{"title":"Manley Studio Gear","description":null,"products":[{"product_id":"manley-core-167769","title":"Core","description":"\u003ch3\u003eA Concentrate of Manley DNA at the Heart of a Modern Chain\u003c\/h3\u003e\u003cp\u003eWith the CORE, Manley Labs leverages over 25 years of experience in recording gear favored by demanding studios. The idea is simple: gather the essentials of the Manley \"lineage\" into a coherent \u003cstrong\u003echannel strip\u003c\/strong\u003e without unnecessarily complicating the ergonomics. You get the character of the brand's tube architectures while benefiting from a product designed as a \u003cstrong\u003enerve center\u003c\/strong\u003e for recording: quick to master, reliable, and tailored to deliver flattering sound right from the source.\u003c\/p\u003e\u003ch3\u003eWho Is It For and What Are Its Uses?\u003c\/h3\u003e\u003cp\u003eThe Manley CORE targets sound engineers, producers, and musicians who want a \u003cstrong\u003epremium recording chain\u003c\/strong\u003e to capture vocals, guitars, basses, keyboards, or line sources with true analog personality. Whether in a high-end home studio or professional studio, it is especially relevant if you're looking for a \"mix-ready\" capture: substance, depth, and controlled dynamics without losing the sense of space.\u003c\/p\u003e\u003cp\u003eIts intuitive approach also suits sessions where speed is essential (vocal takes, overdubs, day-long recordings): less time adjusting, more time recording. And thanks to its high headroom, the CORE handles powerful performances, high-output microphones, or instruments with sharp transients with ease.\u003c\/p\u003e\u003ch3\u003eKey Features: Musicality, Headroom, and Studio Workflow\u003c\/h3\u003e\u003ch4\u003eClass A Tube Preamplification: Dynamic Without Harshness\u003c\/h4\u003e\u003cp\u003eAt the heart of the CORE, the tube amplification stage is based on the \u003cstrong\u003elatest implementation of Manley's famous Class A circuit\u003c\/strong\u003e, derived from the brand's references. The all-triode architecture and \u003cstrong\u003e300 V B+\u003c\/strong\u003e power supply promote a very \"studio\" behavior: lots of air, progressive saturation when pushing gain, and above all a sense of reserve (headroom) that helps keep the signal clean and full. Result: vocals gain presence, instruments thicken, and attacks remain controlled without becoming aggressive.\u003c\/p\u003e\u003ch4\u003eManley IRON Input Transformer: The Sonic Foundation\u003c\/h4\u003e\u003cp\u003eThe signal passes through the \u003cstrong\u003ehand-wound Manley IRON input transformer\u003c\/strong\u003e. This is a key element of the signature: it provides harmonic density and a solid low-mid foundation while maintaining clear definition. This carefully crafted input allows you to get the best out of condenser and dynamic microphones alike, giving sources a more \"finished\" sound right at capture.\u003c\/p\u003e\u003ch4\u003eErgonomics Designed for Recording, Not Getting Lost\u003c\/h4\u003e\u003cp\u003eOne of the CORE's strengths is its philosophy: a clear front panel, carefully selected controls, and a circuit described as \u003cstrong\u003emusical and flattering\u003c\/strong\u003e. The goal is to reduce the risk of poor settings and make recording enjoyable, even when quick decisions are needed. In practice, this translates into a coherent chain where the sound remains enhancing, whether for intimate vocal takes or more energetic sources.\u003c\/p\u003e\u003ch4\u003eStudio Connectivity and Insert Point: Easy Integration into Your Chain\u003c\/h4\u003e\u003cp\u003eThe CORE offers \u003cstrong\u003ebalanced mic and line inputs\u003c\/strong\u003e on XLR, as well as a front-panel instrument input on a \u003cstrong\u003e6.35 mm jack\u003c\/strong\u003e to plug in a guitar or bass directly. An \u003cstrong\u003einsert point\u003c\/strong\u003e is also available between the mic preamp and the EQ \/ limiter section via \u003cstrong\u003e6.35 mm jack\u003c\/strong\u003e: ideal for inserting external processing (de-esser, additional EQ, specialized compressor) while maintaining clean routing logic. On the output side, you have a direct balanced XLR output (after the preamp and compressor section) and a main balanced XLR output, facilitating parallel recording workflows, safety copies, or sending to different recording paths.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ePreamp\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e3 channels\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eValve\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eYes\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":54356543832339,"sku":"167769","price":2680.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/9bed7aa8b6c0937efd91c23cb3b9b6bd34ad2883_MANLEY_CORE.jpg?v=1787299114"},{"product_id":"manley-variable-mu-30th-anniversary-402325","title":"Variable MU 30th Anniversary","description":"\u003ch3\u003eA Manley Legend, Revisited for 30 Years of Variable Mu\u003c\/h3\u003e\u003cp\u003eBorn in the Chino workshop, the \u003cstrong\u003eManley Stereo Variable Mu\u003c\/strong\u003e has become a standard in \u003cstrong\u003etube dynamic processing\u003c\/strong\u003e on stereo buses, prized for its dense compression, silky high end, and ability to \"finish\" a mix with an immediately recognizable signature. This \u003cstrong\u003especial limited edition T-Bar XXX\u003c\/strong\u003e celebrates three decades of the unit by pushing further what made its reputation: the musicality of a Variable Mu, but with increased headroom when seeking \u003cstrong\u003ehard limiting\u003c\/strong\u003e and exemplary transient control.\u003c\/p\u003e\u003ch3\u003eWho This Variable Mu Is For and Its Intended Uses\u003c\/h3\u003e\u003cp\u003eThis tube compressor limiter is aimed at engineers and producers who want a high-end \u003cstrong\u003ebus tool\u003c\/strong\u003e, equally credible in \u003cstrong\u003emixing\u003c\/strong\u003e and \u003cstrong\u003emastering\u003c\/strong\u003e. On a stereo master, it excels at adding cohesion, depth, and a \"finished record\" feel without stiffening the image. On subgroups (drums bus, instruments, stems), it adds organic glue and harmonic thickness typical of tube circuits, while remaining precise enough for moderate compression settings.\u003c\/p\u003e\u003cp\u003eThe presence of both a \u003cstrong\u003eCompressor\u003c\/strong\u003e mode and a \u003cstrong\u003eLimiter\u003c\/strong\u003e mode covers two philosophies: on one hand, softer compression ideal for glue and roundness; on the other, more energetic peak control useful when stabilizing a dense mix or boosting perceived loudness without losing the elegance of high-end analog.\u003c\/p\u003e\u003ch3\u003eWhat the T-Bar XXX Version Brings: Extended Limiting and Smoother Behavior\u003c\/h3\u003e\u003ch4\u003eThe T-Bar XXX Mod: Further Gain Reduction Without Harshness\u003c\/h4\u003e\u003cp\u003eThe hallmark of this edition lies in the \u003cstrong\u003eT-Bar modification\u003c\/strong\u003e incorporating \u003cstrong\u003e4 x 6BA6 tubes\u003c\/strong\u003e. The goal is clear: to make the Variable Mu \u003cstrong\u003eeven smoother\u003c\/strong\u003e when compression becomes heavy, especially beyond \u003cstrong\u003e6 dB\u003c\/strong\u003e of gain reduction. Where some compressors might tighten up or \"clamp\" the image, this version aims for more extreme limiting while preserving a sense of texture and continuity, highly sought after in \u003cstrong\u003ebus compression\u003c\/strong\u003e and \u003cstrong\u003emix finishing\u003c\/strong\u003e.\u003c\/p\u003e\u003ch4\u003eA Tube Choice Designed for Consistency and Musicality\u003c\/h4\u003e\u003cp\u003eIn line with this revision, the use of \u003cstrong\u003ematched 6BA6 pentodes wired as triodes\u003c\/strong\u003e addresses a classic issue of historical variants: achieving a stable and coherent result, session after session, with musical response when pushing the unit. The result is controlled dynamics, rich texture, and a more natural compression-to-limiting transition when seeking a deliberate aesthetic.\u003c\/p\u003e\u003ch4\u003eFine Control: Attack, Release, and Sidechain to Shape the Response\u003c\/h4\u003e\u003cp\u003eBetween \u003cstrong\u003einput level\u003c\/strong\u003e, \u003cstrong\u003econtinuous threshold\u003c\/strong\u003e, \u003cstrong\u003eadjustable attack\u003c\/strong\u003e, and \u003cstrong\u003estepped release\u003c\/strong\u003e, the Variable Mu T-Bar XXX allows precise adjustment of the \"pumping\" sensation, density, and low-end sustain. The \u003cstrong\u003esidechain high-pass filter\u003c\/strong\u003e helps prevent a kick or bass from triggering excessive compression, preserving the foundation while keeping the mix stable. Finally, the \u003cstrong\u003eStereo-Link\u003c\/strong\u003e facilitates coherent behavior between channels to maintain a solid stereo image, and the \u003cstrong\u003ehardware bypass per channel\u003c\/strong\u003e enables instant and reliable comparisons.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAdjustable input level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-8 dB to +8 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOperating modes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eLimiter (4:1 to 20:1) or Compressor (1.5:1)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAdjustable attack control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e25 to 70 ms\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMax gain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e35 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e5-step rotary release control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e0.2 to 8 s\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e19-inch \/ 2U\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSidechain high-pass filter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-3 dB at 70 Hz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e7.5 kg\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":54356958871827,"sku":"402325","price":5339.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/b23aaec012cd192db1ad50d1df9c4b99b271d445_MANLEY_VARIABLE_30TH.jpg?v=1789344815"},{"product_id":"manley-elop-228350","title":"Elop+","description":"\u003ch3\u003eFrom the iconic 90s Elop to the Elop+: an evolution designed for contemporary productions\u003c\/h3\u003eHaving become a studio classic since the 1990s, the Manley Elop established itself as a reference stereo optical limiter to add density, stabilize dynamics, and \"glue\" a mix without crushing it. With the \u003cstrong\u003eElop+\u003c\/strong\u003e, Manley goes beyond a cosmetic update: the unit is \u003cstrong\u003efully modernized\u003c\/strong\u003e around a new tube amplification circuit, a new cathode output stage \u003cstrong\u003e\"White Follower\"\u003c\/strong\u003e, and a \u003cstrong\u003eswitchable power supply\u003c\/strong\u003e specifically designed for the demands and stability of tube circuits.\u003cbr \/\u003eThis new version retains the spirit of the original model (optical response, musicality, \"glue\" sensation) while adding a \u003cstrong\u003e3:1 compression\u003c\/strong\u003e option that clearly broadens its range of use: less \"limiter-only,\" more versatile for mix bus, stems, and tracking.\u003cbr \/\u003e\u003ch3\u003eA tube dynamic processor for mix bus, mastering, and high-end tracking\u003c\/h3\u003eThe Manley Elop+ targets sound engineers, producers, and studios seeking a \u003cstrong\u003estereo dynamic processor\u003c\/strong\u003e capable of being both subtle and decisive. On a main bus, it excels at \u003cstrong\u003esolidifying the image\u003c\/strong\u003e, controlling peaks, and providing a sense of cohesion without losing musicality. In mastering (or pre-mastering), it becomes a finishing tool to smooth dynamics and stabilize a track's energy while maintaining an organic sound.\u003cbr \/\u003eDuring tracking, the optical behavior is particularly appreciated on sources that benefit from remaining natural: vocals, bass, guitars, keyboards, overheads, or room mics. The goal is not to \"over-process,\" but to achieve elegant control with a smooth response and an embraced analog texture.\u003cbr \/\u003e\u003ch3\u003eNew features and key functionalities: more control, more stability, always the Manley optical signature\u003c\/h3\u003e\u003ch4\u003eNew full tube audio path and \"White Follower\" output stage\u003c\/h4\u003eThe Elop+ adopts a \u003cstrong\u003enew tube amplification circuit\u003c\/strong\u003e based on \u003cstrong\u003e5751\u003c\/strong\u003e and \u003cstrong\u003e6922\u003c\/strong\u003e triodes, and a cathode output stage \u003cstrong\u003e\"White Follower\"\u003c\/strong\u003e. This architecture aims for a stronger low-end reproduction, better transient control, and an increased sense of depth, while preserving the smooth character typical of a high-end optical limiter.\u003cbr \/\u003e\u003ch4\u003eTwo ratios for two philosophies: 10:1 limiting and 3:1 compression\u003c\/h4\u003eIn \u003cstrong\u003e10:1 limiter mode\u003c\/strong\u003e, the Elop+ acts as a musical safeguard: ideal for containing peaks and gaining perceived density without making the signal harsh. The new \u003cstrong\u003e3:1\u003c\/strong\u003e ratio in compressor mode opens the door to a more gradual approach, perfect for \"setting\" a source, smoothing a group bus, or bringing coherence to a mix without pumping sensation.\u003cbr \/\u003e\u003ch4\u003eSide-chain, stereo, and studio ergonomics\u003c\/h4\u003eThe \u003cstrong\u003eside-chain high-pass filter\u003c\/strong\u003e limits the influence of low frequencies on detection, keeping the bass stable and preventing a kick or bass from triggering excessive gain reduction. The \u003cstrong\u003eStereo Link\u003c\/strong\u003e ensures stereo image coherence by linking the behavior of both channels, an essential feature on the mix bus and stereo sources.\u003cbr \/\u003eThe \u003cstrong\u003eBYPASS\u003c\/strong\u003e and \u003cstrong\u003eAutomute with warm-up time\u003c\/strong\u003e functions integrate naturally into a professional workflow: controlled startup, monitoring protection, and quick A\/B comparisons. The \u003cstrong\u003ebright VU meters\u003c\/strong\u003e provide clear readings of gain reduction and output levels for precise treatment adjustment.\u003cbr \/\u003e\u003ch4\u003eManley IRON transformers and balanced connectivity\u003c\/h4\u003eThe \u003cstrong\u003ebalanced XLR inputs\u003c\/strong\u003e are equipped with matched \u003cstrong\u003eManley IRON\u003c\/strong\u003e transformers, designed to preserve dynamics, manage level with authority, and provide a consistent analog signature. The \u003cstrong\u003ebalanced XLR outputs\u003c\/strong\u003e ensure easy integration into a studio chain, whether for recording, hybrid mixing, or mastering.\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRatio\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e10:1 in limiter mode and 3:1 in compressor mode\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTriodes used\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e5751 and 6922\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCathode output stage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e\u0026quot;White Follower\u0026quot;\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBright VU meters\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003egain reduction and output levels\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":54356987248915,"sku":"228350","price":2999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/5d38a65b78be6a5dc9e2b22a52618d5ae6199b18_MANLEY_ELOP_PLUS.jpg?v=1787306668"},{"product_id":"manley-stereo-pultec-eq-184957","title":"Stereo Pultec EQ","description":"\u003ch3\u003eA \"Manley\" Reinterpretation of a Classic, Continuing a Long Tradition\u003c\/h3\u003e\u003cp\u003eThe \u003cstrong\u003eManley Pultec EQP-1A\u003c\/strong\u003e is MANLEY's take on the legendary Pultec equalizer, originally produced by Pulse Techniques, Inc. Manley has been building Pultec-style EQs since \u003cstrong\u003e1990\u003c\/strong\u003e, with a clear approach: preserving the musical spirit of the original design while adapting it to today's demands for stability, noise-free operation, and studio integration. The result: the classic Pultec curve is intact, but with a more modern execution, contemporary components, and a design focused on \u003cstrong\u003eperformance and longevity\u003c\/strong\u003e.\u003c\/p\u003e\u003ch3\u003eMixing, Mastering, Tracking: For Whom and For What\u003c\/h3\u003e\u003cp\u003eThis type of equalizer is essential for those seeking a \u003cstrong\u003emusical analog EQ\u003c\/strong\u003e capable of enhancing without harshness. The Manley Pultec naturally fits in \u003cstrong\u003emixing\u003c\/strong\u003e (vocals, bass, kick, drum bus, guitars, synths) and \u003cstrong\u003emastering\u003c\/strong\u003e when you want to add weight in the low end, air in the highs, and a sense of depth without resorting to surgical correction. Thanks to its passive EQ topology, it excels at adjustments that \"sound like a record\": sculpting, thickening, opening the upper spectrum, all while maintaining smooth musicality.\u003c\/p\u003e\u003cbr \/\u003e\u003cbr \/\u003e\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\u003ch3\u003eAudio Architecture\u003c\/h3\u003e\u003cul\u003e\u003cli\u003ePultec-type equalizer: passive EQ circuit with post-EQ reamplification\u003c\/li\u003e\u003cli\u003eAll-tube gain compensation block (reamplification after passive EQ)\u003c\/li\u003e\u003cli\u003ePossible neutral setting\u003c\/li\u003e\u003cli\u003eFull bypass\u003c\/li\u003e\u003cli\u003eRack format: occupies about one-third the space of a vintage Pultec unit\u003c\/li\u003e\u003cli\u003eAddition of two extra frequencies compared to the original design\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003eConnectivity and Impedances\u003c\/h3\u003e\u003cul\u003e\u003cli\u003eBalanced XLR input with gold-plated contacts\u003c\/li\u003e\u003cli\u003ePhase inversion switch 0 or 180 degrees for balanced XLR input\u003c\/li\u003e\u003cli\u003eManley input transformer with mu-metal shielding\u003c\/li\u003e\u003cli\u003eInput impedance (transformer input): 3 kOhm\u003c\/li\u003e\u003cli\u003eAlternative transformerless input on 6.35 mm high-impedance jack\u003c\/li\u003e\u003cli\u003eInput impedance (transformerless input): 5 kOhm\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003eControls and Switching\u003c\/h3\u003e\u003cul\u003e\u003cli\u003eBoost and Cut controls: plastic variable conductivity potentiometers (quiet operation and long lifespan)\u003c\/li\u003e\u003cli\u003eFrequency selection switches: Greyhill with gold-plated contacts\u003c\/li\u003e\u003cli\u003eBypass switch\u003c\/li\u003e\u003cli\u003eAuto-mute for warm-up delay at power-on\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003eTube Electronics\u003c\/h3\u003e\u003cul\u003e\u003cli\u003eTubes: 1 x 12AX7WA (gain)\u003c\/li\u003e\u003cli\u003eTubes: 1 x 6414 (or 5965) White Follower\u003c\/li\u003e\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eequalizer\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2 channels\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eValve\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eYes\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":54357645099283,"sku":"184957","price":5149.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/3ebdd2f85e75298bb568ff9e96953e7ca6bbdf0d_MANLEY_STEREO_PULTEC_EQ.jpg?v=1787323316"},{"product_id":"manley-variable-mu-compressor-limiter-184935","title":"Variable MU Compressor\/limiter","description":"\u003ch3\u003eA Modern Classic in Mastering in the Tradition of Great Tube Compressors\u003c\/h3\u003e\u003cp\u003eThe Manley Variable Mu is one of those rare dynamic processors that have transcended the status of \"good compressor\" to become a lasting studio reference. Its name comes from the term \"Mu,\" which in tube circuit language refers to gain. The \"Variable Mu\" principle corresponds to a compression technique where the bias of a tube can be varied to control gain reduction in a progressive, organic, and particularly pleasant way on complex sources.\u003c\/p\u003e\u003cp\u003eThis approach harkens back to the spirit of legendary all-tube dynamic processors like the highly sought-after Fairchild 670, known for exploiting this type of gain reduction behavior. Without trying to \"clone\" a vintage machine, the Variable Mu fits into this tradition: dynamic control that favors texture, coherence, and a sense of depth, with a sonic signature made for stereo mixing and mastering.\u003c\/p\u003e\u003ch3\u003eWho and What Studio Uses?\u003c\/h3\u003e\u003cp\u003eThis stereo limiter\/compressor is primarily aimed at mastering studios, mixers, and producers who want a high-level tool on the master bus, on stems (drums, music, vocals), or in group processing. Where a VCA compressor might seem more \"surgical\" and a FET more aggressive, the Variable Mu targets controlled dynamics with a sense of continuity: the signal remains large, stable, and easier to finalize.\u003c\/p\u003e\u003cp\u003eIn practice, it excels when you want to tighten the low end, smooth peaks, provide a sense of glue between elements, or add subtle harmonic density. In gentle compression mode, it supports the program; in limiting mode, it becomes a true musical safeguard to hold a level, prepare a capture, or secure a chain of downstream processing.\u003c\/p\u003e\u003ch3\u003eKey Features: Fine Control Designed for Mix Bus and Mastering\u003c\/h3\u003e\u003ch4\u003eThe \"Variable Mu\" Core: Natural and Progressive Gain Reduction\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003efully tube differential circuit\u003c\/strong\u003e is designed to offer smooth gain reduction, with a compression feel that is less \"mechanical\" when working on a full mix. This style of compression is particularly useful when you want to preserve credible transients, keep the stereo image stable, and avoid obvious pumping effects on dense arrangements.\u003c\/p\u003e\u003ch4\u003eTwo Modes: COMPRESS for Musicality, LIMIT for Control\u003c\/h4\u003e\u003cp\u003eThe Variable Mu offers two approaches: a \u003cstrong\u003eCOMPRESS\u003c\/strong\u003e mode at \u003cstrong\u003e1.5:1\u003c\/strong\u003e for gentle program compression, and a \u003cstrong\u003eLIMIT\u003c\/strong\u003e mode adjustable from \u003cstrong\u003e4:1 to 20:1\u003c\/strong\u003e when the goal is to lock down dynamics more tightly. The \u003cstrong\u003evariable threshold\u003c\/strong\u003e allows precise adjustment of the gain reduction entry point to dose the amount of control without losing the mix's intent.\u003c\/p\u003e\u003ch4\u003eControlled Timing: Adjustable Attack and Release Positions\u003c\/h4\u003e\u003cp\u003eIn mastering, timing is critical: too fast, and the sound closes up; too slow, and peaks pass uncontrolled. Here, the \u003cstrong\u003eadjustable attack\u003c\/strong\u003e (from \u003cstrong\u003e25 ms to 70 ms\u003c\/strong\u003e) lets you choose between more punch or a rounder feel. The \u003cstrong\u003erelease time\u003c\/strong\u003e is selected via a \u003cstrong\u003e5-position switch\u003c\/strong\u003e (0.2 s, 0.4 s, 0.6 s, 4 s, 8 s), very practical for adapting to tempo, style, and transient type (kick\/snare, piano attacks, vocal consonants, etc.).\u003c\/p\u003e\u003ch4\u003eProfessional Connectivity, Manley Transformers, and Linking Options\u003c\/h4\u003e\u003cp\u003e\u003cstrong\u003eBalanced inputs and outputs\u003c\/strong\u003e (600 Ohms) and \u003cstrong\u003eManley input\/output transformers\u003c\/strong\u003e contribute to the solidity and stability of the processing while ensuring a stated flat frequency response from 20 Hz to 25 kHz. For serious stereo work, a \u003cstrong\u003estereo linking\u003c\/strong\u003e switch preserves left\/right balance. For advanced setups, it is possible to \u003cstrong\u003elink multiple units\u003c\/strong\u003e for Surround use (special user command).\u003c\/p\u003e\u003cp\u003eFor operational comfort, there is a \u003cstrong\u003ephysical bypass\u003c\/strong\u003e (ideal for unambiguous A\/B comparison), a \u003cstrong\u003esilent conductive plastic input attenuator\u003c\/strong\u003e on each channel, and large \u003cstrong\u003eilluminated Sifam VU meters\u003c\/strong\u003e for quick visual monitoring during sessions.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:12;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 Hz to 25 kHz (Manley input and output transformers with nickel-plated mu-metal wiring)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eTube set per channel\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e5670, 5751, 7044, and 12AL5 (one of each type per channel)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:13;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum gain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e35 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eBias voltages and filament heating\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eseparately regulated\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:14;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum output level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+30 dBu (26 V RMS)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInputs and outputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ebalanced (600 Ohms)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:15;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e26 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAttenuator\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eon both inputs, silent conductive plastic\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:16;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTotal harmonic distortion\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evalue not disclosed\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eVU meters\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003elarge illuminated Sifam VU meters\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:6;--wb-r:17;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRelease time (5-position selector)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e0.2 s, 0.4 s, 0.6 s, 4 s, 8 s\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eStereo linking\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evia switch\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:7;--wb-r:18;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAdjustable attack time\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e25 ms to 70 ms\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMulti-unit linking\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epossible for Surround mode use (special user command)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:8;--wb-r:19;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eThreshold adjustment\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evariable\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower consumption (120\/240 V AC)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e80 Watts\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:9;--wb-r:20;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eModes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eLIMIT (4:1 to 20:1) or COMPRESS (1.5:1)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e48.3 x 8.9 x 25.4 cm (2U)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:10;--wb-r:21;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ephysical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eTotal weight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e10.4 kg\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:11;--wb-r:22;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCircuit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efully tube differential\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":54358042837267,"sku":"184935","price":4699.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/6f7c08ef5d2b0c5125a22e34c071057cc27b1459_MANLEY_VARIABLE_MU.jpg?v=1789360828"},{"product_id":"manley-massive-passive-83273","title":"Massive Passive","description":"\u003ch3\u003eA Manley Classic Designed for Both Artistic Expression and Precision\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eAt Manley, some devices are recognizable at first touch: you place your hands on the controls and the sound \"takes on a new dimension.\" The MASSIVE PASSIVE fits into this line of studio tools sought after for their character, alongside the brand's iconic processors. Its philosophy is clear: rather than imposing clinical correction, it favors inspiring equalization, tailored for production, mixing, and mastering, with harmonic behavior that invites you to go further.\u003c\/p\u003e \u003cbr \/\u003e\u003cp\u003eIts name sums up its intent well. \"Passive\" describes the equalization section, performed without active components in the correction circuit. \"Massive\" illustrates the sensation of width, density, and breadth you can achieve when pushing the settings, all while maintaining astonishing clarity.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eWho and What Situations Does the MASSIVE PASSIVE Make a Difference For?\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eThe Manley MASSIVE PASSIVE is aimed at studios and sound engineers who want a \u003cstrong\u003etube equalizer\u003c\/strong\u003e capable of being both a decision-making tool and a creative instrument. In tracking, it allows shaping a vocal, acoustic guitar, piano, overheads, or drum bus with an \"instant mix\" musicality. In mixing, it becomes a high-end color equalizer to add dimension to buses (vocals, instruments, mixbus) and quickly find a presence zone without harshness.\u003c\/p\u003e \u003cbr \/\u003e\u003cp\u003eIn mastering, it excels at subtle corrections: opening the top end, tightening the low end, or cleaning the extreme bass before limiting. And if the situation requires, it can also handle much more radical corrections, with a sense of stability that sets it apart from a classic active equalizer.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eFeatures and Sonic Philosophy: A Passive Design \"Boosted\" by a Tube Section\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eThe heart of the MASSIVE PASSIVE is its \u003cstrong\u003epassive equalization network\u003c\/strong\u003e. This approach delivers curves often perceived as more natural, with musical interaction between frequencies. The bands intentionally overlap: instead of artificially isolating an area, you can \"shape\" a tone by combining several points of action, much like sculpting sound.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eBell or Shelf on Each Band: From Detail to Grand Gestures\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eEach band offers behaviors suited to modern production: work presence in Bell mode, extend brilliance in Shelf mode, gently tighten lows, or craft a more marked signature on a bus. This flexibility gives the MASSIVE PASSIVE rare versatility: it can evoke the spirit of a vintage passive equalizer while feeling perfectly at ease in dense, demanding contemporary sessions.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003ePassive High-Pass \/ Low-Pass Filters: Clean Without \"Breaking\"\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe passive high-pass and low-pass filters help control extreme lows and highs with a sense of smoothness. Ideal for removing rumble, stabilizing lows before compression, or calming excessive brightness without losing the \"life\" of the signal. This type of detail often saves time: you get a cleaner mix without the impression of aggressive processing.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eTube Gain Compensation: Headroom, Hold, and Depth\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eSince the correction is passive, an amplification section provides gain compensation. Here, Manley relies on robust \u003cstrong\u003etube amplification\u003c\/strong\u003e with substantial dynamic headroom. The result: even when applying large boosts or cuts, the output retains body, a three-dimensional impression, and coherence that encourages pushing equalization further than usual, without intrusive sibilance or \"muddy\" lows.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eequalizer\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e4 channels\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eValve\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eYes\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e3\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLevel\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e+4 dBu (can be internally changed to -10 dB)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e22 to 27,000 Hz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBoost \/ cut range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e20 dB boost \/ cut\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response (+\/-2 dB)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e8 - 60,000 Hz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum output at 1.5% harmonic distortion\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e+37 dBV and +26 dBV at 20 Hz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHarmonic distortion + Noise (1 kHz at +4 dBu)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e0.06%\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNoise floor (ref\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e+4 dBu): -85 dB (A-weighted)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e120 dB\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e9.5 kg\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":54358262186259,"sku":"83273","price":5998.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/1c2fc4ac743e50716bd3983a05bacd2d102e4bfa_MANLEY_MSMP.jpg?v=1787336842"},{"product_id":"manley-mid-frequency-eq-184934","title":"Mid Frequency EQ","description":"\u003ch3\u003eA MID EQ designed as the missing link in the \"Pultec\" family\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eInspired by the Pultec MEQ-5 approach, this MID EQ carries the spirit and fundamentals of the \"EQP-1A\" version from the Enhanced Pultec range, while distinguishing itself with a passive equalization section dedicated to mid frequencies. Where an EQP-1A excels at the spectrum extremes, this processor settles in the center of the mix: it precisely \"locks\" the mids, the area where intelligibility, presence, and proximity perception are determined. Together, an EQP-1A and this MID EQ offer a coherent and very wide palette, suitable for both recording and mastering.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eIntended uses and studio profiles\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eParticularly comfortable on instruments with pronounced mid content (guitars, vocals, harmonica, violin), this equalizer allows cleaning up nasal zones, advancing presence without harshness, or reshaping the harmonic balance of a take. In mixing, it becomes a sculpting tool to help a track \"find its place\" without overloading the high end. In mastering, its more selective bell curve and musical behavior make it a preferred ally for finely correcting imbalances while preserving a sense of openness and naturalness.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eA more selective passive mid equalization for decisions that can be heard\u003c\/h3\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eDIP and PEAK: precision at the heart of the mids\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe major difference with an EQP-1A lies in the passive equalization: the \u003cstrong\u003eDIP\u003c\/strong\u003e and \u003cstrong\u003ePEAK\u003c\/strong\u003e controls operate with a more selective bell curve. Result: you can target a precise midrange area, reduce an excess without \"digging\" too wide, or conversely add presence while maintaining control over the contour. This is exactly the type of control that saves time when quick decisions are needed, especially on an already dense vocal or guitar.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eBuild quality and studio ergonomics\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eSilent controls (PEAK and SHELF) facilitate adjustments in real situations without annoying artifacts. Greyhill frequency selectors sealed with gold contacts ensure repeatability of settings, essential for recall. On the signal side, the architecture emphasizes a high current output and transformer-balanced XLR symmetry, with wide frequency response and comfortable headroom to integrate into high-end analog chains.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eConnectivity adapted to sources and professional chains\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe main symmetrical XLR input features a phase inversion switch, useful for quickly managing phase coherence in multi-mic setups or during inserts. A second high-impedance input in 6.35 mm jack format (transformerless) is available to adapt to other configurations. Finally, the BYPASS and AUTO-MUTE power-up delay contribute to smooth rack integration by limiting surprises at startup.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eequalizer\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eValve\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eYes\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2 channels\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInput impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e3 kOhms\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower consumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e18 Watts\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:7;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFlat frequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e10 Hz to 70 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOperating mains voltage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eprocessors manufactured according to destination country (100 VAC, 120 VAC, or 220-240 VAC), as indicated by the serial number\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTHD\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eless than 0.01% at 1 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMains frequency\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e50 to 60 Hz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:9;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAdjustable FEEDBACK \/ GAIN\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+\/-5 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e483 mm (19 inches) x 44 mm x 254 mm (occupies 1 rack unit height)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum output level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+30 dBV\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eShipping weight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e5.4 kg\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":54359013687571,"sku":"184934","price":3399.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/6469ad9e68e1ff43ce20ff31a30eff11d03d8781_MANLEY_MID_EQ.jpg?v=1789373858"},{"product_id":"manley-massive-passive-mastering-184887","title":"Massive Passive Mastering","description":"\u003ch3\u003eThe Mastering Version, Heir to the Reference Massive Passive\u003c\/h3\u003e\u003cp\u003eThe Massive Passive redefined the color and transparency of tube passive equalizers. The \"Mastering\" version retains this musical character while adding what studios seek: reliable recall, perfectly matched channels, and redesigned filters to work on the full program with pinpoint accuracy.\u003c\/p\u003e\u003ch3\u003eDesigned for Mastering, Formidable on the Mix Bus\u003c\/h3\u003e\u003cp\u003eIdeal for mastering engineers and stereo bus processing, it excels in broad and coherent adjustments, tonal balance corrections, and transient shaping without a \"processed sound.\" The mechanical detents allow settings to be recorded and reproduced, ensuring consistency across versions, recalls, and revisions.\u003c\/p\u003e\u003ch3\u003eFeatures and Innovations Serving the Sound\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eUncompromising recall:\u003c\/strong\u003e The detented GAIN and BANDWIDTH controls (16 positions) allow repeatability while preserving the intentional interaction between gain and bandwidth. The maximum amplitude is calibrated for mastering: +\/-11 dB, with values varying according to bandwidth (widest bell ~= 6 dB, narrowest Baxandall ~= 12 dB). The frequency selector is detented (Grayhill).\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eTube passive architecture:\u003c\/strong\u003e passive processing, \u003cstrong\u003etube line drivers\u003c\/strong\u003e, and \u003cstrong\u003eparallel topology\u003c\/strong\u003e for curves that blend musically. Bands can overlap without artificially summing, avoiding clipping while remaining natural.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDedicated Mastering filters:\u003c\/strong\u003e high-pass and low-pass filters retuned, flatter before the action zone, for surgical cleaning of the low end and ultra-high frequencies. Slopes are very steep to clear space without affecting the music.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eU-height\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e3\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNominal level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e+4 dBu, internal micro-switches provided for -10 use.\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency range of action\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e22 Hz to 27 kHz.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBoost\/cut range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003emaximum +\/-11 dB.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNominal bandwidth (Q)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1.5 to 3 (active in Baxandall modes).\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eIndicative amplitudes according to bandwidth\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ewidest bell ~= 6 dB; narrowest Baxandall ~= 12 dB.\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHigh-pass filters\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eOFF, 12, 16, 23, 30, 39 Hz.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLow-pass filters\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eOFF, 52 k, 40 k, 27 k, 20 k, 15 kHz.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTypical slopes on the Mastering version\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e18 dB\/oct (52 kHz to 30 dB\/oct); very steep slopes up to 36 dB\/oct depending on use.\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e+\/-2 dB from 8 Hz to 60 kHz.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum output level at 1.5% THD\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e+37 dBv; +26 dBv at 20 Hz.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTHD + noise (1 kHz at +4 dBu)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e0.06%.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNoise floor (reference +4 dBu)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-85 dB (A-weighted).\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e120 dB.\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTubes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2 x 12AU7, 4 x 6414.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePower consumption (120\/240 VAC)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e72 W.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMains frequency\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e50-60 Hz.\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e3U rack format\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e483 mm (19 inches) x 133 mm x 254 mm.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e9.5 kg; shipping weight: 12.2 kg.\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":54359102259475,"sku":"184887","price":7299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/7cb440442fdbeb2ec20db048e56e8ca34c6f8ecd_MANLEY_MMMSMP.jpg?v=1787358156"},{"product_id":"manley-force-190113","title":"Force","description":"\u003ch3\u003eThe Manley Signature, Handcrafted in California\u003c\/h3\u003e\u003cp\u003eThe Manley \"FORCE\" concentrates the brand's sonic DNA into a modern preamp, handcrafted in Southern California. Manley focuses on the essentials: sound, reliability, and carefully selected components, all housed in an elegant chassis with a machined finish.\u003c\/p\u003e\u003ch3\u003eWho and What Is It For?\u003c\/h3\u003e\u003cp\u003eIdeal for studios, sound engineers, creators, and musicians demanding musical and solid sound capture. Vocals, guitars, keyboards, or line-level sources: each channel offers the essential functions to sculpt the signal right at the input and adapt the device to any microphone or instrument.\u003c\/p\u003e\u003ch3\u003eFeatures and Ergonomics Designed for the Modern Studio\u003c\/h3\u003e\u003ch4\u003eOptimized Signal Path\u003c\/h4\u003e\u003cp\u003eThe mic enters through gold-plated XLRs and then feeds the Manley IRON input transformer. Before the tube stage, you can invert phase and engage a 120 Hz high-pass filter to clean up the lows. The heart of the preamp relies on two 12AX7 triodes in pure Class A, followed by a high-headroom output stage that ensures a pristine level to your interface or console.\u003c\/p\u003e\u003ch4\u003ePrecise Gain and Source Management\u003c\/h4\u003e\u003cp\u003eThe front panel gain selector offers 40 dB or 50 dB depending on the source, with an additional internal 10 dB boost if needed. The input level control acts as a variable input pad, perfect for taming hot signals without degrading the tone.\u003c\/p\u003e\u003ch4\u003eInstrument Inputs and Visual Feedback\u003c\/h4\u003e\u003cp\u003eThe front 1\/4\" jacks have very high impedance (10 megohms) to preserve the attack and brightness of guitars and keyboards. A LED meter per channel provides immediate feedback, while the detented potentiometers and robust switches ensure reliable and repeatable settings.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e4\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eValve\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eYes\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFront panel gain selector\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e40 dB or 50 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInternal additional gain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e+10 dB\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":54359408378131,"sku":"190113","price":2699.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/b806f90fbed383a743aad2f7f80aa88a89a03008_MANLEY_FORCE.jpg?v=1787366012"},{"product_id":"manley-voxbox-83275","title":"Voxbox","description":"\u003ch3\u003eA Manley Reference That Has Become Essential in Studios\u003c\/h3\u003e\u003cp\u003eDesigned to go beyond a simple \"vocal processor,\" the \u003cstrong\u003eVOXBOX\u003c\/strong\u003e has established itself as a reference channel strip. It carries the brand's warm sonic aesthetic while offering a robust and timeless architecture. Its tube design and proprietary transformers provide harmonic density that enhances both vocals and instruments.\u003c\/p\u003e\u003ch3\u003eWho Is It For, and What Are Its Uses?\u003c\/h3\u003e\u003cp\u003eSound engineers, producers, and musicians find an all-in-one ready for tracking: lead vocals and voice-over, bass DI, guitars, synths, and percussion. The controls remain quick and intuitive, ideal for demanding home studios as well as professional studios seeking a musical, reliable, and coherent tracking chain.\u003c\/p\u003e\u003ch3\u003eKey Features for a Smooth Workflow\u003c\/h3\u003e\u003cp\u003eThe VOXBOX combines two main sections (preamp\/DI and equalizer) and two separate dynamics processors (compressor then de-esser\/limiter). You can use them together or independently, and even chain two units in stereo thanks to dedicated coupling switches. The gently curved EQ facilitates musical shaping, while the de-esser trigger listen circuit allows isolating the problematic area for ultra-precise adjustment. The large backlit Sifam VU meter offers five display modes to monitor levels and gain reduction at a glance.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ePreamp\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e3 channels\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eValve\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eYes\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e3\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTwo independent sections\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003emic preamp \/\/ equalizer\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTwo separate processors\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ecompressor \/\/ limiter \u0026amp; de-esser\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMic input\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2 kOhm impedance, 48 V phantom power with high current capacity\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHigh-impedance direct instrument input\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e100 kOhms\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLine input \u0026amp; insert return\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ebalanced XLR and 6.35 mm jack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLow-impedance preamp \u0026amp; EQ outputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e50 Ohms\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompressor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eratio 3:1, max reduction 16 dB, attack 4 ms to 70 ms, release 0.3 \/ 0.5 \/ 1 \/ 2 \/ 5 s\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLimiter \u0026amp; de-esser\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eratio 10:1, max reduction 32 dB, attack 2 ms, release 0.5 s\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDe-esser rejection frequencies\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e3 \/ 6 \/ 9 \/ 12 kHz\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e40 to 60 dB \/\/ per unit\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e+\/-1 dB 20 Hz - 60 kHz \/\/ 10 Hz - 100 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNoise floor (A-weighted)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-86 dB \/\/ -89 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSignal-to-noise ratio\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e113 dB \/\/ 116 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTotal harmonic distortion + noise (1 kHz at +20 dBu)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e0.3%\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum output level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e+31 dBu\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTubes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e12AX7LPS \u0026amp; 6414 \/\/ 5751 \u0026amp; 6414\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePower consumption (120\/240 V AC)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e24 W\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e482 x 133 x 254 mm (3U format)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e9.5 kg\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":54360048402707,"sku":"83275","price":4999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/9e7d7c51a02b95e6f33e3388731b40ea296c76d0_1MANLEY_VOXBOX.jpg?v=1787378361"},{"product_id":"manley-variable-mu-mastering-184894","title":"Variable MU Mastering","description":"\u003ch3\u003eA version designed for mastering, in the spirit of Variable Mu\u003c\/h3\u003e\u003cp\u003eThe Mastering version of the Variable Mu Limiter Compressor retains the DNA of the \"standard\" model while targeting a very concrete studio need: \u003cstrong\u003erepeatability\u003c\/strong\u003e. Whereas the standard version receives no modifications, this variant emphasizes components and ergonomics focused on precision, with \u003cstrong\u003edetented steps\u003c\/strong\u003e and stricter component choices. The result is a more \"calibrated\" approach to the Variable Mu, particularly appreciated whenever comparing versions, documenting a setting, or returning exactly to a treatment after client approval.\u003c\/p\u003e\u003ch3\u003eWho this Variable Mu Mastering excels for, and in which applications\u003c\/h3\u003e\u003cp\u003eThis limiter compressor is primarily aimed at mastering engineers, mixers delivering multiple versions (radio edit, instrumental, clean), and any studio wanting to secure their sessions with \u003cstrong\u003eeasy-to-note\u003c\/strong\u003e and recallable settings. The detented steps provide a \"console\" control feel, with more reliable reading of gain, threshold, and level variations. In stereo configuration, this philosophy also helps maintain a more methodical workflow: adjust, compare, revert without approximation, and keep control over subtle movements.\u003c\/p\u003e\u003ch3\u003eFeatures and innovations: Variable Mu in precision mode\u003c\/h3\u003e\u003cp\u003eThe core of this Mastering version is the combination of \u003cstrong\u003ehigh-end switches\u003c\/strong\u003e and \u003cstrong\u003efinely defined adjustment steps\u003c\/strong\u003e. In practice, this changes everything in daily operation: very small corrections can be made, yet perfectly reproducible, without \"searching\" for a position on the potentiometer.\u003c\/p\u003e\u003ch4\u003eDetented steps: deliberate decisions, repeatable settings\u003c\/h4\u003e\u003cp\u003eLevel and dynamics controls are designed to work cleanly within narrow margins, typical of stereo bus and mastering. Output and threshold benefit from fine graduation in \u003cstrong\u003e1\/2 dB increments over 24 steps\u003c\/strong\u003e, promoting precise adjustments and reliable A\/B comparisons. Attack and release offer fixed positions, convenient for framing a compression signature and recalling it from session to session.\u003c\/p\u003e\u003ch4\u003eSelected components: 1 percent metal film resistors and gold-plated Grayhill switches\u003c\/h4\u003e\u003cp\u003eThe 1 percent metal film resistors contribute to better value consistency, and the Grayhill switches with \u003cstrong\u003egold-plated contacts\u003c\/strong\u003e aim for robust long-term switching, with contact quality suited to studio environments. The goal is clear: to offer a \"mastering-ready\" version that prioritizes precision, reliability, and repeatability, without changing the spirit of the Variable Mu.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eU-height\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eModel\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eManley Variable Mu Limiter Compressor\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eMastering version\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDifferences vs. standard version\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003edetented steps, 1 percent metal film resistors, Grayhill switches with gold-plated contacts\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eManufacturer note\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eManley does not modify the \u0026quot;standard\u0026quot; versions of the Variable Mu\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003efrom -4 to +4 in 2 dB steps\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003efrom -11 to 0 in 1\/2 dB steps (24 increments)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eThreshold\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003efrom -11 to +1 in 1\/2 dB steps (24 increments)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAttack\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e11 positions\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRelease\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e5 positions\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eResistors\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1 percent metal film\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSwitches\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eGrayhill\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eContacts\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003egold-plated\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":54360053973267,"sku":"184894","price":5999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/f34fa3f0a4af7dcaebf8ae0fb4153816cda258d4_MANLEY_MSLCHPMSTBAR.jpg?v=1787382544"},{"product_id":"manley-numu-217040","title":"Numu","description":"\u003ch3\u003eFrom the Heritage of the Variable Mu to the Modern \"Nu\"\u003c\/h3\u003e\u003cp\u003eThe Manley Nu Mu follows in the footsteps of the legendary Variable Mu by retaining its tube input stage and musical compression philosophy. However, it pushes the concept further towards greater transparency and speed thanks to a \u003cstrong\u003eFET\u003c\/strong\u003e transistor output section. The result: the Manley \"glue,\" but with a cleaner contour and firmer low end, perfectly suited for current productions.\u003c\/p\u003e\u003ch3\u003eWho Is It For and What Are Its Uses?\u003c\/h3\u003e\u003cp\u003eDesigned for producers, mixers, and mastering studios seeking elegant and controlled stereo compression, the Nu Mu excels on the mix bus, stems, or synths. Its fast response and \"clean\" character are particularly suitable for electronic, pop, and urban music when you want to gain density and detail without unnecessarily coloring the spectrum.\u003c\/p\u003e\u003ch3\u003eKey Features for the Modern Workflow\u003c\/h3\u003e\u003ch4\u003eHybrid Circuit: Controlled Warmth and Impact\u003c\/h4\u003e\u003cp\u003eThe tube input provides the typical Manley smoothness and musicality, while the \u003cstrong\u003eFET\u003c\/strong\u003e output delivers the attack and punch needed for contemporary mixes. This combination offers smooth yet punchy compression, ideal for keeping transients lively.\u003c\/p\u003e\u003ch4\u003eHIP: Dynamic That Breathes\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003eHIP\u003c\/strong\u003e function applies intelligent upward compression: low-level details rise in the mix without crushing the loud passages. Perfect for increasing clarity and the perception of \"depth\" while preserving energy.\u003c\/p\u003e\u003ch4\u003eT-Bar Mod Sidechain and IRON Transformers\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003eT-Bar mod\u003c\/strong\u003e ensures ultra-smooth and musical attack\/release curves. The \u003cstrong\u003eManley IRON\u003c\/strong\u003e input transformers guarantee exemplary signal integrity, with a solid stereo image and controlled low-mid foundation.\u003c\/p\u003e\u003cp\u003eBuilt to last and proudly made in California, the Nu Mu combines performance and reliability in a chassis designed for professional studio use.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHIP function (upward compression)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003elifts low levels without crushing transients.\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":54360624464147,"sku":"217040","price":2938.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/3685371a9503e0818bd931df7519b58e18dadca7_MANLEY_NUMU_ea16be17-0d9f-413d-b70e-521d390ffbe7.jpg?v=1787390922"},{"product_id":"manley-variable-mu-mastering-the-works-340319","title":"Variable MU Mastering The Works","description":"\u003ch3\u003eA Modern Classic, a Pillar of the Manley Range\u003c\/h3\u003e\u003cp\u003eThe \u003cstrong\u003eManley Variable Mu\u003c\/strong\u003e has established itself as the reference tube compressor on mix buses and mastering chains. Heir to the \"remote cut\" technology cherished by vintage units, it combines this with a contemporary and rigorous design by Manley Labs for exemplary reliability in studio environments.\u003c\/p\u003e\u003ch3\u003eFor Whom and For What Uses?\u003c\/h3\u003e\u003cp\u003eDesigned for mix and mastering engineers, the Variable Mu excels on a 2-bus, in stem processing, and on demanding tracks (vocals, bass, pianos, pads). Its stereo input control coupled with channel linking ensures a stable image; separate thresholds and outputs per channel allow for the fine compensations needed in production.\u003c\/p\u003e\u003ch3\u003eKey Features and Innovations\u003c\/h3\u003e\u003ch4\u003eAll-tube variable-mu compression\u003c\/h4\u003e\u003cp\u003eAt the heart of the circuit, the 5670 dual triode continuously adjusts its gain under the action of the tube-rectified side-chain. The \u003cstrong\u003eCompress\u003c\/strong\u003e mode adopts a gentle 1.5:1 ratio for transparent \"glue,\" while the \u003cstrong\u003eLimit\u003c\/strong\u003e mode ranges from 4:1 up to 20:1 to control peaks, with a knee that softens as the reduction increases.\u003c\/p\u003e\u003ch4\u003eMusical envelope control\u003c\/h4\u003e\u003cp\u003eVariable attack from 25 to 70 ms and five selectable release times ensure precise groove shaping. Harmonic saturation can also be exploited by pushing the input and lowering the output, even with little compression.\u003c\/p\u003e\u003ch4\u003ePremium audio chain\u003c\/h4\u003e\u003cp\u003eManley input\/output transformers with nickel laminations housed in mu-metal cases and regulated B+ and heater supplies offer very low noise, controlled distortion, and a perfectly flat response from 20 Hz to 25 kHz.\u003c\/p\u003e\u003ch4\u003eStudio ergonomics\u003c\/h4\u003e\u003cp\u003eStereo linking makes final mix processing immediate; multiple units can be chained for surround configurations. Since 10\/2011, the stepped input attenuator provides recall and precision during sessions.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e5-step release\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e0.2 s, 0.4 s, 0.6 s, 4 s, 8 s\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eNoise floor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etypically -85 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:9;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eVariable attack\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e25 ms to 70 ms\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower consumption (120\/240 VAC)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e80 W\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eModes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eLimit (4:1 to 20:1) or Compress (1.5:1)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMains fuse for 100-120 VAC\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ereplace with 1.25 A (from 10\/2011)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:11;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHP SC\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eside-chain high-pass filter at -3 dB at 100 Hz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMains fuse for 220-240 VAC\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ereplace with 0.6 A (600 mA) (from 10\/2011)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:12;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum gain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e35 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFuse type\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMDA or MDL SLO-BLO time-delay, size 1.25 x 0.25 inch\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:6;--wb-r:13;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum output\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+30 dBu (26 Vrms), 26 dB headroom\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMains frequency\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e50-60 Hz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:7;--wb-r:14;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDistortion\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eless than 0.1% THD at 1 kHz\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":54361584599315,"sku":"340319","price":8149.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/3d40ab699d71ef346e7291605dabed69de21fd75_MMSSLCHPMSTBAR.jpg?v=1789412904"},{"product_id":"manley-slam-83274","title":"Slam!","description":"\u003ch3\u003eA Manley Classic Designed as a High-End \"Stereo Channel Strip\"\u003c\/h3\u003e\u003cp\u003eThe SLAM! (\"Stereo Limiter And Micpre\") is one of those studio machines designed to solve several critical needs in a single rack unit: a very high-level tube microphone preamp, a stereo limiter capable of taming the most violent transients, and a digital bridge to secure the recording. Its identity is clear: fast, firm, and spectacular on peaks, to the point of inspiring an attenuation option to protect the VU meters when the device is pushed to its limits.\u003c\/p\u003e\u003cp\u003eIn a sound-oriented range, the SLAM! positions itself as a central piece in the recording, processing, and printing chain: a tool inserted wherever you want to capture a performance with character, while maintaining headroom and precise level monitoring.\u003c\/p\u003e\u003ch3\u003eWho It's For and What It's For: Recording, Stereo Bus, and \"Mix-Ready\" Recording\u003c\/h3\u003e\u003cp\u003eThe Manley SLAM! is aimed at demanding studios and home studios, sound engineers, and producers seeking premium analog processing before conversion. It excels on vocals (pop, rap, spoken word), bass (DI), guitars, overheads, or even a stereo bus when you want to lock peaks without losing energy. Thanks to its two limiter behaviors per channel, it can act both as a transparent \"safety net\" and as a deliberate densification tool.\u003c\/p\u003e\u003cp\u003eIts major daily advantage: allowing you to print a solid sound right from the recording stage, with better-controlled dynamics and a more stable recording level, while preserving a sense of depth linked to the tube and transformer analog path.\u003c\/p\u003e\u003ch3\u003eKey Features: Tubes, Multi-Behavior Limiting, and Integrated Digital Section\u003c\/h3\u003e\u003ch4\u003eClass A Tube Preamplification: Substance, Depth, and Precision\u003c\/h4\u003e\u003cp\u003eThe SLAM! microphone preamps are designed to add definition without blur: present low-mids, a sense of \"size\" on the source, and musicality that remains usable in a modern mix. The 48 V phantom power and phase inversion facilitate use with a wide variety of microphones and setups (close miking, stereo pair, room, etc.). The presence of a high-impedance direct input also makes it an excellent partner for recording bass and instruments via DI.\u003c\/p\u003e\u003ch4\u003eFast Limiting and Opto Limiting: Peak Control and Density\u003c\/h4\u003e\u003cp\u003eThe SLAM! combines two limiting philosophies. On one side, a very fast FET-type section to catch aggressive transients (consonant attacks on vocals, pick slaps, snare hits). On the other, an optical-type (ELOP) section that works more on the \"envelope\" and can enhance the perception of level while maintaining a softer feel on the program. Used separately or in tandem depending on the configuration, these sections provide a palette ranging from discreet control to the \"pressed\" sound typical of high-end recording chains.\u003c\/p\u003e\u003ch4\u003eConversion and Digital Outputs: Securing Recording and Integrating a Hybrid Workflow\u003c\/h4\u003e\u003cp\u003eWith its 24-bit 192 kHz S\/PDIF and AES formats, the SLAM! can integrate into a hybrid analog\/digital setup. The idea is simple: benefit from the character of the preamp and limiting, then send a stable digital signal to the interface or main converter. The VU and peak-to-peak meters, designed for clear reading, help set gain and maintain precise headroom control, even when seeking heavy limiting.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ePreamp\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eValve\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eYes\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutput impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e200 Ohms\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum output\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e+32 dBu, +30 dBv (into 1 kOhm load)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003emicrophone preamp up to 60 dB max.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInput impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003emicrophone preamp 2000 Ohms\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLimiter gain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e20 dB max.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFET attack\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eapproximately 100 µs\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFET release\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e10 ms to 2 s\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFET ratio\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003egreater than 20:1\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eELOP attack\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eapproximately 10 ms for 6 dB gain reduction\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eELOP release\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2.5 s\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eELOP ratio\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e10:1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eS\/PDIF and AES\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e24 bits 192 kHz (conversion from 44.1, 48, 88.2, and 96 kHz)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAnalog-to-digital conversion\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e24 bits 96 kHz (currently)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e5 Hz to 60 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTHD + noise\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eless than 0.05% at 1 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003etypical 115 dB\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply (120\/240 V AC)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e75 Watts\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRack format\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e19 inches, 2 units\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSize\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e48.26 x 8.89 x 25.4 cm (19 x 3.5 x 10 inches)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e11.3 kg\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":54361956483347,"sku":"83274","price":8499.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/6a9c0a4cf970d478d0c965d1445a742c14892d6a_MANLEY_SLAM.jpg?v=1787431584"}],"url":"https:\/\/woodbrass.shop\/collections\/peripheriques-studio-manley.oembed","provider":"Woodbrass.com","version":"1.0","type":"link"}