{"title":"Spl","description":"","products":[{"product_id":"spl-frontliner-185072","title":"Frontliner","description":"\u003ch3\u003eAn SPL Channel Strip at the Crossroads of the GoldMike MK2, Kultube, and RackPack DNA\u003c\/h3\u003e\u003cp\u003eThe SPL Frontliner embodies a clear philosophy: to offer a channel strip capable of chaining demanding processing while remaining quick to set up and logical to patch. Its preamplification stage adopts a discrete circuit approach derived from the GoldMike MK2, while the compression section inherits recognized features from the SPL Kultube compressor, notably a temporal parameter automation system that adapts the compressor's behavior to the signal content.\u003c\/p\u003e\u003cp\u003eThis vision aligns with the modular work developed by SPL, whose spirit is found in the RackPack series. The Frontliner reprises the core idea: an architecture flexible enough to switch from a \"full channel strip\" use to multiple independent analog processors, particularly relevant in modern computer-centered production environments.\u003c\/p\u003e\u003ch3\u003eIntended Users and Studio Applications\u003c\/h3\u003e\u003cp\u003eThe Frontliner is aimed at sound engineers, advanced home studio users, and production studios seeking a coherent and creative recording chain capable of shaping a source from the recording stage while remaining usable during mixing. Its design encourages an efficient workflow: each section focuses on essentials, with ergonomics designed for speed without sacrificing precision.\u003c\/p\u003e\u003cp\u003eDepending on your working method, you can use it as a full channel strip for vocals, instruments, or sources requiring advanced dynamic and tonal control. It can also become a set of separate tools to insert on different tracks, as you would with \"plugins\" but in analog form, to add density, control, and character to your buses or main tracks.\u003c\/p\u003e\u003ch3\u003eKey Features: Dynamics, EQ, Saturation, and Modularity\u003c\/h3\u003e\u003ch4\u003eHybrid Preamplification: Transistor Precision, Tube Musicality\u003c\/h4\u003e\u003cp\u003eBased on the discrete circuits of the GoldMike MK2, the Frontliner's preamplification stage adopts a hybrid tube\/transistor architecture. The goal is to achieve solid and detailed amplification while retaining the tactile and depth sensation typical of tube stages when intelligently integrated into a modern design. This gain foundation supports the entire chain: the better the input signal is controlled, the more effective and natural the dynamic processing and equalization become.\u003c\/p\u003e\u003ch4\u003eCompression with Time Automation: The Kultube Spirit\u003c\/h4\u003e\u003cp\u003eThe compression section incorporates features from the SPL Kultube and stands out with a system that automates attack and release times. Specifically, these times are continuously adjusted based on the source signal. This allows stable and musical control over highly variable performances (vocals, bass, guitars, percussive sources) without having to \"chase\" the right setting with every intensity change.\u003c\/p\u003e\u003cp\u003eHighlight: you can manually influence this automation system's behavior so that manual and automatic settings blend seamlessly. This results in compression that is both controlled and lively, capable of ranging from subtle leveling to a more pronounced effect, depending on the desired aesthetic.\u003c\/p\u003e\u003ch4\u003eEqualization: Sculpting Bass and Midrange, Enhancing Highs with \"Air\"\u003c\/h4\u003e\u003cp\u003eThe equalization section offers two semi-parametric bands dedicated to bass and midrange treatment, ideal for cleaning up a take, refocusing a source, or emphasizing presence without harshness. For the high end, SPL adds a bell filter called \u003cstrong\u003eAir\u003c\/strong\u003e, designed to work the highs elegantly: more clarity and definition without harsh or artificial brightness.\u003c\/p\u003e\u003ch4\u003eTube Saturation: Progressive Density from Subtlety to Distortion\u003c\/h4\u003e\u003cp\u003eA tube saturation stage completes the chain. Unlike many transistor stages that can \"flip\" more abruptly into saturation, the tube gradually approaches its limits: the effect builds from light coloration to more pronounced distortion. The circuit thickens the signal in a pleasant and musical way, reminiscent of how an analog tape recorder can thicken and round off a source.\u003c\/p\u003e\u003ch4\u003eDe-Esser: Immediate Effectiveness Without Unnecessary Complexity\u003c\/h4\u003e\u003cp\u003eThe Frontliner emphasizes operational efficiency. The De-Esser perfectly illustrates this approach: it focuses on its primary role and effectively reduces sibilance according to the user-defined amount via a single control. Result: less time spent \"over-parameterizing,\" more time capturing a clean and usable performance.\u003c\/p\u003e\u003ch4\u003e\"Analog Plugins\": Dedicated Inputs\/Outputs, Inserts, and Standalone Sections\u003c\/h4\u003e\u003cp\u003eEach Frontliner section has dedicated input and output. This architecture allows each module to be used as an independent standalone tool, modules to be freely grouped, and each junction between modules to be used as an insert. In practice, you can transform the channel strip into a custom chain: preamp only, compressor only, EQ only, or multiple combinations according to your needs.\u003c\/p\u003e\u003cp\u003eIn a digital production environment, this flexibility is especially valuable: the Frontliner can serve as a channel strip during recording, then become one or several high-quality analog processors at mixing time, depending on your studio's patching and organization.\u003c\/p\u003e\u003ch4\u003eOptions: Lundahl Transformers and Digital Output\u003c\/h4\u003e\u003cp\u003eTo go further, SPL offers options aimed at \"high-end studio\" use. A Lundahl input transformer can be added for the mic input. A Lundahl output transformer can also equip the first of the two main outputs (OUT 1). Finally, a digital output is available via a 24-bit \/ 96 kHz A\/D conversion module, convenient for integrating the Frontliner directly into a digital conversion chain without multiplying devices.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003econsole slice\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2 channels\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eValve\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eYes\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e\u0026quot;Analog plugin\u0026quot; architecture\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003esections usable independently\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e2 semi-parametric bands\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ebass and midrange\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eProgressive saturation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003efrom subtle saturation to distortion\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eLundahl input transformer for mic input\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":54356566442259,"sku":"185072","price":2199.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/c0306457291abb697685df7b1f168d786e692188_SPL_SPLFRONT.jpg?v=1787299109"},{"product_id":"spl-gainstation-1-185054","title":"Gainstation 1","description":"\u003ch3\u003eA \"gain staging\" approach designed for modern audio workflows\u003c\/h3\u003e\u003cp\u003eIn today's digital audio environment, recording quality is determined right at the input stage. The GainStation 1 was designed to provide a solid, clean, and usable signal foundation while allowing the addition of character when the musical context calls for it. Its positioning is clear: a high-end preamp emphasizing dynamics, speed, and color control rather than just a simple level \"boost.\"\u003c\/p\u003e\u003cp\u003eIts design favors a short signal path and particularly careful power supply-two factors that make a difference when stacking tracks, processing dynamics, or seeking a stable and detailed image. The result: a better-defined source that integrates more easily into the mix, requiring fewer corrections afterward.\u003c\/p\u003e\u003ch3\u003eFor whom and for what uses\u003c\/h3\u003e\u003cp\u003eThe GainStation 1 targets sound engineers, demanding home studio users, and live technicians who want a preamp capable of covering multiple aesthetics without multiplying devices. On vocals, it delivers a present and clear take, with the option to add slight harmonic density via the tube stage. On drums and percussion, its speed helps preserve attack and transient precision.\u003c\/p\u003e\u003cp\u003eInstrumentalists also find immediate benefits: placed near an amp or instrument, the GainStation 1 becomes a true high-quality \"front-end,\" enhancing playing feel thanks to a firmer, more dynamic, and more stable signal before conversion or broadcast. Its compact chassis facilitates off-rack installation, directly where the source is located.\u003c\/p\u003e\u003ch3\u003eColor, control, and dynamics: a flexible input chain\u003c\/h3\u003e\u003ch4\u003eTwo preamplification stages to sculpt character\u003c\/h4\u003e\u003cp\u003eThe heart of the GainStation 1 relies on two distinct stages: a transistor stage and a tube stage, each adjustable independently. You can use the transistor path alone for a fast and precise reproduction or gradually add the tube to blend clarity and harmonics. This approach allows fine calibration of the \"grain\" without losing clarity and adapts the recording to the source rather than heavily correcting it in the mix.\u003c\/p\u003e\u003ch4\u003eFET peak limiter: protection without breaking naturalness\u003c\/h4\u003e\u003cp\u003eDuring recording, an unexpected peak can ruin a take. The FET-type peak limiter contains these overloads and stabilizes the level while preserving a sense of dynamics. This is especially useful on energetic vocals, brass, percussion, and live takes where performance is prioritized over retakes.\u003c\/p\u003e\u003ch4\u003eA design focused on dynamics and transients\u003c\/h4\u003e\u003cp\u003eThe GainStation 1 uses discrete operational amplifiers in Class A to avoid standard universal components. They operate at 60 V, whereas many designs work around 30 V, contributing to a higher dynamic range. The specified slew rate of 200 V per microsecond helps reproduce high frequencies and fast transients more cleanly, useful for retaining air, attack, and a stable image.\u003c\/p\u003e\u003cp\u003eDirect coupling on the essential part of the signal flow limits the use of capacitors that could color the sound, while the architecture optimizes audio path length and ground plane for lower impedance and reliable shielding. Switching is done via sealed relays with gold-plated contacts, and signal path resistors are selected by listening tests with a 0.1 percent tolerance. Finally, the complex power supply with double shielding, dedicated windings, and regulation for each voltage emphasizes a often overlooked point: a clean and stable power supply is an integral part of the sound.\u003c\/p\u003e\u003cp\u003eNote: the tube stage uses very high-quality metallized polypropylene film capacitors, contributing to a clear and dynamic sound image when you choose to add this color.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eValve\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eYes\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOperational amplifier supply voltage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e60 V (instead of the usual 30 V) for increased dynamic range\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSlew rate\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e200 V per microsecond\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003einternal AD 24\/96 conversion module\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eThe conversion card cannot be user-installed\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003einstallation via SPL or authorized service center\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eVery compact chassis\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eusable off-rack, close to the source\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOptional accessory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eGainBag (fits one GainStation 1, one microphone, and one cable)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":54356905623827,"sku":"185054","price":927.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/f55702acce57139ab241aac2f72dbf751525ef30_SPL_SPLGSTA.jpg?v=1787306569"},{"product_id":"spl-marc-one-185090","title":"Marc One","description":"\u003ch3\u003eA Missing Link Between Audio Interface and Monitoring Control\u003c\/h3\u003e\u003cp\u003eThe SPL Marc One positions itself as a \"studio core\" monitoring tool: it combines in a compact format the functions often split between an audio interface and a dedicated monitor controller. The idea is simple: to offer a coherent listening chain with immediate controls (speaker selection, mono, swap, mute) and modern conversion capable of supporting music production as well as mixing and mastering.\u003c\/p\u003e\u003cp\u003eWithin the SPL range, this type of product emphasizes daily ergonomics and reliability: a chassis designed to remain at the center of the setup, between the computer, speakers, and headphones, to enhance work comfort and listening consistency session after session.\u003c\/p\u003e\u003ch3\u003eWho Is the SPL Marc One For?\u003c\/h3\u003e\u003cp\u003eThis USB 2x2 monitoring controller and audio interface targets demanding home studios, musician-producers, and sound engineers who want to \u003cstrong\u003esimplify their audio chain\u003c\/strong\u003e without sacrificing precision. If you switch between two pairs of monitors (for example, nearfields and control speakers), the A\/B switching becomes immediate, and adding a subwoofer on Output A allows adapting the listening system to the mix's needs.\u003c\/p\u003e\u003cp\u003eThe Marc One is also relevant for hybrid setups: working on a computer in the studio, then mobile sessions, or use with an iOS device. Its Class Compliant compatibility on Mac and iOS facilitates integration, and latency-free monitoring meets situations where real-time self-monitoring is needed during recording or sound design.\u003c\/p\u003e\u003ch3\u003eKey Features for Reliable Monitoring and Decisions That Translate\u003c\/h3\u003e\u003ch4\u003eA\/B Speaker Control and Bass Management\u003c\/h4\u003e\u003cp\u003eThe Marc One offers \u003cstrong\u003etwo monitor outputs\u003c\/strong\u003e via stereo TRS jacks (A and B) to drive two pairs of speakers from a single point. \u003cstrong\u003eOutput A\u003c\/strong\u003e includes a dedicated connection for a \u003cstrong\u003esubwoofer\u003c\/strong\u003e, convenient for controlling the low-end foundation without reconnecting or reconfiguring your setup. A monitor section off button allows muting the monitor listening when switching to headphones or to secure a manipulation.\u003c\/p\u003e\u003ch4\u003eThree Monitoring Modes to Check Compatibility\u003c\/h4\u003e\u003cp\u003ePan, phase, and balance decisions are confirmed faster thanks to three monitoring modes: \u003cstrong\u003eStereo\u003c\/strong\u003e for regular work, \u003cstrong\u003eMono\u003c\/strong\u003e to check compatibility and center solidity, and \u003cstrong\u003eL\/R \u0026gt; R\/L\u003c\/strong\u003e to invert the stereo image. This inversion is especially useful to spot imbalances, control overly dominant stereo effects on one side, or verify the perception of a mix \"in reverse\" without touching the project.\u003c\/p\u003e\u003ch4\u003eVariable Crossfeed: A Realism Tool for Headphone Listening\u003c\/h4\u003e\u003cp\u003eThe continuously adjustable Crossfeed creates a \u003cstrong\u003econtrolled crosstalk\u003c\/strong\u003e between left and right channels to achieve a more natural and less \"separated\" headphone listening than pure stereo. It's a real plus for long sessions, to better estimate depth and coherence of the stereo image, and to approach a listening experience closer to monitors, especially in untreated environments or mobile work.\u003c\/p\u003e\u003ch4\u003eModern 2x2 Audio Interface: High Resolution and Latency-Free Monitoring\u003c\/h4\u003e\u003cp\u003eOn the interface side, the Marc One features a 32-bit AD\/DA conversion and goes up to \u003cstrong\u003e768 kHz\u003c\/strong\u003e PCM, with DSD playback up to \u003cstrong\u003eDSD256\u003c\/strong\u003e. This definition reserve serves both to capture details and to keep headroom during processing. The \u003cstrong\u003elatency-free monitoring\u003c\/strong\u003e allows comfortable work whether recording vocals, guitar, or synths, while maintaining direct control over the listening.\u003c\/p\u003e\u003cp\u003eAnother practical point: the \u003cstrong\u003estereo line output\u003c\/strong\u003e on the TRS jack can loop the selected signal \u003cstrong\u003ein parallel, without modification\u003c\/strong\u003e. This is ideal for feeding an external recorder, an analyzer, or integrating an additional routing while keeping your main monitoring path intact.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBluetooth\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eNo\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ePC, Mac\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eUSB, Stereo jack audio\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eThree monitoring modes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eStereo, Mono, and L\/R \u0026gt; R\/L (inverts stereo image from L\/R to R\/L)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWindows requirements\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eWindows 7, Windows 8, and Windows 10\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e210 x 49.6 x 220 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1.55 kg\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":54356912734483,"sku":"185090","price":684.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/c098f277ea2a8400b62ec55a1fc20350263b4cd8_SPL_MARC_ONE.jpg?v=1788180844"},{"product_id":"spl-track-one-185091","title":"Track One","description":"\u003ch3\u003eAn Aesthetic Refresh to Integrate into the SPL Range Without Changing the Formula\u003c\/h3\u003e\u003cp\u003eThe \u003cstrong\u003eTrack One 2960\u003c\/strong\u003e retains the DNA that made the Track One successful: a mono console channel strip designed for both studio and live use, offering excellent value and a results-oriented approach. This version benefits from a \u003cstrong\u003efacelift\u003c\/strong\u003e to visually harmonize with other SPL channel strips in the same family (Frontliner, Channel One, Track One), while maintaining the \u003cstrong\u003eproven technical performance\u003c\/strong\u003e of the model renowned in demanding environments.\u003c\/p\u003e\u003ch3\u003eWho Is It For and What Are Its Uses?\u003c\/h3\u003e\u003cp\u003eThe SPL Track One 2960 is aimed at \u003cstrong\u003esound engineers\u003c\/strong\u003e, production studios, radio control rooms, video sets, podcasters, and advanced home studio users who want a \u003cstrong\u003ecomplete and coherent recording chain\u003c\/strong\u003e to quickly capture \u003cstrong\u003evocals\u003c\/strong\u003e and \u003cstrong\u003einstruments\u003c\/strong\u003e, with a level of control suited to real-world situations (variations in mic distance, unpredictable dynamics, aggressive articulation). It is ideal for \u003cstrong\u003edirect recording\u003c\/strong\u003e before conversion (audio interface), but also as a dedicated channel strip in a larger setup.\u003c\/p\u003e\u003ch3\u003eIntelligent Processing: Simplicity, Consistency, and Musicality\u003c\/h3\u003e\u003cp\u003eThe Track One's philosophy is based on \u003cstrong\u003eautomatic control\u003c\/strong\u003e of certain parameters to simplify settings and ensure consistent quality. Specifically, the \u003cstrong\u003ede-esser\u003c\/strong\u003e and \u003cstrong\u003ecompressor\u003c\/strong\u003e sections continuously adjust key parameters based on the signal: you save time, reduce setting errors, and maintain a \u003cstrong\u003ediscreet and professional\u003c\/strong\u003e sonic signature.\u003c\/p\u003e\u003ch4\u003eTwo Stages of Preamplification: Microphone and Instrument\u003c\/h4\u003e\u003cp\u003eThe Track One includes \u003cstrong\u003etwo distinct preamp stages\u003c\/strong\u003e: a microphone path with \u003cstrong\u003e48 V phantom power\u003c\/strong\u003e and a dedicated instrument path. The goal is to achieve a \u003cstrong\u003eneutral, open\u003c\/strong\u003e sound with a \u003cstrong\u003elow noise floor\u003c\/strong\u003e, while remaining easy to use daily. A \u003cstrong\u003ehigh-pass filter\u003c\/strong\u003e is available on both inputs to clean up the low end (plosives, vibrations, rumble) right at the source.\u003c\/p\u003e\u003ch4\u003eDe-Esser: Cleaner Vocals Even with Moving Mic Placement\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003ede-esser\u003c\/strong\u003e effectively and naturally reduces sibilance. Its \u003cstrong\u003eautomatic threshold adjustment\u003c\/strong\u003e maintains consistent processing, even when the distance between the source and microphone varies (talk, voice-over, interview, live). Controls are intentionally minimal: you directly adjust the \u003cstrong\u003esibilance reduction\u003c\/strong\u003e without getting lost in complex settings.\u003c\/p\u003e\u003ch4\u003eCompressor \/ Limiter: One Knob, Controlled Dynamics\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003ecompressor\/limiter\u003c\/strong\u003e section is designed to combine \u003cstrong\u003elow noise\u003c\/strong\u003e and \u003cstrong\u003elow distortion\u003c\/strong\u003e with musical behavior. As with the de-esser, SPL focuses on efficiency: a \u003cstrong\u003esingle control\u003c\/strong\u003e allows quick adjustments while maintaining a clean result, whether stabilizing a vocal, grounding a bass, or taming transients. 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Its strength lies in enabling a \u003cstrong\u003equick setup\u003c\/strong\u003e: you set the gain, control sibilance, tame the attack of a percussive source or pick, stabilize dynamics with compression, then finalize with EQ and the Air Band.\u003c\/p\u003e\u003cp\u003eIt is especially relevant if you want to record while maintaining a \u003cstrong\u003ecomfortable headroom\u003c\/strong\u003e and optionally add a \u003cstrong\u003elight tube saturation\u003c\/strong\u003e to thicken a vocal or a more pronounced saturation to add grit to a take. 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The EQ offers semi-parametric \u003cstrong\u003eLow\/Mid\u003c\/strong\u003e and \u003cstrong\u003eMid\/High\u003c\/strong\u003e bands, and especially an \u003cstrong\u003eAir Band\u003c\/strong\u003e centered at \u003cstrong\u003e19,000 Hz\u003c\/strong\u003e to add air, definition, and a \"finished\" feel without harshness, particularly effective on vocals and acoustic instruments.\u003c\/p\u003e\u003ch4\u003eMetering and Session Safety\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003eilluminated VU meter\u003c\/strong\u003e displays input level, output level, and gain reduction, helping to precisely set gain staging and avoid over-processing. 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The promise of 120V technology goes towards a calmer behavior on transients and dense passages, where stereo processing is most quickly challenged.\u003c\/p\u003e\u003ch3\u003eWho Gemini Is For and When to Use It in the Studio\u003c\/h3\u003e\u003cp\u003eGemini primarily targets mastering engineers, but its working logic is also very useful in advanced mixing, musical post-production, and any setup where one must \"repair\" or improve an already printed stereo. If you receive mixes with an overloaded center or, conversely, overwhelming sides, M\/S becomes an extremely efficient shortcut to regain control without starting from a multitrack session.\u003c\/p\u003e\u003cp\u003ePractically, Gemini is indicated when you want to \u003cstrong\u003eenhance clarity\u003c\/strong\u003e (focus on vocals or snare in the Mid), \u003cstrong\u003eclean up energy\u003c\/strong\u003e in the extremes (avoid an overly wide low end that weakens mono compatibility), or \u003cstrong\u003eopen the image\u003c\/strong\u003e in a controlled way (bring air and a sense of space to the sides without making the mix blurry). It is also an excellent tool to standardize album coherence: M\/S allows repeatable and quick corrections from track to track while respecting each mix's intention.\u003c\/p\u003e\u003ch3\u003eWhy Mid\/Side Is Often \"the Best Way\" to Access Elements in a Mix\u003c\/h3\u003e\u003ch4\u003eWorking the Center Without Affecting Width\u003c\/h4\u003e\u003cp\u003eIn many productions, the Mid concentrates the structuring elements: lead vocals, bass, kick, snare, lead instrument. In M\/S, you can act on this core of the track with a very direct sense of precision. The interest in mastering is to bring definition or density to the center \u003cstrong\u003ewithout overemphasizing\u003c\/strong\u003e reverbs, delays, and panned elements that live more on the sides.\u003c\/p\u003e\u003ch4\u003eSculpting Space and Depth Perception\u003c\/h4\u003e\u003cp\u003eConversely, the Side contains much of the ambiance and spatialization information. M\/S processing is therefore ideal to clarify an overly harsh high end on the sides or, on the contrary, to restore a sense of openness, air, and \"size\" to a mix. In mastering, this type of adjustment is often more musical than classic stereo correction because it respects the hierarchy of elements in the center.\u003c\/p\u003e\u003ch4\u003eMono Compatibility and Image Stability\u003c\/h4\u003e\u003cp\u003eA common stereo pitfall is instability: an overly wide low end, a hollowed center, an image that shifts between sections. M\/S allows these symptoms to be treated more targetedly. This is precisely why, as you point out, M\/S processing is often considered the most effective method to access \"individual elements\" inside a stereo file: you don't isolate a track, but you isolate \u003cstrong\u003ethe function\u003c\/strong\u003e of that track in space.\u003c\/p\u003e\u003ch4\u003e120V Technology: Headroom and Control on Critical Passages\u003c\/h4\u003e\u003cp\u003eIn mastering, work is often done with little margin for error: the goal is to improve without degrading. The 120V technology highlighted by Gemini suggests an approach focused on \u003cstrong\u003eheadroom\u003c\/strong\u003e and the ability to handle complex signals with ease. In practice, this type of architecture is particularly appreciated when applying subtle treatments on very dense modern mixes, where transients and the low spectrum can quickly saturate a less generous stage.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eU-height\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSuitable for stereo image sculpting\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ecenter focus, width management, stability optimization\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":54357627928851,"sku":"361534","price":2589.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/2ee2557cfb1808dfb9c3c5041384752a90b5bbfe_SPL_GEMINI_89b9d270-7b24-48c8-b848-8232fe59de0c.jpg?v=1787323353"},{"product_id":"spl-phonitor-one-d-360459","title":"Phonitor One D","description":"\u003ch3\u003eA Compact Phonitor Focused on Headphone Listening... with a \"Studio\" Approach\u003c\/h3\u003e\u003cp\u003eThe Phonitor One D embodies SPL's DNA: offering a headphone listening chain capable of serving as a reference, with a credible stereo image and professional-level performance. In a compact format, it combines a high-reserve headphone amplifier with design choices focused on signal path quality to preserve micro-details, dynamics, and transient coherence. The \"Phonitor\" signature is notably present through the Crossfeed function, designed to bring the headphone experience closer to that of speaker listening.\u003c\/p\u003e\u003ch3\u003eWho Is It For and What Are Its Uses?\u003c\/h3\u003e\u003cp\u003eThe SPL Phonitor One D is aimed at musicians, sound engineers, content creators, and audiophiles who frequently work with headphones and want reliable listening to judge mix balance, reverb depth, vocal placement, or low-end management. It is also perfectly suited for home studios that switch between multiple sources (interface, player, computer) and want a central listening point. Thanks to its 6.3 mm jack headphone output and available power, it drives both studio-oriented headphones and more demanding models while maintaining good bass control.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRackable\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eNo\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":54357652078867,"sku":"360459","price":804.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/ae3009433ade94bff2e8cb329920fb0170490cd7_SPL_1902_61ef4c2d-4906-4e33-aea5-a69581687b62.jpg?v=1787323337"},{"product_id":"spl-ad-converter-24-192-185075","title":"AD Converter 24\/192","description":"\u003ch3\u003eAn official option to digitize the classic SPL studio range\u003c\/h3\u003e\u003cp\u003eCertain SPL devices have become studio references for their very musical approach to sound capture: solid preamplification, useful processing (depending on the model), and a sonic signature that is easy to place in a mix. This optional card follows that logic: it does not replace the analog character of your Frontliner, Channel One, Track One, Kultube, GainStation1, or GoldMike MK2\u0026#59; it \u003cstrong\u003eextends it at the output\u003c\/strong\u003e by adding an analog-to-digital conversion stage directly inside the device. The result: you keep your settings, your gain staging, and your SPL color, while retrieving a digital signal ready to enter your interface, recorder, or workstation.\u003c\/p\u003e\u003ch3\u003eWho is this card for, and in which use cases does it make a difference?\u003c\/h3\u003e\u003cp\u003eThis option is aimed at demanding home studios as well as professional studios that want to \u003cstrong\u003esimplify the recording chain\u003c\/strong\u003e without sacrificing quality. It is ideal if you often record vocals, guitar, bass, or mono sources and your SPL device is at the heart of the capture: you avoid an extra path (cables, external converter, potential noise points) and gain level coherence.\u003c\/p\u003e\u003cp\u003eIt is also suitable for mobile setups or recording racks where every unit counts: by digitizing as close as possible to the source, you maintain a stable and reproducible capture. Finally, if your audio interface lacks high-end line inputs or if you prefer the sound of your SPL processing, this card is an efficient way to \u003cstrong\u003ecapitalize on your front-end\u003c\/strong\u003e and take it directly into the digital domain.\u003c\/p\u003e\u003ch3\u003eConversion, synchronization, and performance: the option that ensures reliable capture\u003c\/h3\u003e\u003ch4\u003eClean conversion, with real headroom for gain staging\u003c\/h4\u003e\u003cp\u003eThe card offers a \u003cstrong\u003edynamic range of 112 dB\u003c\/strong\u003e and extremely low THD+N (0.0007% at -1 dB FS \/ 1 kHz), resulting in a detailed, low-noise signal and faithful transient reproduction. The correspondence \u003cstrong\u003e0 dB FS = +15 dBu\u003c\/strong\u003e provides a clear reference for setting your levels: you can exploit the headroom of your SPL analog chain while keeping a safety margin in the digital domain.\u003c\/p\u003e\u003ch4\u003eInternal and external sampling frequencies\u003c\/h4\u003e\u003cp\u003eInternally, the card covers studio standards of \u003cstrong\u003e44.1, 48, 88.2, and 96 kHz\u003c\/strong\u003e. It also accepts \u003cstrong\u003eexternal\u003c\/strong\u003e sampling frequencies of \u003cstrong\u003e32, 176.4, and 192 kHz\u003c\/strong\u003e, useful if your studio is locked to a clock or specific production environment. Add to this a jitter specified at \u003cstrong\u003e300 ps\u003c\/strong\u003e (average 700 Hz to 100 kHz): the goal is stable conversion, with a clean image and high-frequency response, especially when stacking takes.\u003c\/p\u003e\u003ch4\u003eFiltering and frequency response adapted for recording\u003c\/h4\u003e\u003cp\u003eThe frequency response is specified as \u003cstrong\u003e10 Hz to 22 kHz\u003c\/strong\u003e (at 48 kHz) with a tolerance of \u003cstrong\u003e+\/-0.2 dB\u003c\/strong\u003e, ensuring linear capture over the essential useful spectrum. The stopband attenuation figures (\u003cstrong\u003e-105 dB at 48 kHz\u003c\/strong\u003e, \u003cstrong\u003e-102 dB at 96 kHz\u003c\/strong\u003e) confirm this: clean filtering designed to limit out-of-band artifacts and maintain a natural sound, especially on vocals and acoustic sources.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003econverter\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e10 Hz - 22 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSampling frequency\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e192 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOptional analog-to-digital conversion card for the following SPL devices\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFrontliner, Channel One, Track One, Kultube, GainStation1, GoldMike MK2\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eStopband attenuation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-105 dB at 48 kHz; -102 dB at 96 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:9;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInternal sampling frequencies\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e44.1, 48, 88.2, 96 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003e0 dB FS\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+15 dBu\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eExternal sampling frequencies\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e32, 176.4, and 192 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower consumption at +15 V\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emax. 115 mA\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:11;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e112 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower consumption at -15 V\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emax. 17 mA\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:12;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTotal harmonic distortion + noise (at -1 dB FS \/ 1 kHz)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e0.0007%\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions (W x H x D)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e100 x 27 x 76 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:6;--wb-r:13;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response (48 kHz)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e10 Hz - 22 kHz, +\/-0.2 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e68 g\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:7;--wb-r:14;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eJitter (average 700 Hz - 100 kHz)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e300 ps\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":54357913272595,"sku":"185075","price":219.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/4d9d8217488fe7dae9dd0cb2d5841993cb24a970_1SPL_AD_CONVERTER_1090.jpg?v=1789360898"},{"product_id":"spl-madison-185048","title":"Madison","description":"\u003ch3\u003eAn SPL Converter Designed for Studios Working with MADI\u003c\/h3\u003e\u003cp\u003eThe \u003cstrong\u003eSPL Madison\u003c\/strong\u003e fits within the brand's approach: offering studio tools that are both \u003cstrong\u003erobust\u003c\/strong\u003e, \u003cstrong\u003eeasy to configure\u003c\/strong\u003e, and focused on \u003cstrong\u003esound quality\u003c\/strong\u003e. In a modern setup, MADI remains an extremely efficient solution for transporting many channels with great stability. The Madison thus positions itself as a \u003cstrong\u003econversion bridge\u003c\/strong\u003e between your analog environment (preamps, channels, compressors, console, summing mixer, patchbay) and your digital MADI infrastructure, while maintaining a compact format and direct front-panel control.\u003c\/p\u003e\u003ch3\u003eWho It's For and Its Uses in Studio, Live, and Broadcast\u003c\/h3\u003e\u003cp\u003eThe Madison is aimed at studios that need \u003cstrong\u003ereliable multichannel conversion\u003c\/strong\u003e for recording and mixing, especially in \u003cstrong\u003emultitrack\u003c\/strong\u003e or intensive \u003cstrong\u003erouting\u003c\/strong\u003e configurations. It is also suitable for \u003cstrong\u003elive\u003c\/strong\u003e and \u003cstrong\u003ebroadcast\u003c\/strong\u003e environments that rely on MADI's stability and \u003cstrong\u003every low conversion latency\u003c\/strong\u003e. Thanks to its \u003cstrong\u003e16 analog I\/Os\u003c\/strong\u003e, you can, for example: output 16 stems to a console, insert external processing on multiple buses, or centralize inputs from a preamp rack while maintaining precise and coherent monitoring returns.\u003c\/p\u003e\u003ch3\u003eConversion, Clocking, and Ergonomics: The Essentials Without Complexity\u003c\/h3\u003e\u003ch4\u003eAn Analog Section Designed for Professional Level\u003c\/h4\u003e\u003cp\u003eWith an analog architecture on \u003cstrong\u003e36 V audio rails\u003c\/strong\u003e and a \u003cstrong\u003e+24 dBu output level\u003c\/strong\u003e, the Madison is designed to integrate naturally into a professional studio chain. This headroom facilitates adaptation to external devices, improves the margin before saturation, and contributes to a solid reproduction whether you are working in tracking, analog summing, or parallel processing.\u003c\/p\u003e\u003ch4\u003eMADI: Channel Density and Latency-Free Daisy-Chaining\u003c\/h4\u003e\u003cp\u003eThe Madison allows consolidating a large number of channels via MADI: up to \u003cstrong\u003e64 I\/Os on a single port\u003c\/strong\u003e using \u003cstrong\u003e4 units\u003c\/strong\u003e. The \u003cstrong\u003elatency-free MADI daisy-chaining\u003c\/strong\u003e is a real daily convenience: you extend the system without multiplying complex connections, while maintaining a clear structure for your patch and DAW routing.\u003c\/p\u003e\u003ch4\u003eSPL Clock-Shop and Front-Panel Accessible Settings\u003c\/h4\u003e\u003cp\u003eThe stability of a multichannel system depends as much on conversion as on synchronization. The Madison integrates \u003cstrong\u003eSPL Clock-Shop\u003c\/strong\u003e for extremely stable operation. On a daily basis, the user interface is designed to get straight to the point: \u003cstrong\u003esettings and configuration from the front panel\u003c\/strong\u003e, and \u003cstrong\u003edisplays visible from a distance\u003c\/strong\u003e to quickly monitor the level of each input and output channel, even in a fully loaded rack.\u003c\/p\u003e\u003ch4\u003eSilence and Reliability in Installation\u003c\/h4\u003e\u003cp\u003eDesigned to operate both in control rooms and technical areas, the Madison adopts a \u003cstrong\u003efanless\u003c\/strong\u003e, totally silent design with controlled power consumption (\u003cstrong\u003e30 W max.\u003c\/strong\u003e). For critical installations, an \u003cstrong\u003eoptional redundant power supply\u003c\/strong\u003e enhances service continuity.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003econverter\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e16\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSampling frequency\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e192 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConversion\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e16 A\/D converters and 16 D\/A converters in a rack unit\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutput level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e+24 dBu (professional level)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLatency\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003every low conversion latency\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFour selectable reference levels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e15 \/ 18 \/ 22 \/ 24 dBu\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMADI I\/O\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eultra-compatible\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRange\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e44.1 to 192 kHz (variation possible +\/-10%)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eSPL Clock-Shop for extremely stable operation\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1U Rack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDesign\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003efanless, totally silent\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePower consumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e30 W max.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eManufacturing\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eMade in Germany\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePositioning\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ebest price\/performance ratio\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":54358073344275,"sku":"185048","price":2199.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/97bfa106df90ae6444d12c8062db0b12cdcd34d0_SPL_SPL_MADISON_7479a81d-4664-4a3c-b4fd-03cf4381937c.jpg?v=1787332288"},{"product_id":"spl-mercury-361536","title":"Mercury","description":"\u003ch3\u003e120V Technology: A Signature Designed for Mastering Precision\u003c\/h3\u003e\u003cp\u003eMercury positions itself as a mastering DA converter emphasizing a 120V architecture, an approach focused on listening quality and signal stability in the most critical contexts. In a mastering chain, the DA converter is not just an output link: it shapes the perception of micro-dynamic variations, tonal balance, and transient playback. Mercury follows this logic by offering conversion dedicated to the fine evaluation of processing decisions, standing out with a design aimed at preserving signal integrity down to the smallest details.\u003c\/p\u003e\u003cp\u003eThis \"mastering\" orientation also reflects a very studio-centric philosophy: centralizing digital sources, ensuring solid synchronization, and providing a variable output to integrate Mercury at the heart of monitoring. The result is a tool that naturally fits into a professional control room but remains equally relevant in a high-end mixing studio seeking a reliable listening reference.\u003c\/p\u003e\u003ch3\u003eFor Whom and For What Uses? A Reference DAC to Decide Faster and More Accurately\u003c\/h3\u003e\u003cp\u003eMercury is primarily aimed at mastering engineers and studios requiring extremely clear playback of sound layers, bass management, and perceived dynamics. It is also suitable for post-production environments and mixing control rooms where juggling multiple digital sources and clock coherence is a daily concern.\u003c\/p\u003e\u003cp\u003eThanks to its seven digital stereo input sources, Mercury allows quick comparison of different audio paths (players, digital outputs of workstations, external chains) without constantly reconfiguring the control room. This is an immediate time saver but, above all, a way to maintain a consistent listening methodology: same level, same conversion, same monitoring. In validation, quality control, or archiving situations, this consistency becomes a real advantage.\u003c\/p\u003e\u003cp\u003eFinally, the presence of an additional variable output transforms Mercury into a monitor controller: you can adjust the listening level directly from the unit and streamline the chain, particularly useful when the goal is to reduce intermediaries between conversion and speakers.\u003c\/p\u003e\u003ch3\u003eKey Features: Source Centralization, Controlled Clock, Simplified Monitoring\u003c\/h3\u003e\u003ch4\u003eSeven Digital Stereo Inputs for a Smoother Control Room\u003c\/h4\u003e\u003cp\u003eMercury offers \u003cstrong\u003eseven digital stereo input sources\u003c\/strong\u003e, making it a true hub for studios multiplying listening references and workflows. You can switch from one source to another to compare a pre-master, a reference, an alternative conversion output, or different stages of a processing chain, all while maintaining a coherent conversion signature. This approach encourages faster and more reliable choices because listening occurs within a consistent framework.\u003c\/p\u003e\u003ch4\u003eSynchronization Between Sources or Locking to Word Clock\u003c\/h4\u003e\u003cp\u003eSynchronization is a sensitive point in digital environments: a poorly locked system can introduce instability and artifacts, complicating comparisons. Mercury allows its sources to be \u003cstrong\u003esynchronized with each other\u003c\/strong\u003e or \u003cstrong\u003ewith a word clock\u003c\/strong\u003e. This flexibility facilitates integration into complex setups, whether a studio with a central clock or a setup evolving over sessions. The goal remains the same: maintain a solid time reference for stable conversion and a clean stereo image.\u003c\/p\u003e\u003ch4\u003eVariable Output: Mercury as a Monitor Controller\u003c\/h4\u003e\u003cp\u003eIn addition to its main output, Mercury features an \u003cstrong\u003eadditional variable output\u003c\/strong\u003e that enables it to serve as a monitor controller. In practice, this means the unit can become the control point for listening level, simplifying the audio path and reducing the need for a dedicated controller in some configurations. For a mastering control room, it is also a way to keep the chain short, clear, and controlled while maintaining ergonomic volume control.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003econverter\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e7\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSampling frequency\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e192 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":54358320873747,"sku":"361536","price":2990.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/e1dbd8f1712de2bac2da73fafae34756e0ace283_SPL_MERCURY.jpg?v=1787336871"},{"product_id":"spl-smc-5-1-185086","title":"SMC 5.1","description":"\u003ch3\u003eAn SPL Controller Designed for Modern Surround Workflows\u003c\/h3\u003e\u003cp\u003eDesigned for editing, processing, and sound reproduction applications, the SPL SMC (model 2489) follows the SPL tradition: \u003cstrong\u003eprecise, robust, and ergonomic\u003c\/strong\u003e monitoring, suited to current audio and video production environments. Placed on the work surface, it becomes the natural control point of the studio, offering volume and source management independent from your digital audio workstation.\u003c\/p\u003e\u003ch3\u003eWho and What For: From Stereo Mixing to 5.1 Postproduction\u003c\/h3\u003e\u003cp\u003eThe SMC is particularly relevant in production and postproduction, whether you work with Pro Tools, Nuendo, Cubase, Logic, Deck, or similar environments. Its benefit is simple: regardless of the software, you maintain \u003cstrong\u003ereliable control over listening levels\u003c\/strong\u003e and sources without having to multiply auxiliary sends, master buses, or gain adjustments within the session.\u003c\/p\u003e\u003cp\u003eIn practice, this helps you avoid the common compromises of \"all in software\" monitoring: when digital levels are not optimal, you may end up with listening that is too low, too high, or a conversion stage pushed beyond its best conditions. With a dedicated controller like the SMC, you keep a \u003cstrong\u003econsistent listening experience\u003c\/strong\u003e and a cleaner workflow, session after session.\u003c\/p\u003e\u003ch3\u003eKey Features: Source Comparison, Signal Integrity, and Comprehensive Connectivity\u003c\/h3\u003e\u003ch4\u003eCompare Your References Without Losing Time\u003c\/h4\u003e\u003cp\u003eOne major advantage of the SMC is its ability to manage multiple signal sources. You can thus perform smooth comparative listening without having to systematically import each reference into the computer. This approach also reduces unnecessary handling and can avoid superfluous conversion steps depending on your setup, which is especially appreciated when working in high resolution.\u003c\/p\u003e\u003ch4\u003eA Studio Alternative to Consumer Solutions\u003c\/h4\u003e\u003cp\u003eTo control a 5.1 system, many turn to an integrated audio\/video amplifier. The problem is that these consumer solutions often route the analog signal through control circuits (or conversions) that can \u003cstrong\u003ecolor\u003c\/strong\u003e the listening experience. The SMC adopts a studio approach: dedicated analog control designed to preserve musical information and detail perception, especially when source resolution is high.\u003c\/p\u003e\u003ch4\u003eInputs and Outputs Designed to Integrate into a Real Studio\u003c\/h4\u003e\u003cp\u003eThe rear panel is designed to cover essential monitoring needs: the SMC can manage \u003cstrong\u003ea surround speaker group\u003c\/strong\u003e as well as \u003cstrong\u003ea pair of stereo monitors\u003c\/strong\u003e. The eight-channel Sub-D25 input allows routing of 6 surround channels and 2 stereo channels via clean and compact cabling, while the \u003cstrong\u003e8 additional RCA inputs\u003c\/strong\u003e facilitate direct connection of external players (SACD, DVD, CD, DAT, etc.).\u003c\/p\u003e\u003cp\u003eThe SPL balanced stages on inputs and outputs are designed to offer a \u003cstrong\u003ewide frequency response\u003c\/strong\u003e (up to 100 kHz) with high dynamic range and remarkable common-mode rejection, qualities typically sought for reliable, stable, and long-term usable monitoring.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBluetooth\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eNo\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eStereo RCA audio, 8 x symmetrical\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eModel\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2489\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBalanced D-Sub input\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e50 kOhm\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEquivalent noise level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-98 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSignal-to-noise ratio\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e120 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e10 Hz - 100 kHz\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e91 x 272 x 220 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1.80 kg\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":54358394470675,"sku":"185086","price":849.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/7342099bf529fb2a2509423e30f852c90d32aec2_SPL_SPLSMC.jpg?v=1788183464"},{"product_id":"spl-phonitor-3-393715","title":"Phonitor 3","description":"\u003ch3\u003ePhonitor 3: The \"Phonitor\" Philosophy in a Complete Monitoring Controller\u003c\/h3\u003e\u003cp\u003eWith the Phonitor 3, SPL combines in one device what is often missing at the listening station: a very high-level headphone amplifier and a true monitor controller, all powered by the brand's \u003cstrong\u003e120 V technology\u003c\/strong\u003e. The idea is simple: maintain a 100% analog chain, extremely detailed, capable of revealing the micro-balances of a mix, while offering essential functions to work quickly (source selection, headphone\/speaker switching, Mute) and verify your choices as on a console.\u003c\/p\u003e\u003ch3\u003eWho is the SPL Phonitor 3 for, and in which uses does it make a difference?\u003c\/h3\u003e\u003cp\u003eThe SPL Phonitor 3 is aimed at sound engineers, producers, and demanding creators who alternate between \u003cstrong\u003eheadphone listening\u003c\/strong\u003e and \u003cstrong\u003espeaker listening\u003c\/strong\u003e in a modern studio setup. It is particularly relevant if you work at times when speaker monitoring is limited, if you often mix on headphones, or if you are looking for a reliable central point to control your listening without adding digital conversion.\u003c\/p\u003e\u003cp\u003eIn both mixing and mastering, its control functions (Mono, channel solo, phase inversion, left\/right swap) speed up critical checks: vocal centering, low-end balance, stereo coherence, and quick detection of phase anomalies. The lateral control allows you to \u003cstrong\u003erecenter the stereo image\u003c\/strong\u003e according to your perception, very useful during long headphone sessions.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRackable\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eNo\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":54358576726291,"sku":"393715","price":1799.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/f6badb67f062b576aa27ec3fc2cd8f39af3be303_SPL_PHONITOR3.jpg?v=1787345314"},{"product_id":"spl-transient-designer-4-mk2-371174","title":"TRANSIENT DESIGNER 4 MK2","description":"\u003ch3\u003eFrom 1998 to Today: The Transient Designer Reference in a 4-Channel Format\u003c\/h3\u003e\u003cp\u003eIn 1998, SPL marked a turning point by launching the very first Transient Designer, a processor that opened a new category in the studio: \u003cstrong\u003etransient processing\u003c\/strong\u003e through separate control of attack and sustain. While a compressor relies on threshold, ratio, and timing (attack\/release), the Transient Designer acts directly on the perceived envelope of the signal, which changed the way to shape a snare drum, tighten a kick, add \"punch\" to a guitar take, or shorten an overly dominant room sound. The \u003cstrong\u003eTransient Designer 4 Mk2\u003c\/strong\u003e continues this legacy: it retains the processing qualities that made the series famous while modernizing the interface and handling with its aluminum controls, and especially by combining \u003cstrong\u003efour channels\u003c\/strong\u003e in a single rack unit.\u003c\/p\u003e\u003ch3\u003eWho Is the Transient Designer 4 Mk2 For, and When Does It Make a Difference?\u003c\/h3\u003e\u003cp\u003eThe SPL Transient Designer 4 Mk2 is aimed at \u003cstrong\u003erecording studios\u003c\/strong\u003e, mix engineers, and producers who want to save time and achieve immediate results on percussive or rhythmic sources. It is a formidable tool on \u003cstrong\u003edrums\u003c\/strong\u003e (kick, snare, toms, overheads, room), \u003cstrong\u003epercussions\u003c\/strong\u003e, \u003cstrong\u003ebass\u003c\/strong\u003e (pick attack or slap), \u003cstrong\u003eguitars\u003c\/strong\u003e (sharper attack or controlled sustain), as well as on \u003cstrong\u003epianos\u003c\/strong\u003e or \u003cstrong\u003eloops\u003c\/strong\u003e to reshape dynamics without crushing the signal.\u003c\/p\u003e\u003cp\u003eWith its 4 channels, it integrates perfectly into a modern workflow: processing multiple drum mics, managing stems, or quickly correcting heterogeneous takes. In mixing, it helps to make an element \"stand out\" without excessively raising the level, and to \u003cstrong\u003eclean up\u003c\/strong\u003e an overly long sustain (resonances, bleed, room) while preserving transient energy.\u003c\/p\u003e\u003ch3\u003ePrecise, Fast, and Musical Envelope Shaping\u003c\/h3\u003e\u003ch4\u003eDifferential Envelope Technology: A No-Fuss Approach\u003c\/h4\u003e\u003cp\u003eThe Transient Designer 4 Mk2 is based on \u003cstrong\u003edifferential envelope technology\u003c\/strong\u003e, designed to modify the impact and sustain of a sound intuitively. Rather than \"compressing,\" it allows you to boost or attenuate the \u003cstrong\u003eattack phase\u003c\/strong\u003e and the \u003cstrong\u003edecay phase\u003c\/strong\u003e independently. In practice, this translates to faster adjustments, immediate feedback on the result, and great efficiency for reshaping a take that lacks punch or, conversely, taming an aggressive transient.\u003c\/p\u003e\u003ch4\u003eTwo Key Controls: Attack and Sustain\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003eAttack\u003c\/strong\u003e control makes a sound more punchy or softer: the attack of a signal can be \u003cstrong\u003eincreased or decreased by up to 15 dB\u003c\/strong\u003e. The \u003cstrong\u003eSustain\u003c\/strong\u003e control affects the sense of length and ambiance: the decay phase can be \u003cstrong\u003eamplified or reduced by up to 24 dB\u003c\/strong\u003e. In practice, you can shorten a snare that rings too long, tighten a sloppy kick, open up a room mic for more size, or create the illusion of a more \"alive\" take without resorting to complex processing.\u003c\/p\u003e\u003ch4\u003eStereo Link and Headroom for Reliable Studio Integration\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003eLink function\u003c\/strong\u003e facilitates stereo processing, useful on overheads, room mics, percussion buses, or stems. Regarding integration, the Transient Designer 4 Mk2 accepts and delivers up to \u003cstrong\u003e21 dBu\u003c\/strong\u003e, ensuring excellent headroom before saturation in professional analog chains. Its very wide \u003cstrong\u003efrequency response\u003c\/strong\u003e helps preserve transient definition, and its low distortion rate maintains a clean sound even when pushing settings for creative effects.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e4\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eU-height\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAttack\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eincrease or decrease attack phase up to 15 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSustain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eamplify or attenuate decay phase up to 24 dB\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum input level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e21 dBu\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum output level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e21 dBu\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response (-3 dB)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e10 - 100,000 Hz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTHD+N (0 dBu, 10 Hz - 22 kHz)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e0.021%\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions (W x H x D)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e482 x 44 x 237 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e3.3 kg\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":54358862397715,"sku":"371174","price":1199.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/c7498a484f479ea91e310c676bf019808f301da1_SPL_2220.jpg?v=1787353572"},{"product_id":"spl-2control-170550","title":"2control","description":"\u003ch3\u003eA \"Listening Center\" Designed for Modern Monitoring\u003c\/h3\u003eThe SPL 2Control was designed as a true compact monitoring center, capable of covering the two key studio uses: speaker listening and headphone listening. Its approach is based on a fully dual design, which simplifies daily tasks when switching between multiple sources, comparing two pairs of monitors, or working with two people on headphones (collaboration, session with a client, mixing decision-making).\u003cbr \/\u003eFully analog, the 2Control naturally fits between your audio interface (or converter) and your listening systems. The goal is clear: centralize volume and monitoring control without complicating your audio chain, and with immediate ease of use.\u003cbr \/\u003e\u003ch3\u003eWho Is It For and What Studio Uses?\u003c\/h3\u003eThe 2Control is aimed at musicians, beatmakers, sound engineers, and DAW creators who want reliable and quick control of their monitoring. It is particularly relevant in home studios, where users often switch between nearfield monitors and headphones, and sometimes need to work at low volumes (or at night) without losing precision.\u003cbr \/\u003eThanks to its two headphone amplifiers, it also becomes a practical tool for two-person sessions: you and a colleague, an artist, or a client who wants to follow the work. Finally, its compact format and autonomous operation make it an interesting companion to carry from one production environment to another, maintaining consistent listening references.\u003cbr \/\u003e\u003ch3\u003eKey Features to Better Judge Your Mixes\u003c\/h3\u003e\u003ch4\u003eAnalog Volume Control: Preserve Audio Quality\u003c\/h4\u003eMany D\/A converters and sound cards do not offer analog adjustment of the listening level. The common solution is then to lower the level digitally, directly in the interface or software. However, this method can impact the effective resolution and perception of micro-details.\u003cbr \/\u003eThe 2Control addresses this need with a volume control placed downstream, in the analog domain. You thus exploit the full dynamic range of your conversion while adjusting the listening level as precisely as possible to your monitors via the large central knob.\u003cbr \/\u003e\u003ch4\u003eCrossfeed: Headphones That Approach Speaker Listening\u003c\/h4\u003eThe \u003cstrong\u003eCrossfeed\u003c\/strong\u003e adjustment allows you to modify the crosstalk between the left and right channels to modulate the perceived stereo width on headphones. The benefit is twofold: on one hand, it helps to judge stereo placement (panning, reverbs, delays) more calmly, and on the other, it broadens headphone use beyond analytical detail listening.\u003cbr \/\u003eFor producers who often work on headphones, especially in home studios or constrained hours, Crossfeed transforms headphones into a true complementary monitoring system. You maintain a familiar listening experience, more usable for making decisions on the sound image.\u003cbr \/\u003e\u003ch4\u003eTwo Dedicated Headphone Amplifiers: Listening for Two, Total Control\u003c\/h4\u003eThe 2Control integrates \u003cstrong\u003etwo distinct headphone amplifiers\u003c\/strong\u003e, each with its own volume control. The result: two people can listen simultaneously without compromise, each with an adapted level. It is a simple and centralized solution for shared sessions, editing, or mix approval.\u003cbr \/\u003e\u003ch4\u003eSeparate Mono Output: Mono Control or Subwoofer Addition\u003c\/h4\u003eIn addition to the stereo output for monitors, the 2Control offers a \u003cstrong\u003eseparate mono speaker output\u003c\/strong\u003e. It allows powering a mono listening system (practical for checking mono compatibility and low-mid coherence) or connecting a subwoofer. This latter use is particularly interesting in headphone setups, to regain a more physical sensation of bass and better evaluate the impact of low frequencies.\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBluetooth\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eNo\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDual architecture\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2 channels\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCrossfeed\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eanalog adjustment of stereo width by modifying crosstalk between channels\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":54359115628819,"sku":"170550","price":829.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/614bb9a6f36c6f3c2b341c83ab874eaecd64c4e4_SPL_2CONTROL.jpg?v=1787358095"},{"product_id":"spl-track-one-mk3-385196","title":"Track One MK3","description":"\u003ch3\u003eA modern mono channel strip designed for \"studio-ready\" recording\u003c\/h3\u003e\u003cp\u003eIn a home studio setup or fast production environment, the goal is often the same: to obtain a clean, stable, and already shaped signal at the recording stage. This 1-channel console strip follows this logic by combining the essential processing of a console channel (preamplification, sibilance control, compression, limiting, and equalization) into a 1U rack format. The result: less external chaining, a more direct workflow, and more consistent takes right from capture.\u003c\/p\u003e\u003ch3\u003eWho is it for and what are its uses?\u003c\/h3\u003e\u003cp\u003eThis channel strip is aimed at creators who want to \u003cstrong\u003esave time\u003c\/strong\u003e and \u003cstrong\u003esecure their recordings\u003c\/strong\u003e: singers and sound engineers in home studios, podcasters, streamers, rehearsal studios, or control rooms needing a reliable mono channel for lead vocals, voice-over, live bass, or acoustic instruments miked. Thanks to the 6.3 mm jack instrument input and the line input with adjustable gain, it can also serve as a versatile \"front-end\" before an audio interface, console, or recorder.\u003c\/p\u003e\u003ch3\u003eIntegrated processing: control, musicality, and security on a single channel\u003c\/h3\u003e\u003ch4\u003eMic, line, and instrument preamp: an input adapted to each source\u003c\/h4\u003e\u003cp\u003eThe mic preamp offers up to \u003cstrong\u003e68 dB of gain\u003c\/strong\u003e, a benefit for microphones requiring significant amplification. The \u003cstrong\u003e48 V phantom power\u003c\/strong\u003e activates as needed for condenser mics, while the \u003cstrong\u003e80 Hz high-pass filter\u003c\/strong\u003e helps clean vibrations, plosives, and rumbles even before dynamic processing. For line-level sources, the adjustable gain (from -12 dB to +22 dB) facilitates adaptation to your chain, and the front-panel instrument input allows direct connection of a guitar or bass with a gain range designed for playing dynamics and attack.\u003c\/p\u003e\u003ch4\u003eDe-esser: cleaner vocals without smoothing character\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003ede-esser\u003c\/strong\u003e with adjustable \"S\" reduction targets sibilance (s, ch, t) that tires the ear and complicates mixing. Positioned correctly in the chain, it keeps vocals present and detailed while limiting excessive sibilance at the source, which is especially useful for narration, pop singing, and close-miking.\u003c\/p\u003e\u003ch4\u003eCompressor and soft limiter: controlled dynamics, peaks under control\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003ecompressor\u003c\/strong\u003e features a threshold adjustment via compression control, \u003cstrong\u003emake-up gain\u003c\/strong\u003e to restore level after reduction, and a \u003cstrong\u003egain reduction display\u003c\/strong\u003e to adjust by ear while keeping a visual reference. Additionally, the \u003cstrong\u003esoft limiter\u003c\/strong\u003e acts as protection against overly strong transients: practical to avoid clipping during conversion, stabilize energetic vocals, or handle dynamic bass without losing musicality.\u003c\/p\u003e\u003ch4\u003eSemi-parametric equalizer and \"air\" band: sculpt without overprocessing\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003eequalizer\u003c\/strong\u003e offers semi-parametric low\/mid and mid\/high bands to precisely address problem areas (muddy, nasal, harsh), and an \"air\" band at \u003cstrong\u003e19 kHz\u003c\/strong\u003e to add a sense of openness and definition. This approach effectively brings vocals forward in the mix, restores clarity to an acoustic guitar, or adds brightness to a DI while maintaining a natural imprint.\u003c\/p\u003e\u003ch4\u003eCompressor-Link: stereo coherence when you need it\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003eCompressor-Link\u003c\/strong\u003e function facilitates paired use (for example with a second unit) to achieve consistent compression behavior on a stereo bus or source pair, useful for stereo recordings requiring a stable image.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ePreamp\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e3 channels\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e482 x 44 x 210 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e3.4 kg\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":54359152623891,"sku":"385196","price":1099.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/22c20eb88b99a963229cbb9ad10534671fe64d3e_1SPL_TRACK_ONE_MK3.jpg?v=1787358148"},{"product_id":"spl-hermes-361533","title":"Hermes","description":"\u003ch3\u003eA \"mastering console\" approach rooted in SPL 120V DNA\u003c\/h3\u003e\u003cp\u003eHermes follows the SPL \"120V\" philosophy, developed by Wolfgang Neumann in the 1990s with a simple idea: to achieve truly superior audio quality, a very high operating voltage is required. This approach took an iconic form in the early 2000s with the SPL MMC1 mastering console (designed for demanding environments), and has since become the foundation of SPL's premium products, from mastering to studio and hi-fi listening.\u003c\/p\u003e\u003cp\u003eOn Hermes, this signature is not a \"boutique\" effect: it secures levels, stabilizes playback, and keeps the chain calm when modern conversions and chained analog processing push peaks higher. The result: a more relaxed listening experience, rich in micro-details, and the ability to work for long periods without fatigue.\u003c\/p\u003e\u003ch3\u003eWho it's for, and in which workflows Hermes makes a difference\u003c\/h3\u003e\u003cp\u003eHermes is designed for mastering engineers (and mix engineers focused on the \"mix bus\") who use multiple stereo analog processors and want \u003cstrong\u003ereliable recall\u003c\/strong\u003e and \u003cstrong\u003eimmediate comparisons\u003c\/strong\u003e without complex patchbays or multiplying conversions. It's also a formidable tool for hybrid studios: you keep your DAW as the control center while benefiting from an analog architecture capable of chaining sophisticated processing cleanly.\u003c\/p\u003e\u003cp\u003eIts value becomes clear as soon as you need to answer concrete, typical pro session questions: \"This EQ before or after the compressor?\", \"What if we do 30% parallel on this VCA, then 10% on an opto?\", \"Which chain holds up best when pushing the level?\" Hermes turns these hesitations into quick, reproducible, and perfectly comparable decisions.\u003c\/p\u003e\u003ch3\u003eRecallable routing, double parallel: a router that behaves like a decision-making instrument\u003c\/h3\u003e\u003ch4\u003eUp to eight stereo processors, in the order you choose\u003c\/h4\u003e\u003cp\u003eThe heart of Hermes is freedom: your signal can be processed by \u003cstrong\u003eup to eight 2-channel processors\u003c\/strong\u003e (EQs, compressors, de-essers, saturations, M\/S, etc.) in the exact order you decide. Once the chain is built, it can be \u003cstrong\u003estored\u003c\/strong\u003e and recalled, providing real comfort in modern mastering: consistency across tracks, client revisions, alternative versions, or simple A\/B\/C\/D comparisons.\u003c\/p\u003e\u003ch4\u003eCompare up to four complex chains instantly\u003c\/h4\u003e\u003cp\u003eIn mastering, quality depends not only on good gear but on the right \u003cstrong\u003escenario\u003c\/strong\u003e: the sequence of processing, their interactions, and the subtle tweaks that change perception. Hermes allows you to face off \u003cstrong\u003eup to four chains\u003c\/strong\u003e and switch between them at the push of a button. You compare \"structural\" decisions (order, insertion, parallel) as easily as if you were toggling a simple bypass.\u003c\/p\u003e\u003ch4\u003eTwo stages of Parallel Mix, freely assignable\u003c\/h4\u003e\u003cp\u003eWhere many setups stop at a single parallel path, Hermes offers \u003cstrong\u003etwo stages of parallel mix\u003c\/strong\u003e (dual Parallel Mix) that you can \u003cstrong\u003efreely assign\u003c\/strong\u003e to the eight processors, then store with the chain. Practically, you can test two different compressions in parallel, each with its own level, without rebuilding your routing or changing your global gain staging.\u003c\/p\u003e\u003cp\u003eThis is especially effective for: enhancing impact without crushing transients, thickening low-mids without blurring the image, or adding cohesion to a mix while preserving openness. And since these parallels are designed for \"mastering,\" the goal remains precision, quick decision-making, and reproducibility.\u003c\/p\u003e\u003ch4\u003e120V technology: headroom, silence, and stability\u003c\/h4\u003e\u003cp\u003eSPL's 120V technology relies on very high internal voltage (analog audio at +\/- 60 V) and proprietary operational amplifiers designed to handle these conditions. Compared to more conventional circuits (often around +\/- 15 V), this provides \u003cstrong\u003esignificantly greater headroom\u003c\/strong\u003e: your peaks pass without distortion, your serial processing remains clear, and connected devices operate in a more comfortable zone.\u003c\/p\u003e\u003cp\u003eIn practice, this translates to calmer, more detailed playback, a more stable sense of depth, and more natural behavior when driving a compressor or EQ with already high levels. For mastering, this is an immediate advantage: you gain confidence in micro-decisions, and your chain stays coherent even when multiplying stages.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e8\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eU-height\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAnalog inputs and outputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eXLR and DB25 (balanced)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInput impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e20 kohms\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutput impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e75 ohms\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum input and output gain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e32.5 dBu\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response (at -3 dB)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e4 Hz to 300 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCommon mode rejection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-75 dBu\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCrosstalk (1 kHz, 0 dBu)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-130 dBu\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCrosstalk (1 kHz, 0 dBu, Parallel Mix active)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-110 dBu\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNoise (A-weighted)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-121 dBu\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNoise (A-weighted, Parallel Mix active)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-104 dB\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOperating voltage for analog audio\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e+\/- 60 V\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOperating voltage for relays and LEDs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e+12 V\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMains voltage (selectable, see fuse compartment)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e230 V AC \/ 50 Hz; 115 V AC \/ 60 Hz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFuse for 230 V\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eT 1 A\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFuse for 115 V\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eT 2 A\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePower consumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003emax. 40 VA\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions (W x H x D)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e482 x 88 x 300 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e9 kg\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eShipping weight (with packaging)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e10.65 kg\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":54359607607571,"sku":"361533","price":4990.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/54d58c9c2285ff8d5dcc3165f3d3504be1e2ca20_SPL_HERMES.jpg?v=1787365958"},{"product_id":"spl-big-365850","title":"Big","description":"\u003ch3\u003eBiG: the SPL stereo widener that complements the 500 series with a dual module\u003c\/h3\u003e\u003cp\u003eWith BiG, SPL expands its 500 series range by offering a \u003cstrong\u003edual module\u003c\/strong\u003e entirely dedicated to stereo image processing. The goal is not simply to \"fatten up\" a mix, but to \u003cstrong\u003eredefine the perception of width\u003c\/strong\u003e by working more creatively on frequency areas and their positioning in the stereo field.\u003c\/p\u003e\u003cp\u003eAs with SPL products oriented towards studio and mastering, the approach favors direct ergonomics and immediate musicality: a few well-thought-out controls, easy-to-dose action, and a signature aimed at effectiveness in both mixing and finishing.\u003c\/p\u003e\u003ch3\u003eWho is it for and what are the studio applications?\u003c\/h3\u003e\u003cp\u003eThe SPL BiG is designed for sound engineers, producers, and home studio users who want to \u003cstrong\u003egain stereo width\u003c\/strong\u003e without diluting the center or losing clarity. It naturally fits on a stereo bus (mix bus), on stems (keyboards, guitars, choirs, reverbs), or as creative processing on already stereo sources.\u003c\/p\u003e\u003cp\u003eIn mixing, BiG helps to \u003cstrong\u003eexpand the space\u003c\/strong\u003e while maintaining control: you choose \u003cstrong\u003ewhere\u003c\/strong\u003e the processing acts in the spectrum, then \u003cstrong\u003ehow\u003c\/strong\u003e this area projects (more forward or more backward), and finally \u003cstrong\u003ehow much\u003c\/strong\u003e width you add. In mastering contexts, it can be used to refine openness and the sense of depth, with precise dosing to remain compatible with mono listening and various systems.\u003c\/p\u003e\u003ch3\u003eControls and functions: a sculpted stereo width, not just increased\u003c\/h3\u003e\u003ch4\u003eRANGE: target the frequency area to widen\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003eRANGE\u003c\/strong\u003e control allows you to select the frequency range that will be affected by the processing. Rather than applying a global widening, you can thus direct your work: preserve a solid foundation, avoid blurring the lows, or conversely bring air and breadth where the mix needs it.\u003c\/p\u003e\u003ch4\u003eSTAGE: place the material in the depth of the stereo field\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003eSTAGE\u003c\/strong\u003e control is used to move the selected frequency range forward or backward in the stereo field. This is a particularly useful lever to create a clear hierarchy in space: push back an ambiance, give more presence to a pad, or better \"anchor\" an ensemble without overload.\u003c\/p\u003e\u003ch4\u003eBIGNESS: adjust the intensity of the widening\u003c\/h4\u003e\u003cp\u003eWith the imposing \u003cstrong\u003eBIGNESS\u003c\/strong\u003e control, you set the intensity of the processing. The advantage is to be able to go from a \u003cstrong\u003esubtle widening\u003c\/strong\u003e (just enough to let a mix breathe) to a much more spectacular rendering for creative effects, while keeping a simple and immediate handling.\u003c\/p\u003e\u003ch4\u003eBASS function: bass reinforcement via passive filter\u003c\/h4\u003e\u003cp\u003eAnother highlight, the \u003cstrong\u003eBASS\u003c\/strong\u003e function reprises an idea already familiar to users of the \u003cstrong\u003eSPL IRON Mastering Compressor\u003c\/strong\u003e. Here, bass enhancement is achieved via a \u003cstrong\u003epassive filter\u003c\/strong\u003e, implemented in a circuit similar to the IRON's AirBass function. The result: a more present and \"settled\" low end, designed to remain musical and coherent in mixing or finishing contexts.\u003c\/p\u003e\u003ch4\u003eSPL design: through-hole components and German manufacturing\u003c\/h4\u003e\u003cp\u003eThe BiG is assembled with \u003cstrong\u003eThrough-hole\u003c\/strong\u003e mounted components (through-hole components on the printed circuit board), a choice that allows SPL to use high-performance components. 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The DMC fits precisely within this philosophy. As the nerve center, it brings together playback sources, the digital audio workstation, recorders, and speaker monitoring into a single point. This strategic position imposes a simple requirement: to betray nothing of the signal, to complicate nothing of the workflow.\u003c\/p\u003e\u003cp\u003eThe DMC belongs to a series dedicated to mastering, reflected in a \"studio first\" approach: clear routing logic, installation coherence, and priority given to audio quality. The choice of a 120V operating voltage, common to the series devices, aligns with this performance- and stability-oriented approach, supporting intensive use and long sessions where consistency is paramount.\u003c\/p\u003e\u003ch3\u003eWho the DMC Is For: Mastering Studios, Demanding Mixing, and Hybrid Control Rooms\u003c\/h3\u003e\u003cp\u003eThe DMC is primarily aimed at mastering engineers and studios seeking to structure a control room around a single control point. If your chain includes multiple sources (players, converters), speaker monitoring, and a DAW environment that must remain fluid, the benefit is immediate: reducing handling, securing switches, and maintaining a stable, recallable, and understandable organization.\u003c\/p\u003e\u003cp\u003eIt is also relevant for high-end mixing studios and hybrid setups (analog and digital) where back-and-forth between DAW, converters, and external recording must remain simple. When comparing versions, checking a render, or validating an EQ or dynamics decision, quick access to the right monitoring and sources becomes a factor of creativity as much as precision.\u003c\/p\u003e\u003ch3\u003eFeatures and Benefits in Real-World Use: The Studio Gains Clarity\u003c\/h3\u003e\u003ch4\u003eCentralizing the Audio Chain Without Degrading It\u003c\/h4\u003e\u003cp\u003eMastering demands ruthless listening: tonal balance, micro-dynamics variations, stereo width, and depth perception sometimes hinge on very subtle differences. In this context, the console connecting your converters, players, DAW, recorders, and speakers must not be a simple \"hub,\" but a trusted link. The DMC is presented as this studio heart, exactly where impeccable behavior is expected: stability, coherence, and audio quality that does not call your decisions into question.\u003c\/p\u003e\u003ch4\u003eA Faster Workflow Between Sources, DAW, and Recordings\u003c\/h4\u003e\u003cp\u003eIn practice, the DMC allows structuring the studio around a fixed point: playback sources on one side, the DAW environment in the center, recording and monitoring at the chain's end. This setup reduces reconnections and limits routing errors, especially when switching between multiple players, conversion paths, or different monitoring contexts (validation, comparison, rendering, capture). Result: more time spent listening, less time spent \"following the cable.\"\u003c\/p\u003e\u003ch4\u003eThe 120V Architecture: A Signature of the Mastering Series\u003c\/h4\u003e\u003cp\u003eThe DMC adopts, like other devices in the mastering series, a 120V operating voltage. Without going into unspecified details, the general idea is clear: a power supply designed to support the device's overall performance in an environment where stability and consistency matter as much as sound quality. For a studio, this translates into a feeling of a \"settled\" system, ready to work, and coherent integration when combining multiple elements from the same family.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eU-height\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eProduct\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eDMC\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003emastering console (connection and control center of the audio chain)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRole\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eheart of the mastering studio, central point of the chain\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePlanned connections in the chain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003econverters\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOperating voltage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e120V\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFamily\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003edevice of the mastering series (same operating voltage as other devices in the series)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":54359805165843,"sku":"361531","price":5590.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/4541ac41870611db38c45b174a8fcb8987cafdf6_SPL_DMC.jpg?v=1787374260"},{"product_id":"spl-control-one-360461","title":"Control One","description":"\u003ch3\u003eSPL Control One: The \"One Series\" Approach to Monitoring\u003c\/h3\u003eWith the \u003cstrong\u003eControl One\u003c\/strong\u003e, SPL focuses on the essentials: a control chain designed to keep the \u003cstrong\u003esound\u003c\/strong\u003e front and center, without complicating the workflow. This controller follows the \"One\" philosophy: straightforward ergonomics, genuinely useful daily functions, and easy integration into a studio setup, from demanding home studios to sound editing suites. The goal is clear: switch from one source to another, from one pair of monitors to another, and validate a mix in just a few gestures, all while maintaining a clean and coherent analog signal.\u003cbr \/\u003e\u003ch3\u003eA Monitoring Controller Made for Mixing, Producing, and Comparing\u003c\/h3\u003eThe SPL Control One is aimed at those who want to \u003cstrong\u003esecure their mixing decisions\u003c\/strong\u003e through reliable comparison between multiple listening systems. It is ideal if you work with a main pair of speakers and a second \"reference\" pair (small monitors, hi-fi style speakers, etc.). It is also very suitable for \u003cstrong\u003esound design\u003c\/strong\u003e and \u003cstrong\u003epost-production\u003c\/strong\u003e environments: the \u003cstrong\u003eMono\u003c\/strong\u003e and \u003cstrong\u003eL\/R to R\/L\u003c\/strong\u003e controls speed up checks (compatibility, placement, direction of movement) without interrupting the session to manipulate the DAW.\u003cbr \/\u003eAnother strong point: the ability to connect two stereo analog sources (DA converter, console, player, preamp, synthesizer, tape machine) and listen to them selectively, or \u003cstrong\u003emixed together\u003c\/strong\u003e in \u003cstrong\u003e1+2\u003c\/strong\u003e mode. This makes it a very practical small gravity center for hybrid studios.\u003cbr \/\u003e\u003ch3\u003eKey Features: Switching, Stereo Image Control, and Headphone Listening\u003c\/h3\u003e\u003ch4\u003eTwo Pairs of Speakers, Plus a Subwoofer on Output A\u003c\/h4\u003eThe Control One allows you to listen to your production via \u003cstrong\u003etwo switchable pairs of speakers\u003c\/strong\u003e (A and B). A \u003cstrong\u003esubwoofer\u003c\/strong\u003e can be activated and deactivated with pair \u003cstrong\u003eA\u003c\/strong\u003e, making decisions in the low-frequency range easier without multiplying boxes. The selector includes a \u003cstrong\u003ecentral Off position\u003c\/strong\u003e that mutes the speakers: convenient for taking a break, switching to headphones, or avoiding any surprises when powering studio elements on or off.\u003cbr \/\u003e\u003ch4\u003eSource Management and Signal Loop Without Output Loss\u003c\/h4\u003eTwo stereo analog inputs can be connected, then selected or combined. The chosen signal is sent as is to the \u003cstrong\u003eline output\u003c\/strong\u003e, which functions as a \u003cstrong\u003eparallel loop\u003c\/strong\u003e: you can insert the Control One into your chain without \"losing\" an output, and easily feed an external headphone amplifier, an analog recorder, or send the signal back to a console for processing.\u003cbr \/\u003e\u003ch4\u003eThree Monitoring Modes + Continuous Crossfeed\u003c\/h4\u003eIn addition to the \u003cstrong\u003eStereo\u003c\/strong\u003e mode (default setting), you have a \u003cstrong\u003eMono\u003c\/strong\u003e mode to check compatibility and level balance, and an \u003cstrong\u003eL\/R to R\/L\u003c\/strong\u003e mode that instantly inverts the stereo image. This inversion is particularly effective when you need to match a movement (left-right) to a scene or quickly validate a sample without prior editing. Finally, the adjustable \u003cstrong\u003eCrossfeed\u003c\/strong\u003e function introduces controlled crosstalk between channels to achieve a more realistic and closer to \"natural\" spatial perception.\u003cbr \/\u003e\u003ch4\u003eStereo Headphone Output: A Real Working Tool\u003c\/h4\u003eThe Control One's stereo headphone output is not just an add-on: it is designed to offer a comfortable level reserve across different impedances, useful both for fine detail control and longer sessions. Combined with Crossfeed, it becomes an excellent complement to monitors for checking panning, depth, and overall mix coherence.\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBluetooth\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eNo\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eStereo jack audio\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eThree monitoring modes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eStereo, Mono, and L\/R \u0026gt; R\/L (inverts the stereo image from L\/R to R\/L)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eContinuously adjustable Crossfeed function\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ecrosstalk between the two stereo channels for a more realistic surround sound\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMax output power (headphones at 600 Ohm)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2x 190 mW\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMax output power (headphones at 250 Ohm)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2x 330 mW\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMax output power (headphones at 47 Ohm)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2x 400 mW\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response of analog inputs and outputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e10 Hz - 200,000 Hz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum input level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e+22.5 dBu\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e210 x 49.6 x 220 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1.45 kg\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":54359829184787,"sku":"360461","price":649.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/c889d19abc1aa7c0a5974178aa01d66df27510c0_SPL_1903.jpg?v=1788185159"},{"product_id":"spl-p8-adc8-410587","title":"P8 + ADC8","description":"\u003ch3\u003eA \"High-End\" Approach: The Signature of Discrete 8-Channel Preamps\u003c\/h3\u003e\u003cp\u003eThe P8 is based on a design philosophy typical of ambitious studio preamplifiers: eight strictly identical preamplification stages, each with a \u003cstrong\u003ediscrete architecture\u003c\/strong\u003e, meaning no integrated circuits. Instead, the audio path relies on individual components (transistors), a technical choice often sought after for its dynamic response, \"texture\" feel, and ability to preserve transient clarity. The result: a coherent 8-channel tool, designed to capture multiple sources simultaneously with the same character and level of quality.\u003c\/p\u003e\u003ch3\u003eFor Whom and For What Uses? From Demanding Home Studios to Recording Studios\u003c\/h3\u003e\u003cp\u003eThe P8 is aimed at musicians, sound engineers, and content creators who want to \u003cstrong\u003eincrease the number of microphone inputs\u003c\/strong\u003e without sacrificing quality. It is an excellent choice for recording a drum kit (kick, snare, toms, overheads), a string quartet, a choir, live takes, or multitrack vocal\/instrument sessions. Having dedicated controls per channel speeds up workflow: you adapt each input to the source, microphone, and placement, while maintaining a clear \"console\" ergonomics.\u003c\/p\u003e\u003cp\u003eThanks to its digital outputs and synchronization, the P8 also integrates naturally into modern setups: audio interface with ADAT inputs, rack configuration, or extension of an existing system. It then becomes a \"bank\" of preamps and additional inputs, ideal when moving from 2-channel recording to more ambitious multichannel productions.\u003c\/p\u003e\u003ch3\u003eStudio Features: Analog Control, Level Safety, and Low-End Cleanup\u003c\/h3\u003e\u003ch4\u003eOne Channel, One Source, Precise Adjustment\u003c\/h4\u003e\u003cp\u003eEach preamp offers \u003cstrong\u003eanalog gain\u003c\/strong\u003e to adjust the amplification as close as possible to the source. For condenser microphones, the \u003cstrong\u003e48 V phantom power\u003c\/strong\u003e is \u003cstrong\u003eindividually switchable\u003c\/strong\u003e: you activate only the channels that need it, which limits errors and protects dynamic or ribbon microphones (according to your microphone collection's usage precautions).\u003c\/p\u003e\u003ch4\u003ePAD, Phase Inversion, High-Pass Filter: The Tools That Save a Take\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003ePAD\u003c\/strong\u003e allows handling very strong sources (brass, snare drum, close-miked amps) by avoiding upstream saturation. \u003cstrong\u003ePhase inversion\u003c\/strong\u003e becomes essential as soon as multiple microphones are used (overheads, stereo pair, room mics) to optimize coherence and impact. Finally, the \u003cstrong\u003eanalog high-pass filter\u003c\/strong\u003e helps clean up the low end: handling noise, mic stand vibrations, air rumble, or excessive proximity effect. In practice, you gain headroom and facilitate mixing right from the recording stage.\u003c\/p\u003e\u003ch4\u003eDigital Connection and Synchronization: A Clean Extension of Your Interface\u003c\/h4\u003e\u003cp\u003eThe P8 can be connected to an audio interface via \u003cstrong\u003eADAT\u003c\/strong\u003e to transfer multiple channels digitally, while retaining the ergonomics and musicality of an analog preamp. The \u003cstrong\u003eWord Clock input\/output\u003c\/strong\u003e facilitates clock synchronization in a multi-device setup: fewer clicks, better stability, and smoother integration in a studio environment.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e8\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e8-channel microphone preamplifier \/ A\/D converter\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDesign\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ediscrete preamplifier (no integrated circuit)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eanalog gain control\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePhantom power\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e48 V switchable per channel\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePAD attenuator\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-20 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePhase inversion\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eswitchable\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHigh-pass filter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eanalog switchable (6 dB\/Oct at 80 Hz)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e15 Hz - 200 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEquivalent input noise\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-124 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNoise (A-weighted, microphone preamp, 150 ohms, 30 dB gain)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-94 dB\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConversion\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e192 kHz \/ 24-bit\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDigital outputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2 ADAT outputs\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSynchronization\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eWord Clock input\/output\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMicrophone inputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e8 on XLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLine output\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eSub-D25\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e482 x 44 x 237 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e4.15 kg\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":54359978869011,"sku":"410587","price":2234.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/8eeba5e5f1fbaa587d8cd14dbe30f7a415207f85_SPL_P8.jpg?v=1787374197"},{"product_id":"spl-passeq-185073","title":"PassEQ","description":"\u003ch3\u003eAn Extreme Vision of Modern Passive Equalization\u003c\/h3\u003e\u003cp\u003eA passive equalizer captivates through its musicality: natural curves, a sense of depth, and a rendering often more \"organic\" than purely active approaches. The Passeq pushes this philosophy further thanks to an exceptional filter density, designed to allow complex curves while maintaining phase coherence and a very smooth perceived response. Where many passive equalizers rely on a few carefully chosen bands, the Passeq offers a massive architecture: \u003cstrong\u003e144 passive filters\u003c\/strong\u003e working together to increase sculpting possibilities without sacrificing the sense of continuity.\u003c\/p\u003e\u003cp\u003eAnother strong commitment: design independence between filters. In practice, this means each section aims for optimal performance with its own component choices, rather than a repeated \"standardized\" approach. This method, more costly and complex, targets a clear goal: to offer a passive equalization capable of being both subtle (micro-adjustments) and ambitious (more refined curves), while remaining clean and stable on demanding sources.\u003c\/p\u003e\u003ch3\u003eIntended Uses and User Profiles\u003c\/h3\u003e\u003cp\u003eThe Passeq is aimed at those who want to exploit the \u003cstrong\u003esonic signature of a passive equalizer\u003c\/strong\u003e in contexts where conversion quality, dynamics, and tuning precision truly matter: high-level recording, detailed mixing, stereo bus, and finishing work. Its natural playground: sources where presence is sought without aggressiveness, air without harshness, and a solid midrange that does not collapse when you start to \"sculpt\".\u003c\/p\u003e\u003cp\u003eThanks to its coils specially designed for the critical midrange domain, it becomes particularly relevant for \u003cstrong\u003evocals\u003c\/strong\u003e (intelligibility, density, projection control), but also for guitars, pianos, overheads, strings, and anything living in the zone where the ear is most sensitive. In mastering or pre-mastering, it can also be used to refine tonal balance without giving the impression of forced processing, provided it is used with the typical passive equalizer method: listen, dose, and let the curve work.\u003c\/p\u003e\u003cbr \/\u003e\u003cbr \/\u003e\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\u003ch3\u003eEqualization and Architecture\u003c\/h3\u003e\u003cul\u003e\u003cli\u003e144 passive filters in total\u003c\/li\u003e\u003cli\u003e72 filters per channel\u003c\/li\u003e\u003cli\u003eIndependent design and component specifications for each filter\u003c\/li\u003e\u003cli\u003eDedicated coils for each filter with unique cores\u003c\/li\u003e\u003cli\u003eCoils specially designed for the critical midrange domain (vocal frequencies)\u003c\/li\u003e\u003cli\u003eSingle-core coils for better common-mode rejection ratio\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003eAmplification Stages\u003c\/h3\u003e\u003cul\u003e\u003cli\u003eAmplifiers powered at 120 Volts\u003c\/li\u003e\u003cli\u003eBased on proprietary SUPRA-OP operational amplifiers\u003c\/li\u003e\u003cli\u003eDynamic range: 150 dB\u003c\/li\u003e\u003cli\u003eSlew rate: 200 Volts\/s\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003eTransformers and Connectivity\u003c\/h3\u003e\u003cul\u003e\u003cli\u003eLundahl transformers at input\u003c\/li\u003e\u003cli\u003eLundahl transformers at output\u003c\/li\u003e\u003cli\u003eSwitchcraft XLR connectors\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003eControls and Components\u003c\/h3\u003e\u003cul\u003e\u003cli\u003eElma switches\u003c\/li\u003e\u003cli\u003eALPS potentiometers\u003c\/li\u003e\u003c\/ul\u003e\u003ch3\u003ePower Supply\u003c\/h3\u003e\u003cul\u003e\u003cli\u003eOversized internal linear toroidal power supply\u003c\/li\u003e\u003cli\u003eVoltage source selection: 110-120 Volts\u0026#59; 60 Hz or 220-240 Volts\u0026#59; 50 Hz\u003c\/li\u003e\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eU-height\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e4\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":54360232460563,"sku":"185073","price":3990.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/bc3b0e20fcc282cfe91f23cd8d90fbe8466c0580_SPL_SPLPASSEQ.jpg?v=1787382593"},{"product_id":"spl-mtc-mk2-365805","title":"MTC MK2","description":"\u003ch3\u003eA Modernized Classic for Today's Studios\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eHeir to the original MTC, the SPL MTC Mk2 returns with optimized analog architecture and redesigned ergonomics for current workflows. Its more advanced source selection, expanded listening options, and integrated talkback make it a reliable and musical control center for any professional studio.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eDesigned for Demanding Sound Engineers, Producers, and Creators\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eWhether mixing, mastering, or recording vocals and instruments, the MTC Mk2 centralizes your sources, speaker pairs, and headphones into a single command station. Its analog operation ensures imperceptible latency and quick decision-making during A\/B\/C comparisons, mono checks, and Mid\/Side analyses.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eFeatures Designed for a Smooth Workflow\u003c\/h3\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eSpeaker Selection and Subwoofer Management\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThree stereo speaker pairs can be activated individually or simultaneously to compare your mixes across different listening setups. The switchable SUB output sends a full-bandwidth summed mono signal and can be paired with any speaker pair or a mono control speaker.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eHeadphones and Phonitor Matrix\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe two dedicated headphone amplifiers, each with its own volume control, leverage the Phonitor Matrix to bring the headphone image closer to speaker perception, facilitating mix decisions that translate well.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eIntegrated Talkback and Cue-Mix\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe premium talkback system simplifies communication with the artist. An additional cue-mix input allows routing a dedicated return mix, independent from the control room monitoring.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eListening Modes and Analog Quality\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eMono, phase inversion, M\/S, and LR Swap functions offer critical control over stereo width and compatibility. Internal electronics on +\/-18 V rails provide a large dynamic range and comfortable headroom before clipping.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBluetooth\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eNo\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003etalkback, Stereo RCA audio\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e4 stereo inputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e3 balanced inputs + 1 RCA input\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eListening modes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ephase inversion, mono, M\/S, LR Swap\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions (W x H x D)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e272 x 91 x 275 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e3 kg\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":54360370217235,"sku":"365805","price":1341.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/9e5fe5f0de6020b7b1794a992c8006b02ab4f361_SPL_MTC_MK2.jpg?v=1788186439"},{"product_id":"spl-volume-8-185105","title":"Volume 8","description":"\u003ch3\u003eAn SPL Tool Designed for Compact Multichannel Setups\u003c\/h3\u003e\u003cp\u003eThe SPL Volume 8 was designed to meet a very concrete need in studios and control rooms: to have a \u003cstrong\u003esimple and immediate analog\u003c\/strong\u003e volume control when working in multichannel. In many environments, the output level can be controlled by software, an audio interface, or a digital controller. But as soon as the chain becomes more complex (external converters, summing, processors, multichannel routings, dedicated monitoring systems), it becomes valuable to add a physical, reliable, and fast control point.\u003c\/p\u003e\u003cp\u003eWith its particularly discreet format and a design intended for desktop use, the Volume 8 naturally integrates into modern setups where space is limited: next to the keyboard, under a screen, or within a rack of external devices via an appropriate installation. The goal remains the same: \u003cstrong\u003emaintain control over the overall level\u003c\/strong\u003e of a group of channels without complicating routing or multiplying operations.\u003c\/p\u003e\u003ch3\u003eWho Benefits and in Which Applications the SPL Volume 8 Makes a Difference\u003c\/h3\u003e\u003cp\u003eThe SPL Volume 8 is aimed at music studios, post-production environments, and any configuration requiring grouped volume control over multiple channels. It is particularly suitable for users working in \u003cstrong\u003e5.1, 7.1\u003c\/strong\u003e or with multi-outputs (stems, separate buses, multi-line headphone returns, alternative listening systems), who want uniform level adjustment across all channels without having to adjust each channel individually.\u003c\/p\u003e\u003cp\u003eIt can also be relevant in hybrid setups combining digital audio workstations, converters, and analog devices: the Volume 8 fits as a practical control link, ideal when you want to preserve a \"console\" approach (one gesture, one level) while staying within a contemporary production chain.\u003c\/p\u003e\u003ch3\u003ePrecision, Silent Operation, and Professional Integration\u003c\/h3\u003e\u003ch4\u003eAn SPL Potentiometer for Consistent Control Across All Channels\u003c\/h4\u003e\u003cp\u003eThe heart of the Volume 8 is its \u003cstrong\u003evolume potentiometer\u003c\/strong\u003e manufactured by SPL. It simultaneously controls all channels with great consistency. Practically, this translates into a stable control feel, useful both for working at low levels (editing, cleaning, fine balancing) and for louder listening during approvals. The declared precision over the entire adjustment range helps maintain a coherent and predictable listening experience, an essential point whenever multiple speakers or channels are involved.\u003c\/p\u003e\u003ch4\u003eRelay Mute: A Clean Cut, Channel by Channel\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003eMute\u003c\/strong\u003e button activates a relay on each channel. This principle allows for a clean and reliable cut-off, designed for studio practice: instantly muting the overall level during a take, patch change, session stop, or simply to secure listening. The choice of a relay per channel reinforces the \"pro\" logic of the device, focused on consistency and repeatability of operations.\u003c\/p\u003e\u003ch4\u003eSymmetrical DB25: Efficient Connectivity for Multichannel Setups\u003c\/h4\u003e\u003cp\u003eInputs and outputs are implemented via \u003cstrong\u003eDB25 (25-pin)\u003c\/strong\u003e connectors, a format widely used in professional environments to carry multiple channels through a single connector. This simplifies cabling and reduces clutter behind the desk or in a technical rack. The Volume 8 is thus designed to connect to various types of equipment via breakout multicore cables with \u003cstrong\u003eXLR\u003c\/strong\u003e or \u003cstrong\u003e6.35 mm TRS jacks\u003c\/strong\u003e (interconnection cables not included), depending on the studio's needs.\u003c\/p\u003e\u003ch4\u003eHigh-Quality Power Supply and Discreet Chassis\u003c\/h4\u003e\u003cp\u003eThe device relies on a \u003cstrong\u003ehigh-quality power supply unit\u003c\/strong\u003e with a toroidal transformer, a choice appreciated in audio for its robustness and stability. Add to that a compact and elegant chassis: the Volume 8 positions itself as a multichannel volume controller that remains simple to use daily while meeting the integration demands of a professional environment.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of faders\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e8 x symmetrical\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBluetooth\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eNo\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e215 x 80 mm\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":54360472060179,"sku":"185105","price":749.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/9981988abba3f820edc3bc7ac78e330f50db1dd3_SPL_SPLV8.jpg?v=1789395781"},{"product_id":"spl-pq-361541","title":"PQ","description":"\u003ch3\u003eA \"King of Parametric Equalizers\" at the Heart of the Premium 120V Range\u003c\/h3\u003e\u003cp\u003eThe SPL PQ follows the lineage of SPL devices built around the 120V philosophy, developed in the 1990s by Wolfgang Neumann, aiming to achieve technical performance and sonic ease difficult to obtain with more traditional topologies. This approach was initially designed for high-end mastering applications and has since become the foundation of the brand's premium products. In this spirit, the PQ has earned a reputation as a reference parametric equalizer: extensive control, wide dynamic range, and a sound that remains \"open\" even when finely sculpting the spectrum.\u003c\/p\u003e\u003ch3\u003eAn Equalizer Designed for Mastering, Mixbus, and Demanding Recordings\u003c\/h3\u003e\u003cp\u003eThe PQ is designed for those who want \u003cstrong\u003ehighly controlled\u003c\/strong\u003e equalization on a stereo bus, mastering chain, stems, or even two independent mono sources. Its control logic (screens, per-band activation buttons, Q modes) encourages methodical work: compare, recall, adjust by tenths, without losing track. In the studio, it excels both at \u003cstrong\u003ecorrecting a resonance\u003c\/strong\u003e and \u003cstrong\u003eshaping a broad and coherent curve\u003c\/strong\u003e, with gain behavior that remains usable and musical.\u003c\/p\u003e\u003ch3\u003eKey Features: Precision, Musicality, and Comparison Workflow\u003c\/h3\u003e\u003ch4\u003e2 x 5 Parametric Bands with Intelligent Overlap\u003c\/h4\u003e\u003cp\u003eEach channel has five fully parametric bands (LF, LMF, MF, MHF, HF). SPL intentionally designed a \u003cstrong\u003ewide frequency overlap\u003c\/strong\u003e to allow treating a problematic area with two bands if necessary, or to distribute shaping more smoothly. The ranges are: LF 10 Hz - 330 Hz, LMF 33 Hz - 1 kHz, MF 128 Hz - 4.1 kHz, MHF 310 Hz - 10.2 kHz, HF 760 Hz - 24 kHz.\u003c\/p\u003e\u003ch4\u003eGain up to +\/-20 dB, with \"micro-adjustment\" mode\u003c\/h4\u003e\u003cp\u003eEach band offers Cut\/Boost up to \u003cstrong\u003e+\/-20 dB\u003c\/strong\u003e, useful for both targeted corrections and deliberate tonal choices. When only small adjustments are needed, the \u003cstrong\u003e1\/4 Gain\u003c\/strong\u003e switch reduces the range to \u003cstrong\u003e+\/-5 dB\u003c\/strong\u003e: a real asset for working quickly, avoiding overly large gestures, and staying within a mastering mindset.\u003c\/p\u003e\u003ch4\u003eConstant Q or Proportional Q: Two EQs in One\u003c\/h4\u003e\u003cp\u003eThe blue button toggles the Q behavior. In \u003cstrong\u003eConstant Q\u003c\/strong\u003e, amplitude remains stable regardless of bandwidth: this is the preferred mode for attenuating a problematic frequency with very predictable control. In \u003cstrong\u003eProportional Q\u003c\/strong\u003e, amplitude depends on bandwidth: the wider the band, the lower the maximum gain (up to about +\/-2.8 dB at maximum width, and up to +\/-20 dB at minimum width). This behavior helps achieve creative and sensitive equalizations, as large moves on wide curves naturally become more measured.\u003c\/p\u003e\u003ch4\u003ePer-Band Activation, Stereo Link, and True Dual-Mono\u003c\/h4\u003e\u003cp\u003eEach band can be activated or deactivated via the orange button, facilitating comparisons and progressive curve building. The PQ is a \u003cstrong\u003etrue dual mono\u003c\/strong\u003e: you can process two independent mono sources or a stereo left\/right program. In \u003cstrong\u003eLink\u003c\/strong\u003e mode, the On\/Off controls for bands and the Constant\/Proportional Q selection are linked between channels to speed up stereo work while maintaining the \"mastering\" philosophy of control and coherence.\u003c\/p\u003e\u003ch4\u003eAuto Bypass: Compare Without Leaving the Sweet Spot\u003c\/h4\u003e\u003cp\u003eFor objective evaluation, the PQ offers an \u003cstrong\u003eAuto Bypass\u003c\/strong\u003e: instead of manually switching between original and processed signals, the system automatically alternates at an adjustable interval. This allows you to stay centered at the listening position, better judge the real impact of the EQ, and avoid biases related to handling or slight movements during critical listening.\u003c\/p\u003e\u003ch4\u003e120V Technology: Headroom, Silence, and a Sense of \"Relaxation\"\u003c\/h4\u003e\u003cp\u003e120V technology uses an internal voltage of \u003cstrong\u003e+\/-60 V\u003c\/strong\u003e and proprietary \u003cstrong\u003eSUPRA\u003c\/strong\u003e operational amplifiers designed to support this architecture. The result targets both measurable performance (dynamic range, signal-to-noise ratio, headroom) and the listening experience: more detail, a more stable image, and equalization that holds up even when stacking multiple corrective actions.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eU-height\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e4\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003emastering parametric equalizer, 2 channels, dual mono\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of bands\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2 x 5 parametric bands (LF, LMF, MF, MHF, HF)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eQ modes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eConstant Q \/ Proportional Q (switchable)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eActivation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eOn\/Off per band, On\/Off per channel\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRecall\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003edetented potentiometers with 41 steps\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGain per band\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eCut\/Boost up to +\/-20 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e1\/4 Gain mode\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ereduced range from +\/-20 dB to +\/-5 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAuto Bypass\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eyes, adjustable interval\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLink\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003elinking of LF, LMF, MF, MHF, HF On\/Off and Constant Q \/ Proportional Q functions between channels\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLF\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e10 Hz - 330 Hz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLMF\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e33 Hz - 1 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMF\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e128 Hz - 4.1 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMHF\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e310 Hz - 10.2 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHF\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e760 Hz - 24 kHz\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAnalog inputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ebalanced XLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAnalog outputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ebalanced XLR\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum input and output gain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e32.5 dBu\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInput impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e20 kilo-ohms\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutput impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e75 ohms\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCommon mode rejection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-82 dBu\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBandwidth (-3 dB)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e10 Hz - 100 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTHD + N (+30 dBu, 1 kHz)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e0.0005%\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNoise (A-weighted)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-94.3 dBu\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e135 dB\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAnalog audio operating voltage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e+\/- 60 V\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRelay and LED operating voltage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e+12 V\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMains voltage (selectable, see fuse compartment)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e230 V AC \/ 50 Hz; 115 V AC \/ 60 Hz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFuse for 230 V\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eT 3.15 A\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFuse for 115 V\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eT 6.3 A\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePower consumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003emax. 100 VA\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions (W x H x D)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e482 x 177 x 300 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eUnit weight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e15.2 kg\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight with packaging\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e17.8 kg\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":54360605622547,"sku":"361541","price":5999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/a2163fe3e938a5a3e3cd2f8e2ba20465e03932fd_SPL_PQ.jpg?v=1787390989"},{"product_id":"spl-phonitor-one-360456","title":"Phonitor One","description":"\u003ch3\u003eThe SPL \"Phonitor\" DNA, concentrated in a headphone-dedicated format\u003c\/h3\u003e\u003cp\u003eWith the Phonitor One, SPL focuses on the essentials: a serious headphone amplification section, derived from the brand's monitoring philosophy, and stereo image management designed specifically for headphone listening. The goal is clear: to offer a compact entry point into the Phonitor universe, with component quality and a \"studio-grade\" approach that appeals equally to sound engineers and audiophiles.\u003c\/p\u003e\u003ch3\u003eA headphone amplifier for the studio, home studio, and demanding high-fidelity listening\u003c\/h3\u003e\u003cp\u003eThe SPL Phonitor One is aimed at anyone who wants to \u003cstrong\u003emonitor confidently on headphones\u003c\/strong\u003e: vocal tracking, editing, mixing, pre-mastering, or simply critical listening. The Crossfeed helps reduce fatigue during long sessions and better judge panning and depth, while the available power allows preserving dynamics without pushing the amplifier to its limits. In Hi-Fi, it becomes an excellent partner to rediscover your references with a more credible soundstage and tighter bass.\u003c\/p\u003e\u003ch3\u003ePrecision amplification and a Crossfeed that changes spatial perception\u003c\/h3\u003e\u003ch4\u003eBurr-Brown OPA 2134 SoundPlus Preamplification: speed, silence, and transparency\u003c\/h4\u003e\u003cp\u003eThe preamplification relies on \u003cstrong\u003etwo Burr-Brown OPA 2134 SoundPlus\u003c\/strong\u003e, operational amplifiers appreciated in audio for their very clean behavior. Their architecture with a true FET stage contributes to smooth reproduction, and their slew rate of \u003cstrong\u003e20 V per microsecond\u003c\/strong\u003e promotes more reactive playback with sharp transients. The result: detailed, stable, and low-noise sound, ideal for hearing micro-dynamics, reverberations, and breaths in a mix.\u003c\/p\u003e\u003ch4\u003eOptimized signal path: capacitors selected for precision\u003c\/h4\u003e\u003cp\u003eSPL also carefully manages the signal path with \u003cstrong\u003elow-capacitance film capacitors\u003c\/strong\u003e used in parallel with coupling capacitors to improve high-frequency transmission and detail precision. The coupling capacitors rely on Panasonic \"Electric Double Layer\" models with high storage capacity, a choice oriented towards stability, durability, and coherent reproduction across the entire bandwidth.\u003c\/p\u003e\u003ch4\u003eContinuously adjustable Crossfeed: a stereo image closer to speaker listening\u003c\/h4\u003e\u003cp\u003eOn headphones, left\/right separation can become artificial, especially on heavily panned mixes. The Phonitor One's \u003cstrong\u003eCrossfeed\u003c\/strong\u003e allows controlled crosstalk between channels to achieve a more enveloping and realistic sound. This gradual adjustment helps better evaluate width, position elements in space, and work longer without the sensation of \"ear-pinned\" listening.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRackable\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eNo\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTHD + N (0 dBu, 10 Hz to 22 kHz, 600 ohms)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e0.002%\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum input level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e+22.5 dBu\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNoise (A-weighted, 600 ohms)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-97 dBu\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum output power (600 ohms)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2 x 190 mW\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum output power (250 ohms)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2 x 330 mW\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum output power (47 ohms)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2 x 400 mW\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHeadphone output frequency response (-3 dB)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e10 to 200,000 Hz\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTwo switchable stereo inputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ebalanced 6.3 mm TRS jack and unbalanced RCA\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHeadphone output\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e6.3 mm stereo jack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions (W x H x D)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e210 x 49.6 x 220 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1.45 kg\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":54360620269843,"sku":"360456","price":599.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/baa1861acfc5d3da2fde030c932b1b8a5f4dc2fa_SPL_1901_68a8bda8-204b-4423-b985-0ddf26010ed8.jpg?v=1787390898"},{"product_id":"spl-phonitor-3-dac-378930","title":"Phonitor 3 DAC + Expansion Rack","description":"\u003ch3\u003ePhonitor: SPL's \"mastering\" DNA, embodied in the cornerstone of digital monitoring\u003c\/h3\u003e\u003cp\u003eThe Phonitor 3 DAC adopts SPL's critical monitoring approach: an analog section based on \u003cstrong\u003e120V technology\u003c\/strong\u003e and ergonomics designed for quick decision-making (source selection, headphone\/speaker switching, spatialization controls). The integration of the \u003cstrong\u003eSLP120\u003c\/strong\u003e converter places the device at the heart of a modern chain, capable of accommodating various digital sources while maintaining a studio-oriented control philosophy: neutrality, headroom, and coherence between headphone and monitor listening.\u003c\/p\u003e\u003ch3\u003eWho the SPL Phonitor 3 DAC is for: mixing, mastering, production, and editing in demanding environments\u003c\/h3\u003e\u003cp\u003eDesigned for producers, sound engineers, and mastering engineers, the Phonitor 3 DAC is aimed at those who want \u003cstrong\u003ecomplete monitoring control\u003c\/strong\u003e in a compact format without multiplying boxes (DAC, headphone amp, controller). It is also perfectly suited for hybrid studios and \"in the box\" setups: you connect your digital source (USB, AES\/EBU, S\/PDIF), manage levels and listening selection, and enjoy headphone listening that remains usable for panning, depth, and spectral balance decisions.\u003c\/p\u003e\u003cp\u003eThe presence of \u003cstrong\u003eMono\/Stereo\u003c\/strong\u003e, \u003cstrong\u003eSolo L\/R\u003c\/strong\u003e, and image correction tools (Laterality, phase inversion, swap) makes it a practical ally for checking mono compatibility, tracking polarity issues, or recentring a mix according to your listening position.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRackable\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eNo\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":54360786993427,"sku":"378930","price":2599.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/42e8503d69df7865ba74186a0ce962ba3b80c2a2_SPL_PHONITOR3_DAC_00fa3bfb-a3f0-4169-83dd-06285855e80c.jpg?v=1787395042"},{"product_id":"spl-volume-2-185058","title":"Volume 2","description":"\u003ch3\u003eVolume 2: a second iteration focused on the purity of level control\u003c\/h3\u003eThe \u003cstrong\u003eVolume 2\u003c\/strong\u003e follows the most direct and demanding approach to monitoring: controlling the volume \u003cstrong\u003ewithout inserting any processing\u003c\/strong\u003e between your source (audio interface, converter, player) and your listening system (active speakers, power amplifier). The choice of a \u003cstrong\u003elarge-format mechanical potentiometer\u003c\/strong\u003e and an architecture centered on XLR balancing reflects a simple philosophy: preserving signal integrity and stereo image coherence, while offering immediate ergonomics for daily use. As \"Volume 2,\" this version asserts itself as a mature iteration of this concept, designed to naturally find its place at the heart of a music production setup or a high-quality listening chain.\u003cbr \/\u003e\u003ch3\u003eA monitoring controller made for demanding home studios as well as professional control rooms\u003c\/h3\u003eThe Volume 2 is intended for all situations where you want \u003cstrong\u003ereliable, repeatable, and transparent level control\u003c\/strong\u003e. In a home studio, it allows you to keep your audio interface at a stable output level (often optimal for dynamics) while adjusting the listening volume via the potentiometer, without unnecessary compromise. In a production studio, it becomes a practical central point to manage \u003cstrong\u003estereo monitoring\u003c\/strong\u003e with a \"console\" control feel, without necessarily multiplying functions.\u003cbr \/\u003eIt is also perfectly suited for building a \u003cstrong\u003esimple and high-quality playback chain\u003c\/strong\u003e: player or converter, then Volume 2, then power amplifier or active speakers. In this context, the benefit is twofold: maintaining a natural volume gesture and avoiding reliance on digital control that can sometimes make micro-adjustments less intuitive.\u003cbr \/\u003e\u003ch3\u003eFeatures and design: transparency, symmetry, and ergonomics at the core\u003c\/h3\u003e\u003ch4\u003eDirect analog adjustment, without VCA or conversion\u003c\/h4\u003eThe key point of the Volume 2 is that the \u003cstrong\u003epotentiometer controls the signal directly\u003c\/strong\u003e. This approach favors an immediate adjustment feel and a streamlined audio path. It is particularly appreciated when you want to preserve the signature of your upstream conversion and preamps, without adding a digital\/analog stage or gain management via VCA that could alter the perception of the sound, especially at low listening levels.\u003cbr \/\u003e\u003ch4\u003eSymmetrical XLR inputs and outputs: clean studio integration\u003c\/h4\u003eWith \u003cstrong\u003esymmetrical XLR inputs and outputs\u003c\/strong\u003e, the Volume 2 easily integrates between an audio interface and active monitoring speakers, or between a converter and a power amplifier. The symmetry helps maintain a clean signal in a busy environment (screen power supplies, computers, power strips, network), while facilitating flexible placement on the desk or in a nearby rack. It is also a logical choice to preserve a \u003cstrong\u003estable stereo image\u003c\/strong\u003e and consistent level between channels when working on balance, panning, and depth decisions.\u003cbr \/\u003e\u003ch4\u003eHigh-quality power supply with toroidal transformer\u003c\/h4\u003eThe Volume 2 adopts a \u003cstrong\u003ehigh-quality power supply unit\u003c\/strong\u003e featuring a \u003cstrong\u003etoroidal transformer\u003c\/strong\u003e. In a device placed at the heart of monitoring, power supply quality contributes to smooth and reliable operation. The goal is to ensure dependable performance over time, with a \"studio\"-oriented design: you set up, you work, and your level control remains constant and predictable, session after session.\u003cbr \/\u003e\u003ch4\u003eCompact chassis and easy desk placement\u003c\/h4\u003eThe \u003cstrong\u003ecompactness\u003c\/strong\u003e and \u003cstrong\u003eelegance\u003c\/strong\u003e of the chassis have been designed for real daily use. With a format that easily fits on a desk, beside or even below a screen, the Volume 2 limits clutter and keeps the volume control within easy reach. The \u003cstrong\u003e45 mm potentiometer\u003c\/strong\u003e reinforces this ergonomic logic: a comfortable grip, smooth adjustment, and a control feel that invites precise listening level tweaks, whether for mixing, vocal tracking, or simple auditory comfort checks.\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBluetooth\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eNo\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e215 x 80 mm\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":54360981864723,"sku":"185058","price":555.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/0492a49ef2df9634e53456753466adf620cdc7e2_SPL_SPLV2.jpg?v=1789403988"},{"product_id":"spl-expansion-rack-black-196447","title":"Expansion Rack Black","description":"\u003ch3\u003eA Rack-Mountable Extension to Integrate the Phonitor 2 at the Heart of the Studio\u003c\/h3\u003e\u003cp\u003eDesigned as a natural complement to the Phonitor 2, this extension unit facilitates rack integration and makes the setup more coherent in a modern monitoring environment. It is aimed at those who want to maintain a \"pro\" studio ergonomics while keeping the Phonitor 2 as the centerpiece of their listening chain.\u003c\/p\u003e\u003ch3\u003eFor Whom and What Monitoring Use?\u003c\/h3\u003e\u003cp\u003eIdeal for mixing studios, demanding home studios, and audio editing stations, this unit allows working with multiple speaker references (nearfield, midfield, control speakers) without multiplying adapters or moving connections. Perfect for quickly comparing balance, low-end response, and translation of your mixes.\u003c\/p\u003e\u003ch3\u003eConnect Up to Four Pairs of Speakers: A Clear and Efficient Approach\u003c\/h3\u003e\u003cp\u003eThe goal is simple: to extend the Phonitor 2's capabilities by adding broader speaker connectivity in a rack-mountable format that keeps cabling accessible and tidy. A real plus for streamlining workflow and maintaining a clean listening chain on a daily basis.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eChassis\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions (W x H x D)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e482 x 88 x 300 mm\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2.7 kg\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":54361372623123,"sku":"196447","price":379.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/620265c289cd87de9bde531b1f5790721002fd38_SPL_EXPANSION_RACK_fcc70afc-1263-49cd-b0bb-49bb923644b9.jpg?v=1789412735"},{"product_id":"spl-vitalizer-mk3-t-396306","title":"Vitalizer MK3-T","description":"\u003ch3\u003eA Classic Third-Generation SPL, Revisited\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eHeir to an iconic lineage, the Vitalizer Mk3-T continues SPL's approach of \"musical processing\" rather than corrective. This version replaces the historic golden front panel with the black \"SPL Studio\" finish and benefits from an internal voltage raised to +\/- 18 V. The result: an expanded dynamic range, reduced background noise, and an even more precise rendering, both on stereo buses and in mastering.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eWho and What Is It For?\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eThe Mk3-T is aimed at sound engineers, producers, and live sound managers who want to add depth to overly tame mixes, tighten a muddy low end, or widen a stereo image without artifacts. In studio or live settings, it provides an immediate \"lift\" to vocals, synths, drums, stems, and the main bus, while remaining easy to adjust.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eWhat the Mk3-T Changes in Your Signal Chain\u003c\/h3\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eSolid and Controlled Bass\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe \u003cstrong\u003eBass Sound\u003c\/strong\u003e control sculpts the low-frequency range towards a \"soft and warm\" or, conversely, more percussive sound. A dedicated bass compressor tightens the foundation for a clean and energetic low end.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eNatural Presence and Definition\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe \u003cstrong\u003eMid-Hi Tune\u003c\/strong\u003e and \u003cstrong\u003eLC-EQ\u003c\/strong\u003e duo brings clarity and intelligibility. You target the useful frequency range and then add presence without harshness, ideal for vocals, guitar, or the music bus.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eDrive, Process, and Mix Cohesion\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003e\u003cstrong\u003eDrive\u003c\/strong\u003e progressively activates the Vitalizer's filter network, while \u003cstrong\u003eProcess\u003c\/strong\u003e adjusts the intensity of bass and midrange relative to the original signal for a controlled and repeatable result.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eBetter-Controlled Stereo Space\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003e\u003cstrong\u003eStereo Expander\u003c\/strong\u003e widens the stereo base while preserving the center, useful for broadening a mix without losing the stability of key elements.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eAudio Architecture and Finish\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe \u003cstrong\u003eSovtek 12AX7\u003c\/strong\u003e tube adds subtle musical coloration, while the \u003cstrong\u003e+\/- 18 V\u003c\/strong\u003e power supply offers more headroom. Balanced XLR and 6.3 mm TRS jack inputs\/outputs ensure immediate integration into any rack.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eU-height\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInternal audio voltage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+\/- 18 V\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6.1 kg\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions (W x D x H)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e482 x 300 x 44 mm\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":54361373901075,"sku":"396306","price":1199.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/283a5fb0d448a1f1bef5763440f21250ea7af0d8_SPL_VITALIZER_MK3.jpg?v=1788779640"},{"product_id":"spl-tdx-228661","title":"TDX","description":"\u003ch3\u003eA classic SPL, now tailored for 500 Series rigs\u003c\/h3\u003e\u003cp\u003eThe TDx is designed as a bridge between a circuit that has become a studio reference and modern workflows in \u003cstrong\u003e500 Series format\u003c\/strong\u003e. The spirit remains the same: a musical and direct approach to envelope processing, ideal when a take lacks snap, when a snare doesn't \"cut through\" the mix, or conversely when a sustain overwhelms the arrangement. The major contribution of this TDx version is its integration as a 500 module, convenient for building a custom chain, recalling routing easily, and placing transient processing exactly where your rack is already at the heart of the system.\u003c\/p\u003e\u003ch3\u003eWho is it for, and for what: from quick sound design to surgical mixing\u003c\/h3\u003e\u003cp\u003eThe TDx is aimed at demanding home studios as well as pro studios that want an \u003cstrong\u003eultra-fast\u003c\/strong\u003e tool to reshape the dynamic behavior of a source. On drums, it allows reinforcing the attack of a kick to gain clarity without necessarily pushing EQ, or shortening the sustain of a tom to clean up the low mids. On rhythm guitars, it can help solidify the \"pick\" and stabilize the groove feel. In mixing, it becomes a natural ally to reposition a track in the arrangement, add energy to a loop, or tame aggressive transients before more traditional compression.\u003c\/p\u003e\u003ch3\u003eTransient control: the SPL approach with DET\u003c\/h3\u003e\u003ch4\u003eAttack and Sustain: two parameters, immediate impact\u003c\/h4\u003e\u003cp\u003eThe working principle of the TDx is deliberately simple: you act directly on the \u003cstrong\u003eattack\u003c\/strong\u003e (the fastest and most percussive part of the sound) and on the \u003cstrong\u003esustain\u003c\/strong\u003e (the hold and tail of the signal). In practice, this allows going from a \"soft\" take to a more incisive sound, or making a source shorter and cleaner to free space in the mix. This approach is valuable when you want an audible result without multiplying steps: no need to reconfigure a compressor, gate, and transient shaper in series, the TDx targets the essentials with an ergonomics focused on efficiency.\u003c\/p\u003e\u003ch4\u003e\"Differential Envelope Technology (DET)\": level-independent processing\u003c\/h4\u003e\u003cp\u003eThe TDx integrates SPL's \u003cstrong\u003eDET\u003c\/strong\u003e technology (Differential Envelope Technology). The idea is to process a signal's envelope while remaining effective even when the input level varies, by calculating differences between generated envelopes. 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The major difference lies in the evolution of the transistor stage, now based on a \u003cstrong\u003ediscrete Class A architecture\u003c\/strong\u003e (without integrated circuits), and the tube stage which becomes \u003cstrong\u003eadjustable\u003c\/strong\u003e to switch from very faithful capture to more pronounced coloration. The result: a preamp designed to meet demands usually associated with much more expensive equipment, while remaining simple to use in the studio.\u003c\/p\u003e\u003ch3\u003eA Microphone Preamp for Demanding Recordings, from Home Studio to Pro Studio\u003c\/h3\u003e\u003cp\u003eThe GoldMike mk2 is aimed at sound engineers, musicians, and creators who want a \u003cstrong\u003estudio microphone preamplifier\u003c\/strong\u003e capable of adapting to many transducers and recording contexts. 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This approach aims for a more solid and spacious reproduction, with a frequency response that remains consistent regardless of gain. Its \u003cstrong\u003every high slew rate\u003c\/strong\u003e (over 200 V per microsecond) helps to cleanly amplify the briefest details and high frequencies, preserving the transients that give realism to recordings.\u003c\/p\u003e\u003cp\u003eAnother key point: for filtering DC voltage components, a \u003cstrong\u003eservo circuit\u003c\/strong\u003e avoids the use of coupling capacitors. This limits unwanted high-pass effects that could weaken the low end as gain increases.\u003c\/p\u003e\u003ch4\u003eAdjustable Tube Stage: From \"Clean\" to Musical Saturation\u003c\/h4\u003e\u003cp\u003eWhere the previous version offered a more fixed approach, the GoldMike mk2 introduces a tube stage with \u003cstrong\u003eselectable amplification\u003c\/strong\u003e. In the standard \u003cstrong\u003e+6 dB\u003c\/strong\u003e mode, the tube remains in a \"clean\" zone to mainly preserve the airiness and openness typical of tubes. The \u003cstrong\u003e+12 dB\u003c\/strong\u003e and \u003cstrong\u003e+18 dB\u003c\/strong\u003e positions allow for more colored behavior, with increased saturation and limiting on high levels, shaping character even before mixing processing.\u003c\/p\u003e\u003cp\u003eThe tubes used are \u003cstrong\u003eSovtek 12AX7 LPS\u003c\/strong\u003e, selected after technical tests and listening comparisons, aiming for a good signal-to-noise ratio and a wide, clear sound image.\u003c\/p\u003e\u003ch4\u003eTube Amp: A True Palette of Textures, Without Changing Your Gain\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003eTube Amp\u003c\/strong\u003e circuit acts directly on the tube behavior: the higher the input level, the more pronounced the saturation. When used subtly or moderately, distortions remain barely audible while the limiting effect already appears, which can add density and stability to peaks. For this working logic, the \u003cstrong\u003e+12 dB\u003c\/strong\u003e position is particularly relevant to avoid excessively pushing the gain.\u003c\/p\u003e\u003cp\u003eAt \u003cstrong\u003e+18 dB\u003c\/strong\u003e, saturation becomes clearly audible and distortions increase on high levels. The strength of the system is its handling: the intensity of the processing is controlled by the \u003cstrong\u003egain potentiometer\u003c\/strong\u003e, while the \u003cstrong\u003eoutput level of the tube stage is automatically lowered\u003c\/strong\u003e to maintain an unchanged overall amplification. 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On vocals and acoustic instruments, the signal gains detail and intelligibility, with a sensation of better \"forward placement\" in the mix, which can reduce the need for further adjustments.\u003c\/p\u003e\u003cp\u003eThe treated band is wide (from \u003cstrong\u003e1.5 to 20 kHz\u003c\/strong\u003e around \u003cstrong\u003e6 kHz\u003c\/strong\u003e) and the boost is selectable: \u003cstrong\u003eHigh\u003c\/strong\u003e or \u003cstrong\u003eMed\u003c\/strong\u003e, with an \u003cstrong\u003eOff\u003c\/strong\u003e position to disable the circuit.\u003c\/p\u003e\u003ch4\u003eDiode Peak Limiter: Protect Without Crushing\u003c\/h4\u003e\u003cp\u003eThe peak limiter uses \u003cstrong\u003ediodes\u003c\/strong\u003e whose characteristic provides an analog saturation effect capable of elegantly and discreetly attenuating peaks. Thanks to its \u003cstrong\u003every high reaction speed\u003c\/strong\u003e, it is particularly effective at treating only peaks, making it a relevant protection before an analog-to-digital converter, even on very brief transients. It is especially useful on percussion instruments rich in peaks, while remaining usable on signals closer to a sine wave such as vocals and keyboards. To strongly increase the perceived volume of a signal, a conventional compressor or limiter will still be more suitable.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eValve\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eYes\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHybrid microphone preamplifier\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etransistor and tube stages\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eTubes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSovtek 12AX7 LPS, selected after technical tests and listening comparisons\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSlew rate\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eover 200 V per microsecond\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eTreated band\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1.5 to 20 kHz around 6 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAdjustable tube stage amplification\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+6 dB (standard), +12 dB, +18 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSelectable boost\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eHigh (2.5 dB), Med (1.5 dB), Off\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e+12 and +18 dB modes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emore pronounced saturation and limiting depending on input level\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":54361459982611,"sku":"185046","price":1699.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/31e1a21dd99f23f1d76b9174da17b8f95ab3ce22_SPL_SPLGMK2_1a3c69ea-6a4b-4d91-adc0-2353cda8e67a.jpg?v=1788779624"},{"product_id":"spl-mc16-361538","title":"MC16","description":"\u003ch3\u003eA controller born from SPL's \"120V\" philosophy and mastering demands\u003c\/h3\u003e\u003cp\u003eThe MC16 embodies SPL's approach aimed at the highest possible analog audio quality, based on very high internal voltage. This philosophy was developed in the 1990s by Wolfgang Neumann (founder and designer of SPL) and took shape in iconic systems in the early 2000s. The MC16 carries this \"premium\" DNA into modern multichannel monitoring, where balance precision, image stability, and dynamic range are essential.\u003c\/p\u003e\u003ch3\u003eWho the SPL MC16 is for: mastering, post-production, and immersive studios\u003c\/h3\u003e\u003cp\u003eThe SPL MC16 is intended for studios working in \u003cstrong\u003esurround\u003c\/strong\u003e and \u003cstrong\u003eimmersive\u003c\/strong\u003e audio who want to maintain a \u003cstrong\u003e100% analog\u003c\/strong\u003e monitoring path to avoid the compromises of digital volume control (resolution, dynamics). It is particularly suited for \u003cstrong\u003emastering\u003c\/strong\u003e, \u003cstrong\u003epost-production\u003c\/strong\u003e, and sound design environments where quick switching between systems (5.1, 7.1.4, 9.1.6, 11.1...) is required while keeping clear speaker identification.\u003c\/p\u003e\u003ch3\u003eSpeaker control, presets, and level: ergonomics dedicated to large systems\u003c\/h3\u003e\u003ch4\u003e16 buttons to activate speakers with clear identification\u003c\/h4\u003e\u003cp\u003eThe MC16 provides \u003cstrong\u003esixteen buttons\u003c\/strong\u003e to directly activate the corresponding loudspeakers. Each button accepts the insertion of a \u003cstrong\u003elabel\u003c\/strong\u003e to display the exact speaker name (front, rear, top, LFE, etc.). The result: fast, clear, and reassuring operation when channels multiply.\u003c\/p\u003e\u003ch4\u003e2 x 16 channel inputs: instant A\/B between your mix and a reference\u003c\/h4\u003e\u003cp\u003eTwo input banks, \u003cstrong\u003eInput 1\u003c\/strong\u003e and \u003cstrong\u003eInput 2\u003c\/strong\u003e (each 16 channels), allow you to compare a current project with a reference production in one gesture. The 16 channels of each input are \u003cstrong\u003erouted directly to the outputs\u003c\/strong\u003e, so the routing defined in your DAW remains perfectly aligned with the controller. This is a key point to secure Dolby Atmos sessions or any immersive workflow where mapping consistency is critical.\u003c\/p\u003e\u003ch4\u003eAnalog monitoring volume: fine control without digital compromise\u003c\/h4\u003e\u003cp\u003eThe monitoring level is controlled by an \u003cstrong\u003eanalog potentiometer\u003c\/strong\u003e developed for 16-channel management, to keep volume control in the analog domain. This approach avoids the typical limitations of digital control (loss of resolution at low levels, restricted dynamics) and preserves a smooth listening sensation, particularly useful for judging micro-details and image depth.\u003c\/p\u003e\u003ch4\u003eConfiguration presets: quick recall of layouts\u003c\/h4\u003e\u003cp\u003eThe MC16 allows saving \u003cstrong\u003espeaker configurations\u003c\/strong\u003e in \u003cstrong\u003ethree memory slots\u003c\/strong\u003e (for example 5.1, 11.1, 9.1.6) to instantly recall a layout. In \u003cstrong\u003eSolo mode\u003c\/strong\u003e, \u003cstrong\u003ethree additional memories\u003c\/strong\u003e become available with the same buttons, handy for creating solo groups (all front speakers, all ceiling speakers, all rear speakers) and speeding up compliance and translation checks.\u003c\/p\u003e\u003ch4\u003e120V technology: headroom, dynamics, and \"stress-free\" listening\u003c\/h4\u003e\u003cp\u003eSPL 120V technology operates with an internal audio operating voltage of \u003cstrong\u003e+\/- 60 V\u003c\/strong\u003e. To support this level, SPL uses proprietary operational amplifiers \u003cstrong\u003eSPL 120V SUPRA\u003c\/strong\u003e, designed to operate at these voltages where standard components would be exceeded. Listening-wise, the goal is a reproduction rich in detail, a stable image, and a constant sense of headroom, while maintaining a \"relaxed\" listening experience even during long sessions.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBluetooth\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eNo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of keys\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e16\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:11;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAnalog inputs and outputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eXLR and DB25 (balanced)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAnalog audio operating voltage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+\/- 60 V\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:12;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum input and output gain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e32.5 dBu\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRelay and LED operating voltage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+ 12 V\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:13;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInput impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 kOhms\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMains voltage (selectable, see fuse compartment)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e230 V AC \/ 50 Hz or 115 V AC \/ 60 Hz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:14;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutput impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e75 Ohms\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFuse for 230 V\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eT 1 A\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:15;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCommon mode rejection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-82 dBu\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFuse for 115 V\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eT 2 A\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:16;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response (-3 dB)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e4 Hz - 300 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower consumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emax. 70 VA\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:7;--wb-r:17;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCrosstalk (1 kHz)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-100 dBu\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions (W x H x D)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e482 x 88 x 300 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:8;--wb-r:18;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTHD + N (+24 dBu)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e\u0026gt; 112 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e8.4 kg\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:9;--wb-r:19;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNoise (A-weighted)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-102.4 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePackaged weight (shipping)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e11 kg\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:10;--wb-r:20;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInternal power supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003elinear with shielded toroidal transformer\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":54361838420243,"sku":"361538","price":4489.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/67278493162727d4be787d06194c83b317de8782_SPL_MC16.jpg?v=1788779599"},{"product_id":"spl-de-esser-185049","title":"DE-Esser","description":null,"brand":"SPL","offers":[{"title":"Default Title","offer_id":54361851789587,"sku":"185049","price":669.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/bfd88949f66ffe5b6d25228a619788245fad922a_SPL_SPLDES.jpg?v=1789487585"},{"product_id":"spl-p8-410586","title":"P8","description":"\u003ch3\u003eA \"full analog\" approach designed for critical recordings\u003c\/h3\u003e\u003cp\u003eThe P8 follows a simple philosophy: offering eight strictly analog channels built around a \u003cstrong\u003ediscrete design with individual transistors\u003c\/strong\u003e. This design choice, typical of high-end studio equipment, aims to provide microphone amplification that is stable, musical, and precise, with an immediate dynamic feel. While some multichannel preamps prioritize integration and compactness through integrated circuits, the P8 emphasizes a more \"audiophile\" architecture, designed to preserve the naturalness of transients and signal clarity, even when sessions become dense.\u003c\/p\u003e\u003cp\u003eAnother key point: the P8 deliberately remains \u003cstrong\u003epurely analog\u003c\/strong\u003e in its operation. If you want to integrate it into a digital production workflow, adding an \u003cstrong\u003eoptional 8-channel ADAT converter\u003c\/strong\u003e allows you to connect it to an audio interface via a digital link, while maintaining the character and coherence of the eight upstream channels.\u003c\/p\u003e\u003ch3\u003eWho is it for and what studio applications?\u003c\/h3\u003e\u003cp\u003eThe P8 is particularly suited if you regularly record \u003cstrong\u003emultiple simultaneous sources\u003c\/strong\u003e and want consistent quality across all channels. It excels in recording \u003cstrong\u003edrums\u003c\/strong\u003e (overheads, toms, snare, room), \u003cstrong\u003elive bands\u003c\/strong\u003e, \u003cstrong\u003eacoustic sections\u003c\/strong\u003e (strings, brass), as well as \u003cstrong\u003echoirs\u003c\/strong\u003e and multiple vocal takes. Thanks to its per-channel settings, it adapts equally well to condenser microphones requiring 48 V phantom power as well as dynamic and ribbon mics (with the usual care regarding phantom power).\u003c\/p\u003e\u003cp\u003eIn advanced home studios, it is an excellent way to step up your multitrack recordings: instead of relying on heterogeneous preamps, you have a coherent unit optimized to deliver a clean and usable signal for mixing. In professional or mobile studios, the P8 becomes a reliable tool to ensure high-quality multichannel captures with direct and immediate control.\u003c\/p\u003e\u003ch3\u003eAnalog features per channel: control, safety, and workflow speed\u003c\/h3\u003e\u003ch4\u003eAnalog gain and discrete design: amplification that respects the source\u003c\/h4\u003e\u003cp\u003eEach channel features \u003cstrong\u003eanalog gain control\u003c\/strong\u003e to adjust preamplification as close as possible to the source and microphone used. The \u003cstrong\u003ediscrete\u003c\/strong\u003e design (individual transistors) contributes to a sense of definition and depth, with an extended response that helps preserve the air of the recordings and the precision of attacks. This approach is especially appreciated on transients (percussion, acoustic guitar, piano) and on recordings where a clear image without harshness is sought.\u003c\/p\u003e\u003ch4\u003ePAD, phase, and high-pass filter: essential tools during recording\u003c\/h4\u003e\u003cp\u003eIn sessions, good habits save mixing time. The \u003cstrong\u003e-20 dB PAD\u003c\/strong\u003e allows handling high levels (close sources, sensitive microphones, percussion) without saturating the input stage. The \u003cstrong\u003ephase inversion\u003c\/strong\u003e helps quickly correct coherence issues between multiple microphones (overheads and snare, stereo pair, ambient mic). Finally, the \u003cstrong\u003eanalog high-pass filter\u003c\/strong\u003e (6 dB per octave at 80 Hz) is used to clean handling noise, stage hiss, vibrations, and proximity effect, while maintaining a controlled low end.\u003c\/p\u003e\u003ch4\u003eIndependent 48 V phantom power: total flexibility across 8 channels\u003c\/h4\u003e\u003cp\u003eEach channel offers \u003cstrong\u003eindividually switchable 48 V phantom power\u003c\/strong\u003e. This is a real advantage in hybrid setups when mixing condensers and dynamics in the same session. You maintain fine control, channel by channel, without compromise, and safeguard your setup by activating phantom power only where it is needed.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e8\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePAD attenuator\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-20 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eNoise (A-weighted, microphone preamp, 150 ohms, 30 dB gain)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-94 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSwitchable analog high-pass filter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6 dB per octave at 80 Hz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e482 x 44 x 237 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e15 Hz - 200 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e4.15 kg\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEquivalent input noise\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-124 dB\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":54361977553171,"sku":"410586","price":1799.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/1e8be75dfec890c88536c1c2db672afdbc03e4f2_SPL_P8.jpg?v=1788779632"},{"product_id":"spl-mixdream-185057","title":"Mixdream","description":"\u003ch3\u003eAn SPL Approach to Hybrid Mixing: Summing and Processing\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eThe MixDream was designed to address a very current studio reality: mixing \"in the DAW\" while regaining the density, depth, and spatial feel of an analog bus, without sacrificing automation convenience. Rather than imposing level and pan controls on the front panel, SPL opts for an architecture that leaves these parameters to the DAW, while entrusting the summing of signals and integration of external processing to dedicated analog electronics.\u003c\/p\u003e \u003cbr \/\u003e\u003cp\u003eIn this logic, the MixDream is not limited to \"summing\": it emphasizes a crucial aspect of mixing, namely the quality and simplicity of integrating analog processing during the session. This chain (summing + inserts + stereo bus) enables building a coherent hybrid workflow, close to that of a console but adapted to modern conversion constraints.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eWho Is the SPL MixDream For?\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eThe MixDream is aimed at sound engineers, producers, and studios who want to \u003cstrong\u003eexternalize the mix bus\u003c\/strong\u003e and utilize their analog processors (compressors, equalizers, saturation, multi-effects) while retaining the editing precision, session recall, and automation of a DAW. It is suitable for music mixing (pop, rock, electro, hip-hop) as well as projects requiring a very stable stereo image and precise source localization.\u003c\/p\u003e \u003cbr \/\u003e\u003cp\u003eIt can also find its place in a \u003cstrong\u003emastering\u003c\/strong\u003e or stereo processing approach, and in multichannel configurations, with the possibility to expand by chaining multiple units.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eKey Features: A Summing Mixer That Integrates Like a Real Console\u003c\/h3\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003e16 Channels, Switchable Inserts, and \"Hybrid\" Logic\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe MixDream sums up to \u003cstrong\u003e16 tracks\u003c\/strong\u003e into an analog stereo signal, with the possibility to sum more channels by linking multiple units. Each input features a \u003cstrong\u003epresence LED\u003c\/strong\u003e and a \u003cstrong\u003eswitchable insert loop\u003c\/strong\u003e, allowing insertion of external processing on a specific channel or keeping a completely clean chain depending on the mix needs.\u003c\/p\u003e \u003cbr \/\u003e\u003cp\u003eRelay switching and optimized signal paths contribute to reliable daily integration, whether working in tracking, production, or final mix.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eNo-Mix, Direct Outputs, and \"Bounce Back\" Technique\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe \u003cstrong\u003eNo-Mix\u003c\/strong\u003e function allows removing a channel from the summing bus while keeping it available for re-recording via its \u003cstrong\u003edirect output\u003c\/strong\u003e. In practice, this is a very effective tool to process a track in analog (e.g., compression) then send it back into the DAW to benefit from level automation afterward, without the compressor being \"after\" the automation. This method, often called \"bounce back,\" becomes simple to implement and neatly routed.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eReducing Conversions, Inserts, and Mono Mode\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe MixDream helps to \u003cstrong\u003ereduce the number of conversions\u003c\/strong\u003e during hybrid mixing, especially when inserts are used: instead of multiplying A\/D and D\/A conversions for each processing, the idea is to process analog in the analog domain and only reconvert the summed signal when relevant. The result is a more direct workflow and a chain where sensitive conversions (notably D\/A) can be limited to the strict minimum.\u003c\/p\u003e \u003cbr \/\u003e\u003cp\u003eTo further optimize converter channel usage, a \u003cstrong\u003emono mode\u003c\/strong\u003e allows switching certain pairs (1 and 2, 3 and 4, 5 and 6) to mono to group two signals for grouped D\/A conversion. This approach is particularly suited to often centered elements (kick drum, snare, lead vocals, bass) and contributes to more rational converter output management.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eStereo Bus: Expansion, Limiting, and Lundahl Transformers\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe stereo section provides finishing tools directly on the mix bus: \u003cstrong\u003eadjustable insert level\u003c\/strong\u003e, \u003cstrong\u003econtinuous stereo expansion\u003c\/strong\u003e to widen the image with finesse, and an \u003cstrong\u003eadjustable analog peak limiter\u003c\/strong\u003e to control transients. The \u003cstrong\u003eswitchable Lundahl output transformers\u003c\/strong\u003e offer an additional choice of character and adaptation to the rest of the chain (converters, monitoring, recorder).\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eExpansion, Surround, and External Instrument Integration\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eBeyond tracks from the DAW, the MixDream facilitates connecting external sources (samplers, keyboards, expanders) and integrating them into the analog mix via the insert loops. Finally, the architecture allows \u003cstrong\u003eexpansion\u003c\/strong\u003e of the number of channels by chaining, and use in \u003cstrong\u003esurround\u003c\/strong\u003e with up to three linked units.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003estereo summing\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e16\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eAnalog summing mixer with 16 inserts\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2U rack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAudio stages\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eClass A circuits\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAudio power rail\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e60V (+\/-30V)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAmplification\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eProprietary differential amplifiers on each input\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSwitching\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eOptimized signal paths, relay switching\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInserts\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e16 balanced inserts, individual bypass and global bypass\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd 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transformers\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSurround\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ePossible with up to 3 linked units\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1Hz to 220kHz (+\/-3dB)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTHD+N\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-104dB (20Hz to 22kHz, +10dBu input, all channels active)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNoise level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-97dBu (20Hz to 22kHz, A-weighted, all channels active)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum input level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e+28dBu (at 1kHz)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum output level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e+28dBu (at 1kHz, THD+N -95dBu)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e125dB (20Hz to 22kHz, A-weighted, all channels active)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eL\/R crosstalk\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e97dB at 1kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCMRR\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e70dB (at 1kHz, +10dBu input level)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInput impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e10kOhm (inputs 1 to 16, Expansion, and Insert Return)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutput impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e82Ohm (Master and Monitor outputs without transformer, and insert send)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePower consumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e75W\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eLow noise\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":54362030670099,"sku":"185057","price":2999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/41c62aea6a73e8153bdc79eb87200fc38387e3e0_SPL_SPLMIX.jpg?v=1787426984"},{"product_id":"spl-de-esser-mk2-371173","title":"De-Esser MK2","description":"\u003ch3\u003eAn Mk2 Evolution Focused on Ergonomics, Without Betraying the Sonic DNA\u003c\/h3\u003eThe DeEsser Mk2 retains the processing qualities that made the previous generation appealing, while modernizing the device on a key daily studio aspect: usability. With its new design and solid aluminum knobs, adjustments become more direct, stable, and pleasant when finely tuning sibilance reduction during a session or recalling a setting in the mix. The approach remains faithful to the goal of a good hardware de-esser: to intervene where sibilance is problematic, while preserving a lively, airy, and natural voice.\u003cbr \/\u003e\u003ch3\u003eWho Is It For and What Studio Uses?\u003c\/h3\u003eThe DeEsser Mk2 is aimed at demanding home studio users, recording studios, post-production control rooms, and broadcast environments seeking reliable sibilance control at the source. It excels on vocals (singing, rap, voice-over, podcast) right from the recording stage, but is equally relevant in mixing to tame sibilance that has become too prominent after equalization or compression.\u003cbr \/\u003eIts dual-channel format facilitates modern workflows: you can process two microphones simultaneously, manage a stereo signal using two mono sections with the same settings, or simply keep a second channel ready for another vocal track. Typically placed after the preamp (and often before or after a compressor depending on the desired result), it allows control of \"s,\" \"ch,\" \"t,\" and other harsh consonants without having to automate constantly or overcorrect with EQ.\u003cbr \/\u003e\u003ch3\u003eAuto-Dynamic: A Musical De-Essing, Quick to Set\u003c\/h3\u003eThe principle of the DeEsser Mk2 is clear: remove unwanted sibilant frequencies in a simple and musical way. Auto-Dynamic targets reduction that follows the actual dynamics of the voice, so the action focuses on problematic consonants without \"closing\" the upper spectrum on the rest of the phrase. The result: preserved intelligibility, less aggressive upper mids, and a more controlled vocal feel, especially when subsequently compressed or brought forward in the mix.\u003cbr \/\u003e\u003ch4\u003e\"S\" Reduction LED Indicator: Precision and Control in Real Situations\u003c\/h4\u003eIn both recording and mixing, a de-esser is judged as much by ear as by the consistency of the setting against performance variations. The \"S\" reduction LED indicator helps visualize when and how much the device is acting, speeding up the placement of the processing: enough to calm sibilance, not too much to avoid the \"lisp\" effect. This is particularly useful on very close-miked vocals, bright takes, or singers with very pronounced attacks.\u003cbr \/\u003e\u003ch4\u003eFemale Mode: Adapting the Sensitive Range to Vocal Characteristics\u003c\/h4\u003eSibilance does not always occur in the same place depending on tessitura, microphone, distance, or applied equalization. Female mode allows adapting the treatment behavior to the voice's characteristics to more effectively catch the relevant sibilance area. This is a practical asset for quickly switching between different voices in the same session (lead vocals, backing vocals, voice-over) while maintaining a natural sound.\u003cbr \/\u003eFinally, the dual-channel architecture and wide frequency response of the DeEsser Mk2 make it both a specialized and versatile tool: specialized because it targets a specific problem (sibilance), versatile because it can integrate into many workflows (tracking, mixing, post) with comfortable headroom and performance suited to demanding studio use.\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eU-height\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e10 - 100,000 Hz (-3.0 dB)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNoise (A-weighted)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-97 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e118 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMax input\/output level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e21 dBu\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInput impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e22 kOhm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutput impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e100 Ohm\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions (W x H x D)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e482 x 44 x 237 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e3.3 kg\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":54362053804307,"sku":"371173","price":849.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/eb9cb1554d90b6def0ccb6afcb565388bbb85e23_SPL_2230.jpg?v=1787426930"}],"url":"https:\/\/woodbrass.shop\/collections\/spl.oembed","provider":"Woodbrass.com","version":"1.0","type":"link"}