{"title":"DPA Studio Microphones","description":null,"products":[{"product_id":"dpa-2012-373797","title":"2012","description":"\u003ch3\u003eA Pencil Microphone Designed as a \"Swiss Army Knife\" Within the 2012\/2015 Family\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eThe 2012 follows a straightforward approach: to offer a pencil microphone capable of delivering on stage, where mechanical reliability, quick setup, and consistent audio quality are expected. It shares with the 2015 a design based on a pre-polarized condenser microphone, but each model features a 17 mm capsule specially designed to meet distinct needs depending on the application. The 2012, with its cardioid directivity, positions itself as the most versatile option for close miking and spill control.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eWho Is the 2012 Ideal For and What Are Its Uses?\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eThe 2012 targets demanding musicians, stage technicians, and sound engineers looking for a compact, efficient, and consistent close microphone from one instrument to another. It is particularly suited for live contexts where the source must remain clear in the mix and where cardioid directivity helps limit bleed from monitors, cymbals, or nearby amps.\u003c\/p\u003e \u003cbr \/\u003e\u003cp\u003eThanks to its natural sound and excellent transient response, it performs well on many sources: snare drum, hi-hat, cymbals, percussion, acoustic guitar, electric guitar amp, bass amp, saxophone, trumpet, and more broadly brass instruments in close miking. It is a relevant choice if you want a coherent sonic signature on stage with a single microphone capable of \"following\" changing setups.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eA Performance-Oriented Design: Precision, Control, and Dynamics\u003c\/h3\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003ePre-polarized Condenser Capsule: Fineness and Speed\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe 2012 is a pre-polarized condenser microphone. This design emphasizes precision and responsiveness, with the ability to reproduce fine details and attacks (transients) very clearly. The result is a \"faster\" and more nuanced capture than many dynamic microphones, particularly useful on percussive instruments, plucked strings, and brass where articulation matters.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eExcellent Transient Response: Sharp Attacks, Cleaner Mix\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eOn stage, the clarity of a snare, the snap of a hi-hat, or the \"pick\" of an acoustic guitar often depends on the first milliseconds. The 2012 stands out with excellent transient response, helping to gain definition without over-equalizing. You get a more immediate sensation while maintaining a natural sound.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eUniform Cardioid Directivity: Isolate the Source Without Altering It\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe 2012's uniform cardioid directivity facilitates placement in real conditions: you can aim at the useful area of the instrument and better control spill. This directivity consistency helps maintain a stable tonal color when the player moves slightly and contributes to a more predictable sound from one concert to another.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eHigh SPL Handling: Comfortable with Powerful Sources\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eBetween cymbals, amps, and certain percussion, levels can rise quickly. The 2012 is designed for excellent handling of high sound pressure levels (SPL), allowing it to maintain a clean and usable signal even when the source is energetic. It also remains relevant on more delicate sounds, reinforcing its \"single microphone\" appeal for multiple situations.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003ePlacement: A Reference at 30 cm and Mastery of the Proximity Effect\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe 2012 (like the 2015) features a linear frequency response at 30 cm. In practice, this provides a simple reference point to aim for a natural balance between definition and body. As a directional microphone, the proximity effect can boost the low end when you bring the mic very close: an asset to thicken a source or a parameter to manage to avoid overly prominent bass. By adjusting distance and angle, you can switch from a very incisive capture to a more open sound without changing microphones.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eBox Contents: Ready for the Stage\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe 2012\/2015 comes with a clip, a windscreen, and a convenient zippered pouch for storage and transport. In stereo pair configuration, you receive two microphones, two clips, and two windscreens, all stored in a sturdy and lightweight zippered pouch designed to keep up with the pace of performances.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003estudio microphone\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ecardioid\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003epencil microphone\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003epre-polarized condenser microphone\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule diameter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e17 mm\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBehavior\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003edirectional microphone (proximity effect considered depending on distance)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTransient response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eexcellent\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSound pressure level (SPL) handling\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eexcellent\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSound reproduction\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003enatural and precise\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTypical applications\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eclose miking on stage (drums, percussion, guitars, amps, brass)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConstruction\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003erobust and reinforced\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAccessories included (2012\/2015)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eclip, windscreen, zippered pouch\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAccessories included (stereo pair 2012\/2015)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2 microphones, 2 clips, 2 windscreens, zippered pouch\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54357281112339,"sku":"373797","price":698.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/f21055bd0db582695477e382c0add71da42c3f58_1DPA_2012.jpg?v=1788181283"},{"product_id":"dpa-2011c-215707","title":"2011C","description":"\u003ch3\u003eA design inherited from the 2000 series, engineered for precision\u003c\/h3\u003e\u003cp\u003eThe 2011C continues the legacy of the 2000 series capsules, known for their technical approach focused on consistency and directivity control. Its construction is based on two pre-polarized diaphragms integrated into two miniature capsules positioned face-to-face, combined with interference tubes. The goal is clear: to create a compact cardioid microphone capable of maintaining a stable frequency response while preserving controlled directivity, even when the source moves, the environment is noisy, or placement must be \"to the millimeter.\"\u003c\/p\u003e\u003ch3\u003eWho the 2011C is for: studio, live, and demanding recordings\u003c\/h3\u003e\u003cp\u003eThe 2011C targets sound engineers, live technicians, home studio users, and content creators who want a reliable, discreet, and easy-to-place microphone. Its compactness is an immediate advantage for tight setups: drums, percussion, brass, guitar amps, piano, film sets, or fixed installations. Where a larger microphone hinders placement or forces compromises, the 2011C facilitates orientation, reduces clutter, and speeds up setup.\u003c\/p\u003e\u003cp\u003eIts ability to handle very high levels (up to 146 dB SPL) also makes it a reassuring choice for dynamic and unpredictable sources. When capturing a performance without fear of distortion and without losing clarity, this microphone provides a valuable safety margin, both for live and recording situations.\u003c\/p\u003e\u003ch3\u003eKey features: control, dynamics, and quick integration\u003c\/h3\u003e\u003ch4\u003eCardioid to isolate the source and keep a clean mix\u003c\/h4\u003e\u003cp\u003eWith its cardioid directivity, the 2011C helps prioritize the targeted source and limit ambient bleed. This is an asset for gaining definition, reducing feedback risks on stage, and facilitating mixing. This cardioid pattern, supported by interference tubes, aims for more precise off-axis behavior control to maintain an exploitable sound even in challenging conditions.\u003c\/p\u003e\u003ch4\u003eDual pre-polarized diaphragm: coherence and extended response\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003edual pre-polarized diaphragm\u003c\/strong\u003e design contributes to recording stability and detailed reproduction across the entire spectrum, with a stated frequency response of 20 Hz to 20,000 Hz. The expected result is a microphone that is both precise for transients and sufficiently broad to reproduce fundamentals, without imposing an excessive character that would complicate equalization.\u003c\/p\u003e\u003ch4\u003eWide dynamic range and standard power supply\u003c\/h4\u003e\u003cp\u003eWith a dynamic range of 117 dB, the 2011C is designed to handle level variations without collapsing or making the recording fragile. The 48 Volt phantom power ensures immediate integration with most preamps, audio interfaces, analog and digital consoles, whether in the studio or on tour.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003estudio microphone\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ecardioid\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e117 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum sound pressure level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eup to 146 dB SPL\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNominal sensitivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e10 mV \/ Pa, -40 dB re. 1 V \/ Pa\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eA-weighted equivalent noise level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eTyp. 20 dB(A) re. 20 µPa (max 23 dBA)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e19 x 92 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e64 g\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFinish\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eMatte Black\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54357403795731,"sku":"215707","price":876.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/99aa806ce1c64c637cf4c86c58b265826389cbee_2DPA_2011C_4e5e0aac-1391-4154-8d88-8fb4e889d08d.jpg?v=1788181760"},{"product_id":"dpa-4017b-172580","title":"4017B","description":"\u003ch3\u003eA Modular \"Pencil\" DPA Designed for Boom Pole, ENG, and Installations\u003c\/h3\u003e \n\u003cp\u003eThe DPA 4017 belongs to the brand's family of modular pencil microphones, designed to offer a consistent sonic character across models. This continuity facilitates multi-mic shoots and recordings (boom mic, hidden miniature mics, etc.) by limiting timbre differences and thus reducing post-production workload. Its \"short shotgun mic\" design aims for a sought-after balance: marked directivity while maintaining precise and musical reproduction.\u003c\/p\u003e  \n\n\u003ch3\u003eWho Is the DPA 4017 For and In Which Applications Does It Excel?\u003c\/h3\u003e \n\u003cp\u003eThis shotgun mic is tailored for image sound recordists (broadcast, ENG, documentary), film boom teams, as well as fixed installations (sports, studio, occasional recordings). Thanks to its strong directivity, it is particularly suited for \u003cstrong\u003eremote dialogue capture\u003c\/strong\u003e and scenes where the main source must remain intelligible despite a noisy environment. In the studio, it can also become a precision tool when focused and clean capture is desired.\u003c\/p\u003e  \n\n\u003ch3\u003eAcoustic Design and Key Technologies\u003c\/h3\u003e \n\n\u003ch4\u003eSupercardioid + Interference Tube: Focus and Rejection\u003c\/h4\u003e \n\u003cp\u003eThe 4017 combines supercardioid directivity with an interference tube to achieve highly directional capture. This principle increases focus on the front of the microphone and improves rejection of side and rear sounds, a crucial point for boom pole use, sports recording, or studio where ambient noise is omnipresent.\u003c\/p\u003e \n\n\u003ch4\u003eMore Uniform Off-Axis Response: Fewer Audible \"Lobes,\" More Natural Sound\u003c\/h4\u003e \n\u003cp\u003eDPA conducted specific work on the off-axis response to limit nonlinear effects often associated with shotgun mics (related to side lobes). The result: sounds coming from the sides and rear remain more natural, with controlled attenuation rather than marked coloration. This approach improves spatial coherence and intelligibility when framing or boom placement causes axis variations.\u003c\/p\u003e \n\n\u003ch4\u003ePreamp and Filters: Quick Control On Set\u003c\/h4\u003e \n\u003cp\u003ePaired with the MMP-B preamplifier, the capsule forms a short shotgun mic, very lightweight, and designed for shooting conditions. Two integrated filters, operated by rings, allow quick adaptation of the recording: a \u003cstrong\u003eHigh Boost\u003c\/strong\u003e (+4 dB at 8 kHz) useful to compensate for high-frequency attenuation with certain windshields, and a \u003cstrong\u003elow-cut\u003c\/strong\u003e (first order below 120 Hz) to reduce handling noise and wind rumble. A permanent high-pass filter (third order at 50 Hz) helps reduce very low-frequency disturbances.\u003c\/p\u003e \n\n\u003ch4\u003e\"Wireless Boom Pole\" Option: Reduction of Cable and Handling Noise\u003c\/h4\u003e \n\u003cp\u003eFor modern setups where the wireless transmitter is mounted close to the microphone, the 4017 solution dedicated to wireless systems aims to eliminate noise related to the external cable along the boom pole. It relies on an MMC4017 capsule and a short modular active cable MMP-G, integrated into a suspension and wind protection system. The assembly is optimized to accommodate certain compact mic transmitters (for example Lectrosonics SSM or Zaxcom ZMT3-Phantom 2) and protect not only the microphone but also the transmitter from the elements.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eShotgun Microphone\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003esupercardioid\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePolar pattern\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eSupercardioid, lobe-shaped\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOperating principle\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ePressure gradient with interference tube\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCartridge type\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ePre-polarized condenser\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffective frequency range, +\/-2 dB, at 60 cm (23.6 in)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e70 Hz - 18 kHz with typical 3 dB soft boost at 15 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHigh boost\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e+4 dB at 8 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLow-cut\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003efirst-order filter below 120 Hz\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNominal sensitivity, +\/-2 dB at 1 kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e19 mV\/Pa; -34.4 dB re 1 V\/Pa\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEquivalent noise level, A-weighted\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eTyp. 13 dB(A) ref. 20 uPa (max. 15 dB(A))\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEquivalent noise level, ITU-R BS.468-4\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eTyp. 24 dB (max. 26 dB)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eTyp. 124 dB\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e19 mm preamp\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e152 dB SPL before clipping\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDistortion, THD below 1 percent\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e134 dB SPL RMS, 137 dB SPL peak\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMax SPL, THD 10 percent\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e138 dB SPL peak\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum output voltage, RMS\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2.0 V\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNominal output impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e100 ohms\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMinimum load impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2 kohms\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCable drive capability\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e100 m (328 ft)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutput balancing principle\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ebalanced signal\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCommon mode rejection ratio (CMRR)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003egreater than 40 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePolarity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e+V on pin 2 for positive acoustic pressure\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply (for optimal performance)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eP48 (phantom power)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCurrent consumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e4.5 mA\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54357661417747,"sku":"172580","price":1799.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/f0b45a813134f662e66cbd0ccd027b1b7d7f655a_1DPA_4017B_fe741f49-0adc-4855-be2c-24b57bbcec06.jpg?v=1788181761"},{"product_id":"dpa-2015-373800","title":"2015","description":"\u003ch3\u003eA 2015 Model Designed as a Continuation of the \"2012\/2015\" Duo\u003c\/h3\u003e \n\u003cp\u003eThe 2015 fits into a coherent approach alongside the 2012: two pre-polarized condenser microphones designed for targeted uses. They share the same design principle with a 17 mm capsule, specifically optimized according to the intended application. Within this product line logic, the 2015 stands out with a wide cardioid directivity, particularly relevant when seeking a broad, homogeneous, and \"airy\" sound capture on extended sources.\u003c\/p\u003e \n\n\u003ch3\u003eFor Which Sound Captures Is the 2015 Best Suited?\u003c\/h3\u003e \n\u003cp\u003eThe 2015 is a wide cardioid overhead microphone tailored for drum recording and, more broadly, for all instrument ensembles where a coherent image is desired without multiplying pickup points. As an overhead, it captures the overall balance of the kit (cymbals, attack, body) with a sense of openness linked to its directivity. In live contexts, its compact design favors discreet placement, practical when space is limited and stage visibility is as important as sound quality.\u003c\/p\u003e \n\u003cp\u003eIt is also very comfortable on \"wide\" or complex radiating instruments: grand piano (placed inside, close to the strings, to cover a broad area evenly), brass sections, as well as melodic percussion instruments like vibraphone, xylophone, and large marimbas. The goal is clear: to achieve natural and precise reproduction with a capture that remains stable and usable in a mix, even when the source physically occupies a lot of space.\u003c\/p\u003e \n\n\u003ch3\u003eDirectivity, Placement, and Design: What Defines the 2015's Personality\u003c\/h3\u003e \n\n\u003ch4\u003eA Wide Cardioid for a More \"Breathing\" Image\u003c\/h4\u003e \n\u003cp\u003eThe wide cardioid directivity of the 2015 is at the heart of its sonic identity. It helps capture a more generous soundstage than a classic cardioid while maintaining useful orientation to aim at the source and organize the capture. The result: a sound described as more open, with reproduction aiming for naturalness and precision, particularly appreciated on drum overheads or ensembles where cohesion is sought.\u003c\/p\u003e \n\n\u003ch4\u003eA 30 cm Placement Reference and the Importance of the Proximity Effect\u003c\/h4\u003e \n\u003cp\u003eThe 2012 and 2015 are specified with a linear frequency response at 30 cm, providing a concrete reference for building reproducible placement both in the studio and on stage. As directional microphones, the proximity effect becomes a full adjustment parameter: bringing the mic closer can influence the low end, which can be useful to thicken a source... or, conversely, should be monitored to preserve a natural balance. In overhead use, this behavior allows adjusting the balance between impact, definition, and \"air\" simply by changing distance and angle.\u003c\/p\u003e \n\n\u003ch4\u003eRobustness, Discretion, and Daily Mobility\u003c\/h4\u003e \n\u003cp\u003eBetween rehearsals, concerts, and sessions, equipment is handled, assembled, disassembled, and transported constantly. The 2015 therefore relies on robust and reinforced construction and a compact design that facilitates discreet placement. This combination is particularly relevant for drum setups (where microphones are exposed to accidental shocks) and busy stages, where securing the capture without complicating setup is essential.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003estudio microphone\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ecardioid\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;column-gap:2rem;row-gap:0\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTimbre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003enatural and precise reproduction, open rendering linked to directivity\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectional microphone\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eproximity effect considered to optimize positioning\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54357784887571,"sku":"373800","price":713.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/452cbe8467371bdd1f1cdf35e5ce8f456306206d_DPA_2015.jpg?v=1788182139"},{"product_id":"dpa-faadpa2b-350477","title":"FAADPA2b","description":"\u003ch3\u003eA Handle at the Heart of the d:facto Ecosystem\u003c\/h3\u003e\u003cp\u003eThe FAADPA2B fits into the modular approach of the DPA d:facto vocal range: you keep your capsule and your sound while choosing the interface best suited to your setup. This phantom-powered XLR handle allows the d:facto to be used wired and then switched to a wireless configuration via an adapter for wireless systems, providing a simple and cost-effective upgrade.\u003c\/p\u003e\u003ch3\u003eFor Which Voices and Uses?\u003c\/h3\u003e\u003cp\u003eThis handle is intended for singers, backing vocalists, presenters, and sound technicians seeking a classic XLR integration, ideal for concerts, events, and installations, while maintaining an upgrade path to wireless. It is also perfectly suited for setups where phantom power is already available on the console or preamp.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMicrophone Shock Mounts\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eQuantity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54357805236499,"sku":"350477","price":259.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/c957256df1620986412ed6a6fe88de8c2efd18ce_1DPA_FAA1DPA2B.jpg?v=1789356571"},{"product_id":"dpa-4011a-172576","title":"4011A","description":"\u003ch3\u003eA Modernized \"Classic\": The Evolution from the 4011 to the 4011A\u003c\/h3\u003e\u003cp\u003eThe DPA 4011A follows in the footsteps of the 4011, which has become an essential reference for demanding sound capture. This improved version features \u003cstrong\u003ecarefully selected high-end components\u003c\/strong\u003e, with a clear goal: to deliver even more faithful reproduction, \u003cstrong\u003eexemplary neutrality\u003c\/strong\u003e, and \u003cstrong\u003eextremely reduced distortion\u003c\/strong\u003e. The result is a \"transparent\" microphone that respects the source while maintaining the musicality and coherence that have built the series' reputation.\u003c\/p\u003e\u003ch3\u003eFor Whom and For What Uses? A Close-Miking Microphone Also Comfortable as a Spot Mic\u003c\/h3\u003e\u003cp\u003eThe 4011A is designed for sound engineers, studios, live control rooms, and musicians seeking a \u003cstrong\u003eprecise cardioid microphone\u003c\/strong\u003e capable of capturing the finest nuances without coloration. In close-miking, it excels on \u003cstrong\u003eacoustic guitar\u003c\/strong\u003e and \u003cstrong\u003egrand piano\u003c\/strong\u003e, as well as on drum overheads, percussion, and wind instruments. As a spot mic, its top-tier cardioid pattern facilitates placement within dense ensembles, up to the symphony orchestra, maintaining a stable image and natural sound.\u003c\/p\u003e\u003cp\u003eIts ability to handle \u003cstrong\u003every high sound pressure levels\u003c\/strong\u003e also makes it a safe choice when moving from delicate sessions (strings, vocals, ambience) to more energetic sources (brass, percussion, dynamic overheads) without changing microphones.\u003c\/p\u003e\u003ch3\u003ePrecision, Phase, and Level Control: The Strengths of the 4011A\u003c\/h3\u003e\u003ch4\u003eA Consistent Cardioid for Clean Separation\u003c\/h4\u003e\u003cp\u003eThe main asset of the 4011A is the \u003cstrong\u003estability of its cardioid polar pattern\u003c\/strong\u003e. This consistency helps isolate a source in a busy environment while maintaining timbral coherence during movements or placement variations. In practice, this results in clearer recordings, particularly useful in multi-mic setups or ensemble spot miking.\u003c\/p\u003e\u003ch4\u003eLinear Frequency Response and Controlled Phase\u003c\/h4\u003e\u003cp\u003eThanks to a \u003cstrong\u003elinear on-axis frequency response\u003c\/strong\u003e and \u003cstrong\u003eexcellent phase consistency\u003c\/strong\u003e, the 4011A aims to reproduce sound as close to the original as possible. Its off-axis behavior is also consistent: any leakage from other instruments retains a natural character, facilitating integration into a mix and enhancing the realistic spatial sensation.\u003c\/p\u003e\u003ch4\u003eIntegrated -20 dB Pad: More Headroom, Less Constraints\u003c\/h4\u003e\u003cp\u003eThe 4011A features an \u003cstrong\u003eintegrated -20 dB attenuator (Pad)\u003c\/strong\u003e with a switch located at the center of the XLR connector. This pad allows for \u003cstrong\u003ereducing the microphone's output level\u003c\/strong\u003e to preserve the headroom of your preamp or console input stage, securing recordings on very loud sources without sacrificing definition.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003estudio microphone\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ecardioid\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003esmall diaphragm condenser microphone\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePolar pattern\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ecardioid\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMax SPL\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e158 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAttenuator Pad\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-20 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eImpedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e200 Ohms\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSound fidelity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ehigh\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003erequires Phantom power\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConnector\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54358318219539,"sku":"172576","price":1699.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/2c15d00e92a76f15e43d89a2843a0909c7a00761_1DPA_4011A.jpg?v=1788183005"},{"product_id":"dpa-4011c-172577","title":"4011C","description":"\u003ch3\u003eA classic DPA model adapted into a compact version for stage and set constraints\u003c\/h3\u003e\u003cp\u003eThe DPA 4011C follows the DPA philosophy: offering high-end, faithful, and immediately usable capture in a microphone that knows how to stay out of the way. This compact version of the 4011 series emphasizes discretion and ease of integration while maintaining top-tier performance for professional applications. Where a studio condenser microphone might be too visible or bulky, the 4011C provides a more \"invisible\" alternative without compromising clarity.\u003c\/p\u003e\u003ch3\u003eWho is it for and what are the uses? A versatile microphone for close-miking and demanding contexts\u003c\/h3\u003e\u003cp\u003eThe 4011C is a relevant choice if you work in \u003cstrong\u003efilm\u003c\/strong\u003e, \u003cstrong\u003etelevision\u003c\/strong\u003e, \u003cstrong\u003etheater\u003c\/strong\u003e, \u003cstrong\u003eplaces of worship\u003c\/strong\u003e, or \u003cstrong\u003estudio\u003c\/strong\u003e and are looking for a cardioid microphone capable of remaining discreet while delivering detailed capture. In close-miking, its directivity helps reduce crosstalk from other instruments, which facilitates mixing, especially in orchestra or stage situations with many simultaneous sources.\u003c\/p\u003e\u003cp\u003eOn a set, it is also comfortable for \u003cstrong\u003eoff-camera voices\u003c\/strong\u003e or \u003cstrong\u003eambiences and sound effects\u003c\/strong\u003e when microphone visibility must be minimal. In sound reinforcement, it stands out with a natural rendering and controlled presence, useful for maintaining intelligibility without harshening the high frequencies.\u003c\/p\u003e\u003ch3\u003eDesign and performance: precision, SPL handling, and easy integration\u003c\/h3\u003e\u003ch4\u003eCardioid directivity: more focus, less bleed\u003c\/h4\u003e\u003cp\u003eThe cardioid directivity of the DPA 4011C allows focusing the capture on the targeted source while attenuating some sounds coming from the rear. This is a concrete advantage in close-miking (strings, winds, percussion, amps, vocals) and in all configurations where better track separation and limiting microphone bleed are desired.\u003c\/p\u003e\u003ch4\u003eDual condenser capsule: definition and coherence\u003c\/h4\u003e\u003cp\u003eThanks to its \u003cstrong\u003edual condenser capsule\u003c\/strong\u003e design, the 4011C aims for fine transient reproduction and precise nuance reading. The result: a clean sound image, readable lows, and detailed highs, useful for preserving the realism of an acoustic instrument or the texture of a voice without artificial effects.\u003c\/p\u003e\u003ch4\u003eVery high SPL handling: a microphone comfortable with powerful sources\u003c\/h4\u003e\u003cp\u003eThe 4011C can handle very high sound pressure levels, making it a reliable tool for sources that \"hit hard\": percussion, brass, very close instruments, or stage environments where levels rise quickly. 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The result: cleaner recordings and fewer corrections needed during mixing.\u003c\/p\u003e\u003ch4\u003e\"Double Pole\" Design\u003c\/h4\u003e\u003cp\u003eThe double structure ensures \u003cstrong\u003esecure support\u003c\/strong\u003e of the microphone while promoting mechanical isolation suited for studio and on-set use.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMicrophone Shock Mounts\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eQuantity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDesign\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDouble Pole\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54358455812371,"sku":"376794","price":134.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/22aa6d9978b0c4de4651fea0e3eca0068acf6b58_SM1500.jpg?v=1789365212"},{"product_id":"dpa-st4011a-253549","title":"ST4011A","description":"\u003ch3\u003eA Modernized \"Classic\": The Evolution from the 4011 to the 4011A\u003c\/h3\u003e\u003cp\u003eThe DPA 4011A follows in the footsteps of the 4011, which has become an essential reference for demanding sound capture. This improved version features \u003cstrong\u003ecarefully selected high-end components\u003c\/strong\u003e, with a clear goal: to deliver even more faithful reproduction, \u003cstrong\u003eexemplary neutrality\u003c\/strong\u003e, and \u003cstrong\u003eextremely reduced distortion\u003c\/strong\u003e. The result is a \"transparent\" microphone that respects the source while maintaining the musicality and coherence that have built the series' reputation.\u003c\/p\u003e\u003ch3\u003eFor Whom and For What Uses? A Close-Miking Microphone Also Comfortable as a Spot Mic\u003c\/h3\u003e\u003cp\u003eThe 4011A is designed for sound engineers, studios, live control rooms, and musicians seeking a \u003cstrong\u003eprecise cardioid microphone\u003c\/strong\u003e capable of capturing the finest nuances without coloration. In close-miking, it excels on \u003cstrong\u003eacoustic guitar\u003c\/strong\u003e and \u003cstrong\u003egrand piano\u003c\/strong\u003e, as well as on drum overheads, percussion, and wind instruments. As a spot mic, its top-tier cardioid pattern facilitates placement within dense ensembles, up to the symphony orchestra, maintaining a stable image and natural sound.\u003c\/p\u003e\u003cp\u003eIts ability to handle \u003cstrong\u003every high sound pressure levels\u003c\/strong\u003e also makes it a safe choice when moving from delicate sessions (strings, vocals, ambience) to more energetic sources (brass, percussion, dynamic overheads) without changing microphones.\u003c\/p\u003e\u003ch3\u003ePrecision, Phase, and Level Control: The Strengths of the 4011A\u003c\/h3\u003e\u003ch4\u003eA Consistent Cardioid for Clean Separation\u003c\/h4\u003e\u003cp\u003eThe main asset of the 4011A is the \u003cstrong\u003estability of its cardioid polar pattern\u003c\/strong\u003e. This consistency helps isolate a source in a busy environment while maintaining timbral coherence during movements or placement variations. In practice, this results in clearer recordings, particularly useful in multi-mic setups or ensemble spot miking.\u003c\/p\u003e\u003ch4\u003eLinear Frequency Response and Controlled Phase\u003c\/h4\u003e\u003cp\u003eThanks to a \u003cstrong\u003elinear on-axis frequency response\u003c\/strong\u003e and \u003cstrong\u003eexcellent phase consistency\u003c\/strong\u003e, the 4011A aims to reproduce sound as close to the original as possible. Its off-axis behavior is also consistent: any leakage from other instruments retains a natural character, facilitating integration into a mix and enhancing the realistic spatial sensation.\u003c\/p\u003e\u003ch4\u003eIntegrated -20 dB Pad: More Headroom, Less Constraints\u003c\/h4\u003e\u003cp\u003eThe 4011A features an \u003cstrong\u003eintegrated -20 dB attenuator (Pad)\u003c\/strong\u003e with a switch located at the center of the XLR connector. This pad allows for \u003cstrong\u003ereducing the microphone's output level\u003c\/strong\u003e to preserve the headroom of your preamp or console input stage, securing recordings on very loud sources without sacrificing definition.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003estudio microphone\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ecardioid\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003esmall diaphragm condenser microphone\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePolar pattern\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ecardioid\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMax SPL\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e158 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAttenuator Pad\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-20 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eImpedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e200 Ohms\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSound fidelity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ehigh\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003erequires Phantom power\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConnector\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54358476194067,"sku":"253549","price":3749.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/0c161a6325cebe8a116005daa2968a3e3c011401_1DPA_ST4011A_f5ae58bf-2417-4d6f-af13-a611d1ba4c4f.jpg?v=1788183423"},{"product_id":"dpa-2017-382766","title":"2017","description":"\u003ch3\u003eA New Field Standard from DPA\u003c\/h3\u003eThe latest directional microphone from the brand, the DPA 2017 builds on DPA's expertise in broadcast and film sound recording to offer a compact and ultra-reliable solution. It establishes itself as a modern reference for capturing ambience and dialogue outdoors, where stability and sound clarity are as important as durability.\u003cbr \/\u003e\u003ch3\u003eWho Is It For and What Are Its Uses?\u003c\/h3\u003eDesigned for film crews, sound engineers, reporters, and broadcast technicians, the 2017 excels at the edge of sports fields, on a boom pole for documentaries, mounted on cameras, or for capturing stage ambience. Its supercardioid directivity effectively limits lateral noise and potential feedback while maintaining a natural timbre reproduction.\u003cbr \/\u003e\u003ch3\u003eDesign and Performance Built for the Field\u003c\/h3\u003eThe 2017's condenser capsule delivers remarkable clarity and fidelity across the entire useful frequency range, from 20 to 20,000 Hz. The supercardioid pattern ensures an excellent source-to-noise ratio in complex environments, simplifying placement and reducing the need for heavy post-production processing.\u003cbr \/\u003eA true field tool, its construction withstands repeated mechanical shocks and harsh weather. Tested to operate up to 40degC with 90% relative humidity and down to -40degC in cold conditions, it guarantees reliable capture regardless of circumstances. Its slim profile (19 mm diameter) and featherweight design facilitate balancing on a boom pole and mounting on cameras without compromising mobility.\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eShotgun Microphone\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003esupercardioid\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eSmall diaphragm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eDirectional condenser microphone\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e25 mV\/Pa (-32 dB, 1 V\/Pa)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMax SPL\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e148 dB peak (10% THD)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions (L x H x D)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e19 x 184 x 19 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLength\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e184 mm; diameter: 19 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e115 g\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54358922625299,"sku":"382766","price":919.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/a5da46f2995b812676d1e7859986871cdea73966_DPA_2017.jpg?v=1788184903"},{"product_id":"dpa-2006a-172571","title":"2006A","description":"\u003ch3\u003eIn the Footsteps of the 4006: The \"Reference Standard\" Spirit at a Remarkable Price Point\u003c\/h3\u003e\u003cp\u003eThe DPA 2006 follows a clear philosophy: to offer sonic authenticity worthy of the brand's references while making this world more accessible. The comparison with the DPA 4006 is almost automatic, and for good reason: there is an obvious kinship in the overall sonic character, the sense of air, neutrality, and the ability to \"disappear\" in favor of the instrument. This closeness is not only due to the nod of the \"06\" in the model number but to a design approach that prioritizes fidelity above all.\u003c\/p\u003e\u003cp\u003eWhere the 2006 carves its own path is through the capsule technology used in the 2000 series. DPA relies here on a specific architecture that retains the advantages of a small diaphragm (speed, precision, extension) while optimizing noise level and the sense of substance. The result: a microphone that behaves like a high-end model and very concretely redefines the quality\/price ratio for demanding acoustic sound capture.\u003c\/p\u003e\u003ch3\u003eA Microphone Designed for Demanding Acoustic Sound Capture, from Home Studio to Classical\u003c\/h3\u003e\u003cp\u003eIf you are looking for an omnidirectional microphone capable of capturing an instrument \"as it sounds in the room,\" the DPA 2006 is a natural candidate. Its very faithful character is particularly suited to sources rich in transients and harmonics: piano, acoustic guitar, wind instruments, ensembles, quartets, choirs, or light percussion. In the studio as well as in concert recording, it excels whenever you want to preserve dynamics and depth without artificially coloring the timbre.\u003c\/p\u003e\u003cp\u003eIn stereo use, the 2006 is also very convincing in a main AB pair. This configuration highlights width, image stability, and a natural stage sensation, with a treble response designed to position itself as an excellent compromise between typical \"near-field\" and \"diffuse field\" behaviors. For the sound engineer, this translates into easier placement and often simpler integration into the mix, while maintaining a very \"true\" signature.\u003c\/p\u003e\u003ch3\u003eTwin Diaphragm Technology and DPA Modularity: Precision, Silence, and Freedom of Configuration\u003c\/h3\u003e\u003ch4\u003eMMC2006 Capsule: Dual Diaphragm, Great Sense of Air\u003c\/h4\u003e\u003cp\u003eThe heart of the DPA 2006 lies in the MMC2006 capsule and its \"Twin Diaphragm\" technology. Concretely, two miniature capsules are assembled back-to-back to form a single capsule with dual diaphragms. This architecture combines the benefits of a small diaphragm (fast transient response, extended frequency response, excellent definition) with reduced noise levels, closer to what is usually expected from larger diaphragms.\u003c\/p\u003e\u003cp\u003eAnother key point: these capsules are paired with Reference Standard series preamplifiers, rather than tiny integrated FET stages as found in miniature microphones. In listening, this results in greater precision, better microdynamic clarity, and a very useful sense of openness for detailed acoustic recordings.\u003c\/p\u003e\u003ch4\u003eMMP-A or MMP-C: Two Approaches, the Same Level of Excellence\u003c\/h4\u003e\u003cp\u003eThe DPA 2006A is delivered with the MMP-A preamplifier: an audiophile choice aimed at the lowest possible distortion and very faithful reproduction. For those prioritizing compactness, the 2006C version (with the compact MMP-C preamplifier) offers easier placement while providing a subtly different tonal balance, with the low register perceived as somewhat \"fuller.\"\u003c\/p\u003e\u003cp\u003eFinally, one of the great strengths of this family is its modularity: the DPA ecosystem allows you to evolve your microphone over time by combining compatible capsules and preamps, all without tools. This approach is particularly relevant for studios wanting to cover multiple scenarios (proximity, distance, placement constraints) while maintaining rendering consistency.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003estudio microphone\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eomnidirectional\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePolar pattern\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eOmnidirectional\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e114 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSensitivity (+\/- 2 dB at 1 kHz)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e40 mV\/Pa; -28 dB ref. 1 V\/Pa\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEquivalent noise level (A-weighted)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eTypical 16 dB(A) ref 20 uPa (max. 18 dB(A))\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54359651320083,"sku":"172571","price":989.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/385bdadf770fc3471fb5686d229e082047941982_1DPA_2006A.jpg?v=1788185172"},{"product_id":"dpa-st4006a-stock-b-426130","title":"ST4006A - BSTOCK","description":"\u003cp align=\"justify\"\u003eThe versatile DPA 4006A is undoubtedly the most popular microphone in the Standard series, having rightfully earned its status as the global recording standard. It offers complete transparency in any situation, with incredibly detailed and deep sound reproduction. The high-frequency response across a wide range of instruments is undeniably impressive for the vast majority of recording applications.\u003cbr \/\u003e\u003cbr \/\u003eWith the 4006A, music sound engineers, broadcasters, and musicians can reproduce sound with extreme naturalness and great precision in all kinds of applications: ideal for stereo A-B recording of symphony orchestras in concert halls, the 4006A also excels on vocals and close-miking instruments such as grand piano, guitar, double bass, and percussion.\u003cbr \/\u003e\u003cbr \/\u003eWith its acoustic modification accessories, three interchangeable grills, and its capsule, it is possible to acoustically transform the 4006C into four different versions, making it an extremely versatile and cost-effective solution. Moreover, these grills and different elements, unlike using an electronic filter, do not introduce phase issues, noise, or distortion.\u003cbr \/\u003e\u003cbr \/\u003e\u003cb\u003eSpecifications:\u003c\/b\u003e\u003cul\u003e\u003cli\u003eMMP-A Microphone Pre-Amplifier\u003c\/li\u003e\u003cli\u003eMMC4006 Omnidirectional Capsule\u003c\/li\u003e\u003cli\u003eFrequency Response: 10 - 20,000 Hz\u003c\/li\u003e\u003cli\u003eMax SPL: 147 dB\u003c\/li\u003e\u003cli\u003e48V Phantom Power\u003c\/li\u003e\u003cli\u003eSwitchable Low-Cut and High-Boost Filters\u003c\/li\u003e\u003cli\u003eLength: 170 mm\u003c\/li\u003e\u003cli\u003eDiameter: 16-19 mm\u003c\/li\u003e\u003cli\u003eWeight: 163 g\u003c\/li\u003e\u003cli\u003eHandmade in Denmark\u003c\/li\u003e\u003c\/ul\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54360148934931,"sku":"426130","price":4274.1,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/3f1a636b41aaf821dfdc3c55e6a118d1d5dc78ab_1DPA_ST4006A_6d231d81-31cd-4385-8efb-4544b6bf440e.jpg?v=1789440354"},{"product_id":"dpa-dua0531f-360506","title":"DUA0531F","description":"\u003ch3\u003eA DPA Accessory Designed for Miniature Microphones and the Lavalier 4060 Series\u003c\/h3\u003e \n\u003cp\u003eThe DPA \u003cstrong\u003eDUA0531F\u003c\/strong\u003e is a foam windscreen developed to accompany the brand's miniature microphones, notably those referenced \u003cstrong\u003eDUA0560, DUA0566, DUA0567, DUA0568\u003c\/strong\u003e, as well as the \u003cstrong\u003eDPA Lavalier 4060 series\u003c\/strong\u003e with round capsules. Within the DPA ecosystem, this type of accessory is essential: it ensures reliable sound capture on a daily basis without altering the microphone's sonic signature when properly selected.\u003c\/p\u003e \n\n\u003ch3\u003eIntended Uses and User Profiles\u003c\/h3\u003e \n\u003cp\u003eThis windshield is aimed at professionals and discerning users working with \u003cstrong\u003elavalier microphones\u003c\/strong\u003e, \u003cstrong\u003eheadsets\u003c\/strong\u003e, and \u003cstrong\u003eearpieces\u003c\/strong\u003e: sound engineers, camera sound operators, journalists, content creators, broadcast teams, theaters, and event service providers. It is especially useful whenever the voice is close to the capsule (risk of plosives) or when air movement occurs: outdoors, ventilated stages, moving costumes, or shoots where the microphone must remain discreet yet intelligible.\u003c\/p\u003e \n\n\u003ch3\u003eWind and Plosive Protection Without Compromising Intelligibility\u003c\/h3\u003e \n\u003cp\u003eMade of \u003cstrong\u003efoam\u003c\/strong\u003e, the DUA0531F is designed to provide an effective mechanical barrier against air turbulence responsible for wind noise and \"pops.\" The \u003cstrong\u003esize\u003c\/strong\u003e and \u003cstrong\u003efoam construction\u003c\/strong\u003e are engineered so that high-frequency attenuation remains minimal, preserving the precision and presence typical of a DPA miniature microphone.\u003c\/p\u003e \n\n\u003ch4\u003eA Discreet Solution for Image and Stage\u003c\/h4\u003e \n\u003cp\u003eThanks to its \u003cstrong\u003ecompact size\u003c\/strong\u003e, this windshield goes unnoticed in most setups: lavalier microphone on clothing, headset integration, earpiece mounting, or close speech applications. It contributes to more consistent capture while limiting sound artifacts caused by breathing, explosive consonants, and micro air currents.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eWindscreens\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eBeige\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eQuantity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e5\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompatible with references\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eDUA0560, DUA0566, DUA0567, DUA0568\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003efoam\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54360177475859,"sku":"360506","price":27.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/c344cb5ca861db55767bf14c2d6f75e876668a46_1DPA_DUA0531F.jpg?v=1787386723"},{"product_id":"dpa-2012-stereo-373798","title":"2012 Stereo","description":"\u003ch3\u003eThe 2000 Series, Designed for the Modern Stage\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003ePart of the \"2000\" series, the 2012 is a condenser pencil microphone designed for demanding environments. Its specially developed 17 mm capsule offers the stability, consistency, and durability that touring sound engineers expect, while maintaining the precise sonic character of a condenser microphone.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eFor Whom and What Uses?\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eThe 2012 is a true \"Swiss Army knife\" for close miking on stage and in the home studio. It excels on snare drum, hi-hat, cymbals, and percussion, as well as on acoustic guitar, guitar\/bass amps, saxophone, trumpet, and other brass instruments. Its ability to handle very high sound pressure levels while capturing fine details makes it a credible alternative to dynamic microphones in many situations.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eKey Features for Stage and Studio\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eThe \u003cstrong\u003e17 mm pre-polarized condenser capsule\u003c\/strong\u003e delivers a linear response and fast transient image, ideal for preserving the attack of percussive instruments. The \u003cstrong\u003euniform cardioid\u003c\/strong\u003e ensures consistent off-axis timbre, simplifying placement and reducing bleed on busy stages.\u003c\/p\u003e \u003cbr \/\u003e\u003cp\u003eThe frequency response is \u003cstrong\u003elinear at 30 cm\u003c\/strong\u003e, an ideal starting point for close miking. As with any directional microphone, the proximity effect should be anticipated to shape the low-frequency curve depending on the source-to-mic distance. The \u003cstrong\u003estereo kit\u003c\/strong\u003e offers a selection with a sensitivity tolerance of \u003cstrong\u003e+\/-1.5 dB\u003c\/strong\u003e for consistent XY\/ORTF captures. Each box includes a clip, a windscreen, and a convenient zippered pouch\u0026#59; the stereo pair doubles these accessories in a lightweight and sturdy case.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estudio microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecardioid\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:5;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePre-polarized condenser microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDrums\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esnare, hi-hat, cymbals, percussion\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e17 mm designed for stage use\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eStrings and guitars\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eacoustic guitar, guitar and bass amplifiers\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:7;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eProximity effect\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epresent (related to directivity) and to be utilized depending on placement\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eBrass and woodwinds\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esaxophone, trumpet, other close miking applications\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStereo pair\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esensitivity matching within +\/-1.5 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eStereo kit version\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2 microphones, 2 clips, 2 windscreens, lightweight and robust zippered case\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54360184684819,"sku":"373798","price":1349.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/90c0cc05a5270686df07b67e96af01549180880a_DPA_2012ST.jpg?v=1789395659"},{"product_id":"dpa-st4006a-210382","title":"ST4006A","description":"\u003ch3\u003eA Global Recording Standard in the DPA \"Standard\" Range\u003c\/h3\u003e\u003cp\u003eWithin the Standard series, the \u003cstrong\u003eDPA 4006A\u003c\/strong\u003e has established itself as a reliable choice in both studio and high-end live sound recording. Its reputation is based on a \"no coloration\" approach: the microphone aims to reproduce the source as it is, with remarkable spatial sensation and clarity. This philosophy makes it a recurring choice when seeking a dependable capture capable of spanning styles and production constraints, from classical to contemporary music, including broadcast and transmission.\u003c\/p\u003e\u003cp\u003eIts position in the lineup is clear: to offer a \u003cstrong\u003epremium omnidirectional capture\u003c\/strong\u003e focused on realism, while remaining adaptable through acoustic modification elements. The result: a single microphone can cover multiple \"behaviors\" of sound capture depending on the soundstage to be reproduced and placement distance.\u003c\/p\u003e\u003ch3\u003eWhat Sound Sources Is the DPA 4006A Designed For?\u003c\/h3\u003e\u003cp\u003eThe 4006A is aimed at \u003cstrong\u003esound engineers\u003c\/strong\u003e, stage managers, studios, and musicians seeking an extremely natural capture with a coherent response across a wide range of instruments. In stereo, it is particularly suited to A-B configurations for \u003cstrong\u003esymphony orchestra\u003c\/strong\u003e in concert halls, when the goal is to achieve a wide, realistic, and spacious image.\u003c\/p\u003e\u003cp\u003eIt also excels in close-miking demanding acoustic sources: \u003cstrong\u003econcert grand piano\u003c\/strong\u003e, guitar, double bass, percussion, as well as on \u003cstrong\u003evocals\u003c\/strong\u003e when preserving texture and micro-details without artificial magnification effects is desired. Thanks to its high SPL handling, it can withstand dynamic sources while maintaining the naturalness of transients.\u003c\/p\u003e\u003ch3\u003eTransparency, Adaptation, and Control: Key Features\u003c\/h3\u003e\u003ch4\u003eAn Omnidirectional Capsule Designed for Fidelity\u003c\/h4\u003e\u003cp\u003eEquipped with the \u003cstrong\u003eMMC4006 capsule\u003c\/strong\u003e featuring omnidirectional directivity, the 4006A is designed to capture the overall balance of a source and its environment. This directivity facilitates realistic reproduction of natural reverberations and depth of field, a major asset for acoustic ensembles, solo instruments in beautiful rooms, and any recording where space is part of the sound.\u003c\/p\u003e\u003ch4\u003eAccessories and Grilles: Shaping the Signature Without \"Tinkering\" the Signal\u003c\/h4\u003e\u003cp\u003eOne of the strengths of the 4006A lies in its \u003cstrong\u003eacoustic modification accessories\u003c\/strong\u003e, including \u003cstrong\u003e3 interchangeable grilles\u003c\/strong\u003e and a windscreen. These elements allow adapting the microphone's behavior to the situation (distance, desired spectral balance, perception of high frequencies), while remaining within an acoustic logic. Unlike electrical filter processing, this approach avoids introducing unwanted issues such as phase shifts, noise, or distortion, which is particularly appreciated in stereo recordings and highly dynamic sessions.\u003c\/p\u003e\u003ch4\u003eRecording Tools: Low-Cut Filter and High-Boost\u003c\/h4\u003e\u003cp\u003eTo quickly refine the capture depending on placement and room, the 4006A offers a switchable \u003cstrong\u003elow-cut filter\u003c\/strong\u003e and \u003cstrong\u003eHigh-Boost\u003c\/strong\u003e mode. The low-cut helps control vibrations, handling noise, or bass buildup related to the environment, while the High-Boost adds extra presence in certain configurations, especially when the recording distance increases or when enhancing the sense of detail is desired.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e10 Hz - 20 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003estudio microphone\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eomnidirectional\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMicrophone preamplifier\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eMMP-A\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eMMC4006\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMax SPL\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e147 dB\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e48V Phantom\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSwitches\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003elow-cut filter and High-Boost\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLength\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e170 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDiameter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e16-19 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e163 g\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHandmade\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ein Denmark\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54360344494355,"sku":"210382","price":4598.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/94eeebe1bb0f0bc369991723d66667709f833158_1DPA_ST4006A.jpg?v=1788186450"},{"product_id":"dpa-2015-stereo-373801","title":"2015 Stereo","description":"\u003ch3\u003eFollowing the 2012, designed for ensemble capture\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eThe 2015 stands alongside the 2012 within the same family of pre-polarized condenser microphones. Both share a 17 mm capsule architecture, but the 2015 is distinguished by its wide cardioid directivity, designed to cover a broad area with an open and natural sound. Compact and discreet, it easily finds its place on stage as well as in the studio.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eFor whom and for what uses?\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eDesigned for sound engineers, backliners, and demanding creators, the 2015 excels whenever a clean capture of a wide sound field is needed without losing definition. Its signature ensures a clear and coherent recording, even in close proximity situations between sources.\u003c\/p\u003e \u003cul\u003e \u003cli\u003eDrum overhead\u003c\/li\u003e \u003cli\u003eGrand piano (placement inside, uniform coverage of strings)\u003c\/li\u003e \u003cli\u003eBrass sections and large ensembles\u003c\/li\u003e \u003cli\u003eVibraphone, xylophone, large marimbas, and other large instruments\u003c\/li\u003e \u003c\/ul\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eKey features for homogeneous capture\u003c\/h3\u003e \u003cbr \/\u003e\u003ch4\u003eWide cardioid directivity\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eIts \"wide cardioid\" offers a generous sweet spot, reducing timbre variations when musicians move. The result: a more stable image, an \"open\" sound, and faithful transient reproduction.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eOptimized placement and controlled proximity effect\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe frequency response is linear at 30 cm, a practical reference for close placements. Like any directional microphone, the 2015 exhibits a proximity effect: adjust the distance and angle to balance the low end without losing tonal balance.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eDurability and discretion\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe reinforced construction withstands the intensity of stages and tours, while the compact format facilitates tight placements above a drum kit, inside a piano, or within a brass section.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estudio microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecardioid\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStereo pair version\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2 microphones, 2 clips, 2 windshields, zipped pouch\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54360794824979,"sku":"373801","price":1349.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/5156f029442be0a2c6c83882e168d8fdaebdf449_DPA_2015ST.jpg?v=1789399818"},{"product_id":"dpa-st2011c-215708","title":"ST2011C","description":"\u003ch3\u003eKey Information About the Beyerdynamic 2011C Compact Microphones\u003c\/h3\u003e\u003cul\u003e\u003cli\u003e\u003cstrong\u003ePair of compact microphones\u003c\/strong\u003e easy to position when space is limited (studio, set, stage).\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eVery high acoustic pressure handling\u003c\/strong\u003e with a max SPL rated up to \u003cstrong\u003e146 dB\u003c\/strong\u003e, ideal for unpredictable sources and close miking.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003ePrecise cardioid directivity\u003c\/strong\u003e to better isolate the source and limit unwanted bleed.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003e\"Series 2000\" signature\u003c\/strong\u003e: architecture with \u003cstrong\u003edual pre-polarized diaphragm\u003c\/strong\u003e and careful control of directivity and frequency response.\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003eA \"Series 2000\" Approach Designed for Precision in Real Environments\u003c\/h3\u003e\u003cp\u003eThe 2011C follows the logic of the \u003cstrong\u003eSeries 2000\u003c\/strong\u003e capsules: offering compact microphones capable of remaining reliable in varied contexts, from studio to stage. The design is based on \u003cstrong\u003etwo diaphragms\u003c\/strong\u003e arranged in \u003cstrong\u003etwo miniature capsules facing each other\u003c\/strong\u003e, combined with \u003cstrong\u003einterference tubes\u003c\/strong\u003e. This construction aims for finer control of directivity and a coherent frequency response, particularly useful when the source moves, when the acoustics change, or when the setup must remain discreet.\u003c\/p\u003e\u003ch3\u003eWho the Beyerdynamic 2011C Is For and Where It Excels\u003c\/h3\u003e\u003cp\u003eThis set of \u003cstrong\u003e2 standard compact microphones\u003c\/strong\u003e is intended for sound engineers, musicians, and content creators who want a \u003cstrong\u003eclean, controlled, and quick-to-deploy\u003c\/strong\u003e recording. Its small size facilitates placement very close to the source, where a larger microphone would interfere with the performance or camera. Thanks to its cardioid directivity, the 2011C is especially suited for environments where it is important to \u003cstrong\u003efavor the direct signal\u003c\/strong\u003e (main source) and reduce ambient noise or neighboring instruments.\u003c\/p\u003e\u003cp\u003eIts ability to handle high levels makes it a strong ally on dynamic and energetic sources: percussion, brass, amps, or any situation where levels can spike unexpectedly. In the studio, it is a relevant choice to multiply placements (close\/support) while maintaining a minimal visual and physical footprint. On stage, it reassures with its headroom before saturation and its consistency when conditions become less \"ideal\".\u003c\/p\u003e\u003ch3\u003eDesign and Performance: Compactness, Directivity, and High Pressure Handling\u003c\/h3\u003e\u003ch4\u003eDual diaphragm and directivity control\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003edual pre-polarized diaphragm\u003c\/strong\u003e design combined with \u003cstrong\u003einterference tubes\u003c\/strong\u003e is not meant to make \"just another mic\": it seeks to stabilize directivity and better manage how the microphone reacts to off-axis sounds. Practically, this helps achieve a clearer capture in a mix, with a source that remains well \"anchored\" even when the environment is busy.\u003c\/p\u003e\u003ch4\u003eLarge headroom reserve for close miking\u003c\/h4\u003e\u003cp\u003eWith a \u003cstrong\u003emax SPL up to 146 dB\u003c\/strong\u003e and a \u003cstrong\u003edynamic range of 117 dB\u003c\/strong\u003e, the 2011C is built for close placements where acoustic pressure and transients quickly challenge a microphone. This headroom reserve allows working calmly without having to \"over-protect\" the recording, while still capturing the true energy of the instrument.\u003c\/p\u003e\u003ch4\u003eStudio compatibility: phantom power and easy integration\u003c\/h4\u003e\u003cp\u003eThe 2011C operates on \u003cstrong\u003e48 V phantom power\u003c\/strong\u003e, making it immediately compatible with most audio interfaces, mic preamps, and consoles. Its compact format, matte black finish, and contained dimensions facilitate discreet integration into a modern recording setup, whether for tracking, live sessions, or audiovisual capture.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003estudio microphone\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ecardioid\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFinish\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eMatte Black\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMax SPL\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eup to 146 dB SPL\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e117 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNominal sensitivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e10 mV \/ Pa, -40 dB re. 1 V \/ Pa\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eA-weighted equivalent noise level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eTyp. 20 dB(A) re. 20 µPa (max 23 dBA)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e48 Volt phantom power\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e19 x 92 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e64 g\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54360842961171,"sku":"215708","price":1839.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/9b7c32cd92ab25614bc8b62322ce42c856a3f63d_1DPA_ST2011C_fcd51e00-a9fe-47e8-9943-44efb5f9f6cd.jpg?v=1788187288"},{"product_id":"dpa-2011a-172573","title":"2011A","description":"\u003ch3\u003eA DPA \"Reference Standard\" Designed for Live Use, Following the Legacy of the 4011\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eThe DPA 2011A shares the sonic DNA and design philosophy that made the DPA 4011 renowned, a staple for its linearity and performance in close-miking. While the 4011 is recognized for its exemplary neutrality across a wide variety of setups, the 2011 adopts a more \"stage-oriented\" approach: its off-axis frequency response remains linear but over a narrower band. The result: better focus, clearer instrument separation on a busy stage, and increased comfort as volume rises.\u003c\/p\u003e \u003cbr \/\u003e\u003cp\u003ePart of the \u003cstrong\u003eDPA Reference Standard\u003c\/strong\u003e range, the 2011A aims for professional versatility: a cardioid microphone capable of handling high sound pressure levels, reliable over time, and precise enough for demanding concert, broadcast, or live recording applications.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eWho Is It For and What Are Its Uses?\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eThe DPA 2011A is intended for sound engineers, stage technicians, and studios seeking a \u003cstrong\u003ecardioid condenser microphone\u003c\/strong\u003e focused on stage performance without compromising fidelity. Its controlled off-axis behavior and excellent gain before feedback make it particularly suitable for environments where spill, stage monitors, and proximity between sources are daily challenges.\u003c\/p\u003e \u003cbr \/\u003e\u003cp\u003eIt performs well in many applications: close-miking, acoustic instruments, amplifiers, percussion, and any situation where detailed sound is desired while maintaining effective directivity. Its design favors simple placement and stable sound, speeding up soundchecks and securing sound reinforcement in real-world conditions.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eTwin Diaphragm Technology, Off-Axis Control, and DPA Modularity\u003c\/h3\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eA Dual-Membrane Capsule for Precise and Stable Capture\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe DPA 2011A features a \u003cstrong\u003eTwin Diaphragm\u003c\/strong\u003e capsule with \u003cstrong\u003edual pre-polarized membranes\u003c\/strong\u003e, engineered to combine precision, consistency, and durability. This architecture helps maintain reliable stage performance, with a clean sound image and a response that remains clear even when the microphone is not perfectly \"on-axis\" with the source.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eStage-Oriented Voicing: Separation and Gain Before Feedback\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eCompared to the very broadband approach of the 4011, the 2011 emphasizes off-axis linearity concentrated over a narrower range, resulting in better \u003cstrong\u003esource separation\u003c\/strong\u003e and \u003cstrong\u003ehigher gain before feedback\u003c\/strong\u003e. In practice, this facilitates equalization, improves stability with monitors, and makes the microphone easier to control in dense environments.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eMMP-A Preamplifier and Tool-Free Upgradability\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe \u003cstrong\u003e2011A\u003c\/strong\u003e version comes with the \u003cstrong\u003eMMP-A\u003c\/strong\u003e preamplifier, focused on audiophile reproduction, known for its \u003cstrong\u003elow distortion\u003c\/strong\u003e and high fidelity. Note: the \u003cstrong\u003e2011C\u003c\/strong\u003e version (with the compact \u003cstrong\u003eMMP-C\u003c\/strong\u003e preamp) offers a slightly different tonal balance, with a somewhat more pronounced low end, while facilitating placement thanks to a shorter format. One of the major strengths of this system is its \u003cstrong\u003emodularity\u003c\/strong\u003e: capsule and preamp can be combined and swapped at any time, without tools, to adapt the configuration according to stage or studio needs.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003estudio microphone\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ecardioid\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003edual pre-polarized membrane\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e117 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNominal sensitivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e10 mV \/ Pa; -40 dB ref. 1V \/ Pa\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEquivalent noise level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e20 dB (A-weighted) ref. 20 micropascals - max: 23 dB(A)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e19 x 198 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e164 g\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFinish\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ematte black\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54361071124755,"sku":"172573","price":1050.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/385cd345782830df5f9be0ce83bdef0e9edf877b_1DPA_2011A.jpg?v=1788187726"},{"product_id":"dpa-4015c-172579","title":"4015C","description":"\u003ch3\u003eA \"wider\" alternative in the DPA spirit, around the 4011 reference\u003c\/h3\u003e\u003cp\u003eIf you know the signature of the DPA 4011, the 4015C offers a complementary interpretation: a wide cardioid directivity designed to capture more sound field without switching to fully omnidirectional. This approach is particularly useful when a standard cardioid feels too \"tight\" and does not convey the full complexity of an instrument radiating in multiple directions.\u003c\/p\u003e\u003cp\u003eIn a realistic recording logic, the 4015C becomes an excellent compromise: it maintains good center clarity while allowing in the air, the room, and the harmonic width that give dimension to a performance.\u003c\/p\u003e\u003ch3\u003eFor whom and for what: acoustic recording, ensembles, vocals, and \"complex\" situations\u003c\/h3\u003e\u003cp\u003eThe DPA 4015C is aimed at sound engineers, classical recordists, sound designers, and studios seeking a broad yet controlled capture. On orchestra, choir, or large ensemble, its wide cardioid helps balance localization precision and inclusion of natural reverberation without forcing placement distance.\u003c\/p\u003e\u003cp\u003eOn instruments, it excels whenever respecting the breadth and real spatialization is required: grand piano, guitar, marimba, percussion, winds, or even as a spot mic per section. It is also very relevant on vocals (voice-over, dubbing, ADR, singing) when a more present low end and dense rendering are desired, while remaining clear in the mix.\u003c\/p\u003e\u003ch3\u003eSound and functional strengths of the 4015C\u003c\/h3\u003e\u003ch4\u003eA wide cardioid for a larger soundstage without losing the center\u003c\/h4\u003e\u003cp\u003eThe wide cardioid extends the pickup area: you gain width, \"air,\" and depth, with often more tolerant placement. This is ideal when the instrument does not project simply (soundboard, lid reflections, percussion dispersion) and you want to capture a coherent ensemble rather than a very narrow point.\u003c\/p\u003e\u003ch4\u003eLinear off-axis response: realism that simplifies mixing\u003c\/h4\u003e\u003cp\u003eOff-axis linearity is a key point: sounds coming from the sides remain spectrally credible, only attenuated. As a result, leakage and stage interactions maintain a natural timbre, which limits surprises during mixing and makes the microphone very reliable in multi-source capture (orchestra, choirs, stages, live studio sessions).\u003c\/p\u003e\u003ch4\u003ePrecision, SPL handling, and low self-noise for critical recordings\u003c\/h4\u003e\u003cp\u003eWith a strong capacity to handle levels, a wide dynamic range, and sensitivity adapted to acoustic sources, the 4015C supports both energetic percussion and very expressive piano. The 48 V phantom power and XLR connectivity ensure immediate integration with studio preamps, audio interfaces, and consoles.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003estudio microphone\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ecardioid\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response (+\/- 2 dB) at 60 cm\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e40 Hz to 20 kHz\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutput impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e100 ohms\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMinimum load impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eless than 200 ohms\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNominal sensitivity (+\/- 2 dB at 1 kHz)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e40 mV\/Pa; -40 dB re. 1 V\/Pa\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMax SPL\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e152 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e121 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTHD\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eless than 1% up to 139 dB SPL\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSignal-to-noise ratio\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e76 dB (A-weighted)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSelf-noise\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e25 dB (A-weighted)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e48 V phantom power (+\/- 4 V)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConnectors\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e3-pin male XLR\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e19 mm diameter, 64 mm length\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e58 g\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54361234112787,"sku":"172579","price":1698.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/5c53bb28e705fdcc9b779d87212be8821e016768_1DPA_4015C.jpg?v=1788187720"},{"product_id":"dpa-4006a-172574","title":"4006A","description":"\u003ch3\u003eA Global Recording Standard in the DPA \"Standard\" Range\u003c\/h3\u003e\u003cp\u003eWithin the Standard series, the \u003cstrong\u003eDPA 4006A\u003c\/strong\u003e has established itself as a reliable choice in both studio and high-end live sound recording. Its reputation is based on a \"no coloration\" approach: the microphone aims to reproduce the source as it is, with remarkable spatial sensation and clarity. This philosophy makes it a recurring choice when seeking a dependable capture capable of spanning styles and production constraints, from classical to contemporary music, including broadcast and transmission.\u003c\/p\u003e\u003cp\u003eIts position in the lineup is clear: to offer a \u003cstrong\u003epremium omnidirectional capture\u003c\/strong\u003e focused on realism, while remaining adaptable through acoustic modification elements. The result: a single microphone can cover multiple \"behaviors\" of sound capture depending on the soundstage to be reproduced and placement distance.\u003c\/p\u003e\u003ch3\u003eWhat Sound Sources Is the DPA 4006A Designed For?\u003c\/h3\u003e\u003cp\u003eThe 4006A is aimed at \u003cstrong\u003esound engineers\u003c\/strong\u003e, stage managers, studios, and musicians seeking an extremely natural capture with a coherent response across a wide range of instruments. In stereo, it is particularly suited to A-B configurations for \u003cstrong\u003esymphony orchestra\u003c\/strong\u003e in concert halls, when the goal is to achieve a wide, realistic, and spacious image.\u003c\/p\u003e\u003cp\u003eIt also excels in close-miking demanding acoustic sources: \u003cstrong\u003econcert grand piano\u003c\/strong\u003e, guitar, double bass, percussion, as well as on \u003cstrong\u003evocals\u003c\/strong\u003e when preserving texture and micro-details without artificial magnification effects is desired. Thanks to its high SPL handling, it can withstand dynamic sources while maintaining the naturalness of transients.\u003c\/p\u003e\u003ch3\u003eTransparency, Adaptation, and Control: Key Features\u003c\/h3\u003e\u003ch4\u003eAn Omnidirectional Capsule Designed for Fidelity\u003c\/h4\u003e\u003cp\u003eEquipped with the \u003cstrong\u003eMMC4006 capsule\u003c\/strong\u003e featuring omnidirectional directivity, the 4006A is designed to capture the overall balance of a source and its environment. This directivity facilitates realistic reproduction of natural reverberations and depth of field, a major asset for acoustic ensembles, solo instruments in beautiful rooms, and any recording where space is part of the sound.\u003c\/p\u003e\u003ch4\u003eAccessories and Grilles: Shaping the Signature Without \"Tinkering\" the Signal\u003c\/h4\u003e\u003cp\u003eOne of the strengths of the 4006A lies in its \u003cstrong\u003eacoustic modification accessories\u003c\/strong\u003e, including \u003cstrong\u003e3 interchangeable grilles\u003c\/strong\u003e and a windscreen. These elements allow adapting the microphone's behavior to the situation (distance, desired spectral balance, perception of high frequencies), while remaining within an acoustic logic. Unlike electrical filter processing, this approach avoids introducing unwanted issues such as phase shifts, noise, or distortion, which is particularly appreciated in stereo recordings and highly dynamic sessions.\u003c\/p\u003e\u003ch4\u003eRecording Tools: Low-Cut Filter and High-Boost\u003c\/h4\u003e\u003cp\u003eTo quickly refine the capture depending on placement and room, the 4006A offers a switchable \u003cstrong\u003elow-cut filter\u003c\/strong\u003e and \u003cstrong\u003eHigh-Boost\u003c\/strong\u003e mode. The low-cut helps control vibrations, handling noise, or bass buildup related to the environment, while the High-Boost adds extra presence in certain configurations, especially when the recording distance increases or when enhancing the sense of detail is desired.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e10 Hz - 20 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003estudio microphone\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eomnidirectional\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMicrophone preamplifier\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eMMP-A\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCapsule\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eMMC4006\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMax SPL\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e147 dB\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e48V Phantom\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSwitches\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003elow-cut filter and High-Boost\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLength\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e170 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDiameter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e16-19 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e163 g\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHandmade\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ein Denmark\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54361516409107,"sku":"172574","price":2222.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/682d8cfe6140276578c7156bec422d50904a43f9_1DPA_4006A.jpg?v=1788188132"},{"product_id":"dpa-dua9531-b-360503","title":"DUA9531-B","description":"\u003ch3\u003eA DPA Accessory Designed for the 6060\/6061\/6066 Subminiature Range\u003c\/h3\u003e\u003cp\u003eThe DUA9531-B is a foam windscreen designed to naturally integrate with DPA subminiature microphones, whether worn as lavaliers or headsets. It aligns with the brand's philosophy: securing sound capture in the field while maintaining faithful reproduction without unnecessary coloration.\u003c\/p\u003e\u003ch3\u003eFor Which Applications and Users?\u003c\/h3\u003e\u003cp\u003eThis windshield is intended for sound recordists, audio engineers, RF technicians, and content creators working in real-world conditions: filming, interviews, recording, live events, or conferences. It is particularly useful whenever air movement (outdoor wind, ventilation, movement) threatens vocal intelligibility and clarity.\u003c\/p\u003e\u003ch3\u003eWind Protection and Discretion Without Compromising Intelligibility\u003c\/h3\u003e\u003cp\u003eThanks to its foam construction, the DUA9531-B effectively limits turbulence responsible for wind noise and helps reduce certain unwanted sounds. Its size has been designed to remain discreet both on camera and on stage, while providing reliable protection.\u003c\/p\u003e\u003ch4\u003eFoam Optimized for Transparency\u003c\/h4\u003e\u003cp\u003eThe foam's density and structure are engineered to maintain high frequencies within the microphone's tolerance range, preserving vocal clarity, articulation, and presence.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eWindscreens\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eQuantity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54361897304339,"sku":"360503","price":26.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/43ceac8adc2960a00067b3920f2f5f1ff3d3c23f_1DPA_DUA9531_B.jpg?v=1787435073"},{"product_id":"dpa-4015a-172578","title":"4015A","description":"\u003ch3\u003eA \"Wide Cardioid\" Variant from DPA's 4000 Series\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eThe 4015A is part of DPA's prestigious \"Reference Standard\" series, alongside the 4011 (cardioid), from which it inherits its sonic DNA. This wide cardioid version was designed to capture more space and natural reverberation while maintaining the precise localization typical of the 4000 series capsules.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eWho Is It For and What Is It For?\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eDesigned for studio, classical recording, post-production, and demanding live use, the 4015A excels on grand pianos, acoustic guitars, percussion, and marimbas, as drum overheads, but also on vocals (singing, voice-over, dubbing) where its richness in the low end flatters many timbres. Its openness facilitates placement in ensembles and orchestras when a classic cardioid seems too narrow.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eFeatures and Key Advantages\u003c\/h3\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eWide Aperture, Stable Image\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe wide cardioid pattern captures a broader sound field without sacrificing stereo coherence. The exemplary off-axis linearity ensures peripheral sounds remain true to the original timbre, simply attenuated, for more natural mixes and less corrective EQ.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eMassive Headroom and Immediate Control\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe 4015A handles very high levels before clipping. Its -20 dB pad located at the center of the XLR connector allows output reduction to protect your preamps when dealing with powerful sources (percussion, brass, close proximity to drummers).\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eModular Ecosystem and Reliability\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eBased on the \"Reference Standard\" architecture, it features an interchangeable capsule and Danish handcrafted construction. This ensures exemplary longevity and tonal consistency when combining multiple DPA microphones within the same setup.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003estudio microphone\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ecardioid\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectionality\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ewide cardioid\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMax SPL\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e152 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBuilt-in attenuator (pad)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-20 dB\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutput impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e200 Ohm\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DPA","offers":[{"title":"Default Title","offer_id":54362166001939,"sku":"172578","price":1799.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/7a302e69ee141b67afc8d0095fee6328155eb9cb_DPA_4015A_ab08f42d-9366-41bd-bff4-c2d6a210bd95.jpg?v=1788189377"}],"url":"https:\/\/woodbrass.shop\/collections\/micros-de-studio-dpa.oembed","provider":"Woodbrass.com","version":"1.0","type":"link"}