 certified\u003c\/strong\u003e. This robustness relies notably on a hydrophobic nano-coating, sealing of the sensitive internal amplifier, and a diaphragm with double gold plating. This provides extra security for real-world performances (sweat, humidity, temperature changes, outdoor stages).\u003c\/p\u003e\u003ch4\u003eMicroDot Connectivity and Adapter System: Ready for Wired and Wireless\u003c\/h4\u003e\u003cp\u003eThe microphone uses a \u003cstrong\u003eMicroDot\u003c\/strong\u003e connector and comes with an \u003cstrong\u003eXLR\u003c\/strong\u003e adapter. It can also be connected to many wireless systems via dedicated adapters, allowing ecosystem changes without replacing the microphone. The cables are \u003cstrong\u003edetachable\u003c\/strong\u003e and available in thinner or more robust versions depending on the application, designed to withstand daily use.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estatic electret\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einstrument microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esupercardioid\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:14;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePolar pattern\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSupercardioid\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply (for optimal performance)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFor wireless systems: Min. 5 V - max. 10 V via DPA adapter. With DAD6001-BC or DAD4099-BC: P48 (phantom power). Operates from 12 V\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:15;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOperating principle\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePressure gradient\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCurrent consumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTyp. 1.5 mA (microphone). 3.5 mA with DAD4099-BC or DAD6001-BC XLR adapter\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:16;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCartridge type\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePre-polarized condenser\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConnector\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMicroDot\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:17;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffective frequency range +\/-2 dB at 20 cm (7.9 in)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e80 Hz - 15 kHz with a gentle 2 dB boost at 10-12 kHz. Second-order high-pass filter at 80 Hz with DAD4099-BC\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMicrophone diameter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e5.7 mm (0.22 in)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:18;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNominal sensitivity, +\/-3 dB at 1 kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6 mV\/Pa; -44 dB ref. 1 V\/Pa\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMicrophone length\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e45 mm (1.8 in)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:19;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEquivalent noise level, A-weighted\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTyp. 23 dB(A) ref. 20 micropascals (max. 26 dB(A))\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCable length\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1.8 m (5.9 ft)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:7;--wb-r:20;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDistortion, THD \u0026lt; 1%\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e128 dB SPL RMS, 131 dB SPL peak\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCable diameter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1.6 mm (0.06 in) \/ 2.2 mm (0.09 in)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:8;--wb-r:21;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTyp. 108 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGooseneck length\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e140 mm (5.5 in)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:9;--wb-r:22;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMax. SPL, THD 10%\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e142 dB SPL peak\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMicrophone weight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e17 g (0.60 oz)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:10;--wb-r:23;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNominal output impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFrom MicroDot: 30 - 40 ohms. From DAD4099-BC or DAD6001-BC: 100 ohms\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAccordion microphone clip (AC4099)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e5 g (0.18 oz)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:11;--wb-r:24;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCable transmission capacity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eUp to 300 m with DAD6001-BC\/DAD4099-BC XLR adapter\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUniversal instrument microphone clip (UC4099)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e15 g (0.53 oz)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:12;--wb-r:25;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutput balancing principle\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBalanced signal with DAD4099-BC or DAD6001-BC XLR adapter\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMicrophone stand mount (MS4099)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e27.5 g (0.97 oz)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:13;--wb-r:26;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCommon mode rejection ratio (CMRR)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e\u0026gt; 60 dB from 50 Hz to 15 kHz with DAD4099-BC or DAD6001-BC XLR adapter\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCold shoe mount with standard 6.35 mm Jack thread (CS4099)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e5 g (0.18 oz)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54359846715667,"sku":"360508","price":557.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/c7b18ef2a2cf9528192ac9873a2c57edd865cfd4_1DPA_4099_DC_1_101_MS.jpg?v=1789386318"},{"product_id":"dpa-4099-dp-1-101-u-417394","title":"4099-DP-1-101-U","description":"\u003ch3\u003eThe 4099 Series: A Standard for Close Miking Instruments\u003c\/h3\u003e\u003cp\u003eThe \u003cstrong\u003eDPA 4099\u003c\/strong\u003e family has established itself as a reference for musicians and sound engineers seeking an instrument microphone that is both \u003cstrong\u003efaithful\u003c\/strong\u003e, \u003cstrong\u003efast\u003c\/strong\u003e, and \u003cstrong\u003ereliable\u003c\/strong\u003e on stage. The miniature format and dedicated mounting allow for consistent placement and stable sound from one concert to another, even when the environment changes (monitors, proximity to other instruments, variable acoustics). With the \u003cstrong\u003eCORE+\u003c\/strong\u003e variant, this model evolves towards even cleaner signal capture while preserving the range's DNA: a natural sound and excellent control of bleed.\u003c\/p\u003e\u003ch3\u003eFor Which Musicians and Recording Situations?\u003c\/h3\u003e\u003cp\u003eThe \u003cstrong\u003e4099 CORE+ Loud SPL with universal clip\u003c\/strong\u003e is aimed at instrumentalists who need a quick-to-install, visually discreet, and high-performance solution in demanding contexts: \u003cstrong\u003eamplified orchestra\u003c\/strong\u003e, \u003cstrong\u003eTV studios\u003c\/strong\u003e, \u003cstrong\u003emusicals\u003c\/strong\u003e, \u003cstrong\u003elive concerts\u003c\/strong\u003e, as well as \u003cstrong\u003erecording\u003c\/strong\u003e when close instrument capture with excellent signal-to-ambient noise ratio is desired. The hook-and-loop strap mounting is particularly practical for \u003cstrong\u003ewoodwinds\u003c\/strong\u003e (oboe, bassoon, flute) and more broadly for any instrument whose geometry makes classic clips less suitable. It saves setup time, secures the hold, and maintains great placement freedom.\u003c\/p\u003e\u003ch3\u003eCORE+ and Loud SPL Version: Stability, Headroom, and Precision in Daily Use\u003c\/h3\u003e\u003ch4\u003eCORE+: Cleaner Signal from the Capsule\u003c\/h4\u003e\u003cp\u003e\u003cstrong\u003eCORE+\u003c\/strong\u003e technology aims for more transparent reproduction, with better handling of dynamic transitions and attacks. The result: a microphone that preserves the instrument's nuance and texture while providing a highly usable signal base for mixing (smoother EQ, more musical compression, less harshness when increasing gain). For wind instruments, this precision is valuable: it helps respect the timbre, air column, and presence sensation without becoming aggressive.\u003c\/p\u003e\u003ch4\u003eLoud SPL: More Headroom for Powerful Sources\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003eLoud SPL\u003c\/strong\u003e variant is designed to withstand high levels, a real advantage when the instrument is close to the microphone, the musician plays loudly, or when seeking a very direct capture for a modern mix. This extra headroom results in a more stable sound and better resistance to clipping, especially in stage contexts where preamp reserve is important to avoid peak distortion.\u003c\/p\u003e\u003ch4\u003eUniversal Clip with Hook-and-Loop Strap: Adaptability and Security\u003c\/h4\u003e\u003cp\u003eThe key feature of this solution is its \u003cstrong\u003ehook-and-loop strap closure\u003c\/strong\u003e: it finely adjusts and adapts to instruments of various sizes and shapes, such as the \u003cstrong\u003eoboe\u003c\/strong\u003e, \u003cstrong\u003ebassoon\u003c\/strong\u003e, and \u003cstrong\u003eflute\u003c\/strong\u003e. The mounting ensures a secure hold without complicating the musician's life, while allowing quick micro-adjustments (orientation, distance, angle). The gooseneck facilitates precise placement: you can target a brighter area or shift for a rounder sound, all while controlling bleed and stage noise.\u003c\/p\u003e\u003ch4\u003eOptimized for Stage: Better Controlled Bleed, Repeatable Placement\u003c\/h4\u003e\u003cp\u003eA well-positioned clip microphone helps gain \u003cstrong\u003egain before feedback\u003c\/strong\u003e and reduces reliance on corrective processing. Bringing the capsule closer to the source naturally improves intelligibility, which is especially useful in dense mixes (drums, amps, monitors, wind sections). The recording becomes more consistent, and the musician enjoys playing comfort as the balance changes less when moving.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einstrument microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estatic electret\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esupercardioid\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54360074617107,"sku":"417394","price":569.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/5a2301b8af7ecb01935fd3b169d0cbf57983588d_DPA_4099_DP_1_101_U.jpg?v=1789391020"},{"product_id":"dpa-kit-4099-dc-4r-360492","title":"KIT-4099-DC-4r","description":"\u003ch3\u003eA Benchmark in Instrument Miking, Enhanced by CORE by DPA\u003c\/h3\u003e \u003cp\u003eAlready recognized as a standard in clip-on instrument microphones, the DPA 4099 takes a step forward with \u003cstrong\u003eCORE by DPA\u003c\/strong\u003e. This evolution aims to reduce distortion and open up the sound rendering for a more natural and faithful amplification of your instrument in demanding contexts. The 4099 series is designed to sound accurate across a wide range of acoustic sources while maintaining a clear and precise signature, particularly appreciated by musicians and sound engineers in stage conditions.\u003c\/p\u003e \u003ch3\u003eFor Which Stages and Musicians Is This Kit Ideal?\u003c\/h3\u003e \u003cp\u003eThe \u003cstrong\u003e4099 CORE Extreme SPL\u003c\/strong\u003e is primarily intended for situations where sound levels are high and clarity must remain intact: rock concerts, TV studios, theaters, live recordings, festival performances, and rental fleets. It is tailored for \u003cstrong\u003edrums\u003c\/strong\u003e and \u003cstrong\u003epercussion\u003c\/strong\u003e, as well as \u003cstrong\u003ebrass\u003c\/strong\u003e instruments capable of producing strong transients. The idea is simple: preserve the instrument's character, limit bleed, and achieve a usable sound quickly, even in dense mixes.\u003c\/p\u003e \u003ch3\u003eWhat Makes the Difference in the Field: Mounting, Isolation, and Consistency\u003c\/h3\u003e \u003ch4\u003eCORE by DPA: More Transparency, Less Distortion\u003c\/h4\u003e \u003cp\u003eAt the heart of these miniature microphones, the \u003cstrong\u003eCORE by DPA\u003c\/strong\u003e technology aims to lower distortion to gain openness and precision across the entire dynamic range. The result: sharper attacks, better nuance reproduction, and a sound that remains stable when the instrument shifts from subtle to very forceful playing.\u003c\/p\u003e \u003ch4\u003eSupercardioid: High Rejection and Gain Before Feedback\u003c\/h4\u003e \u003cp\u003eThe Loud-SPL and \u003cstrong\u003eExtreme-SPL\u003c\/strong\u003e versions share a \u003cstrong\u003esupercardioid\u003c\/strong\u003e polar pattern designed to maximize rejection. This is a key point for live use: you can raise the level without triggering feedback too early, while maintaining a consistent off-axis response for coherent stage presence.\u003c\/p\u003e \u003ch4\u003eShock Mount, Detachable Cables, and Gooseneck: Designed for Touring\u003c\/h4\u003e \u003cp\u003eThe 4099 CORE features an \u003cstrong\u003eimproved shock mount\u003c\/strong\u003e that effectively isolates handling noise and vibrations. The \u003cstrong\u003edetachable cables\u003c\/strong\u003e come in heavy or light versions depending on the usage, with durability suited to daily stage life. The \u003cstrong\u003eintegrated gooseneck extension\u003c\/strong\u003e facilitates quick, precise, and especially repeatable placement from one show to another.\u003c\/p\u003e \u003ch4\u003eA Microphone That Follows Your Instrument Fleet\u003c\/h4\u003e \u003cp\u003eThe mounting system is designed to \u003cstrong\u003enot damage the finish\u003c\/strong\u003e: you can unclamp, reposition, or transfer the microphone from one instrument to another. Simply use the clip adapted to the correct instrument type to secure the mount and quickly regain effective placement.\u003c\/p\u003e \u003ch4\u003eIncluded Focus: DPA 6066 CORE Subminiature Headset Microphone\u003c\/h4\u003e \u003cp\u003eThe \u003cstrong\u003eDPA 6066 CORE\u003c\/strong\u003e features a subminiature capsule with a \u003cstrong\u003e3 mm\u003c\/strong\u003e diameter to deliver a very clean sound in a discreet format. The headband has been redesigned for lightweight, \"one size fits all\" wear, with secure attachment thanks to \u003cstrong\u003e3-point\u003c\/strong\u003e ear claws. The boom is adjustable (length and height) with an anti-rotation system, and the \u003cstrong\u003e90-degree cable management\u003c\/strong\u003e helps guide the cable and reduce mechanical stress, practical both on stage and in musical theater.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estatic electret\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einstrument microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esupercardioid\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:16;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eCORE by DPA\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic Range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etypically 102 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:17;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003econdenser instrument microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMax SPL, THD 10%\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e144 dB SPL peak\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:18;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePolar Pattern\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esupercardioid\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eNominal Output Impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e30 - 40 ohms\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:19;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eUsage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eclose miking of extremely loud instruments (drums, percussion, certain brass)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCable Transmission Capacity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eup to 300 m with XLR adapter DAD6001-BC\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:20;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMax SPL (peak before clipping)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e152 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower Supply (for optimal performance)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efor wireless systems, min. 5 V - max. 10 V via DPA adapter\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:21;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMount\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eimproved shock mount (isolates handling noise and rumble)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower Supply with DAD6001-BC\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eP48 (phantom power), operates from 12 V\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:7;--wb-r:22;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCables\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edetachable, available in heavy or light versions\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCurrent Consumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etypically 1.5 mA (microphone), 3.5 mA with XLR adapter DAD6001-BC\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:8;--wb-r:23;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePositioning\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eintegrated gooseneck extension for easy and repeatable mounting\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConnector\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMicroDot, TA4F Mini-XLR, LEMO 3-pin, mini-jack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:9;--wb-r:24;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMounting Design\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eeasy unclipping\/repositioning, designed not to scratch instrument finish\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e11 g, including cable and MicroDot connector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:10;--wb-r:25;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eKits\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eavailable in configurations of 4 or 10 microphones with corresponding accessories\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMicrophone Head Size (H x W x D)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e3.4 \/ 8.9 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:11;--wb-r:26;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOperating Principle\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epressure\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule Diameter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e3 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:12;--wb-r:27;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffective Frequency Range +\/-2 dB\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e40 Hz - 20 kHz with a soft 4 dB boost at 8 - 20 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCable Length\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1.3 m\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:13;--wb-r:28;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSensitivity, nominal, +\/-3 dB at 1 kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6 mV\/Pa; -44 dB re. 1 V\/Pa\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePolarity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ea positive increase in sound pressure produces a positive voltage on the MicroDot pin\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:14;--wb-r:29;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEquivalent Noise Level, A-weighted\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etypically 26 dB(A) re. 20 µPa (max. 28 dB(A))\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eTemperature Range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-40 degC to 45 degC\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:15;--wb-r:30;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDistortion, THD \u0026lt; 1%\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e125 dB SPL RMS, 128 dB SPL peak\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRelative Humidity (RH)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eup to 90%\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54360092967187,"sku":"360492","price":2449.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/3cdf8326f890ec6de71d1e76c0c29b1e151a268c_1DPA_KIT_4099_DC_4R_1c5657d5-1607-4d6e-a24e-3477f0d09182.jpg?v=1789390889"},{"product_id":"dpa-st4006a-stock-b-426130","title":"ST4006A - BSTOCK","description":"\u003cp align=\"justify\"\u003eThe versatile DPA 4006A is undoubtedly the most popular microphone in the Standard series, having rightfully earned its status as the global recording standard. It offers complete transparency in any situation, with incredibly detailed and deep sound reproduction. The high-frequency response across a wide range of instruments is undeniably impressive for the vast majority of recording applications.\u003cbr \/\u003e\u003cbr \/\u003eWith the 4006A, music sound engineers, broadcasters, and musicians can reproduce sound with extreme naturalness and great precision in all kinds of applications: ideal for stereo A-B recording of symphony orchestras in concert halls, the 4006A also excels on vocals and close-miking instruments such as grand piano, guitar, double bass, and percussion.\u003cbr \/\u003e\u003cbr \/\u003eWith its acoustic modification accessories, three interchangeable grills, and its capsule, it is possible to acoustically transform the 4006C into four different versions, making it an extremely versatile and cost-effective solution. Moreover, these grills and different elements, unlike using an electronic filter, do not introduce phase issues, noise, or distortion.\u003cbr \/\u003e\u003cbr \/\u003e\u003cb\u003eSpecifications:\u003c\/b\u003e\u003cul\u003e\u003cli\u003eMMP-A Microphone Pre-Amplifier\u003c\/li\u003e\u003cli\u003eMMC4006 Omnidirectional Capsule\u003c\/li\u003e\u003cli\u003eFrequency Response: 10 - 20,000 Hz\u003c\/li\u003e\u003cli\u003eMax SPL: 147 dB\u003c\/li\u003e\u003cli\u003e48V Phantom Power\u003c\/li\u003e\u003cli\u003eSwitchable Low-Cut and High-Boost Filters\u003c\/li\u003e\u003cli\u003eLength: 170 mm\u003c\/li\u003e\u003cli\u003eDiameter: 16-19 mm\u003c\/li\u003e\u003cli\u003eWeight: 163 g\u003c\/li\u003e\u003cli\u003eHandmade in Denmark\u003c\/li\u003e\u003c\/ul\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54360148934931,"sku":"426130","price":4274.1,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/3f1a636b41aaf821dfdc3c55e6a118d1d5dc78ab_1DPA_ST4006A_6d231d81-31cd-4385-8efb-4544b6bf440e.jpg?v=1789440354"},{"product_id":"dpa-2012-stereo-373798","title":"2012 Stereo","description":"\u003ch3\u003eThe 2000 Series, Designed for the Modern Stage\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003ePart of the \"2000\" series, the 2012 is a condenser pencil microphone designed for demanding environments. Its specially developed 17 mm capsule offers the stability, consistency, and durability that touring sound engineers expect, while maintaining the precise sonic character of a condenser microphone.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eFor Whom and What Uses?\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eThe 2012 is a true \"Swiss Army knife\" for close miking on stage and in the home studio. It excels on snare drum, hi-hat, cymbals, and percussion, as well as on acoustic guitar, guitar\/bass amps, saxophone, trumpet, and other brass instruments. Its ability to handle very high sound pressure levels while capturing fine details makes it a credible alternative to dynamic microphones in many situations.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eKey Features for Stage and Studio\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eThe \u003cstrong\u003e17 mm pre-polarized condenser capsule\u003c\/strong\u003e delivers a linear response and fast transient image, ideal for preserving the attack of percussive instruments. The \u003cstrong\u003euniform cardioid\u003c\/strong\u003e ensures consistent off-axis timbre, simplifying placement and reducing bleed on busy stages.\u003c\/p\u003e \u003cbr \/\u003e\u003cp\u003eThe frequency response is \u003cstrong\u003elinear at 30 cm\u003c\/strong\u003e, an ideal starting point for close miking. As with any directional microphone, the proximity effect should be anticipated to shape the low-frequency curve depending on the source-to-mic distance. The \u003cstrong\u003estereo kit\u003c\/strong\u003e offers a selection with a sensitivity tolerance of \u003cstrong\u003e+\/-1.5 dB\u003c\/strong\u003e for consistent XY\/ORTF captures. Each box includes a clip, a windscreen, and a convenient zippered pouch\u0026#59; the stereo pair doubles these accessories in a lightweight and sturdy case.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estudio microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecardioid\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:5;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePre-polarized condenser microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDrums\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esnare, hi-hat, cymbals, percussion\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e17 mm designed for stage use\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eStrings and guitars\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eacoustic guitar, guitar and bass amplifiers\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:7;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eProximity effect\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epresent (related to directivity) and to be utilized depending on placement\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eBrass and woodwinds\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esaxophone, trumpet, other close miking applications\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStereo pair\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esensitivity matching within +\/-1.5 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eStereo kit version\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2 microphones, 2 clips, 2 windscreens, lightweight and robust zippered case\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54360184684819,"sku":"373798","price":1349.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/90c0cc05a5270686df07b67e96af01549180880a_DPA_2012ST.jpg?v=1789395659"},{"product_id":"dpa-st4006a-210382","title":"ST4006A","description":"\u003ch3\u003eA Global Recording Standard in the DPA \"Standard\" Range\u003c\/h3\u003e\u003cp\u003eWithin the Standard series, the \u003cstrong\u003eDPA 4006A\u003c\/strong\u003e has established itself as a reliable choice in both studio and high-end live sound recording. Its reputation is based on a \"no coloration\" approach: the microphone aims to reproduce the source as it is, with remarkable spatial sensation and clarity. This philosophy makes it a recurring choice when seeking a dependable capture capable of spanning styles and production constraints, from classical to contemporary music, including broadcast and transmission.\u003c\/p\u003e\u003cp\u003eIts position in the lineup is clear: to offer a \u003cstrong\u003epremium omnidirectional capture\u003c\/strong\u003e focused on realism, while remaining adaptable through acoustic modification elements. The result: a single microphone can cover multiple \"behaviors\" of sound capture depending on the soundstage to be reproduced and placement distance.\u003c\/p\u003e\u003ch3\u003eWhat Sound Sources Is the DPA 4006A Designed For?\u003c\/h3\u003e\u003cp\u003eThe 4006A is aimed at \u003cstrong\u003esound engineers\u003c\/strong\u003e, stage managers, studios, and musicians seeking an extremely natural capture with a coherent response across a wide range of instruments. In stereo, it is particularly suited to A-B configurations for \u003cstrong\u003esymphony orchestra\u003c\/strong\u003e in concert halls, when the goal is to achieve a wide, realistic, and spacious image.\u003c\/p\u003e\u003cp\u003eIt also excels in close-miking demanding acoustic sources: \u003cstrong\u003econcert grand piano\u003c\/strong\u003e, guitar, double bass, percussion, as well as on \u003cstrong\u003evocals\u003c\/strong\u003e when preserving texture and micro-details without artificial magnification effects is desired. 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The result: a more intelligible accordion in the mix, better perception of transients, and an increased sense of openness, useful both in acoustic music and amplified contexts.\u003c\/p\u003e\u003ch4\u003eSupercardioid: isolation and gain before feedback\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003esupercardioid\u003c\/strong\u003e polar pattern focuses the capture on the instrument while reducing sensitivity to side and rear sounds. This is a major advantage for achieving higher usable gain before feedback and maintaining usable stereo even in dense stage environments. As with any directional microphone, placement is crucial: the gooseneck helps precisely aim at the most musical area and easily replicate the same positioning from one gig to another.\u003c\/p\u003e\u003ch4\u003eAccordion mounting, quick repositioning, and instrument protection\u003c\/h4\u003e\u003cp\u003eThe microphones can be unclipped and repositioned easily. The mounting system is designed to avoid damaging or scratching the instrument's finish. In this \"accordion\" configuration, the kit provides a complete solution designed to achieve \u003cstrong\u003eclean and transparent stereo\u003c\/strong\u003e, with a selected pair for level coherence between the two microphones.\u003c\/p\u003e\u003ch4\u003eBuilt to last: IP58 certification and detachable cables\u003c\/h4\u003e\u003cp\u003eThe CORE by DPA models, including the 4099 CORE, are \u003cstrong\u003eIP58 certified\u003c\/strong\u003e for enhanced durability in real-world conditions. The design includes moisture protection and material choices focused on reliability. Detachable cables (lightweight or rugged versions depending on the application) facilitate installation and handling while meeting the demands of daily use.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estatic electret\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einstrument microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esupercardioid\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:13;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePolar pattern\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSupercardioid\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOutput balancing principle\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBalanced signal with XLR adapter DAD4099-BC or DAD6001-BC\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:14;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOperating principle\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePressure gradient\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCommon mode rejection ratio (CMRR)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e\u0026gt; 60 dB from 50 Hz to 15 kHz with XLR adapter DAD4099-BC or DAD6001-BC\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:15;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCartridge type\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePre-polarized condenser\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePolarity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+V at MicroDot pin for positive acoustic pressure (and pin 2 on XLR adapter DAD4099-BC or DAD6001-BC)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:16;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffective frequency range +\/-2 dB at 20 cm (7.9 in)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e80 Hz - 15 kHz with a gentle 2 dB boost at 10-12 kHz. Second-order high-pass filter at 80 Hz with DAD4099-BC\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply (for optimal performance)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFor wireless systems: Min. 5 V - max. 10 V via DPA adapter. With DAD6001-BC or DAD4099-BC: P48 (phantom power). Operates from 12 V\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:17;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNominal sensitivity, +\/-3 dB at 1 kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6 mV\/Pa; -44 dB re. 1 V\/Pa\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCurrent consumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTyp. 1.5 mA (microphone). 3.5 mA with XLR adapter DAD4099-BC or DAD6001-BC\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:18;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEquivalent noise level, A-weighted\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTyp. 23 dB(A) re. 20 µPa (max. 26 dB(A))\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConnector\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMicroDot\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:7;--wb-r:19;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDistortion, THD \u0026lt; 1%\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e128 dB SPL RMS, 131 dB SPL peak\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMicrophone diameter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e5.7 mm (0.22 in)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:8;--wb-r:20;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTyp. 108 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMicrophone length\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e45 mm (1.8 in)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:9;--wb-r:21;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMax SPL, THD 10%\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e142 dB SPL peak\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCable length\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1.8 m (5.9 ft)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:10;--wb-r:22;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSensitivity matching tolerance (at 1 kHz)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+\/-1 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCable diameter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1.6 mm (0.06 in) \/ 2.2 mm (0.09 in)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:11;--wb-r:23;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNominal output impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMicroDot: 30 - 40 ohms. With DAD4099-BC or DAD6001-BC adapter: 100 ohms\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGooseneck length\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e140 mm (5.5 in)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:12;--wb-r:24;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCable transmission capacity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eUp to 300 m with XLR adapter DAD6001-BC\/DAD4099-BC\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54360755405075,"sku":"360490","price":1143.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/3834becaae3e6100dfa8c0bd794099e707d87172_1DPA_4099_DC_1_101_A.jpg?v=1789399784"},{"product_id":"dpa-2015-stereo-373801","title":"2015 Stereo","description":"\u003ch3\u003eFollowing the 2012, designed for ensemble capture\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eThe 2015 stands alongside the 2012 within the same family of pre-polarized condenser microphones. Both share a 17 mm capsule architecture, but the 2015 is distinguished by its wide cardioid directivity, designed to cover a broad area with an open and natural sound. Compact and discreet, it easily finds its place on stage as well as in the studio.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eFor whom and for what uses?\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eDesigned for sound engineers, backliners, and demanding creators, the 2015 excels whenever a clean capture of a wide sound field is needed without losing definition. Its signature ensures a clear and coherent recording, even in close proximity situations between sources.\u003c\/p\u003e \u003cul\u003e \u003cli\u003eDrum overhead\u003c\/li\u003e \u003cli\u003eGrand piano (placement inside, uniform coverage of strings)\u003c\/li\u003e \u003cli\u003eBrass sections and large ensembles\u003c\/li\u003e \u003cli\u003eVibraphone, xylophone, large marimbas, and other large instruments\u003c\/li\u003e \u003c\/ul\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eKey features for homogeneous capture\u003c\/h3\u003e \u003cbr \/\u003e\u003ch4\u003eWide cardioid directivity\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eIts \"wide cardioid\" offers a generous sweet spot, reducing timbre variations when musicians move. The result: a more stable image, an \"open\" sound, and faithful transient reproduction.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eOptimized placement and controlled proximity effect\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe frequency response is linear at 30 cm, a practical reference for close placements. Like any directional microphone, the 2015 exhibits a proximity effect: adjust the distance and angle to balance the low end without losing tonal balance.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eDurability and discretion\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe reinforced construction withstands the intensity of stages and tours, while the compact format facilitates tight placements above a drum kit, inside a piano, or within a brass section.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estudio microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecardioid\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStereo pair version\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2 microphones, 2 clips, 2 windshields, zipped pouch\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54360794824979,"sku":"373801","price":1349.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/5156f029442be0a2c6c83882e168d8fdaebdf449_DPA_2015ST.jpg?v=1789399818"},{"product_id":"dpa-st2011c-215708","title":"ST2011C","description":"\u003ch3\u003eKey Information About the Beyerdynamic 2011C Compact Microphones\u003c\/h3\u003e\u003cul\u003e\u003cli\u003e\u003cstrong\u003ePair of compact microphones\u003c\/strong\u003e easy to position when space is limited (studio, set, stage).\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eVery high acoustic pressure handling\u003c\/strong\u003e with a max SPL rated up to \u003cstrong\u003e146 dB\u003c\/strong\u003e, ideal for unpredictable sources and close miking.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003ePrecise cardioid directivity\u003c\/strong\u003e to better isolate the source and limit unwanted bleed.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003e\"Series 2000\" signature\u003c\/strong\u003e: architecture with \u003cstrong\u003edual pre-polarized diaphragm\u003c\/strong\u003e and careful control of directivity and frequency response.\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003eA \"Series 2000\" Approach Designed for Precision in Real Environments\u003c\/h3\u003e\u003cp\u003eThe 2011C follows the logic of the \u003cstrong\u003eSeries 2000\u003c\/strong\u003e capsules: offering compact microphones capable of remaining reliable in varied contexts, from studio to stage. The design is based on \u003cstrong\u003etwo diaphragms\u003c\/strong\u003e arranged in \u003cstrong\u003etwo miniature capsules facing each other\u003c\/strong\u003e, combined with \u003cstrong\u003einterference tubes\u003c\/strong\u003e. This construction aims for finer control of directivity and a coherent frequency response, particularly useful when the source moves, when the acoustics change, or when the setup must remain discreet.\u003c\/p\u003e\u003ch3\u003eWho the Beyerdynamic 2011C Is For and Where It Excels\u003c\/h3\u003e\u003cp\u003eThis set of \u003cstrong\u003e2 standard compact microphones\u003c\/strong\u003e is intended for sound engineers, musicians, and content creators who want a \u003cstrong\u003eclean, controlled, and quick-to-deploy\u003c\/strong\u003e recording. Its small size facilitates placement very close to the source, where a larger microphone would interfere with the performance or camera. Thanks to its cardioid directivity, the 2011C is especially suited for environments where it is important to \u003cstrong\u003efavor the direct signal\u003c\/strong\u003e (main source) and reduce ambient noise or neighboring instruments.\u003c\/p\u003e\u003cp\u003eIts ability to handle high levels makes it a strong ally on dynamic and energetic sources: percussion, brass, amps, or any situation where levels can spike unexpectedly. In the studio, it is a relevant choice to multiply placements (close\/support) while maintaining a minimal visual and physical footprint. On stage, it reassures with its headroom before saturation and its consistency when conditions become less \"ideal\".\u003c\/p\u003e\u003ch3\u003eDesign and Performance: Compactness, Directivity, and High Pressure Handling\u003c\/h3\u003e\u003ch4\u003eDual diaphragm and directivity control\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003edual pre-polarized diaphragm\u003c\/strong\u003e design combined with \u003cstrong\u003einterference tubes\u003c\/strong\u003e is not meant to make \"just another mic\": it seeks to stabilize directivity and better manage how the microphone reacts to off-axis sounds. Practically, this helps achieve a clearer capture in a mix, with a source that remains well \"anchored\" even when the environment is busy.\u003c\/p\u003e\u003ch4\u003eLarge headroom reserve for close miking\u003c\/h4\u003e\u003cp\u003eWith a \u003cstrong\u003emax SPL up to 146 dB\u003c\/strong\u003e and a \u003cstrong\u003edynamic range of 117 dB\u003c\/strong\u003e, the 2011C is built for close placements where acoustic pressure and transients quickly challenge a microphone. This headroom reserve allows working calmly without having to \"over-protect\" the recording, while still capturing the true energy of the instrument.\u003c\/p\u003e\u003ch4\u003eStudio compatibility: phantom power and easy integration\u003c\/h4\u003e\u003cp\u003eThe 2011C operates on \u003cstrong\u003e48 V phantom power\u003c\/strong\u003e, making it immediately compatible with most audio interfaces, mic preamps, and consoles. Its compact format, matte black finish, and contained dimensions facilitate discreet integration into a modern recording setup, whether for tracking, live sessions, or audiovisual capture.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003estudio microphone\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ecardioid\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFinish\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eMatte Black\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMax SPL\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eup to 146 dB SPL\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e117 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNominal sensitivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e10 mV \/ Pa, -40 dB re. 1 V \/ Pa\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eA-weighted equivalent noise level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eTyp. 20 dB(A) re. 20 µPa (max 23 dBA)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e48 Volt phantom power\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e19 x 92 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e64 g\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54360842961171,"sku":"215708","price":1839.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/9b7c32cd92ab25614bc8b62322ce42c856a3f63d_1DPA_ST2011C_fcd51e00-a9fe-47e8-9943-44efb5f9f6cd.jpg?v=1788187288"},{"product_id":"dpa-4099-dp-1-101-ms-417388","title":"4099-DP-1-101-MS","description":"\u003ch3\u003eAn Accessory Dedicated to the 4099 CORE+ Ecosystem\u003c\/h3\u003e\u003cp\u003eDesigned to complement the modular approach of the 4099 CORE+ microphone, this clip facilitates integrating the microphone into various setups. 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The result: quick setup and secure microphone holding, allowing you to stay focused on performance and capture quality.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einstrument microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estatic electret\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esupercardioid\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDesigned for\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e4099 CORE+ Mic Loud SPL\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAdapter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e5\/8 inch via included adapter\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMicrophone stand attachment\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e3\/8 inch thread\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54360963776787,"sku":"417388","price":648.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/c9c2a86e36cd4390c8a0b5f321c1b87b5986e0e0_DPA_4099_DP_1_101_MS.jpg?v=1789403936"},{"product_id":"dpa-2011a-172573","title":"2011A","description":"\u003ch3\u003eA DPA \"Reference Standard\" Designed for Live Use, Following the Legacy of the 4011\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eThe DPA 2011A shares the sonic DNA and design philosophy that made the DPA 4011 renowned, a staple for its linearity and performance in close-miking. While the 4011 is recognized for its exemplary neutrality across a wide variety of setups, the 2011 adopts a more \"stage-oriented\" approach: its off-axis frequency response remains linear but over a narrower band. The result: better focus, clearer instrument separation on a busy stage, and increased comfort as volume rises.\u003c\/p\u003e \u003cbr \/\u003e\u003cp\u003ePart of the \u003cstrong\u003eDPA Reference Standard\u003c\/strong\u003e range, the 2011A aims for professional versatility: a cardioid microphone capable of handling high sound pressure levels, reliable over time, and precise enough for demanding concert, broadcast, or live recording applications.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eWho Is It For and What Are Its Uses?\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eThe DPA 2011A is intended for sound engineers, stage technicians, and studios seeking a \u003cstrong\u003ecardioid condenser microphone\u003c\/strong\u003e focused on stage performance without compromising fidelity. Its controlled off-axis behavior and excellent gain before feedback make it particularly suitable for environments where spill, stage monitors, and proximity between sources are daily challenges.\u003c\/p\u003e \u003cbr \/\u003e\u003cp\u003eIt performs well in many applications: close-miking, acoustic instruments, amplifiers, percussion, and any situation where detailed sound is desired while maintaining effective directivity. Its design favors simple placement and stable sound, speeding up soundchecks and securing sound reinforcement in real-world conditions.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eTwin Diaphragm Technology, Off-Axis Control, and DPA Modularity\u003c\/h3\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eA Dual-Membrane Capsule for Precise and Stable Capture\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe DPA 2011A features a \u003cstrong\u003eTwin Diaphragm\u003c\/strong\u003e capsule with \u003cstrong\u003edual pre-polarized membranes\u003c\/strong\u003e, engineered to combine precision, consistency, and durability. This architecture helps maintain reliable stage performance, with a clean sound image and a response that remains clear even when the microphone is not perfectly \"on-axis\" with the source.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eStage-Oriented Voicing: Separation and Gain Before Feedback\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eCompared to the very broadband approach of the 4011, the 2011 emphasizes off-axis linearity concentrated over a narrower range, resulting in better \u003cstrong\u003esource separation\u003c\/strong\u003e and \u003cstrong\u003ehigher gain before feedback\u003c\/strong\u003e. In practice, this facilitates equalization, improves stability with monitors, and makes the microphone easier to control in dense environments.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eMMP-A Preamplifier and Tool-Free Upgradability\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe \u003cstrong\u003e2011A\u003c\/strong\u003e version comes with the \u003cstrong\u003eMMP-A\u003c\/strong\u003e preamplifier, focused on audiophile reproduction, known for its \u003cstrong\u003elow distortion\u003c\/strong\u003e and high fidelity. Note: the \u003cstrong\u003e2011C\u003c\/strong\u003e version (with the compact \u003cstrong\u003eMMP-C\u003c\/strong\u003e preamp) offers a slightly different tonal balance, with a somewhat more pronounced low end, while facilitating placement thanks to a shorter format. One of the major strengths of this system is its \u003cstrong\u003emodularity\u003c\/strong\u003e: capsule and preamp can be combined and swapped at any time, without tools, to adapt the configuration according to stage or studio needs.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003estudio microphone\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ecardioid\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003edual pre-polarized membrane\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e117 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNominal sensitivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e10 mV \/ Pa; -40 dB ref. 1V \/ Pa\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEquivalent noise level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e20 dB (A-weighted) ref. 20 micropascals - max: 23 dB(A)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e19 x 198 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e164 g\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFinish\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ematte black\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54361071124755,"sku":"172573","price":1050.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/385cd345782830df5f9be0ce83bdef0e9edf877b_1DPA_2011A.jpg?v=1788187726"},{"product_id":"dpa-4015c-172579","title":"4015C","description":"\u003ch3\u003eA \"wider\" alternative in the DPA spirit, around the 4011 reference\u003c\/h3\u003e\u003cp\u003eIf you know the signature of the DPA 4011, the 4015C offers a complementary interpretation: a wide cardioid directivity designed to capture more sound field without switching to fully omnidirectional. This approach is particularly useful when a standard cardioid feels too \"tight\" and does not convey the full complexity of an instrument radiating in multiple directions.\u003c\/p\u003e\u003cp\u003eIn a realistic recording logic, the 4015C becomes an excellent compromise: it maintains good center clarity while allowing in the air, the room, and the harmonic width that give dimension to a performance.\u003c\/p\u003e\u003ch3\u003eFor whom and for what: acoustic recording, ensembles, vocals, and \"complex\" situations\u003c\/h3\u003e\u003cp\u003eThe DPA 4015C is aimed at sound engineers, classical recordists, sound designers, and studios seeking a broad yet controlled capture. On orchestra, choir, or large ensemble, its wide cardioid helps balance localization precision and inclusion of natural reverberation without forcing placement distance.\u003c\/p\u003e\u003cp\u003eOn instruments, it excels whenever respecting the breadth and real spatialization is required: grand piano, guitar, marimba, percussion, winds, or even as a spot mic per section. It is also very relevant on vocals (voice-over, dubbing, ADR, singing) when a more present low end and dense rendering are desired, while remaining clear in the mix.\u003c\/p\u003e\u003ch3\u003eSound and functional strengths of the 4015C\u003c\/h3\u003e\u003ch4\u003eA wide cardioid for a larger soundstage without losing the center\u003c\/h4\u003e\u003cp\u003eThe wide cardioid extends the pickup area: you gain width, \"air,\" and depth, with often more tolerant placement. This is ideal when the instrument does not project simply (soundboard, lid reflections, percussion dispersion) and you want to capture a coherent ensemble rather than a very narrow point.\u003c\/p\u003e\u003ch4\u003eLinear off-axis response: realism that simplifies mixing\u003c\/h4\u003e\u003cp\u003eOff-axis linearity is a key point: sounds coming from the sides remain spectrally credible, only attenuated. As a result, leakage and stage interactions maintain a natural timbre, which limits surprises during mixing and makes the microphone very reliable in multi-source capture (orchestra, choirs, stages, live studio sessions).\u003c\/p\u003e\u003ch4\u003ePrecision, SPL handling, and low self-noise for critical recordings\u003c\/h4\u003e\u003cp\u003eWith a strong capacity to handle levels, a wide dynamic range, and sensitivity adapted to acoustic sources, the 4015C supports both energetic percussion and very expressive piano. The 48 V phantom power and XLR connectivity ensure immediate integration with studio preamps, audio interfaces, and consoles.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003estudio microphone\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ecardioid\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response (+\/- 2 dB) at 60 cm\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e40 Hz to 20 kHz\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutput impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e100 ohms\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMinimum load impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eless than 200 ohms\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNominal sensitivity (+\/- 2 dB at 1 kHz)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e40 mV\/Pa; -40 dB re. 1 V\/Pa\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMax SPL\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e152 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e121 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTHD\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eless than 1% up to 139 dB SPL\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSignal-to-noise ratio\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e76 dB (A-weighted)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSelf-noise\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e25 dB (A-weighted)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e48 V phantom power (+\/- 4 V)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConnectors\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e3-pin male XLR\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e19 mm diameter, 64 mm length\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e58 g\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54361234112787,"sku":"172579","price":1698.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/5c53bb28e705fdcc9b779d87212be8821e016768_1DPA_4015C.jpg?v=1788187720"},{"product_id":"dpa-4099-dp-1-101-a-417395","title":"4099-DP-1-101-A","description":"\u003ch3\u003eThe 4099 Series in CORE+ Version: The Stage and Studio Reference, in Stereo Duo\u003c\/h3\u003e\u003cp\u003eThe 4099 has established itself as a standard for compact instrument microphones thanks to its clip-on format, quick setup, and effective source isolation. This \u003cstrong\u003eCORE+\u003c\/strong\u003e variant represents an evolution of the range: it aims for cleaner capture and easier handling on instruments rich in transients, while preserving the 4099's DNA (precision, naturalness, and consistency from one session to another).\u003c\/p\u003e\u003cp\u003eBy choosing a \u003cstrong\u003estereo kit\u003c\/strong\u003e rather than two separate microphones, you ensure consistent level matching between channels. The result: more stable panoramas, a clearer center, and faster adjustments both on stage and in monitors.\u003c\/p\u003e\u003ch3\u003eFor Which Accordionists and Use Contexts?\u003c\/h3\u003e\u003cp\u003eThis kit is intended for accordionists seeking a \u003cstrong\u003eclose, defined, and reproducible\u003c\/strong\u003e sound capture, whether in concert or recording. It is particularly relevant if you play in ensembles with high stage volume (drums, brass, amplification), or if you want precise capture of attacks and nuances without relying on a stationary microphone placed in front of the instrument.\u003c\/p\u003e\u003cp\u003eThe stereo configuration is ideal for highlighting the \u003cstrong\u003eopenness\u003c\/strong\u003e and \u003cstrong\u003ewidth\u003c\/strong\u003e of the accordion (right hand and left hand, or a more global approach depending on your placement). You gain clarity in the mix while maintaining fine control over balance and spatialization.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einstrument microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estatic electret\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esupercardioid\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54361354207507,"sku":"417395","price":1249.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/b51c6c0ae46d0774cbb62a0ca608fae81479c41c_DPA_4099_DP_1_101_A.jpg?v=1789408338"},{"product_id":"dpa-2028-b-sl1-308426","title":"2028-B-SL1","description":"\u003ch3\u003eA DPA Microphone Designed for the Challenges of Live and Broadcast Environments\u003c\/h3\u003e\u003cp\u003eThe DPA 2028 was developed to meet the specific challenges of vocals in dense sound environments: monitors, close instruments, placement variations, and wide dynamics. It aligns with DPA's approach focused on clean and natural sound, with very controlled off-axis response. The result: the sound engineer captures an exploitable and coherent voice while maintaining a stage that is easier to control thanks to the supercardioid directionality.\u003c\/p\u003e\u003cp\u003eIn its version with the SL1 adapter, the 2028 integrates more easily into professional audio chains for broadcast, live audiovisual, and stage performances where reliability, rejection, and consistent timbre are essential.\u003c\/p\u003e\u003ch3\u003eWho It's For and What It's For: Live Singing, Spoken Word, Broadcast, and Demanding Performances\u003c\/h3\u003e\u003cp\u003eThe 2028-B-SL1 is aimed at singers and artists who want to regain an \"acoustic\" feel at the microphone without having to force placement to remain intelligible. It is also very suitable for spoken applications (presentations, events, studios, live streams, broadcasts) when precise diction and respected timbre are sought.\u003c\/p\u003e\u003cp\u003eThanks to its high gain before feedback and stable on-stage behavior, it is particularly suited to setups with many sources (drums, amps, brass) and contexts where heavy equalization corrections are to be avoided to keep a more organic voice in the mix.\u003c\/p\u003e\u003ch3\u003eDesign, Directionality, and Sound: A Microphone That \"Disappears\" in Favor of Performance\u003c\/h3\u003e\u003ch4\u003eSupercardioid and Off-Axis Response: Better Isolate the Voice Without Altering It\u003c\/h4\u003e\u003cp\u003eThe supercardioid capsule focuses the pickup on the voice and reduces pickup of other sources. Where many microphones become harsh or unbalanced as soon as the source moves off-axis, the 2028 is designed to maintain a natural rendering of off-axis sounds. In practice, this facilitates mixing and allows for a more consistent voice even when the artist moves.\u003c\/p\u003e\u003ch4\u003eInternal Suspension and Dedicated Pop Filter: Less Unwanted Noise, More Comfort\u003c\/h4\u003e\u003cp\u003eThe 2028's design is based on a capsule mounted on a suspension that effectively isolates it from unwanted noise. The pop filter was specifically developed for this model to improve proximity comfort and reduce plosives. On stage, this results in a more stable, cleaner microphone and a more confident vocal capture, even during dynamic passages.\u003c\/p\u003e\u003ch4\u003eA Microphone Made to Sound Right with Minimal Equalization\u003c\/h4\u003e\u003cp\u003eThe 2028 aims for a clear and natural sound to reduce the technical corrections often required with more characterful microphones. The goal is simple: to let you perform with the voice as if the microphone imposed no constraints, while providing the sound engineer with usable and coherent material in the mix.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evoice microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estatic electret\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esupercardioid\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:13;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePolar pattern\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esupercardioid\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eNominal output impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e150 ohms\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:14;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOperating principle\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epressure gradient\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMinimum load impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1 kohm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:15;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCartridge type\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epre-polarized condenser\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCable drive capability\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e100 m\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:16;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 Hz to 20 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOutput balancing principle\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eimpedance balancing with Active Drive\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:17;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffective frequency range (2 dB, 12 cm)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e100 Hz to 16 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCommon mode rejection ratio (CMRR)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003egreater than 50 dB at 1 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:6;--wb-r:18;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePermanent low-cut filter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e3rd order at 80 Hz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply (for optimal performance)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eP48 (phantom power)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:7;--wb-r:19;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNominal sensitivity (+\/-3 dB at 1 kHz)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e5 mV\/Pa; -46 dB re 1 V\/Pa\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCurrent consumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emax. 2.5 mA\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:8;--wb-r:20;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEquivalent noise level (A-weighted)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etyp. 22 dB(A) re 20 micropascals (max. 23 dB(A))\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConnector\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eXLR-3M\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:9;--wb-r:21;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDistortion (THD \u0026lt; 1%)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e136 dB SPL RMS, 139 dB SPL Peak\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePin 1\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eshield\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:10;--wb-r:22;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etyp. 117 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePin 2\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epositive signal phase\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:11;--wb-r:23;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMax. SPL (THD 10%)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e160 dB SPL peak\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePin 3\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003enegative phase\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:12;--wb-r:24;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum output voltage (RMS)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9 Vrms; 19 dBV; 28 dBu\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePolarity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+V on pin 2 for positive acoustic pressure\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54361418662163,"sku":"308426","price":499.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/49760017cdd2874a1a51347603bd5a8f8e032f13_1DPA_2028_B_SL1.jpg?v=1789408369"},{"product_id":"dpa-4006a-172574","title":"4006A","description":"\u003ch3\u003eA Global Recording Standard in the DPA \"Standard\" Range\u003c\/h3\u003e\u003cp\u003eWithin the Standard series, the \u003cstrong\u003eDPA 4006A\u003c\/strong\u003e has established itself as a reliable choice in both studio and high-end live sound recording. Its reputation is based on a \"no coloration\" approach: the microphone aims to reproduce the source as it is, with remarkable spatial sensation and clarity. This philosophy makes it a recurring choice when seeking a dependable capture capable of spanning styles and production constraints, from classical to contemporary music, including broadcast and transmission.\u003c\/p\u003e\u003cp\u003eIts position in the lineup is clear: to offer a \u003cstrong\u003epremium omnidirectional capture\u003c\/strong\u003e focused on realism, while remaining adaptable through acoustic modification elements. The result: a single microphone can cover multiple \"behaviors\" of sound capture depending on the soundstage to be reproduced and placement distance.\u003c\/p\u003e\u003ch3\u003eWhat Sound Sources Is the DPA 4006A Designed For?\u003c\/h3\u003e\u003cp\u003eThe 4006A is aimed at \u003cstrong\u003esound engineers\u003c\/strong\u003e, stage managers, studios, and musicians seeking an extremely natural capture with a coherent response across a wide range of instruments. In stereo, it is particularly suited to A-B configurations for \u003cstrong\u003esymphony orchestra\u003c\/strong\u003e in concert halls, when the goal is to achieve a wide, realistic, and spacious image.\u003c\/p\u003e\u003cp\u003eIt also excels in close-miking demanding acoustic sources: \u003cstrong\u003econcert grand piano\u003c\/strong\u003e, guitar, double bass, percussion, as well as on \u003cstrong\u003evocals\u003c\/strong\u003e when preserving texture and micro-details without artificial magnification effects is desired. Thanks to its high SPL handling, it can withstand dynamic sources while maintaining the naturalness of transients.\u003c\/p\u003e\u003ch3\u003eTransparency, Adaptation, and Control: Key Features\u003c\/h3\u003e\u003ch4\u003eAn Omnidirectional Capsule Designed for Fidelity\u003c\/h4\u003e\u003cp\u003eEquipped with the \u003cstrong\u003eMMC4006 capsule\u003c\/strong\u003e featuring omnidirectional directivity, the 4006A is designed to capture the overall balance of a source and its environment. This directivity facilitates realistic reproduction of natural reverberations and depth of field, a major asset for acoustic ensembles, solo instruments in beautiful rooms, and any recording where space is part of the sound.\u003c\/p\u003e\u003ch4\u003eAccessories and Grilles: Shaping the Signature Without \"Tinkering\" the Signal\u003c\/h4\u003e\u003cp\u003eOne of the strengths of the 4006A lies in its \u003cstrong\u003eacoustic modification accessories\u003c\/strong\u003e, including \u003cstrong\u003e3 interchangeable grilles\u003c\/strong\u003e and a windscreen. These elements allow adapting the microphone's behavior to the situation (distance, desired spectral balance, perception of high frequencies), while remaining within an acoustic logic. Unlike electrical filter processing, this approach avoids introducing unwanted issues such as phase shifts, noise, or distortion, which is particularly appreciated in stereo recordings and highly dynamic sessions.\u003c\/p\u003e\u003ch4\u003eRecording Tools: Low-Cut Filter and High-Boost\u003c\/h4\u003e\u003cp\u003eTo quickly refine the capture depending on placement and room, the 4006A offers a switchable \u003cstrong\u003elow-cut filter\u003c\/strong\u003e and \u003cstrong\u003eHigh-Boost\u003c\/strong\u003e mode. The low-cut helps control vibrations, handling noise, or bass buildup related to the environment, while the High-Boost adds extra presence in certain configurations, especially when the recording distance increases or when enhancing the sense of detail is desired.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e10 Hz - 20 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003estudio microphone\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eomnidirectional\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMicrophone preamplifier\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eMMP-A\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eMMC4006\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMax SPL\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e147 dB\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e48V Phantom\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSwitches\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003elow-cut filter and High-Boost\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLength\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e170 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDiameter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e16-19 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e163 g\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHandmade\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ein Denmark\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54361516409107,"sku":"172574","price":2222.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/682d8cfe6140276578c7156bec422d50904a43f9_1DPA_4006A.jpg?v=1788188132"},{"product_id":"dpa-4099-dp-1-201-c-417393","title":"4099-DP-1-201-C","description":"\u003ch3\u003eA microphone designed for strings: the \"4099\" logic enhanced by CORE+\u003c\/h3\u003e\u003cp\u003eThe 4099 CORE+ Mic Loud SPL with Clip for cello follows a straightforward approach: to achieve a faithful capture without turning the instrument into a \"system\" (internal microphone) and without relying on a pickup that often favors attack at the expense of air and projection. Here, the goal is to restore a coherent image of the cello, with a more natural balance between body, arco, articulation, and resonance.\u003c\/p\u003e\u003cp\u003eThe addition of \u003cstrong\u003eCORE+\u003c\/strong\u003e technology and the \u003cstrong\u003eLoud SPL\u003c\/strong\u003e variant reinforce this philosophy: maintaining a musical capture but with greater confidence during demanding passages (fortissimo, energetic playing, proximity to stage monitors) and a heightened sense of definition, useful both in live sound reinforcement and recording.\u003c\/p\u003e\u003ch3\u003eFor which cellists and contexts?\u003c\/h3\u003e\u003cp\u003eThis microphone is aimed at cellists who perform amplified and want a \u003cstrong\u003equick-to-install\u003c\/strong\u003e, reliable, and high-quality solution: concerts, amplified orchestras, amplified chamber music, contemporary ensembles, film music, theater, worship, or studio sessions where a realistic sound is sought without multiplying microphone stand placements.\u003c\/p\u003e\u003cp\u003eIt is also well suited for sound engineers who need a \u003cstrong\u003econsistent capture from one gig to another\u003c\/strong\u003e. The clip allows for similar positioning with each setup, facilitating soundchecks, reducing adjustment time, and helping maintain a consistent tone even on fast-paced productions.\u003c\/p\u003e\u003cp\u003eFinally, if you were hesitating between internal microphones, pickups, and external microphones: this model clearly targets the \"high-end\" compromise to preserve the acoustic identity of the cello, with a sense of space and dynamics closer to what is heard in the room.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einstrument microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eCello\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esupercardioid\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estatic electret\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54361645547795,"sku":"417393","price":539.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/460fdcf800c967158ac973dcb8492576bd35bcbb_DPA_4099_DP_1_201_C.jpg?v=1789412827"},{"product_id":"dpa-4018v-b-b01-215704","title":"4018V-B-B01","description":"\u003ch3\u003eEssential Information About the DPA Vocal Microphone \"d:facto 4018V\" (4018V-B-B01)\u003c\/h3\u003e \u003cbr \/\u003e\u003cul\u003e \u003cbr \/\u003e\u003cli\u003eSupercardioid 4018V capsule: linear response with a gentle high-frequency \"boost\" to cut through the mix\u003c\/li\u003e \u003cbr \/\u003e\u003cli\u003eVery high lateral and rear rejection for exemplary isolation on stage and in studio\u003c\/li\u003e \u003cbr \/\u003e\u003cli\u003eLow handling noise construction and three-stage pop filter grille\u003c\/li\u003e \u003cbr \/\u003e\u003cli\u003eModular system: sleek wired handle or capsule compatible with many professional wireless systems\u003c\/li\u003e \u003cbr \/\u003e\u003c\/ul\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eThe \"d:facto\" Series, Studio Sound Brought to the Stage\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eDesigned to deliver the DPA sound signature in live and broadcast conditions, the \"d:facto\" series brings studio precision to the heart of concerts, shows, and recordings. The \u003cstrong\u003e4018V\u003c\/strong\u003e model holds a central place in the range: it maintains DPA neutrality while adding a controlled brilliance in the upper spectrum, particularly effective for vocals on TV and broadcast.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eWho Is It For and What Are Its Uses?\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eIdeal for lead singers, backing vocalists, presenters, and speakers, the \u003cstrong\u003ed:facto 4018V\u003c\/strong\u003e shines on large stages as well as intimate clubs. Its tight supercardioid directivity offers excellent separation from nearby sources and minimizes feedback risks, while its ability to handle very high levels makes it suitable for powerful voices.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 Hz - 20 kHz, 40 Hz - 16 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estatic electret\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evoice microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esupercardioid\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eUp to 160 dB SPL peak\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eperfect for the most demanding vocals\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54361823281427,"sku":"215704","price":929.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/bd2ceeac90359922fba3197f60b314caab3059cc_1DPA_4018V_B_B01.jpg?v=1789417467"},{"product_id":"dpa-2028-b-b01-308425","title":"2028-B-B01","description":"\u003ch3\u003eA DPA Microphone Designed for the Demands of Live Performance\u003c\/h3\u003e\u003cp\u003eDesigned to meet the specific challenges of the stage and real-world recordings, the DPA 2028 aligns with the brand's approach: to reproduce the voice with maximum naturalness while offering reliable control during mixing. Its supercardioid directivity and renowned linear off-axis response help better manage bleed from other sources on stage without producing a \"harsh\" or artificial sound when sounds arrive off-axis. The result: a voice that remains credible and a mix that is easier to stabilize.\u003c\/p\u003e\u003ch3\u003eWho Is It For and What Are Its Uses?\u003c\/h3\u003e\u003cp\u003eThe DPA 2028-B-B01 is aimed at singers, sound technicians, and service providers looking for a \u003cstrong\u003estage vocal microphone\u003c\/strong\u003e capable of staying musical in demanding contexts: live sets, high-volume concerts, strong stage monitors, broadcasts, corporate events, and audiovisual productions. If you like to work on your performance without \"feeling\" the microphone (and without constantly compensating for colorations), this model is designed to let the voice express itself naturally. From an engineering perspective, it helps focus on the artistic side rather than correction: less fight against feedback, less corrective equalization, and better consistency when the stage dynamics change.\u003c\/p\u003e\u003ch3\u003eDesign, Isolation, and Sound: What Sets the 2028 Apart\u003c\/h3\u003e\u003ch4\u003eSupercardioid and Natural Off-Axis Response\u003c\/h4\u003e\u003cp\u003eThe 2028's supercardioid capsule aims for precise sound capture and better separation on stage. Where many microphones become harsh or scooped when the source moves off-axis, the 2028 instead seeks to preserve a consistent sound. This stability directly contributes to \u003cstrong\u003egain before feedback\u003c\/strong\u003e and vocal clarity, even amidst powerful instruments.\u003c\/p\u003e\u003ch4\u003eInternal Suspension and Dedicated Pop Filter\u003c\/h4\u003e\u003cp\u003eThe 2028 features a completely new design, with a capsule mounted on an internal suspension that effectively isolates it from mechanical noise. The capsule is non-removable, and the pop filter has been developed specifically for this model. In practice, this helps reduce mechanical disturbances and maintain clear diction, particularly useful in live situations and close vocal capture.\u003c\/p\u003e\u003ch4\u003eA Microphone That Respects Timbre (From Folk to More Aggressive Styles)\u003c\/h4\u003e\u003cp\u003eThe 2028 emphasizes \u003cstrong\u003etimbre respect\u003c\/strong\u003e and clear sound reproduction. It suits both detailed and nuanced voices as well as more intense registers, including metal, rock, or folk contexts where you want to keep attack and articulation without making the voice aggressive. Its goal: to bring the amplified sound closer to an \"acoustic\" sensation with minimal intervention.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estatic electret\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evoice microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esupercardioid\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:13;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePolar pattern\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esupercardioid\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCable drive capability\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e100 m (328 ft)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:14;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOperating principle\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epressure gradient\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOutput balancing principle\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eimpedance balancing with Active Drive\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:15;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCartridge type\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epre-polarized condenser\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCommon mode rejection ratio (CMRR)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003egreater than 50 dB at 1 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:16;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffective frequency range (+\/-2 dB, 12 cm \/ 4.7 in)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e100 Hz - 16 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum output voltage (RMS)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9 VRMS; 19 dBV; 28 dBu\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:17;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePermanent low-cut filter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e3rd order at 80 Hz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePolarity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+V at pin 2 for positive acoustic pressure\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:18;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNominal sensitivity (+\/-3 dB at 1 kHz)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e5 mV\/Pa; -46 dB re. 1 V\/Pa\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply (for optimal performance)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eP48 (phantom power)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:7;--wb-r:19;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eA-weighted equivalent noise level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etypically 22 dB(A) re. 20 µPa (max 23 dB(A))\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCurrent consumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emax 2.5 mA\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:8;--wb-r:20;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDistortion (THD below 1%)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e136 dB SPL RMS, 139 dB SPL Peak\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConnector\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eXLR-3M\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:9;--wb-r:21;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etypically 117 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePin 1\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eshield\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:10;--wb-r:22;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMax SPL (THD 10%)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e160 dB SPL peak\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePin 2\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esignal + phase\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:11;--wb-r:23;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNominal output impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e150 ohms\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePin 3\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e- phase\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:12;--wb-r:24;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMinimum load impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1 k?\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54361863029011,"sku":"308425","price":529.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/c716b12025dccbf5be436ac51f71f2e38d458580_1DPA_2028_B_B01.jpg?v=1789417474"},{"product_id":"dpa-4099-dc-1-101-p-reconditionne-417260","title":"4099-DC-1-101-P - Refurbished","description":"\u003ch3\u003eDe la série d:vote au 4099 CORE, la référence des micros à pince\u003c\/h3\u003e\nÉvolution d'un standard plébiscité sur scène comme en tournée, le 4099 CORE repousse les limites de la série d:vote en apportant davantage de clarté, d'ouverture et de stabilité. Sa réponse hors axe régulière préserve la couleur naturelle de l'instrument, qu'il s'agisse de piano, cordes, bois, cuivres, guitares ou percussions.\n\u003ch3\u003ePour qui et pour quoi faire ?\u003c\/h3\u003e\nConçu pour la captation rapprochée d'instruments acoustiques en live, répétition ou captation mobile, ce modèle SPL fort convient aux sources puissantes tout en restant discret sur l'instrument. La pince dédiée protège la finition, se repositionne en un geste et permet de passer facilement d'un instrument à l'autre.\n\u003ch3\u003eFonctionnalités clés pour un montage rapide et une prise de son maîtrisée\u003c\/h3\u003e\nLa technologie CORE réduit la distorsion du pianissimo au fortissimo, pour un rendu précis même dans les passages les plus énergétiques. Le support antichoc intégré limite les bruits de manipulation et les grondements, tandis que la tige flexible (col de cygne) de 140 mm assure un placement reproductible au plus près du \" sweet spot \". Des câbles détachables sont disponibles en deux diamètres pour s'adapter à l'usage: version robuste 2,2 mm pour la scène ou 1,6 mm pour un montage discret, tous deux renforcés par une âme en Kevlar.\nCertifié IP58, le 4099 CORE mise sur la fiabilité: nano-revêtement hydrophobe, électronique scellée et diaphragme doublement plaqué or. Livré avec adaptateur XLR pour alimentation fantôme, il se connecte aussi en sans-fil via les adaptateurs DPA compatibles, dont une version coupe-bas en option.\n\n\u003ch2\u003eCaractéristiques techniques\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\n\u003ccol style=\"width:25%\"\u003e\n\u003ccol style=\"width:25%\"\u003e\n\u003ccol style=\"width:25%\"\u003e\n\u003ccol style=\"width:25%\"\u003e\n\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:9;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\n\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emicrophone à condensateur pour instrument, montage à pince\u003c\/td\u003e\n\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGamme dynamique\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etyp. 108 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:10;--wb-lb:transparent;--wb-rb:transparent\"\u003e\n\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivité\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esupercardioïde\u003c\/td\u003e\n\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eNiveau SPL max (crête) avant écrêtage\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e142 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:11;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\n\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRéponse en fréquence\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e80 Hz à 15 kHz, légère bosse de 2 dB entre 10 et 12 kHz\u003c\/td\u003e\n\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConnectique\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMicroDot avec adaptateur XLR 3 points\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:12;--wb-lb:transparent;--wb-rb:transparent\"\u003e\n\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCouleur\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003enoire\u003c\/td\u003e\n\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCertification IP58\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003enano-revêtement hydrophobe, électronique scellée, diaphragme doublement plaqué or\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:13;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\n\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSensibilité à 1 kHz\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6 mV\/Pa (-44,5 dB re 1 V\/Pa)\u003c\/td\u003e\n\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCol de cygne\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e140 mm; rallonge optionnelle ajoutant environ 50 % de longueur\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:6;--wb-r:14;--wb-lb:transparent;--wb-rb:transparent\"\u003e\n\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNiveau de bruit équivalent, pondéré A\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etyp. 23 dB(A), réf. 20 micropascals (max. 26 dB(A))\u003c\/td\u003e\n\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLongueur du microphone\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e45 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:7;--wb-r:15;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\n\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRapport signal\/bruit, 1 kHz à 1 Pa (94 dB SPL)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etyp. 71 dB\u003c\/td\u003e\n\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eTolérance d'appairage en sensibilité (à 1 kHz)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+\/- 1\u003c\/td\u003e\n\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:8;--wb-r:16;--wb-lb:transparent;--wb-rb:transparent\"\u003e\n\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTaux de distorsion harmonique totale\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einférieur à 1 % jusqu'à 131 dB SPL crête\u003c\/td\u003e\n\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54361922535699,"sku":"417260","price":1130.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/7a2acb144d4ea77bb834bff11d157b49eea2f21b_1DPA_4099_DC_1_101_P_135ddf69-3008-45e7-af0b-fa2d4108fbb5.jpg?v=1789436504"},{"product_id":"dpa-4015a-172578","title":"4015A","description":"\u003ch3\u003eA \"Wide Cardioid\" Variant from DPA's 4000 Series\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eThe 4015A is part of DPA's prestigious \"Reference Standard\" series, alongside the 4011 (cardioid), from which it inherits its sonic DNA. This wide cardioid version was designed to capture more space and natural reverberation while maintaining the precise localization typical of the 4000 series capsules.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eWho Is It For and What Is It For?\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eDesigned for studio, classical recording, post-production, and demanding live use, the 4015A excels on grand pianos, acoustic guitars, percussion, and marimbas, as drum overheads, but also on vocals (singing, voice-over, dubbing) where its richness in the low end flatters many timbres. Its openness facilitates placement in ensembles and orchestras when a classic cardioid seems too narrow.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eFeatures and Key Advantages\u003c\/h3\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eWide Aperture, Stable Image\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe wide cardioid pattern captures a broader sound field without sacrificing stereo coherence. The exemplary off-axis linearity ensures peripheral sounds remain true to the original timbre, simply attenuated, for more natural mixes and less corrective EQ.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eMassive Headroom and Immediate Control\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe 4015A handles very high levels before clipping. Its -20 dB pad located at the center of the XLR connector allows output reduction to protect your preamps when dealing with powerful sources (percussion, brass, close proximity to drummers).\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eModular Ecosystem and Reliability\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eBased on the \"Reference Standard\" architecture, it features an interchangeable capsule and Danish handcrafted construction. This ensures exemplary longevity and tonal consistency when combining multiple DPA microphones within the same setup.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003estudio microphone\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ecardioid\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectionality\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ewide cardioid\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMax SPL\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e152 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBuilt-in attenuator (pad)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-20 dB\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutput impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e200 Ohm\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54362166001939,"sku":"172578","price":1799.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/7a302e69ee141b67afc8d0095fee6328155eb9cb_DPA_4015A_ab08f42d-9366-41bd-bff4-c2d6a210bd95.jpg?v=1788189377"},{"product_id":"dpa-4099-dp-1-199-v-417392","title":"4099-DP-1-199-V","description":"\u003ch3\u003eA modernized clip-on mic standard with CORE+\u003c\/h3\u003eOver time, the 4099 has established itself as a reference for close miking of acoustic instruments, thanks to its ability to isolate the instrument in noisy environments while maintaining credible musicality. This \u003cstrong\u003e4099 CORE+\u003c\/strong\u003e version continues this legacy by emphasizing cleaner reproduction, with smoother handling of strong bow attacks and dynamic variations. The result: a microphone that preserves your instrument's identity while offering reliable stage performance and a usable track in recording.\u003cbr \/\u003e\u003ch3\u003eWho is this microphone best suited for, and in which applications?\u003c\/h3\u003eThe DPA 4099 CORE+ with violin clip is aimed at musicians who want a discreet, quick-to-install solution that remains consistent from one concert to another. It is particularly suitable for situations where precision and isolation matter: amplified orchestras, folk ensembles, bluegrass, contemporary music, TV sets, or live studio recording. Thanks to its close placement, it helps achieve a present and defined sound, with \u003cstrong\u003ebetter feedback control\u003c\/strong\u003e than a distant stand-mounted microphone.\u003cbr \/\u003eFor sound engineering, it is also an effective choice when the \"ideal\" placement of a static microphone is impossible (crowded stage, framing constraints, stage mobility). The clip allows fine adjustment of angle and distance to balance brightness, bow texture, and body, without imposing a particular posture on the musician.\u003cbr \/\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einstrument microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estatic electret\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esupercardioid\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54362186842387,"sku":"417392","price":598.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/8e38d105daa75b4e0534a9a88bdf85adee46a906_DPA_4099_DP_1_199_V.jpg?v=1789426872"},{"product_id":"dpa-micro-serre-tete-directionnel-6388-core-noir-microlock-438804","title":"6388 CORE+ directional micro headband black MicroLock","description":"\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:18;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edirectional headset microphone with a pre-polarized condenser capsule\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower with DAD9001 adapter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eP48 phantom power, maximum performance from 14 V\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:19;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePolar pattern\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esupercardioid\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAvailable connectors\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMicroLock, TA4F Mini-XLR, 3-pin and mini-jack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:20;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOperating principle\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epressure gradient\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFrame\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAct, an evolution of the frame used in the 4066 and 4088 series\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:21;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule technology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eCORE+ by DPA\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eReversible boom\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eleft- or right-side positioning\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:22;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 Hz to 20 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFinishing\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003enon-reflective PVD treatment matching the color of the microphone\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:6;--wb-r:23;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eUseful frequency range within ±2 dB, at 3 cm\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e100 Hz to 18 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eClips\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etransparent and reinforced to retain the selected adjustment\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:7;--wb-r:24;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eUseful response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eslight 1 dB boost at 14 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eEar contours\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eredesigned shapes and rounded tips for enhanced comfort\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:8;--wb-r:25;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNominal sensitivity at 1 kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e8.0 mV\/Pa, or -42 dB re 1 V\/Pa\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCable management\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eoutput facing downward at the boom-cable junction, with a 90-degree orientation\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:9;--wb-r:26;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eA-weighted equivalent noise level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etypical 26 dB(A), maximum 28 dB(A), re 20 micropascals\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule protection rating\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eIP58 against moisture and dust\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:10;--wb-r:27;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEquivalent noise level according to ITU-R BS.468-4\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etypical 37 dB, maximum 39 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDesign\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003erobust, repairable and suited to everyday professional use\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:11;--wb-r:28;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTotal harmonic distortion below 0.5 percent\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e138 dB SPL RMS and 141 dB SPL peak\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCable diameter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1.6 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:12;--wb-r:29;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTotal harmonic distortion below 1 percent\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e140 dB SPL RMS and 143 dB SPL peak\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCable length\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1.3 m\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:13;--wb-r:30;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etypical 117 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule diameter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e5.1 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:14;--wb-r:31;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum SPL level at 10 percent distortion\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e144 dB SPL peak\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMicrophone head dimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ediameter 6.3 mm \/ 13.3 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:15;--wb-r:32;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNominal output impedance with MicroLock\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e60 to 80 ohms\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e15 g, including cable and MicroLock connector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:16;--wb-r:33;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNominal output impedance with DAD9099 or DAD9001 adapter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e100 ohms\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAvailable colors\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ebeige, brown and Black\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:17;--wb-r:34;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePower with wireless systems\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e5 V to 10 V via DPA adapter\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54722377023763,"sku":"438804","price":945.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/1e216186737749413c2e9321a64dc1aedde3fbf9_DPA_6388_Directional_Headset_Black_3.jpg?v=1789726610"}],"url":"https:\/\/woodbrass.shop\/collections\/microphones-dpa.oembed","provider":"Woodbrass.com","version":"1.0","type":"link"}