{"title":"Studio Compressors","description":null,"products":[{"product_id":"art-pro-audio-scl2-421941","title":"SCL2","description":"\u003ch3\u003eAn ART Dynamic Processor Designed for Efficient Racks\u003c\/h3\u003e\u003cp\u003eThe ART SCL2 fits within the spirit of \"essential\" dynamic tools: a 1U 19-inch rack format designed to easily integrate into a studio, control room, or sound reinforcement system. Its versatile approach aims to cover common needs for level control, peak protection, and signal cleanup, while maintaining straightforward ergonomics and connectivity compatible with professional audio chains.\u003c\/p\u003e\u003ch3\u003eWho Is the ART SCL2 For and What Are Its Uses?\u003c\/h3\u003e\u003cp\u003eThis 2-channel compressor\/limiter\/gate is particularly suited for sound engineers, musicians, and technicians who want to stabilize a vocal take, tighten a bass, tame a snare drum, or secure a broadcast level. Thanks to its two channels, it can process two distinct sources (for example, vocals + guitar, or two microphones), or be inserted at key points in a patch (console insert, subgroup, recording, monitors).\u003c\/p\u003e\u003cp\u003eIn live settings, the limiter helps contain peaks and protect downstream gear, while the gate can reduce bleed and noise between hits. In the studio, compression is used to position the source properly in the mix, gaining consistency and presence without losing naturalness.\u003c\/p\u003e","brand":"ART Pro Audio","offers":[{"title":"Default Title","offer_id":54333969989907,"sku":"421941","price":249.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/f0ccc0e364b991283fb7c304387ac61adb2a3f69_lg_scl2_front.jpg?v=1792429493"},{"product_id":"solid-state-logic-fusion-281665","title":"Fusion","description":"\u003ch3\u003eEssential Information About the SSL Fusion Stereo Bus Processor\u003c\/h3\u003e \u003cbr \/\u003e\u003cul\u003e \u003cbr \/\u003e\u003cli\u003eSix 100% analog coloration modules to enrich mix buses, stems, and pre-mastering\u003c\/li\u003e \u003cbr \/\u003e\u003cli\u003eModern sonic palette: musical saturation, gentle equalization, high-frequency smoothing, expanded stereo image, and \"transformer\" character\u003c\/li\u003e \u003cbr \/\u003e\u003cli\u003eDesigned for hybrid studio workflow: stereo insert, serial processing, and intuitive global control\u003c\/li\u003e \u003cbr \/\u003e\u003cli\u003eIdeal partner for the legendary SSL bus compressor for denser, more open, and coherent mixes\u003c\/li\u003e \u003cbr \/\u003e\u003c\/ul\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eFrom SSL Console Heritage to the Hybrid Studio Era\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eSSL Fusion continues the legacy of analog tools that have shaped decades of hits: musical equalizers, reference dynamics, and the iconic bus compressor. With Fusion, SSL introduces a new generation of processors dedicated to analog \"color,\" specifically designed for setups combining DAWs and outboard gear. The goal: to bring warmth, dimension, and \"glue\" without sacrificing modern precision.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eFor Demanding Mixers, Producers, and Mastering Studios\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eWhether finalizing a mix bus, consolidating stems, or refining a pre-master, Fusion quickly delivers controlled character. Its 2U stereo architecture remains easy to use while offering a wide creative range. It caters to both experienced engineers and creators seeking a reliable and reproducible analog signature.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eSix Analog Modules Designed for Musicality\u003c\/h3\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eVintage Drive Saturation\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eA progressive harmonic drive section that thickens the midrange, adds energy and presence without crushing transients. Ideal for \"gluing\" a mix or adding grit to stems.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eViolet EQ\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eA musical curve EQ dedicated to gentle adjustments: rounder lows, airy highs, without harshness. Perfect for quickly sculpting the overall tonal balance.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eHigh-Frequency Compressor\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eA high-frequency treatment that smooths brightness, tames sibilance, and makes cymbals silkier while preserving sparkle.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eStereo Image in M\/S Matrix\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eWidth and depth control to coherently open the stereo field, enhancing space without sacrificing the center.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eSSL Transformer\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eA switchable \"transformer\" path that adds weight in the low end, softness in the high end, and a slight harmonic complexity typical of analog gear.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eGlobal Control and Integration\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eSimple chain management with individual section activation and level balancing for instant return to a clean signal. Perfect for comparing and recalling settings.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estudio effect\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAnalog outputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2 x XLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2 channels with advanced filter\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGrey\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eValve\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eNo\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSix serial processing modules\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esaturation, EQ, HF compressor, M\/S stereo image, transformer, global control\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eHF Compressor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eselective high-frequency control for smoother highs\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eVintage Drive\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eprogressive harmonic saturation for density and character\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eStereo Image (M\/S)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eadjustment of width and spatial perception\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eViolet EQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emusical broad-curve equalization for lows and highs\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eTransformer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eanalog coloration with low-end weight and high-end softness\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Solid State Logic","offers":[{"title":"Default Title","offer_id":54334120165651,"sku":"281665","price":1489.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/378fdc8859b406d73458a5db76001111deacf98a_SSL_FUSION.png?v=1793627953"},{"product_id":"art-pro-audio-solo-vla-421943","title":"Solo VLA","description":"\u003ch3\u003eAn Opto Tube Compressor in the ART \"VLA\" Spirit\u003c\/h3\u003e\u003cp\u003eThe Solo VLA Multi-voice Tube follows the tradition of ART's studio-oriented compressors: optical compression known for its smoothness, combined with a hand-selected tube to add controlled harmonic texture. Designed as a versatile tool, it targets both transparent dynamic control and more pronounced shaping, while remaining easy to integrate into a standard rack.\u003c\/p\u003e\u003ch3\u003eWho Is It For and What Are Its Studio or Live Uses?\u003c\/h3\u003e\u003cp\u003eThis compressor is especially relevant for sound engineers, home studio users, and musicians who want to \u003cstrong\u003estabilize a take\u003c\/strong\u003e or \u003cstrong\u003eanchor a track\u003c\/strong\u003e without squashing transients. On \u003cstrong\u003evocals\u003c\/strong\u003e, it helps even out level differences and bring the timbre closer. On \u003cstrong\u003ebass\u003c\/strong\u003e or \u003cstrong\u003eguitar\u003c\/strong\u003e, it controls peaks while preserving attack thanks to adjustable attack and release settings. The blend control also allows enhancing perceived presence (body, density) while keeping the punch of the original signal.\u003c\/p\u003e\u003ch3\u003eCreative Settings and Fine Dynamic Control\u003c\/h3\u003e\u003ch4\u003eOpto + tube: progressive and musical compression\u003c\/h4\u003e\u003cp\u003eBased on \u003cstrong\u003eanalog optical isolators (AOI)\u003c\/strong\u003e and a \u003cstrong\u003ehand-selected 12AT7 tube\u003c\/strong\u003e, the Solo VLA is designed to deliver natural gain reduction, pleasant on rich sources (vocals, strings, pads, instrument buses). The optical approach favors smoother transitions, while the tube stage can add a sense of depth depending on your gain staging.\u003c\/p\u003e\u003ch4\u003eFrom Leveling to Limiting\u003c\/h4\u003e\u003cp\u003eWith a \u003cstrong\u003evariable ratio\u003c\/strong\u003e from 1.25:1 to 20:1 and a \u003cstrong\u003emaximum attenuation\u003c\/strong\u003e of 30 dB, you can go from simple leveling to firmer action to tame peaks. Variable attack and release times allow adapting the behavior to the source: fast to contain peaks, slower to preserve naturalness and overall dynamics.\u003c\/p\u003e\u003ch4\u003eBlend: hassle-free parallel compression\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003eblend\u003c\/strong\u003e control makes parallel compression easy directly on the unit: you keep the impact of the uncompressed signal while adding density through the compressed signal. This is a very effective method to add presence to a vocal, thicken a bass, or stabilize a bus without a squashed feel.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:13;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eModel\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eART Solo VLA Multi-voice Tube\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRange Switch\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSelectable +4 dBu\/-10 dBv\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:14;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTube\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eHand-selected 12AT7\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+25 dBu (in +4 dBu mode) \/ +16 dBV (in -10 dBv mode)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:15;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eThreshold and ratio controls\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eVariable\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOutput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+25 dBu\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:16;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAttack and release controls\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eVariable\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOutput gain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+15 dB (Line In)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:17;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMix\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eVariable (uncompressed and compressed signals)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInput impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e10 kOhms (Line In)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:6;--wb-r:18;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 Hz to 80 kHz (+ 0\/-1 dB)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOutput impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e47 Ohms (Line Out)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:7;--wb-r:19;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e\u0026gt; 100 dB (20-20 kHz)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eEquivalent input noise (EIN)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-99 dB (+4 dBu mode) \/ -107 dB (-10 dBv mode) (A-weighted)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:8;--wb-r:20;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTHD at 0 dBm output\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e\u0026lt; 0.02% (typical)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eXLR + 6.35 mm jack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:9;--wb-r:21;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eVariable attack time\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e0.25 ms to 50 ms\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOutputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eXLR + 6.35 mm jack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:10;--wb-r:22;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eVariable release time\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e150 ms to 3 s\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e220-240 V 50 Hz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:11;--wb-r:23;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompression ratio (slope)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eVariable: 1.25:1 to 20:1\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSwitch and IEC connector location\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eRear\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:12;--wb-r:24;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum attenuation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e30 dB\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"ART Pro Audio","offers":[{"title":"Default Title","offer_id":54334340530451,"sku":"421943","price":329.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/04e58f22936113dbe5865e56aef890e0590c3fb7_lg_solovla_angle_ce.jpg?v=1793382218"},{"product_id":"art-pro-audio-solo-studio-multi-voice-channel-strip-421942","title":"Solo Studio Multi-voice Channel Strip","description":"\u003ch3\u003eAn ART Channel Strip Designed for the Modern Studio, from Home Studio to Pro Rack\u003c\/h3\u003e\u003cp\u003eThe \u003cstrong\u003eART Solo Studio Multi-voice Channel Strip\u003c\/strong\u003e fits into the \"all-in-one\" approach of console channel strips dedicated to recording: combining key stages of an audio chain (gain, dynamic control, quick correction) in a compact \u003cstrong\u003e19-inch rack\u003c\/strong\u003e format. Its dual benefit is to speed up setup for a take and offer an adaptable sonic signature, switching from a more direct \u003cstrong\u003esolid\u003c\/strong\u003e behavior to a more harmonic \u003cstrong\u003etube\u003c\/strong\u003e color.\u003c\/p\u003e\u003ch3\u003eWho and What For? A Ready-to-Record Recording Chain\u003c\/h3\u003e\u003cp\u003eThis channel strip is designed for musicians, sound engineers, podcasters, and creators who want to \u003cstrong\u003esecure their takes\u003c\/strong\u003e right from the input: vocals, acoustic instruments, guitar\/bass via instrument input, or line sources depending on your setup. The goal is to go beyond a simple preamp to get a \u003cstrong\u003etighter\u003c\/strong\u003e signal (compression), \u003cstrong\u003emore readable\u003c\/strong\u003e (high-pass filter), and \u003cstrong\u003eeasier to place in a mix\u003c\/strong\u003e (tilt EQ), while keeping controls fine enough to adapt to very different timbres.\u003c\/p\u003e","brand":"ART Pro Audio","offers":[{"title":"Default Title","offer_id":54334459576595,"sku":"421942","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/77a8d3c005bce4a45b35433aa78e421430384bae_lg_solostudio_angle.jpg?v=1792411928"},{"product_id":"solid-state-logic-bus-365757","title":"Bus+","description":"\u003ch3\u003eThe Worthy Heir of the SSL \"Bus Comp\"\u003c\/h3\u003e\u003cp\u003eA direct descendant of the SSL bus compressor that defined the \"glue\" of British consoles, the Bus+ pushes the historic DNA into a modern and versatile machine. It retains the sense of cohesion and depth that made SSL mixes famous, while adding shaping options worthy of a high-end mastering processor.\u003c\/p\u003e\u003ch3\u003eFor Whom and For What Uses?\u003c\/h3\u003e\u003cp\u003eIdeal on the mix bus, subgroups (drums, rhythmic instruments), and mastering, the SSL Bus+ is aimed at professional studios as well as demanding home studios. Its digital control and detented knobs facilitate recall of settings, while the Stereo, Dual Mono, and Mid-Side modes offer quick adaptation to each source.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecompressor\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAnalog outputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2 x XLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2 channels\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGrey\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eValve\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eNo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDisplay\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eneedle VU meter\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Solid State Logic","offers":[{"title":"Default Title","offer_id":54334573674771,"sku":"365757","price":1849.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/8a07f3a271653892ffd7b6b79d962280a9bbd44a_SSL_BUS.png?v=1792999039"},{"product_id":"warm-audio-wa76-a2-402392","title":"WA76-A2","description":"\u003ch3\u003eA Revisited \"Blue Stripe\": Vintage Spirit, Modern Ergonomics\u003c\/h3\u003e\u003cp\u003eThe WA76-A\/A2 follows the great tradition of \"Blue Stripe\" type FET compressors, famous for their lightning-fast speed, versatility, and harmonic character that \"glues\" a take into the mix. This style of compression has become a studio standard because it can be both surgical on transients and genuinely musical when pushed. Here, the goal is clear: to recapture the sonic imprint and nervous dynamics that marked countless recordings, while adding modern production tools missing from vintage units.\u003c\/p\u003e\u003cp\u003eWhere vintage devices often required workarounds (parallel compression via console, de-essing via external sidechain, less immediate A\/B comparisons), the WA76-A\/A2 offers a more direct approach: front-panel Dry\/Wet control, variable sidechain filter, advanced dual-channel operating modes, and bypass options suited to the needs of a contemporary rack.\u003c\/p\u003e\u003ch3\u003eFor Whom and What: From Heavy Tracking to Precise Mixing\u003c\/h3\u003e\u003cp\u003eIf you're looking for a compressor capable of \"holding\" a vocal while preserving energy and intelligibility, the WA76-A\/A2 is in its element. It excels on sources that require tight dynamics and quick response: lead vocals, rap, spoken word, snare drum, drum room, electric bass, rhythm guitars, funk guitars, or instrument buses when you want punch without softness.\u003c\/p\u003e\u003cp\u003eIts 2-channel format opens very practical uses: stereo linked processing on overheads, piano, stereo synths, or a bus, or conversely two independent treatments in dual-mono to speed up workflow during sessions. In tracking, it can also serve as a musical \"safety net\" before conversion, controlling peaks without giving the impression of crushing the performance.\u003c\/p\u003e\u003ch3\u003eKey Features: The FET Character Enhanced by Modern Tools\u003c\/h3\u003e\u003ch4\u003eTwo Channels, Multiple Working Philosophies\u003c\/h4\u003e\u003cp\u003eThe WA76-A\/A2 offers modes designed for studio realities: \u003cstrong\u003eStereo Linked\u003c\/strong\u003e to maintain a stable stereo image, \u003cstrong\u003eDual-Mono\u003c\/strong\u003e to process two different sources, and \u003cstrong\u003ePrimary:Secondary\u003c\/strong\u003e to control coherent compression behavior between channels according to your workflow. This flexibility makes the unit as relevant in multi-source tracking as in mixing where stereo processing must remain solid and controlled.\u003c\/p\u003e\u003ch4\u003eIntegrated Parallel Compression (Dry\/Wet)\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003eDry\/Wet\u003c\/strong\u003e control simplifies parallel compression without external routing: you can preserve the natural attack of the source (dry signal) while adding density, sustain, and perceived level (wet signal). This is especially effective on drums, bass, and vocals when you want authority without losing transients or emotion.\u003c\/p\u003e\u003ch4\u003eMore Controlled Sidechain: Variable High-Pass Filter\u003c\/h4\u003e\u003cp\u003eWith a \u003cstrong\u003evariable sidechain high-pass filter\u003c\/strong\u003e, the WA76-A\/A2 prevents lows from triggering excessive compression. The result: smarter compression on close-mic vocals, bass, low-tuned guitars, or a bus where the kick shouldn't pump all the gain reduction. You thus dose dynamic control while preserving low-end stability.\u003c\/p\u003e\u003ch4\u003eBypass and Immediate Monitoring\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003eactive bypass\u003c\/strong\u003e allows using the unit as a line amplifier, while the \u003cstrong\u003etrue bypass\u003c\/strong\u003e option facilitates clear and fast A\/B comparisons. The VU meter offers several display options (gain reduction, +8 dB or +4 dB), convenient for adapting the reading according to working level and how you calibrate your chain.\u003c\/p\u003e\u003ch4\u003eExtreme Colors: \"All-Buttons-In\"\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003eAll-Buttons-In\u003c\/strong\u003e mode is part of the sonic folklore of this compressor family: more aggressive, more edgy, sometimes deliberately experimental, it brings a hard limiter sensation, grain, and urgency. Perfect for an explosive drum room, a rock vocal that must cut through a wall of guitars, or a deliberately dirty and lively effect.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e2-channel modes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eStereo Linked, Primary:Secondary, Dual-Mono\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response (+\/-1 dB)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 to 20,000 Hz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eVU meter options\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003egain reduction, +8 dB or +4 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSignal-to-noise ratio (SNR)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e86 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:9;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSwitchable input impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e600 ohms and 10 kOhm\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eTotal harmonic distortion (THD)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-64 dB (at -8 dBu)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:10;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eVariable sidechain high-pass filter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e30 to 300 Hz, 12 dB\/octave\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e483 x 90 x 159 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:11;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAttack\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 µs to 0.8 ms\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e4.8 kg\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:6;--wb-r:12;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRelease\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e50 ms to 1.1 seconds\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":54356566343955,"sku":"402392","price":1075.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/f4f9f4261696235d5370feb2afb41cbc3327dded_WARM_7248301W16006.jpg?v=1792666725"},{"product_id":"golden-age-audio-comp-54-mkiii-235578","title":"COMP-54 MKIII","description":"\u003ch3\u003eA \"1969\" Signature Updated for Today\u003c\/h3\u003e\u003cp\u003eThe COMP-54 follows in the tradition of diode bridge compressors popularized in the late 1960s, a topology that has become a studio benchmark for its naturally musical behavior. This family of circuits is notably associated with dynamic processing that can thicken a source without squashing it, preserving a sense of fluidity and texture. Golden Age Project offers here an accessible interpretation, designed to capture the essence of this sonic aesthetic in a modern and easy-to-integrate format.\u003c\/p\u003e\u003ch3\u003eWho Is the COMP-54 For and What Are Its Best Uses?\u003c\/h3\u003e\u003cp\u003eThe Golden Age Project COMP-54 is a mono audio compressor intended for recordings and mixes seeking \u003cstrong\u003eaudible but elegant compression\u003c\/strong\u003e, with character and a true \"glue\" feel. It suits both demanding home studios and professional control rooms looking to add a vintage color to their processing chain.\u003c\/p\u003e\u003cp\u003eOn vocals, it helps stabilize dynamics while adding pleasant density. On bass, guitar, synth, or mono buses (room, mono overhead, percussion), it can range from simple peak control to more sustained compression, all while maintaining a warm texture. Thanks to its detented controls, it is also practical when you want to \u003cstrong\u003equickly return to a setting\u003c\/strong\u003e or consider stereo pair usage.\u003c\/p\u003e\u003ch3\u003eKey Features: Control, Musicality, and Studio Integration\u003c\/h3\u003e\u003ch4\u003eThe Diode Bridge: Smooth and \"Singing\" Compression\u003c\/h4\u003e\u003cp\u003eThe heart of the COMP-54 is based on a \u003cstrong\u003ediode bridge\u003c\/strong\u003e detection, renowned for its way of smoothing dynamics with an organic response. While some very modern compressors prioritize absolute transparency, this type of circuit is sought after for its ability to add a sense of body and cohesion, particularly effective when you want the dynamics to contribute to the sound.\u003c\/p\u003e\u003ch4\u003ePrecise Controls, Two Auto Modes, and Sidechain Filter\u003c\/h4\u003e\u003cp\u003eThe COMP-54 offers a wide adjustment range (ratio, attack, release, threshold) to adapt to very different sources, from subtle control to more creative work. The two \"auto\" modes save time when you want compression that self-regulates musically, especially on performances with wide level variations.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003e3-position sidechain filter\u003c\/strong\u003e (50 Hz, 100 Hz, 7 kHz) is a major asset in real situations: it helps prevent excessive gain reduction triggered by strong low-end energy or, conversely, directs the compressor's response toward a specific frequency range. The result: more controlled, coherent compression that is often easier to place in a dense mix.\u003c\/p\u003e\u003ch4\u003eTrue Hard Bypass and \"Color\" Mode via In\/Out\u003c\/h4\u003e\u003cp\u003eIn the studio, instant comparison is essential: the COMP-54 features a \u003cstrong\u003ehard bypass\u003c\/strong\u003e (bypass circuit) for reliable A\/B testing. And for those who love transformer character, the \u003cstrong\u003e\"In\/Out\"\u003c\/strong\u003e button allows activating or deactivating compression to enjoy the device's color without necessarily reducing dynamics-handy for thickening a track while staying subtle.\u003c\/p\u003e\u003ch4\u003eClear Monitoring: Switchable VU Meter\u003c\/h4\u003e\u003cp\u003eThe meter can be switched to display either output level or gain reduction (compression). It's a detail that changes daily workflow: you adjust faster, understand better what you're doing, and more easily tailor the dynamics to the instrument's place in the mix.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompression topology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ediode bridge\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLine output\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eXLR and 6.3 mm jack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:7;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e3-position sidechain filter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e50 Hz, 100 Hz, 7 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInsert\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6.3 mm jack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSwitchable meter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eoutput level or gain reduction (compression) display\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOutput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e600 ohms\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:9;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eIn\/Out button\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eactivates or deactivates compression\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eHeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1U\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLine input\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eXLR and 6.3 mm jack (wired in parallel)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWidth\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9.5 inches\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Golden Age Audio","offers":[{"title":"Default Title","offer_id":54356618772755,"sku":"235578","price":394.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/e75ebd2158928e2a614f36d0c59c5b2a411b68e2_1083110.jpg?v=1792508922"},{"product_id":"golden-age-audio-comp-3a-jr-378323","title":"COMP-3A Jr","description":"\u003ch3\u003eA \"classic\" design: the spirit of discrete circuits and transformers\u003c\/h3\u003e\u003cp\u003eThe COMP-3A Jr follows a design philosophy inherited from pre-integrated circuit studio equipment: a circuit built from discrete components, and transformer balancing on both input and output. This approach aims for musicality and a sense of depth often associated with vintage processors, highly appreciated in modern production environments where digital recording emphasizes precision and clarity. In practice, this type of architecture contributes to a feeling of substance, warmth, and cohesion, while maintaining controlled dynamics.\u003c\/p\u003e\u003cp\u003eThe \"Jr\" format focuses on the essentials: one channel, direct controls, and relevant studio functions (hardwired bypass, stereo linking) to easily integrate the compressor into a recording or mixing chain.\u003c\/p\u003e\u003ch3\u003eWho the COMP-3A Jr is for and its best use cases\u003c\/h3\u003e\u003cp\u003eThis mono compressor\/leveler is aimed at demanding home studio users as well as studios seeking a vintage-inspired color with immediate ergonomics. It is especially suitable for those who want to \"set\" a source in the mix without spending time adjusting complex parameters: simply set the gain reduction, compensate with output gain, and the character naturally emerges.\u003c\/p\u003e\u003cp\u003eIn tracking, the COMP-3A Jr is an ally to stabilize vocals, soften overly aggressive transients, or create a sense of proximity. In mixing, it can help homogenize a bass, thicken a guitar, round off keyboards, or provide compression that is more \"felt\" than strictly measured. And if you work in stereo, the \u003cstrong\u003eLink\u003c\/strong\u003e connection allows pairing two units to process a stereo bus coherently.\u003c\/p\u003e\u003ch3\u003eKey Features: Optical Control, Attack\/Release Times, and Precise Metering\u003c\/h3\u003e\u003ch4\u003eOptical compression: musical and progressive gain reduction\u003c\/h4\u003e\u003cp\u003eThe COMP-3A Jr is based on a \u003cstrong\u003eclassic optocoupler gain control\u003c\/strong\u003e. This gain reduction principle is known for its natural behavior: it tends to smooth dynamics with an action perceived as fluid, ideal for achieving a dense result without making the source sound artificial. This approach is particularly relevant when seeking character and a \"studio\" feel on cleanly recorded tracks.\u003c\/p\u003e\u003ch4\u003eThree switchable attack\/release times: adapting the response to the source\u003c\/h4\u003e\u003cp\u003eThe compressor offers \u003cstrong\u003e3 switchable attack\/release times\u003c\/strong\u003e to adapt the reaction speed to the content: a vocal has different needs than a bass, rhythm guitar, or percussion. This selection allows choosing a faster or slower response to either better control transients or preserve punch and naturalness while stabilizing the level.\u003c\/p\u003e\u003ch4\u003eEssential controls and hardwired bypass\u003c\/h4\u003e\u003cp\u003eThe interface goes straight to the point with \u003cstrong\u003etwo controls\u003c\/strong\u003e: one for \u003cstrong\u003egain reduction\u003c\/strong\u003e and one for \u003cstrong\u003eoutput gain\u003c\/strong\u003e (output level). The \u003cstrong\u003ehardwired bypass switch\u003c\/strong\u003e allows instant comparison between the processed and original signals without ambiguity, which is essential for objectively judging the compression effect and adjusting output level.\u003c\/p\u003e\u003ch4\u003e7-segment LED display: reading gain reduction or output level\u003c\/h4\u003e\u003cp\u003eA \u003cstrong\u003e7-segment LED display\u003c\/strong\u003e allows visualizing either the \u003cstrong\u003egain reduction\u003c\/strong\u003e or the \u003cstrong\u003eoutput volume\u003c\/strong\u003e. This dual reading is very useful in real situations: monitoring the amount of compression applied, then quickly verifying that the output level is properly compensated to maintain a reliable comparison and clean gain staging.\u003c\/p\u003e\u003ch4\u003eBalanced connectivity and stereo linking\u003c\/h4\u003e\u003cp\u003eThe connectivity is designed for easy studio integration, with line inputs\/outputs on \u003cstrong\u003eXLR\u003c\/strong\u003e and \u003cstrong\u003e6.3 mm jack\u003c\/strong\u003e. The presence of a \u003cstrong\u003eLink input\u003c\/strong\u003e enables stereo operation with a second COMP-3A Jr, convenient for processing stereo sources while maintaining a stable image (same gain reduction variations on both channels).\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSignal path with discrete components\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eresistors, capacitors, diodes, and transistors\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLine output\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eXLR and 6.3 mm jack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003egain reduction and gain\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e4.75 inches - 1U\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLine input\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eXLR and 6.3 mm jack\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Golden Age Audio","offers":[{"title":"Default Title","offer_id":54356714127635,"sku":"378323","price":389.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/7b86b2d7a9aefdba817b349b187c2e13053e0f44_1083108.jpg?v=1792508972"},{"product_id":"chandler-limited-rs124-compressor-228278","title":"RS124 Compressor","description":"\u003ch3\u003eA \"Holy Grail\" of Tube Compression, Finally Accessible in the Studio\u003c\/h3\u003e\u003cp\u003eThe RS124 is among the most sought-after and legendary compressors in recording history. Designed in 1960 for Abbey Road Studios by Bill Livy (technical director), Len Page (assistant chief), and Mike Bachelor (audio designer), it was born from a simple observation: the limitations of the Altec 436B acquired by EMI in the late 1950s. Where existing gear struggled to provide the desired control, the RS124 delivered a more musical, smoother compression that was immediately recognizable.\u003c\/p\u003e\u003cp\u003eDirectly associated with Beatles sessions, the RS124 left its mark on much of EMI's catalog. It was so integrated into Abbey Road's workflow that pairs of them appear in most photos of booths from the 1960s. Made for internal use and never commercially released at the time, it long fueled fantasies and attempts at recreation. Chandler Limited offers here a reissue designed for today's demands, while focusing on the essentials: recapturing the personality, texture, and dynamic response that made the RS124 so coveted.\u003c\/p\u003e\u003ch3\u003eWho Is It For and What Studio Uses?\u003c\/h3\u003e\u003cp\u003eThe Chandler Limited RS124 targets recording studios, mixers, and mastering engineers seeking tube compression with an organic behavior. Its strength is not being a surgical tool, but a characterful compressor: it rounds off, stabilizes, and \"glues\" the signal with a musicality that makes the source sound like it's performing better rather than being \"crushed.\"\u003c\/p\u003e\u003cp\u003eFor tracking, it excels at smoothing vocals, taming bass, or controlling guitars without losing attack feel. In mixing, it becomes a go-to for adding glue on a bus (or stems) and providing coherent density without harshness. And if you work in pairs, the stereo link allows for more homogeneous compression on stereo signals, with behavior suited to modern mix demands.\u003c\/p\u003e\u003ch3\u003eDynamic Control, Color, and Modern Integration\u003c\/h3\u003e\u003ch4\u003eThe RS124 Softness: Control Without Choking\u003c\/h4\u003e\u003cp\u003eThe RS124 is renowned for handling heavy compression while remaining surprisingly \"open.\" This approach is especially appreciated when preserving a sense of depth and naturalness: transients are tamed, dynamics stabilized, but the source retains its energy and presence. This type of compression contributed to its fame in historic studios, both in tracking, mixing, and mastering.\u003c\/p\u003e\u003ch4\u003eDirect Controls for Quick Optimal Settings\u003c\/h4\u003e\u003cp\u003eWith attack and recovery controls, the RS124 allows adjusting how the compressor reacts to playing and groove. A well-chosen attack can preserve the snap of a snare or the pick's click, while an appropriate recovery avoids pumping while enhancing rhythmic cohesion. Output attenuation facilitates level matching after gain reduction, essential for objective \"with\" and \"without\" compression comparisons.\u003c\/p\u003e\u003ch4\u003eConnectivity and Current Studio Workflow\u003c\/h4\u003e\u003cp\u003eWhere the original was an internal Abbey Road machine, this RS124 is designed for easy rack integration and professional chain use: XLR inputs and outputs, internal power supply, switchable output impedance, and stereo linking via 6.3 mm jack for dual-unit setups. The result: you get a tube compressor with a strong identity, ready to operate in contemporary setups, whether focused on tracking, hybrid mixing, or dedicated analog chains.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAttack and Recovery\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOutput impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e200 \/ 600 Ohm (switchable)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":54356783399187,"sku":"228278","price":3353.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/46e84fc607dfc24c10135f22e73c39e0155b51f2_CHANDLER_RS124.jpg?v=1792508929"},{"product_id":"elysia-xmax-409433","title":"xmax","description":"\u003ch3\u003eA processor designed for the modern master bus\u003c\/h3\u003e The \"xmax\" follows the line of high-end bus processors designed for mixing and mastering. Its Class A topology and Mid\/Side processing allow it to consolidate the mono foundation while sculpting the stereo space with great finesse. It thus becomes the central link in a summing chain, whether on an ITB mix or around a console.\u003cbr \/\u003e \u003ch3\u003eFor whom, for what?\u003c\/h3\u003e Whether you are a mix engineer, mastering engineer, or touring sound engineer, the \"xmax\" provides control and musicality. On a stereo bus, it glues the mix without crushing it\u0026#59; in mastering, it refines dynamics band by band\u0026#59; live, it secures the head of the chain while maintaining punch and clarity and controlling transients.\u003cbr \/\u003e \u003ch3\u003eKey features for a fast workflow\u003c\/h3\u003e The multiband compression section segments the signal into bass, mid, and side components. The adjustable crossover frequency between bass and mid allows optimizing the main energy zone, while a \u003cstrong\u003eglobal Release\u003c\/strong\u003e ensures coherent movement between bands. The \u003cstrong\u003eVariLink\u003c\/strong\u003e function links the behavior of the bands for quick and musical decisions.\u003cbr \/\u003e The \u003cstrong\u003eSoft Clipper\u003c\/strong\u003e inherits the aesthetic of the \"Alpha\" compressor: it pushes perceived level without clipping external A\/D converters. Separate analog indicators display level, gain reduction, and clipping per band, offering immediate visual feedback. The \u003cstrong\u003e\"Punch\"\u003c\/strong\u003e mode enhances rhythmic impact, \u003cstrong\u003eLowmo\u003c\/strong\u003e centers the low end in mono, and the \u003cstrong\u003e\"Tone\"\u003c\/strong\u003e control acts as a shelving EQ to quickly balance the overall tonality.\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions (W x H x D)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e483 x 44.45 x 232 mm\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1.76 kg\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Elysia","offers":[{"title":"Default Title","offer_id":54356932067603,"sku":"409433","price":1735.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/b816f656577acf370f51528bf5af38fcc770eed5_xmax_19_left_white.jpg?v=1793019779"},{"product_id":"chandler-limited-rs660-compressor-408502","title":"RS660 Compressor","description":"\u003ch3\u003eA Revisited Abbey Road Heritage: From the RS124 and 660 to the RS660\u003c\/h3\u003e\u003cp\u003eThe Chandler Limited RS660 is directly descended from absolute references of the golden age of recording: the EMI RS124 and Fairchild 660 compressors, famous for their smooth yet flattering dynamic control and their ability to \"expand\" a source without harshness. Rather than aiming for a simple reproduction, Chandler Limited distills this historic DNA into a modern architecture, refining the compression behavior and tonal balance to more effectively recapture the sought-after character of the historic 660s and their evolutions. The result is a tube compressor with a confident, refined, and immediate design, conceived as a true tracking and mixing tool, capable of integrating naturally into a contemporary analog setup.\u003c\/p\u003e\u003ch3\u003eA Tube Compressor for Premium Tracking, Expressive Mixing, and Mono or Stereo Bussing\u003c\/h3\u003e\u003cp\u003eThe RS660 targets sound engineers and producers who want a compressor that is both \"signature\" and versatile: it remains discreet when transparent control is desired but can also become a genuine character generator when pushing the input and exploiting the harmonics of the tubes and transformers. In tracking, it excels on vocals to stabilize a performance without freezing it, on bass to add foundation, or on guitar to bring out definition and a sense of proximity. In mixing, it shines on dynamic sources (snare, drum room, brass) and becomes even more interesting in stereo configuration thanks to the Link connection, allowing treatment of a bus or stem while maintaining a stable stereo image.\u003c\/p\u003e\u003ch3\u003eThree Modes, a 6386 Tube, and Fine Control: From Level to Character\u003c\/h3\u003e\u003ch4\u003eTHD: Color Without Compression, From Subtle Grain to Overdrive\u003c\/h4\u003e\u003cp\u003eThe THD mode (Total Harmonic Distortion) is one of the RS660's cornerstones. Here, the goal is not to reduce dynamics but to add deliberate coloration by generating harmonics. Inspired by the approach of the Abbey Road universe's Zener TG1 and TG12413 limiters at Chandler Limited, this mode allows everything from slight thickening (presence, density, a \"glue\" sensation) to more pronounced textures, up to saturations and overdrives usable in creative contexts. It is a valuable option when you want to \"imprint\" a sound at the source or add bite to a track in mixing without necessarily engaging gain reduction.\u003c\/p\u003e\u003ch4\u003eComp and Limit: From Musical Smoothing to Transient Control\u003c\/h4\u003e\u003cp\u003eIn Comp and Limit modes, the RS660 behaves like a true tube dynamics tool: it can smoothly even out a performance or tame more aggressive peaks with a firmer feel. This dual approach is ideal for moving from comfort compression (vocals, bass, guitars) to more determined limiting (percussion, energetic buses) while maintaining an organic sensation. The VU meter facilitates daily adjustment, and the continuous input and output controls help quickly find the right balance between level, gain reduction, and color.\u003c\/p\u003e\u003ch4\u003e7 Time Constants and Variable Output Impedance: Tailoring the Response to the Program\u003c\/h4\u003e\u003cp\u003eThe 7 time constant settings provide access to a wide palette of reactions, from slow, enveloping movement to faster action to tame a lively source. Another adaptation tool is the variable output impedance (200 or 600 ohms), which allows fine-tuning the interaction with the downstream chain and the overall feel (bass control, sense of density, presence). In practice, this helps to \"match\" the RS660 with the rest of the rack and optimize the sound according to the source and context (tracking, summing, bus, console inserts).\u003c\/p\u003e\u003ch4\u003eStudio Integration: Transformer Balanced, Stereo Link, and Direct Connectivity\u003c\/h4\u003e\u003cp\u003eHandmade and transformer balanced, the RS660 is designed for demanding environments: controlled noise, comfortable headroom, and robust analog sound. The line input and output on XLR ensure simple insertion into a tracking chain or patch bay, while the Link connection on a 6.3 mm stereo jack allows coupling two units for coherent stereo processing. The 19-inch \/ 2U format and internal power supply simplify rack installation without the need for external power supplies.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e3 compression modes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTHD, Comp, Limit\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eVariable output impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e200 or 600 ohms\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eVariable time constants\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e7 settings\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eHeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2U\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":54356947763475,"sku":"408502","price":5116.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/37e59e09e123d7c7fa14dcb0c793c50093b54b81_CHANDLER_RS660.jpg?v=1792518455"},{"product_id":"manley-variable-mu-30th-anniversary-402325","title":"Variable MU 30th Anniversary","description":"\u003ch3\u003eA Manley Legend, Revisited for 30 Years of Variable Mu\u003c\/h3\u003e\u003cp\u003eBorn in the Chino workshop, the \u003cstrong\u003eManley Stereo Variable Mu\u003c\/strong\u003e has become a standard in \u003cstrong\u003etube dynamic processing\u003c\/strong\u003e on stereo buses, prized for its dense compression, silky high end, and ability to \"finish\" a mix with an immediately recognizable signature. This \u003cstrong\u003especial limited edition T-Bar XXX\u003c\/strong\u003e celebrates three decades of the unit by pushing further what made its reputation: the musicality of a Variable Mu, but with increased headroom when seeking \u003cstrong\u003ehard limiting\u003c\/strong\u003e and exemplary transient control.\u003c\/p\u003e\u003ch3\u003eWho This Variable Mu Is For and Its Intended Uses\u003c\/h3\u003e\u003cp\u003eThis tube compressor limiter is aimed at engineers and producers who want a high-end \u003cstrong\u003ebus tool\u003c\/strong\u003e, equally credible in \u003cstrong\u003emixing\u003c\/strong\u003e and \u003cstrong\u003emastering\u003c\/strong\u003e. On a stereo master, it excels at adding cohesion, depth, and a \"finished record\" feel without stiffening the image. On subgroups (drums bus, instruments, stems), it adds organic glue and harmonic thickness typical of tube circuits, while remaining precise enough for moderate compression settings.\u003c\/p\u003e\u003cp\u003eThe presence of both a \u003cstrong\u003eCompressor\u003c\/strong\u003e mode and a \u003cstrong\u003eLimiter\u003c\/strong\u003e mode covers two philosophies: on one hand, softer compression ideal for glue and roundness\u0026#59; on the other, more energetic peak control useful when stabilizing a dense mix or boosting perceived loudness without losing the elegance of high-end analog.\u003c\/p\u003e\u003ch3\u003eWhat the T-Bar XXX Version Brings: Extended Limiting and Smoother Behavior\u003c\/h3\u003e\u003ch4\u003eThe T-Bar XXX Mod: Further Gain Reduction Without Harshness\u003c\/h4\u003e\u003cp\u003eThe hallmark of this edition lies in the \u003cstrong\u003eT-Bar modification\u003c\/strong\u003e incorporating \u003cstrong\u003e4 x 6BA6 tubes\u003c\/strong\u003e. 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The result is controlled dynamics, rich texture, and a more natural compression-to-limiting transition when seeking a deliberate aesthetic.\u003c\/p\u003e\u003ch4\u003eFine Control: Attack, Release, and Sidechain to Shape the Response\u003c\/h4\u003e\u003cp\u003eBetween \u003cstrong\u003einput level\u003c\/strong\u003e, \u003cstrong\u003econtinuous threshold\u003c\/strong\u003e, \u003cstrong\u003eadjustable attack\u003c\/strong\u003e, and \u003cstrong\u003estepped release\u003c\/strong\u003e, the Variable Mu T-Bar XXX allows precise adjustment of the \"pumping\" sensation, density, and low-end sustain. The \u003cstrong\u003esidechain high-pass filter\u003c\/strong\u003e helps prevent a kick or bass from triggering excessive compression, preserving the foundation while keeping the mix stable. Finally, the \u003cstrong\u003eStereo-Link\u003c\/strong\u003e facilitates coherent behavior between channels to maintain a solid stereo image, and the \u003cstrong\u003ehardware bypass per channel\u003c\/strong\u003e enables instant and reliable comparisons.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAdjustable input level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-8 dB to +8 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOperating modes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eLimiter (4:1 to 20:1) or Compressor (1.5:1)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAdjustable attack control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e25 to 70 ms\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMax gain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e35 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e5-step rotary release control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e0.2 to 8 s\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e19-inch \/ 2U\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSidechain high-pass filter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-3 dB at 70 Hz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e7.5 kg\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":54356958871827,"sku":"402325","price":5339.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/b23aaec012cd192db1ad50d1df9c4b99b271d445_MANLEY_VARIABLE_30TH.jpg?v=1792513395"},{"product_id":"ams-neve-33609-368736","title":"33609","description":"\u003ch3\u003eA Neve Classic, Refined for Today's Studios\u003c\/h3\u003e \u003cbr \/\u003eFor over three decades, the 33609 has established itself as a standard on stereo buses and broadcast chains. In its 33609N version, it retains the original's sonic signature while incorporating switching improvements. The result: the historic character of the 33609 enriched with more flexible ergonomics for modern environments, without compromising quality.\u003c\/h3\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eWho Is It For and What Are Its Uses?\u003c\/h3\u003e \u003cbr \/\u003eThe 33609N is aimed at engineers seeking elegant dynamic control on stereo buses, subgroups, or stems, as well as mastering studios and demanding broadcast chains. Its smooth response allows tightening a mix, stabilizing a voiceover, or homogenizing music to picture, while preserving impact and depth. Ideal when a coherent, musical, and broadcast-ready treatment is desired.\u003c\/h3\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eOperation and Controls\u003c\/h3\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eCompressor Section\u003c\/h4\u003e \u003cbr \/\u003eThe compressor section offers a selection of ratios from 1.5:1 to 6:1, with independent threshold, attack, and recovery controls. The behavior remains fluid, making the 33609N formidable for \"gluing\" a mix without squashing it. The make-up gain control, positioned before the limiter section, allows regaining lost level while maintaining headroom for peaks. \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eLimiter Section\u003c\/h4\u003e \u003cbr \/\u003eFully independent, the limiter section provides discreet and musically neutral level protection. Separate threshold, attack, and recovery settings facilitate adaptation to a wide range of sources, from drums to broadcast buses. \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eMetering and Integration\u003c\/h4\u003e \u003cbr \/\u003eOverall gain reduction is displayed on a moving coil meter for clear visual feedback. Improved internal\/external I\/O switching simplifies integrating the 33609N into sophisticated analog or hybrid setups.","brand":"Ams Neve","offers":[{"title":"Default Title","offer_id":54356961034515,"sku":"368736","price":3789.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/fc0820690a25d426293fa3799226a540668be325_AMSNEVE_33609.jpg?v=1792513451"},{"product_id":"manley-elop-228350","title":"Elop+","description":"\u003ch3\u003eFrom the iconic 90s Elop to the Elop+: an evolution designed for contemporary productions\u003c\/h3\u003eHaving become a studio classic since the 1990s, the Manley Elop established itself as a reference stereo optical limiter to add density, stabilize dynamics, and \"glue\" a mix without crushing it. With the \u003cstrong\u003eElop+\u003c\/strong\u003e, Manley goes beyond a cosmetic update: the unit is \u003cstrong\u003efully modernized\u003c\/strong\u003e around a new tube amplification circuit, a new cathode output stage \u003cstrong\u003e\"White Follower\"\u003c\/strong\u003e, and a \u003cstrong\u003eswitchable power supply\u003c\/strong\u003e specifically designed for the demands and stability of tube circuits.\u003cbr \/\u003eThis new version retains the spirit of the original model (optical response, musicality, \"glue\" sensation) while adding a \u003cstrong\u003e3:1 compression\u003c\/strong\u003e option that clearly broadens its range of use: less \"limiter-only,\" more versatile for mix bus, stems, and tracking.\u003cbr \/\u003e\u003ch3\u003eA tube dynamic processor for mix bus, mastering, and high-end tracking\u003c\/h3\u003eThe Manley Elop+ targets sound engineers, producers, and studios seeking a \u003cstrong\u003estereo dynamic processor\u003c\/strong\u003e capable of being both subtle and decisive. On a main bus, it excels at \u003cstrong\u003esolidifying the image\u003c\/strong\u003e, controlling peaks, and providing a sense of cohesion without losing musicality. In mastering (or pre-mastering), it becomes a finishing tool to smooth dynamics and stabilize a track's energy while maintaining an organic sound.\u003cbr \/\u003eDuring tracking, the optical behavior is particularly appreciated on sources that benefit from remaining natural: vocals, bass, guitars, keyboards, overheads, or room mics. The goal is not to \"over-process,\" but to achieve elegant control with a smooth response and an embraced analog texture.\u003cbr \/\u003e\u003ch3\u003eNew features and key functionalities: more control, more stability, always the Manley optical signature\u003c\/h3\u003e\u003ch4\u003eNew full tube audio path and \"White Follower\" output stage\u003c\/h4\u003eThe Elop+ adopts a \u003cstrong\u003enew tube amplification circuit\u003c\/strong\u003e based on \u003cstrong\u003e5751\u003c\/strong\u003e and \u003cstrong\u003e6922\u003c\/strong\u003e triodes, and a cathode output stage \u003cstrong\u003e\"White Follower\"\u003c\/strong\u003e. This architecture aims for a stronger low-end reproduction, better transient control, and an increased sense of depth, while preserving the smooth character typical of a high-end optical limiter.\u003cbr \/\u003e\u003ch4\u003eTwo ratios for two philosophies: 10:1 limiting and 3:1 compression\u003c\/h4\u003eIn \u003cstrong\u003e10:1 limiter mode\u003c\/strong\u003e, the Elop+ acts as a musical safeguard: ideal for containing peaks and gaining perceived density without making the signal harsh. The new \u003cstrong\u003e3:1\u003c\/strong\u003e ratio in compressor mode opens the door to a more gradual approach, perfect for \"setting\" a source, smoothing a group bus, or bringing coherence to a mix without pumping sensation.\u003cbr \/\u003e\u003ch4\u003eSide-chain, stereo, and studio ergonomics\u003c\/h4\u003eThe \u003cstrong\u003eside-chain high-pass filter\u003c\/strong\u003e limits the influence of low frequencies on detection, keeping the bass stable and preventing a kick or bass from triggering excessive gain reduction. The \u003cstrong\u003eStereo Link\u003c\/strong\u003e ensures stereo image coherence by linking the behavior of both channels, an essential feature on the mix bus and stereo sources.\u003cbr \/\u003eThe \u003cstrong\u003eBYPASS\u003c\/strong\u003e and \u003cstrong\u003eAutomute with warm-up time\u003c\/strong\u003e functions integrate naturally into a professional workflow: controlled startup, monitoring protection, and quick A\/B comparisons. The \u003cstrong\u003ebright VU meters\u003c\/strong\u003e provide clear readings of gain reduction and output levels for precise treatment adjustment.\u003cbr \/\u003e\u003ch4\u003eManley IRON transformers and balanced connectivity\u003c\/h4\u003eThe \u003cstrong\u003ebalanced XLR inputs\u003c\/strong\u003e are equipped with matched \u003cstrong\u003eManley IRON\u003c\/strong\u003e transformers, designed to preserve dynamics, manage level with authority, and provide a consistent analog signature. The \u003cstrong\u003ebalanced XLR outputs\u003c\/strong\u003e ensure easy integration into a studio chain, whether for recording, hybrid mixing, or mastering.\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRatio\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e10:1 in limiter mode and 3:1 in compressor mode\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCathode output stage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e\u0026quot;White Follower\u0026quot;\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTriodes used\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e5751 and 6922\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eBright VU meters\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003egain reduction and output levels\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":54356987248915,"sku":"228350","price":2999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/5d38a65b78be6a5dc9e2b22a52618d5ae6199b18_MANLEY_ELOP_PLUS.jpg?v=1792518449"},{"product_id":"gainlab-audio-wizard-425605","title":"Wizard","description":"\u003ch3\u003eFrom \"Tube Boost\" to the Wizard: Gainlab's Color Designed for Today's Studios\u003c\/h3\u003e\u003cp\u003eThe Gainlab Audio \u003cstrong\u003eWizard\u003c\/strong\u003e continues to address a central demand in modern production: achieving an \u003cstrong\u003eanalog texture\u003c\/strong\u003e and a sense of depth while maintaining the precision and speed of a \u003cstrong\u003eDAW\u003c\/strong\u003e-oriented workflow. Inspired by the popularity of the brand's \u003cstrong\u003e\"Tube Boost\"\u003c\/strong\u003e, the Wizard inherits its sonic DNA and takes it further with a more comprehensive, controllable approach better suited to current mixing and mastering workflows.\u003c\/p\u003e\u003cp\u003eDesigned as a full-fledged color tool, it naturally fits on individual tracks, submix buses, or even the main bus when you seek a denser, more \"finished\" signature. Its rack format and clear displays make it a processor designed for quick handling without losing track of the session.\u003c\/p\u003e\u003ch3\u003eA Stereo Saturator for Producers, Mixers, and Mastering Engineers\u003c\/h3\u003e\u003cp\u003eThe Wizard is aimed at those who want a \u003cstrong\u003etube saturation\u003c\/strong\u003e usable daily, with enough subtlety to adapt to very different sources. In production, it adds character to \u003cstrong\u003evocals\u003c\/strong\u003e (presence and thickness), \u003cstrong\u003ebass\u003c\/strong\u003e (foundation and harmonics), \u003cstrong\u003esynths\u003c\/strong\u003e (grain and width), or \u003cstrong\u003edrums\u003c\/strong\u003e (impact and glue sensation).\u003c\/p\u003e\u003cp\u003eIn mixing, it becomes a natural ally on \u003cstrong\u003ebuses\u003c\/strong\u003e: drum buses, instrument buses, vocal buses, or any subgroup that deserves extra cohesion. In mastering, its value lies in adding richer color while maintaining control over the clean signal portion, helping preserve perceived dynamics and low-end definition.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2 x XLR\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOutput indicator\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eyes\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:9;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2 x XLR\u003c\/td\u003e\u003ctd data-r 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The idea is simple: to shape the material (density, attack, perceived level) and then lock the result without leaving the device or breaking inspiration. In the studio lineup, the Magnum-K positions itself as a characterful tool, capable of going from subtle control to a more pronounced signature, while remaining production-oriented.\u003c\/p\u003e\u003ch3\u003eWho the Magnum-K Is For and Where It Excels\u003c\/h3\u003e\u003cp\u003eThe Mäag Audio Magnum-K targets demanding sound engineers, producers, and home-studiers who want \u003cstrong\u003ea vocal, bass, guitar, synth, or mono bus\u003c\/strong\u003e to be more stable, present, and \"finished\" quickly. Its two-stage approach is particularly relevant when a single compression is not enough: for example, a first treatment to stabilize the signal, then a second to tame peaks and even out volume perception.\u003c\/p\u003e\u003cp\u003eIn \u003cstrong\u003erecording\u003c\/strong\u003e, it helps secure a comfortable level without crushing the performance, maintaining a sense of energy. In \u003cstrong\u003emixing\u003c\/strong\u003e, it becomes a sculpting tool: you can thicken a track, make it stand out in the mix, or conversely keep it in place with more subtle compression, then finalize with EQ and limiting. In \u003cstrong\u003epost-production\u003c\/strong\u003e (podcasts, voice-over), the compression + EQ + limiting combination delivers a clear, consistent voice ready for broadcast.\u003c\/p\u003e\u003ch3\u003eTwo Compression Stages, an Equalizer, and a Limiter: Dynamics Serving the Sound\u003c\/h3\u003e\u003ch4\u003eMagnum Comp and K Comp: Two Behaviors for Two Intentions\u003c\/h4\u003e\u003cp\u003eThe Magnum-K integrates \u003cstrong\u003etwo compression stages\u003c\/strong\u003e: \u003cstrong\u003eMagnum Comp\u003c\/strong\u003e and \u003cstrong\u003eK Comp\u003c\/strong\u003e. The benefit is not just to \"compress more,\" but to have \u003cstrong\u003etwo responses\u003c\/strong\u003e to manage dynamics at different perceptual points: impact (transients, attack), density (body, sustain), and stability (level variations). In practice, this opens a palette ranging from transparent control to more pronounced shaping, with a more consistent level feel without losing the groove.\u003c\/p\u003e\u003ch4\u003eAn Integrated Equalizer to Place the Source in the Mix\u003c\/h4\u003e\u003cp\u003eThe built-in \u003cstrong\u003eequalizer\u003c\/strong\u003e allows tonal balance adjustment close to the dynamic processing, which is especially useful when compression brings out certain areas (more present mids, tighter lows, more apparent highs). Working the EQ in the same place as the dynamics helps speed up the process and make more coherent decisions: you shape the texture, then immediately position it in the spectrum to avoid back-and-forth.\u003c\/p\u003e\u003ch4\u003eA Limiter to Lock Peaks and Finalize the Level\u003c\/h4\u003e\u003cp\u003eThe Magnum-K's \u003cstrong\u003elimiter\u003c\/strong\u003e handles the final step: controlling peaks, securing a track before conversion or sending to another processor, and achieving a more \"finished\" sound. It's an asset on expressive vocals, highly dynamic bass, irregular guitar playing, or synths with unpredictable peaks. The result: more control, fewer surprises, and a signal that holds its place in the mix.\u003c\/p\u003e\u003ch4\u003eOptimized Controls: Less Unnecessary Tweaking, More Results\u003c\/h4\u003e\u003cp\u003eThe Magnum-K's \u003cstrong\u003eoptimized controls\u003c\/strong\u003e are designed to focus on essentials: quickly finding the point where the source gains density and presence without wasting time on redundant settings. This philosophy improves the \u003cstrong\u003eworkflow\u003c\/strong\u003e, especially when you need to chain takes, make quick decisions in sessions, or work efficiently on a busy mix. 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The goal: preserve naturalness, limit artifacts, and facilitate adjustment when sources vary (dynamic vocals, slap bass, irregular guitar playing, etc.). Additionally, the 266xs benefits from \u003cstrong\u003ereturn time optimization circuits\u003c\/strong\u003e to maintain smooth compression even during rapid level changes.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eAdaptive Expander\/Gate: Cleaner Mix\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe expander\/gate adapts to signal characteristics to close more coherently and avoid overly abrupt cuts. This is an asset for taming breaths, reducing bleed between drum mics, or controlling unwanted noises between vocal phrases. The \u003cstrong\u003egate threshold\u003c\/strong\u003e is adjustable over a wide range, allowing fine-tuning according to microphone sensitivity and the acoustic environment.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eClear Metering and Sidechain for Advanced Control\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eTo speed up workflow, the unit features \u003cstrong\u003eseparate displays\u003c\/strong\u003e for gain reduction, compression, and gate: you immediately see what each section is doing to the signal. The \u003cstrong\u003eRMS level detection\u003c\/strong\u003e favors a response consistent with human loudness perception. Finally, the \u003cstrong\u003eseparate detector input\u003c\/strong\u003e (sidechain) allows influencing compression via external processing, useful for more targeted mixing approaches (e.g., controlling compressor response with a filtered signal).\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOperation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estereo or dual mono\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 Hz to 20 kHz, +0 \/ -0.5 dB; 0.35 Hz to 80 kHz, +0 \/ -3 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:11;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDetection type\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eRMS\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDistortion + noise\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eless than 0.2% at 1 kHz at any compression level\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:12;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eThreshold\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-40 dB to +20 dBu\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSignal-to-noise ratio\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ebetter than -93 dB, unweighted (22 kHz)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:13;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompression ratio\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evariable from 1:1 to infinity:1\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emore than 114 dB, unweighted\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:14;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAttack time\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eadjustable, signal-dependent (AutoDynamic)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCross-talk\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eless than -95 dB, 20 Hz to 20 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:6;--wb-r:15;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRelease time\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eadjustable, signal-dependent (AutoDynamic)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRack units\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1U\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:7;--wb-r:16;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRatio\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1:1 to 4:1\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e14.6 x 48.3 x 4.5 cm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:8;--wb-r:17;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum input level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+22 dBu\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2.19 kg\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:9;--wb-r:18;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum output level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+18 dBu, 600 ohms\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"DBX","offers":[{"title":"Default Title","offer_id":54357214691603,"sku":"145570","price":159.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/f962a4bfddb1254e58b52f327be1d811341c8061_DBX_266XS.jpg?v=1792529043"},{"product_id":"empirical-labs-distressor-el8-x-stereo-matched-pair-426383","title":"Distressor EL8X Stereo Matched","description":"\u003ch3\u003eA Modern Classic: The Spirit of Legends, Today's Flexibility\u003c\/h3\u003e\u003cp\u003eConceived by Dave Derr with the desire to recapture the character of iconic compressors (such as the 1176, LA-2A, or Gain Brain), the Distressor established itself as an intelligent synthesis: grain, musicality, and a true ability to adapt to the source. With tens of thousands of units in circulation, it is one of those \"go-to\" machines found both in high-end studios and more compact production setups.\u003c\/p\u003e\u003ch3\u003eFor Which Profiles and Studio Uses?\u003c\/h3\u003e\u003cp\u003eThe Distressor EL8-X is aimed at sound engineers, producers, and musicians who want an analog compressor capable of ranging from clean, discreet control to a distinctly pronounced signature. In recording, it stabilizes vocals, tightens bass, or adds impact to a snare without losing attack. In mixing, it can thicken guitars, add dimension to synths, or transform room mics using the \"Nuke\" mode. The \"Opto\" 10:1 ratio, designed to recall the behavior of photoelectric compression, provides a smoother, more singing smoothing when aiming for controlled dynamics without aggression.\u003c\/p\u003e","brand":"Empirical Labs","offers":[{"title":"Default Title","offer_id":54357235499283,"sku":"426383","price":3648.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/039d28828fcce5dd305e56f20b8d57f986564ff3_EMPIRICAL_EL8X_STEREO.jpg?v=1792528995"},{"product_id":"klark-teknik-3rd-dimension-bbd-320-353343","title":"3RD Dimension BBD-320","description":"\u003ch3\u003eA Classic of Spatialization... in Studio Rack Version\u003c\/h3\u003e\u003cp\u003eThis processor follows the tradition of studio units dedicated to \u003cstrong\u003estereo widening\u003c\/strong\u003e and spatial placement, sought after for their ability to add dimension without altering the source. Its design is based on a \u003cstrong\u003efaithful reproduction of the original analog circuit\u003c\/strong\u003e and genuine BBD lines, an approach appreciated for its grain and natural response, especially when avoiding an overly \"digital\" feel in the high frequencies.\u003c\/p\u003e\u003ch3\u003eFor Whom and What: Depth Without Complexity\u003c\/h3\u003e\u003cp\u003eIdeal in \u003cstrong\u003estudio\u003c\/strong\u003e as well as in \u003cstrong\u003elive sound\u003c\/strong\u003e, this rack unit is aimed at producers, mixers, and musicians who want to add \u003cstrong\u003edepth\u003c\/strong\u003e to keyboards, guitars, pads, choirs, or synth buses while maintaining good center clarity. Thanks to the mono\/stereo mode and balanced connectivity, it easily fits as an \u003cstrong\u003einsert\u003c\/strong\u003e on a console, as an \u003cstrong\u003eauxiliary\u003c\/strong\u003e, or within a processing chain dedicated to analog color.\u003c\/p\u003e\u003ch3\u003eAn Analog BBD Architecture Designed for the Stereo Image\u003c\/h3\u003e\u003cp\u003eThe core of the processing relies on \u003cstrong\u003eauthentic BBD technology\u003c\/strong\u003e (Bucket Brigade Delay), used to generate characteristic temporal and phase variations of analog spatialization. The result: a sense of width and movement that can remain very musical, even on dense sources.\u003c\/p\u003e\u003ch4\u003eBypass and Remote Control\u003c\/h4\u003e\u003cp\u003eThe switchable \u003cstrong\u003ebypass\u003c\/strong\u003e allows instant comparison between the processed signal and the direct signal, useful in mixing to balance the effect. The \u003cstrong\u003eremote control\u003c\/strong\u003e input via 6.3 mm mono jack provides a simple solution to activate\/deactivate the effect remotely according to your setup.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 - 20,000 Hz, +0\/-3 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower consumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e10 Watts\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2x XLR, 2x balanced 6.3 mm jacks\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions (H x W x D)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e88 x 483 x 158 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2x XLR, 2x balanced 6.3 mm jacks\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2.5 kg\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRemote control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6.3 mm mono jack\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Klark Teknik","offers":[{"title":"Default Title","offer_id":54357517533459,"sku":"353343","price":189.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/33cb13db8796c99c828bb94a44e79bb9dc13a4db_KLARK_3RD_DIMENSION_BBD_320.jpg?v=1792533744"},{"product_id":"empirical-labs-el-7-ubk-fatso-184841","title":"EL-7 UBK Fatso","description":"\u003ch3\u003eFrom Fatso Jr. to UBK Fatso: The Legacy Revisited\u003c\/h3\u003e\u003cp\u003eBorn from UBK's admiration for Dave Derr's Fatso Jr., the UBK Fatso inherits the DNA of the classic Vintage Fatso - tape-style saturation, harmonic thickening, and independent \"warmth\" control - and adds three new ear-tuned compression Presets. The result: an outboard unit that continues the analog aesthetic while speeding up decision-making in the studio.\u003c\/p\u003e\u003ch3\u003eFor Whom and For What Uses?\u003c\/h3\u003e\u003cp\u003eDesigned for engineers and producers seeking \u003cstrong\u003emusical compression without hassle\u003c\/strong\u003e, the UBK Fatso excels in both tracking and mixing. It tames vocal peaks, densifies drums, stabilizes bass, thickens guitars, and brings cohesion to loops and keyboards. Used in parallel processing or insert, it delivers punch, color, and level stability.\u003c\/p\u003e\u003ch3\u003eFeatures and Sonic Signatures\u003c\/h3\u003e\u003ch4\u003e\"Splat\" Preset\u003c\/h4\u003e\u003cp\u003eVintage console spirit: with moderate settings, it locks drums in place, pushes vocals forward, and enhances attack. When driven, it delivers massive impact, creamy old-school vocals, and thick guitars that stay put in the mix, even with heavy gain reduction.\u003c\/p\u003e\u003ch4\u003e\"Smooth\" Preset\u003c\/h4\u003e\u003cp\u003eFollower-style limiting to shave 6-10 dB of peaks without artifacts. In tracking, takes naturally nestle together\u0026#59; in mixing, it shifts from a smooth, velvety sound to a fast, punchy behavior, ideal for loops, parallel overheads, or vocals with chaotic dynamics.\u003c\/p\u003e\u003ch4\u003e\"Glue\" Preset\u003c\/h4\u003e\u003cp\u003eLow-frequency specialist: controls dynamics while preserving clarity and punch, raises perceived level, and unifies notes. Also formidable on drums, acoustics, and keyboards for a \"glued\" mix cohesion.\u003c\/p\u003e\u003ch4\u003e\"Spank\" Mode and Stacking\u003c\/h4\u003e\u003cp\u003eThe famous \"Spank\" adds incisive console-style punch, stackable with one or more Presets. Treatments layer for textures that are both powerful and musical\u0026#59; activate the transformer circuit to make the low end sing.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eThree proprietary Presets\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e\u0026quot;Splat,\u0026quot; \u0026quot;Smooth,\u0026quot; and \u0026quot;Glue\u0026quot; (fixed settings optimized by ear).\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRecommended sources\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evocals, drums, bass, acoustic\/electric guitars, pianos, loops, and keyboards.\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Empirical Labs","offers":[{"title":"Default Title","offer_id":54357621768467,"sku":"184841","price":3222.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/0d0324c3d8fa798adbf754386bdbd5412db91bcd_EMPIRICALLABS_UBKEL7.jpg?v=1792542452"},{"product_id":"empirical-labs-distressor-el8-x-mono-78136","title":"Distressor EL8-X Mono","description":"\u003ch3\u003eA Modern Classic in Dynamics\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eBorn to combine the character of legendary compressors with the precision of a modern workflow, the Empirical Labs Distressor has established itself as a studio standard. It combines a hybrid architecture of discrete components\/integrated circuits with robust digital control, offering the musicality of iconic machines and the consistency of a contemporary production tool.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eWho Is It For and What Are Its Uses?\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eIdeal for tracking and mixing, it excels on vocals, guitars, and drums, from room mics to close mics. Its palette ranges from simple transparent \"warming\" to aggressive control for disciplined transients, up to optical emulation for smooth, singing compressions on buses or bass.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eKey Features and Highlights\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003e\u003cstrong\u003eThree Distortion Modes\u003c\/strong\u003e allow shaping the texture before or after gain reduction: even harmonics for a \"tube-like\" warmth, or odd harmonics for a more biting character, like tape saturation. Two dedicated LEDs indicate 1% and 3% thresholds for precise dosing without harsh clipping even a few dB beyond.\u003c\/p\u003e \u003cbr \/\u003e\u003cp\u003e\u003cstrong\u003eAdvanced Detection EQ\u003c\/strong\u003e: high-mid boost softens guitars and vocals, while the sidechain low-cut prevents pumping from bass frequencies, resulting in more musical compression.\u003c\/p\u003e \u003cbr \/\u003e\u003cp\u003e\u003cstrong\u003eEight Unique Curves\u003c\/strong\u003e: from 1:1 with no compression (just harmonic coloration) to ratios of 2:1, 3:1, 4:1, 6:1, up to 10:1 in dedicated circuits for an \"optical\" response close to the great classics, plus an \"Explosive\" mode designed for drum room mics.\u003c\/p\u003e \u003cbr \/\u003e\u003cp\u003e\u003cstrong\u003eErgonomics and Repeatability\u003c\/strong\u003e: binary-style interface to multiply combinations, large-throw potentiometers with fine graduations, fixed and calibrated output level for instant recall in studio or live settings.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEight dynamic curves\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1:1, 2:1, 3:1, 4:1, 6:1, 10:1 (\u0026quot;optical\u0026quot; circuit), plus \u0026quot;Explosive\u0026quot; limiting mode.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePackaged weight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6 kg.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eProgrammable analog distortion\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eeven harmonics (tube-type) and odd harmonics (tape-type).\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Empirical Labs","offers":[{"title":"Default Title","offer_id":54357739307283,"sku":"78136","price":1898.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/2f0e1820148c3f10172c2aeb4552e9460f0d4234_EMPIRICAL_LABS_DISTRESSOR_MONO.jpg?v=1792542462"},{"product_id":"warm-audio-wa76-a-402391","title":"WA76-A","description":"\u003ch3\u003eA Classic FET Compressor Revisited for Modern Workflows\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eThe WA76-A\/A2 follows the lineage of \"Blue Stripe\" type FET compressors, renowned for their lightning-fast speed and ability to control dynamics without losing the energy of the performance. This aesthetic has become a standard in recording and mixing, whether to \"place\" a vocal in front of the mix, sculpt the attack of a snare drum, tighten a bass, or stabilize a rhythm guitar. The goal here is clear: to recapture the feel of vintage hardware while benefiting from modern tools that speed up decisions and multiply sonic options.\u003c\/p\u003e \u003cbr \/\u003e\u003cp\u003eBeyond a simple replica, Warm Audio enhances the experience with features designed for today's studios: built-in parallel compression, more controllable sidechain, and immediate comparison possibilities. The result: a rack compressor that retains the \"fast and sharp\" DNA while integrating naturally into hybrid sessions as well as fully analog chains.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eWho and What For: From Tracking to Mixing When Dynamics Need to Stay Tight\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eThe WA76-A\/A2 is aimed at sound engineers, demanding home studio users, and producers who want a compressor capable of working fast, hard, and with character. On a \u003cstrong\u003evocal take\u003c\/strong\u003e, it can smooth out peaks while adding that harmonic grit that makes the signal \"hold\" better in the upper midrange. On \u003cstrong\u003edrums\u003c\/strong\u003e, it excels at accentuating attack, controlling a room mic, or achieving a more explosive sound in the \"all buttons in\" mode. On \u003cstrong\u003ebass\u003c\/strong\u003e and \u003cstrong\u003eguitar\u003c\/strong\u003e, it provides immediate stability, a sense of proximity, and very effective density in a modern mix.\u003c\/p\u003e \u003cbr \/\u003e\u003cp\u003eThanks to the Dry\/Wet control, it also becomes a particularly fast mixing tool: you can preserve the original transient and blend the amount of compressed signal without using a parallel bus. And with the sidechain high-pass filter, you avoid the lows triggering compression too much, which is valuable on a warm vocal, deep bass, or a drum bus heavy with kick.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eKey Features: Speed, Color, and Modern Control\u003c\/h3\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eDiscrete FET Compression and Embraced Analog Grit\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eAt the heart of the WA76-A\/A2 is a \u003cstrong\u003ediscrete analog FET\u003c\/strong\u003e architecture designed to offer ultra-responsive gain reduction and a harmonic tonal signature. This approach delivers compression that \"grabs\" the signal precisely while maintaining a musicality highly appreciated on percussive sources and dynamic vocals. The fast attack response and release range allow switching from transparent control to creative pumping with just a few adjustments.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eCineMag Transformers and Class A Output: Presence That Mixes Itself\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe \u003cstrong\u003eO-12\u003c\/strong\u003e input and \u003cstrong\u003e5002 Premium CineMag USA\u003c\/strong\u003e output transformers, combined with a \u003cstrong\u003eClass A line output amplifier\u003c\/strong\u003e, contribute to the typical analog chain sensation of depth and \"weight.\" This translates into a more stable image, richer texture, and pleasant harmonic saturation when pushing the output stage, particularly useful for adding dimension to somewhat tame tracks.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eDry\/Wet, Variable Sidechain, and Bypass Options: Efficiency and Creativity\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe \u003cstrong\u003eDry\/Wet\u003c\/strong\u003e control facilitates parallel compression without additional routing, ideal for preserving a source's impact while increasing the sense of level and density. The variable \u003cstrong\u003esidechain high-pass filter\u003c\/strong\u003e (30 to 300 Hz) allows better calibration of the compressor's reaction to low frequencies, for a more musical behavior on bass-heavy sources. Finally, between \u003cstrong\u003eactive bypass\u003c\/strong\u003e (usable as a line amplifier) and \u003cstrong\u003eTrue Bypass\u003c\/strong\u003e (direct A\/B comparisons), you gain speed in decision-making and reliability during fine adjustments.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eAll-Buttons-In and Studio Connectivity: From Classic to Radical\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe \u003cstrong\u003eAll-Buttons-In\u003c\/strong\u003e function opens the door to more aggressive colors, with more extreme compression and hard limiter effects appreciated on room mics, drums, rock vocals, or effects. For stereo setups, the \u003cstrong\u003eStereo Link\u003c\/strong\u003e input facilitates paired operation, and access to the \u003cstrong\u003eexternal sidechain\u003c\/strong\u003e allows for more advanced processing (de-essing via external EQ, creative ducking, etc.). The switchable input impedance enhances integration flexibility depending on your sources and upstream chain.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGain reduction\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+8 dB or +4 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 to 20,000 Hz (+\/-1 dB)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:7;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eVariable sidechain high-pass filter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e30 to 300 Hz, 12 dB per octave\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSignal-to-noise ratio (SNR)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e84 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAttack\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 µs to 0.8 ms\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eTotal harmonic distortion (THD)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-58 dB (at -8 dBu)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:9;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRelease\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e50 ms to 1.1 seconds\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e483 x 90 x 159 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSwitchable input impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e600 ohms and 10,000 ohms\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e3.7 kg\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":54357931983123,"sku":"402391","price":719.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/19249c703a4a2ea7c3166f7e0d91c044fff45eeb_WARM_7248301W16005.jpg?v=1792547212"},{"product_id":"lang-electronics-p-lane-436-430479","title":"P.LANE 436","description":"\u003ch3\u003eA Classic Compressor Revisited: The \"British Invasion\" DNA in a Modern Workflow\u003c\/h3\u003e\u003cp\u003eBorn from a joint development between \u003cstrong\u003eHERITAGE AUDIO\u003c\/strong\u003e and \u003cstrong\u003eLANG ELECTRONICS Inc.\u003c\/strong\u003e, the \u003cstrong\u003eP.LANE Type 436\u003c\/strong\u003e follows in the lineage of tube compressors that shaped the studio aesthetic of the 1960s. This family of varimu circuits is sought after for its way of smoothing dynamics without stiffness, adding a sense of cohesion and texture that is immediately audible.\u003c\/p\u003e\u003cp\u003eHere, the goal is not to freeze a \"museum\" copy, but to offer a faithful interpretation of the famous \"London Mod\" modification spirit, while adapting it to today's recording demands. The result: the velvety grain and obvious compression that stabilizes a source, with choices of constants and behaviors that facilitate recall, reproducibility, and quick adjustment in real situations.\u003c\/p\u003e\u003ch3\u003eFor Which Profiles and Uses Is the P.LANE Type 436 Most Relevant?\u003c\/h3\u003e\u003cp\u003eThe \u003cstrong\u003eLANG P.LANE Type 436\u003c\/strong\u003e is aimed at studios, demanding home studios, producers, and sound engineers who want a \u003cstrong\u003etracking compressor\u003c\/strong\u003e with strong personality, capable of delivering a \"record\" sound right from recording. It is particularly comfortable when controlling dynamics without a squashed feel, preserving air, presence, and articulation.\u003c\/p\u003e\u003cp\u003eIts favored playgrounds: \u003cstrong\u003ebass\u003c\/strong\u003e, \u003cstrong\u003eelectric and acoustic guitars\u003c\/strong\u003e, \u003cstrong\u003epiano\u003c\/strong\u003e, strings, brass, and woodwinds. It also excels on transient-rich takes when you want to round off the attack, emphasize sustain, and achieve a more stable source in a dense mix, whether working in pop, rock, alternative, metal, hip hop, or electronic music.\u003c\/p\u003e","brand":"Lang Electronics","offers":[{"title":"Default Title","offer_id":54358002499859,"sku":"430479","price":925.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/0a10f2f8b5b75206ea7419c44ac7c725c9002622_LANG_PLANE436.jpg?v=1792552049"},{"product_id":"manley-variable-mu-compressor-limiter-184935","title":"Variable MU Compressor\/limiter","description":"\u003ch3\u003eA Modern Classic in Mastering in the Tradition of Great Tube Compressors\u003c\/h3\u003e\u003cp\u003eThe Manley Variable Mu is one of those rare dynamic processors that have transcended the status of \"good compressor\" to become a lasting studio reference. Its name comes from the term \"Mu,\" which in tube circuit language refers to gain. The \"Variable Mu\" principle corresponds to a compression technique where the bias of a tube can be varied to control gain reduction in a progressive, organic, and particularly pleasant way on complex sources.\u003c\/p\u003e\u003cp\u003eThis approach harkens back to the spirit of legendary all-tube dynamic processors like the highly sought-after Fairchild 670, known for exploiting this type of gain reduction behavior. Without trying to \"clone\" a vintage machine, the Variable Mu fits into this tradition: dynamic control that favors texture, coherence, and a sense of depth, with a sonic signature made for stereo mixing and mastering.\u003c\/p\u003e\u003ch3\u003eWho and What Studio Uses?\u003c\/h3\u003e\u003cp\u003eThis stereo limiter\/compressor is primarily aimed at mastering studios, mixers, and producers who want a high-level tool on the master bus, on stems (drums, music, vocals), or in group processing. Where a VCA compressor might seem more \"surgical\" and a FET more aggressive, the Variable Mu targets controlled dynamics with a sense of continuity: the signal remains large, stable, and easier to finalize.\u003c\/p\u003e\u003cp\u003eIn practice, it excels when you want to tighten the low end, smooth peaks, provide a sense of glue between elements, or add subtle harmonic density. In gentle compression mode, it supports the program; in limiting mode, it becomes a true musical safeguard to hold a level, prepare a capture, or secure a chain of downstream processing.\u003c\/p\u003e\u003ch3\u003eKey Features: Fine Control Designed for Mix Bus and Mastering\u003c\/h3\u003e\u003ch4\u003eThe \"Variable Mu\" Core: Natural and Progressive Gain Reduction\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003efully tube differential circuit\u003c\/strong\u003e is designed to offer smooth gain reduction, with a compression feel that is less \"mechanical\" when working on a full mix. This style of compression is particularly useful when you want to preserve credible transients, keep the stereo image stable, and avoid obvious pumping effects on dense arrangements.\u003c\/p\u003e\u003ch4\u003eTwo Modes: COMPRESS for Musicality, LIMIT for Control\u003c\/h4\u003e\u003cp\u003eThe Variable Mu offers two approaches: a \u003cstrong\u003eCOMPRESS\u003c\/strong\u003e mode at \u003cstrong\u003e1.5:1\u003c\/strong\u003e for gentle program compression, and a \u003cstrong\u003eLIMIT\u003c\/strong\u003e mode adjustable from \u003cstrong\u003e4:1 to 20:1\u003c\/strong\u003e when the goal is to lock down dynamics more tightly. The \u003cstrong\u003evariable threshold\u003c\/strong\u003e allows precise adjustment of the gain reduction entry point to dose the amount of control without losing the mix's intent.\u003c\/p\u003e\u003ch4\u003eControlled Timing: Adjustable Attack and Release Positions\u003c\/h4\u003e\u003cp\u003eIn mastering, timing is critical: too fast, and the sound closes up; too slow, and peaks pass uncontrolled. Here, the \u003cstrong\u003eadjustable attack\u003c\/strong\u003e (from \u003cstrong\u003e25 ms to 70 ms\u003c\/strong\u003e) lets you choose between more punch or a rounder feel. The \u003cstrong\u003erelease time\u003c\/strong\u003e is selected via a \u003cstrong\u003e5-position switch\u003c\/strong\u003e (0.2 s, 0.4 s, 0.6 s, 4 s, 8 s), very practical for adapting to tempo, style, and transient type (kick\/snare, piano attacks, vocal consonants, etc.).\u003c\/p\u003e\u003ch4\u003eProfessional Connectivity, Manley Transformers, and Linking Options\u003c\/h4\u003e\u003cp\u003e\u003cstrong\u003eBalanced inputs and outputs\u003c\/strong\u003e (600 Ohms) and \u003cstrong\u003eManley input\/output transformers\u003c\/strong\u003e contribute to the solidity and stability of the processing while ensuring a stated flat frequency response from 20 Hz to 25 kHz. For serious stereo work, a \u003cstrong\u003estereo linking\u003c\/strong\u003e switch preserves left\/right balance. For advanced setups, it is possible to \u003cstrong\u003elink multiple units\u003c\/strong\u003e for Surround use (special user command).\u003c\/p\u003e\u003cp\u003eFor operational comfort, there is a \u003cstrong\u003ephysical bypass\u003c\/strong\u003e (ideal for unambiguous A\/B comparison), a \u003cstrong\u003esilent conductive plastic input attenuator\u003c\/strong\u003e on each channel, and large \u003cstrong\u003eilluminated Sifam VU meters\u003c\/strong\u003e for quick visual monitoring during sessions.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:12;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 Hz to 25 kHz (Manley input and output transformers with nickel-plated mu-metal wiring)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eTube set per channel\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e5670, 5751, 7044, and 12AL5 (one of each type per channel)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:13;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum gain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e35 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eBias voltages and filament heating\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eseparately regulated\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:14;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum output level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+30 dBu (26 V RMS)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInputs and outputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ebalanced (600 Ohms)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:15;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e26 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAttenuator\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eon both inputs, silent conductive plastic\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:16;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTotal harmonic distortion\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evalue not disclosed\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eVU meters\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003elarge illuminated Sifam VU meters\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:6;--wb-r:17;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRelease time (5-position selector)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e0.2 s, 0.4 s, 0.6 s, 4 s, 8 s\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eStereo linking\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evia switch\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:7;--wb-r:18;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAdjustable attack time\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e25 ms to 70 ms\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMulti-unit linking\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epossible for Surround mode use (special user command)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:8;--wb-r:19;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eThreshold adjustment\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evariable\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower consumption (120\/240 V AC)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e80 Watts\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:9;--wb-r:20;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eModes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eLIMIT (4:1 to 20:1) or COMPRESS (1.5:1)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e48.3 x 8.9 x 25.4 cm (2U)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:10;--wb-r:21;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBypass\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ephysical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eTotal weight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e10.4 kg\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:11;--wb-r:22;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCircuit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efully tube differential\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":54358042837267,"sku":"184935","price":4699.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/6f7c08ef5d2b0c5125a22e34c071057cc27b1459_MANLEY_VARIABLE_MU.jpg?v=1792547269"},{"product_id":"mcdsp-apb-16-347632","title":"APB-16","description":"\u003ch3\u003eA Hybrid Approach by McDSP: The APB in the Range, Between Plug-ins and Outboard\u003c\/h3\u003e\u003cp\u003eWith the Analog Processing Box, McDSP offers a hybrid solution that sits halfway between the flexibility of a software environment and the musicality of an analog circuit. Where a traditional outboard requires manual adjustments and sometimes tedious recall, the APB-16 retains the ergonomics of a plug-in: you work within your session, and the unit executes the processing in its analog domain.\u003c\/p\u003e\u003cp\u003eWithin the APB range, the APB-16 follows the philosophy of the APB models while offering \u003cstrong\u003emore channels\u003c\/strong\u003e for modern workflows (stem mixing, group processing, dense sessions, or mastering with parallel processing). The result: you can multiply instances and build a coherent chain without sacrificing full recall or automation.\u003c\/p\u003e\u003ch3\u003eWho Is It For and What Studio Applications?\u003c\/h3\u003e\u003cp\u003eThe APB-16 is aimed at sound engineers, producers, and mixers who want \u003cstrong\u003egenuine analog processing\u003c\/strong\u003e without leaving their DAW. In mixing, it provides dynamic control, density, and character on buses (drums, vocals, guitars, synths) while maintaining clean and reproducible routing. In mastering, it meets the needs for precision, transparency, and consistency, with the ability to instantly recall a project even long after.\u003c\/p\u003e\u003cp\u003eThis approach is particularly relevant if you switch between multiple projects, collaborate remotely, or need to deliver quick revisions: the APB-16 combines the feel of an analog processor with the discipline of a fully recallable session.\u003c\/p\u003e\u003ch3\u003eOperation and Processors: Analog Controlled by Plug-in\u003c\/h3\u003e\u003ch4\u003eAn \"In the Box\" Workflow, Sound Processed Outside\u003c\/h4\u003e\u003cp\u003eThe principle is simple: an APB plug-in receives your audio, associates it with a control signal, then sends everything via \u003cstrong\u003eThunderbolt\u003c\/strong\u003e to the APB unit. The control signal drives the analog components to execute the selected algorithm with the exact parameters from your session. The audio is then processed in the analog domain, reconverted to digital, and returned at the plug-in output directly within your project.\u003c\/p\u003e\u003ch4\u003eRecall, Presets, and Automation: The Discipline of a Plug-in, the Response of a Circuit\u003c\/h4\u003e\u003cp\u003eEach instance operates like a classic plug-in: preset saving, automatic recall when opening the session, and \u003cstrong\u003eautomation\u003c\/strong\u003e possible with sample-level precision. You can thus perform transitions, dynamic movements, or threshold adjustments with typically digital finesse while retaining the analog behavior of the processing.\u003c\/p\u003e\u003ch4\u003eA Palette Focused on Dynamics, Console, and Mastering\u003c\/h4\u003e\u003cp\u003eThe APB-16 comes with a collection of plug-ins dedicated to routing and controlling the analog circuits, including a \u003cstrong\u003econsole simulation\u003c\/strong\u003e and several dynamic processors. From multiband compression to transparent limiting, including more characterful signatures (tube, saturation, aggressive character), the set aims to cover real studio needs: stabilizing a vocal, densifying drums, smoothing a bus, or securing a master without losing impact.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:9;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMC-3\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e3-band multiband compressor\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSupported sample rates\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e44.1, 48, 88.2, 96, 176.4, 192 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:10;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMoo X\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ehybrid mixing console with channel EQ, analog compressor and saturation, and Master section with stereo analog compressor and saturation\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 - 20,000 Hz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:11;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eC673-A\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edynamic compressor based on the Fairchild 670\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e118 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:12;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEL MOO\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etube analog saturation limiter\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSupported formats (64-bit only)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eVST3 \/ AU2 \/ AAXnative\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:13;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMOO TUBE\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ediscrete character compressor for a wide range of applications\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSupported DAWs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAvid Pro Tools 12 and above, Logic Pro X 10.4 and above, Cubase 10.x and above\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:6;--wb-r:14;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eChickenHead\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eaggressive compressor with its own sonic character\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRequired configuration\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMac OSX 10.10 or higher, Internet connection, available Thunderbolt 2, 3, or 4 port, Pace iLok or iLok Cloud\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:7;--wb-r:15;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eL-18\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etransparent all-purpose limiter with surround support up to 7.1.2 in Avid Pro Tools Ultimate (not for AU, VST3)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e483 x 44 x 406 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:8;--wb-r:16;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eC-18\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003euniversal compressor with neutral sound\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"McDSP","offers":[{"title":"Default Title","offer_id":54358136422675,"sku":"347632","price":5999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/5129e3ba6bf0d18b3736d19240e39a4f34a0ecf2_MCDSP_M_HW_APB16.jpg?v=1792551974"},{"product_id":"golden-age-audio-comp-3a-378322","title":"COMP-3A","description":"\u003ch3\u003eA design inspired by the golden age of dynamic processing\u003c\/h3\u003e\u003cp\u003eThe COMP-3A captures the spirit of vintage compressors\/levelers designed before the widespread use of integrated circuits. While many modern electronics rely on compact and economical solutions, this type of discrete and transformer-based architecture primarily aims for a \u003cstrong\u003esonic signature\u003c\/strong\u003e and a \u003cstrong\u003etactile feel\u003c\/strong\u003e often sought after in studios, especially when recording and mixing take place in a very \"clean\" digital environment.\u003c\/p\u003e\u003ch3\u003eWho the COMP-3A excels for, and in which applications\u003c\/h3\u003e\u003cp\u003eThe COMP-3A is intended for sound engineers, producers, and musicians who want a \u003cstrong\u003echaracterful compressor\u003c\/strong\u003e that's easy to integrate into a studio chain. On vocals, it helps stabilize dynamics and push the source forward in the mix. On bass, guitars, or keyboards, it provides more consistent sustain and better-controlled presence.\u003c\/p\u003e\u003cp\u003eYou can also consider a \u003cstrong\u003estereo\u003c\/strong\u003e setup by using a second unit, convenient for processing a synth bus, overheads, or a submix, while maintaining coherence between the two channels.\u003c\/p\u003e\u003ch3\u003eKey features: musicality, control, and studio integration\u003c\/h3\u003e\u003ch4\u003eT4 optical cell: compression that respects the performance\u003c\/h4\u003e\u003cp\u003eThe heart of the COMP-3A relies on a \u003cstrong\u003eT4 electro-optical attenuator\u003c\/strong\u003e. This type of gain control is appreciated for its organic behavior: the programmed attack and release follow the source dynamics smoothly, allowing effective gain reduction without sounding \"squashed.\"\u003c\/p\u003e\u003ch4\u003eMetering, bypass, and professional connectivity\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003eVU meter\u003c\/strong\u003e can display gain reduction or output level, enabling precise adjustment of compression amount and the level sent downstream. The \u003cstrong\u003ehardwire bypass\u003c\/strong\u003e allows instant comparison without coloration related to the bypass path, while the \u003cstrong\u003eXLR and TRS line inputs\/outputs\u003c\/strong\u003e facilitate integration with an audio interface, console, or patchbay.\u003c\/p\u003e","brand":"Golden Age Audio","offers":[{"title":"Default Title","offer_id":54358155297043,"sku":"378322","price":444.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/26dd67b0aca6ab9a1f9dc46fa2c25aa570362836_1083130.jpg?v=1792551918"},{"product_id":"warm-audio-wa76-d2-402394","title":"WA76-D2","description":"\u003ch3\u003eA Legendary \"Rev D,\" Redesigned as a Dual Channel for Modern Workflows\u003c\/h3\u003e\u003cp\u003eThe WA76-D\/D2 follows in the footsteps of the most iconic FET compressors in studios, renowned for their speed, musicality, and that slight harmonic density that \"glues\" a take into the mix. Where vintage units shine with character, this version adds a decidedly practical approach for current recording: \u003cstrong\u003etwo channels\u003c\/strong\u003e ready to work in stereo, routing options adapted for hybrid chains, and features designed to save time during tracking and mixing.\u003c\/p\u003e\u003ch3\u003eWho Is the WA76-D\/D2 For, and In What Applications Does It Make a Difference?\u003c\/h3\u003e\u003cp\u003eThis compressor targets demanding home studios as well as professional control rooms seeking \u003cstrong\u003every tight dynamic control\u003c\/strong\u003e without sacrificing the analog feel. On vocals, it excels at stabilizing levels while preserving attack energy; on a snare or drum room, it adds impact and presence; on bass, it locks sustain with authority. In stereo configuration, it becomes a go-to ally for overhead pairs, synths, or a punchy parallel bus.\u003c\/p\u003e\u003ch3\u003eKey Features: FET Precision, Stereo Flexibility, and Creative Control\u003c\/h3\u003e\u003ch4\u003eIntegrated Parallel Compression (Dry\/Wet)\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003eDry\/Wet\u003c\/strong\u003e control allows instant dosing of parallel compression without external patching: perfect for thickening a vocal, widening a synth, or adding density to drums while retaining natural transients.\u003c\/p\u003e\u003ch4\u003eSculptable Sidechain and Studio Integration\u003c\/h4\u003e\u003cp\u003eThe variable \u003cstrong\u003esidechain high-pass filter\u003c\/strong\u003e (30 to 300 Hz) prevents low frequencies from triggering excessive compression: ideal for preserving the low end of a bass or kick while controlling the rest of the signal. Add to this the \u003cstrong\u003eexternal sidechain input\u003c\/strong\u003e for controlled pumping effects or more targeted processing.\u003c\/p\u003e\u003ch4\u003eOperating Modes and Quick Comparisons\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003eStereo Linked\u003c\/strong\u003e, \u003cstrong\u003ePrimary:Secondary\u003c\/strong\u003e, and \u003cstrong\u003eDual-Mono\u003c\/strong\u003e modes facilitate adaptation to any session. The \u003cstrong\u003eTrue Bypass\u003c\/strong\u003e is designed for immediate A\/B comparisons, while the \u003cstrong\u003eactive bypass\u003c\/strong\u003e allows use as a line amplifier, useful for adding gain and an analog signature even without compression.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e2-channel operating modes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eStereo Linked, Primary:Secondary, Dual-Mono\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response (+\/-1 dB)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 - 20,000 Hz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:7;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eVU meter options\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003egain reduction, +8 dB, or +4 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSignal-to-noise ratio (SNR)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e86 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eVariable sidechain high-pass filter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e30 - 300 Hz, 12 dB\/octave\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eTotal harmonic distortion (THD)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-64 dB (at -8 dBu)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:9;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAttack\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 µs - 0.8 ms\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e483 x 90 x 159 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRelease\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e50 ms - 1.1 seconds\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e4.8 kg\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":54358202548499,"sku":"402394","price":1043.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/010c3ae114446e157249beb6665b2c604af750ea_WARM_7248301W16007.jpg?v=1792551946"},{"product_id":"rupert-neve-designs-optofet-427906","title":"OptoFET","description":"\u003ch3\u003eA Modern Approach to the FET\/OPTO Duo in a 1U Format\u003c\/h3\u003e\u003cp\u003eDesigned to recapture the musicality of optical compressors while adding the impact of a modern FET circuit, the OptoFET 1U combines two complementary dynamic behaviors in a single-height chassis. The FET provides a fast, incisive response capable of \"disciplining\" transients, while the OPTO offers a smoother, naturally musical smoothing conducive to a sense of density. The idea is not just to compress but to choose a \u003cstrong\u003egrain\u003c\/strong\u003e and an \u003cstrong\u003eenvelope\u003c\/strong\u003e: from transparent control to true dynamic sculpting, without losing the coherence expected in a studio environment.\u003c\/p\u003e\u003ch3\u003eA Studio Compressor for Tracking, Mixing, and Bus Processing\u003c\/h3\u003e\u003cp\u003eOn a vocal, the OptoFET can elegantly stabilize a level or highlight articulation, depending on the section order and harmonic mode chosen. On a bass, it helps maintain a solid, clear, and consistent low end while allowing the attack to breathe. On drums, the FET channels transients and shapes the punch sensation, while the OPTO can add sustain and \"glue.\"\u003c\/p\u003e\u003cp\u003eIn mixing, it becomes a fine control tool on individual tracks and an expressive partner on stems. In stereo configuration (with two units), the \u003cstrong\u003e31-step potentiometers\u003c\/strong\u003e simplify recall and promote consistent settings, particularly useful when aiming for clean and reproducible bus processing.\u003c\/p\u003e\u003ch3\u003eTwo Engines, One Workflow: From Precision to Sound Design\u003c\/h3\u003e\u003ch4\u003e\"Dual Stage\": Stacking Characters in Series\u003c\/h4\u003e\u003cp\u003eIn \"Dual Stage\" mode, you combine FET and OPTO in the same chain, with the option to invert the order via \"FLIP.\" This freedom allows, for example, placing a FET upstream to control attack and tame peaks, then an OPTO to smooth and stabilize the overall feel. Conversely, starting with the OPTO can establish a soft foundation before restoring presence and definition with the FET. The result: more progressive dynamic control, often more musical, and very effective when you want to compress \"more\" without it sounding harsh.\u003c\/p\u003e\u003ch4\u003e\"Dual Band\": Processing Low and High Spectrum Separately\u003c\/h4\u003e\u003cp\u003eIn \"Dual Band\" mode, the variable crossover from \u003cstrong\u003e50 Hz to 500 Hz\u003c\/strong\u003e splits the processing into two bands, with section assignment via \"FLIP.\" This is a direct asset for maintaining a firm and stable low end without crushing brightness, or conversely, for texturing mids and highs without pumping the low end. This 2-band approach is especially relevant on bass, drum buses, synths, or dense mixes where spectral balance must remain intact during compression.\u003c\/p\u003e\u003ch4\u003eHarmonic Color: \"GRIT\" and \"BLOOM\" to Shape Timbre\u003c\/h4\u003e\u003cp\u003eThe OptoFET goes beyond gain reduction: it offers \u003cstrong\u003ewave shaping\u003c\/strong\u003e modes focused on musicality. \"GRIT\" emphasizes the high spectrum on the FET side to bring a sense of bite, presence, and texture. \"BLOOM\" on the OPTO side targets low-order harmonics and reinforces the fundamental register to thicken a source and gain density without necessarily increasing the perceived level aggressively.\u003c\/p\u003e\u003ch4\u003eIntegrated Parallel Compression and Controlled Gain Staging\u003c\/h4\u003e\u003cp\u003eEach compressor features a \u003cstrong\u003eBLEND\u003c\/strong\u003e control to dose parallel compression directly from the front panel: practical for preserving attack and natural dynamics while adding sustain and density. On the level side, input and output trims (+\/-12 dB) as well as independent make-up gains (+20 dB) facilitate clean gain staging, whether you seek transparency or a bit more character. The transformer-balanced XLR output stage and 8-segment bargraph display (gain reduction and output level) provide clear, fast control suited for demanding sessions.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1U, single channel, rack chassis\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAttack\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e100 microseconds to 50 ms\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:9;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eModes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e\u0026quot;Dual Stage\u0026quot; (series) and \u0026quot;Dual Band\u0026quot; (2 bands) with crossover filter\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRelease (front panel)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e50 ms to 3 s\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e\u0026quot;FLIP\u0026quot;\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einversion of OPTO\/FET order in series and section assignment in 2-band mode\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRelease (specifications)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e50 ms to 1.5 s\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:11;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eVariable crossover\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e50 Hz to 500 Hz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eThreshold\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+20 dBu to -15 dBu\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:12;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInput trim\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+\/-12 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRatios\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e4:1 or 8:1\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:6;--wb-r:13;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutput trim\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+\/-12 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSide-chain high-pass filter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e125 Hz, 12 dB\/octave slope\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:7;--wb-r:14;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutput VU\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e8 segments in dBu\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMake-up gain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+20 dB\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":54358368911635,"sku":"427906","price":2099.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/07c922bf31e1e50a6ec3816234c9201238d90f2f_RND_OPTOFET.jpg?v=1792556760"},{"product_id":"empirical-labs-el-7x-fatso-184822","title":"EL-7X Fatso","description":"\u003ch3\u003eThe FATSO, the Modernized Heir of an Empirical Labs Classic\u003c\/h3\u003e\u003cp\u003eBorn as an evolution of the FATSO Jr, the FATSO EL7-X incorporates a finer approach to analog compression and saturation. Designed by Dave Derr, it carries the \"studio-proof\" DNA of Empirical Labs while addressing the limitations of the first generation. Since June 2013, shipped units already include the \"Eleven\" ratio factory-installed, a direct legacy of research conducted around vintage compressors.\u003c\/p\u003e\u003ch3\u003eWho Is It For and What For?\u003c\/h3\u003e\u003cp\u003eThe FATSO EL7-X is aimed at sound engineers, producers, and mixers who want to add density and smoothness to digital sources, both on tracks and buses. Formidable on vocals, bass, acoustic guitars, overheads, and piano, it increases perceived level while maintaining control over peaks. In the studio, mobile rigs, or even for audiophile listening, it restores the much sought-after tape warmth and ambiance.\u003c\/p\u003e\u003ch3\u003eFeatures and Innovations That Make the Difference\u003c\/h3\u003e\u003ch4\u003eNew \"Eleven\" Ratio\u003c\/h4\u003e\u003cp\u003eReplacing the \"GP\" ratio, \"Eleven\" emulates the famous behavior of the 1176: very high ratio, slower attack, and ultra-fast release. From subtle control of a few dB to creative crushing, it delivers striking presence and places the source perfectly in the mix.\u003c\/p\u003e\u003ch4\u003eRedesigned Logic and Interface\u003c\/h4\u003e\u003cp\u003eThe switch to a microprocessor reduces power consumption by about 20%, lowers operating temperature, and improves reliability. Ergonomics are enhanced with a dedicated \"Tracking\" LED, a clearly distinct blue \"Spank\" LED, and a rewind function activated by holding down a button.\u003c\/p\u003e\u003ch4\u003eSmarter Stereo Linking\u003c\/h4\u003e\u003cp\u003eTwo linking methods provide solid locking of compressors and bypass between channels. Control from either side becomes natural and secure, ideal for mix bus and stems.\u003c\/p\u003e\u003ch4\u003eThe FATSO Sound Signature\u003c\/h4\u003e\u003cul\u003e\u003cli\u003e\u003cstrong\u003eHarmonic generation \/ soft clipping\u003c\/strong\u003e: Class A circuit reminiscent of tubes or saturated tape.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eHF warmth\u003c\/strong\u003e: dynamic low-pass filter that softens highs when they accumulate.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eTransformer \/ playback head emulation\u003c\/strong\u003e: fuller lows and vintage-typical musical nonlinearities.\u003c\/li\u003e\u003cli\u003e\u003cstrong\u003eClassic \"knee\" compression\u003c\/strong\u003e: smooth and consistent leveling, perfect on tracks and buses.\u003c\/li\u003e\u003c\/ul\u003e\u003cp\u003eFour refined compression modes (including \"Buss\" and the legendary \"Spank\") are selectable and combinable. Large Distressor-style knobs control input\/output for fast workflow.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e\u0026quot;Eleven\u0026quot; ratio replacing \u0026quot;GP\u0026quot;\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ehigh ratio, slower attack, fast release.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eTwo linking methods\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecompressor and bypass association.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSelectable and combinable compression modes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e\u0026quot;Buss,\u0026quot; \u0026quot;Spank,\u0026quot; \u0026quot;Tracking\u0026quot; (dedicated LED), etc.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFATSO units shipped since June 2013\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e\u0026quot;Eleven\u0026quot; already present internally (circuit equivalent to EL7-X).\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHigh-frequency saturation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e7 levels of \u0026quot;warmth\u0026quot; via dynamic low-pass filter.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRecommended sources\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evocals, bass, acoustic guitars, drum ambience mics, pianos.\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMicroprocessor replacing discrete logic\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eapproximately 20% reduced consumption and lower operating temperature.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUses\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etracking, mix bus, summing, softening digital sources and DAWs.\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Empirical Labs","offers":[{"title":"Default Title","offer_id":54358375596307,"sku":"184822","price":2698.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/c7b6c12f1841763593337a606a51d5762da88aeb_EMPIRICALLABS_FATSOEL7X.jpg?v=1792556901"},{"product_id":"elysia-mpressor2-qube-356189","title":"mpressor2 qube","description":"\u003ch3\u003eA compressor designed in the spirit of great analog processors, in a modern format\u003c\/h3\u003e\u003cp\u003eThis 2-channel compressor follows the tradition of discrete Class A analog processors, sought after for their musicality and their ability to \"glue\" a source into the mix without hardening it. Its desktop chassis format meets current uses: integrating true analog dynamics into a recording chain, on a stereo bus, or between an audio interface and external devices, without rack constraints. Made in Germany, it emphasizes robustness, repeatability of settings, and a comfortable headroom to work cleanly, even on already dense signals.\u003c\/p\u003e\u003ch3\u003eFor whom and in which applications this 2-channel compressor makes a difference\u003c\/h3\u003e\u003cp\u003eDesigned for those who want to go beyond simple dynamic reduction, this compressor targets sound engineers, producers, and demanding home studio users who wish to \u003cstrong\u003esculpt the attack\u003c\/strong\u003e, thicken a signal, and bring a controlled \u003cstrong\u003eanalog signature\u003c\/strong\u003e. In recording, it becomes an ally to stabilize a vocal, hold a bass, control a snare, or smooth a guitar without losing character. In mixing, its two channels make it relevant on a stereo bus (keyboards, overheads, drum bus, subgroups) with left\/right coherence, while maintaining a \"hands-on\" approach thanks to the detented controls. Its portability also makes it a logical tool for mobile setups, compact control rooms, and studios that quickly switch between multiple sessions.\u003c\/p\u003e\u003ch3\u003eFeatures, sonic character, and control: from transparency to coloration\u003c\/h3\u003e\u003ch4\u003eTHD Boost: when compression becomes a grain tool\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003eTHD Boost\u003c\/strong\u003e mode is designed for those who want a more \"angular\" compression and a deliberate \u003cstrong\u003esonic coloration\u003c\/strong\u003e. In practice, this enhances the sense of presence, adds harmonic density, and makes a source stand out in the mix without having to multiply saturation stages elsewhere in the chain. It is particularly relevant on modern vocals, drums lacking bite, synths, or whenever a signal needs to gain perceived energy.\u003c\/p\u003e\u003ch4\u003eAuto Fast \/ Anti Log: pumping and breathing at the push of a button\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003eAuto Fast\u003c\/strong\u003e and \u003cstrong\u003eAnti Log\u003c\/strong\u003e modes facilitate access to characteristic dynamic behaviors: faster reaction, a \"snap\" sensation, and \u003cstrong\u003epumping\u003c\/strong\u003e or \u003cstrong\u003ebreathing\u003c\/strong\u003e effects achieved quickly by pressing a button. Where more traditional compressors require long fine-tuning of attack and release to reach this balance point, these modes offer a direct approach, useful both in sound design and creative mixing, while remaining usable in professional contexts.\u003c\/p\u003e\u003ch4\u003eNegative ratios and gain reduction limiter: creativity, but under control\u003c\/h4\u003e\u003cp\u003eThe presence of \u003cstrong\u003enegative ratios\u003c\/strong\u003e opens more experimental territories: inverted dynamic effects, atypical behaviors, and textures that go beyond standard compression. To keep control, a \u003cstrong\u003egain reduction limiter\u003c\/strong\u003e allows capping the amount of compression applied: a real plus to secure a take (vocal, bass) or preserve the stability of a stereo bus when pushing bold settings.\u003c\/p\u003e\u003ch4\u003eDetented potentiometers: session recall and stereo coherence\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003edetented potentiometers\u003c\/strong\u003e provide immediate comfort: better reproducibility of settings, faster recalls, and more coherent left\/right adjustments when processing a stereo source. It's a detail that changes everything daily, especially in hybrid studios where one often alternates between analog processing and DAW recall.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTHD Boost\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eangular sound and sonic coloration\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum input level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+21 dBu\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:7;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAuto Fast, Anti Log\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epumping and breathing effects at the push of a button\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum output level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+22 dBu\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response (-3 dB)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ebelow 10 Hz to 390 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInput impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e10 kOhm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:9;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNoise (20 Hz - 20 kHz, A-weighted)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-79 dBu\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOutput impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e68 Ohm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range (20 Hz - 22 kHz)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e99 dB\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Elysia","offers":[{"title":"Default Title","offer_id":54358518792467,"sku":"356189","price":1329.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/17d0858f6f12a5ebf7d11af7955116eeadaaad72_mpressor_qube_left.jpg?v=1793019813"},{"product_id":"chandler-limited-tg1-limiter-153440","title":"TG1 Limiter","description":"\u003ch3\u003eA Classic EMI Unit from the Late 1960s, Updated Without Betraying the Original\u003c\/h3\u003e\u003cp\u003eBorn in the late 1960s within the EMI studio universe, the TG12413 marked a generation of recordings that became benchmarks. The TG1 follows this lineage by capturing the spirit of the limiter that equipped consoles used in mixing and mastering, notably at Abbey Road. Originally designed to approach the aesthetic of a Fairchild 660\/670 highly appreciated by EMI engineers (including Geoff Emerick), the circuit ultimately established its own personality: sharper attack, incredibly flattering mids, and resolutely \"record ready.\"\u003c\/p\u003e\u003cp\u003eThis reissue is reconstructed from period information and circuit drawings provided by Abbey Road and EMI, with a deliberate intent to stay as close as possible to the historical specifications. It also stands out by having official authorization to bear the EMI and Abbey Road logos on the unit, reinforcing its positioning as an authentic replica rather than a modern interpretation.\u003c\/p\u003e\u003ch3\u003eWho Is It For and What Studio Uses?\u003c\/h3\u003e\u003cp\u003eThe TG1 targets producers, mix engineers, and mastering studios seeking a \u003cstrong\u003echaracterful compressor\/limiter\u003c\/strong\u003e rather than an invisible tool. If your priority is absolute transparency, this is not the most neutral machine: its value lies elsewhere, in its ability to \u003cstrong\u003ethicken\u003c\/strong\u003e, \u003cstrong\u003edensify\u003c\/strong\u003e, and instantly provide an \"analog finishing\" feel.\u003c\/p\u003e\u003cp\u003eIt excels on buses (drums, mix bus, instruments), sources that demand weight (bass, guitars, piano), and vocals that benefit from being brought forward without becoming harsh. In mastering, it is especially appreciated when you want control and presence with a deliberate color rather than surgical compression.\u003c\/p\u003e\u003ch3\u003eDiscrete Electronics and Legendary Coloring\u003c\/h3\u003e\u003ch4\u003eDiode Limiting: Smoothness, Density, and Musical Texture\u003c\/h4\u003e\u003cp\u003eAt the heart of the TG1, the limiting element relies on a \u003cstrong\u003ediode network\u003c\/strong\u003e, a much less common approach than VCA or opto designs. The result is compression that remains surprisingly smooth to the ear while generating \u003cstrong\u003eflattering harmonic distortion\u003c\/strong\u003e when pushed. This behavior is precisely what gives the TG1 its \"big,\" warm, and lively character, often compared in intent to a Fairchild 670 but with its own unique and immediately recognizable signature.\u003c\/p\u003e\u003ch4\u003eTHD Mode Included as Standard: Character Without Compression\u003c\/h4\u003e\u003cp\u003eA now essential new feature: \u003cstrong\u003eall TG1 units are delivered standard with the THD function\u003c\/strong\u003e. It allows you to \u003cstrong\u003ebypass the threshold\u003c\/strong\u003e so no compression occurs, while letting the signal pass through the entire electronics. You then get a true \u003cstrong\u003eharmonic distortion generator\u003c\/strong\u003e, capable of \"boosting\" up to \u003cstrong\u003e2% THD\u003c\/strong\u003e (a value stated to exceed what typical analog tape imparts).\u003c\/p\u003e\u003cp\u003eThe implementation is simple and very creative: adjust the \u003cstrong\u003einput level\u003c\/strong\u003e to control the amount of THD, switch from \u003cstrong\u003e\"limit\"\u003c\/strong\u003e to \u003cstrong\u003e\"THD\"\u003c\/strong\u003e mode, then compensate with the \u003cstrong\u003eoutput level\u003c\/strong\u003e. For further exploration, a routing trick is to run one channel in \"limit\" mode, then re-inject it into the other channel in \"THD\" mode to stack control and texture, achieving an impressive sense of \"size\" without losing impact.\u003c\/p\u003e\u003ch4\u003eTransformer Balanced Inputs\/Outputs: A True Sense of Depth\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003etransformer-balanced inputs and outputs\u003c\/strong\u003e greatly contribute to the sensation of openness and warmth. This design enhances low-end solidity, adds body to the mids, and provides a very \"console-like\" coherence when stacking multiple processes, making it a natural choice for a hybrid mixing chain or an analog studio front-end.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTHD mode (standard feature)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ethreshold bypass, audio path preserved, harmonic distortion generation up to 2% THD\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003erequires an optional PSU-1 power supply unit\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2U\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":54358677455123,"sku":"153440","price":4224.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/f043942257d9f3631c5b2cd4b804076307151b99_CHANDLER_TG1.jpg?v=1792561724"},{"product_id":"eventide-omnipressor-2830-385188","title":"Omnipressor 2830","description":"\u003ch3\u003eA Milestone in Dynamics History: The Legacy of the Omnipressor\u003c\/h3\u003e\u003cp\u003eIntroduced in the early 1970s, the Omnipressor marked a turning point: it was no longer just about \"controlling\" a track, but about making it a living, transformable, and expressive material. Originally conceived by Richard Factor (founder of Eventide) and later redesigned for production by Jon Paul, it laid down foundations that have become essential in studios, notably the concept of \u003cstrong\u003eside chain\u003c\/strong\u003e and approaches anticipating techniques now common, such as \"anticipatory\" processing.\u003c\/p\u003e\u003cp\u003eIts reputation was built as much on its versatility as on its sonic identity: the Omnipressor can range from transparent control to radical behaviors that transform the envelope and perception of the performance. Among its early users was Brian May (Queen): a frequently cited example illustrating how this processor can alter the relationship between attack, sustain, and presence in the mix.\u003c\/p\u003e\u003ch3\u003eWho Is the Omnipressor For and When to Use It?\u003c\/h3\u003e\u003cp\u003eThe Eventide Omnipressor is aimed at studios and sound engineers seeking \u003cstrong\u003ea creative compressor\/limiter\u003c\/strong\u003e as much as a level management tool. It excels on sources where reshaping the envelope is desired: punchy snare, explosive room mics, bass that is more stable without losing attack, vocals that stay \"up front\" even in dense arrangements, or guitars gaining sustain and impact.\u003c\/p\u003e\u003cp\u003eThanks to the \u003cstrong\u003eDry\/Wet mix\u003c\/strong\u003e, it is particularly effective for parallel compression: you preserve transients and natural dynamics while adding a controlled (or deliberately aggressive) layer to thicken the signal. The \u003cstrong\u003eside chain\u003c\/strong\u003e also enables modern pumping techniques, musical ducking, or detector filtering (for example, to prevent heavy low-end energy from triggering excessive gain reduction).\u003c\/p\u003e\u003ch3\u003eFunctions and Controls: Dynamics Without Limits, From Subtle to Spectacular\u003c\/h3\u003e\u003ch4\u003eLinear Controls for Quick Fine-Tuning\u003c\/h4\u003e\u003cp\u003eThe Omnipressor offers a direct approach, with linear controls that facilitate precise adjustment: \u003cstrong\u003ethreshold\u003c\/strong\u003e, \u003cstrong\u003eattack\u003c\/strong\u003e, and \u003cstrong\u003erelease\u003c\/strong\u003e affect how the processor responds to transients and the overall envelope. The \u003cstrong\u003einput level\u003c\/strong\u003e and \u003cstrong\u003eoutput level\u003c\/strong\u003e settings optimize gain staging, while the \u003cstrong\u003elimit\u003c\/strong\u003e parameters (attenuation and gain) define the dynamic action range, from gentle correction to extreme constraint.\u003c\/p\u003e\u003ch4\u003eDynamic Reversal, Gating, Expansion: An Envelope Laboratory\u003c\/h4\u003e\u003cp\u003eBeyond classic compression, the Omnipressor stands out with behaviors rarely combined in a single unit. The \u003cstrong\u003eDynamic Reversal\u003c\/strong\u003e function reverses the usual logic: it can \u003cstrong\u003eboost weak signals\u003c\/strong\u003e and \u003cstrong\u003eattenuate strong signals\u003c\/strong\u003e, creating surprising textures, emphasizing note endings, or producing an unusual sense of movement. \u003cstrong\u003eGating\u003c\/strong\u003e crushes amplitude below a threshold, useful for cleaning up a take, shortening a room, or making drums sound drier. \u003cstrong\u003eExpansion\u003c\/strong\u003e increases the difference between loud and soft, ideal for revitalizing an overly uniform track or making an attack more expressive.\u003c\/p\u003e\u003ch4\u003eFast Limiting, Infinite Compression, and Advanced Workflows\u003c\/h4\u003e\u003cp\u003eWhen peak control is a priority, the Omnipressor acts as a \u003cstrong\u003efast and versatile limiter\u003c\/strong\u003e. The mention of \u003cstrong\u003einfinite compression\u003c\/strong\u003e indicates its ability to push control very far, drastically flattening peaks when desired, while maintaining flexibility through attack\/release times. The \u003cstrong\u003eside chain\u003c\/strong\u003e allows control by an external source: excellent for making a pad breathe with the kick drum rhythm or triggering dynamic action on a track from a \"guide\" signal. Finally, the \u003cstrong\u003eLink\u003c\/strong\u003e function enables linking multiple units, useful when you want coherent action across several chained processors or in a multi-unit setup.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:9;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFunctions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDynamic Reversal (boosts weak signals and attenuates strong signals), Gating (amplitude below threshold is crushed), Expansion (strong signals become stronger, weak signals become weaker)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInputs and outputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6.35 mm Jack and XLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:10;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eThreshold\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-25 to +15 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSide chain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJack and XLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:11;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAttack\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e0.1 ms to 100 ms\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLink in\/out\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:12;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRelease\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1 ms to 1 s\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRack format\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2U\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:13;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLimit attenuation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-30 to 0 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e483 x 317 x 89 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:6;--wb-r:14;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLimit gain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+30 to 0 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6.4 kg\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:7;--wb-r:15;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInput level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-60 to +12 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eIncludes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epower cable, manual, and goodies\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:8;--wb-r:16;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutput level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-12 to +12 dB\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Eventide","offers":[{"title":"Default Title","offer_id":54358683484435,"sku":"385188","price":1995.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/cf7472672dc5cdf76adf4da132d4653222f8c734_EVENTIDE_OMNIPRESSOR_2830.jpg?v=1792566523"},{"product_id":"warm-audio-wa-2a-217041","title":"WA-2A","description":"\u003ch3\u003eA Studio Classic, Faithfully Reinterpreted\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eInspired by the legendary \"2A\" compressor that shaped decades of recordings, the WA-2A captures the warm and indulgent sonic aesthetic that made this circuit famous. Warm Audio designed it with selected components-CineMag transformers and Kenetek cell-to deliver the sought-after soft attack, harmonic density, and smoothness both tracking and mixing.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eWho Is It For and What Are Its Uses?\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eThe WA-2A is aimed at vocalists, bassists, producers, and studios seeking natural compression without artifacts. Ideal on vocals, bass, guitars, synths, and pads, it excels at leveling a track, rounding transients, and adding presence. In mixing, it provides glue on individual tracks and can be paired in stereo for dual sources.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eKey Features and Workflow\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eThe four premium tubes (2x 12AX7, 1x 12BH7, 1x 6AQ5\/6P1J) provide comfortable headroom and a wide image, while the optical circuit automatically manages attack and program-dependent release for musical adaptation to the signal. Variable pre-emphasis allows fine-tuning of sidechain sensitivity to preserve low-end energy, supported by a high-pass filter to avoid bass-related over-compression. The VU meter switches between gain reduction and output level for quick and reliable adjustment, and stereo linking facilitates processing pairs or a bus.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePremium Tung-Sol and Electro-Harmonix tubes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2x 12AX7, 1x 12BH7, 1x 6AQ5 (or 6P1 - interchangeable)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDistortion\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eless than 0.1% THD at +\/-10 dBm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:9;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLine-level inputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eXLR and TRS jack - 600 Ohm impedance\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAttack time\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e10 milliseconds\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBalanced line-level outputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eXLR and TRS jack - 600 Ohm impedance\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRelease time\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e0.06 seconds for 50%, and 0.5 to 5 seconds for full release\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:11;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInput level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+16 dB maximum\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDisplay\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eVU meter indicating gain reduction and output level in decibels\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:12;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutput level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+10 dB nominal, +16 dB maximum\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInternal power supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e115\/230 Volts (switchable), 50\/60 Hz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:6;--wb-r:13;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+\/- 1 dB, 15 Hz to 20 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e483 x 178 x 89 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:7;--wb-r:14;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e40 dB (+\/- 1 dB)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e5.44 kg\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":54358861676819,"sku":"217041","price":827.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/d46f6e00bf22fbc36952ed41ac9a42207b642de9_1WARM_AUDIO_WA2A.jpg?v=1792573615"},{"product_id":"chandler-limited-zener-limiter-153441","title":"Zener Limiter","description":"\u003ch3\u003eA Classic EMI\/Abbey Road Celebrated and Modernized for a New Generation of Studios\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eThe TG12413 Zener was produced to commemorate the \u003cstrong\u003e75th anniversary of Abbey Road Studios\u003c\/strong\u003e, paying tribute to an era when EMI engineering defined part of the sound of modern pop and rock. Based on the circuits of the \u003cstrong\u003eEMI Vintage console\u003c\/strong\u003e, this limiter continues the legacy of dynamic processing that marked the history of recordings and mixes made at Abbey Road.\u003c\/p\u003e \u003cbr \/\u003e\u003cp\u003eDesigned by \u003cstrong\u003eWade Goeke\u003c\/strong\u003e (Chandler Limited), this is not a mere \"copy\": this version combines features from the \u003cstrong\u003eRS168 Zener limiter\u003c\/strong\u003e and the \u003cstrong\u003eTG12345 console\u003c\/strong\u003e to offer a complete and versatile solution capable of meeting the demands of a modern production workflow. Notably, the TG limiter was originally conceived to \u003cstrong\u003ereplace\u003c\/strong\u003e legendary references: the \u003cstrong\u003eFairchild 660\u003c\/strong\u003e in limiter mode, and the \u003cstrong\u003eAltec 436\/RS124\u003c\/strong\u003e in compressor 1 mode.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eWho the TG12413 Zener Is For and Where It Excels\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eThe TG12413 Zener is aimed at sound engineers, producers, and studios seeking a \u003cstrong\u003echaracterful limiter\u003c\/strong\u003e capable of providing both \u003cstrong\u003econtrol\u003c\/strong\u003e and \u003cstrong\u003esonic signature\u003c\/strong\u003e. Where a transparent compressor merely smooths, the Zener is designed to shape dynamics with a \"console\" style presence, ideal for adding density and authority to a source.\u003c\/p\u003e \u003cbr \/\u003e\u003cp\u003eIn \u003cstrong\u003erecording\u003c\/strong\u003e, it is particularly effective for stabilizing vocals, controlling bass, thickening guitars, or adding impact to drums while preserving a musical feel. In \u003cstrong\u003emixing\u003c\/strong\u003e, it becomes an excellent tool for contrast (more punch, more sustain, more \"forward\") on buses or key tracks. In \u003cstrong\u003emastering\u003c\/strong\u003e, its value lies in delivering a confident dynamic finish, with fine enough adjustments to tailor the limiter's action to the program material.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eFeatures Designed for the Modern Studio Without Betraying the Vintage Spirit\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eThe main motivation behind optimizing the Zener was clear: to equip the powerful TG Vintage circuits with more flexible functions, multiplying use cases without losing the original personality. The result is a limiter that retains the EMI\/Abbey Road DNA while offering ergonomics worthy of a contemporary recording, mixing, and mastering environment.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eInput Impedance Selection: Adapting the Interface to the Source\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe TG12413 Zener features an \u003cstrong\u003einput impedance adjustment switch\u003c\/strong\u003e allowing the limiter's behavior to be tailored according to the application. This adaptation is valuable when switching between different chains and sources or when aiming to influence the response and \"grip\" feel of the processing.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eExpanded Time Control: Attack and Release in Stepped Positions\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eTo overcome the limitations of historical versions, Wade Goeke incorporated extended and easily recallable settings: \u003cstrong\u003e11 attack positions\u003c\/strong\u003e and \u003cstrong\u003e21 release positions\u003c\/strong\u003e. This allows transitioning from fast, firm control (to tame transients) to a more gradual action (to preserve movement), with precision especially useful when syncing compression to tempo, groove, or an instrument's natural envelope.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eSide Chain: Smarter Compression Control\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe TG12413 Zener includes a \u003cstrong\u003eSide Chain control circuit\u003c\/strong\u003e to refine how the detector reacts to the signal. In practice, this helps better manage sensitive behaviors (for example, when part of the spectrum triggers gain reduction too easily) and achieve a more musical result in dense mix contexts.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eThree Dynamic Behaviors: Comp1, Comp2, and Limit\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eWith \u003cstrong\u003eComp1\u003c\/strong\u003e, \u003cstrong\u003eComp2\u003c\/strong\u003e, and \u003cstrong\u003eLimit\u003c\/strong\u003e, the TG12413 Zener offers multiple dynamic responses, ranging from a more \"sustained\" compression to a more aggressive limiting. This versatility makes it a tool capable of both setting up a track and controlling final peaks, all while maintaining a coherent and recognizable color.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003cp\u003eIn summary, this exceptional limiter resurfaces from EMI\/Abbey Road's rich past and is reborn in a modern format, ready to integrate into demanding workflows. The rest is part of the new EMI\/Abbey Road story.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDesign\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eWade Goeke (Chandler Limited)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRelease settings\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e21 positions\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMode settings\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eComp1, Comp2, Limit\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePSU-1 power supply sold separately\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAttack settings\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e11 positions\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":54358969516307,"sku":"153441","price":5599.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/07f7c407afd5218fc04c554676b3a059c47b1a9f_CHANDLER_ZENER.jpg?v=1792573475"},{"product_id":"api-audio-2500-366610","title":"2500+","description":"\u003ch3\u003eA Modernized API Classic\u003c\/h3\u003eThe 2500+ continues the sonic aesthetic of API consoles and outboard gear while adding refinements expected in modern studios. The \"+\" version modernizes the famous 2500 by notably integrating a blend control for parallel compression, while preserving the musicality and robustness that have made the brand renowned.\u003cbr \/\u003e\u003ch3\u003eWho Is It For and What Are Its Uses?\u003c\/h3\u003eIdeal on the \u003cstrong\u003emix bus\u003c\/strong\u003e to \"glue\" a mix without squashing it, the 2500+ also excels on \u003cstrong\u003edrum buses\u003c\/strong\u003e, instrument groupings, and \u003cstrong\u003esummed mixing\u003c\/strong\u003e configurations. Its ability to shift from transparent compression to more energetic action makes it a relevant choice for mixing and \u003cstrong\u003epre-mastering\u003c\/strong\u003e.\u003cbr \/\u003e\u003ch3\u003eKey Features to Sculpt Punch and Tone\u003c\/h3\u003e\u003ch4\u003eTHRUST: Solid and Controlled Lows\u003c\/h4\u003eThe patented high-pass filter, placed before the RMS detector, protects detection from low frequencies to preserve the impact of the low end while controlling the entire mix.\u003cbr \/\u003e\u003ch4\u003eTwo Detection Behaviors\u003c\/h4\u003eThe \"Old\" mode (feedback type, legacy of the API 525) offers more musical and organic compression. The \"New\" mode (feed-forward type) provides faster and more precise action, ideal for modern punch.\u003cbr \/\u003e\u003ch4\u003eVariable Stereo Linking\u003c\/h4\u003eFinely adjust the degree of correlation between left and right channels: from dual-mono compression to perfectly linked stereo, preserving width and image stability.\u003cbr \/\u003e\u003ch4\u003eBlend and Make-up Gain\u003c\/h4\u003eThe \u003cstrong\u003eBlend\u003c\/strong\u003e control facilitates \u003cstrong\u003eparallel compression\u003c\/strong\u003e without external routing. The \u003cstrong\u003eautomatic make-up gain\u003c\/strong\u003e maintains a constant output level during threshold or ratio changes.\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDual-channel design\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003elinked stereo or use as two separate units.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSelectable envelopes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e\u0026quot;Old\u0026quot; (feedback, API 525 type) and \u0026quot;New\u0026quot; (feed-forward).\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Api Audio","offers":[{"title":"Default Title","offer_id":54358999728403,"sku":"366610","price":3479.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/f29263ccf1fd76317447f77017c2f7eb3317a193_API_2500.jpg?v=1792573565"},{"product_id":"gainlab-audio-dictator-dual-mono-425609","title":"Dictator Dual Mono","description":"\u003ch3\u003eA \"DM\" Version Born from Real Engineers' Needs\u003c\/h3\u003e\u003cp\u003eThe Dictator DM carries the DNA of the Gainlab Audio Dictator vari-mu, oriented towards a fully embraced \u003cstrong\u003eDual Mono\u003c\/strong\u003e approach: here, each side houses a complete and autonomous compressor. This philosophy addresses a very practical use in modern mixing and mastering: the ability to finely correct imbalance, control dynamics that \"pull\" on one side, or sculpt a complex stereo image without constraining the opposite channel. The result: a characterful tool, but also a true precision instrument when the program demands it.\u003c\/p\u003e\u003ch3\u003eWho the Dictator DM Is For and When to Use It\u003c\/h3\u003e\u003cp\u003eThe Dictator DM is aimed at studios and producers seeking compression that is both musical and usable daily, whether on the \u003cstrong\u003emaster bus\u003c\/strong\u003e, \u003cstrong\u003emix bus\u003c\/strong\u003e, or right from the \u003cstrong\u003etracking\u003c\/strong\u003e stage. It can be discreet to add glue and cohesion, while also capable of delivering more textured saturation, with lively transients and a very \"analog\" sense of density. Thanks to the position switches, you gain real workflow comfort: quick recall between projects, consistency from one track to another, and settings easier to document in a professional workflow.\u003c\/p\u003e","brand":"Gainlab Audio","offers":[{"title":"Default Title","offer_id":54359284351251,"sku":"425609","price":2700.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/4768057755e259ed4aa427aca941e9b44a24424e_GAINLAB_DICTATORDM.jpg?v=1792582993"},{"product_id":"tube-tech-cl1b-186539","title":"CL1B","description":"\u003ch3\u003eEssential Information About the Mono Tube Studio Compressor\u003c\/h3\u003e \u003cbr \/\u003e\u003cul\u003e \u003cbr \/\u003e\u003cli\u003e\u003cstrong\u003eAll-tube compression\u003c\/strong\u003e in push-pull configuration with output transformer for musical warmth and generous headroom.\u003c\/li\u003e \u003cbr \/\u003e\u003cli\u003e\u003cstrong\u003eContinuous controls\u003c\/strong\u003e for attack, release, and threshold to precisely shape dynamics.\u003c\/li\u003e \u003cbr \/\u003e\u003cli\u003e\u003cstrong\u003eSwitchable VU meter\u003c\/strong\u003e (input, output, gain reduction) and \u003cstrong\u003esilent bypass\u003c\/strong\u003e for instant comparisons.\u003c\/li\u003e \u003cbr \/\u003e\u003cli\u003e\u003cstrong\u003eExtended bandwidth\u003c\/strong\u003e from 5 Hz to 25 kHz and noise below -75 dBu, symmetrical XLR I\/O and \"link\" output for stereo.\u003c\/li\u003e \u003cbr \/\u003e\u003c\/ul\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eA Tube Compressor Inspired by the Classics, Designed for Modern Studios\u003c\/h3\u003e \u003cbr \/\u003eDesigned in the tradition of legendary tube compressors, this model retains the warm analog signature while adding contemporary conveniences. Where some vintage designs impose fixed times, it offers continuous attack and release settings, a versatile VU meter, and a click-free bypass for a smoother workflow. \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eWho Is It For and What Is It For?\u003c\/h3\u003e \u003cbr \/\u003eIdeal for \u003cstrong\u003evocals\u003c\/strong\u003e both during recording and mixing, it provides density and presence without aggressiveness. Its smoothness also suits bass, guitars, and synths, while its dynamic reserve allows it to tame sharper transients. 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Depending on settings and level, you can stay in subtle polishing or move toward a more pronounced imprint, with increased presence and a flattering analog texture on central sources like vocals or drums.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol 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style=\"background-color:transparent;--wb-l:4;--wb-r:11;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+\/- 0.5 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e230 V AC (EU), 110 V AC (US)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:12;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMax input level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+26 dBu\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eChannels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2 (stereo)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:6;--wb-r:13;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMax output level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+28 dBu\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eHardware format\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eRack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:7;--wb-r:14;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd 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Hand-wired to preserve the sonic DNA of its predecessor, it combines a generous tube section with an ultra-responsive optical cell to deliver that \"forgiving\" and musical compression, but with the speed and precision expected in modern workflows.\u003cbr \/\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eFor Whom and For What Uses?\u003c\/h3\u003e \u003cbr \/\u003eDesigned for demanding engineers, the WA-1B excels on lead vocals, bass, synths, guitars, and acoustic tracks, while holding its place on an instrument bus. Its hardware bypass allows instant comparisons, and its analog behavior ensures tracking with no perceptible latency, whether during recording, mixing, or mastering.\u003cbr \/\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eCreative Control and Studio Precision\u003c\/h3\u003e \u003cbr \/\u003eThe combination of fixed\/manual\/combined modes offers several dynamic \"personalities,\" from transparent smoothing to more pronounced pumping. The wide range of controls (gain, threshold, ratio, attack, release) enables a fine and repeatable workflow, while the switchable VU meter (input, reduction, output) with built-in calibration guarantees a consistent reference level from project to project.\u003cbr \/\u003e \u003cbr \/\u003eThe large-core Lundahl transformers and selected JJ and Tung-Sol tubes provide authentic harmonic density, solid low end, and silky highs. Professional balanced connectivity, sidechain insert on input and output, as well as extended frequency response ensure perfect integration into any hybrid or fully analog studio.\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSelected tubes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eJJ and Tung-Sol\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eImpedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e600 ohms\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efrom \u0026quot;off\u0026quot; to +30 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response (-3 dB)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e5 Hz to 25 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:9;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eThreshold\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efrom \u0026quot;off\u0026quot; to -40 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eNoise floor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ebelow -75 dBu at 30 dB gain\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:10;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRatio\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efrom 2:1 to 10:1\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e230 x 480 x 90 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:11;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eVU meter selection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einput, compression, output\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e4.4 kg\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:6;--wb-r:12;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMode selector\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efixed \/ manual \/ combined\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":54359699390739,"sku":"383807","price":999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/1e1b5c05abe345520f926f2b662f6d5241cc7b47_WARM_WA1B.jpg?v=1792592323"},{"product_id":"dbx-driverack-pa2-183224","title":"Driverack PA2","description":"\u003ch3\u003eDriveRack Expertise, a Benchmark in Speaker Management Systems\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eThe dbx DriveRack PA2 continues the legacy of DriveRack sound processors, renowned for their reliability on tour and in fixed installations. This generation offers faster algorithms and a modernized interface while maintaining the sound quality and robustness that have made the brand famous.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eWho Is It For and What For?\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eIdeal for contractors, performance venues, DJs, houses of worship, and music bars, the PA2 optimizes the chain between the console and amplifiers. It protects your speakers, speeds up setup, and ensures consistent sound reproduction from one venue to another, whether using a full-range system or a 2- or 3-way configuration.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eKey Features and Innovations\u003c\/h3\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eUltra-fast AutoEQ\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe AutoEQ algorithm automatically corrects level and frequency response within seconds. Using an RTA microphone to listen to the room, it performs a sweep and applies corrections via parametric EQs for precise and repeatable calibration.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eAFS Enhanced Feedback Suppression\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe advanced AFS feedback suppression acts faster and more precisely, preventing unwanted hums and whistles without altering the sonic character of your sound system.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eGuided Setup Assistant\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe built-in guide walks you through each step: levels, AutoEQ, feedback elimination, and selection of speaker presets offered by major manufacturers, ensuring reliable results even under tight deadlines.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eI\/O Management and Precision Filtering\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eWith 2 balanced XLR inputs and 6 balanced XLR outputs, the PA2 covers most modern sound reinforcement systems. Active filtering adapts to full-range, 2-way, or 3-way systems, complemented by alignment delays, a dbx limiter, and a sub-harmonic synthesizer to reinforce bass foundation.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eActive filtering\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efull-range, 2-way, 3-way\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCrosstalk\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e\u0026gt;110 dB (A)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 Hz to 20 kHz, +\/-0.5 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConversion\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e24-bit dbx Type IV\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDistortion + Noise\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e0.003% at +4 dB, 1 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSampling rate\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e48 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e110 dBA, 123 dB with Type IV\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"DBX","offers":[{"title":"Default Title","offer_id":54359996662035,"sku":"183224","price":461.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/9b67b47327b8ad9bcb256424aa23dede147e4c6d_DBX_DRPA2.jpg?v=1792602056"},{"product_id":"klark-teknik-2a-kt-353345","title":"2A-KT","description":"\u003ch3\u003eIn the Tradition of Great Studio Opto Compressors\u003c\/h3\u003e \u003cbr \/\u003eDesigned as a \"leveling amplifier\" in the style of the 1960s classics, the 2A-KT carefully shapes dynamics with immediate musicality. The electroluminescent optical cell reproduces the signature of the original while benefiting from a modern, discrete, and silent architecture for uncompromising integration into modern studios. \u003cbr \/\u003e\u003ch3\u003eWho and What Is It For?\u003c\/h3\u003e \u003cbr \/\u003eIdeal for vocal and bass tracking, it provides natural control and analog density right from recording. In mixing, the adjustable stereo-link allows gluing a pair of synths, guitars, or an instrument bus. The variable pre-emphasis proves valuable with digital sources and broadcast transmission to preserve high frequencies while maintaining a high perceived level. \u003cbr \/\u003e\u003ch3\u003eWhat Makes the Difference Daily\u003c\/h3\u003e \u003cbr \/\u003eThe 2A-KT combines the smoothness of the opto with a 10 ms attack and a program-dependent release from 50 ms to 5 s, following the music without pumping. The Midas transformers shape a solid low end and silky highs, while the universal switching power supply guarantees stability and silence on all stages. The retro meter displays either gain reduction or output, facilitating recalls and consistency between takes.\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e10 Hz to 20 kHz, +\/- 1 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUltra-fast attack time\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e10 milliseconds\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGain reduction\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e0 to 30 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRelease time\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e50 milliseconds to 5 seconds\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Klark Teknik","offers":[{"title":"Default Title","offer_id":54360024088851,"sku":"353345","price":327.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/7cb9fb262d9e22b6e6454838ddc73dd8b1912b1f_KLARK_2AKT.jpg?v=1792605829"},{"product_id":"black-lion-level-loc-411595","title":"Level-Loc","description":"\u003ch3\u003eA rare classic brought back to the heart of the studio, in the spirit of the original\u003c\/h3\u003e\u003cp\u003eThe Black Lion Audio Level-Loc follows in the footsteps of a hardware compressor that became legendary among sound engineers for its anything but transparent behavior. Originally designed by Shure, then gradually becoming rare on the market, the Level-Loc earned the status of a \"character box\": a tool capable of transforming a clean signal into a dense, aggressive, and immediately recognizable texture. This reissue, developed in collaboration with Shure, aims to preserve the tonal qualities of the original while bringing practical improvements adapted to current workflows, where vintage units could impose connectivity and control constraints.\u003c\/p\u003e\u003ch3\u003eWho is it for and what are its uses in recording and mixing?\u003c\/h3\u003e\u003cp\u003eThe current Level-Loc is primarily aimed at those seeking an \u003cstrong\u003eeffects compressor\u003c\/strong\u003e with a bold character, capable of going far beyond simple dynamic reduction. Producers, mixers, sound designers, demanding home studio users: if you like to make a track \"speak\" rather than smooth it out, this processor becomes a choice ally.\u003c\/p\u003e\u003cp\u003eIt excels on \u003cstrong\u003edrums\u003c\/strong\u003e (room mics, overheads, parallel bus), \u003cstrong\u003ebasses\u003c\/strong\u003e that need to gain density, \u003cstrong\u003esynths\u003c\/strong\u003e that deserve more grain, or vocals intended for creative treatment. In mixing, it is used as a color to be dosed, to bring a sense of energy, closeness, and movement. In recording, it can serve to imprint an immediately usable sonic signature, provided you embrace a \"commit\" approach: the Level-Loc is not designed to remain invisible.\u003c\/p\u003e\u003ch3\u003eRadical compression and saturation: color serving the groove\u003c\/h3\u003e\u003ch4\u003eAn effects compressor, not a \"transparent\" compressor\u003c\/h4\u003e\u003cp\u003eThe strength of the Level-Loc lies in its ability to produce \u003cstrong\u003eaudibly present compression\u003c\/strong\u003e, with pumping, squashing effects, and detail enhancement that give the impression the source is moving closer to the listener. Where a \"clean\" mix compressor often aims to control without being noticed, the Level-Loc instead seeks to \u003cstrong\u003esculpt an attitude\u003c\/strong\u003e. On drums, it can accentuate the attack and bring up the room ambiance\u0026#59; on a loop, it can reinforce the sense of pulse\u0026#59; on a parallel bus, it can add that extra aggression that helps a mix hold up in a modern context.\u003c\/p\u003e\u003ch4\u003eBuilt-in saturation to thicken and texture\u003c\/h4\u003e\u003cp\u003eAs a \u003cstrong\u003esaturation module\u003c\/strong\u003e, the Level-Loc allows adding harmonic content and grain musically, avoiding a \"digital\" harshness and bringing substance. This saturation can help reinforce the body of an instrument, give a sense of volume without just raising the level, or transform a too tame source into a livelier and denser element. Used subtly, it adds relief\u0026#59; pushed further, it becomes a true sound design tool, ideal for deconstructed drums, lo-fi textures, or impact effects.\u003c\/p\u003e\u003ch4\u003eModern connectivity and control options: vintage spirit with a current workflow\u003c\/h4\u003e\u003cp\u003eOne of the major benefits of this reissue is to provide \u003cstrong\u003econnectivity and control options\u003c\/strong\u003e better suited to today's studios, while retaining the main goal: to recover the tonal character that made the original Level-Loc famous. The result: a processor that keeps its \"special sauce\" dimension but integrates more naturally into a modern production chain, whether in tracking, insert processing, or creative use within parallel routing.\u003c\/p\u003e","brand":"Black Lion","offers":[{"title":"Default Title","offer_id":54360164237587,"sku":"411595","price":645.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/2226bf187845019fae564c9dd6323963426ca380_BLACK_LION_LEVELLOC.jpg?v=1792605749"},{"product_id":"tube-tech-smc2b-186542","title":"SMC2B","description":"\u003ch3\u003eA Mastering Tool Designed to Go Beyond Broadband Compression\u003c\/h3\u003e\u003cp\u003eIn a mastering chain, a broadband compressor can quickly \"pump\" or alter the perception of timbre whenever the energy in a frequency range dominates (overly present kick drum, heavy low-mids, harsh highs). A multiband compressor meets this need for \u003cstrong\u003emore targeted\u003c\/strong\u003e control: each band reacts only to its content, allowing for greater stability, density, and clarity while preserving the character of the mix.\u003c\/p\u003e\u003cp\u003eWith its \u003cstrong\u003ethree compression sections per channel\u003c\/strong\u003e and \u003cstrong\u003evariable crossovers\u003c\/strong\u003e, this model falls into the category of \"finishing\" processors: it targets fine adjustments (gluing a mix, taming a sensitive area, solidifying the low end) as well as more assertive treatments (creative loudness, impact, texture). Its \u003cstrong\u003e3U 19-inch rack format\u003c\/strong\u003e naturally suits studios, mastering racks, and serious production setups.\u003c\/p\u003e\u003ch3\u003eWho Is It For and What Are Its Studio Uses?\u003c\/h3\u003e\u003cp\u003eThis multiband compressor is aimed at mastering engineers, mixers, and producers who want to \u003cstrong\u003efinalize\u003c\/strong\u003e their tracks with precise dynamic control. It is particularly relevant on the \u003cstrong\u003emaster bus\u003c\/strong\u003e (stereo), but also on demanding subgroups: drum bus, instrument bus, polyphonic synths, guitars, or doubled vocals where certain areas can become unstable.\u003c\/p\u003e\u003cp\u003eIts benefit is immediate if you encounter any of these scenarios: a low end that flares on certain hits, a midrange that hardens as the track builds, highs that become aggressive in choruses. Rather than compressing \"everything\" at once, you isolate the affected band, adjust the compressor's action, and retain more naturalness and punch.\u003c\/p\u003e\u003ch3\u003eKey Features: Control, Precision, and Sidechain per Band\u003c\/h3\u003e\u003ch4\u003eComprehensive Settings for Truly Controlled Compression\u003c\/h4\u003e\u003cp\u003eEach band has essential parameters for precise tuning: \u003cstrong\u003eratio\u003c\/strong\u003e, \u003cstrong\u003ethreshold\u003c\/strong\u003e, \u003cstrong\u003eattack\u003c\/strong\u003e, \u003cstrong\u003erelease\u003c\/strong\u003e, and \u003cstrong\u003eoutput gain\u003c\/strong\u003e. This combination allows for both subtle compression (slower attack to preserve transients, musical release) and firmer control (faster attack, higher ratio) to contain an intrusive frequency range. The output gain facilitates level matching after gain reduction, essential for objectively comparing the processing.\u003c\/p\u003e\u003ch4\u003eVariable Crossover Frequencies: Adapt Bands to Your Program\u003c\/h4\u003e\u003cp\u003e\u003cstrong\u003eVariable crossover frequencies\u003c\/strong\u003e are a central point in mastering: they determine where one band ends and the next begins. By adjusting these crossovers, you can, for example, isolate the low end just above the fundamental of the kick drum, or conversely widen the mid band to stabilize vocals and guitars together. This also makes the device versatile across genres and arrangements.\u003c\/p\u003e\u003ch4\u003eSeparate Sidechain and Linked Bands: Smarter Dynamics\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003eseparate sidechain\u003c\/strong\u003e allows more selective control of the compressor's reaction based on the analyzed content. Here, the architecture includes a dedicated sidechain with a linking logic between \u003cstrong\u003ebands 1 and 2\u003c\/strong\u003e: an advantage for maintaining consistent behavior between two critical bands (often lows and low-mids), where the mix balance is frequently decided. The result is a more stable and controllable action, especially useful when you want to \"glue\" a mix without making it unstable.\u003c\/p\u003e\u003ch4\u003eCan Also Function as a 3-Band Equalizer\u003c\/h4\u003e\u003cp\u003eBeyond compression, this model can be used as a \u003cstrong\u003e3-band equalizer\u003c\/strong\u003e. This is a practical approach in sessions: you can use it to shape the tonal balance by zones (low, mid, high) and then, if needed, follow up with dynamic control per band. This versatility makes it a relevant processor both in mastering and mixing when you want to quickly treat a source or bus with a \"by zones\" logic rather than surgical equalization.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e3U\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Tube Tech","offers":[{"title":"Default Title","offer_id":54360345772307,"sku":"186542","price":4749.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/52a7404da3705c12a57e006ebe081e8210ecd83e_TUBETECH_SMC2B.jpg?v=1792614627"},{"product_id":"golden-age-audio-comp-2a-378321","title":"COMP-2A","description":"\u003ch3\u003eA Tribute to Classic Transformer and Tube Designs\u003c\/h3\u003e\u003cp\u003eThe COMP-2A is inspired by vintage dynamic processors designed before the widespread use of transistors and integrated circuits. While many modern designs prioritize compactness and cost, this compressor\/leveler relies on a more traditional architecture: \u003cstrong\u003etubes\u003c\/strong\u003e and \u003cstrong\u003etransformers\u003c\/strong\u003e directly contribute to the sought-after sense of \"depth\" and character in production. In a highly transparent digital recording environment, this type of design adds color and cohesion often associated with vintage studio gear.\u003c\/p\u003e\u003ch3\u003eWho It's For and Studio Applications\u003c\/h3\u003e\u003cp\u003eThe COMP-2A is designed for audio engineers, producers, and musicians seeking \u003cstrong\u003eorganic compression\u003c\/strong\u003e and a \"held\" level feel without harshness. On vocals, it helps stabilize dynamics while adding warm presence. On bass, it enhances body and consistency. On guitars, keyboards, or a mono bus, it can add a sense of density and polish, especially useful when trying to avoid an overly \"clean\" sound.\u003c\/p\u003e\u003ch3\u003eKey Features and Sonic Character\u003c\/h3\u003e\u003cp\u003eThanks to its tube audio path and transformer balancing, the COMP-2A favors a musical response, with compression that can be subtle (leveling) or more pronounced (limiting) depending on your settings and gain staging. The \u003cstrong\u003ebypass\u003c\/strong\u003e allows instant comparison between processed and unprocessed signals, while the \u003cstrong\u003eVU meter\u003c\/strong\u003e facilitates quick calibration: monitor gain reduction to dose compression, or switch to output level to adjust alignment with your chain.\u003c\/p\u003e\u003cp\u003eThe presence of a \u003cstrong\u003estereo link connector\u003c\/strong\u003e enables the use of two units in a pair to maintain coherent compression on a stereo source. For integration, the \u003cstrong\u003eTRS\u003c\/strong\u003e and \u003cstrong\u003eXLR\u003c\/strong\u003e inputs\/outputs easily adapt to audio interfaces, patchbays, and studio consoles.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evintage-style compressor\/leveler\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLine input\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTRS jack and XLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:7;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evacuum tubes in signal path and sidechain\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLine output\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTRS jack and XLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eChannels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ehalf-rack 9.5 inches\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:9;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMode\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etube compressor\/limiter\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eHeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2U\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eVU meter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edisplays output level or compression (gain reduction)\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Golden Age Audio","offers":[{"title":"Default Title","offer_id":54360360812819,"sku":"378321","price":582.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/0d27b11b1ac44185502166e30552148f63c8d9a5_1083140.jpg?v=1792609709"},{"product_id":"rupert-neve-designs-5254-shelford-diode-bridge-compressor-340189","title":"5254 Shelford Diode Bridge Compressor","description":"\u003ch3\u003eA Neve Heritage Reimagined for Modern Studios\u003c\/h3\u003e\u003cp\u003eBorn from the tradition of the first diode bridge compressors designed in the 1970s, the Shelford Diode Bridge Compressor captures the percussive and organic character that shaped countless records. Rupert Neve offers here a faithful reinterpretation, enriched with crucial improvements for modern production: detailed controls, significantly reduced noise, higher voltage power supply, and internal parallel processing.\u003c\/p\u003e\u003ch3\u003eWho and What For?\u003c\/h3\u003e\u003cp\u003eIdeal for engineers and producers seeking compression that is both musical and powerful, it excels on drum buses, guitar, bass, and vocals, as well as on the mix bus to \"glue\" a mix together. In dual mono mode, it adapts to tracking stereo sources or two independent tracks; in stereo link mode, it provides coherence without pumping. The detented controls facilitate recall of settings in both mixing and mastering.\u003c\/p\u003e\u003ch3\u003eModern Features Serving Character\u003c\/h3\u003e\u003cp\u003eAt the heart of the unit, custom transformers and a Class A line amplifier ensure wide dynamics and refined texture. The diode bridge delivers this dense and energetic signature, while remaining controllable thanks to precise adjustments and integrated parallel processing, perfect for preserving attack and transients while increasing density.\u003c\/p\u003e\u003ch4\u003eExemplary Headroom and Silence\u003c\/h4\u003e\u003cp\u003eCapable of handling up to +26.7 dBu at input and output, the unit integrates effortlessly into high-level chains. The 10 Hz to 120 kHz (+\/-0.25 dB) frequency response and 0.0008% THD+N guarantee exemplary fidelity, while the extremely low noise floor preserves clarity in delicate passages.\u003c\/p\u003e\u003ch4\u003eUncompromising Studio Integration\u003c\/h4\u003e\u003cp\u003eXLR I\/O, 6.3 mm jack sidechain send\/return, and ground lift switch offer quick integration into any rack. 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Thanks to its \u003cstrong\u003etwo independent channels\u003c\/strong\u003e, it adapts equally well to mono sources (one channel) or stereo sources (buses, stems, keyboards) via \u003cstrong\u003estereo linking\u003c\/strong\u003e. And if you're looking for a more \"console-style\" \u003cstrong\u003edynamic control\u003c\/strong\u003e tool than a software compressor, the 88C also performs excellently as a bus or mastering compressor\/limiter, notably due to its \u003cstrong\u003eultra-fast attack\u003c\/strong\u003e and \u003cstrong\u003esidechain\u003c\/strong\u003e options.\u003cbr \/\u003e\u003ch3\u003eKey Features: VCA Precision, Adaptive Attack, and Musical Sidechain\u003c\/h3\u003e\u003ch4\u003eTwo complete channels, from dual mono to stereo link\u003c\/h4\u003eEach channel of the 88C has its own VCA compressor, allowing you to process \u003cstrong\u003etwo separate mono sources\u003c\/strong\u003e or chain the two channels in \u003cstrong\u003estereo\u003c\/strong\u003e thanks to the linking system inspired by the 88R console's VCA bus. The advantage: you get consistent behavior between left and right while maintaining a clear and effective control logic, perfectly suited for stereo buses.\u003cbr \/\u003e\u003ch4\u003eFrom peak control to limiting: variable ratio and large gain reduction headroom\u003c\/h4\u003eWith a \u003cstrong\u003ethreshold up to +18 dB\u003c\/strong\u003e and \u003cstrong\u003evariable ratio settings\u003c\/strong\u003e reaching up to \u003cstrong\u003elimiting\u003c\/strong\u003e, the 88C covers a very wide range: light compression to stabilize a take, firmer compression to sculpt a sound, or use as a \u003cstrong\u003elimiter\u003c\/strong\u003e to secure a signal. Its ability to reach up to \u003cstrong\u003e-50 dB of gain reduction\u003c\/strong\u003e makes it a formidable tool when taming aggressive transients or achieving a more pronounced effect, all while maintaining a \"console\" aesthetic.\u003cbr \/\u003e\u003ch4\u003eAdaptive attack (88RS): fast but never \"stiff\"\u003c\/h4\u003eThe 88C uses advanced attack electronics derived from the \u003cstrong\u003e88RS\u003c\/strong\u003e channel compressor. Its \u003cstrong\u003eadaptive\u003c\/strong\u003e behavior aims to react very quickly to transients while preserving a natural feel: the impact is controlled without giving the impression of crushing the source. This is particularly effective on vocals, percussion, modern basses, and dynamic buses.\u003cbr \/\u003e\u003ch4\u003eTriple time-constant auto-release: the \"set-and-forget\" mode that really works\u003c\/h4\u003eThe \u003cstrong\u003eauto-release\u003c\/strong\u003e circuit with \u003cstrong\u003etriple time constants\u003c\/strong\u003e smooths level variations fluidly across a wide range of sources, including full program material. The result: less time spent \"chasing\" the right release, more time deciding on the intention (transparent, punchy, glued, etc.).\u003cbr \/\u003e\u003ch4\u003eSidechain with high-pass filters: keep the low end solid, compress the rest\u003c\/h4\u003eThree \u003cstrong\u003ehigh-pass\u003c\/strong\u003e sidechain filters are available (\u003cstrong\u003e80 Hz\u003c\/strong\u003e, \u003cstrong\u003e125 Hz\u003c\/strong\u003e, \u003cstrong\u003e300 Hz\u003c\/strong\u003e) to prevent low frequencies from triggering excessive compression. This is a major asset on bass, kick, drum bus, or stereo mix: the foundation remains stable while compression focuses on the area that needs control.\u003cbr \/\u003e\u003ch4\u003eTrue Bypass per channel and USB power: simple integration, immediate comparison\u003c\/h4\u003e\u003cstrong\u003eTrue Bypass\u003c\/strong\u003e is selectable \u003cstrong\u003eindependently\u003c\/strong\u003e on each channel and directly connects input to output for a completely transparent path, ideal for quick \"with\/without\" comparisons without color variation. The 88C is powered via \u003cstrong\u003eUSB 3\u003c\/strong\u003e through a \u003cstrong\u003eUSB-C\u003c\/strong\u003e connector for immediate desktop use from a computer, and can also operate with a compatible USB 3 power adapter. Finally, its \u003cstrong\u003eleatherette\u003c\/strong\u003e housing (in the spirit of the 88M) enhances durability for mobile setups.\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:11;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFunctions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecompression with variable ratio up to limiting, True Bypass per channel, sidechain with high-pass filters\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCrosstalk\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ebetter than -100 dBr\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:12;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePower port only\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eUSB 3.0 Type B\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInput impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eapproximately 24 k?\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:13;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eVoltage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eUSB3\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOutput impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eapproximately 50 ?\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:14;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCurrent\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eless than 900 mA\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSignal\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-30 dBu\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:15;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHeadroom\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+21.6 dBu at 1 kHz (less than 0.5% THD+N)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eClip\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+20 dBu\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:6;--wb-r:16;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDistortion (THD+N)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e0.004% at 1 kHz (measured at +10 dBu, 20 Hz to 40 kHz filter)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWidth\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e182 mm (7.2 inches)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:7;--wb-r:17;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOverall noise\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eless than -89 dBu (-117 dBu in bypass)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eHeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e76 mm (3 inches)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:8;--wb-r:18;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+\/-0.02 dB from 20 Hz to 20 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDepth\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e203 mm (8 inches)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:9;--wb-r:19;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003egreater than 110 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1.32 kg (2.91 lbs)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:10;--wb-r:20;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum input level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+21 dBu\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Ams Neve","offers":[{"title":"Default Title","offer_id":54360445288723,"sku":"404943","price":1222.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/c7d7968bc7ca700b4ed7a4a635eb157b45b2e9a2_NEVE_88C.jpg?v=1792614501"},{"product_id":"behringer-369-396279","title":"369","description":"\u003ch3\u003eIn the Legacy of Legendary Stereo Compressors\u003c\/h3\u003e\u003cp\u003eBorn from a historical need to secure broadcast and avoid harsh level variations, compression on the main bus quickly established itself as a full-fledged musical tool. The Behringer 369 fits directly into this tradition by drawing inspiration from a classic studio dynamic processor, famous for its \"glue\" effect on a stereo mix. The goal here is not only to reproduce an idea but to offer a modern stereo compressor\/limiter designed for today's recording and mastering demands, while respecting the sonic aesthetic that has shaped generations of productions.\u003c\/p\u003e\u003ch3\u003eWho It's For and Studio Applications\u003c\/h3\u003e\u003cp\u003eThe 369 is aimed at sound engineers, producers, and home studio users who want a \u003cstrong\u003estereo bus compressor\u003c\/strong\u003e capable of tightening a mix without squashing it, and a \u003cstrong\u003elimiter\u003c\/strong\u003e to control peaks with greater authority. It excels on the master output of a console or digital audio workstation but is also very effective on subgroups (drums, instrument buses, vocal buses) when seeking more stable dynamics and a more \"finished\" overall feel.\u003c\/p\u003e\u003ch3\u003ePrecise Dynamic Control, from Musical to More Aggressive\u003c\/h3\u003e\u003ch4\u003eTwo Complementary Stages: Compressor and Limiter\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003ecompressor\u003c\/strong\u003e section favors a progressive and musical action, ideal for smoothing level differences and enhancing cohesion. The \u003cstrong\u003elimiter\u003c\/strong\u003e section, firmer, is designed to contain peaks and stabilize overall energy. Both modes allow fine adaptation of behavior to the audio program, from mixing to mastering.\u003c\/p\u003e\u003ch4\u003eDetented Settings, Session Recall, and Stereo Consistency\u003c\/h4\u003e\u003cp\u003eThanks to the \u003cstrong\u003erotary switches\u003c\/strong\u003e, settings are precise, repeatable, and quick to recall. You can lock both channels to strictly identical values to preserve the stereo image or adjust as needed for specific gear or workflow. The \u003cstrong\u003etrue relay bypass\u003c\/strong\u003e per channel facilitates unambiguous A\/B comparisons, an essential asset when making decisions on the master bus.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInput impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e10 kOhm\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAttack\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFast\/Slow (compressor, limiter)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:7;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutput impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e75 ohms\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRelease\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e100 ms to 1500 ms (compressor)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 - 20,000 Hz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMake-up gain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e0 to 20 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:9;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eThreshold\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+4 dBu to +15 dBu (compressor, limiter)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions (W x H x D)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e483 x 88 x 159 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRatio\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1.5:1 to 6:1 (compressor)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e3.48 kg\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Behringer","offers":[{"title":"Default Title","offer_id":54360580423955,"sku":"396279","price":449.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/483bf35b7f26550b36413591ff8b514941a0e202_BEHRINGER_369.jpg?v=1792614493"},{"product_id":"manley-numu-217040","title":"Numu","description":"\u003ch3\u003eFrom the Heritage of the Variable Mu to the Modern \"Nu\"\u003c\/h3\u003e\u003cp\u003eThe Manley Nu Mu follows in the footsteps of the legendary Variable Mu by retaining its tube input stage and musical compression philosophy. However, it pushes the concept further towards greater transparency and speed thanks to a \u003cstrong\u003eFET\u003c\/strong\u003e transistor output section. The result: the Manley \"glue,\" but with a cleaner contour and firmer low end, perfectly suited for current productions.\u003c\/p\u003e\u003ch3\u003eWho Is It For and What Are Its Uses?\u003c\/h3\u003e\u003cp\u003eDesigned for producers, mixers, and mastering studios seeking elegant and controlled stereo compression, the Nu Mu excels on the mix bus, stems, or synths. Its fast response and \"clean\" character are particularly suitable for electronic, pop, and urban music when you want to gain density and detail without unnecessarily coloring the spectrum.\u003c\/p\u003e\u003ch3\u003eKey Features for the Modern Workflow\u003c\/h3\u003e\u003ch4\u003eHybrid Circuit: Controlled Warmth and Impact\u003c\/h4\u003e\u003cp\u003eThe tube input provides the typical Manley smoothness and musicality, while the \u003cstrong\u003eFET\u003c\/strong\u003e output delivers the attack and punch needed for contemporary mixes. This combination offers smooth yet punchy compression, ideal for keeping transients lively.\u003c\/p\u003e\u003ch4\u003eHIP: Dynamic That Breathes\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003eHIP\u003c\/strong\u003e function applies intelligent upward compression: low-level details rise in the mix without crushing the loud passages. Perfect for increasing clarity and the perception of \"depth\" while preserving energy.\u003c\/p\u003e\u003ch4\u003eT-Bar Mod Sidechain and IRON Transformers\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003eT-Bar mod\u003c\/strong\u003e ensures ultra-smooth and musical attack\/release curves. The \u003cstrong\u003eManley IRON\u003c\/strong\u003e input transformers guarantee exemplary signal integrity, with a solid stereo image and controlled low-mid foundation.\u003c\/p\u003e\u003cp\u003eBuilt to last and proudly made in California, the Nu Mu combines performance and reliability in a chassis designed for professional studio use.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHIP function (upward compression)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003elifts low levels without crushing transients.\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Manley","offers":[{"title":"Default Title","offer_id":54360624464147,"sku":"217040","price":2938.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/3685371a9503e0818bd931df7519b58e18dadca7_MANLEY_NUMU.jpg?v=1792619907"},{"product_id":"black-lion-b172a-411988","title":"B172A","description":"\u003ch3\u003eA \"two legends in one\" approach in the Seventeen philosophy\u003c\/h3\u003e\u003cp\u003eThis hybrid Seventeen compressor follows the great tradition of studio dynamic processors that have shaped vocal, bass, drum takes and mix buses: on one side, the responsiveness and bite of a \u003cstrong\u003eFET compressor\u003c\/strong\u003e inspired by a model that has become a reference; on the other, the smoothness and \"glue\" sensation of a \u003cstrong\u003eT4BLA\u003c\/strong\u003e optical cell with naturally musical behavior.\u003c\/p\u003e\u003cp\u003eRather than opposing these two schools, Seventeen combines them in a single 19-inch unit to offer a compressor capable of switching from surgical transient control to softer, enveloping compression. The architecture has also been \u003cstrong\u003eoptimized\u003c\/strong\u003e with a \u003cstrong\u003enew output transformer\u003c\/strong\u003e, a key point for those seeking a more solid, stable sound that works well both tracking and mixing.\u003c\/p\u003e\u003ch3\u003eStudio uses: tracking, mixing, bus, and sound design\u003c\/h3\u003e\u003cp\u003eDesigned for demanding studios and home studios, this 2U rack compressor is ideal if you want a single device capable of covering multiple roles: \u003cstrong\u003evocals\u003c\/strong\u003e (dynamic control without losing emotion), \u003cstrong\u003ebass\u003c\/strong\u003e (foundation, sustain, controlled attack), \u003cstrong\u003eguitars\u003c\/strong\u003e (density and presence), or \u003cstrong\u003edrums\u003c\/strong\u003e (snap and cohesion depending on settings). Thanks to its two channels, you can process two sources simultaneously or build a coherent chain on a pair (e.g., overheads, stereo synths, or keyboard buses).\u003c\/p\u003e\u003cp\u003eIn mixing, the ability to choose the \u003cstrong\u003ecompressor sequence\u003c\/strong\u003e opens very practical options: placing the faster section first to tame peaks, then the optical section to smooth and \"glue\" the whole, or reversing the order for a more organic, less directive feel. In \u003cstrong\u003edual-mono\u003c\/strong\u003e mode, the unit becomes a pair of independent compressors, perfect for maximizing rack usage by multiplying processing on separate tracks.\u003c\/p\u003e\u003cp\u003eFor stereo setups, the presence of a \u003cstrong\u003elink connection\u003c\/strong\u003e allows coupling two units to achieve coherent compression on a stereo signal (mix bus, drum subgroup, stems, or mastering processing depending on your workflow). This is a real advantage for maintaining a stable image, preventing the center from \"pumping\" differently than the sides, and keeping controlled dynamics without unbalancing the panorama.\u003c\/p\u003e\u003ch3\u003eKey features: fine control, transformers, and operating modes\u003c\/h3\u003e\u003ch4\u003eHybrid FET + T4BLA: speed and musicality\u003c\/h4\u003e\u003cp\u003eThe FET section provides fast, punchy compression, excellent for taming attacks and adding density with a strong character. The T4BLA optical section reacts more progressively, with a compression curve renowned for its musicality: it easily delivers a sensation of more consistent, more \"finished\" volume while preserving presence.\u003c\/p\u003e\u003ch4\u003eContinuously variable attack and release: precise adjustment per source\u003c\/h4\u003e\u003cp\u003eThe continuously adjustable \u003cstrong\u003eattack\u003c\/strong\u003e and \u003cstrong\u003erelease\u003c\/strong\u003e controls go beyond fixed positions: fast to catch a snare peak or an overly aggressive consonant, slower to let a groove breathe, or release adapted to tempo to control pumping sensation. This fine calibration helps achieve professional results faster, with better repeatability between sessions.\u003c\/p\u003e\u003ch4\u003eTransformers: depth, control, and studio integration\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003eCinemag LA-2A type input transformer\u003c\/strong\u003e contributes to signal texture and stability, while the optimized circuit with \u003cstrong\u003enew output transformer\u003c\/strong\u003e aims for better overall coherence and more natural integration in an analog chain. Combined with comprehensive connectivity (balanced XLR and jack), the unit easily fits between preamps, converters, consoles, summing mixers, or patchbays.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e15 Hz - 20 kHz, +\/-1 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einternal 115\/230 V AC\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:7;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTHD+N\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e0.3 percent\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eHeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2U\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2x XLR (balanced), 2x jack (balanced)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWidth\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e19 inches\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:9;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2x XLR (balanced), 2x jack (balanced)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDepth\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e250 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLink\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2x jack (unbalanced)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e8 kg\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Black Lion","offers":[{"title":"Default Title","offer_id":54360811634963,"sku":"411988","price":1649.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/40cf66c031158b92f9119798a54d6be519276550_1BLACK_LION_B172A.jpg?v=1792624706"},{"product_id":"klark-teknik-76-kt-353341","title":"76-KT","description":"\u003ch3\u003eA Modernized FET Heritage for Today's Studios\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eInspired by legendary FET compressors, this model captures the spirit of the classics while adopting modern design choices. Its built-in universal power supply and \u003cstrong\u003eMIDAS\u003c\/strong\u003e transformers ensure reliability at all times, while the \u003cstrong\u003ediscrete\u003c\/strong\u003e Class A audio path provides controlled coloration, emblematic of sought-after outboard gear used in tracking and mixing.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eDesigned for Vocals, Percussion, Bass, and Mix Buses\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eThanks to its extremely short attack time, it excels on punchy snares, overheads, or funk guitars. The release settings allow for both transparent vocal control and creative crushing on bass or drum buses. In a 2U rack format, it fits perfectly into hybrid or fully analog workflows.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eKey Features Serving Your Sound\u003c\/h3\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eFET Speed and Musicality\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eRatio presets of 4:1, 8:1, 12:1, and 20:1 cover everything from gentle control to hard limiting. Combined with an attack time from 20 to 800 microseconds, they allow precise shaping of the envelope without losing the energy of the source signal.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eLevel Conversion Quality and Studio Robustness\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eClass A line-level amplifiers and \u003cstrong\u003eMIDAS\u003c\/strong\u003e transformers provide generous dynamic range, coherent stereo imaging, and tight low end. The vintage-style VU meter offers instant readout of gain reduction, facilitating reproducible adjustments during sessions.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRatio selection via switch\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e4:1, 8:1, 12:1, 20:1\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eChassis depth\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e130 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAttack time\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 to 800 microseconds\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2.8 kg\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRelease time\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e80 to 700 milliseconds\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Klark Teknik","offers":[{"title":"Default Title","offer_id":54360849940755,"sku":"353341","price":149.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/7d807907b432e39ee76ba42b58d749fcd2f52e2c_KLARK_76KT.jpg?v=1792624677"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/collections\/compresseurs-studio-900x600.jpg?v=1789044580","url":"https:\/\/woodbrass.shop\/collections\/studio-compressors.oembed?page=2","provider":"Woodbrass.com","version":"1.0","type":"link"}