{"title":"Salabert","description":null,"products":[{"product_id":"salabert-satie-erik-piano-music-vol-1-54381","title":"Satie Erik - PIANO-music Vol.1","description":"\u003ch3\u003eSummary of This Sheet Music\u003c\/h3\u003e\u003cp\u003eThis sheet music brings together several major works by Erik Satie, conceived for piano and immediately recognizable by their spare elegance. 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The \u003cstrong\u003eTrois Sarabandes\u003c\/strong\u003e bring a denser, more contemplative dimension, ideal for deepening legato control, chord balance, and tempo stability.\u003c\/p\u003e\u003cp\u003eFinally, the \u003cstrong\u003eSonneries de la Rose + Croix\u003c\/strong\u003e (Air de l'Ordre, Air du Grand Maître, Air du Grand Prieur) complete the set with an almost ceremonial sobriety. These pieces are particularly effective for refining attack precision, sound sustain, and the construction of long musical lines. 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Designed for use both at the music stand and in the practice room, it supports daily study through a presentation that prioritizes readability and efficiency.\u003c\/p\u003e\u003cp\u003eThe concept of a \"study edition\" takes on its full meaning here: the goal is to facilitate musical appropriation, support understanding of the text, and encourage a well-constructed interpretation. For both students and advanced pianists, it is a particularly relevant format for establishing good reading habits, working on phrasing continuity, and consolidating rhythmic precision.\u003c\/p\u003e\u003cp\u003eAlfred Cortot's editorial direction brings a recognized pedagogical and artistic dimension. His legacy as a musician-interpreter and teacher is reflected in a demanding approach focused on musical meaning, balance of sound layers, and coherence of execution. 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His writing favors clarity of lines, a sense of breathing, and delicately shifted harmony, offering pianists an ideal ground to work on tone, dynamics, and expression.\u003c\/p\u003e\u003cp\u003eDesigned as a \u003cstrong\u003ebest of\u003c\/strong\u003e, it allows you to quickly build a \"signature\" repertoire around Satie, suitable both for study and playing for pleasure. It is an excellent resource to develop controlled touch, precise pedal management, and an interpretation attentive to character indications, essential for conveying the very particular atmosphere of this musical language.\u003c\/p\u003e\u003cp\u003eIncluded in the \u003cstrong\u003eThe Best of Piano\u003c\/strong\u003e collection by Durand-Salabert-Eschig, this collection is aimed at all pianists wishing to explore or revisit Satie through a coherent and immediately usable selection. A relevant choice to diversify your program, prepare for an audition, or simply create an intimate and elegant musical interlude at the keyboard.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eErik Satie\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePages\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e48\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePiano\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eYear of Publication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2011\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDurand-Salabert-Eschig - The Best of Piano\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Salabert","offers":[{"title":"Default Title","offer_id":54356752564499,"sku":"421415","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/09df8526d9fc97c0087ebf688b4b9a56070a4e19_HLE_SLB_00587700.jpg?v=1792508945"},{"product_id":"salabert-albeniz-cadiz-suite-espagnole-n-4-guitare-95869","title":"ALBENIZ - CADIZ SUITE ESPAGNOLE N 4 - GUITARE","description":"\u003ch3\u003eAbout this sheet music\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eALBENIZ - CADIZ SUITE ESPAGNOLE N 4 - GUITARE\u003c\/strong\u003e gives guitarists the opportunity to discover Cadiz, the fourth piece in Albéniz's Suite espagnole. Focusing on this piece, this title is intended for musicians who wish to incorporate a work by the composer into their instrumental practice. It is a focused choice for enriching a personal programme centred on the Spanish repertoire and dedicating practice sessions to a clearly identified piece of sheet music.\u003c\/p\u003e\u003cp\u003eOn the guitar, studying a work involves more than simply reading the notes. It also encourages reflection on phrasing, the continuity of the musical line and the role given to dynamics. This sheet music can therefore serve as the starting point for careful practice: identifying phrases, working through passages, then gradually connecting the different sections to build a coherent interpretation.\u003c\/p\u003e\u003cp\u003eTo organise your practice sessions, you can alternate slow reading with repetition of selected passages, while listening carefully to the tone. The aim is to progressively give more room to expression, moving beyond simply sight-reading the piece. Whether you choose this piece for personal practice or to work on with a teacher, it allows you to focus your attention on a specific work by Albéniz. A way to develop your guitar repertoire while taking the time to explore your musical choices in greater depth.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAlbéniz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eguitar\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Salabert","offers":[{"title":"Default Title","offer_id":54356757217555,"sku":"95869","price":4.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/619e24d67674b4b001d2846c5769556de0fdc4ff_PARTOCHE.jpg?v=1792508878"},{"product_id":"salabert-martinu-b-sept-arabesques-violon-et-piano-42615","title":"Martinu B. - Sept Arabesques - Violon et Piano","description":"\u003ch3\u003eSummary of this sheet music\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eMartinu B. - Seven Arabesques - Violin and Piano\u003c\/strong\u003e presents a set of seven arabesques for violin or cello and piano. This sheet music is therefore intended for musicians who wish to explore this repertoire as a duo, pairing their string instrument with a piano partner. The choice between violin and cello is explicitly stated in the presentation of the work.\u003c\/p\u003e\u003cp\u003eWorking as a duo provides an opportunity to consider phrasing, breathing points and sound balance together. Throughout your rehearsals, you can compare your musical intentions, refine your entries and seek a coherent articulation between the two instruments. The aim is to build a shared interpretation, without limiting preparation to studying the notes individually.\u003c\/p\u003e\u003cp\u003eTo organise your sessions, you can choose an arabesque, prepare the passages requiring your attention separately, and then work through them with your partner. Listening to each other will then help refine the relationship between the parts. This approach offers one way of exploring the collection, which can be freely adapted to your working habits and musical project.\u003c\/p\u003e\u003cp\u003eWhether you are looking for sheet music for violin and piano or a piece for cello and piano, keep this dual instrumental option in mind when making your selection.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMartinu B.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eviolin or cello and piano\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Salabert","offers":[{"title":"Default Title","offer_id":54356774912275,"sku":"42615","price":23.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/9810c30641056389650d54875607f2829d45e5a6_SLB00134700.jpg?v=1792508946"},{"product_id":"salabert-honegger-a-sonatine-violon-et-violoncelle-99322","title":"HONEGGER A. - SONATINE - VIOLON ET VIOLONCELLE","description":"\u003ch3\u003eOverview of this score\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eHONEGGER A. - SONATINE - VIOLIN AND CELLO\u003c\/strong\u003e is a work for violin and cello. This score is intended for instrumentalists who wish to explore this combination of bowed strings and devote time to the duo repertoire. It brings the two musicians together around a shared interpretive project within a chamber music setting.\u003c\/p\u003e\u003cp\u003eThe combination of violin and cello calls for particular attention to the relationship between the instruments. Beyond individual preparation, duo work involves listening to the partner’s part, positioning one’s own entries and seeking a balanced sound. Precision in starting together, continuity of the musical line and consistency of interpretation are all aspects to explore during rehearsals.\u003c\/p\u003e\u003cp\u003eTo approach this sonatina, the musicians can organise their preparation by alternating individual reading and joint sessions. Defining breaths together, comparing phrasing choices and adjusting dynamics help build a shared interpretation. Working on attacks and note endings can also contribute to this process, without losing sight of the flexibility of the musical dialogue.\u003c\/p\u003e\u003cp\u003eThis score for violin and cello will therefore have its place in the library of a duo wishing to explore a work by A. Honegger. 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This indication places the discovery of the work within the context of a first musical moment to be shared. It evokes an important stage in a pianist’s journey: no longer simply practising for oneself, but preparing a performance intended to be heard.\u003c\/p\u003e\u003cp\u003eFrom this perspective, the score can serve as a foundation for work combining reading, listening and expression. Preparing for a recital encourages the player to consider the progression of the musical discourse, the consistency of the pulse and the way a phrase is shaped. The aim is to give meaning to what is being played, beyond the mere succession of notes.\u003c\/p\u003e\u003cp\u003eWith a teacher’s guidance, the pianist can determine how to incorporate this work into their practice. Choosing a practice tempo, paying close attention to the score’s indications and revisiting passages that require greater care are all useful ways to organise practice sessions. This approach makes it possible to build preparation suited to the student’s needs, without confusing speed of execution with musical fluency.\u003c\/p\u003e\u003cp\u003eTo prepare for a first performance in front of an audience, it may also be helpful to practise playing without stopping, then return to the areas that need improvement. This score is therefore part of an approach in which the pleasure of playing the piano meets the pleasure of sharing one’s work with others. 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It features pieces with immediate charm, where singing melodies mingle with popular accents and typically Brazilian rhythms, creating a \u003cstrong\u003eclassical\u003c\/strong\u003e repertoire that is both lively and nuanced.\u003c\/p\u003e\u003cp\u003eThe content offers a journey through Villa-Lobos's universe with emblematic pages and evocative miniatures, including: Tristorosa, A Baratinha de papel... \"The Little Paper Cockroach...\", O Gatinho de papelão... \"The Little Cardboard Cat...\", O Cachorrinho de borracha... \"The Little Rubber Dog...\", O Boizinho de chumbo... \"The Little Lead Ox...\", O Passarinho de pano... \"The Little Cloth Bird...\", Choros no 5 \"Alma brasileira\", Valsa da dor \"Waltz of Sorrow\", Machadinha \"The Little Axe\", Samba-lelê, Rosa amarela \"The Yellow Rose\", O Gato \"The Cat\", Nesta rua \"In This Street\", Fui no Itororó [1a versão] \"I Went to Itororó [1st version]\".\u003c\/p\u003e\u003cp\u003eAdditionally, the volume includes the \u003cstrong\u003eGuitar Preludes no. 1, 2, 3, and 4\u003c\/strong\u003e, presented here in \u003cstrong\u003epiano transcription\u003c\/strong\u003e by José Vieira Brandão. 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It is an effective tool to connect theory and practice: read, hear, then reproduce accurately.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTheme\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMusic theory\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ereading in Treble and Bass clefs with piano accompaniment\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLanguage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFrench\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emusic theory\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Salabert","offers":[{"title":"Default Title","offer_id":54357338194195,"sku":"49668","price":26.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/73682b62ecde33280ebc1589abd4f6f47660bdb3_SLB1711.jpg?v=1792524066"},{"product_id":"salabert-22-melodies-22-songs-421430","title":"22 Mélodies - 22 Songs","description":"\u003ch3\u003eSummary of This Collection\u003c\/h3\u003e  \u003cp\u003eDesigned for high voice with piano accompaniment, this collection highlights the unique world of Erik Satie in the classical vocal repertoire. It features writing that requires as much rhythmic precision as subtlety of expression, with particular attention paid to phrasing, text articulation, and the color of melodic lines. The piano accompaniment, far from being a mere support, fully contributes to the musical atmosphere: it encourages working on the voice-piano balance, shared breathing, and dynamic control.\u003c\/p\u003e  \u003cp\u003eThanks to a bilingual French-English presentation, this collection is aimed both at French-speaking singers wishing to consolidate their diction and at international performers seeking a clear approach to meaning and prosody. The intermediate level makes it a relevant resource for voice lessons, learning French melody, and preparing concert programs. With its 80 pages, it constitutes a comprehensive resource to develop musicianship, harmonic listening, and style, while exploring the distinctive sonic and poetic personality of Satie.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eErik Satie\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLanguage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFrench - 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14 LIEDER - CHANT ET PIANO","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003eThis score offers the piece \"die Kirschen\" in a writing style intended for singing in a recital setting, with pianoforte accompaniment. The indicated musical category \"canto (or voce recit) e pianoforte\" emphasizes the vocal orientation of the work: a focus on the vocal line, expressiveness, and phrasing, supported by a piano part designed to accompany, dialogue, and structure the interpretation.\u003c\/p\u003e\u003cp\u003eTo facilitate the performers' work, separate parts are provided for soprano, baritone, and cello. This configuration is particularly practical during rehearsals: each musician has their dedicated material, allowing concentration on entrances, intonation, articulation, and balance of sound layers. The cello adds an additional instrumental color and can enrich the overall texture, especially within a chamber music setting.\u003c\/p\u003e\u003cp\u003eWhether you are preparing a concert program, an audition, or pedagogical work, this score naturally fits into the voice and piano repertoire, with an opening towards an expanded ensemble. It suits both the setup of a vocal duo (soprano and baritone) and a voice-instrument collaboration, aiming for a precise, lively, and coherent interpretation in the spirit of the recital.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecanto (or voce recit) e pianoforte; separate parts: soprano, baritone, cello\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Salabert","offers":[{"title":"Default Title","offer_id":54357379678483,"sku":"95340","price":22.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/30999a4386b3ebbda177aae5d5a50dd6cc175122_PARTOCHE.jpg?v=1792533696"},{"product_id":"salabert-scelsi-sonata-3-piano-42717","title":"SCELSI - SONATA 3 - PIANO","description":"\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Salabert","offers":[{"title":"Default Title","offer_id":54357390590227,"sku":"42717","price":23.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/59e918e96a04b354e3a51234c3eab7e7a4c195bc_PARTOCHE.jpg?v=1792533791"},{"product_id":"salabert-poulenc-f-concerto-en-sol-mineur-orgue-et-orchestre-97103","title":"POULENC F. - CONCERTO EN SOL MINEUR - ORGUE ET ORCHESTRE","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003e\"Timpani - organ part\" is an organ part designed to integrate into an ensemble including timpani, providing the keyboardist with an autonomous conductor's score, easy to set up at the music stand and quick to grasp. This score emphasizes reading efficiency: musical cues, continuity of lines, and an accompaniment logic that supports the whole without weighing down the playing. For the organist, it is a relevant tool to anticipate moments when the pulse and impacts of the timpani structure the discourse, and to refine coordination with the percussion (beginnings, phrase endings, breaths, transitions). Depending on the context, it can also suit the harmonium, especially when a more compact keyboard solution or a more direct timbre is sought, while maintaining the role of foundation and connection. 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This collection provides an opportunity to spend time working on several works by the same composer, while retaining the freedom to choose which one you would like to explore first. It offers a starting point for creating your own journey through this repertoire.\u003c\/p\u003e\u003cp\u003eTo approach each piece, you can begin with a careful reading, then isolate the phrases that require more preparation. Take the time to find comfortable movements and articulation that are consistent with your musical intentions. The goal is to gradually move beyond sight-reading in order to give direction to your interpretation.\u003c\/p\u003e\u003cp\u003eOn the guitar, working on a score also provides an opportunity to listen to the quality of the attack and the duration of the resonance. Depending on the passages encountered, you may focus your attention on the continuity of the musical line, rhythmic precision or the shaping of dynamics. 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Then come the \u003cstrong\u003eimprovisation systems\u003c\/strong\u003e, designed to organize your ideas, develop your vocabulary, and gain fluency. Finally, the \" \u003cstrong\u003e23 Pro Improvs\u003c\/strong\u003e \" section provides inspiring and directly usable content: real models to analyze intentions, identify recurring techniques, and nourish your own creativity.\u003c\/p\u003e \u003cp\u003eThe \u003cstrong\u003eCD\u003c\/strong\u003e perfectly complements the written work by allowing you to apply the main principles of the method. Playing with a \u003cstrong\u003ejazz trio\u003c\/strong\u003e helps to work on listening, pulse, and interaction, while making practice more musical and stimulating. 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CANCION Y DANZA N. 9 - PIANO","description":"\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Salabert","offers":[{"title":"Default Title","offer_id":54357530935571,"sku":"42623","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/488c8a219579335c7b2c65c62a446b6002b344c3_SLB00577700.jpg?v=1792533687"},{"product_id":"salabert-enesco-g-deuxieme-sonate-op-26-n-2-en-ut-majeur-violoncelle-et-piano-42621","title":"ENESCO G. - 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LES GRANDES OEUVRES POUR PIANO","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e  \u003cp\u003eThis piano collection highlights the flamboyant writing of Isaac Albéniz and his unique art of translating the timbres, dances, and contrasts of Spanish music to the keyboard. You will find here pages that have become essential repertoire, perfect for building a coherent program, varying atmospheres (from intimate song to popular festivals), and working with a very wide palette of dynamics, from deep basses to brilliant passages.\u003c\/p\u003e   \u003cp\u003eSeparate titles:\u003cbr \/\u003e\u003cbr \/\u003eBarcarolle, opus 23 - Chants d'Espagne - Ibéria (Evocation, El Puerto, Corpus Christi in Seville, Rondeña, Almeria, Triana, Málaga, Jerez, Eritaña - Mallorca - Pavana-Capricho - Spanish Suite)\u003c\/p\u003e   \u003cp\u003eThanks to the alternation of character pieces and grand pianistic tableaux, this score is particularly suited for advanced pianists seeking an expressive and demanding repertoire, where rhythmic precision, voice clarity, and management of sound layers make all the difference.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eIsaac Albéniz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecollection; suite of pieces\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSalabert (Paris)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDifficulty\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eLevel 8th-9th years (reference \u0026quot;10 years with 20th-century piano\u0026quot;)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epiano solo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePages\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e272\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eInstrumental music for solo instrument with piano accompaniment\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eYear of publication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1990\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Salabert","offers":[{"title":"Default Title","offer_id":54357556822291,"sku":"97592","price":72.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/f82c545fb211f1d3b025b6a3be13976bd9bd67f5_PARTOCHE.jpg?v=1792542463"},{"product_id":"salabert-albeniz-isaac-best-of-18-morceaux-piano-42802","title":"Albeniz Isaac - Best Of 18 Morceaux - Piano","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003ePiano sheet music of 18 pieces by Isaac Albéniz. Isaac Albéniz is a Spanish composer and pianist, particularly renowned for his piano works inspired by Spanish folk music. This collection highlights the diversity of his writing: stylized dance, singing lyricism, arpeggiated textures, guitar-like effects suggested on the keyboard, and contrast plays typical of Spanish aesthetics. It includes instantly evocative pages such as \"Sevilla (Sevillanas)\" and \"Granada\" (excerpts from Suite Española No.1, Op.47), as well as the famous \"Asturias (Leyenda)\" (No.5, excerpt from Suite Española No.1, Op.47) and \"Rumores de la Caleta (Malagueña)\" (No.6, excerpt from Recuerdos de Viaje, Op.71).\u003c\/p\u003e\u003cp\u003eThe program also covers other major cycles, with \"Torre Bermeja (Serenata)\" (No.12, excerpt from Doce Piezas Características, Op.92), \"Zaragoza\" (No.1, excerpt from Suite Española No.2), \"Córdoba\" (No.4, excerpt from Chants d'Espagne, Op.232), and \"Evocación (Prelude)\" (No.1, excerpt from Ibéria, Book 1). More intimate pieces complete the set, such as \"Chant d'amour\" (No.3, excerpt from Rêves, Op.201) and \"Autumn (L'automne)\" (No.3, excerpt from Album of Miniatures (Les saisons)), not to mention \"Yvonne en visite, I. La révérence II. Joyeuse rencontre et quelques pénibles événements.\" An excellent choice for working on color, articulation, dance pulse, and melodic projection, while building a classical piano repertoire with a strong identity.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eIsaac Albéniz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical sheet music\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePiano\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Salabert","offers":[{"title":"Default Title","offer_id":54357584118035,"sku":"42802","price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/55bc91f0bf5de01df27aafec76229404d63f6df1_SLB5783.jpg?v=1792537577"},{"product_id":"salabert-long-marguerite-petite-methode-de-piano-42651","title":"Long Marguerite - 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Volume D - Seven Clefs - Without Piano Accompaniment.\u003c\/strong\u003e is a musical training resource centered on a fundamental aspect of musical language: the recognition and reading of melodic intervals. Organized into 13 lessons, the progression encourages consolidating essential reflexes for sight-reading, intonation, and inner hearing (the ability to \"hear\" before playing or singing).\u003c\/p\u003e   \u003cp\u003ePractice in \u003cstrong\u003eseven clefs\u003c\/strong\u003e provides real added value for instrumentalists and singers confronted with different notations. This approach promotes smoother reading, better identification of pitch intervals, and a more confident understanding of melodic movements, regardless of the register. The absence of piano accompaniment directs the study toward the essentials: interval precision, line stability, and mastery of solfège in its most direct form.\u003c\/p\u003e   \u003cp\u003eThis volume is particularly suitable for pedagogical use (lessons, homework, assessments) and regular personal practice. 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The writing highlights the soloist's vocal line, with accompaniment crafted to showcase the color and power of a typical brass and woodwind ensemble found in brass bands. To simplify preparation, the edition includes a \u003cstrong\u003evoice and piano reduction\u003c\/strong\u003e particularly useful for daily work: practicing entrances, stabilizing tempo, refining dynamics, and musical construction can be consolidated at the piano before moving on to rehearsals with the orchestra. This reduction is also practical for auditions, sectional rehearsals, or when the full ensemble is not available. An effective solution to balance musical demands with realistic organization, while preserving the intent of an orchestral version intended for the stage.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esoprano and brass band orchestra; reduction for voice and piano\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Salabert","offers":[{"title":"Default Title","offer_id":54357632418067,"sku":"94529","price":11.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/61e740f7e5d53f71e0175deef62efc85901ffa5e_SLB00462100.jpg?v=1792537547"},{"product_id":"salabert-tamez-aires-de-son-guitare-64633","title":"TAMEZ - 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Huit Chansons Francaises Viii: Les Tisserands - Choeur","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003eThis score offers an excerpt for mixed choir a cappella, corresponding to \u003cstrong\u003eno. 8\u003c\/strong\u003e of the set entitled \"\u003cstrong\u003eHuit Chansons françaises\u003c\/strong\u003e.\" Designed for unaccompanied performance, it highlights the richness of vocal colors and the precision of ensemble work: chord placement, management of timbres between sopranos, altos, tenors, and basses, and rhythmic cohesion.\u003c\/p\u003e\u003cp\u003eIn the spirit of great choral works inspired by the tradition of French song, this piece provides an ideal ground to develop a \u003cstrong\u003elively interpretation of the text\u003c\/strong\u003e: articulation, vowel fluidity, attack consonants, collective breathing, and phrase shaping. The a cappella character also encourages careful attention to intonation and tempo stability, while leaving the conductor and choir a wide margin for nuance (contrasts, dynamics, intentions) to highlight style and storytelling.\u003c\/p\u003e\u003cp\u003eThanks to its status as an excerpt, this no. 8 can be worked on as a standalone piece in concert, audition, or within a thematic program around French vocal repertoire. It is also an excellent pedagogical tool to consolidate the habits of a mixed choir: vertical listening of harmonies, blending of sections, and management of phrase endings.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emixed choir a cappella\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLanguage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFrench\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ea cappella choral score (French song)\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Salabert","offers":[{"title":"Default Title","offer_id":54357704179987,"sku":"49351","price":10.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/4c4d1aa1b7ae978cbd6edcb2c664882af4892a3b_UP_SLB00538100.jpg?v=1792537631"},{"product_id":"salabert-chopin-f-12-etudes-op-25-piano-97520","title":"Chopin F. - 12 Etudes Op 25 - Piano","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e  \u003cp\u003eThis French edition for piano is presented as a true working edition, aimed at supporting the musician in a structured study process. Published under the editorial direction of Alfred Cortot, it follows an editorial tradition focused on instrumental practice: clear reading at the music stand, useful markers to organize sessions, and a workshop spirit that encourages building the work step by step. Whether you are preparing a lesson, an audition, or simply wish to deepen your playing, this score meets the demand for a reliable and efficient resource. The goal is to promote a controlled interpretation, emphasizing both musical understanding and pianistic execution, while remaining accessible for daily use (sectional practice, quick review, consolidation).\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFrench edition, working edition (published under the direction of Alfred Cortot)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLanguage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFrench\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePiano\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Salabert","offers":[{"title":"Default Title","offer_id":54357731967251,"sku":"97520","price":26.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/6ba5faa876725c7e216a8d776e0b9b7dedc7939d_SLB00382100.jpg?v=1792542468"},{"product_id":"salabert-koechlin-14-pieces-flute-et-piano-95660","title":"KOECHLIN - 14 PIECES - FLUTE ET PIANO","description":"\u003ch3\u003eSummary of this score\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eKOECHLIN - 14 PIECES - FLUTE AND PIANO\u003c\/strong\u003e brings together fourteen pieces for flute and piano. This collection is intended for musicians looking for a Koechlin score for this instrumentation. It allows them to explore several pieces within a single volume, choosing those they wish to discover, study or revisit with their partner.\u003c\/p\u003e\u003cp\u003eThe flute and piano duo calls for particular attention to attentive listening. During rehearsals, performers can focus on the precision of entrances, the consistency of phrasing and the balance between the instruments. These are all ways to build a shared interpretation, beyond simply coordinating the notes and rhythms.\u003c\/p\u003e\u003cp\u003eWith fourteen pieces to choose from, practice can be organised flexibly. You can focus on a single piece, alternate between several readings or return to a passage after an initial ensemble session. 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