{"title":"Schoeps Small Diaphragm Microphones","description":null,"products":[{"product_id":"schoeps-stereo-set-cmc6-mk4-209012","title":"Stereo Set CMC6 MK4","description":"\u003ch3\u003eA Classic from the \"Colette\" Series, Built to Last\u003c\/h3\u003e \u003cbr \/\u003eThe modular \"Colette\" series from Schoeps has become a benchmark for demanding recording. In this stereo set, each MK 4 capsule is delivered with a pairing certificate, and its response curves are archived at the factory. This traceability facilitates maintenance and guarantees, for years, the performance level that has made the brand renowned. \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eWho Is This Matched Stereo Kit For?\u003c\/h3\u003e \u003cbr \/\u003eFor sound recordists and engineers who want a coherent cardioid pair for music, ambiance, events, or post-production. Ideal for stereo pairs of the X\/Y, ORTF, NOS, or DIN type, it offers a precise image, very neutral sound coloration, and quick setup thanks to the included accessories. \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eFeatures and Key Points for Sound Recording\u003c\/h3\u003e \u003cbr \/\u003eThe MK 4 capsule combined with the CMC 6 amplifier delivers a wide frequency response and high dynamic range, with a 20 Hz (12 dB\/oct.) low-cut filter to contain sub-bass and handling noise. Schoeps RFI shielding ensures exemplary immunity to modern interference. The balanced XLR output and high common-mode rejection maintain an excellent signal-to-noise ratio, even with cable runs over 400 m. This complete and robust stereo set is a sustainable professional solution for any stereophonic configuration.\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response - start\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 Hz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecardioid\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response - end\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estudio microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGrey\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 Hz - 20 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum cable length\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e\u0026gt; 400 m (approximately 1,300 feet)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:9;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum sound pressure level (THD \u0026lt; 0.5%) with MK 4\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e131 dB SPL (P48, P12)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSchoeps RFI shield\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eyes\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum output voltage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1 V (0 dBV) with 1 kilohm load\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower standards\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eP48 (20-52 V) or P12 (10-13 V)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:11;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLow-cut filter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 Hz, 12 dB\/oct.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCurrent consumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e4 mA (P48), 8 mA (P12)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:12;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRecommended minimum load impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1 kilohm\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOutput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eXLR-3M, analog, 1 channel per microphone\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:13;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutput impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e42 ohms\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e116 x 20 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:7;--wb-r:14;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCommon-mode rejection ratio (at 1 kHz)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e\u0026gt; 55 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e60 g\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Schoeps","offers":[{"title":"Default Title","offer_id":54356650492179,"sku":"209012","price":3169.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/52c11401cc1f328b764c7a57e2bc51a7a1f5fd63_2SCHOEPS_139005.jpg?v=1792666655"},{"product_id":"schoeps-mk-8-229209","title":"MK 8","description":"\u003ch3\u003eA Reference Figure-8 in the Schoeps Modular Ecosystem\u003c\/h3\u003e\u003cp\u003eThe MK 8 fits within the Schoeps modular systems philosophy, where the capsule is the key choice to shape directivity and the soundstage. Often paired with microphone bodies from the Colette family (CMC) or CCM microphones, it is especially valued in M\/S and double M\/S configurations, notably for sound recording for image. In this setup, the MK 8 serves as the \"Side\" channel thanks to its figure-8 directivity, and can also be combined with a hypercardioid shotgun microphone (e.g., CMIT) when a tighter center is desired.\u003c\/p\u003e\u003ch3\u003eWho Is the MK 8 For and In Which Applications Does It Excel?\u003c\/h3\u003e\u003cp\u003eThe Schoeps MK 8 targets sound engineers and recordists who want \u003cstrong\u003econtrollable stereo in post-production\u003c\/strong\u003e without sacrificing naturalness. In M\/S, the stereo width is adjustable during mixing, making it a very robust solution for shooting, documentary, ambience recording, but also for musical takes (ensembles, chamber music, creative overheads, organ or choir recording) when fine control over room proportion is desired.\u003c\/p\u003e\u003cp\u003eIts figure-8 behavior is also relevant for techniques exploiting lateral nulls to \u003cstrong\u003ereject unwanted sources\u003c\/strong\u003e (reflections, off-axis noise, audience) or for intelligent placements in complex environments. It is a precision tool: the more careful the setup, the more spectacular the results in terms of image and separation.\u003c\/p\u003e\u003ch3\u003eDipole Directivity, Phase Coherence, and Recording Precautions\u003c\/h3\u003e\u003cp\u003eThe MK 8 is a \u003cstrong\u003epressure gradient\u003c\/strong\u003e capsule, meaning a \"pure\" dipole. Practically, it delivers a figure-8 pattern whose shape remains remarkably constant from bass to treble. This stability is a major advantage in M\/S: it contributes to clean decoding, a clear soundstage, controlled depth perception, and more predictable mono compatibility.\u003c\/p\u003e\u003ch4\u003eLow Frequencies, Proximity Effect, and Placement\u003c\/h4\u003e\u003cp\u003eBy nature, the MK 8's sensitivity decreases more in the low spectrum than other capsule types. In return, the \u003cstrong\u003eproximity effect\u003c\/strong\u003e is more pronounced, which can compensate when the capsule is placed relatively close to the source (voice, close instruments, nearby ambience). This characteristic is managed through placement: moving back yields a more open and less bass-heavy sound, while moving closer enhances bass and presence.\u003c\/p\u003e\u003ch4\u003eFront\/Back Symmetry and Realistic Rendering\u003c\/h4\u003e\u003cp\u003eThe MK 8 emphasizes very faithful \u003cstrong\u003efront\/back symmetry\u003c\/strong\u003e, with controlled frequency response and polarity. In \"Side\" use, this results in a coherent lateral image and stable sense of width. In double M\/S, this coherence becomes even more valuable to maintain a solid centered image while naturally expanding the soundstage.\u003c\/p\u003e\u003ch4\u003eMechanical Noise, Wind, and Recommended Accessories\u003c\/h4\u003e\u003cp\u003eLike many highly sensitive figure-8 capsules, the MK 8 can be more reactive to \u003cstrong\u003estructure-borne noise\u003c\/strong\u003e (handling, boom vibrations) as well as \u003cstrong\u003ewind\u003c\/strong\u003e and breath noise. For professional use, it is strongly recommended to use appropriate protection: a good windscreen, an effective shock mount\/anti-vibration suspension, and careful attention to cabling and boom handling. These precautions help preserve the capsule's inherent low noise and fine detail that make it so valuable.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response - start\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e40 Hz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ebidirectional\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response - end\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e16 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estudio microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGrey\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e40 Hz - 15 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSignal-to-noise ratio\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e77 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:7;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response with CMC 6xt\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e40 Hz - 15 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum acoustic pressure (THD below 0.5%)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e133 dB SPL with CMC 6\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-38.5 dB (V\/Pa), 12 mV\/Pa\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLength\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e34 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:9;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEquivalent noise level (A-weighted)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e17 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDiameter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEquivalent noise level (CCIR)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e26 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e18 g\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Schoeps","offers":[{"title":"Default Title","offer_id":54357675507987,"sku":"229209","price":990.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/87f194482b941fcea894c08c6b280db13387a88a_SCHOEPS_131105.jpg?v=1792676036"},{"product_id":"schoeps-mk-2s-238267","title":"MK 2S","description":"\u003ch3\u003eA Reference in the MK Family, Designed for Room Sound Capture\u003c\/h3\u003e\u003cp\u003eThe MK 2S has established itself as a highly appreciated choice whenever an omnidirectional capsule with a \u003cstrong\u003eprecise and slightly brighter\u003c\/strong\u003e sound than other variants in the same family (MK 2 and MK 2H) is sought. This sonic orientation makes it a particularly relevant tool when the acoustic environment plays a central role: concert halls, large reverberant rooms, choirs, orchestras, acoustic ensembles, or realistic ambient capture for film and audiovisual.\u003c\/p\u003e\u003cp\u003eWithin the product range logic, the MK 2S positions itself as a versatile solution for those who want to retain the benefits of a \u003cstrong\u003epressure sensor\u003c\/strong\u003e (low-end stability, spatial coherence, absence of pronounced proximity effect) while gaining a touch of clarity useful to bring out air, transients, and room details.\u003c\/p\u003e\u003ch3\u003eFor Whom and For Which Uses in Studio or Live Sound Capture\u003c\/h3\u003e\u003cp\u003eThe MK 2S is aimed at sound engineers, recordists, and studios that regularly work in \u003cstrong\u003eroom stereo\u003c\/strong\u003e or ensemble recording. In an AB pair, in a two-microphone setup, it helps achieve a wide and stable panorama with a natural rendering of reverberations. In a three-microphone setup, it integrates particularly well in \u003cstrong\u003eexpanded stereo\u003c\/strong\u003e or three-point tree configurations, where phase coherence and off-axis response consistency become crucial.\u003c\/p\u003e\u003cp\u003eThanks to its omnidirectional directivity, the MK 2S is also an excellent choice to capture a source in its context: piano in a beautiful room, acoustic guitar with controlled ambiance, percussion, or as a supplementary microphone to enrich a multi-mic setup. In large rooms, it is described as very comfortable as a \u003cstrong\u003emain microphone\u003c\/strong\u003e or \u003cstrong\u003eambient microphone\u003c\/strong\u003e, especially when placement aims for a balance between direct sound and reverberant field.\u003c\/p\u003e\u003ch3\u003eClarity, Balance, and Stereo Integration: What Defines the MK 2S Personality\u003c\/h3\u003e\u003ch4\u003eA Pressure Transducer Designed for Sound Field Coherence\u003c\/h4\u003e\u003cp\u003eAs a pressure transducer, the MK 2S favors regular reproduction and a stable spatial image. This is precisely what makes it so effective in two- and three-microphone stereo techniques, where placement \"close to the reverberation radius\" allows capturing a \u003cstrong\u003ebalanced sound capture\u003c\/strong\u003e: enough definition to read attack and presence, and enough ambiance to convey the size and acoustic signature of the venue.\u003c\/p\u003e\u003ch4\u003eA Clearer Tonality to Better Capture Air and Room\u003c\/h4\u003e\u003cp\u003eCompared to the MK 2 and MK 2H, the MK 2S is described as \u003cstrong\u003ea bit brighter\u003c\/strong\u003e. Practically, this helps reveal ambient details, the sense of openness, and fine resonances without needing to push equalization. This clarity can also improve the intelligibility of an ensemble at a distance, where a too soft capture might lack definition once integrated into a mix.\u003c\/p\u003e\u003ch4\u003eCompatibility with Multiple Amplifiers: Extended Response Depending on Configuration\u003c\/h4\u003e\u003cp\u003eThe MK 2S is specified with a frequency response that varies depending on the associated amplifier: up to 29 kHz with CMC 6 \/ CMR, and up to 43 kHz with CMC 6xt. This information is useful if you adapt your recording chain to a precise specification (high-definition capture, need for extension in the extreme treble, or coherence with an existing inventory). In all cases, the goal remains the same: preserve transparency, minimize coloration, and obtain a reliable sound foundation, whether for classical music, ambiance, or demanding acoustic recordings.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response - start\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 Hz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eomnidirectional\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response - end\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estudio microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGrey\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 Hz - 29 kHz with CMC 6 \/ CMR\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMax SPL (THD\u0026lt;0.5%)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e131 dB SPL with CMC 6\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:7;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-37 dB (V\/Pa), 15 mV\/Pa with CMC 6\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLength\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e22 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEquivalent Noise (A-weighted)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e12 dB with CMC 6\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDiameter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:9;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEquivalent Noise (CCIR)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e23 dB with CMC 6\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e17 g\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSignal-to-Noise Ratio\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e82 dB with CMC 6\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Schoeps","offers":[{"title":"Default Title","offer_id":54357771944211,"sku":"238267","price":797.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/f494228e94419c5e73b1158e03490ba59d06d761_1SCHOEPS_131011.jpg?v=1792675946"},{"product_id":"schoeps-ccm-4-l-408699","title":"CCM 4 L","description":"\u003ch3\u003eA discreet \"pencil\" microphone that has become indispensable in studios and on location\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eThis small diaphragm microphone follows the tradition of the \"pencil\" mics favored in studios, broadcast, and mobile recordings. Its compact design makes it an obvious choice for acoustic guitars, drum overheads, piano, strings, or ambient recordings, while easily fitting into tight spaces both on stage and in home studios.\u003c\/p\u003e \u003cbr \/\u003e\u003ch3\u003eFor demanding creators, musicians, and sound engineers\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eWhether you're recording an acoustic duo, a stereo drum kit, or a clear, focused voice-over, this cardioid mic offers clean and focused capture. Engineers on the move will appreciate its light weight and durability, while home studio users will benefit from a versatile solution that's easy to power via an audio interface with standard +48 V phantom power.\u003c\/p\u003e \u003cbr \/\u003e\u003ch3\u003eFeatures designed for precision and mobility\u003c\/h3\u003e \u003cbr \/\u003e\u003ch4\u003eEffective cardioid polar pattern\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe cardioid capsule reduces bleed and crosstalk, improving source separation and mix clarity, especially useful in multi-mic setups and reverberant environments.\u003c\/p\u003e \u003cbr \/\u003e\u003ch4\u003eWide and balanced response\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eWith a 40 to 20000 Hz response, the timbre remains faithful, from articulate lows to detailed highs, ideal for capturing the nuances of acoustic instruments.\u003c\/p\u003e \u003cbr \/\u003e\u003ch4\u003eUltra-compact form factor\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eMeasuring 46-58 mm in length, 20 mm in diameter, and weighing only 43 g, it allows precise placement on stands, clips, or booms without adding bulk to your setup.\u003c\/p\u003e \u003cbr \/\u003e\u003ch4\u003eReady to use\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eSupplied with connection cables and a carrying pouch, it transports safely and powers up instantly with standard +48 V phantom power.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response - start\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e40 Hz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecardioid\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response - end\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estudio microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGrey\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSmall diaphragm condenser microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePhantom power\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+48 V\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePolar pattern\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eCardioid\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLength\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e46 - 58 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e40 - 20000 Hz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDiameter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eImpedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e90 Ohm\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e43 g\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Schoeps","offers":[{"title":"Default Title","offer_id":54358568042771,"sku":"408699","price":1719.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/5affc4c6d4f99282460247ce0f1e7f4d2f3f2b3d_SCHOEPS_121015.jpg?v=1792675935"},{"product_id":"schoeps-mk-21-215921","title":"MK 21","description":"\u003ch3\u003eA \"wide cardioid\" reference that has become a recording classic\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eThe MK 21 was designed to combine the strengths of two worlds: the openness and sense of space of an omnidirectional capsule, and the ability of a directional model to better highlight the source. Over the years, it has established itself as a recurring choice in the toolkit of many sound engineers, especially when subtle directivity and natural timbre are priorities.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eFor which recordings is the MK 21 most relevant?\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eThis microphone capsule is intended for uses where one wants to maintain a beautiful openness while slightly limiting the room ambiance. It is very suitable for acoustic instruments, ensembles, overheads that need to remain soft, or situations where the room contributes to the sound without overpowering it. Thanks to a less pronounced proximity effect than a cardioid, it also facilitates close placements without excessive bass, speeding up mixing work.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eA capsule designed for coherence and precision, even in the ultra-high frequencies\u003c\/h3\u003e \u003cbr \/\u003e\u003ch4\u003eWide cardioid: stable image and cleaner side reflections\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe wide polar pattern of the MK 21 remains homogeneous across the entire frequency range, which helps preserve timbre when the source moves slightly or when the acoustics send reflections from the sides. Result: fewer surprises in the high spectrum and a realism often appreciated in demanding recordings.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eExtended frequency response with compatible electronics\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eDepending on the microphone amplifier used, the frequency response varies: with CMC 6 or CMR, the capsule already reaches very high frequencies, and with CMC 6xt the bandwidth extends up to 44 kHz. A real advantage for high-resolution capture, transients, and fine harmonics, while maintaining the warm and natural signature that makes it renowned.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response - start\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e30 Hz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecardioid\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response - end\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estudio microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGrey\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-37 dB (V\/Pa), 14 mV\/Pa\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMax SPL (THD below 0.5%)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e131 dB SPL\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEquivalent noise (A-weighted)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e13 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLength\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e22 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEquivalent noise (CCIR)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e23 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDiameter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSignal-to-noise ratio\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e81 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e17 g\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Schoeps","offers":[{"title":"Default Title","offer_id":54358708093203,"sku":"215921","price":798.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/adc844a265a06ab09f2672bde2476ea83af18f70_SCHOEPS_131003.jpg?v=1792675988"},{"product_id":"schoeps-ccm-41-l-411887","title":"CCM 41 L","description":"\u003ch3\u003eA Compact Supercardioid That Upholds the SCHOEPS Tradition\u003c\/h3\u003e\u003cp\u003eThe \u003cstrong\u003eCCM 41\u003c\/strong\u003e is designed for recordings where placement precision and rendering coherence are paramount. In the SCHOEPS spirit, the goal is not to artificially \"tighten\" the sound, but to provide \u003cstrong\u003econtrolled directivity\u003c\/strong\u003e while maintaining a credible image, especially in complex acoustics. Its miniature format facilitates installation where minimal bulk is required, while aiming for a capture quality typical of studio and classical recording microphones.\u003c\/p\u003e\u003cp\u003eWithin a product range, it is naturally chosen when more \u003cstrong\u003elateral and rear rejection\u003c\/strong\u003e than a cardioid microphone is needed, without switching to shotgun-type solutions. It thus becomes a tool of choice to isolate a source within an ensemble, maintain clarity in a dense mix, or secure a recording when the environment is noisy.\u003c\/p\u003e\u003ch3\u003eFor Which Recordings Is the CCM 41 Most Relevant?\u003c\/h3\u003e\u003cp\u003eThanks to its supercardioid directivity and off-axis behavior, the CCM 41 is particularly suited to situations where one wants to \u003cstrong\u003eget closer to the source\u003c\/strong\u003e to increase presence while reducing bleed. It is perfectly suited for \u003cstrong\u003evoices\u003c\/strong\u003e (spoken or sung), solo instruments, section recordings within ensembles, or recordings in reverberant environments where a room signature is desired without veil or excessive coloration.\u003c\/p\u003e\u003cp\u003eIn stage, live capture, broadcast, or filming contexts, its \"dry\" character and \u003cstrong\u003ebetter tolerance to acoustic feedback\u003c\/strong\u003e make it an ally when acoustics are challenging. One precaution remains important: even though rear rejection is high, it is recommended to avoid placing a very energetic source (such as a loudspeaker) \u003cstrong\u003edirectly in the rear axis\u003c\/strong\u003e to preserve recording stability and coherence.\u003c\/p\u003e\u003ch3\u003eStable Directivity, Clean Off-Axis Response: The Key Advantage Over Shotgun Microphones\u003c\/h3\u003e\u003ch4\u003eDirectivity Minimally Dependent on Frequency\u003c\/h4\u003e\u003cp\u003eThe CCM 41 stands out with directivity described as \u003cstrong\u003every independent of frequency\u003c\/strong\u003e. Practically, this helps maintain a homogeneous timbre when sounds arrive from the side or when the room reflects sound. The result: reverberant sounds and off-axis elements are captured with \u003cstrong\u003eless coloration\u003c\/strong\u003e, which facilitates integration into a mix and provides a more natural recording, even when the capsule cannot be placed very close.\u003c\/p\u003e\u003ch4\u003eAn Alternative to Interference Tube Shotgun Microphones in Difficult Rooms\u003c\/h4\u003e\u003cp\u003eThe CCM 41 offers a practical benefit: compared to a hyperdirectional interference tube shotgun microphone, it avoids some of the color variations related to room placement. Interference tube microphones can react strongly to reflections and space geometry, resulting in timbre changes depending on position. Here, the supercardioid approach favors a \u003cstrong\u003emore predictable\u003c\/strong\u003e and stable capture, particularly useful when the venue configuration imposes placement compromises.\u003c\/p\u003e\u003ch4\u003eA \"Drier\" Sound for Improved Clarity\u003c\/h4\u003e\u003cp\u003eThe described \"drier\" character corresponds to a recording that emphasizes the source more and limits unwanted ambiance. This is an asset for obtaining intelligible vocals, a sharper instrument attack, or a signal that is easy to process (equalization, dynamics, spatialization) without fighting off-axis artifacts. This signature makes it a microphone particularly appreciated when seeking a \u003cstrong\u003eprecise, clean, and usable\u003c\/strong\u003e sound right from the recording.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response - start\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e40 Hz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esupercardioid\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response - end\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estudio microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGrey\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e40 - 20000 Hz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e43 g\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMax SPL\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e132 dB\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Schoeps","offers":[{"title":"Default Title","offer_id":54359308763411,"sku":"411887","price":1717.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/f021595f5bddb5329dd4a9dfe69af3f727a947c7_SCHOEPS_121017.jpg?v=1792675942"},{"product_id":"schoeps-mono-set-cmc6-mk4-387446","title":"Mono Set CMC6 MK4","description":"\u003ch3\u003eA Schoeps Classic in the \"Colette\" Spirit: the MK 4 Capsule as a Versatile Reference\u003c\/h3\u003eRecognized for years as a reliable choice, the \u003cstrong\u003eMK 4\u003c\/strong\u003e has established itself as a \"problem solver\" thanks to a rare balance between precision, neutrality, and ambient control. Its consistent directivity across the entire spectrum and linear response explain its reputation both in the studio and for demanding sound capture, especially when the room and reverberation need to remain clear and controlled.\u003cbr \/\u003e\u003ch3\u003eFor Which Recordings Is the MK 4 Most Relevant?\u003c\/h3\u003eThis \u003cstrong\u003esmall diaphragm cardioid\u003c\/strong\u003e microphone is designed for sound engineers and musicians seeking a stable and realistic image: acoustic instruments (strings, guitar, piano), percussion, overheads, ensemble recordings, and controlled ambiences. Its ability to maintain a direct sound even at a distance (typical cardioid distance factor) also makes it an excellent choice when close-miking is not possible.\u003cbr \/\u003e\u003ch3\u003eNeutrality, Polar Consistency, and Room Management: The MK 4 \"Signature\"\u003c\/h3\u003e\u003ch4\u003eA Response Designed for Direct and Diffuse Sound Fields\u003c\/h4\u003eThe MK 4 remains \u003cstrong\u003etransparent\u003c\/strong\u003e both on frontal sound and on lateral sound and diffuse field (reverberation). Its response is flat even in diffuse field, with a \u003cstrong\u003eslight boost around 10 kHz\u003c\/strong\u003e that helps compensate for high-frequency losses induced by the room, providing natural presence without aggressiveness.\u003cbr \/\u003e\u003ch4\u003eUsable Off-Axis Response, Multi-Miking Made Easy\u003c\/h4\u003eIn multi-mic setups, the reduction of lateral sound without coloration facilitates source blending and limits unwanted effects during mixing. In practice, attenuation is about \u003cstrong\u003e6 dB at 90 degrees\u003c\/strong\u003e and approximately \u003cstrong\u003e20 to 30 dB at 180 degrees\u003c\/strong\u003e, helping to precisely target the source while keeping a clean ambience.\u003cbr \/\u003e\u003ch4\u003eModularity and Possible Upgrades via the Amplifier\u003c\/h4\u003eThe MK 4 capsule operates here with the supplied \u003cstrong\u003eCMC 6\u003c\/strong\u003e and can also be paired with other amplifiers in the range to extend bandwidth or increase maximum SPL according to needs (for example, a response extension with the CMC 6xt, or a higher max SPL with the CMC 1).\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response - start\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e40 Hz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecardioid\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response - end\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estudio microphone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGrey\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e40 Hz - 26 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMax SPL (THD\u0026lt;0.5%)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e131 dB SPL with CMC 6\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:7;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-36.5 dB (V\/Pa), 15 mV\/Pa\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e22 x 20 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEquivalent noise (A-weighted)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e14 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e17 g\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:9;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEquivalent noise (CCIR)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e24 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFinish\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGray\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSignal-to-noise ratio\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e80 dB\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Schoeps","offers":[{"title":"Default Title","offer_id":54360414454035,"sku":"387446","price":1590.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/c6c0d8b7be2d0edb15caf2cd48d8576f4ec85234_SCHOEPS_138015.jpg?v=1792675934"},{"product_id":"schoeps-mk-41-215925","title":"MK 41","description":"\u003ch3\u003eA Capsule That Has Become a Reference for Indoor Sound Recording\u003c\/h3\u003e\u003cp\u003eThe SCHOEPS MK 41 has established itself over the years as an essential capsule whenever intelligibility, acoustic control, and natural rendering need to be combined. Whereas some highly directional microphones may seem impressive on paper but become variable depending on the angle of incidence, the MK 41 relies on a more \"stable\" approach: a directivity that remains remarkably frequency-independent.\u003c\/p\u003e\u003cp\u003eThis consistency explains its unique position in the lineup: it allows for fast work with reproducible results, especially in reverberant rooms or challenging sets. On set, for spoken voice or targeted ambience recording, it delivers precise capture without the typical artifacts of some hyperdirectional solutions whose directivity mainly increases in the high frequencies.\u003c\/p\u003e\u003ch3\u003eWho Should Use the MK 41 and In Which Situations?\u003c\/h3\u003e\u003cp\u003eThe MK 41 is aimed at sound engineers, boom operators, post-production studios, demanding podcasters, and content creators who want a clear and \"present\" voice sound while maintaining a realistic signature. Its supercardioid pattern is particularly relevant when you need to isolate a source in a lively environment: room reverberation, diffuse background noise, or lateral reflections.\u003c\/p\u003e\u003cp\u003eIt excels in indoor dialogue capture (boom, off-camera stand mic), voice-over when the room is not perfectly treated, and instrument or ensemble recording when lateral bleed needs to be limited. Its point of least sensitivity is around \u003cstrong\u003e125 degrees\u003c\/strong\u003e: a useful reference for smartly positioning the capsule relative to unwanted sources.\u003c\/p\u003e\u003ch3\u003eDirectivity and Sound Rendering: Naturalness First, No Surprises Off-Axis\u003c\/h3\u003e\u003cp\u003eThe strength of the MK 41 lies in its ability to \u003cstrong\u003eattenuate diffuse sound energy\u003c\/strong\u003e while maintaining a faithful image of off-axis arrivals. Lateral and rear sounds are strongly reduced but without \"false coloration\": the timbre does not collapse or change radically with angle, which makes mixing and post-production easier.\u003c\/p\u003e\u003ch4\u003eA Concrete Advantage Compared to Some \"Shotgun\" Solutions\u003c\/h4\u003e\u003cp\u003eIn practice, this consistent directivity avoids the \"high frequencies that shine then disappear\" effect depending on orientation. The MK 41 maintains a coherent response, which helps keep voices homogeneous when actors move or when the boom must follow the action. The result: a more stable, more natural capture, and often less correction needed afterward.\u003c\/p\u003e\u003ch4\u003eLess Sensitivity to Feedback, With a Simple Placement Rule\u003c\/h4\u003e\u003cp\u003eThe capsule exhibits \u003cstrong\u003elower sensitivity to acoustic feedback\u003c\/strong\u003e than other types of SCHOEPS capsules, provided no loudspeaker radiates directly from the rear. In light sound reinforcement, on set, or when recording near a monitoring system, this behavior can make a difference, provided this placement constraint is respected.\u003c\/p\u003e\u003ch4\u003eExtended Frequency Response Depending on the Microphone Preamplifier\u003c\/h4\u003e\u003cp\u003eThe MK 41 covers a wide frequency response and can go even further when used with the \u003cstrong\u003eCMC 6xt\u003c\/strong\u003e, allowing extension up to \u003cstrong\u003e41 kHz\u003c\/strong\u003e. This capability is valuable for high-resolution workflows and to retain maximum useful information during processing (equalization, noise reduction, restoration), while maintaining a \"clean\" rendering right from the capture.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response - start\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e40 Hz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response - end\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGrey\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDirectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecardioid\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e40 Hz - 26 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSignal-to-Noise Ratio\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e80 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency Response with CMC 6xt\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e40 Hz - 41 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMax SPL (THD below 0.5%)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e131 dB SPL with CMC 6\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:8;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-36 dB (V\/Pa), 16 mV\/Pa\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLength\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e22 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:9;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEquivalent Noise (A-weighted)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e14 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDiameter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:10;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEquivalent Noise (CCIR)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e23 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e17 g\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Schoeps","offers":[{"title":"Default Title","offer_id":54361164382483,"sku":"215925","price":799.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/fb788cbdfba437c526099e43e802959395fc880d_4SCHOEPS_131017.jpg?v=1792675930"},{"product_id":"schoeps-desert-island-set-mk2-403061","title":"Desert Island Set MK2","description":"\u003ch3\u003eA Colette Variant Designed for Essential Recording Applications\u003c\/h3\u003e\u003cp\u003eWith the Desert Island Stereo Set MK2, Schoeps brings together a straightforward configuration in a single case. It embodies the spirit of the Colette range: a modular system renowned for its flexibility, in a ready-to-use version for sound engineers looking for a serious, compact stereo pair that can be put to work immediately.\u003c\/p\u003e\u003cp\u003eThis variant follows the same logic as the brand's great classics: offering a setup that is easy to transport, quick to deploy and versatile enough to cover a wide range of recording situations. The fact that it is supplied as a matched set further strengthens its position within the range, with a clear focus on users who demand a consistent response between the two channels.\u003c\/p\u003e\u003ch3\u003eA Set Designed for Demanding Stereo Recording\u003c\/h3\u003e\u003cp\u003eThis set is aimed at recording engineers who work with depth, width and stereo image precision. In the studio, it naturally lends itself to piano, string quartets, refined drum overheads or acoustic guitars. For outdoor or live recording, it also provides a highly reliable foundation for capturing an ensemble, a room or an ambience with consistent results.\u003c\/p\u003e\u003cp\u003eIt is particularly well suited to users who do not want to assemble their setup piece by piece. Here, the pair has already been designed as a complete system: the two amplifiers, the two capsules, the mounting accessories and the carrying solution. This is a genuine advantage in situations where setup time matters just as much as the final sound quality.\u003c\/p\u003e\u003ch3\u003eA Precise, Modular Microphone Chain Ready to Go\u003c\/h3\u003e\u003cp\u003eThe key strength of this Desert Island Stereo Set MK2 lies in its balance between technical performance and ease of use. The Colette series is based on a clear principle: separating the amplifier from the capsule in order to fine-tune the microphone more closely to the recording situation. In this case, Schoeps applies this philosophy to a stereo configuration already calibrated for field use.\u003c\/p\u003e\u003ch4\u003eTwo CMC 1 U Amplifiers at the Heart of the System\u003c\/h4\u003e\u003cp\u003eThe CMC 1 U amplifiers form the basis of the two microphones. Their role is central in the recording chain, as they house the capsules and make up the active body of the system. In stereo applications, having two identical elements is essential for maintaining a consistent response between the left and right channels, both in terms of level and spatial perception.\u003c\/p\u003e\u003ch4\u003eA Matched Pair of MK xx Capsules\u003c\/h4\u003e\u003cp\u003eThe pair of MK xx capsules supplied as a matched pair is the key to stereo consistency. Matching helps reduce variations between the two microphones and delivers a more reliable reproduction of the sound field. For acoustic recording and carefully executed stereo techniques, this is a decisive factor: tonal balance remains more consistent and the image gains precision.\u003c\/p\u003e\u003cp\u003eThe matching certificate supplied with the case supports this same objective. It confirms that the two capsules have been selected to work together, providing reassurance both for straightforward recording and for regular professional use.\u003c\/p\u003e\u003ch4\u003eUseful Accessories, Without Unnecessary Extras\u003c\/h4\u003e\u003cp\u003eSchoeps completes the package with two SG 20 articulated microphone clips, a coherent choice for quickly setting up the pair and precisely adjusting the microphones' orientation. This type of accessory makes a significant practical difference, particularly when working on phase, the opening angle or placement on an acoustic source.\u003c\/p\u003e\u003cp\u003eThe inclusion of a sturdy Peli Case further enhances the set's appeal for travel. Transport, storage and equipment protection are already taken care of, making this pack a reassuring solution for mobile studios, concert recording and location sessions.\u003c\/p\u003e\u003cp\u003eUltimately, this Desert Island Stereo Set MK2 stands out as a highly coherent solution for anyone looking for a complete, high-end \u003cstrong\u003eSchoeps stereo microphone set\u003c\/strong\u003e focused on results. It is not simply an assembly of separate components, but a tool designed to deliver a clean, stable and professional stereo recording, with the ergonomics and precision expected of a modular system in this category.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSeries\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eColette\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emodular stereo microphone set\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Schoeps","offers":[{"title":"Default Title","offer_id":54361536626963,"sku":"403061","price":3090.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/58a6f50811493f28f22da4deba41953c0db5e0b0_SCHOEPS_134201.jpg?v=1792644114"},{"product_id":"schoeps-cmc-6-u-215916","title":"CMC 6 U","description":"\u003ch3\u003eThe CMC 6 Ug: The Heart of the SCHOEPS Modular System\u003c\/h3\u003e\u003cp\u003eAt SCHOEPS, the modular logic is not just a comfort choice: it is the foundation of the design. A condenser microphone capsule cannot be used directly with a microphone input or a simple cable\u0026#59; it requires a dedicated microphone amplifier responsible for polarizing and amplifying the signal from the capsule. The \u003cstrong\u003eCMC 6 Ug\u003c\/strong\u003e is precisely this \"body\" of the microphone: it houses one of the \u003cstrong\u003eMK\u003c\/strong\u003e capsules from the Modular System to form a complete microphone, perfectly suited to the demands of professional sound recording.\u003c\/p\u003e\u003cp\u003eWithin the range, the \u003cstrong\u003eUg\u003c\/strong\u003e version stands out for its compatibility and power supply flexibility: it accepts standardized phantom power at \u003cstrong\u003e12 V (P12)\u003c\/strong\u003e and \u003cstrong\u003e48 V (P48)\u003c\/strong\u003e, with automatic detection. The philosophy remains that which has made the CMC series renowned: a carefully designed signal path, very clean behavior, and a design made to endure over the years while remaining a reference on sets, in classical music, broadcast, and studio environments.\u003c\/p\u003e\u003ch3\u003eWho Is the CMC 6 Ug For, and In What Uses Does It Make a Difference?\u003c\/h3\u003e\u003cp\u003eThe CMC 6 Ug is aimed at sound engineers, boom operators, music recordists, and sound designers who want a \u003cstrong\u003ehigh-end, scalable\u003c\/strong\u003e, and coherent system. By choosing a CMC amplifier and one or more MK capsules, you adapt your microphone setup to each context: close miking, ambience, stereo pair, vocals, acoustic instruments, or live capture.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003eP12 and P48\u003c\/strong\u003e compatibility is a tangible advantage for hybrid configurations: in the studio, P48 is the most common standard on preamps and audio interfaces. On location or in mobile recording, the ability to work with P12 can offer autonomy benefits depending on the available power supply. Add to this a low-impedance balanced output and strong interference resistance: the CMC 6 Ug performs well both with long cable runs and near more electromagnetically charged environments.\u003c\/p\u003e\u003ch3\u003eAudio Design: Low Impedance, Symmetry, and Class A for a Clean Signal\u003c\/h3\u003e\u003ch4\u003eAn Usable Capsule Signal Without Compromising Transparency\u003c\/h4\u003e\u003cp\u003eThe role of the amplifier is not just to \"increase the level.\" It first supplies the capsule with the necessary current to generate a signal, then converts this very weak, high-impedance signal into a \u003cstrong\u003elow-impedance\u003c\/strong\u003e signal capable of traveling through a cable without degradation. This conversion is essential to limit sensitivity to disturbances and ensure background noise remains low within a professional sound recording chain.\u003c\/p\u003e\u003ch4\u003eBalanced Class A Output Stage, Without Transformer or Capacitor\u003c\/h4\u003e\u003cp\u003eThe CMC 6 Ug integrates a \u003cstrong\u003ebalanced Class A\u003c\/strong\u003e output stage designed \u003cstrong\u003ewithout transformer or output capacitor\u003c\/strong\u003e. This architecture aims for several audible and measurable benefits: very low output impedance, excellent interference resistance, and distortion kept at a very low level. The result: a stable, clear, and reliable signal, whether for a highly detailed voice-over, a string quartet, or an ambience recording where micro-dynamics matter.\u003c\/p\u003e\u003ch4\u003eP12 and P48 Power Supply: Automatic Adaptation, Practical for Field Use\u003c\/h4\u003e\u003cp\u003eThe circuit automatically detects whether the phantom power is 12 V or 48 V and adapts accordingly. The characteristics remain generally consistent between the two modes, with the main difference being current adaptation to voltage. In practice, this makes life easier when switching from a studio (P48) to a battery-powered or portable system (P12) without changing the amplifier. Compared to versions or chains dedicated to a single standard, the \u003cstrong\u003eversatility\u003c\/strong\u003e of the CMC 6 Ug allows maintaining the same signature and workflow.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response - start\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 Hz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConnection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response - end\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e40 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGrey\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:9;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 Hz to 20 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum cable length\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eover 400 m\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:10;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum output voltage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1 V (0 dBV) into 1 k? load\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSCHOEPS RFI Shield\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eYes\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:11;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum sound pressure level (total harmonic distortion below 0.5%) with MK 4\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e131 dB SPL (P48, P12)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply, standard and valid range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eP48 (20 to 52 V) and P12 (10 to 13 V)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:12;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCommon mode rejection (at 1 kHz)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003egreater than 55 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConsumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e4 mA (P48) and 8 mA (P12)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:13;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutput impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e42 ohms\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e116 x 20 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:6;--wb-r:14;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMinimum recommended load impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1 k?\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e60 g\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:7;--wb-r:15;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLow-cut filter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 Hz, 12 dB per octave\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFinish\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGray\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:8;--wb-r:16;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eXLR-3M, analog, 1 channel\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Schoeps","offers":[{"title":"Default Title","offer_id":54362076774675,"sku":"215916","price":759.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/de99bc0500f1275f90a362897c386a4a428193d7_SCHOEPS_132005.jpg?v=1792661585"}],"url":"https:\/\/woodbrass.shop\/collections\/micros-petite-membrane-schoeps.oembed","provider":"Woodbrass.com","version":"1.0","type":"link"}