{"title":"Grace Design Studio Gear","description":null,"products":[{"product_id":"grace-design-m201-mk2-340483","title":"M201 MK2","description":"\u003ch3\u003eA redesign focused on transparency and dynamics within the Grace Design range\u003c\/h3\u003e\u003cp\u003eThe M201MK2 carries the DNA of Grace Design: faithful, fast, and uncolored reproduction, designed to respect timbres and micro-dynamics. This MK2 version is not just a cosmetic update: the signal path has been refined to provide a more \"open\" sensation, with more air, while increasing usable dynamics. The improved signal-to-noise ratio notably relies on a new power supply, for quieter recordings and a darker noise floor.\u003c\/p\u003e\u003ch3\u003eA 2-channel preamp for demanding recording (studio, live, broadcast)\u003c\/h3\u003e\u003cp\u003eThe Grace Design M201MK2 is aimed at sound engineers, producers, and musicians seeking a high-end mic preamp to capture the source as it is: vocals, acoustic instruments, piano, overheads, stereo pairs, ambient recordings, or amp miking via microphone. With its two perfectly matched channels, it is particularly relevant for stereo setups where left\/right coherence is crucial, while remaining very comfortable for premium mono recording.\u003c\/p\u003e\u003ch3\u003eKey Features: precision, headroom, and gain modes\u003c\/h3\u003e\u003ch4\u003eControlled gain and perfectly matched channels\u003c\/h4\u003e\u003cp\u003eThe M201MK2 offers an extended gain range, with precise 2 dB steps for fine and repeatable adjustment. The \u003cstrong\u003egain matching\u003c\/strong\u003e between CH1 and CH2 is extremely tight across the entire range, a major advantage for stereo pairs and multi-mic recording techniques.\u003c\/p\u003e\u003ch4\u003eRibbon Mode and adapted impedances\u003c\/h4\u003e\u003cp\u003eFor ribbon microphones, the \u003cstrong\u003eRibbon Mode\u003c\/strong\u003e increases the gain range and modifies the input impedance to preserve level, transient response, and detail without unnecessary noise. The impedance also varies depending on pad usage, helping to optimize mic\/preamp matching according to source and level.\u003c\/p\u003e\u003ch4\u003eWide headroom before saturation\u003c\/h4\u003e\u003cp\u003eWith a high maximum output level and clearly defined peak LED thresholds, the M201MK2 handles dynamic sources while staying clean. The result: a clear, deep, and stable capture, ready to be converted or processed, without artifacts or harshness.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e@ 20dB gain +\/- 3dB 150 ohm source\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e3.2Hz-530kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e@ 20dB gain +\/- 0.2dB 150 ohm source\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e14.8Hz-109kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e@ 40dB gain +\/- 3dB 150 ohm source\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e3.2Hz-500kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e@ 40dB gain +\/- 0.2dB 150 ohm source\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e15.4Hz-103kHz\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e@ 20dB gain +20dBu out, 1kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e\u0026lt;.0008%\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e@ 40dB gain +20dBu out, 1kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e\u0026lt;.0009%\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e@ 60dB gain +20dBu out, 1kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e\u0026lt;.0070%\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSMPTE\/DIN 1:1 (50Hz, 7kHz)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e\u0026lt;.0007%\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSMPTE\/DIN 4:1 (50Hz, 7kHz)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e\u0026lt;.009%\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e@60dB gain 50 ohm source 22-22kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-130dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e@60dB gain 50 ohm source A weighting\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-133dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e@60dB gain 150 ohm source 22-22kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-127dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e@60dB gain 150 ohm source A weighting\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-127.5dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e@40dB gain 50 ohm source 22-22kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-127dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e@40dB gain 50 ohm source A weighting\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-130dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e@40dB gain 150 ohm source 22-22kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-125dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e@40dB gain 150 ohm source A weighting\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-128dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e@20dB gain 50 ohm source 22-22kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-117dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e@20dB gain 50 ohm source A weighting\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-120dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e@20dB gain 150 ohm source 22-22kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-117dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e@20dB gain 150 ohm source A weighting\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-119dB\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDefault Mode\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e18-64dB, 2dB steps\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRibbon Mode\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e28-74dB, 2dB steps\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGain matching CH1-CH2 over full gain range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e\u0026lt;0.10dB\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePhase deviation @40dB gain 40 ohm source 75Hz-45kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e\u0026lt;3deg\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCrosstalk any channel @40dB gain 1kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-140dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCrosstalk any channel @40dB gain 10kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-130dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCMRR @60dB gain, 3.5Vcm, 1kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e\u0026gt;85dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCMRR @60dB gain, 3.5Vcm, 10kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e\u0026gt;75dB\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePhantom power voltage +48V\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e+\/- 1.0V\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e6.8k ohm resistor match tolerance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e+\/- 0.1%\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum output level 1kHz, 100K ohm load\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e+28dBu\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePeak LED green threshold\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-16dBu Out\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePeak LED red threshold\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e+16dBu Out\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNominal input\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e8100 ohm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInput Ribbon Mode\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e20K ohm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInput pad engaged\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1.3K ohm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e150 ohm\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2.1kg\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e43mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWidth\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e483mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDepth\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e274mm\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Grace Design","offers":[{"title":"Default Title","offer_id":54356826915091,"sku":"340483","price":2136.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/3e2744574882d3e21dfde292de9a5081d572d198_GRACEDESIGN_M201MK2.jpg?v=1787302334"},{"product_id":"grace-design-a908-dl-card-351817","title":"A908 DL Card","description":"\u003ch3\u003eAn Option Designed to Integrate the m908 at the Heart of Pro Tools HD Rigs\u003c\/h3\u003e\u003cp\u003eThe DigiLink A908DL is an optional module designed to add DigiLink connectivity to the Grace Design m908 monitoring controller. The idea is simple: to allow the m908 to naturally fit into a Pro Tools HDX or Pro Tools HD Native environment, exhibiting behavior compatible with the working habits of studios equipped with HD. Specifically, the m908 \u003cstrong\u003eemulates two Avid HD I\/O interfaces\u003c\/strong\u003e, which facilitates implementation in an existing setup without requiring a complete overhaul of cabling or sessions.\u003c\/p\u003e\u003cp\u003eAnother important point for installed setups: this option is \u003cstrong\u003eavailable for both new and existing units\u003c\/strong\u003e. You can therefore upgrade an m908 already in place to DigiLink integration while retaining your calibration methods and monitoring workflows.\u003c\/p\u003e\u003ch3\u003eWho This Module Is For and In Which Applications It Makes a Difference\u003c\/h3\u003e\u003cp\u003eThis module is aimed at studios and control rooms that want to maintain an \"HD\" audio stream directly recognized by a Pro Tools HDX or HD Native system, while benefiting from the central role of the m908 in monitoring. It is particularly suitable for environments where configuration stability and quick recall are important: post-production, mixing, mastering, broadcast, or music studios working with multiple engineers and varied sessions.\u003c\/p\u003e\u003cp\u003eIf you use Pro Tools as your main workstation and are looking for a dedicated DigiLink bridge, the A908DL allows positioning the m908 as a coherent element in the chain. You keep a clear architecture between the production side (session, stems, returns) and the monitoring control side, with a familiar connection format for HD installations.\u003c\/p\u003e\u003ch3\u003eDigiLink Connectivity: Integration, Channels, and High Resolution\u003c\/h3\u003e\u003ch4\u003e32 I\/O Channels via Mini DigiLink\u003c\/h4\u003e\u003cp\u003eThe DigiLink A908DL provides \u003cstrong\u003e32 input and output channels\u003c\/strong\u003e from a Pro Tools HDX or Pro Tools HD Native system. Thanks to its \u003cstrong\u003etwo Mini DigiLink ports\u003c\/strong\u003e (Primary and Expansion), the module integrates into a chaining and channel assignment logic expected in Pro Tools HD configurations. This approach is especially useful when you want to maintain a clean, documented topology that is easy to maintain daily.\u003c\/p\u003e\u003ch4\u003eUp to 192 kHz for Demanding Sessions\u003c\/h4\u003e\u003cp\u003eThe module supports a \u003cstrong\u003esampling rate up to 192 kHz\u003c\/strong\u003e. This allows staying aligned with high-definition sessions, whether for critical mixing, fine transient processing, or deliverables requiring high-resolution capture. In a modern control room, this flexibility avoids compromises when multiple projects with different standards follow one another.\u003c\/p\u003e\u003ch4\u003eReliability, Longevity, and Manufacturing\u003c\/h4\u003e\u003cp\u003eIn professional contexts, longevity and traceability matter as much as performance. The DigiLink A908DL benefits from a \u003cstrong\u003efive-year transferable warranty\u003c\/strong\u003e covering parts and labor, which secures the investment, including in case of resale or equipment mobility between sites. Finally, the module is \u003cstrong\u003emade in the USA\u003c\/strong\u003e, a point appreciated in many studios for manufacturing consistency and product support.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e32\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSampling rate\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eup to 192 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWarranty\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efive years transferable, parts and labor\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e2 Mini DigiLink ports\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePrimary and Expansion\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eManufacturing\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eUSA\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Grace Design","offers":[{"title":"Default Title","offer_id":54357829288211,"sku":"351817","price":654.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/35b549a2a31be957f7b15bdf348f3f6b919888c5_GRACE_DESIGN_A908DL.jpg?v=1789356646"},{"product_id":"grace-design-m108-214559","title":"M108","description":"\u003ch3\u003eAn 8-Channel Solution Designed for Modern Production Environments\u003c\/h3\u003e\u003cp\u003eDesigned to integrate at the heart of a studio or stage, this preamp\/converter combines an ultra-quiet gain topology with high-resolution conversion. The high-contrast OLED screen facilitates reading and settings adjustment even in low-light conditions, while fan cooling ensures stability during long sessions.\u003c\/p\u003e\u003ch3\u003eWho Is It For and What Are Its Uses?\u003c\/h3\u003e\u003cp\u003eIdeal for professional studios, broadcast, and multichannel live recording, it excels on demanding sources: acoustic ensembles, vocals, ambient recordings, or instruments with wide dynamic range. Remote control allows placing the unit close to microphones, reducing cable lengths and optimizing signal-to-noise ratio, while managing gain and routing from the control room.\u003c\/p\u003e\u003ch3\u003eKey Features for an Uncompromising Workflow\u003c\/h3\u003e\u003ch4\u003ePre-amplification and Headroom\u003c\/h4\u003e\u003cp\u003eEach channel offers a wide gain range from -8 to 74 dB to precisely adjust levels, from ribbon microphones to the most sensitive condensers. Front-panel high-impedance inputs facilitate direct instrument connection without additional boxes.\u003c\/p\u003e\u003ch4\u003e192 kHz Conversion and Synchronization\u003c\/h4\u003e\u003cp\u003eThe conversion section ensures faithful reproduction up to 192 kHz. The \u003cstrong\u003eWord Clock\u003c\/strong\u003e input\/output guarantees solid synchronization with the rest of the digital setup, whether working with AES, ADAT, or via \u003cstrong\u003eUSB Class 2\u003c\/strong\u003e.\u003c\/p\u003e\u003ch4\u003eControl and Network Integration\u003c\/h4\u003e\u003cp\u003eBesides local control, the device can be controlled via RS485\/RS422\/MIDI (m802 RCU remote control or Pro Tools integration) and through the \u003cstrong\u003eRJ45\u003c\/strong\u003e network. An optional \u003cstrong\u003eAudinate\/DANTE\u003c\/strong\u003e slot provides access to audio-over-IP transport for large-scale configurations.\u003c\/p\u003e\u003ch4\u003eLow-Latency Reference Monitoring\u003c\/h4\u003e\u003cp\u003eThe built-in headphone amplifier, powered by a dedicated D\/A converter, offers direct monitoring of a pair of channels or computer playback with minimal latency, ideal for musicians and recording engineers.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e8\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWide gain range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-8 to 74 dB\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Grace Design","offers":[{"title":"Default Title","offer_id":54358089498899,"sku":"214559","price":4258.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/2766201bb12f7e4f56f1d38059d0419a9f1c4e07_GRACE_M108_33cdc217-f256-47b7-b8fa-bb278d35ec5e.jpg?v=1787336640"},{"product_id":"grace-design-m101-185003","title":"M101","description":"\u003ch3\u003eGrace Design m101: The \"studio precision\" approach in a compact format\u003c\/h3\u003eTrue to \u003cstrong\u003eGrace Design\u003c\/strong\u003e's tradition of quality, the \u003cstrong\u003em101\u003c\/strong\u003e carries the brand's DNA: amplification that is fast, musical, and extremely controlled, designed to respect the source rather than color it. Its \u003cstrong\u003etransformerless symmetrical trans-impedance\u003c\/strong\u003e circuit aims for extended bandwidth, high dynamic reserve, and clean reproduction, capable of highlighting both a high-end condenser microphone and a dynamic microphone used up close.\u003cbr \/\u003eWithin the lineup, the m101 positions itself as a highly qualitative \u003cstrong\u003emono microphone preamplifier\u003c\/strong\u003e, designed for sound engineers, demanding home studio users, and musicians who want a \"ready-to-mix\" recording: precise, stable, and noise-free. The unit is housed behind a \u003cstrong\u003eblack anodized metal front panel\u003c\/strong\u003e with laser-etched lettering, and each essential function features its own \u003cstrong\u003eLED indicator\u003c\/strong\u003e for immediate monitoring, even in a dark booth.\u003cbr \/\u003e\u003ch3\u003eA microphone preamp for serious recording: vocals, acoustic instruments, reamping, and DI\u003c\/h3\u003eThe Grace Design m101 is aimed at those seeking a \u003cstrong\u003estudio microphone preamp\u003c\/strong\u003e capable of capturing nuance: pick attacks, vocal breaths, snare drum transients, or the harmonic richness of a piano. Its wide gain range and clean operation make it a relevant choice for low-level recordings, low-sensitivity microphones, or recording chains where preserving intact dynamics is essential.\u003cbr \/\u003eIt also features a \u003cstrong\u003efront-panel Hi-Z input\u003c\/strong\u003e, convenient for plugging in a guitar, bass, or electro-acoustic directly. This is a simple solution for recording a clean DI, laying down a demo, or capturing an instrument signal before processing, while benefiting from the quality of the input stage and the stability of the internal power supply.\u003cbr \/\u003e\u003ch3\u003eKey features: precise gain, secure ribbon mode, and studio connectivity\u003c\/h3\u003e\u003ch4\u003eTrans-impedance architecture and selected components\u003c\/h4\u003eThe signal path uses high-quality \u003cstrong\u003emetal film resistors\u003c\/strong\u003e (0.5% tolerance) to ensure exemplary consistency and repeatability. Gain adjustment is handled by a \u003cstrong\u003e12-position precision rotary switch\u003c\/strong\u003e with gold contacts: ideal for recalling settings, making quick comparisons, or matching levels from session to session. The m101 also integrates a \u003cstrong\u003eline output stage\u003c\/strong\u003e and a high-performance \u003cstrong\u003ehigh-pass filter amplifier\u003c\/strong\u003e, designed to remain transparent while being effective in the field.\u003cbr \/\u003e\u003ch4\u003eSpecific \"ribbon microphone\" mode: designed for safety and performance\u003c\/h4\u003eThe m101 includes a \u003cstrong\u003ededicated ribbon microphone mode\u003c\/strong\u003e (also excellent with many dynamic microphones). This mode bypasses the input coupling capacitors, \u003cstrong\u003eincreases input impedance\u003c\/strong\u003e (from \u003cstrong\u003e8.1 kOhms\u003c\/strong\u003e to \u003cstrong\u003e20 kOhms\u003c\/strong\u003e), and \u003cstrong\u003edisables 48 V phantom power\u003c\/strong\u003e to avoid any potential risk to ribbon microphones. The result: safer use and an electrical adaptation often beneficial for achieving a more open response and tighter bass depending on the microphone used.\u003cbr \/\u003e\u003ch4\u003eLevel management, RF protection, and multiple outputs\u003c\/h4\u003eThe \u003cstrong\u003egain range\u003c\/strong\u003e extends up to \u003cstrong\u003e75 dB\u003c\/strong\u003e, including an additional \u003cstrong\u003e10 dB\u003c\/strong\u003e via the output gain \u003cstrong\u003eTRIM\u003c\/strong\u003e control. This provides comfortable headroom for handling very weak sources without pushing your chain to its limits. The m101 also benefits from \u003cstrong\u003eenhanced RF interference suppression\u003c\/strong\u003e, useful in busy environments (computers, lighting, stage, complex electrical installations).\u003cbr \/\u003eFor studio integration, the connectivity is designed to fit all setups: \u003cstrong\u003ebalanced XLR output\u003c\/strong\u003e, \u003cstrong\u003ebalanced 6.35 mm stereo jack output\u003c\/strong\u003e, and \u003cstrong\u003eunbalanced 6.35 mm mono jack output\u003c\/strong\u003e, plus a \u003cstrong\u003eXLR microphone input\u003c\/strong\u003e. Switching to the Hi-Z input is handled by a \u003cstrong\u003esealed gold-contact relay\u003c\/strong\u003e. Finally, the preamp features an \u003cstrong\u003einternal universal switching power supply\u003c\/strong\u003e (100 to 240 VAC) designed to remain discreet and noise-free, with no external power adapter to manage.\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNew specific mode for ribbon microphones (also excellent for dynamic microphones)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ebypass of phantom power coupling capacitors via relay, higher input impedance, and phantom power 48 V cannot be activated\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eExtended gain range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e10 to 75 dB (including an additional 10 dB gain via output TRIM)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGain range (5 dB steps)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e10-65 dB (Mic Input), -10 to 45 dB (Hi-Z Input)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutput level adjustment\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e0 to +10 dB\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eThree output connectors\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ebalanced XLR, balanced 6.35 mm stereo jack, and unbalanced 6.35 mm mono jack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInternal universal switching power supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e100 to 240 VAC (no need for external power adapters)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTotal Harmonic Distortion + Noise\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eNot provided\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eIntermodulation Distortion\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eSMPTE\/DIN 4:1 7 kHz\/50 Hz: Not provided\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInput-referred noise\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eSource 50 ?: Not provided\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePhase drift (high-pass filter disabled)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eNot provided\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Grace Design","offers":[{"title":"Default Title","offer_id":54358319792403,"sku":"185003","price":990.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/22ccf09b9927605f41e6baa7f37487312aabee64_GRACEDESIGN_GDAM101.jpg?v=1787340978"},{"product_id":"grace-design-roxi-376849","title":"Roxi","description":"\u003ch3\u003eA pedal format that transposes console reflexes onto your pedalboard\u003c\/h3\u003e\u003cp\u003eMusicians' and technicians' needs are clear: a \u003cstrong\u003eclean gain\u003c\/strong\u003e, \u003cstrong\u003eimmediate tonal control\u003c\/strong\u003e, and \u003cstrong\u003ereliable connectivity\u003c\/strong\u003e without relying on a console channel strip. This microphone preamplifier pedal meets this logic by gathering the key functions of an \"essential\" channel strip into a compact format, ready to integrate into a pedalboard. The goal is simple: keep control of your sound, whether you feed a PA via DI or an amp via dedicated output, while maintaining a fast and reproducible stage workflow.\u003c\/p\u003e\u003ch3\u003eWho is it for and what are the uses?\u003c\/h3\u003e\u003cp\u003eThis pedal is aimed at \u003cstrong\u003esingers\u003c\/strong\u003e, \u003cstrong\u003ebacking vocalists\u003c\/strong\u003e, \u003cstrong\u003ebeatboxers\u003c\/strong\u003e, speakers, and any musician using a microphone on stage (including acoustic instruments miked with a microphone). It is also suitable for hybrid setups where you want to send a \u003cstrong\u003eDI XLR\u003c\/strong\u003e signal to the front of house while keeping a separate \u003cstrong\u003eAMP\u003c\/strong\u003e output for a monitor, stage amp, or effects chain.\u003c\/p\u003e\u003cp\u003eIn practice, you can use it as a \u003cstrong\u003efront-end\u003c\/strong\u003e before a multi-effects unit, a reverb\/delay in the loop, or as a sound safety tool: filter the lows, EQ, control the level with the Boost, and quickly manage effect activation thanks to the \u003cstrong\u003eFX Mute\u003c\/strong\u003e. The \u003cstrong\u003eTuner output\u003c\/strong\u003e facilitates integrating a tuner into a rig where you want to maintain a clean monitoring line.\u003c\/p\u003e\u003ch3\u003eSound control and integration: the functions that make the difference\u003c\/h3\u003e\u003ch4\u003eMicrophone preamplification and +48 V phantom power\u003c\/h4\u003e\u003cp\u003eThe heart of the pedal is a \u003cstrong\u003emicrophone preamp\u003c\/strong\u003e designed to bring your signal to a usable level while remaining practical to operate by foot. The \u003cstrong\u003e+48 V phantom power\u003c\/strong\u003e opens the door to condenser microphones, highly appreciated for their precision and dynamics, especially on vocals or certain acoustic instrument recordings. The \u003cstrong\u003ecombined XLR\/6.3 mm Jack input\u003c\/strong\u003e allows easy switching between a microphone source and an instrument source, simplifying stage changes.\u003c\/p\u003e\u003ch4\u003eHigh-pass filter 75 Hz \/ 150 Hz: more clarity, less rumble\u003c\/h4\u003e\u003cp\u003eThe switchable high-pass filter at \u003cstrong\u003e75 Hz\u003c\/strong\u003e or \u003cstrong\u003e150 Hz\u003c\/strong\u003e helps clean up the low end depending on the situation. At 75 Hz, you retain more body while eliminating stage vibrations and handling noise. At 150 Hz, you get a more radical treatment, useful to reduce proximity effect, limit plosives, or gain headroom before feedback in challenging environments.\u003c\/p\u003e\u003ch4\u003e3-band EQ: quick and effective adjustments\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003e3-band EQ\u003c\/strong\u003e provides essential control to adapt your voice (or instrument) to the sound system and overall mix. Whether to brighten intelligibility, tame harshness in the upper mids, or add warmth, the 3-band format remains the best compromise between precision and speed in a live context. Combined with the high-pass filter, this EQ allows creating a more stable and \"mix-ready\" sound right out of the pedal.\u003c\/p\u003e\u003ch4\u003eEffects loop with FX Mix and FX Mute footswitch\u003c\/h4\u003e\u003cp\u003eThe pedal integrates an \u003cstrong\u003eeffects loop\u003c\/strong\u003e with \u003cstrong\u003eFX Send\/Return\u003c\/strong\u003e on 6.3 mm Jack, ideal for inserting delay, reverb, modulation, or harmonizer without degrading input level coherence. The \u003cstrong\u003eFX Mix\u003c\/strong\u003e control lets you precisely dose the amount of effect in your signal, a crucial point to preserve vocal articulation. Additionally, the \u003cstrong\u003eFX Mute\u003c\/strong\u003e function via footswitch is particularly useful to instantly cut effects between songs, avoid unwanted reverb tails, or keep speech clear between tracks.\u003c\/p\u003e\u003ch4\u003eVariable Boost and phase inverter: level control and compatibility\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003evariable Boost circuit\u003c\/strong\u003e is used to highlight a passage, compensate for a level drop, or adapt the signal to a downstream chain (effects, amp, console). The \u003cstrong\u003ephase inverter\u003c\/strong\u003e is a discreet but valuable tool: it can help correct phase issues depending on cabling, interaction with an amp, or complex pickup and monitor configurations.\u003c\/p\u003e\u003ch4\u003eUniversal internal power supply and external block option\u003c\/h4\u003e\u003cp\u003eFor stage and touring, the pedal offers a \u003cstrong\u003e100 - 240 V internal power supply\u003c\/strong\u003e, convenient to limit adapters and secure the setup. It also features a \u003cstrong\u003econnection for an external 9 V \/ 500 mA power supply block\u003c\/strong\u003e, useful if you standardize your pedalboard power supply.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e3 channels\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSwitchable high-pass filter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e75 Hz or 150 Hz\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions (W x H x D)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e139.7 x 76.2 x 157.5 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1.45 kg\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Grace Design","offers":[{"title":"Default Title","offer_id":54359346938131,"sku":"376849","price":1065.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/ac2b7ee5b4174106aa7338d6d5cebde434103822_GD_ROXI.jpg?v=1787358175"},{"product_id":"grace-design-a908-ravena-card-328942","title":"A908 Ravena Card","description":"\u003ch3\u003eA Network Expansion Designed to Evolve the M908\u003c\/h3\u003e\u003cp\u003eThe optional RAVENA card was developed to extend the capabilities of the M908 monitoring controller towards networked audio architectures. Its purpose is clear: to offer a high-performance gateway between the M908's reference monitoring and modern infrastructures based on audio-over-IP, while maintaining a reliability- and longevity-oriented approach for fixed installations.\u003c\/p\u003e\u003ch3\u003eIntended Uses and Profiles\u003c\/h3\u003e\u003cp\u003eThis option is aimed at production and post-production studios, broadcast control rooms, as well as immersive or multi-room installations that need to transport multiple audio streams without multiplying physical connections. Thanks to its two Gigabit Ethernet ports, it facilitates interconnection with an existing network and integration of RAVENA-compatible devices, favoring clean channel distribution and more flexible routing management than traditional audio cabling.\u003c\/p\u003e\u003ch3\u003eNetwork Connectivity, Conversion, and High-Resolution Workflows\u003c\/h3\u003e\u003cp\u003eWith this card, the M908 can exchange up to 32 channels over the network, relying on RAVENA AES67 conversion for both input and output. This allows connection to converters, interfaces, matrices, recording or broadcast systems that are compatible, and enables building a modular environment where the network becomes the backbone of audio exchanges.\u003c\/p\u003e\u003ch4\u003eTwo Gigabit Ethernet Ports for More Robust Integration\u003c\/h4\u003e\u003cp\u003eThe presence of two Gigabit Ethernet ports provides appreciated flexibility in professional environments: integration into an existing infrastructure, simplification of connections between devices, or implementation of more structured interconnection scenarios. In all cases, the goal remains the same: network connectivity adapted to the constraints of stability and service continuity.\u003c\/p\u003e\u003ch4\u003eUp to 192 kHz: Precision, Transparency, and Headroom\u003c\/h4\u003e\u003cp\u003eSupport for sampling rates up to 192 kHz targets demanding workflows, whether for post-production, critical editing, or monitoring chains where conversion and distribution must stay as close as possible to the signal. This high resolution also offers comfortable headroom for varied projects, while remaining consistent with a high-end monitoring logic.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e32\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSampling rate\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eup to 192 kHz\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Grace Design","offers":[{"title":"Default Title","offer_id":54360208572691,"sku":"328942","price":912.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/da9e5eb62ef34cfa904e655ff28aaf002a7994d1_GRACE_DESIGN_M908_RAVENA.jpg?v=1789390976"},{"product_id":"grace-design-m103-channel-strip-184960","title":"M103 Channel Strip","description":"\u003ch3\u003eFrom \"pure\" preamp to modern channel: the place of the m103 in a recording chain\u003c\/h3\u003e\u003cp\u003eThe m103 was designed as a preamplification channel in the true sense: a tool that starts with a proven transformerless microphone preamp, then adds musical equalization and highly faithful compression. The goal is not to \"color at all costs,\" but to offer dynamics, detail, and precision that fully respect the source and the quality of your high-fidelity recorder.\u003c\/p\u003e\u003cp\u003eThis approach explains its philosophy: optimized stages, components chosen for the audio path, and ergonomics oriented toward sound capture. The m103 positions itself as a unique front-end capable of transitioning from the most transparent possible capture to fine control of the spectrum and dynamics, without losing the signal's liveliness.\u003c\/p\u003e\u003ch3\u003eFor whom and for what uses: voice recording, instruments, and hybrid mixing\u003c\/h3\u003e\u003cp\u003eThe m103 is aimed at demanding home studios, recording studios, and sound engineers who want a \"trusted\" channel for tracking. It is perfectly suited for \u003cstrong\u003evoices\u003c\/strong\u003e (rap, pop, voice-over), \u003cstrong\u003eacoustic guitars\u003c\/strong\u003e, \u003cstrong\u003eoverheads\u003c\/strong\u003e, \u003cstrong\u003estrings\u003c\/strong\u003e, as well as sources with wide dynamics such as certain brass instruments.\u003c\/p\u003e\u003cp\u003eIts \u003cstrong\u003eribbon microphone mode\u003c\/strong\u003e facilitates the use of sensitive microphones in modern environments, while also being very relevant with dynamic microphones when you seek more openness and control. Thanks to input and output options, it can also integrate into a \u003cstrong\u003ehybrid mix\u003c\/strong\u003e workflow: inserting equalization or compression on a track, processing a bus, or using one of the sections independently according to your routing.\u003c\/p\u003e\u003ch3\u003eKey features: speed, musicality, and total control of the audio path\u003c\/h3\u003e\u003ch4\u003eTrans-impedance preamplification: precision, headroom, and immediacy\u003c\/h4\u003e\u003cp\u003eAt the heart of the m103, the trans-impedance microphone preamp architecture is designed to be \u003cstrong\u003efast\u003c\/strong\u003e, \u003cstrong\u003emusical\u003c\/strong\u003e, and rich in detail. The design emphasizes signal purity, with 0.5% tolerance metal film resistors in the audio path to ensure coherence and stability. The \u003cstrong\u003enew 12-position rotary gain selector\u003c\/strong\u003e with gold contacts enhances the reproducibility of settings, a real advantage when recalling a session or working in stereo.\u003c\/p\u003e\u003cp\u003eTo better control the source capture, you have a \u003cstrong\u003e75 Hz high-pass filter\u003c\/strong\u003e and a switchable \u003cstrong\u003e48 V phantom power supply\u003c\/strong\u003e. The line output stage and high-pass filter amplifier are specified as high-performance to maintain stable and clear reproduction, even when the session becomes dense.\u003c\/p\u003e\u003ch4\u003e3-band equalizer: parallel tuning architecture and musical curves\u003c\/h4\u003e\u003cp\u003eThe equalization is based on a single-stage \u003cstrong\u003eparallel tuning\u003c\/strong\u003e architecture, designed to limit circuits and maintain natural correction. The mid section offers a \u003cstrong\u003efully parametric\u003c\/strong\u003e adjustment to precisely target a resonance, enhance vocal presence, or scoop out a problematic area. The bass and treble bands combine \u003cstrong\u003eBaxandall-type\u003c\/strong\u003e and bell-shaped behaviors to switch from broad and gentle shaping to more focused intervention, always with a musical intent.\u003c\/p\u003e\u003ch4\u003eOptical compression: from transparency to assertive control\u003c\/h4\u003e\u003cp\u003eThe m103's compression relies on an \u003cstrong\u003eoptical attenuator\u003c\/strong\u003e, chosen for its smooth and faithful way of managing gain. The circuit is specified to handle a wide range of attenuation, including heavier compressions, while maintaining \u003cstrong\u003etransparency\u003c\/strong\u003e and \u003cstrong\u003esonic neutrality\u003c\/strong\u003e. The goal is clear: stabilize the level, tame transients, and deliver a homogeneous signal while preserving liveliness and timbral integrity.\u003c\/p\u003e\u003ch4\u003eStudio routing and operation: accessible sections and switchable order\u003c\/h4\u003e\u003cp\u003eThe m103 goes beyond a simple \"all-in-one\" channel strip. The input and output options allow independent access to the equalization and compression \u003cstrong\u003esections\u003c\/strong\u003e, and the \u003cstrong\u003eposition of the EQ and compression in the signal path is switchable\u003c\/strong\u003e. 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The goal remains the same: when the source is good, the microphone is well chosen and well placed, the preamp should not \"impose\" a signature but transmit the information with precision. In a modern environment where 500 series racks allow you to build a custom signal chain, the m501 brings this high-fidelity approach in a compact module, easy to integrate into a recording or reamping\/DI setup.\u003c\/p\u003e\u003ch3\u003eA preamp for demanding recordings, from home studios to professional studios\u003c\/h3\u003e\u003cp\u003eIf you are looking for a \"musical\" microphone preamplifier without aggressive magnification effects or artificial coloration, the m501 is an excellent choice for vocals, acoustic instruments, ensemble recordings, overheads, strings, or any situation where dynamics and timbre must remain natural. Its substantial gain reserve also facilitates working with low-output dynamic microphones, while the ribbon mode secures the use of vintage or modern ribbon microphones. Finally, the Hi-Z input allows direct recording of bass or guitar, with appropriate impedance and reliable relay switching.\u003c\/p\u003e\u003ch3\u003eTransparency, control, and innovations serving the recording process\u003c\/h3\u003e\u003ch4\u003eFast and stable design made to keep the signal intact\u003c\/h4\u003e\u003cp\u003eThe m501 is based on a \u003cstrong\u003etransformerless symmetrical design\u003c\/strong\u003e and a trans-impedance amplifier architecture, designed to respond quickly to transients and maintain a clean sonic image. 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Result: you protect the microphone and also optimize compatibility with certain dynamic or ribbon microphones that appreciate a higher load, for more stable low end and a more natural \"breathing\" sensation.\u003c\/p\u003e\u003ch4\u003eLess interference, more confidence\u003c\/h4\u003e\u003cp\u003eIn the studio as well as in dense installations (multiple power supplies, lighting, networks, RF), the \u003cstrong\u003eenhanced HF interference suppression\u003c\/strong\u003e helps maintain a clean noise floor. With its LED indicators (phantom power, ribbon mode, high-pass filter) and black anodized front panel with laser etching, the m501 is designed for intensive daily use.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emicrophone preamp\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSpecific mode for ribbon microphones (also excellent for dynamic microphones)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003erelay bypass of phantom power coupling capacitors, higher input impedance, and prevention of 48 V phantom power activation\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLED indicators\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e48 V phantom power, ribbon microphone mode, high-pass filter\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eThree output connectors\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ebalanced XLR, balanced 6.35 mm stereo jack, and unbalanced 6.35 mm mono jack\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Grace Design","offers":[{"title":"Default Title","offer_id":54361311052051,"sku":"185022","price":883.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/2069159f24ab1b339387d12e3114fee4bcbbfc0c_GRACEDESIGN_GDAM501.jpg?v=1788779674"},{"product_id":"grace-design-m801-mk2-184835","title":"M801 MK2","description":"\u003ch3\u003eFrom the \"801\" to the \"M801mk2\": a lineage that has become a studio standard\u003c\/h3\u003e \u003cbr \/\u003eLaunched in 1995, the \"801\" laid the foundation for an elite 8-channel preamp, followed twelve years later by the \"M801\". Twenty years after the original, the \"M801mk2\" generation raises the bar again, maintaining the legendary neutrality of the series while improving stability, linearity, and ease of integration into modern studios. \u003cbr \/\u003e\u003ch3\u003eWho is it for and what are its uses?\u003c\/h3\u003e \u003cbr \/\u003eDesigned for demanding studios, the \"M801mk2\" excels on vocals, drums, acoustic ensembles, and multi-mic sessions. Its wideband response and controlled phase make it ideal when a faithful capture is desired before any processing, especially with high-end converters and digital audio workstations. \u003cbr \/\u003e\u003ch3\u003eWhat has changed and what makes the difference in recording\u003c\/h3\u003e \u003cul\u003e \u003cli\u003e\u003cstrong\u003eReduced noise at low gain\u003c\/strong\u003e for clean recordings even on powerful sources.\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eExtended low-frequency bandwidth\u003c\/strong\u003e for a deeper foundation without pumping.\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eImproved phase response\u003c\/strong\u003e for clearer stereo and multichannel imaging.\u003c\/li\u003e \u003cli\u003e\u003cstrong\u003eIntegrated power supply\u003c\/strong\u003e: no more external DC supply, cleaner and simpler design.\u003c\/li\u003e \u003c\/ul\u003e \u003cbr \/\u003e\u003ch4\u003eRedesigned amplification topology\u003c\/h4\u003e \u003cbr \/\u003eThe new architecture minimizes distortion (down to \u003cstrong\u003e\u0026lt; 0.0004%\u003c\/strong\u003e), maximizes CMRR, and ensures dynamic headroom that preserves transients, even on dense recordings with high output levels. \u003cbr \/\u003e\u003ch4\u003eHeadroom, bandwidth, and temporal coherence\u003c\/h4\u003e \u003cbr \/\u003eWith +28 dBu maximum level and a response extending from infrasonic lows to very high highs, the \"M801mk2\" captures the source as it is, maintaining phase coherence that facilitates multi-mic mixing.\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e8\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNominal mode power consumption (Wh)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e40 W\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAt 20 dB gain, +\/- 3 dB, 150-ohm source\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e3.2 Hz - 530 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAt 20 dB gain, +\/- 0.2 dB, 150-ohm source\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e14.8 Hz - 109 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAt 40 dB gain, +\/- 3 dB, 150-ohm source\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e3.2 Hz - 500 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAt 40 dB gain, +\/- 0.2 dB, 150-ohm source\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e15.4 Hz - 103 kHz\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGain 20 dB, output +20 dBu, 1 kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e\u0026lt; 0.0004%\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGain 40 dB, output +20 dBu, 1 kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e\u0026lt; 0.0008%\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGain 60 dB, output +20 dBu, 1 kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e\u0026lt; 0.0070%\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSMPTE\/DIN 1:1 (50 Hz\/7 kHz)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e\u0026lt; 0.0015%\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSMPTE\/DIN 4:1 (50 Hz\/7 kHz)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e\u0026lt; 0.0020%\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e50-ohm source\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-130 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e150-ohm source\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-127 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e600-ohm source\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-123 dB\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e100 Hz - 20 kHz, 40 dB gain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e\u0026lt; 3 degrees\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAt 1 kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-140 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAt 10 kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-130 dB\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNominal voltage 48 V\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e+0.9 \/ -0.0 V\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTolerance under 6.8 kOhm load\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e+\/- 0.1%\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAt 1 kHz, 100 kOhm load\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e+28 dBu\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e8,100 ohms\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInput (ribbon mic mode)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e20 kOhms\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e150 ohms\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2 rack units\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWidth\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e19 inches (rack)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDepth\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e25.4 cm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e5.9 kg\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e100-240 V AC, 50\/60 Hz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e40 W max.\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEON Warranty\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e20 years\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Grace Design","offers":[{"title":"Default Title","offer_id":54361608814867,"sku":"184835","price":4980.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/c5bb44eb811db900b010464d7022c8c8e2e9217c_GRACEDESIGN_M801MK2.jpg?v=1787435082"}],"url":"https:\/\/woodbrass.shop\/collections\/peripheriques-studio-grace-design.oembed","provider":"Woodbrass.com","version":"1.0","type":"link"}