{"title":"Empirical Labs Studio Gear","description":null,"products":[{"product_id":"empirical-labs-el-ds-derresser-horizontal-184961","title":"EL-DS DERESSER HORIZONTAL","description":"\u003ch3\u003eAn Empirical Labs \"de-esser\" that goes far beyond the classic role\u003c\/h3\u003e\u003cp\u003eThe \u003cstrong\u003eDerrEsser\u003c\/strong\u003e comes in the \u003cstrong\u003eAPI 500\u003c\/strong\u003e format and adopts a highly effective idea: a unique \u003cstrong\u003eactive crossover filter\u003c\/strong\u003e that splits the spectrum into \u003cstrong\u003etwo bands\u003c\/strong\u003e (low frequencies and high frequencies). This approach allows triggering and applying dynamics more intelligently than a simple broadband detector, targeting the \"harsh\" areas while preserving the body and presence of the signal.\u003c\/p\u003e\u003cp\u003eWhere many de-essers limit themselves to reducing a sibilance range, the DerrEsser was designed as a \u003cstrong\u003emultifunction processor\u003c\/strong\u003e: dynamic control of highs, smoothing, creative filtering, and isolated listening thanks to the Listen function. The result: a module that fits well on a lead vocal as well as on sources rich in transients or harmonics.\u003c\/p\u003e\u003ch3\u003eWho the DerrEsser is for, and when to use it in the studio\u003c\/h3\u003e\u003cp\u003eThe DerrEsser targets sound engineers, demanding home studio users, and producers who want a \u003cstrong\u003efast tool\u003c\/strong\u003e to control excessive highs while remaining \u003cstrong\u003enatural\u003c\/strong\u003e. On a \u003cstrong\u003evocal\u003c\/strong\u003e, it helps tame overly prominent \"S\" sounds, especially after bright EQ or an already very \"forward\" take. On \u003cstrong\u003eoverheads\u003c\/strong\u003e, a \u003cstrong\u003ehi-hat\u003c\/strong\u003e, or \u003cstrong\u003eacoustic guitars\u003c\/strong\u003e, it can smooth aggressiveness without crushing the attack.\u003c\/p\u003e\u003cp\u003eIn mixing, its modes and detection logic also make it an ally to \"tame\" a source in the upper spectrum: reducing unstable brightness, calming a piercing upper-midrange, or preventing a track from lighting up irregularly on certain words, pick attacks, or transients. In recording, it can secure a take right from capture, with a musical action that avoids overcorrecting later with EQ.\u003c\/p\u003e\u003ch3\u003eModes, listening, and dynamic filtering: a simple yet very flexible approach\u003c\/h3\u003e\u003ch4\u003eDS Mode: de-essing sensitive to spectral content\u003c\/h4\u003e\u003cp\u003eIn \u003cstrong\u003eDS mode\u003c\/strong\u003e (HF limiter disabled), the DerrEsser manages sibilance and harshness based on a key principle: the detector circuit \u003cstrong\u003ecompares high-frequency content\u003c\/strong\u003e with low-frequency content, rather than reacting solely to overall level. When the high-frequency proportion becomes excessive, the threshold is exceeded and the module \u003cstrong\u003eattenuates frequencies above\u003c\/strong\u003e the cutoff point set by the \u003cstrong\u003eFrequency\u003c\/strong\u003e control.\u003c\/p\u003e\u003cp\u003eThis method helps avoid the \"muffled voice\" effect often associated with overly broadband de-essing. The goal is to remove what exceeds, at the moment it exceeds, while respecting the overall tonal balance.\u003c\/p\u003e\u003ch4\u003eHF LIMIT Mode: high-frequency control like an HF compressor\u003c\/h4\u003e\u003cp\u003eIn \u003cstrong\u003eHF LIMIT\u003c\/strong\u003e, the DerrEsser analyzes only the \u003cstrong\u003eoverall level of high frequencies\u003c\/strong\u003e. As soon as this HF content crosses the threshold, gain is reduced, with an action designed as a \u003cstrong\u003esmoothing\u003c\/strong\u003e of the highs. This mode can serve as a de-esser but excels especially when a more stable and less aggressive brightness is desired, for example on a very close vocal, cymbals that \"sizzle,\" or an overly bright acoustic guitar.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003eSoft Knee\u003c\/strong\u003e-type behavior favors a progressive and musical gain reduction, useful when aiming to polish rather than correct audibly.\u003c\/p\u003e\u003ch4\u003eHIGHPASS and LOWPASS Modes: exploiting the filter and Listen function\u003c\/h4\u003e\u003cp\u003eBeyond dynamic processing, the DerrEsser allows using its filtering and circuits via the \u003cstrong\u003eListen\u003c\/strong\u003e function. In \u003cstrong\u003eHIGHPASS\u003c\/strong\u003e configuration, you listen to the high frequencies processed by the dynamics, with a cutoff frequency adjustable via \u003cstrong\u003eFrequency\u003c\/strong\u003e. In \u003cstrong\u003eLOWPASS\u003c\/strong\u003e configuration, you listen to the low frequencies (those unaffected by the VCA and dynamics), which is very practical for setting a crossover frequency, understanding what the detector \"sees,\" and refining a setting without guesswork.\u003c\/p\u003e\u003cp\u003eThe filter features a \u003cstrong\u003e12 dB per octave slope\u003c\/strong\u003e and adjustable frequency, contributing to precise work on the area to control. In practice, this is a real time saver: target, listen, adjust, then return to the full signal with a meaningful setting.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eequalizer\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFilter\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAPI 500 compatible module\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eHF LIMIT Mode\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eanalysis of high-frequency level only, gain reduction if threshold exceeded, HF compressor-style approach to smooth the upper spectrum\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:9;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emultifunction dynamic filtering processor (de-essing, HF limiting, listening functions via filter)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eHIGHPASS Mode\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003elistening to high frequencies processed via Listen and adjusted with Frequency\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFiltering\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eunique active crossover filter\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLOWPASS Mode\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003elistening to low frequencies via Listen and HP\/LP switch, part unaffected by VCA and dynamics\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:11;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eProcessing in two bands\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003elow frequencies and high frequencies\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eThreshold control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emanages trigger threshold\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:12;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDynamics\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esection based on VCA (Voltage Controlled Amplifier)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eadjustable cutoff frequency\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:13;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGoal\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emusical attenuation of high frequencies and \u0026quot;harsh\u0026quot; frequencies\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFunctions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBypass, Listen, HP\/LP toggle\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:7;--wb-r:14;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDS Mode\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ede-esser with HF limiter disabled, detection based on HF vs LF comparison, attenuation above cutoff point defined by Frequency\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFilter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e12 dB per octave slope (in LOWPASS mode), frequency adjustable via Frequency control\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Empirical Labs","offers":[{"title":"Default Title","offer_id":54356563034387,"sku":"184961","price":710.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/cec628e55e63e039abb28f40e38335069f0a316f_1EMPIRICALLABS_DERRESS.jpg?v=1789336101"},{"product_id":"empirical-labs-el-ds-derresser-vertical-184962","title":"EL-DS DERESSER VERTICAL","description":"\u003ch3\u003eAn Empirical Labs Processor Designed to Go Beyond Simple De-Essing\u003c\/h3\u003e\u003cp\u003eThe \u003cstrong\u003eDerrEsser\u003c\/strong\u003e is presented as a \u003cstrong\u003edynamic filtering\u003c\/strong\u003e processor in the \u003cem\u003eAPI 500\u003c\/em\u003e format, built around a simple yet highly effective concept: \u003cstrong\u003esplit the spectrum into two bands\u003c\/strong\u003e via an active filter, then apply controlled attenuation to the high band using a \u003cstrong\u003eVCA (Voltage Controlled Amplifier)\u003c\/strong\u003e. While many de-essers limit themselves to chasing \"S\" sounds at the cost of dulling the upper spectrum, the DerrEsser aims for an \u003cstrong\u003eextremely musical\u003c\/strong\u003e reduction, preserving useful energy, clarity, and presence when justified.\u003c\/p\u003e\u003cp\u003eIts uniqueness also lies in its versatility: depending on the selected mode, it can function as an \u003cstrong\u003eintelligent de-esser\u003c\/strong\u003e, a \u003cstrong\u003ehigh-frequency compressor\/limiter\u003c\/strong\u003e, or as a \u003cstrong\u003efiltering\u003c\/strong\u003e and \u003cstrong\u003etargeted listening\u003c\/strong\u003e tool (LISTEN function) to isolate and precisely work on the relevant spectral areas.\u003c\/p\u003e\u003ch3\u003eWho Should Use the \u003cstrong\u003eDerrEsser\u003c\/strong\u003e and When?\u003c\/h3\u003e\u003cp\u003eThe \u003cstrong\u003eDerrEsser\u003c\/strong\u003e is aimed at sound engineers, producers, and home studio users equipped with a 500 chassis who seek a quick-to-set-up tool yet refined enough to handle challenging sources. On an \u003cstrong\u003eoverly bright vocal\u003c\/strong\u003e, a take with too much air, or EQ that has added harshness, it allows you to \u003cstrong\u003econtrol sibilance\u003c\/strong\u003e without losing diction or intelligibility. It is also relevant on sources rich in transients and harmonics (overheads, hi-hats, acoustics, distorted guitars, synths) whenever the upper spectrum becomes intrusive.\u003c\/p\u003e\u003cp\u003eThanks to its alternative modes, it can also be used as a \u003cstrong\u003ehigh-frequency softener\u003c\/strong\u003e (when the goal is not solely to treat \"S\" sounds), or as an \u003cstrong\u003eaudio filter\u003c\/strong\u003e with controlled slope. In mixing, it becomes an ally to tame aggressive areas without rewriting the EQ\u0026#59; in tracking, it secures a take while maintaining a natural sound\u0026#59; in bus processing, it can help contain unstable brightness that emerges at certain moments.\u003c\/p\u003e\u003ch3\u003eModes, Listening, and Dynamics: Surgical Control Without Complexity\u003c\/h3\u003e\u003ch4\u003eDS Mode: An Intelligent De-Esser Sensitive to Spectral Content\u003c\/h4\u003e\u003cp\u003eIn \u003cstrong\u003eDS mode\u003c\/strong\u003e (HF limiter disabled), the \u003cstrong\u003eThreshold\u003c\/strong\u003e control is used to tame sibilance and harshness. The behavior is \u003cstrong\u003esensitive to the ratio\u003c\/strong\u003e between high and low frequencies: the detector circuit compares the HF content to the LF content, and the overall signal level is not the determining factor. As soon as the HF becomes sufficiently dominant, the threshold is exceeded and the module \u003cstrong\u003eattenuates the band above\u003c\/strong\u003e the cutoff point set by the \u003cstrong\u003eFrequency\u003c\/strong\u003e control. The result is processing that targets the problem only when it appears, rather than constant reduction that darkens the source.\u003c\/p\u003e\u003ch4\u003eHF LIMIT Mode: Gently Limiting\/Compressing the High Spectrum\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003eHF LIMIT\u003c\/strong\u003e mode analyzes only the overall level of the high frequencies, similar to a high-frequency-oriented compressor. When the highs exceed the threshold, gain is reduced. This mode is \u003cstrong\u003emore level-dependent\u003c\/strong\u003e and particularly sensitive to high frequencies: ideal for \u003cstrong\u003esoftening\u003c\/strong\u003e an overly sharp brightness, smoothing piercing cymbals, or taming aggressive attacks while preserving the low-mid intact. The behavior is described as a \u003cstrong\u003eSoft Knee HF limiter\u003c\/strong\u003e, designed to remain gradual and musical.\u003c\/p\u003e\u003ch4\u003eLISTEN Function and HIGHPASS \/ LOWPASS Modes: Filter and Hear What You Are Processing\u003c\/h4\u003e\u003cp\u003eBeyond Bypass, the button logic allows access to listening and filtering modes. Using \u003cstrong\u003eLISTEN\u003c\/strong\u003e, the DerrEsser becomes a very practical working tool: you can isolate what the dynamic section is detecting and processing, to adjust faster and more accurately.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eHIGHPASS\u003c\/strong\u003e (Bypass button pressed, Listen button pressed, HP\/LP button released, regardless of HF LIM button position): you hear the \u003cstrong\u003ehigh frequencies\u003c\/strong\u003e processed by the dynamic\/compression circuits. The \u003cstrong\u003ecutoff frequency\u003c\/strong\u003e is adjusted by the \u003cstrong\u003eFrequency\u003c\/strong\u003e knob. Once LISTEN is activated, \u003cstrong\u003eall LEDs\u003c\/strong\u003e on the level meter should light up.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eLOWPASS\u003c\/strong\u003e (Bypass activated, Listen activated, HP\/LP activated, regardless of HF LIM button position): you hear the \u003cstrong\u003elow frequencies\u003c\/strong\u003e, those not affected by the VCA and dynamic\/compression circuits. The filter offers a \u003cstrong\u003e12 dB per octave slope\u003c\/strong\u003e, with an adjustable cutoff frequency via the \u003cstrong\u003eFrequency\u003c\/strong\u003e knob, useful for verifying what you leave intact and adjusting the overall balance.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eequalizer\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFilter\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:9;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAPI 500\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eHF LIMIT Mode\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eanalyzes only the overall level of high frequencies\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:10;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emultifunction dynamic filtering processor\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eHIGHPASS\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBypass pressed, Listen pressed, HP\/LP released, regardless of HF LIM\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:11;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArchitecture\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eactive crossover filter dividing the signal into two bands (low frequencies \/ high frequencies)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLOWPASS\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBypass activated, Listen activated, HP\/LP activated, regardless of HF LIM\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:12;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGain control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ededicated VCA (Voltage Controlled Amplifier) for high band attenuation\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFilter slope\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e12 dB per octave\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:13;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDS Mode\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ede-essing processing with HF limiter disabled\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWith LISTEN activated\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eall LEDs on the level meter should light up\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:14;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDetection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecomparison of HF content relative to LF content (overall signal level is not decisive)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ebypass mode and access to mode combinations with LISTEN and HP\/LP\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:7;--wb-r:15;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eThreshold control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emanages the intervention threshold on sibilance and harshness\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eButtons\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eListen, HP\/LP, HF LIM (depending on mode)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:8;--wb-r:16;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esets the cutoff point, attenuation above this frequency\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDisplay\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003elevel LEDs (all lit when LISTEN is activated)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Empirical Labs","offers":[{"title":"Default Title","offer_id":54356961558803,"sku":"184962","price":595.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/077f6a46bfbaaffcf8de41f0c7af608003633666_1EMPIRICALLABS_DERRESSV.jpg?v=1789344818"},{"product_id":"empirical-labs-distressor-el8-x-stereo-matched-pair-426383","title":"Distressor EL8X Stereo Matched","description":"\u003ch3\u003eA Modern Classic: The Spirit of Legends, Today's Flexibility\u003c\/h3\u003e\u003cp\u003eConceived by Dave Derr with the desire to recapture the character of iconic compressors (such as the 1176, LA-2A, or Gain Brain), the Distressor established itself as an intelligent synthesis: grain, musicality, and a true ability to adapt to the source. With tens of thousands of units in circulation, it is one of those \"go-to\" machines found both in high-end studios and more compact production setups.\u003c\/p\u003e\u003ch3\u003eFor Which Profiles and Studio Uses?\u003c\/h3\u003e\u003cp\u003eThe Distressor EL8-X is aimed at sound engineers, producers, and musicians who want an analog compressor capable of ranging from clean, discreet control to a distinctly pronounced signature. In recording, it stabilizes vocals, tightens bass, or adds impact to a snare without losing attack. In mixing, it can thicken guitars, add dimension to synths, or transform room mics using the \"Nuke\" mode. The \"Opto\" 10:1 ratio, designed to recall the behavior of photoelectric compression, provides a smoother, more singing smoothing when aiming for controlled dynamics without aggression.\u003c\/p\u003e","brand":"Empirical Labs","offers":[{"title":"Default Title","offer_id":54357235499283,"sku":"426383","price":3648.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/039d28828fcce5dd305e56f20b8d57f986564ff3_EMPIRICAL_EL8X_STEREO.jpg?v=1787314897"},{"product_id":"empirical-labs-el-q-lil-freq-184820","title":"EL-Q Lil Freq","description":"\u003ch3\u003eAn \"Empirical Labs\" Philosophy: The EQ Companion to the Distressor\u003c\/h3\u003e\u003cp\u003eWith the LilFrEQ, Empirical Labs applies the same approach to equalization that made the Distressor indispensable in compression: a \u003cstrong\u003e1U rack format\u003c\/strong\u003e device that combines, in a single audio path, the frequency treatments truly used during tracking and mixing. The goal is not to stack modules but to offer a direct workflow, comfortable dynamic headroom, and a sonic signature capable of being \u003cstrong\u003eclean and precise\u003c\/strong\u003e as well as \u003cstrong\u003esubtly colored\u003c\/strong\u003e depending on the section engaged. The LilFrEQ is \u003cstrong\u003ehand-wired and calibrated in the USA\u003c\/strong\u003e by Empirical Labs Inc., with a reliability-focused design (relays, doubled contacts, selected components).\u003c\/p\u003e\u003ch3\u003eWho It's For and When the LilFrEQ Makes a Difference\u003c\/h3\u003e\u003cp\u003eThe LilFrEQ targets sound engineers, producers, and studios seeking a \u003cstrong\u003ehigh-end analog equalizer\u003c\/strong\u003e capable of going from invisible correction to true tone shaping. It excels on \u003cstrong\u003evocals\u003c\/strong\u003e (sibilance and brightness control), \u003cstrong\u003ebasses\u003c\/strong\u003e (foundation and clarity), \u003cstrong\u003eguitars\u003c\/strong\u003e (density, attack), \u003cstrong\u003eoverheads\u003c\/strong\u003e, and the \u003cstrong\u003emix bus\u003c\/strong\u003e when solid, repeatable, and quick-to-adjust EQ is needed. Thanks to the integrated \u003cstrong\u003einstrument preamp\/DI\u003c\/strong\u003e, it also serves as an excellent front-end for recording guitar or bass direct, then immediately refining the spectral balance without multiplying gear.\u003c\/p\u003e\u003ch3\u003eSections, Filters, and Ergonomics: A Complete Chain in 1U\u003c\/h3\u003e\u003ch4\u003eColored High-Pass Filter: Clean Without Thinning\u003c\/h4\u003e\u003cp\u003eThe high-pass section is based on a \u003cstrong\u003esteep slope\u003c\/strong\u003e filter designed to attenuate frequencies below the cutoff while avoiding damage to content just above. Empirical Labs describes it as \"colored\" because it is very selective and designed to remain musical in practice. The cutoff frequency is indicated by LEDs (low intensity in bypass, high intensity when active), and the section features a dedicated \u003cstrong\u003ebypass\u003c\/strong\u003e for instant comparison.\u003c\/p\u003e\u003ch4\u003eBaxandall Bass and Treble: Wide, High-End Corrections\u003c\/h4\u003e\u003cp\u003eThe Baxandall bass and treble filters act as true \"standard\" tone controls but with studio-grade construction quality: perfect for \u003cstrong\u003ethickening\u003c\/strong\u003e, \u003cstrong\u003eopening up\u003c\/strong\u003e, or rebalancing a signal with smooth curves, without harshness.\u003c\/p\u003e\u003ch4\u003e4 Parametrics: Sculpt with Control, No Compromise\u003c\/h4\u003e\u003cp\u003eThe four fully parametric sections allow precise treatment of resonances, presence areas, veil, harshness, or nasality. They stand out with an extremely low announced distortion (total harmonic distortion \u003cstrong\u003enot exceeding 0.0007%\u003c\/strong\u003e with all EQ bands active), even at high signal levels, for clean and reliable corrections.\u003c\/p\u003e\u003ch4\u003eDynamic Equalization: Natural De-Essing and High-Spectrum Control\u003c\/h4\u003e\u003cp\u003eThe dynamic section combines filters and a compressor-type circuit to control excesses in the high spectrum (such as \u003cstrong\u003esibilance\u003c\/strong\u003e), especially when the low spectrum is less present. Two operating modes are available, with \u003cstrong\u003ethreshold\u003c\/strong\u003e and \u003cstrong\u003efrequency\u003c\/strong\u003e adjustments. Four LEDs display gain reduction: \u003cstrong\u003e1 dB, 4 dB, 8 dB, 12 dB\u003c\/strong\u003e. The result: a fast, musical tool that behaves as a \u003cstrong\u003ede-esser\u003c\/strong\u003e and a \u003cstrong\u003ehigh-frequency Soft Knee limiter\u003c\/strong\u003e, without unnecessary complexity.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eequalizer\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e4 channels\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTotal harmonic distortion of parametric equalizers\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003edoes not exceed 0.0007% with all EQ bands active\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrument preamp\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003edistortion below 0.0009%\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrument preamp frequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003edown to 5 Hz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response (inputs and outputs without transformer)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e5 Hz to 140 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response (transformer output)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e10 Hz to 110 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e120 dB at maximum output level (0.1% clipping) to minimum output\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSignal-to-noise ratio\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003egreater than 110 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDistortion\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ebetween 0.00056% and 0.005% depending on mode and settings\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic section\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003etotal harmonic distortion below 0.005%\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAttack\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eapproximately 0.5 ms\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRelease\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e0.04 s, fixed\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGain reduction indication via 4 LEDs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1 dB, 4 dB, 8 dB, 12 dB\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e\u0026quot;BAD!\u0026quot; clipping indicator\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003esignals when you are 1 dB below clipping (monitors saturation at all equalizer stages)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTrue equalization bypass\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ehardwired bypass for treated\/untreated signal comparison\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHigh-quality discrete components\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ehand-selected and tested\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNo internal connectors\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003emilitary-grade switches and relays, doubled contacts for maximum reliability\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eProtection against abusive settings\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ehuge dynamic headroom\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eShipping weight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eapproximately 6 kg\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Empirical Labs","offers":[{"title":"Default Title","offer_id":54357582938387,"sku":"184820","price":3299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/95f6daaba612f956675a5e7837cb42768d0c3755_EMPIRICALLABS_LILFREQ_c38f3f0a-06af-4a58-94e4-fe2272231662.jpg?v=1787319127"},{"product_id":"empirical-labs-el-7-ubk-fatso-184841","title":"EL-7 UBK Fatso","description":"\u003ch3\u003eFrom Fatso Jr. to UBK Fatso: The Legacy Revisited\u003c\/h3\u003e\u003cp\u003eBorn from UBK's admiration for Dave Derr's Fatso Jr., the UBK Fatso inherits the DNA of the classic Vintage Fatso - tape-style saturation, harmonic thickening, and independent \"warmth\" control - and adds three new ear-tuned compression Presets. The result: an outboard unit that continues the analog aesthetic while speeding up decision-making in the studio.\u003c\/p\u003e\u003ch3\u003eFor Whom and For What Uses?\u003c\/h3\u003e\u003cp\u003eDesigned for engineers and producers seeking \u003cstrong\u003emusical compression without hassle\u003c\/strong\u003e, the UBK Fatso excels in both tracking and mixing. It tames vocal peaks, densifies drums, stabilizes bass, thickens guitars, and brings cohesion to loops and keyboards. Used in parallel processing or insert, it delivers punch, color, and level stability.\u003c\/p\u003e\u003ch3\u003eFeatures and Sonic Signatures\u003c\/h3\u003e\u003ch4\u003e\"Splat\" Preset\u003c\/h4\u003e\u003cp\u003eVintage console spirit: with moderate settings, it locks drums in place, pushes vocals forward, and enhances attack. When driven, it delivers massive impact, creamy old-school vocals, and thick guitars that stay put in the mix, even with heavy gain reduction.\u003c\/p\u003e\u003ch4\u003e\"Smooth\" Preset\u003c\/h4\u003e\u003cp\u003eFollower-style limiting to shave 6-10 dB of peaks without artifacts. In tracking, takes naturally nestle together; in mixing, it shifts from a smooth, velvety sound to a fast, punchy behavior, ideal for loops, parallel overheads, or vocals with chaotic dynamics.\u003c\/p\u003e\u003ch4\u003e\"Glue\" Preset\u003c\/h4\u003e\u003cp\u003eLow-frequency specialist: controls dynamics while preserving clarity and punch, raises perceived level, and unifies notes. Also formidable on drums, acoustics, and keyboards for a \"glued\" mix cohesion.\u003c\/p\u003e\u003ch4\u003e\"Spank\" Mode and Stacking\u003c\/h4\u003e\u003cp\u003eThe famous \"Spank\" adds incisive console-style punch, stackable with one or more Presets. Treatments layer for textures that are both powerful and musical; activate the transformer circuit to make the low end sing.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eThree proprietary Presets\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e\u0026quot;Splat,\u0026quot; \u0026quot;Smooth,\u0026quot; and \u0026quot;Glue\u0026quot; (fixed settings optimized by ear).\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRecommended sources\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003evocals, drums, bass, acoustic\/electric guitars, pianos, loops, and keyboards.\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Empirical Labs","offers":[{"title":"Default Title","offer_id":54357621768467,"sku":"184841","price":3222.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/0d0324c3d8fa798adbf754386bdbd5412db91bcd_EMPIRICALLABS_UBKEL7_535a29b9-5100-4c0c-84cb-b39b20b7473a.jpg?v=1787323387"},{"product_id":"empirical-labs-distressor-el8-x-mono-78136","title":"Distressor EL8-X Mono","description":"\u003ch3\u003eA Modern Classic in Dynamics\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eBorn to combine the character of legendary compressors with the precision of a modern workflow, the Empirical Labs Distressor has established itself as a studio standard. It combines a hybrid architecture of discrete components\/integrated circuits with robust digital control, offering the musicality of iconic machines and the consistency of a contemporary production tool.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eWho Is It For and What Are Its Uses?\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eIdeal for tracking and mixing, it excels on vocals, guitars, and drums, from room mics to close mics. Its palette ranges from simple transparent \"warming\" to aggressive control for disciplined transients, up to optical emulation for smooth, singing compressions on buses or bass.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eKey Features and Highlights\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003e\u003cstrong\u003eThree Distortion Modes\u003c\/strong\u003e allow shaping the texture before or after gain reduction: even harmonics for a \"tube-like\" warmth, or odd harmonics for a more biting character, like tape saturation. Two dedicated LEDs indicate 1% and 3% thresholds for precise dosing without harsh clipping even a few dB beyond.\u003c\/p\u003e \u003cbr \/\u003e\u003cp\u003e\u003cstrong\u003eAdvanced Detection EQ\u003c\/strong\u003e: high-mid boost softens guitars and vocals, while the sidechain low-cut prevents pumping from bass frequencies, resulting in more musical compression.\u003c\/p\u003e \u003cbr \/\u003e\u003cp\u003e\u003cstrong\u003eEight Unique Curves\u003c\/strong\u003e: from 1:1 with no compression (just harmonic coloration) to ratios of 2:1, 3:1, 4:1, 6:1, up to 10:1 in dedicated circuits for an \"optical\" response close to the great classics, plus an \"Explosive\" mode designed for drum room mics.\u003c\/p\u003e \u003cbr \/\u003e\u003cp\u003e\u003cstrong\u003eErgonomics and Repeatability\u003c\/strong\u003e: binary-style interface to multiply combinations, large-throw potentiometers with fine graduations, fixed and calibrated output level for instant recall in studio or live settings.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEight dynamic curves\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1:1, 2:1, 3:1, 4:1, 6:1, 10:1 (\u0026quot;optical\u0026quot; circuit), plus \u0026quot;Explosive\u0026quot; limiting mode.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eProgrammable analog distortion\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eeven harmonics (tube-type) and odd harmonics (tape-type).\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePackaged weight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e6 kg.\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Empirical Labs","offers":[{"title":"Default Title","offer_id":54357739307283,"sku":"78136","price":1898.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/2f0e1820148c3f10172c2aeb4552e9460f0d4234_EMPIRICAL_LABS_DISTRESSOR_MONO.jpg?v=1787327657"},{"product_id":"empirical-labs-el-7x-fatso-184822","title":"EL-7X Fatso","description":"\u003ch3\u003eThe FATSO, the Modernized Heir of an Empirical Labs Classic\u003c\/h3\u003e\u003cp\u003eBorn as an evolution of the FATSO Jr, the FATSO EL7-X incorporates a finer approach to analog compression and saturation. Designed by Dave Derr, it carries the \"studio-proof\" DNA of Empirical Labs while addressing the limitations of the first generation. Since June 2013, shipped units already include the \"Eleven\" ratio factory-installed, a direct legacy of research conducted around vintage compressors.\u003c\/p\u003e\u003ch3\u003eWho Is It For and What For?\u003c\/h3\u003e\u003cp\u003eThe FATSO EL7-X is aimed at sound engineers, producers, and mixers who want to add density and smoothness to digital sources, both on tracks and buses. Formidable on vocals, bass, acoustic guitars, overheads, and piano, it increases perceived level while maintaining control over peaks. In the studio, mobile rigs, or even for audiophile listening, it restores the much sought-after tape warmth and ambiance.\u003c\/p\u003e\u003ch3\u003eFeatures and Innovations That Make the Difference\u003c\/h3\u003e\u003ch4\u003eNew \"Eleven\" Ratio\u003c\/h4\u003e\u003cp\u003eReplacing the \"GP\" ratio, \"Eleven\" emulates the famous behavior of the 1176: very high ratio, slower attack, and ultra-fast release. From subtle control of a few dB to creative crushing, it delivers striking presence and places the source perfectly in the mix.\u003c\/p\u003e\u003ch4\u003eRedesigned Logic and Interface\u003c\/h4\u003e\u003cp\u003eThe switch to a microprocessor reduces power consumption by about 20%, lowers operating temperature, and improves reliability. Ergonomics are enhanced with a dedicated \"Tracking\" LED, a clearly distinct blue \"Spank\" LED, and a rewind function activated by holding down a button.\u003c\/p\u003e\u003ch4\u003eSmarter Stereo Linking\u003c\/h4\u003e\u003cp\u003eTwo linking methods provide solid locking of compressors and bypass between channels. Control from either side becomes natural and secure, ideal for mix bus and stems.\u003c\/p\u003e\u003ch4\u003eThe FATSO Sound Signature\u003c\/h4\u003e\u003cul\u003e\u003cli\u003e\u003cstrong\u003eHarmonic generation \/ soft clipping\u003c\/strong\u003e: Class A circuit reminiscent of tubes or saturated tape.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eHF warmth\u003c\/strong\u003e: dynamic low-pass filter that softens highs when they accumulate.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eTransformer \/ playback head emulation\u003c\/strong\u003e: fuller lows and vintage-typical musical nonlinearities.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eClassic \"knee\" compression\u003c\/strong\u003e: smooth and consistent leveling, perfect on tracks and buses.\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003eFour refined compression modes (including \"Buss\" and the legendary \"Spank\") are selectable and combinable. Large Distressor-style knobs control input\/output for fast workflow.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e\u0026quot;Eleven\u0026quot; ratio replacing \u0026quot;GP\u0026quot;\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ehigh ratio, slower attack, fast release.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSelectable and combinable compression modes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e\u0026quot;Buss,\u0026quot; \u0026quot;Spank,\u0026quot; \u0026quot;Tracking\u0026quot; (dedicated LED), etc.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHigh-frequency saturation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e7 levels of \u0026quot;warmth\u0026quot; via dynamic low-pass filter.\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMicroprocessor replacing discrete logic\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eapproximately 20% reduced consumption and lower operating temperature.\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTwo linking methods\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ecompressor and bypass association.\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFATSO units shipped since June 2013\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e\u0026quot;Eleven\u0026quot; already present internally (circuit equivalent to EL7-X).\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRecommended sources\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003evocals, bass, acoustic guitars, drum ambience mics, pianos.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eUses\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003etracking, mix bus, summing, softening digital sources and DAWs.\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Empirical Labs","offers":[{"title":"Default Title","offer_id":54358375596307,"sku":"184822","price":2698.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/c7b6c12f1841763593337a606a51d5762da88aeb_EMPIRICALLABS_FATSOEL7X_d19f190e-8a6f-4f89-bfb2-1276a22e5050.jpg?v=1787341009"},{"product_id":"empirical-labs-distressor-el8-x-stereo-78137","title":"Distressor EL8-x Stereo","description":null,"brand":"Empirical Labs","offers":[{"title":"Default Title","offer_id":54358583968019,"sku":"78137","price":3796.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/2934513849c6440965c30936f8a5cc7472b94304_EMPIRICAL_LABS_DISTRESSOR_STEREO.jpg?v=1789487703"},{"product_id":"empirical-labs-el-rx-docderr-horizontal-185000","title":"EL-RX Docderr Horizontal","description":"\u003ch3\u003eA DocDerr Module Designed for the ELI 500 Range: Compactness, Consistency, and a \"Studio Ready\" Approach\u003c\/h3\u003e\u003cp\u003eAfter more than two years of development and testing, the \u003cstrong\u003eDocDerr EL-Rx\u003c\/strong\u003e was designed to concentrate, in a compact and immediately usable format, a powerful and musical analog processing chain. It fits within the philosophy of the \u003cstrong\u003eELI 500\u003c\/strong\u003e modules: premium sound, straightforward ergonomics, and clean integration into a dedicated powered rack, with \u003cstrong\u003ehorizontal or vertical orientation\u003c\/strong\u003e depending on your setup.\u003c\/p\u003e\u003cp\u003eThis product line logic is also reflected in production-oriented features: the possibility of \u003cstrong\u003estereo linking\u003c\/strong\u003e to work on buses or stereo tracks, and an architecture that emphasizes sonic results rather than complex settings.\u003c\/p\u003e\u003ch3\u003eFor Whom and For What Uses: Recording, Mixing, and \"Studio\" Sound on Stage\u003c\/h3\u003e\u003cp\u003eThe DocDerr is aimed at sound engineers, producers, and musicians who want to \u003cstrong\u003eshape a source right at the input\u003c\/strong\u003e or add a premium finish to the mix without multiplying devices. In recording, it excels at stabilizing dynamics, sculpting the spectrum, and controlling transients while preserving musicality. In mixing, it becomes a quick tool to \"anchor\" a track, add density, and manage highs with elegance.\u003c\/p\u003e\u003cp\u003eThanks to its \u003cstrong\u003einstrument mode\u003c\/strong\u003e (internal micro switch) and low noise floor, it is also perfectly suited for acoustic instruments (acoustic guitar, strings, percussion), basses, synths, and world music instruments, including in live contexts where a \"console\/studio\" sound on stage is sought.\u003c\/p\u003e\u003ch3\u003eKey Features: Silent Preamplification, Targeted Equalization, Musically \"Intelligent\" Compression\u003c\/h3\u003e\u003ch4\u003ePreamp: Clean, Stable, Ready for Stage and Studio\u003c\/h4\u003e\u003cp\u003eThe preamplification section offers an \u003cstrong\u003eextremely low noise floor\u003c\/strong\u003e and accepts both \u003cstrong\u003eline-level\u003c\/strong\u003e and \u003cstrong\u003einstrument-level\u003c\/strong\u003e signals. For instruments, an internal micro switch allows the module to become an \u003cstrong\u003einstrument preamp\u003c\/strong\u003e with an additional \u003cstrong\u003e16 dB gain\u003c\/strong\u003e, ideal when you want attack, definition, and a solid level before processing.\u003c\/p\u003e\u003ch4\u003eEqualization: Powerful Filtering and Selected Frequencies for Speed\u003c\/h4\u003e\u003cp\u003eJust after the preamp, the equalization combines a \u003cstrong\u003e2-position high-pass filter\u003c\/strong\u003e and \u003cstrong\u003ethree parametric filters\u003c\/strong\u003e. The goal is clear: to offer effective and musical correction, with carefully selected frequency ranges to cover essential adjustments (cleaning low end, removing resonance, opening upper mids, adding air) without wasting time.\u003c\/p\u003e\u003ch4\u003eDynamics: Empirical Labs Compression and Tape Emulation to Smooth Transients\u003c\/h4\u003e\u003cp\u003eThe dynamics section offers a unique approach: a \u003cstrong\u003ecompression renowned for its musicality\u003c\/strong\u003e, combined with an \u003cstrong\u003eanalog tape emulation circuit\u003c\/strong\u003e. This duo softens high frequencies, manages transients, and adds a sense of cohesion, particularly useful on vocals, acoustic instruments, basses, or sources rich in attacks.\u003c\/p\u003e\u003cp\u003eThe \"one knob\" philosophy emphasizes speed: you find an effective dynamic control point without getting locked into complex settings, while maintaining a usable result in a professional context.\u003c\/p\u003e\u003ch4\u003e\"Mix\" Control: Parallel Compression Without External Patch\u003c\/h4\u003e\u003cp\u003eThe \"Mix\" function is one of the most creative signatures of the DocDerr. It allows you to \u003cstrong\u003eblend the uncompressed signal\u003c\/strong\u003e from the equalizers with the \u003cstrong\u003ecompressed and saturated signal\u003c\/strong\u003e. This provides \u003cstrong\u003eparallel compression\u003c\/strong\u003e directly within the module: more density and stability while preserving the natural attack and dynamics of the source. This method is widely used in recording and mixing to broaden the sonic palette, add body, and maintain a consistent presence in the mix.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eequalizer\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e3 channels\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e3 Hz to 180 kHz on the equalization section (within -3 dB)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAttack\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eapproximately 1 ms\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e120 dB between minimum and maximum output levels (THD of 0.5 percent, soft clipping)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRelease\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einternally fixed at approximately 0.2 s\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:9;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNoise floor (Mix at 0)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-91 dBu (typical value)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWith the EL500 powered rack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ea button enables linking\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:10;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDistortion range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ebetween 0.0006 percent and 10 percent at 1 kHz, depending on mode and settings\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInput impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e120 kOhms (Instrument In)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:11;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInput level before hard clipping\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+22 dBm (line input mode)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOutput impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eless than 75 ohms\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:12;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum output level (Mix at 0)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+28.5 dBm\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Empirical Labs","offers":[{"title":"Default Title","offer_id":54362188644627,"sku":"185000","price":979.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/cf033316ea213ba601d7382eb29bf42330d3afba_EMPIRICALLABS_DOCDERR.jpg?v=1789426726"}],"url":"https:\/\/woodbrass.shop\/collections\/peripheriques-studio-empirical-labs.oembed","provider":"Woodbrass.com","version":"1.0","type":"link"}