{"title":"Editions Francois Dhalmann Sheet Music","description":null,"products":[{"product_id":"editions-francois-dhalmann-biclot-p-poly-perc-vol-2-multi-percussions-165365","title":"Biclot P. - Poly-Perc Vol.2 - Multi Percussions","description":null,"brand":"Editions Francois Dhalmann","offers":[{"title":"Default Title","offer_id":54359815913747,"sku":"165365","price":21.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/1356791926c8624ff85b05c1e7960f49cf5165a8_HL_FD0262.jpg?v=1789487550"},{"product_id":"editions-francois-dhalmann-sauvage-d-recreations-vol-1-timbales-87961","title":"SAUVAGE D. - RECREATIONS VOL. 1 - TIMBALES","description":"\u003ch3\u003eSummary of This Workbook\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003e12 studies to begin playing timpani.\u003c\/strong\u003e This workbook is intended for percussionists who wish to explore the world of timpani early in their learning, particularly within the framework of the \u003cstrong\u003efirst cycle\u003c\/strong\u003e. The goal is clear: to offer accessible, progressive, and motivating literature, where many pieces often remain too demanding for young students.\u003c\/p\u003e\u003cp\u003eThe course is structured around \u003cstrong\u003e12 graded studies\u003c\/strong\u003e, each preceded by \u003cstrong\u003epreparatory exercises\u003c\/strong\u003e to consolidate technique before moving on to music. This alternation allows for effective work on fundamentals: stroke quality, consistency, rebound control, and rhythmic stability, while maintaining an enjoyable and \"recreational\" aspect in playing.\u003c\/p\u003e\u003cp\u003eThe text also emphasizes the central role of the timpanist in the orchestra, a true \u003cstrong\u003eliaison between the conductor and the musicians\u003c\/strong\u003e. In this perspective, the student is encouraged to develop essential reflexes: adopt a \u003cstrong\u003egood position\u003c\/strong\u003e, constantly seek a \u003cstrong\u003ebeautiful sound\u003c\/strong\u003e, and maintain clear and comfortable gestures. These benchmarks enhance ease in ensemble situations, especially for students who join an orchestra class from the beginning of their studies.\u003c\/p\u003e\u003cp\u003eTo allow freedom for both teacher and student, the suggested \u003cstrong\u003efingerings\u003c\/strong\u003e (when indicated) are not exhaustive, and there are deliberately \u003cstrong\u003eno dynamics\u003c\/strong\u003e to avoid overloading the reading: each player can add them according to their level, context, and musical objectives. A practical tip complements the approach: the use of \u003cstrong\u003eplatforms\u003c\/strong\u003e for smaller players can facilitate striking and improve posture. An ideal resource to start timpani with method, pleasure, and sound quality.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMethods\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etimpani\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLanguage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFrench\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emethod \/ percussion studies\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDifficulty\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eCycle 1 (beginner)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Editions Francois Dhalmann","offers":[{"title":"Default Title","offer_id":54359910121747,"sku":"87961","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/4fd316fa4bac95a058a264687ebd650b17dac598_FD0218.jpg?v=1789474436"},{"product_id":"editions-francois-dhalmann-sauvage-d-recreations-vol-2-timbales-329011","title":"Sauvage D. - Récréations Vol. 2 - Timbales","description":"\u003ch3\u003eSummary of This Method\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eRécréations, Volume 2 - 12 Studies to Continue Timpani\u003c\/strong\u003e offers a structured approach to support the percussionist in their ongoing progression. The collection is centered around 9 solo studies, conceived as true \"mini musical objects\": each is preceded by preparatory exercises targeting technical points and essential reflexes (setup, regularity, stroke precision, sound control, dynamic management).\u003c\/p\u003e\u003cp\u003eThis organization allows for effective practice without skipping steps: the groundwork is first prepared with controlled cells and movements, then these elements are applied in the study. This format is particularly useful for building a clear practice routine, measuring progress, and gaining autonomy in learning a timpani study.\u003c\/p\u003e\u003cp\u003eThe collection also stands out by including 3 duo studies with \u003cstrong\u003eoboe, cello, and flute\u003c\/strong\u003e. These pieces open up timpani practice to a more chamber music dimension: shared breathing, attack listening, tempo stability, balance of sound layers, and quality of note endings. They provide excellent support for preparing real ensemble playing situations while remaining within an educational framework.\u003c\/p\u003e\u003cp\u003eWhether to enrich lessons, prepare for an exam, or simply vary objectives (technique, musicality, endurance, concentration), this timpani study method easily integrates into a regular program and encourages playing that is both solid and expressive.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMethods\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etimpani (9 solo studies) and timpani in duo with oboe, cello, and flute (3 studies)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estudy method \/ musical training (percussion - timpani)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Editions Francois Dhalmann","offers":[{"title":"Default Title","offer_id":54360350458131,"sku":"329011","price":21.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/53c8a3e57a04fdf003e3d51b75066326fcfcfb19_FD0245.jpg?v=1789474380"},{"product_id":"editions-francois-dhalmann-alizon-michael-le-jazz-facilement-saxophone-120270","title":"ALIZON MICHAEL - LE JAZZ FACILEMENT - SAXOPHONE","description":null,"brand":"Editions Francois Dhalmann","offers":[{"title":"Default Title","offer_id":54361878954259,"sku":"120270","price":29.2,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/e55384dd51da5ee04d3eed622ccd314b6fa8509f_FD0281_df290eeb-eb3e-44a3-831e-825255c15ba7.jpg?v=1789487701"},{"product_id":"editions-francois-dhalmann-vandevenne-t-le-clavier-bien-a-temps-pour-se-reperer-vol-2-150228","title":"Vandevenne T. - Le Clavier Bien à Temps Pour Se Repérer Vol.2","description":"\u003ch3\u003eSummary of This Method\u003c\/h3\u003e\u003cp\u003eThis volume 2 is a direct continuation of volume 1, both books having been designed together with the same pedagogical logic: to explore in a structured and progressive way the two-mallet technique across all keyboard percussion instruments. Intended for students at the end of the first cycle and in the second cycle, this method offers a clear progression, suitable both for conservatory settings and supervised personal practice. The approach is comprehensive: it encourages creativity, initiative, and autonomy, while integrating genuine group pedagogy to foster listening, ensemble setup, and collective playing. Special attention is given to dissociations (right hand\/left hand, independence, coordination), as well as preparation for four-mallet technique, notably through independence exercises useful for approaching more advanced marimba techniques. The work on ornaments refines articulation, rhythmic precision, and style. Applied for several years at the Conservatoire de Strasbourg, where Thomas Vandevenne teaches, the content is drawn from practical experience, enriched by pedagogical reflection. The richly illustrated book includes a varied repertoire to develop interpretation: in solos, \"La Petrona\" (Mexican tradition), Prelude No. 1 in C major from The Well-Tempered Clavier by J.S. Bach, and \"Danse de Kalamata\" (Greek tradition)\u0026#59; in ensembles, \"Le Rossignol\" (quartet, C. Janequin), \"Camille\" (duo, T. Vandevenne), \"Dzigbodi\" (duo, Ghanaian tradition), \"Backgroove\" (duo or trio, T. Vandevenne), \"City-Zen\" (quartet, T. Vandevenne), a Four-Voice Fugue (quartet, J.S. Bach), as well as an excerpt from the 4th movement of the Trio in E-flat major Op. 100 (quartet, F. 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