{"title":"Studio preamps","description":null,"products":[{"product_id":"heritage-audio-dtt-73-228353","title":"DTT-73","description":"\u003ch3\u003eA reimagined \"DMA73\": the 73 philosophy in DUAL TABLETOP format\u003c\/h3\u003e\u003cp\u003eThe DTT-73 (for \"DUAL TABLETOP 73\") captures the essence of a DMA73 in a reformatted presentation, aimed at more mobile and versatile uses. While a 73-style preamp is often associated with racks and fixed studios, this tabletop version clearly expands the playing field: stage, portable systems, on-location recordings, temporary control rooms, and compact home studio setups.\u003c\/p\u003e\u003cp\u003eIts goal is simple: to maintain an audio path with a distinctive character and generous output level, while offering a \"ready-to-place\" ergonomics and connections adapted to the real constraints of live and mobile use.\u003c\/p\u003e\u003ch3\u003eWho is it for and what are its uses?\u003c\/h3\u003e\u003cp\u003eThe DTT-73 is intended for musicians, sound engineers, and producers who want to regain a \"73\" preamp signature without relying on a fully equipped studio. On tour, it allows recording with consistent quality from untreated locations (hotel rooms, dressing rooms, apartments), while keeping a simple and reliable chain.\u003c\/p\u003e\u003cp\u003eOn stage, it becomes a practical tool to provide \u003cstrong\u003e\"1073-driven\" line levels\u003c\/strong\u003e directly to the front of house via the front panel DI inputs. It can also be used to boost a stage microphone to line level without imposing long cable runs, which helps preserve dynamics and reduce risks related to complex electrical environments.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emicrophone preamp\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eHigh-pass filter\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGrey\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eValve\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eNo\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Heritage Audio","offers":[{"title":"Default Title","offer_id":54333933256979,"sku":"228353","price":1949.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/89431ed24837d04ec33d0ca7da29be12786bc02f_SHA_DTT_73.png?v=1791368170"},{"product_id":"focusrite-isa-two-138564","title":"ISA Two","description":"\u003ch3\u003eA Direct Heir to Focusrite's \"ISA\" Designs That Have Become Studio Standards\u003c\/h3\u003e\u003cp\u003eThe Focusrite \u003cstrong\u003eISA Two\u003c\/strong\u003e follows the lineage of ISA preamps, themselves inspired by the designs found on the historic Forte console and studio consoles of that era. The goal remains the same: to offer a preamp with a musical character, featuring a \u003cstrong\u003elarge dynamic range\u003c\/strong\u003e and detailed reproduction, while maintaining modern rack ergonomics. Within the range, the ISA Two stands out with its \"duo\" approach: two high-end mono channels combined in a 1U format, designed for stereo recordings and sessions where coherence between two sources (or two microphones) is crucial.\u003c\/p\u003e\u003ch3\u003eA Dual Preamp Designed for Stereo Recording and Demanding Takes\u003c\/h3\u003e\u003cp\u003eIf you only need a pair of mic preamps, the ISA Two clearly targets the top tier: capturing vocals with dual mics, stereo piano, overheads, AB\/XY pairs, room mics, acoustic guitar, or recording synths and drum machines via its \u003cstrong\u003eline inputs\u003c\/strong\u003e. The \u003cstrong\u003ehigh-impedance front panel instrument inputs\u003c\/strong\u003e also facilitate direct recording of bass or guitar without an external DI, with appropriate level and impedance.\u003c\/p\u003e\u003cp\u003eEach channel remains completely independent, allowing you to process two different sources with dedicated settings (gain, impedance, filter, phase inversion, insert), making the ISA Two equally relevant for \"live\" recording as well as production, when a clean, stable capture that's easy to integrate into a mix is desired.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:11;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInsert\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eYes\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emicrophone preamp\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:12;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAudio outputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:13;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePhantom power supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eYes\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eImpedance selector\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eYes\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:14;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eHigh-pass filter\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eVumeter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eLED level indicator\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:15;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e80 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of instrument inputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:6;--wb-r:16;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eValve\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eNo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of microphone inputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:7;--wb-r:17;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlue\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:8;--wb-r:18;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompressor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eNo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e3.7 kg\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:9;--wb-r:19;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePhase opposition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eYes\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions (mm)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e480 x 280 x 44\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:10;--wb-r:20;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRemote\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eNo\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":54333947838739,"sku":"138564","price":839.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/0cfe0d4abee6e9946a805e39b9d690c3546a34d2_RFO_ISA_TWO.png?v=1791100986"},{"product_id":"heritage-audio-ha73-elite-256770","title":"HA73 Elite","description":"\u003ch3\u003eThe Elite Series: Heritage Audio's DNA Made More Accessible\u003c\/h3\u003e\u003cp\u003eAfter several years building a solid reputation in high-end outboard gear, Heritage Audio developed the Elite series to offer modern, more efficient manufacturing while retaining the essential elements of the \"vintage\" sound that made the brand successful. The goal is clear: reduce assembly time through current construction techniques without compromising on critical audio choices.\u003c\/p\u003e\u003cp\u003eThe HA-73 (Elite) continues the legacy of the 73JR and DMA73 models, with a design faithful to the characteristics of these references. Manufactured in Spain like the rest of the Heritage Audio range, it targets studios seeking a characterful, reliable rack-format preamp ready for daily use.\u003c\/p\u003e\u003ch3\u003eWho and What For: A Characterful Preamp to Record and Enrich Your Sources\u003c\/h3\u003e\u003cp\u003eThe Heritage Audio HA-73 is designed for demanding home studios as well as production studios wanting to recapture an immediately recognizable analog signature. On vocals, it adds presence and a sense of closeness\u0026#59; on snare or overheads, it adds impact and body\u0026#59; on bass or guitar via the D.I., it delivers solid lows and clear attack.\u003c\/p\u003e\u003cp\u003eIts separate XLR line input also makes it an excellent tool to \"warm up\" already recorded tracks: you can reprocess a track (synth, drum machine, stems, vocals) to add harmonic thickness and slight natural compression linked to the analog path and transformer.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eHigh-pass filter\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emicrophone preamp\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eValve\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eNo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGrey\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Heritage Audio","offers":[{"title":"Default Title","offer_id":54333957243155,"sku":"256770","price":698.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/fb0db18ce31fdd4d187a87fa39b8b4aa59611930_SHA_HA_73_ELITE.png?v=1789329614"},{"product_id":"art-pro-audio-tube-mp-studio-v3-29872","title":"Tube MP Studio V3","description":"\u003ch3\u003eA \"Studio\" Evolution Designed for Modern Recording\u003c\/h3\u003e\u003cp\u003eThe Tube MP Studio V3 continues the legacy of compact tube preamps dedicated to home studios and mobile studios. This \u003cstrong\u003eV3\u003c\/strong\u003e version emphasizes versatility thanks to the \u003cstrong\u003eVariable Valve Voicing\u003c\/strong\u003e and its \u003cstrong\u003epresets selector\u003c\/strong\u003e, allowing you to more easily achieve the right tonal response depending on the source, while maintaining the simple and effective approach of a mono preamp.\u003c\/p\u003e\u003ch3\u003eWho It's For and Studio Applications\u003c\/h3\u003e\u003cp\u003eThis preamp is ideal if you are looking for a \u003cstrong\u003esingle input\u003c\/strong\u003e capable of handling both a vocal microphone and a direct guitar or bass, as well as a line source (keyboard, player, sub-mix). With its \u003cstrong\u003egain exceeding 60 dB\u003c\/strong\u003e, it can serve as a first gain stage before an audio interface, console, recorder, or processing chain, for stronger and better-controlled recordings.\u003c\/p\u003e\u003ch3\u003eV3 Voicings, Dynamic Control, and Practical Connectivity\u003c\/h3\u003e\u003ch4\u003eV3: Voicing Adapted to the Source in One Step\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003ePRESETS\u003c\/strong\u003e selector combined with \u003cstrong\u003eV3 (Variable Valve Voicing)\u003c\/strong\u003e technology allows you to shape the preamp's character according to the instrument or voice. You save time on adjustments while retaining direct control over levels.\u003c\/p\u003e\u003ch4\u003eLevel Control and Recording Safety\u003c\/h4\u003e\u003cp\u003eThe Tube MP Studio V3 offers \u003cstrong\u003einput and output level control\u003c\/strong\u003e to optimize your staging, with \u003cstrong\u003eVU meters\u003c\/strong\u003e for clear visual reference. The \u003cstrong\u003eOPL limiter\u003c\/strong\u003e helps contain peaks and secure recordings, especially useful on vocals, bass, or percussive sources.\u003c\/p\u003e\u003ch4\u003eEveryday Useful Features\u003c\/h4\u003e\u003cp\u003eWith its \u003cstrong\u003eswitchable phantom power\u003c\/strong\u003e for condenser mics, \u003cstrong\u003ephase inverter\u003c\/strong\u003e, and \u003cstrong\u003edirect box function\u003c\/strong\u003e, it easily integrates into various setups: mic recording, light reamping, direct instrument recording, and line source connection.\u003c\/p\u003e","brand":"ART Pro Audio","offers":[{"title":"Default Title","offer_id":54334171185427,"sku":"29872","price":132.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/3c30139647d9a58c878309f736c02f84097767a8_5012_1__1.jpg?v=1791387209"},{"product_id":"focusrite-isa-428-mkii-138558","title":"ISA 428 MKII","description":"\u003ch3\u003eA Studio Heritage: From the ISA 110 to Focusrite's \"Console\" Philosophy\u003c\/h3\u003e\u003cp\u003eThe ISA 428 MKII follows the lineage of designs that have become iconic at Focusrite, inspired by studio console architectures and the \"large format\" approach to recording: headroom, stability, and musicality that remains clear in dense mixes. It carries the DNA of the ISA series, notably the \"ISA 110\" reference impedance, and a design focused on reliability and consistency from channel to channel, essential when recording multiple microphones simultaneously.\u003c\/p\u003e\u003ch3\u003eWho the ISA 428 MKII Is For and Where It Excels\u003c\/h3\u003e\u003cp\u003eThis four-channel mic preamp is designed for studios that want uncompromising capture: vocals, acoustic guitars, pianos, overheads, drums (snare + overhead pair + room), ensembles, or multi-mic setups in advanced home studios. With its \u003cstrong\u003e4 independent channels\u003c\/strong\u003e, it becomes an ideal focal point for sessions where sonic coherence matters as much as technical precision.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003efront-panel instrument inputs\u003c\/strong\u003e also simplify modern setups: clean and solid direct recording (DI), later reamping, capturing synths and modules, or simultaneous mic + instrument recording depending on your workflow. The goal is clear: save time, avoid intermediate boxes, and secure the take.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInsert\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eYes\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emicrophone preamp\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:11;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e4\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAudio outputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:12;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePhantom power supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eYes\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eImpedance selector\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eYes\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:13;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eHigh-pass filter\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eVumeter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eLED level indicator\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:14;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e80 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of instrument inputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e4\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:6;--wb-r:15;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of microphone inputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e4\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:7;--wb-r:16;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompressor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eNo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlue\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:8;--wb-r:17;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePhase opposition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eYes\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e5.5 kg\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:9;--wb-r:18;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRemote\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eNo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions (mm)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e480 x 280 x 88\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":54334181015827,"sku":"138558","price":1999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/c8599480c44c5b381c7241930313c14ca93539bb_RFO_ISA_428_MK2.png?v=1791227839"},{"product_id":"heritage-audio-super-8-378835","title":"Super 8","description":"\u003ch3\u003eA '70s console spirit, designed for today's recording\u003c\/h3\u003e\u003cp\u003eThis preamplifier follows the tradition of British console preamps from the 1970s, prized for their midrange presence, harmonic character, and ability to \"push forward\" a source in a mix. Where vintage chains required adding preamps, converters, and routing separately, this design combines \u003cstrong\u003e8 channels of Class A preamplification\u003c\/strong\u003e and \u003cstrong\u003e24-bit \/ 192 kHz\u003c\/strong\u003e conversion in a single chassis, delivering a characterful sound quickly and immediately usable in a DAW.\u003c\/p\u003e\u003cp\u003eThe 19-inch \/ 3U rack format makes it a studio centerpiece while remaining portable enough for remote recordings, live sessions, and multi-mic setups demanding consistent results.\u003c\/p\u003e\u003ch3\u003eWho is it for and what are the uses?\u003c\/h3\u003e\u003cp\u003eThis model targets sound engineers, demanding home studio users, and recording facilities wanting to capture multiple sources simultaneously without compromise: drums (overheads, snare, toms), rhythm sections, multiple vocal takes, acoustic ensembles, amp re-amping, as well as rehearsal and concert recordings.\u003c\/p\u003e\u003cp\u003eWith its \u003cstrong\u003eMIC, LINE\u003c\/strong\u003e inputs and \u003cstrong\u003e2 Hi-Z instrument inputs\u003c\/strong\u003e, it covers common hybrid studio scenarios: condenser or dynamic microphones, external preamp outputs, synths, drum machines, basses, and guitars direct. The goal is clear: \u003cstrong\u003ecapture up to 8 signals\u003c\/strong\u003e with a coherent analog signature, then convert and send them to the recording system without multiplying devices.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emicrophone preamp\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eValve\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eNo\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e8\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eHigh-pass filter\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAnalog outputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSub-D 25, XLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSampling frequency\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e192 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGrey\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Heritage Audio","offers":[{"title":"Default Title","offer_id":54334238949651,"sku":"378835","price":4299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/0849e73ad23bb22e8f1b99ed74b1555c096e9e25_SHA_HASUPER8.png?v=1789329644"},{"product_id":"solid-state-logic-pure-drive-octo-384815","title":"Pure Drive Octo","description":"\u003ch3\u003eEssential Information About the SSL PURE DRIVE OCTO Mic Preamp \/ Audio Interface\u003c\/h3\u003e \u003cbr \/\u003e\u003cul\u003e \u003cbr \/\u003e\u003cli\u003e\u003cstrong\u003e8 SuperAnalogue PureDrive mic preamps\u003c\/strong\u003e with 3 sonic personalities: \"Clean,\" \"Classic Drive,\" and the \u003cstrong\u003enew \"Asymmetric Drive\"\u003c\/strong\u003e for controlled musical saturation.\u003c\/li\u003e \u003cbr \/\u003e\u003cli\u003e\u003cstrong\u003e32-bit \/ 192 kHz conversion\u003c\/strong\u003e and integrated \u003cstrong\u003eUSB 12x12\u003c\/strong\u003e interface for high-fidelity recording flow with low latency.\u003c\/li\u003e \u003cbr \/\u003e\u003cli\u003e\u003cstrong\u003eStepped-Gain control up to +65 dB\u003c\/strong\u003e + \u003cstrong\u003e31-step 1 dB Trim\u003c\/strong\u003e, 4 mic impedance options, \u003cstrong\u003e+48 V phantom power\u003c\/strong\u003e, polarity inversion, and adjustable high-pass filter.\u003c\/li\u003e \u003cbr \/\u003e\u003cli\u003eComplete studio connectivity: combo XLR\/6.35 mm jack inputs, \u003cstrong\u003e4 Hi-Z DI\u003c\/strong\u003e, inserts on Sub-D25, \u003cstrong\u003eADAT\u003c\/strong\u003e, \u003cstrong\u003e8 AES\/EBU outputs\u003c\/strong\u003e, \u003cstrong\u003eWord Clock\u003c\/strong\u003e, and cascading via \"Link.\"\u003c\/li\u003e \u003cbr \/\u003e\u003c\/ul\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eFrom the ORIGIN Console to the \"Octo\": The PureDrive Lineage\u003c\/h3\u003e \u003cbr \/\u003eDesigned as a continuation of the ORIGIN console, the PURE DRIVE OCTO condenses SSL's \"SuperAnalogue\" DNA into a 2U chassis, while adding cutting-edge conversion and modern connectivity. It delivers the characteristic transparency, dynamics, and punch, plus the ability to shape the tone through drive modes inherited from the console world, now accessible on eight independent channels.\u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eWho Is It For and What Is It For?\u003c\/h3\u003e \u003cbr \/\u003eIdeal for studios, artistic producers, and engineers recording drums, ensembles, multiple vocals, or live captures. The PURE DRIVE OCTO works equally well as a high-end \u003cstrong\u003eanalog front-end\u003c\/strong\u003e connected to your interface or as a standalone \u003cstrong\u003e12x12 USB interface\u003c\/strong\u003e. Its flexible routing (inserts, DI, ADAT, AES\/EBU) simplifies hybrid setups and integration into existing rigs.\u003cbr \/\u003e\u003cbr \/\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e8\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eHigh-pass filter\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emicrophone preamp\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eValve\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eNo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGrey\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Solid State Logic","offers":[{"title":"Default Title","offer_id":54334242160915,"sku":"384815","price":1849.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/c08d67d09d553d10bce9c12be67c633c4f8c32bb_RSL_PURE_DRIVE_OCTO.png?v=1791385897"},{"product_id":"solid-state-logic-pure-drive-quad-384814","title":"Pure Drive Quad","description":"\u003ch3\u003eEssential Information About the SSL PURE DRIVE QUAD Mic Preamp\u003c\/h3\u003e \u003cbr \/\u003e\u003cul\u003e \u003cbr \/\u003e\u003cli\u003e4 \u003cstrong\u003eSuperAnalogue PureDrive\u003c\/strong\u003e mic preamps with 3 sonic characters: \"Clean,\" \"Classic Drive,\" and \"Asymmetric Drive.\"\u003c\/li\u003e \u003cbr \/\u003e\u003cli\u003eHigh-end \u003cstrong\u003e32-bit \/ 192 kHz\u003c\/strong\u003e conversion and built-in \u003cstrong\u003eUSB 12x12\u003c\/strong\u003e audio interface.\u003c\/li\u003e \u003cbr \/\u003e\u003cli\u003eUltra-precise gain control: \"Stepped-Gain\" up to \u003cstrong\u003e+65 dB\u003c\/strong\u003e and \"Trim\" with \u003cstrong\u003e31 levels in 1 dB steps\u003c\/strong\u003e.\u003c\/li\u003e \u003cbr \/\u003e\u003cli\u003eComprehensive connectivity (XLR\/Jack, DI Hi-Z, inserts, \u003cstrong\u003eAES\/EBU\u003c\/strong\u003e, \u003cstrong\u003eADAT\u003c\/strong\u003e, \u003cstrong\u003eWord Clock\u003c\/strong\u003e) and cascading via \"Link.\"\u003c\/li\u003e \u003cbr \/\u003e\u003c\/ul\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eFrom the ORIGIN Console to the 2U Rack: SSL DNA for Modern Studios\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eA direct descendant of the PureDrive mic preamp introduced on the ORIGIN recording console, the PURE DRIVE QUAD condenses the SSL sonic aesthetic into a compact 2U chassis. It preserves the brand's iconic transparency and punch while offering the possibility to add controlled harmonic saturation, faithful to modern hybrid workflows.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eWho Is It For and What Are Its Uses?\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eDesigned for professional studios, demanding home studios, and creators recording vocals, instruments, drums, or ensembles, the PURE DRIVE QUAD excels both in clean capture and musical coloration. Its 4 independent channels, built-in DIs, and digital connectivity make it a versatile hub for multi-mic recording, production, and post-production.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e4\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eHigh-pass filter\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emicrophone preamp\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eValve\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eNo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGrey\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Solid State Logic","offers":[{"title":"Default Title","offer_id":54334273192211,"sku":"384814","price":985.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/598a45d7d49c9ab53281a831fc027430be698650_RSL_PURE_DRIVE_QUAD.png?v=1791234080"},{"product_id":"focusrite-scarlett-octopre-stock-b-415781","title":"Scarlett Octopre - B Stock","description":"\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e8\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRemote\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eYes\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:7;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePhantom power supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eYes\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emicrophone preamp\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDigital outputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAdat\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:9;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompressor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eYes\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eImpedance selector\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eYes\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePhase opposition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eYes\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":54334287675667,"sku":"415781","price":420.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/57bc5ec3ed6ad923b39cc2f529eb017ea5ffad6d_6111531757075426.jpg?v=1789793467"},{"product_id":"focusrite-isa-one-138562","title":"ISA One","description":"\u003ch3\u003eEssential Information About the Focusrite ISA One Preamplifier\u003c\/h3\u003e \u003cbr \/\u003e\u003cul\u003e \u003cbr \/\u003e\u003cli\u003eFocusrite \"ISA\" transformer-based sound thanks to the Lundahl LL1538, delivering the musical character of the Forté console.\u003c\/li\u003e \u003cbr \/\u003e\u003cli\u003e4-position variable input impedance to optimize any microphone (dynamic, condenser, ribbon).\u003c\/li\u003e \u003cbr \/\u003e\u003cli\u003eIndependent DI channel with Thru TRS output and DI XLR output, ideal for direct input and reamping.\u003c\/li\u003e \u003cbr \/\u003e\u003cli\u003eDual ultra-readable metering: calibratable needle VU + 6-LED bargraphs, pre\/post insert monitoring, plus headphone output with \"Cue Mix\" return.\u003c\/li\u003e \u003cbr \/\u003e\u003c\/ul\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eFrom the ISA110 Module to the ISA One: Focusrite DNA in a Portable Format\u003c\/h3\u003e \u003cbr \/\u003eBorn from the legacy of the legendary ISA110 module that equipped the Forté console, the ISA One condenses this sonic character into a robust and portable chassis. The \u003cstrong\u003eLundahl LL1538\u003c\/strong\u003e input transformer preserves clarity and dynamics, while the 4-position variable impedance modernizes the concept to suit today's microphones. Added to this are a dedicated DI and a comprehensive metering section, all at a particularly accessible price.\u003cbr \/\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eWho Is It For and What Are Its Uses?\u003c\/h3\u003e \u003cbr \/\u003ePerfect for professional studios as well as demanding home studios, the ISA One excels in recording vocals, guitars, basses, percussion, and acoustic sources. Its \u003cstrong\u003eindependent DI\u003c\/strong\u003e simplifies guitar\/bass sessions, and the microphone input with adjustable impedance optimizes the performance of low-output microphones. The headphone monitoring with \"Cue Mix\" return reassures the artist and streamlines recording workflows.\u003cbr \/\u003e \u003cbr \/\u003e\u003cbr \/\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInsert\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eYes\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAudio outputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eXLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:11;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eImpedance selector\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eYes\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:12;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePhantom power supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eYes\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eVumeter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eneedle\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:13;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eHigh-pass filter\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of instrument inputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:14;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e80 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of microphone inputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:6;--wb-r:15;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompressor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eNo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlue\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:7;--wb-r:16;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePhase opposition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eYes\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e3.9 kg\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:8;--wb-r:17;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRemote\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eNo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions (mm)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e290 x 290 x 104\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:9;--wb-r:18;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emicrophone preamp\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":54334333223187,"sku":"138562","price":579.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/dc5a944da36e319e7d0e04e3d3dd92eb44216ac2_RFO_ISA_ONE.png?v=1790702251"},{"product_id":"art-pro-audio-solo-mpa-multivoice-tube-preamplifier-421947","title":"Solo MPA Multivoice Tue Preamplifier","description":"\u003ch3\u003eAn ART Preamp Designed for the Demanding Home Studio\u003c\/h3\u003e\u003cp\u003eWith the Solo MPA, ART focuses on a studio-oriented architecture: low noise at low gain, low distortion, and a wide frequency response, while retaining the ability to add character thanks to the tube section control and immediate front panel adjustments. Its 19-inch 1U rack format facilitates integration into a fixed setup, whether for vocal sessions, acoustic instruments, or DI recording.\u003c\/p\u003e\u003ch3\u003eWho Is It For and What Are Its Uses?\u003c\/h3\u003e\u003cp\u003eThe ART Solo MPA is aimed at home studio users, podcasters, musicians, and sound engineers who want an \u003cstrong\u003eexternal microphone preamp\u003c\/strong\u003e capable of providing more substance and control than an audio interface preamp, without complicating the workflow. It is perfectly suited for \u003cstrong\u003evocal recordings\u003c\/strong\u003e (singing, spoken voice), \u003cstrong\u003eacoustic instruments\u003c\/strong\u003e (guitar, strings, overheads), and \u003cstrong\u003einstrument-level sources\u003c\/strong\u003e via the front DI (bass, guitar, synths). The +4 dBu or -10 dBV selection allows it to adapt equally well to a modern audio interface or more semi-pro oriented equipment.\u003c\/p\u003e","brand":"ART Pro Audio","offers":[{"title":"Default Title","offer_id":54334356390163,"sku":"421947","price":299.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/37d7d49cb396bce51fa468511069575fc610ba27_lg_solompa_angle_ce.jpg?v=1791475640"},{"product_id":"heritage-audio-ha73x2-elite-stereo-256771","title":"HA73X2 Elite Stereo","description":"\u003ch3\u003eElite Series: Heritage Audio's DNA in a More Accessible Approach\u003c\/h3\u003e\u003cp\u003eAfter seven years developing a range of outboard gear renowned for its hand-wired and hand-soldered assemblies, Heritage Audio launched the \u003cstrong\u003eElite series\u003c\/strong\u003e with a clear goal: to make this level of quality more affordable without compromising the essence of the \"true\" vintage sound. Presented as a new line designed to optimize assembly time, the Elite relies on \u003cstrong\u003emodern construction techniques\u003c\/strong\u003e and streamlined manufacturing, while retaining the key components that define the sonic character, starting with the \u003cstrong\u003eCarnhill transformer\u003c\/strong\u003e.\u003c\/p\u003e\u003cp\u003eManufactured in the same Spanish factory as the rest of the Heritage Audio range, the \u003cstrong\u003eHA-73X2\u003c\/strong\u003e fits directly into this philosophy: a \u003cstrong\u003edual HA-73 Elite\u003c\/strong\u003e in rack format, announced as built \u003cstrong\u003eto the same specifications as the 73JR and DMA73 models\u003c\/strong\u003e. In short, you get the Heritage identity (grain, depth, the feeling of \"glue\" in the mix) in a two-channel format particularly relevant for stereo recordings or sessions where you want to quickly chain sources.\u003c\/p\u003e\u003ch3\u003eTwo Channels to Record Fast, Well, and with Character\u003c\/h3\u003e\u003cp\u003eThe Heritage Audio HA-73X2 Elite is aimed at demanding home studio users, project studios, and control rooms seeking a \u003cstrong\u003etwo-channel mic preamp\u003c\/strong\u003e capable of bringing \u003cstrong\u003ewarmth\u003c\/strong\u003e and \u003cstrong\u003ebody\u003c\/strong\u003e right at the source, without relying solely on software processing. Its 1U format and two channels make it an excellent choice for \u003cstrong\u003estereo\u003c\/strong\u003e recordings (overheads, piano, acoustic guitar in pairs, room mics), but also for simultaneous vocal + instrument takes, or to secure a session with a pair of preamps delivering a coherent sound.\u003c\/p\u003e\u003cp\u003eThanks to its \u003cstrong\u003ehigh gain (80 dB)\u003c\/strong\u003e and \u003cstrong\u003eClass A\u003c\/strong\u003e architecture, it remains clean and present at low levels while offering increased density when pushed harder. And if your goal is to thicken an already captured track, the \u003cstrong\u003eseparate line input on XLR\u003c\/strong\u003e allows you to pass a source back through the input stage to regain that analog relief and feel, useful on vocals, drum machines, synths, or stems.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eHigh-pass filter\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emicrophone preamp\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eValve\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eNo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGrey\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Heritage Audio","offers":[{"title":"Default Title","offer_id":54334365139219,"sku":"256771","price":1215.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/244ea2c91ffd9de204935a3faa36cd8bb5403500_SHA_HA_73X2_ELITE.png?v=1789496276"},{"product_id":"focusrite-clarett-octopre-365563","title":"Clarett+ Octopre","description":"\u003ch3\u003eFrom ISA Heritage to the Clarett+ Series: A Modern Classic\u003c\/h3\u003e\u003cp\u003eClarett+ continues Focusrite's signature by bringing the spirit of legendary consoles into a compact rack format. The \"Air\" mode is achieved here by a relay-controlled analog circuit that adapts impedance (2.2 kOhms) and applies two cumulative high shelving filters to recapture the brightness and openness of ISA channels. The converters have been optimized to further reduce noise and distortion while offering greater depth and headroom.\u003c\/p\u003e\u003ch3\u003eWho Is the Clarett+ OctoPre For?\u003c\/h3\u003e\u003cp\u003ePerfect for demanding studios, mobile producers, and live recording venues, it instantly adds eight channels of high-end preamplification to an ADAT interface. Low latency, phantom power switchable by groups, and precise level indicators make multi-mic sessions easier, from drum kits to string ensembles.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInsert\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eYes\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDigital outputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAdat\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:9;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e8\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eImpedance selector\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eYes\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePhantom power supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eYes\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of instrument inputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:11;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e57 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of microphone inputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e8\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:12;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eRed\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:6;--wb-r:13;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eoctuple preamp with conversion card\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e4.15 kg\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:7;--wb-r:14;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAudio outputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSub-D 25\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions (mm)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e482 x 44,5 x 286\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":54334399709459,"sku":"365563","price":749.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/e9017c9d9a969251250fd57cc1bb25fa89e9a6e4_RFO_CLARETT_OCTOPRE.png?v=1791205384"},{"product_id":"heritage-audio-ha-609a-elite-316365","title":"HA-609A Elite","description":"\u003ch3\u003eThe Essentials to Know About the Heritage Audio HA-609A Compressor Limiter\u003c\/h3\u003e \u003cbr \/\u003e\u003cul\u003e \u003cbr \/\u003e\u003cli\u003eTwo-channel \u003cstrong\u003ediode bridge\u003c\/strong\u003e compressor\/limiter for musical, precise, and consistent compression.\u003c\/li\u003e \u003cbr \/\u003e\u003cli\u003eFully discrete \u003cstrong\u003eClass A\u003c\/strong\u003e signal path with three Carnhill\/St. Ives transformers per channel for \"punch\" and color.\u003c\/li\u003e \u003cbr \/\u003e\u003cli\u003e\"73\"-style gain circuit coupled with a dedicated transformer for compressor make-up gain, delivering musical harmonics.\u003c\/li\u003e \u003cbr \/\u003e\u003cli\u003e\u003cstrong\u003eStereo link\u003c\/strong\u003e and \u003cstrong\u003edual mono\u003c\/strong\u003e modes, \u003cstrong\u003etrue bypass\u003c\/strong\u003e per channel, and separate bypass for compressor and limiter.\u003c\/li\u003e \u003cbr \/\u003e\u003c\/ul\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eA Heir to Diode Bridge Compressors, Modernized by Heritage Audio\u003c\/h3\u003e \u003cbr \/\u003eThe HA-609A follows in the lineage of diode bridge compressors that shaped the sound of major productions. Heritage Audio offers a contemporary interpretation, faithful to the original analog aesthetic while meeting current demands. The fully discrete Class A design and Carnhill\/St. Ives transformers provide the density, cohesion, and energy sought after on a mix bus, while preserving the precision essential for tracking and mastering.\u003cbr \/\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eWho Is It For and What Are Its Uses?\u003c\/h3\u003e \u003cbr \/\u003eDesigned for sound engineers and producers who want to \"glue\" a mix or add breath to drums, the HA-609A excels on stereo buses, stems (drums, guitars, vocals), and individual tracks during tracking. Its dual \u003cem\u003ecompressor + limiter\u003c\/em\u003e functionality allows combining transient control and peak level management, with ergonomics suited for both creative mixing and final polishing.\u003cbr \/\u003e \u003cbr \/\u003e\u003cbr \/\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecompressor\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAnalog outputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2 x XLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eNo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGrey\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eValve\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eNo\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Heritage Audio","offers":[{"title":"Default Title","offer_id":54334413734163,"sku":"316365","price":1819.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/137f481f94e132cababcc02ef816c88b84431a20_SHA_HA_609_ELITE.png?v=1789329723"},{"product_id":"focusrite-isa-828-mk2-347553","title":"ISA 828 MK2","description":"\u003ch3\u003eA revisited ISA heritage: the continuity of Focusrite sound in MkII version\u003c\/h3\u003e\u003cp\u003eBuilding on the design spirit of the \u003cstrong\u003eFocusrite ISA 110\u003c\/strong\u003e microphone preamp from the \"Studio\" console, the ISA 828 MkII continues the legacy of ISA preamps appreciated for their combination of \u003cstrong\u003etransparency\u003c\/strong\u003e, \u003cstrong\u003egain reserve\u003c\/strong\u003e, and \u003cstrong\u003emusicality\u003c\/strong\u003e. This MkII version preserves the sonic DNA (notably thanks to Lundahl transformers on each channel) while enhancing studio ergonomics and reliability for intensive rack use, featuring a \u003cstrong\u003eswitch-mode power supply\u003c\/strong\u003e designed to improve efficiency, reduce heat, and maintain silent operation.\u003c\/p\u003e\u003ch3\u003eWho the ISA 828 MkII is for: studios, live recordings, and permanent racks\u003c\/h3\u003e\u003cp\u003eThe Focusrite ISA 828 MkII is designed for setups requiring \u003cstrong\u003eeight channels of consistent quality\u003c\/strong\u003e: drum recording, acoustic ensembles, multi-mic setups, voice-over, or live capture with a reliable rack. Thanks to dedicated mic and line inputs, it is particularly suited for \"always wired\" installations: microphones ready to record, external preamp outputs, or processor returns, without needing to rewire the studio each session.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:9;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInsert\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eYes\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emicrophone preamp\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:10;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e8\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAudio outputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSub-D 25\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:11;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePhantom power supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eYes\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eImpedance selector\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eYes\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:12;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eHigh-pass filter\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eVumeter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eLED level indicator\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:13;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of instrument inputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e4\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:6;--wb-r:14;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCompressor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eNo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of microphone inputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e8\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:7;--wb-r:15;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePhase opposition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eYes\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBlue\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:8;--wb-r:16;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRemote\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eNo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e7.05 kg\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Focusrite","offers":[{"title":"Default Title","offer_id":54334491492627,"sku":"347553","price":3319.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/13583e1b6b99821e8b09671370026a38f2b90c14_RFR_ISA_828_MK2.png?v=1789431023"},{"product_id":"audient-asp-800-196561","title":"ASP 800","description":"\u003ch3\u003eIn the lineage of Audient consoles, an ADAT expander designed for the modern studio\u003c\/h3\u003e\u003cp\u003eThe \u003cstrong\u003eAudient ASP800\u003c\/strong\u003e inherits the brand's console expertise to deliver 8 channels of transparent preamplification paired with high-quality A\/D conversion. Positioned as a versatile ADAT expander, it instantly adds premium mic\/line inputs to your interface while providing a creative analog signature thanks to its dedicated \"Retro\" channels.\u003c\/p\u003e\u003ch3\u003eWho is it for and what are its uses?\u003c\/h3\u003e\u003cp\u003eIdeal for demanding home studios, professional studios, and mobile creators, the ASP800 excels in multichannel drum recording, acoustic ensembles, synths, and drum machines. It suits engineers seeking faithful capture as well as those wanting to shape the character of two key sources without relying on external processors.\u003c\/p\u003e\u003ch3\u003eKey features and sonic strengths\u003c\/h3\u003e\u003ch4\u003e\"Retro\" HMX \u0026 IRON channels\u003c\/h4\u003e\u003cp\u003eThe first two channels offer HMX (rich harmonics reminiscent of semiconductor circuit warmth) and IRON (transformer-inspired for solid lows and controlled transients). These analog treatments subtly stack to thicken vocals, bass, or overheads without sacrificing definition.\u003c\/p\u003e\u003ch4\u003eClass-A preamps and Burr Brown conversion\u003c\/h4\u003e\u003cp\u003eThe preamps provide 0 to 70 dB gain with low self-noise, while the Burr Brown converters deliver 118 dB dynamic range to preserve attack and stereo space. The -15 dB pad per channel secures very hot sources.\u003c\/p\u003e\u003ch4\u003eHassle-free connectivity and synchronization\u003c\/h4\u003e\u003cp\u003eThe ADAT output with SMUX supports up to 96 kHz, and the Word Clock input locks the entire studio to a master clock. XLR\/TRS combo connectors simplify mic\/line hookups, and independent 48 V phantom power covers your condenser microphones.\u003c\/p\u003e\u003ch4\u003eProfessional build and reliability\u003c\/h4\u003e\u003cp\u003eMetal chassis, aluminum knobs, universal 90-264 V power supply, and fanless operation ensure quietness and longevity, whether in the control room or on tour.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e8\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMic gain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e0 - 70 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSampling rates\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e44.1 to 96 kHz\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions (WxDxH)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e483 x 286.5 x 44 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e4.5 kg\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Audient","offers":[{"title":"Default Title","offer_id":54356657668371,"sku":"196561","price":639.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/2cc2c7d1246763d28e06187afeb276db88167d0f_1AUDIENT_ASP800_2807baeb-2dc9-40fd-bd04-59352c07b6d4.jpg?v=1787299084"},{"product_id":"rupert-neve-designs-rmp-d8-262153","title":"RMP-D8","description":"\u003ch3\u003eRupert Neve Designs Sound, Built for the Field and Audio-over-IP Networks\u003c\/h3\u003e\u003cp\u003eFor over a decade, many sound engineers have adopted Rupert Neve Designs on the road for one simple reason: to regain \u003cstrong\u003eanalog musicality\u003c\/strong\u003e and \u003cstrong\u003eprofessional robustness\u003c\/strong\u003e that hold up night after night. The RMP-D8 follows this philosophy by bridging the world of characterful preamps and current workflows based on networked audio.\u003c\/p\u003e\u003cp\u003eWhere some \"all-in-one\" Dante solutions rely mainly on a highly integrated architecture, the RMP-D8 embraces a more demanding approach: the core of the system is based on \u003cstrong\u003emodular microphone preamp cards\u003c\/strong\u003e and the work around \u003cstrong\u003ecustom transformers\u003c\/strong\u003e, to preserve a sonic identity worthy of the brand's standalone preamps. The result: a rack unit that brings the Rupert Neve Designs \"grain\" into connected setups, from clubs to TV studios, and recording studios.\u003c\/p\u003e\u003ch3\u003eAn 8-Channel Dante Preamp for Stage, Monitors, Broadcast, and Multitrack Recording\u003c\/h3\u003e\u003cp\u003eThe Rupert Neve Designs RMP-D8 targets live engineers, system managers, and studios who want to \u003cstrong\u003ecentralize 8 mic\/line inputs\u003c\/strong\u003e in a reliable rack format while benefiting from Dante's flexibility. Both on the front panel and in patching, the idea is to simplify routing: capture close to the source, send it over the network, and retrieve the signal wherever needed, without relying on heavy analog cabling.\u003c\/p\u003e\u003cp\u003eIt is especially suited for configurations where stability is critical: tours, Dante-equipped venues, corporate events, recordings, in-ear monitors, or live multitrack recording. The AES digital outputs also allow easy integration of the RMP-D8 into traditional digital environments alongside the network.\u003c\/p\u003e\u003ch3\u003eClass A Preamps, 24-bit 192 kHz Conversion, and Fine Control: A Gain Chain Designed for Precision\u003c\/h3\u003e\u003ch4\u003eA Preamplification Topology Focused on Musicality, Not Just \"Gain and Level\"\u003c\/h4\u003e\u003cp\u003eEach channel features a \u003cstrong\u003eClass A microphone preamp\u003c\/strong\u003e feeding a \u003cstrong\u003ecustom transformer\u003c\/strong\u003e. This design aims for a denser, more lively reproduction, with bass and transient handling that remains clear even when the mix gets busy. In practice, this results in a solid, usable, and pleasant recording, whether on vocals, drums, guitars, or acoustic sources.\u003c\/p\u003e\u003ch4\u003ePer-Channel Controls to Immediately Adapt the Sound Capture\u003c\/h4\u003e\u003cp\u003eIn live situations, every second counts: the RMP-D8 includes essential functions \u003cstrong\u003eswitchable per channel\u003c\/strong\u003e to adapt to microphones, levels, and phase issues. Phantom power for condensers, high-pass filter to clean up low end, phase inversion to fix mic pairs or bleed, and pad to handle high-level sources: you have a simple and effective toolbox directly integrated into the capture chain.\u003c\/p\u003e\u003ch4\u003eDante, AES, and Redundancy: Integration Designed for Professional Systems\u003c\/h4\u003e\u003cp\u003eThe RMP-D8 communicates with \u003cstrong\u003eany Dante device\u003c\/strong\u003e on a compatible audio network and offers a network architecture with \u003cstrong\u003eprimary and secondary links\u003c\/strong\u003e via Ethercon, convenient for securing signal routing. At the same time, the \u003cstrong\u003eAES digital outputs\u003c\/strong\u003e facilitate interconnection with consoles, converters, or recorders that have compatible inputs. Finally, the \u003cstrong\u003eredundant power supply\u003c\/strong\u003e with locking connectors enhances reliability on gigs where downtime is not an option.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e8\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGain range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e60 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSwitchable per channel\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e+48V phantom power\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum input level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e+25.5 dBu\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e30 - 45000 Hz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSignal-to-noise ratio\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e84.4 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e110 dB\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":54356713636115,"sku":"262153","price":6298.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/5b1555dbdc95d14732a0662ffc10b7cf5e60bdee_RND_RMPD8.jpg?v=1787302322"},{"product_id":"chandler-limited-tg2-preamp-153436","title":"TG2 Preamp","description":"\u003ch3\u003eFrom the Myth of EMI\/Abbey Road Consoles to Your Rack\u003c\/h3\u003e\u003cp\u003eThe \u003cstrong\u003eTG2 Pre Amp\/DI\u003c\/strong\u003e transposes the DNA of the legendary TG consoles from the late 60s\/early 70s into a two-channel preamp. As the heir to the EMI TG12428 module, it recaptures the signature heard on classics crafted at Abbey Road, from \"Abbey Road\" to the immersive textures of \"The Dark Side of the Moon.\" An authentic way to introduce the TG aesthetic into a modern signal chain.\u003c\/p\u003e\u003ch3\u003eWho Is It For and What Are Its Uses?\u003c\/h3\u003e\u003cp\u003eSound engineers, producers, and musicians seeking an instantly inspiring tone will find an ally for pop\/rock vocals, electric guitars\/DI-tuned basses, overheads, snares, and keyboards. Its sweet top-end and punch provide presence and density without harshness, while offering enough headroom to preserve transients.\u003c\/p\u003e\u003ch3\u003eDesign and Key Features\u003c\/h3\u003e\u003cp\u003eAt the heart of the TG2, discrete symmetrical transformer-coupled amplifiers deliver a slight lift in the upper spectrum and controlled harmonic saturation. The result: silky highs, a solid image, and organic warmth that stack perfectly in the mix, even with demanding sources.\u003c\/p\u003e\u003cp\u003eThe implementation is studio-focused: each of the two channels features phase inversion and +48 V phantom power for your condenser microphones. The switchable input impedance from 1200 to 300 Ohms allows adapting the load to dynamics and ribbon mics, while the DI mode turns the TG2 into a high-end direct box for basses, synths, and guitars.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edual mono microphone preamplifier with DI function\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePhase inversion\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eswitchable per channel\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:7;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArchitecture\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ediscrete symmetrical transformer-coupled amplifiers, inherited from the EMI TG12428 module\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePhantom power\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+48 V switchable per channel\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+5 dB to +75 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower compatibility\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eexternal PSU-1 power supply unit (not included)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:9;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSound signature\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eslight emphasis on the upper spectrum and musical harmonic saturation\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eIncluded accessory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003econnection cable for PSU-1\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInput impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1200 to 300 Ohms (switchable)\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":54356765016339,"sku":"153436","price":2859.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/201ceb93df7efff30b5e5f3102e6e34d4dc86444_CHANDLER_TG2_AR.jpg?v=1789336102"},{"product_id":"grace-design-m201-mk2-340483","title":"M201 MK2","description":"\u003ch3\u003eA redesign focused on transparency and dynamics within the Grace Design range\u003c\/h3\u003e\u003cp\u003eThe M201MK2 carries the DNA of Grace Design: faithful, fast, and uncolored reproduction, designed to respect timbres and micro-dynamics. This MK2 version is not just a cosmetic update: the signal path has been refined to provide a more \"open\" sensation, with more air, while increasing usable dynamics. The improved signal-to-noise ratio notably relies on a new power supply, for quieter recordings and a darker noise floor.\u003c\/p\u003e\u003ch3\u003eA 2-channel preamp for demanding recording (studio, live, broadcast)\u003c\/h3\u003e\u003cp\u003eThe Grace Design M201MK2 is aimed at sound engineers, producers, and musicians seeking a high-end mic preamp to capture the source as it is: vocals, acoustic instruments, piano, overheads, stereo pairs, ambient recordings, or amp miking via microphone. With its two perfectly matched channels, it is particularly relevant for stereo setups where left\/right coherence is crucial, while remaining very comfortable for premium mono recording.\u003c\/p\u003e\u003ch3\u003eKey Features: precision, headroom, and gain modes\u003c\/h3\u003e\u003ch4\u003eControlled gain and perfectly matched channels\u003c\/h4\u003e\u003cp\u003eThe M201MK2 offers an extended gain range, with precise 2 dB steps for fine and repeatable adjustment. The \u003cstrong\u003egain matching\u003c\/strong\u003e between CH1 and CH2 is extremely tight across the entire range, a major advantage for stereo pairs and multi-mic recording techniques.\u003c\/p\u003e\u003ch4\u003eRibbon Mode and adapted impedances\u003c\/h4\u003e\u003cp\u003eFor ribbon microphones, the \u003cstrong\u003eRibbon Mode\u003c\/strong\u003e increases the gain range and modifies the input impedance to preserve level, transient response, and detail without unnecessary noise. The impedance also varies depending on pad usage, helping to optimize mic\/preamp matching according to source and level.\u003c\/p\u003e\u003ch4\u003eWide headroom before saturation\u003c\/h4\u003e\u003cp\u003eWith a high maximum output level and clearly defined peak LED thresholds, the M201MK2 handles dynamic sources while staying clean. The result: a clear, deep, and stable capture, ready to be converted or processed, without artifacts or harshness.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e@ 20dB gain +\/- 3dB 150 ohm source\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e3.2Hz-530kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e@ 20dB gain +\/- 0.2dB 150 ohm source\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e14.8Hz-109kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e@ 40dB gain +\/- 3dB 150 ohm source\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e3.2Hz-500kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e@ 40dB gain +\/- 0.2dB 150 ohm source\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e15.4Hz-103kHz\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e@ 20dB gain +20dBu out, 1kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e\u0026lt;.0008%\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e@ 40dB gain +20dBu out, 1kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e\u0026lt;.0009%\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e@ 60dB gain +20dBu out, 1kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e\u0026lt;.0070%\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSMPTE\/DIN 1:1 (50Hz, 7kHz)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e\u0026lt;.0007%\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSMPTE\/DIN 4:1 (50Hz, 7kHz)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e\u0026lt;.009%\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e@60dB gain 50 ohm source 22-22kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-130dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e@60dB gain 50 ohm source A weighting\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-133dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e@60dB gain 150 ohm source 22-22kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-127dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e@60dB gain 150 ohm source A weighting\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-127.5dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e@40dB gain 50 ohm source 22-22kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-127dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e@40dB gain 50 ohm source A weighting\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-130dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e@40dB gain 150 ohm source 22-22kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-125dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e@40dB gain 150 ohm source A weighting\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-128dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e@20dB gain 50 ohm source 22-22kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-117dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e@20dB gain 50 ohm source A weighting\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-120dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e@20dB gain 150 ohm source 22-22kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-117dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e@20dB gain 150 ohm source A weighting\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-119dB\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDefault Mode\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e18-64dB, 2dB steps\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRibbon Mode\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e28-74dB, 2dB steps\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGain matching CH1-CH2 over full gain range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e\u0026lt;0.10dB\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePhase deviation @40dB gain 40 ohm source 75Hz-45kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e\u0026lt;3deg\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCrosstalk any channel @40dB gain 1kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-140dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCrosstalk any channel @40dB gain 10kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-130dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCMRR @60dB gain, 3.5Vcm, 1kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e\u0026gt;85dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCMRR @60dB gain, 3.5Vcm, 10kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e\u0026gt;75dB\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePhantom power voltage +48V\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e+\/- 1.0V\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e6.8k ohm resistor match tolerance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e+\/- 0.1%\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum output level 1kHz, 100K ohm load\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e+28dBu\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePeak LED green threshold\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-16dBu Out\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePeak LED red threshold\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e+16dBu Out\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNominal input\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e8100 ohm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInput Ribbon Mode\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e20K ohm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInput pad engaged\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1.3K ohm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e150 ohm\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2.1kg\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e43mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWidth\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e483mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDepth\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e274mm\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Grace Design","offers":[{"title":"Default Title","offer_id":54356826915091,"sku":"340483","price":2136.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/3e2744574882d3e21dfde292de9a5081d572d198_GRACEDESIGN_M201MK2.jpg?v=1787302334"},{"product_id":"spl-gainstation-1-185054","title":"Gainstation 1","description":"\u003ch3\u003eA \"gain staging\" approach designed for modern audio workflows\u003c\/h3\u003e\u003cp\u003eIn today's digital audio environment, recording quality is determined right at the input stage. The GainStation 1 was designed to provide a solid, clean, and usable signal foundation while allowing the addition of character when the musical context calls for it. Its positioning is clear: a high-end preamp emphasizing dynamics, speed, and color control rather than just a simple level \"boost.\"\u003c\/p\u003e\u003cp\u003eIts design favors a short signal path and particularly careful power supply-two factors that make a difference when stacking tracks, processing dynamics, or seeking a stable and detailed image. The result: a better-defined source that integrates more easily into the mix, requiring fewer corrections afterward.\u003c\/p\u003e\u003ch3\u003eFor whom and for what uses\u003c\/h3\u003e\u003cp\u003eThe GainStation 1 targets sound engineers, demanding home studio users, and live technicians who want a preamp capable of covering multiple aesthetics without multiplying devices. On vocals, it delivers a present and clear take, with the option to add slight harmonic density via the tube stage. On drums and percussion, its speed helps preserve attack and transient precision.\u003c\/p\u003e\u003cp\u003eInstrumentalists also find immediate benefits: placed near an amp or instrument, the GainStation 1 becomes a true high-quality \"front-end,\" enhancing playing feel thanks to a firmer, more dynamic, and more stable signal before conversion or broadcast. Its compact chassis facilitates off-rack installation, directly where the source is located.\u003c\/p\u003e\u003ch3\u003eColor, control, and dynamics: a flexible input chain\u003c\/h3\u003e\u003ch4\u003eTwo preamplification stages to sculpt character\u003c\/h4\u003e\u003cp\u003eThe heart of the GainStation 1 relies on two distinct stages: a transistor stage and a tube stage, each adjustable independently. You can use the transistor path alone for a fast and precise reproduction or gradually add the tube to blend clarity and harmonics. This approach allows fine calibration of the \"grain\" without losing clarity and adapts the recording to the source rather than heavily correcting it in the mix.\u003c\/p\u003e\u003ch4\u003eFET peak limiter: protection without breaking naturalness\u003c\/h4\u003e\u003cp\u003eDuring recording, an unexpected peak can ruin a take. The FET-type peak limiter contains these overloads and stabilizes the level while preserving a sense of dynamics. This is especially useful on energetic vocals, brass, percussion, and live takes where performance is prioritized over retakes.\u003c\/p\u003e\u003ch4\u003eA design focused on dynamics and transients\u003c\/h4\u003e\u003cp\u003eThe GainStation 1 uses discrete operational amplifiers in Class A to avoid standard universal components. They operate at 60 V, whereas many designs work around 30 V, contributing to a higher dynamic range. The specified slew rate of 200 V per microsecond helps reproduce high frequencies and fast transients more cleanly, useful for retaining air, attack, and a stable image.\u003c\/p\u003e\u003cp\u003eDirect coupling on the essential part of the signal flow limits the use of capacitors that could color the sound, while the architecture optimizes audio path length and ground plane for lower impedance and reliable shielding. Switching is done via sealed relays with gold-plated contacts, and signal path resistors are selected by listening tests with a 0.1 percent tolerance. Finally, the complex power supply with double shielding, dedicated windings, and regulation for each voltage emphasizes a often overlooked point: a clean and stable power supply is an integral part of the sound.\u003c\/p\u003e\u003cp\u003eNote: the tube stage uses very high-quality metallized polypropylene film capacitors, contributing to a clear and dynamic sound image when you choose to add this color.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eValve\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eYes\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOperational amplifier supply voltage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e60 V (instead of the usual 30 V) for increased dynamic range\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSlew rate\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e200 V per microsecond\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003einternal AD 24\/96 conversion module\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eThe conversion card cannot be user-installed\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003einstallation via SPL or authorized service center\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eVery compact chassis\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eusable off-rack, close to the source\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOptional accessory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eGainBag (fits one GainStation 1, one microphone, and one cable)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":54356905623827,"sku":"185054","price":948.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/f55702acce57139ab241aac2f72dbf751525ef30_SPL_SPLGSTA.jpg?v=1787306569"},{"product_id":"golden-age-audio-pre-73-mkiv-228711","title":"PRE-73 MKIV","description":"\u003ch3\u003eA preamp in the tradition of \"old-school\" front-ends, designed for modern studios\u003c\/h3\u003eThis 1-channel preamplifier follows the spirit of the great classics: a direct approach, electronics focused on musicality, and immediate usability. Its \u003cstrong\u003e9.5-inch 1U\u003c\/strong\u003e format allows easy integration into a compact rack or mobile setup, while maintaining full connectivity to effortlessly switch from a microphone to a synth or a bass guitar direct.\u003cbr \/\u003e\u003ch3\u003eWho and what it's for: hassle-free premium vocals, instruments, and DI\u003c\/h3\u003eIf you're looking for a reliable \"front-end\" to record \u003cstrong\u003evocals\u003c\/strong\u003e, an \u003cstrong\u003eacoustic guitar\u003c\/strong\u003e, \u003cstrong\u003eoverheads\u003c\/strong\u003e, or \u003cstrong\u003eDI instruments\u003c\/strong\u003e, this model is an efficient and versatile solution. The \u003cstrong\u003e80 dB of gain\u003c\/strong\u003e make working with low-output microphones easier, while the front-panel \u003cstrong\u003eHi-Z instrument input\u003c\/strong\u003e speeds up guitar\/bass tracking without needing an external direct box.\u003cbr \/\u003e\u003ch3\u003eControls and features: character, control, and excellent level management\u003c\/h3\u003e\u003ch4\u003eMIC\/LINE and gain control\u003c\/h4\u003eThe switchable gain range of \u003cstrong\u003e20 to 80 dB\u003c\/strong\u003e allows precise amplification adjustment to the source. The \u003cstrong\u003eMIC\/LINE\u003c\/strong\u003e switch reduces gain by \u003cstrong\u003e30 dB\u003c\/strong\u003e: ideal for handling higher line levels and maintaining comfortable headroom.\u003cbr \/\u003e\u003ch4\u003eAIR EQ and high-pass filters to position a source in the mix\u003c\/h4\u003eThe \u003cstrong\u003eAIR EQ\u003c\/strong\u003e mode offers a high-frequency boost at \u003cstrong\u003e30 kHz\u003c\/strong\u003e of \u003cstrong\u003e+3 dB\u003c\/strong\u003e or \u003cstrong\u003e+6 dB\u003c\/strong\u003e, useful for adding air to a vocal, opening up an acoustic guitar, or adding definition to a ribbon mic recording. Two switchable high-pass filters (\u003cstrong\u003e6 dB\/octave\u003c\/strong\u003e) at \u003cstrong\u003e40 Hz\u003c\/strong\u003e or \u003cstrong\u003e170 Hz\u003c\/strong\u003e help clean up rumble, reduce proximity effect, or refine a source before conversion.\u003cbr \/\u003e\u003ch4\u003eImpedance, phase, PAD: pro tools that save time\u003c\/h4\u003eThe switchable mic impedance of \u003cstrong\u003e1200 Ohm\u003c\/strong\u003e \/ \u003cstrong\u003e300 Ohm\u003c\/strong\u003e allows different interactions with certain microphones and adjusts the sense of presence. Phase inversion, the \u003cstrong\u003eoutput PAD\u003c\/strong\u003e, and the LED meter facilitate clean gain staging, whether recording single takes or multitrack sessions.\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eFilter\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum gain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e80 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSwitchable gain range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e20 - 80 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAIR EQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e+3 dB or +6 dB boost at 30 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTwo switchable high-pass filters\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e6 dB\/octave at 40 Hz (HP1) or 170 Hz (HP2)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSwitchable impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1200 Ohm or 300 Ohm (MIC mode)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCombo mic\/line input\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eXLR \/ 6.3 mm jack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFront-panel Hi-Z instrument input\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e6.3 mm jack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLine output\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eXLR \/ 6.3 mm jack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e9.5-inch 1U\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e3.5 kg\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Golden Age Audio","offers":[{"title":"Default Title","offer_id":54357027619091,"sku":"228711","price":329.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/c0c15d8e641acb59e59ccfdd35e0198f6ad05826_GA_PRE73_MK4.jpg?v=1787306681"},{"product_id":"art-tube-mp-project-30196","title":"Tube MP Project","description":"\u003ch3\u003eA Home-Studio Classic: The Tube MP Spirit in a Compact, Stackable Format\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eThe Tube MP Project follows the philosophy of compact tube preamps designed to add musical coloration and a sense of \"texture\" to sources that can sometimes sound too clean in digital. Its streamlined aluminum profile, designed for \"stack\" mounting, makes it easy to integrate on a desk, in a nearby rack, or next to an audio interface. The approach remains deliberately straightforward: a mono channel, clear controls, and all the essential functions expected for clean recording with an added character boost.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eWho Is This Preamp Most Useful For, and In What Applications?\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eThis preamp is aimed at musicians, podcasters, content creators, and home-studio engineers who want to \u003cstrong\u003eelevate input quality\u003c\/strong\u003e before conversion or complement an audio interface with an \u003cstrong\u003eeasy-to-dose analog color\u003c\/strong\u003e. It is especially relevant if you record vocals, electric guitars (via the DI function), bass, or keyboards on line output and seek a warmer, denser sound without complicating your signal chain.\u003c\/p\u003e \u003cbr \/\u003e\u003cp\u003eThanks to its \u003cstrong\u003ehigh gain potential\u003c\/strong\u003e (over 70 dB), it can accommodate a wide variety of microphones and levels while maintaining comfortable adjustment range to tailor dynamics to your converter or console. The separate input gain and output level controls allow you to choose between a cleaner sound or, conversely, a more pronounced harmonic saturation by pushing the input stage and compensating at the output level.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eKey Features: From Clean Signal to Tube Grit, with Real Control\u003c\/h3\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003e12AX7A Tube: Texture, Harmonics, and \"Warmth\" Serving the Mix\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe 12AX7A provides a harmonic response that can add \u003cstrong\u003edepth\u003c\/strong\u003e to vocals and help certain electric instruments \"cut through\" a mix better. In practice, you can use it as the main preamp for recording or as a character stage to restore presence to a line source.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eGain and Output Controls: True Control Over Gain Structure\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe combination of \u003cstrong\u003einput gain\u003c\/strong\u003e and \u003cstrong\u003eoutput level\u003c\/strong\u003e offers an effective method to adjust gain structure: you optimize the incoming level, manage coloration, then align the output level to your interface or recorder. This is key to limiting noise, preserving dynamics, and avoiding overdriving the next stage.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003e40 Hz High-Pass Filter and Switchable Impedance: Cleaner Signal Right From the Start\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe switchable high-pass filter, based on a Bessel filter calibrated at 40 Hz, helps reduce rumble, handling noise, mic stand vibrations, or unnecessary low-end excess. The switchable impedance allows adapting the input according to the source to optimize response feel, clarity, and tonal balance, especially with certain guitars, basses, or line sources.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eBuilt-in FET Limiter: Secure Peaks Without Stress\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe built-in FET limiter is an asset for unpredictable takes: highly dynamic vocals, bass slaps, pick attacks, or percussion captured by microphone. It helps contain peaks and protect the downstream conversion stage while maintaining a musical behavior. For recording use, it is a valuable safeguard when you want to avoid clipping without adding multiple processing steps.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eDI, Phase Inversion, Phantom Power, and Control LEDs: Ready for the Field\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe Tube MP Project includes the \u003cstrong\u003edirect box function\u003c\/strong\u003e to connect an instrument and output to a balanced input, a \u003cstrong\u003ephase inverter\u003c\/strong\u003e useful in multi-mic setups or combined with a DI input, as well as \u003cstrong\u003eswitchable phantom power\u003c\/strong\u003e for condenser microphones. Control LEDs facilitate signal and level monitoring, speeding up gain staging and limiting surprises during sessions.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eValve\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eYes\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Art","offers":[{"title":"Default Title","offer_id":54357138637075,"sku":"30196","price":105.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/702f01d3b52d31cb4f74c79cf3d0ed2fe66a1620_MSC_5011_ee901780-130a-4f00-8d22-694f42f5b18a.jpg?v=1787310706"},{"product_id":"behringer-ada8200-ultragain-181237","title":"ADA8200 Ultragain","description":"\u003ch3\u003eFrom the ADA8000 to the ADA8200: An Expected Evolution\u003c\/h3\u003e \u003cbr \/\u003eA direct successor to the ADA8000, the ULTRAGAIN ADA8200 modernizes a much-praised formula by incorporating 24-bit Cirrus Logic converters and Midas preamps. This revision elevates capture quality and conversion fidelity while retaining the 1U format, 8x8 ADAT stream, and ease of integration that made the previous model successful.\u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eWho Is It For and What Are Its Uses?\u003c\/h3\u003e \u003cbr \/\u003eIdeal for producers, engineers, and studios needing to quickly add 8 mic inputs or 8 additional outputs to an ADAT-equipped sound card. In live recording, it serves as a compact stagebox. In the studio, it expands channel count for drums, ensembles, or multi-mic setups, and provides dedicated outputs for headphone mixes or reamping.\u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eKey Features That Make a Difference\u003c\/h3\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eMusical Midas Preamps\u003c\/h4\u003e \u003cbr \/\u003eThe 8 preamps offer balanced gain headroom and low noise, with switchable +48 V phantom power for condenser mics and active DI boxes. The result is precise capture, ready for mixing.\u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003e24-Bit Conversion and Stable Clock\u003c\/h4\u003e \u003cbr \/\u003eCirrus Logic converters ensure consistent transient response and low-frequency reproduction. Synchronization is possible via ADAT or Wordclock for reliable multi-device setups at 44.1\/48 kHz.\u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eBidirectional ADAT Routing\u003c\/h4\u003e \u003cbr \/\u003eAll mic\/line inputs can be routed to the ADAT output, while the incoming ADAT stream can be routed to line outputs for monitoring, stems, or headphone mixes. The ADAT I\/O can operate independently with a common clock.\u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eRack Format and Universal Power Supply\u003c\/h4\u003e \u003cbr \/\u003eIts 19-inch 1U chassis fits anywhere. The internal universal \"Planet Earth\" power supply guarantees stability and reliability on tour or in the studio.\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e8\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSampling rates\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e44.1 kHz \/ 48 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e10 Hz to 24 kHz (at 48 kHz)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWordclock\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eBNC input (also synchronizable via ADAT)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Behringer","offers":[{"title":"Default Title","offer_id":54357185102099,"sku":"181237","price":148.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/c424e54922e75b516d2af21c493bdb4b98762346_2BEHRINGER_ADA8200EU_1cb0e373-3af3-4ebb-8932-461d071b08c0.jpg?v=1787310671"},{"product_id":"neumann-v402-335967","title":"V402","description":"\u003ch3\u003eAn Anticipated Return: The First Neumann Microphone Preamplifier Since the V 476b Era\u003c\/h3\u003e\u003cp\u003eThe V 402 marks an important milestone in Neumann's recent history: it is the brand's first microphone preamplifier since the launch of the V 476b in the 1980s, which became a reference in many professional studios. Rather than \"reinventing\" a sound, Neumann relies here on decades of demanding standards around capture: the idea is simple yet ambitious-to offer a preamplifier capable of preserving the full signature of a microphone, whether it is a current Neumann model, a vintage classic, or another very high-quality studio microphone.\u003c\/p\u003e\u003cp\u003eIn this spirit, the V 402 positions itself as a contemporary preamplification tool, developed with modern measurement methods and thorough listening tests. The goal is not to impose a \"signature\" but to deliver amplification of great purity, consistent at all gain levels, in order to maintain the spectral balance, dynamics, and depth of field that define the value of a good recording.\u003c\/p\u003e\u003ch3\u003eWho Is the Neumann V 402 For and In Which Applications Does It Excel?\u003c\/h3\u003e\u003cp\u003eThe V 402 is aimed at recording studios, sound engineers, and producers seeking a \u003cstrong\u003etransparent preamplifier\u003c\/strong\u003e for vocals, acoustic instruments, ambient recordings, and any source where transient finesse and micro-dynamics are essential. It is particularly suitable for users already working with high-end microphones who want to avoid the \"veil\" effect that some preamps can introduce at high gain, especially on delicate takes (intimate vocals, strings, piano, detailed percussion).\u003c\/p\u003e\u003cp\u003eThanks to its DI inputs, the V 402 is also a solid choice for direct recording of bass and guitar, or electronic instruments: the very high input impedance helps preserve attack, brightness, and presence while limiting audible noise. In a modern production context, it can become a truly versatile recording hub: two channels for stereo recording, vocal\/instrument duos, or main vocal chain + DI, with precise headphone monitoring and intuitive monitoring control.\u003c\/p\u003e\u003ch3\u003eTransparency, Headroom, and Monitoring: The V 402's \"No Compromise\" Approach\u003c\/h3\u003e\u003ch4\u003eAmplification That Respects the Microphone, Regardless of Gain\u003c\/h4\u003e\u003cp\u003eThe V 402 is designed to achieve a high degree of linearity and sonic purity. Practically, it aims to amplify the signal without unwanted artifacts such as noise and distortion, and without artificially \"rounding off\" details. The benefit in the studio is immediate: you retain the microphone's original texture, the precision of attacks, and depth, while enjoying a controlled output level. This consistency across the entire gain range is particularly valuable when chaining multiple takes or alternating between very different sources during a session.\u003c\/p\u003e\u003ch4\u003eVery High Impedance Instrument (DI) Inputs: Detail Without Harshness\u003c\/h4\u003e\u003cp\u003eThe two DI inputs follow the same philosophy: preserving sound and nuances without loss of definition. Very high input impedance and carefully designed circuits allow capturing an \"open\" direct signal, useful for a dynamically played bass, guitars with clear attacks, or keyboards and machines where transient precision is desired. The expected result is a bright, clean, and usable signal, ready for further processing (amplification, simulation, compression, saturation) without having already undergone imposed coloration.\u003c\/p\u003e\u003ch4\u003e-20 dB Pad, High-Pass Filter: Level Management and Clean Recording\u003c\/h4\u003e\u003cp\u003eThe V 402 includes a switchable 20 dB attenuator to confidently handle high-level sources up to 28 dBu without distortion. This is a real advantage when working with percussive signals, high line outputs, or close-miking that generates significant levels. The high-pass (low-cut) function has been developed to effectively remove rumble, handling noise, and vibrations while avoiding degradation of the useful signal: the goal is to clean up the recording at the source without losing the body of the voice or the harmonic foundation of an instrument.\u003c\/p\u003e\u003ch4\u003eHeadphone Amplifier and Listening Mix: Immediate Control\u003c\/h4\u003e\u003cp\u003eFor recording sessions, the V 402 focuses on clear and detailed headphone listening, and a simple-to-adjust control mix thanks to a volume control for each channel. This monitoring comfort allows working quickly, validating balances during tracking, and securing decisions (microphone placement, gain level, high-pass activation) without struggling with complex routing.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eHigh-pass filter\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e463 x 242 x 89 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e6.2 kg\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Neumann","offers":[{"title":"Default Title","offer_id":54357306966291,"sku":"335967","price":2699.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/41870db56c80292776424dbf3055c767e838e70e_1NEUMANN_V402.jpg?v=1787314956"},{"product_id":"black-lion-b173-mkii-401533","title":"B173 MKII","description":"\u003ch3\u003eA \"vintage\" approach in a modern and compact format\u003c\/h3\u003e\u003cp\u003eThis mono preamplifier adopts the key elements of the 1073 topology, a studio standard renowned for its grain and presence in the mix. The idea is simple: to recapture a \"console\" type sonic signature in a \u003cstrong\u003ehalf-rack chassis\u003c\/strong\u003e that is easy to integrate on a desk, in a flight case, or directly in a rack thanks to the \u003cstrong\u003e1U\u003c\/strong\u003e height and \u003cstrong\u003e9.5\"\u003c\/strong\u003e width. The \u003cstrong\u003eCinemag transformers\u003c\/strong\u003e on input and output contribute to this sonic aesthetic by providing a generous response and dynamics that remain musical when pushing the gain.\u003c\/p\u003e\u003ch3\u003eWho is it for, and what studio uses?\u003c\/h3\u003e\u003cp\u003eThis 1-channel preamp is aimed at demanding home studios as well as professional setups seeking a \u003cstrong\u003echaracterful preamplification channel\u003c\/strong\u003e for important recordings: lead vocals, rap, spoken word, acoustic guitar, overheads, room mics, or snare drum. With \u003cstrong\u003e70 dB of gain\u003c\/strong\u003e, it is also well suited for dynamic and ribbon microphones (with appropriate precautions), while offering \u003cstrong\u003e+48 V phantom power\u003c\/strong\u003e for condenser microphones. The \u003cstrong\u003efront-panel HI-Z input\u003c\/strong\u003e also makes it an excellent choice for recording bass or guitar directly, before amp simulation or reamping.\u003c\/p\u003e\u003ch3\u003eKey features: control, headroom, and easy integration\u003c\/h3\u003e\u003ch4\u003eStepped gain and variable output: level control without compromise\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003estepped gain control\u003c\/strong\u003e allows for fast and precise work: each position is reproducible, convenient for recalling settings in a new session. The \u003cstrong\u003evariable output control\u003c\/strong\u003e adds real flexibility: you can push the gain stage to achieve more density and grain, then adjust the output level to properly drive your converter or audio interface, avoiding digital clipping.\u003c\/p\u003e\u003ch4\u003eStudio connectivity and front-panel instrument input\u003c\/h4\u003e\u003cp\u003eWith a \u003cstrong\u003ebalanced XLR input\u003c\/strong\u003e for microphones and an \u003cstrong\u003eunbalanced jack input\u003c\/strong\u003e, this preamp covers essential recording needs. The \u003cstrong\u003ebalanced jack output\u003c\/strong\u003e facilitates integration into a recording chain (audio interface, patchbay, hardware compressor) while minimizing noise over reasonable cable lengths. The \u003cstrong\u003efront-panel HI-Z input\u003c\/strong\u003e is designed to plug in an instrument directly without an external DI box, maintaining a natural response and precise attack.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1 x XLR (balanced), 1 x jack (unbalanced)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1 x jack (balanced)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1U\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWidth\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e9.5\u0026quot; (rack-mountable)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1.4 kg\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Black Lion","offers":[{"title":"Default Title","offer_id":54357350252819,"sku":"401533","price":479.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/83f76ed5409219e15d1e37c2ba4e02d7980a1012_BL_B173_MK2.jpg?v=1787310753"},{"product_id":"api-audio-3124v-258760","title":"3124V","description":"\u003ch3\u003eThe API \"Console\" DNA Adapted to a 1U Rack\u003c\/h3\u003e\u003cp\u003eThe 3124V adopts the preamplification architecture that made API renowned in studios: a classic circuit design centered around the discrete \u003cstrong\u003eAPI 2520\u003c\/strong\u003e operational amplifier, combined with API transformers on both input and output. Notably, it includes the \u003cstrong\u003eRE-115 K\u003c\/strong\u003e microphone input transformer as well as the output transformer used on the brand's products, preserving that characteristic punch, presence, and dynamic typical of API signal chains. Designed for easy integration into professional setups, the 3124V comes in a \u003cstrong\u003e19-inch, 1U rack format\u003c\/strong\u003e, ideal for building a dense and quickly deployable recording front-end.\u003c\/p\u003e\u003ch3\u003eA Preamp Designed for Fast Recording, From Home Studios to Professional Studios\u003c\/h3\u003e\u003cp\u003eWith its \u003cstrong\u003e4 channels\u003c\/strong\u003e, the API 3124V targets sound engineers, producers, and musicians who want to capture multiple sources simultaneously without multiplying devices: overhead mic pairs, snare and kick, vocals plus ambient mic, or several instruments via DI. Its approach is straightforward: set the gain, adjust the output level, control polarity if needed, and monitor levels via the \u003cstrong\u003eLED meters\u003c\/strong\u003e. In recording, it's especially appreciated for transient-rich sources (percussion, guitars, basses) thanks to a lively response and character that helps tracks \"cut through\" the mix.\u003c\/p\u003e\u003ch3\u003eKey Features: Control, Headroom, and Color on Demand\u003c\/h3\u003e\u003ch4\u003eVariable Output Level: Optimize the Signal Chain and Saturation\u003c\/h4\u003e\u003cp\u003eThe standout feature of this version is the \u003cstrong\u003evariable output level control\u003c\/strong\u003e: you can push the gain to get more density and character, then adjust the level sent to the converter or console to avoid clipping. This is a real advantage for exploiting the sonic signature of the amplification stage and transformers while maintaining a controlled level on the following stage.\u003c\/p\u003e\u003ch4\u003eSwitchable 3:1 Output Transformer: Tailor Tone and Interfacing\u003c\/h4\u003e\u003cp\u003eEach channel features a \u003cstrong\u003eswitchable 3:1 output transformer selection\u003c\/strong\u003e. This option allows you to adjust the output stage's behavior depending on the source and destination: more headroom before saturation, a different dynamic feel, and finer adaptation when feeding equipment with varying sensitivities. In practice, this becomes both a creative tool and a technical lever, especially when seeking the right balance between attack, thickness, and peak control.\u003c\/p\u003e\u003ch4\u003eFront Panel Controls: Efficiency in Sessions\u003c\/h4\u003e\u003cp\u003eThe 3124V is designed for fast workflow. The \u003cstrong\u003e48 V phantom power\u003c\/strong\u003e is \u003cstrong\u003einternal\u003c\/strong\u003e and switchable \u003cstrong\u003eper channel\u003c\/strong\u003e on the front panel, facilitating use with condenser microphones without rear-panel manipulation. The \u003cstrong\u003e-20 dB pad\u003c\/strong\u003e, also on the front, affects \u003cstrong\u003emicrophone and line inputs\u003c\/strong\u003e to handle high levels (snare, miked guitar amps, hot line outputs). The \u003cstrong\u003epolarity inversion\u003c\/strong\u003e per channel helps quickly fix phase issues during multi-mic recordings.\u003c\/p\u003e\u003ch4\u003eHigh-Impedance Instrument Inputs: Ready-to-Record DIs\u003c\/h4\u003e\u003cp\u003eIn addition to XLR inputs, the 3124V offers \u003cstrong\u003e4 high-impedance instrument inputs\u003c\/strong\u003e on 6.35 mm jack connectors. This is a simple solution for recording bass or guitar direct, capturing synths, or preparing clean tracks for reamping. Coupled with the API character, this DI section delivers clear, present takes that are easy to place in modern productions.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e4\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e4 high-impedance inputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e6.35 mm jack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1U\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Api Audio","offers":[{"title":"Default Title","offer_id":54357510455571,"sku":"258760","price":3679.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/5f1fad50658a3eeae22543e1b35cbbe67ad7c9c6_API_3124V_b186674b-4bf7-4632-acbd-e2a7835ecf14.jpg?v=1787319073"},{"product_id":"avid-pro-tools-carbon-pre-373641","title":"Pro Tools Carbon Pre","description":"\u003ch3\u003eAn Extension Designed for the Carbon Ecosystem and Pro Tools Workflows\u003c\/h3\u003e\u003cp\u003eThe Pro Tools Carbon Pre fits within the Carbon range philosophy: offering a preamplification and conversion extension perfectly integrated with the software to maintain a smooth workflow both in the studio and control room. Its positioning is clear: \u003cstrong\u003eto complement an existing Avid Pro Tools Carbon interface\u003c\/strong\u003e via AVB, while remaining versatile enough to serve as a preamp and conversion block in other setups, notably with older Pro Tools HD systems.\u003c\/p\u003e\u003cp\u003eThe daily benefit is twofold: maintaining \u003cstrong\u003esound consistency\u003c\/strong\u003e and \u003cstrong\u003econtrol consistency\u003c\/strong\u003e (control within Pro Tools), while providing an I\/O platform better suited for growing sessions: drum recording, multi-mic setups, hardware stems, or adding a dedicated line section for synths and outboard returns.\u003c\/p\u003e\u003ch3\u003eIntended Uses and Studios\u003c\/h3\u003e\u003cp\u003eThis 8-channel preamplifier targets production studios, demanding home studios, and mobile control rooms that want to \u003cstrong\u003equickly increase input count\u003c\/strong\u003e without complicating the setup. It is especially suitable for engineers working primarily in Pro Tools and seeking a clean and stable \u003cstrong\u003eAVB\u003c\/strong\u003e extension, as well as those looking for a serious \u003cstrong\u003efront-end\u003c\/strong\u003e to record vocals, guitars, drums, acoustic ensembles, or electronic instruments.\u003c\/p\u003e\u003cp\u003eThanks to its \u003cstrong\u003ecombo inputs\u003c\/strong\u003e, \u003cstrong\u003eline inputs on D-sub\u003c\/strong\u003e, and \u003cstrong\u003efront-panel instrument inputs with variable impedance\u003c\/strong\u003e, it naturally integrates into hybrid setups: microphones in booths, lines from a patchbay, and instruments plugged directly, all with the same high standards for dynamics, distortion, and frequency response.\u003c\/p\u003e\u003ch3\u003eConnectivity, Pro Tools Integration, and Performance: The Details That Make the Difference\u003c\/h3\u003e\u003ch4\u003eIntegrated Control and AVB Extension\u003c\/h4\u003e\u003cp\u003eDesigned to be \u003cstrong\u003eparticularly suited as an AVB extension\u003c\/strong\u003e for an existing Avid Pro Tools Carbon interface, the Carbon Pre benefits from \u003cstrong\u003eintegrated control via Pro Tools\u003c\/strong\u003e. This approach avoids juggling multiple management software and contributes to a more direct experience during sessions: focusing on tracking, gain staging, and mic placement, not navigating between utilities.\u003c\/p\u003e\u003cp\u003eAnd if your setup evolves, the platform remains scalable: \u003cstrong\u003eup to two Carbon Pre units\u003c\/strong\u003e can be used in combination with a Carbon base unit, significantly increasing available channels without changing the entire audio architecture.\u003c\/p\u003e\u003ch4\u003eAn Input Section Designed for Modern Sessions\u003c\/h4\u003e\u003cp\u003eThe Carbon Pre offers \u003cstrong\u003e8 balanced combo inputs\u003c\/strong\u003e (XLR\/Jack) and provides \u003cstrong\u003evariable impedance\u003c\/strong\u003e on inputs 5 to 8, useful for optimizing impedance matching depending on the source and type of microphone or output stage. On the front panel, the \u003cstrong\u003e2 variable impedance instrument inputs\u003c\/strong\u003e allow quick connection of a guitar, bass, or instrument at instrument level without an external box, enabling faster and better-controlled takes.\u003c\/p\u003e\u003cp\u003eFor \"studio\" wired environments, the \u003cstrong\u003eline inputs on 25-pin D-sub\u003c\/strong\u003e and \u003cstrong\u003eline outputs on 25-pin D-sub\u003c\/strong\u003e facilitate integration with a patchbay, external preamps, compressors, equalizers, and effects racks, while maintaining clean and professional cabling.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e8\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e126 dB (A-weighted)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTHD+N\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-105 dB (0.00056%)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e20 Hz - 20 kHz, +\/- 0.1 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEquivalent Input Noise (EIN)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-129 dB (A-weighted)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e19-inch, 1U\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDepth\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e343 mm\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"AVID","offers":[{"title":"Default Title","offer_id":54357529395475,"sku":"373641","price":3958.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/10eaf07bb28109844e205e33252eddfca9fc895d_AVID_AVI99007410325.jpg?v=1787319123"},{"product_id":"behringer-mic2200-v2-363842","title":"MIC2200 V2","description":"\u003ch3\u003eA Classic \"Tube Warming\" in an Accessible Rack Format\u003c\/h3\u003e\u003cp\u003eDesigned as a true audiophile 2-channel mic\/line preamp, the ULTRAGAIN PRO MIC2200 belongs to the \"coloration\" equipment category: it adds depth and a sense of dimension to recordings while remaining versatile enough to serve as a primary front-end. Its 19-inch 1U rack format makes it a practical choice for a fixed studio, touring flight case, or mobile recording rack.\u003c\/p\u003e\u003ch3\u003eWho Is It For and What Are Its Uses?\u003c\/h3\u003e\u003cp\u003eThe MIC2200 targets home studios looking to add more character to digital recordings, live sound engineers seeking a robust and flexible preamp, as well as musicians who want a quality input for vocals, acoustic guitars, bass, or keyboards. It can also be used as a high-end DI solution, with careful signal integrity and full tonal control before conversion.\u003c\/p\u003e\u003ch3\u003eTonal Control and Gain: From Clean to Character\u003c\/h3\u003e\u003ch4\u003eTube Preamps and Level Management\u003c\/h4\u003e\u003cp\u003eThanks to its 12AX7 tube, the MIC2200 delivers a more \"organic\" signature to a source, with a rounder low end and livelier midrange. The mic\/line switching, mic gain adjustment, and adjustable output level facilitate adaptation to different sources while maintaining comfortable headroom to optimize signal-to-noise ratio.\u003c\/p\u003e\u003ch4\u003eParametric Equalization and Filters to Clean and Position the Sound\u003c\/h4\u003e\u003cp\u003eEach channel features a fully parametric equalizer (adjustable center frequency, bandwidth, and level), ideal for correcting resonances, opening up vocals, or repositioning a guitar in the mix. Adjustable high-pass and low-pass filters help eliminate rumble, plosives, or excess low-frequency energy before dynamic processing or recording.\u003c\/p\u003e\u003ch4\u003eStudio and Live Features\u003c\/h4\u003e\u003cp\u003e48 V phantom power, independent phase inversion per channel, activation and frequency band selection of the equalizer, as well as a 12-segment LED VU meter ensure quick and reliable control, both during tracking and on stage.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eFilter\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eValve\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eYes\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLevel switching\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003emic\/line\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWide bandwidth\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e10 to 200,000 Hz\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSwitches\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eequalizer frequency band and equalizer input\/output activation\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eLo Cut Frequency, Octave Bandwidth, Level\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1U\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Behringer","offers":[{"title":"Default Title","offer_id":54357556265235,"sku":"363842","price":107.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/950099e077233fc82459e8074d6f7549ff33c220_BEHRINGER_MIC2200_V2.jpg?v=1787319061"},{"product_id":"avalon-v5-142575","title":"V5","description":"\u003ch3\u003eA professional heritage: the spirit of the U5 and M5 combined in a single V5\u003c\/h3\u003e\u003cp\u003eThe V5 continues the legacy of two references beloved by sound engineers and musicians: the famous U5 direct box and the M5 microphone preamplifier, both renowned for their high-end sound in studio and on stage. Where multiple devices were previously combined to cover mic, DI, and routing uses, the V5 \u003cstrong\u003ecombines these functions into a single chassis\u003c\/strong\u003e, while delivering a \u003cstrong\u003eperformance upgrade\u003c\/strong\u003e and adding new processing and ergonomic possibilities.\u003c\/p\u003e\u003ch3\u003eFor whom and for what uses in studio or live?\u003c\/h3\u003e\u003cp\u003eWith its \u003cstrong\u003e1-channel\u003c\/strong\u003e format and \"quality first\" philosophy, the V5 targets setups where every take counts: lead vocals, acoustic guitar recording, double bass, electric bass DI, keyboards, demanding mic captures (including ribbon), or instrument capture with maximum finesse. In home studios as well as professional environments, it becomes a reliable \u003cstrong\u003egain center\u003c\/strong\u003e: Class A preamplification for microphones, a very high-impedance DI to preserve instrument pickups, and a \u003cstrong\u003ere-amplification\u003c\/strong\u003e function designed to cleanly re-inject a track into an amp or pedal chain.\u003c\/p\u003e\u003ch3\u003eKey features: headroom, impedance matching, and musical shaping\u003c\/h3\u003e\u003ch4\u003ePure Class A Microphone Preamp and High-Voltage Design\u003c\/h4\u003e\u003cp\u003eThe heart of the V5 is based on a \u003cstrong\u003ePure Class A\u003c\/strong\u003e architecture combined with a \u003cstrong\u003ehigh-voltage design\u003c\/strong\u003e. The goal is clear: to provide stable, detailed, and spacious reproduction, with comfortable headroom to handle dynamic sources and transients (string attacks, consonants on vocals, light percussion) without compression sensation. This approach also facilitates clean gain staging, useful when capturing a signal ready for mixing, whether in an audio interface, console, or external conversion chain.\u003c\/p\u003e\u003ch4\u003eDual Impedance: True Versatility for Ribbon and Condenser Mics\u003c\/h4\u003e\u003cp\u003eThe V5 features a \u003cstrong\u003edual impedance\u003c\/strong\u003e to adapt the mic input behavior depending on the transducer type, especially for \u003cstrong\u003eribbon\u003c\/strong\u003e and \u003cstrong\u003econdenser\u003c\/strong\u003e microphones. This setting optimizes response, perceived level, and feel of the recording according to the mic used, while maintaining a preamp signature focused on precision and musicality.\u003c\/p\u003e\u003ch4\u003e10 Mega Ohm Instrument DI, Re-amplification, and Shaping Tools\u003c\/h4\u003e\u003cp\u003eFor instruments, the DI input offers a \u003cstrong\u003e10 mega Ohm impedance\u003c\/strong\u003e, an important point to preserve tonal balance and dynamics of passive pickups (bass, guitar, some piezos), limiting the loading effect that can dull the high end. The V5 also adds practical controls to shape and secure the signal: a \u003cstrong\u003etone selector\u003c\/strong\u003e to steer character, a \u003cstrong\u003ehigh-pass filter\u003c\/strong\u003e to clean unwanted lows and vibrations, and an \" \u003cstrong\u003eAir-lift\u003c\/strong\u003e \" button useful for improving usability in certain contexts (notably when trying to reduce issues related to electrical environment or certain interconnections). The presence of a \u003cstrong\u003ere-amplification\u003c\/strong\u003e function makes it a complete tool for modern workflow: you record a clean DI, then send the track back to an amp or effects chain at mix time, without multiplying boxes.\u003c\/p\u003e\u003ch4\u003eLarge VU Meter: Immediate Level Reading\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003elarge VU meter\u003c\/strong\u003e provides a clear visualization of the level, particularly useful for setting input gain and avoiding downstream clipping. In sessions as well as live, this quick reading helps maintain consistency from take to take and exploit the full dynamics allowed by the high-voltage design.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eSilver\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Avalon","offers":[{"title":"Default Title","offer_id":54357612396819,"sku":"142575","price":1999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/a54b576ef356c617f530dd815df6c5933b549abe_AVALON_V_5.jpg?v=1787323334"},{"product_id":"triton-audio-airhead-355461","title":"Airhead","description":"\u003ch3\u003eA simple and essential tool in the mic chain\u003c\/h3\u003e\u003cp\u003eIn both studio and live settings, it often happens that the microphone output level is too high for the mic input of an audio interface or external preamp, especially with close miking and percussive sources. The Triton Audio AirHead fits into this \"must-have toolbox\" logic: an inline attenuator designed to secure recordings and maintain a clean level without complicating your setup.\u003c\/p\u003e\u003ch3\u003eWho and when to use the Triton Audio AirHead?\u003c\/h3\u003e\u003cp\u003eThe AirHead is aimed at sound engineers, home studio users, musicians, and technicians who record high sound pressure level sources and want to avoid any upstream clipping. It is particularly useful if you like to push a preamp for its tonal color but the input signal is already too hot: the -15 dB attenuation gives you comfortable headroom on the gain, improves dynamic control, and limits the risk of unwanted distortion.\u003c\/p\u003e\u003cp\u003eIt is typically used on a snare drum, tom, overheads, percussion, close-miked guitar amp, or brass instruments. It can also be a lifesaver with certain sensitive mic inputs that easily saturate even with gain at minimum.\u003c\/p\u003e\u003ch3\u003ePassive attenuation and transparency: the essentials, without compromise\u003c\/h3\u003e\u003ch4\u003e-15 dB before the preamp: more headroom, less saturation\u003c\/h4\u003e\u003cp\u003ePlaced between the microphone and the preamp, the fixed -15 dB attenuation acts before the amplification stage. The result: you avoid \"overdriving\" the input, stabilize your levels, and use a more musical adjustment range on the gain knob. This also helps better preserve the preamp's sonic signature since you are no longer forced to work at the extreme low end of its gain range.\u003c\/p\u003e\u003ch4\u003ePhantom power passed through\u003c\/h4\u003e\u003cp\u003eThe Triton Audio AirHead is designed to pass phantom power, facilitating its integration into various setups. This way, you maintain compatibility with microphones and devices requiring power while benefiting from clean attenuation on demanding sources.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003einline passive attenuator\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAttenuation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-15 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePhantom power\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003epassed through\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ebalanced XLR\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ebalanced XLR\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e22 x 76 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e55 g\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Triton Audio","offers":[{"title":"Default Title","offer_id":54357661286675,"sku":"355461","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/81ead4421a8b5461b7cc02da76b9c4c0c5b67bea_TRITON_AIRHEAD.jpg?v=1787323313"},{"product_id":"rme-12mic-340178","title":"12mic","description":"\u003ch3\u003eA Networked Preamplifier Designed for Studio, Stage, and Broadcast Environments\u003c\/h3\u003e\u003cp\u003eWith the 12Mic, the concept is clear: to offer a high-performance microphone front-end that integrates seamlessly with current audio workflows. The combination of \u003cstrong\u003eAVB\u003c\/strong\u003e (for Gigabit networked audio systems) and \u003cstrong\u003eMADI\u003c\/strong\u003e (a proven standard in live and broadcast) allows connecting the same preamplifier to very different setups without multiplying devices or unnecessary conversions. The presence of \u003cstrong\u003eSteadyClock FS\u003c\/strong\u003e aligns with this stability logic: a robust clock that helps keep the system perfectly locked, even when the setup becomes complex.\u003c\/p\u003e\u003ch3\u003eWho Is This 12-Channel Preamplifier For?\u003c\/h3\u003e\u003cp\u003eThis preamp is ideal if you want to centralize demanding sound captures (vocals, drums, ensembles, live recordings) while maintaining clean integration into your infrastructure. In the studio, it suits users who want to \u003cstrong\u003eincrease the number of microphone inputs\u003c\/strong\u003e without sacrificing quality, while keeping smooth session management thanks to digital control. In live, FOH, or broadcast environments, its \u003cstrong\u003e19-inch \/ 1U rack format\u003c\/strong\u003e, audio transport standards (MADI, ADAT, AVB), and the option for \u003cstrong\u003eredundant power supply\u003c\/strong\u003e make it a relevant choice for systems that must remain operational at all times.\u003c\/p\u003e\u003ch3\u003eKey Features: Precision, Integrated Routing, and Comprehensive Connectivity\u003c\/h3\u003e\u003ch4\u003eDigitally Controlled Preamps: Precision and Consistency Across 12 Channels\u003c\/h4\u003e\u003cp\u003eDigital control simplifies daily work: reproducible gain settings, precise balancing of multi-mic setups, and channel consistency when recording stereo sources or ensembles. The 12Mic offers a \u003cstrong\u003egain range up to 75 dB\u003c\/strong\u003e, useful for low-sensitivity microphones, while accepting \u003cstrong\u003esignals up to +18 dBu\u003c\/strong\u003e to maintain headroom on dynamic sources. The \u003cstrong\u003esignal-to-noise ratio of 121.2 dB(A)\u003c\/strong\u003e on all channels aims for clean capture with a low noise floor, particularly appreciated on vocals, ambiences, and delicate takes.\u003c\/p\u003e\u003ch4\u003eRouting and Integration: Internal Matrix, AVB, MADI, and ADAT\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003eintegrated routing matrix\u003c\/strong\u003e allows organizing signal flows without relying on an external patchbay: practical for distributing signals to multiple destinations (recording, monitors, broadcast) and building efficient configurations. On the digital connections side, the \u003cstrong\u003e3 ADAT outputs\u003c\/strong\u003e facilitate extending an existing system, while the \u003cstrong\u003eMADI BNC\u003c\/strong\u003e (input and output) meets the needs of high-channel-count environments. In parallel, \u003cstrong\u003eAVB\u003c\/strong\u003e connectivity opens the door to modern network setups and long distances, with robust implementation via \u003cstrong\u003e2 Gigabit Ethernet ports\u003c\/strong\u003e compliant with the \u003cstrong\u003e802.3\u003c\/strong\u003e standard.\u003c\/p\u003e\u003ch4\u003eClocking, Monitoring, and Rack Operation\u003c\/h4\u003e\u003cp\u003eSynchronization stability is a key point in multi-device configurations: \u003cstrong\u003eSteadyClock FS\u003c\/strong\u003e and the presence of a \u003cstrong\u003eWordclock input and output\u003c\/strong\u003e facilitate integration with the rest of your system, whether you are master or slave clock. The \u003cstrong\u003eLCD screen\u003c\/strong\u003e helps maintain control and readability of the device status, and the \u003cstrong\u003e6.3 mm stereo headphone jack output\u003c\/strong\u003e provides a direct and immediate monitoring solution. Finally, the \u003cstrong\u003econnector for redundant power supply\u003c\/strong\u003e enhances reliability, a real plus whenever continuity of service is critical.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e12\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMADI BNC\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003einput and output\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":54357744615699,"sku":"340178","price":2462.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/92700d23f903190b86f6bf8366adf1fe0bbf1bb3_2RME_12MIC.jpg?v=1787327661"},{"product_id":"golden-age-audio-pre-73-jr-premier-378370","title":"PRE-73 Jr Premier","description":"\u003ch3\u003eA \"small\" preamp, a great classic in spirit: the 1073 lineage\u003c\/h3\u003e\u003cp\u003eThe PRE-73 Jr PREMIER captures the spirit of the golden era preamps, when audio electronics were designed before the widespread arrival of integrated circuits. Here, everything is designed to recapture that highly sought-after sonic signature: vintage-style \u003cstrong\u003eClass A\u003c\/strong\u003e amplification, a \u003cstrong\u003ediscrete signal path\u003c\/strong\u003e, and \u003cstrong\u003etransformer-balanced input\/output\u003c\/strong\u003e. The circuit is inspired by the preamp section of the \"1073\" module, renowned for its density, impact, and smoothness in the highs-a character that has become a reference on countless studio recordings over the decades.\u003c\/p\u003e\u003cp\u003eThis \"PREMIER\" version highlights high-end component and design choices, notably \u003cstrong\u003eCarnhill transformers\u003c\/strong\u003e and an \u003cstrong\u003eupgraded power supply\u003c\/strong\u003e. The goal is clear: to offer a preamp with classic grain, ready to integrate into a home studio or a more demanding setup, while remaining simple to use daily.\u003c\/p\u003e\u003ch3\u003eWho is it for and what studio uses?\u003c\/h3\u003e\u003cp\u003eThe PRE-73 Jr PREMIER is a \u003cstrong\u003e1-channel preamplifier\u003c\/strong\u003e in a \u003cstrong\u003edesktop format\u003c\/strong\u003e, designed for any situation where you want to immediately enhance the quality and personality of your recording: vocals, acoustic guitars, direct electric guitar, bass, synths, drum machines, or amp re-amping via microphone. Thanks to its \u003cstrong\u003e20 to 70 dB gain\u003c\/strong\u003e, it covers both dynamic microphones and condenser microphones requiring \u003cstrong\u003e+48 V phantom power\u003c\/strong\u003e.\u003c\/p\u003e\u003cp\u003eIts appeal goes beyond \"clean amplification\": it also serves as a \u003cstrong\u003esound design\u003c\/strong\u003e tool during tracking. By adjusting the gain, you can go from open and musical amplification to subtle saturation, with the natural compression and thickness typical of transformer-based preamps. It's an excellent choice if you're looking for a characterful preamp to complement the often more neutral inputs of an audio interface.\u003c\/p\u003e\u003ch3\u003eKey features: character, control, and easy integration\u003c\/h3\u003e\u003ch4\u003eGenerous gain and Class A electronics for lively dynamics\u003c\/h4\u003e\u003cp\u003eWith gain control ranging from \u003cstrong\u003e20 to 70 dB\u003c\/strong\u003e, the PRE-73 Jr PREMIER adapts to many sources and allows pushing the input stage for more harmonic density. The \u003cstrong\u003evintage-style Class A electronics\u003c\/strong\u003e, based on discrete components, aim for a responsive and musical reproduction, with a presence and impact feel highly appreciated on vocals and acoustic instruments.\u003c\/p\u003e\u003ch4\u003eCarnhill transformers: the \"studio\" signature in low-mids and impact\u003c\/h4\u003e\u003cp\u003e\u003cstrong\u003eTransformer balancing\u003c\/strong\u003e at input and output, achieved with \u003cstrong\u003etwo different transformers optimized for their specific use\u003c\/strong\u003e, greatly contributes to the sense of depth and dimension. \u003cstrong\u003eCarnhill transformers\u003c\/strong\u003e are known for adding body and slight roundness while maintaining a smooth top end. This design approach is inherited from historical standards, intended to \"sound record-ready\" more quickly.\u003c\/p\u003e\u003ch4\u003eAir Boost and high-pass filter: quick decisions at recording\u003c\/h4\u003e\u003cp\u003eThe PRE-73 Jr PREMIER includes a \u003cstrong\u003etwo-level HF Air Boost EQ\u003c\/strong\u003e (\u003cstrong\u003e3 dB\u003c\/strong\u003e or \u003cstrong\u003e6 dB\u003c\/strong\u003e at \u003cstrong\u003e30 kHz\u003c\/strong\u003e) to add a sense of air and openness without harshness. This is especially useful to bring brightness back to a vocal, brighten an acoustic guitar, or add dimension to overheads, while maintaining a \"smooth\" aesthetic.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003etwo-stage HP filter\u003c\/strong\u003e (\u003cstrong\u003e6 dB\/octave\u003c\/strong\u003e, selectable at \u003cstrong\u003e40 Hz\u003c\/strong\u003e or \u003cstrong\u003e170 Hz\u003c\/strong\u003e) helps control vibrations, plosives, room rumble, or excess low end on certain takes. Practically, it helps improve clarity and leaves more space for kick and bass in the mix right from tracking.\u003c\/p\u003e\u003ch4\u003eComprehensive connectivity: mic, line, Hi-Z, and insert\u003c\/h4\u003e\u003cp\u003eDesigned for easy integration into a studio chain, this preamp offers a \u003cstrong\u003ecombined mic\/line input\u003c\/strong\u003e and a dedicated \u003cstrong\u003eHi-Z instrument input\u003c\/strong\u003e for direct recording of guitar or bass. The presence of an \u003cstrong\u003einsert\u003c\/strong\u003e allows adding an external compressor or EQ into the chain without hassle, ideal for building a \"classic\" tracking channel while maintaining a modern workflow. The \u003cstrong\u003eexternal power supply\u003c\/strong\u003e (included) is designed to minimize interference in the audio circuit, and the build clearly reflects a durability-oriented approach.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eFilter\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSignal path with discrete components\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eresistors, capacitors, and transistors\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGain control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e20 to 70 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTwo-stage HF Air Boost EQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e3 dB and 6 dB at 30 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTwo-stage HP filter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e6 dB\/octave (40 Hz and 170 Hz)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Golden Age Audio","offers":[{"title":"Default Title","offer_id":54357892628755,"sku":"378370","price":433.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/a0c564baf5fa80a3688f4e14b370092b7ebee49e_GA_1083708.jpg?v=1787327516"},{"product_id":"ams-neve-1073dpd-205743","title":"1073DPD","description":"\u003ch3\u003eA studio sound classic, adapted for digital recording\u003c\/h3\u003eThe Neve 1073 has established itself as an absolute reference thanks to its immediately recognizable character: full low-mids, sharp attacks, silky highs, and a sense of \"presence\" that places the source front and center in a mix. The 1073DPD follows this tradition by retaining the analog \u003cstrong\u003eClass A\u003c\/strong\u003e architecture that made the 1073 famous, while meeting the current needs of hybrid studios. Whereas a \"classic\" 1073 is limited to analog output, the 1073DPD goes further by integrating \u003cstrong\u003eA\/D converters\u003c\/strong\u003e and \u003cstrong\u003edigital outputs\u003c\/strong\u003e: you get the same sonic DNA, with a direct capture ready for the digital audio workstation.\u003cbr \/\u003e\u003ch3\u003eWho is it for and what studio uses?\u003c\/h3\u003eThe 1073DPD is aimed at recording studios, post-production control rooms, high-end home studios, and sound engineers who want \u003cstrong\u003etwo premium channels\u003c\/strong\u003e capable of recording immediately in digital, without multiplying boxes. It excels on vocal takes (pop, rap, voice-over), acoustic guitars, amps, overheads, brass, and strings-anywhere a preamp that adds body, impact, and beautiful depth is sought. Thanks to the integrated conversion, it naturally fits into a low-friction workflow: you plug in a mic or line, set the gain, and capture in the format suited to your session, from standard projects to high-resolution productions.\u003cbr \/\u003e\u003ch3\u003eFeatures and design: the Neve sound with added flexibility\u003c\/h3\u003e\u003ch4\u003eTwo Class A gain stages, precise adjustment, and phantom power\u003c\/h4\u003eAt the rear, the \u003cstrong\u003emic and line inputs\u003c\/strong\u003e feed \u003cstrong\u003etwo Class A gain stages\u003c\/strong\u003e. You have \u003cstrong\u003eadjustable gain\u003c\/strong\u003e to tailor the headroom to each source, as well as \u003cstrong\u003eselectable 48 V phantom power\u003c\/strong\u003e on the mic inputs to fully exploit your condenser microphones. This design aims to preserve the preamp's musical behavior: lively dynamics, elegant harmonic saturation when pushed, and an excellent sense of \"texture\" right from the capture.\u003cbr \/\u003e\u003ch4\u003eClass A analog XLR outputs and front panel Trim control\u003c\/h4\u003eThe 1073DPD also offers \u003cstrong\u003eClass A analog XLR outputs\u003c\/strong\u003e on the rear panel. On the front, the \u003cstrong\u003eTrim controls\u003c\/strong\u003e allow a level adjustment of \u003cstrong\u003e+\/-10 dB\u003c\/strong\u003e, useful for optimizing a recording, adapting output level for analog chaining, or fine-tuning the operating point before conversion, all while preserving the circuit's character.\u003cbr \/\u003e\u003ch4\u003eNeve A\/D conversion and high-definition digital outputs\u003c\/h4\u003eThe great strength of the 1073DPD is combining Neve's analog color with a \u003cstrong\u003eNeve-designed analog-to-digital conversion\u003c\/strong\u003e. You can capture your performances at \u003cstrong\u003estandard sampling rates up to 192 kHz\u003c\/strong\u003e, and also benefit from a \u003cstrong\u003eDSD output\u003c\/strong\u003e (Direct Stream Digital) for environments and productions that favor this format. The result: you keep the \"tone\" of the 1073 and bring it directly into your digital chain, without relying on an external converter.\u003cbr \/\u003e\u003ch4\u003eAnalog insertion points before conversion\u003c\/h4\u003e\u003cstrong\u003eAnalog insertion points\u003c\/strong\u003e placed \u003cstrong\u003eupstream of the A\/D converters\u003c\/strong\u003e facilitate the integration of external processing (compression, EQ, de-essing) without sacrificing the Neve sonic identity. This is a major asset in the studio: you can sculpt the sound with your favorite outboard gear, then convert afterward, maintaining level coherence and a clean, controlled signal chain.\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMicrophone preamp\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2 x Neve 1073\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTopology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eClass A\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGain stages\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2 Class A gain stages\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eadjustable\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePhantom power\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e48 V selectable on mic inputs\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConverters\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eNeve-designed A\/D\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSampling rates\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eup to 192 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDigital output\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eDSD (Direct Stream Digital)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003emic and line (rear panel)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAnalog outputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eClass A XLR (rear panel)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInsertion points\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eanalog inserts placed upstream of A\/D converters\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLevel control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eFront panel Trim, adjustment of +\/-10 dB\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eChassis\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1U rack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Ams Neve","offers":[{"title":"Default Title","offer_id":54357937619219,"sku":"205743","price":2799.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/9243990ba4395540b581008effa990120a46f310_AMSNEVE_1073DPD.jpg?v=1787327393"},{"product_id":"art-tube-mp-project-usb-421948","title":"Tube MP Project USB","description":"\u003ch3\u003eA Classic ART Revisited: The Tube MP Spirit with Integrated USB Output\u003c\/h3\u003e\u003cp\u003eThe Tube MP Project USB follows the line of ART's compact tube preamps, designed to provide a musically flattering harmonic color without complicating the setup. The goal is simple: maintain immediate access and efficiency of a mono preamp in a compact format while adding a \u003cstrong\u003eUSB digital output interface\u003c\/strong\u003e to facilitate computer recording.\u003c\/p\u003e\u003cp\u003eIn a range often appreciated for its performance-to-size ratio, this \"Project USB\" version positions itself as a hybrid solution: a true analog path with tube and level controls, plus a USB output to quickly integrate into a home studio environment, complementing or serving as an alternative to a traditional audio interface depending on the use case.\u003c\/p\u003e\u003ch3\u003eWho and What For: Adding Character to Takes with a Ready-to-Record Input\u003c\/h3\u003e\u003cp\u003eThis tube preamp is aimed at home studio users, musicians, and content creators who want to \u003cstrong\u003eenhance the quality of a take\u003c\/strong\u003e (and its character) without investing in a heavy studio chain. It is also well suited for those who occasionally record vocals, electric guitar via direct output, keyboards, or any line source requiring a gain stage more musical than a simple generic input.\u003c\/p\u003e\u003cp\u003eThanks to its high gain (over 70 dB), the Tube MP Project USB can be a valuable aid when using microphones that require a lot of gain, while remaining relevant for already strong sources thanks to the independent output level control. Its compact and stackable format facilitates integration on a desk, in a studio corner, or in a nearby rack.\u003c\/p\u003e\u003ch3\u003eFeatures and Control: Level, Protection, and True Input Flexibility\u003c\/h3\u003e\u003ch4\u003e12AX7A Tube Preamplification Designed for Musicality\u003c\/h4\u003e\u003cp\u003eAt the heart of the Tube MP Project USB is a \u003cstrong\u003e12AX7A tube\u003c\/strong\u003e that provides smooth and progressive saturation depending on how you drive the input gain and output level. This architecture allows you to choose your approach: stay clean and dynamic, or push the tube to thicken a vocal, densify a bass, soften harshness in the upper mids, or add a bit of \"glue\" to a source.\u003c\/p\u003e\u003cp\u003eHaving \u003cstrong\u003etwo separate controls\u003c\/strong\u003e (input gain and output level) is a real advantage: you can optimize the level sent to the recorder, console, or computer while controlling the harmonic behavior of the tube stage.\u003c\/p\u003e\u003ch4\u003e40 Hz Bessel High-Pass Filter, Switchable Impedance, and Phase Inverter\u003c\/h4\u003e\u003cp\u003eIn recording, low-end cleanliness and load compatibility with the source often make the difference. The switchable impedance helps adapt the preamp to different microphones or instruments, while the \u003cstrong\u003e40 Hz high-pass filter\u003c\/strong\u003e (calibrated Bessel type) reduces vibrations, handling noise, very low plosives, or unnecessary sub-bass build-up that eats headroom before saturation.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003ephase inverter\u003c\/strong\u003e is valuable in multi-mic situations or when combining a mic take with a direct input: a simple flip can restore phase coherence and immediately bring body back to the signal.\u003c\/p\u003e\u003ch4\u003eBuilt-in FET Limiter: Securing Peaks Without Disrupting the Flow\u003c\/h4\u003e\u003cp\u003eThe integrated FET limiter manages transients and avoids surprises: vocal attacks, pick slaps, dynamic peaks on guitar or keyboard. It acts as a safeguard to protect the following stage and help maintain a usable take, especially when recording at home without a dedicated sound engineer and sometimes variable conditions.\u003c\/p\u003e\u003ch4\u003ePhantom Power and Direct Box Mode: One Unit, Multiple Scenarios\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003eswitchable phantom power\u003c\/strong\u003e makes the Tube MP Project USB compatible with microphones that require it. The \u003cstrong\u003edirect box function\u003c\/strong\u003e also simplifies life for guitarists and bassists: you can feed the instrument input, benefit from the gain stage and tube color, then output cleanly to a recording or sound reinforcement chain.\u003c\/p\u003e\u003cp\u003eFinally, the presence of \u003cstrong\u003econtrol LEDs\u003c\/strong\u003e makes level adjustment and signal monitoring easier: an essential point to quickly find the right balance between dynamics, warmth, and headroom before saturation.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eValve\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eYes\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eModel\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eART Tube MP Project USB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTube preamp\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e12AX7A\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConfiguration\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003emono channel\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAccepted sources\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003emic, instrument, or line source\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAnalog inputs\/outputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ebalanced XLR and 6.35 mm jack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDigital output\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eUSB output interface\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Art","offers":[{"title":"Default Title","offer_id":54358025666835,"sku":"421948","price":199.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/98798a8d0b36e7bff9842a4c851d046547692a0c_MSC_8121.jpg?v=1787332453"},{"product_id":"ams-neve-4081-368681","title":"4081","description":"\u003ch3\u003eIn the Footsteps of the 1081: Neve DNA Adapted for Modern Studios\u003c\/h3\u003e\u003cp\u003eThe 4081 Quad Mic Preamp directly continues Neve's heritage by capturing the sonic signature that made the \u003cstrong\u003e1081\u003c\/strong\u003e and \u003cstrong\u003e1081R\u003c\/strong\u003e successful. Where the historic references stand out for their musicality and ability to \"place\" a source in a mix, the 4081 translates this philosophy into a \u003cstrong\u003e4-channel\u003c\/strong\u003e format aimed at current production, with an approach designed for environments where \u003cstrong\u003econsistency\u003c\/strong\u003e, \u003cstrong\u003equick recall\u003c\/strong\u003e, and \u003cstrong\u003ecentralized control\u003c\/strong\u003e are essential.\u003c\/p\u003e\u003cp\u003eThe result: a preamplifier designed equally for recording studios, mobile setups, and post-production facilities, with a clear positioning in the range: \u003cstrong\u003ethe Neve spirit, combined with the flexibility of modern control\u003c\/strong\u003e.\u003c\/p\u003e\u003ch3\u003eA Preamp Tailored for Voice, ADR, Foley, and Fast-Paced Sessions\u003c\/h3\u003e\u003cp\u003eThe Neve 4081 is especially relevant whenever sound capture needs to be \u003cstrong\u003ereliable, fast, and repeatable\u003c\/strong\u003e. For voice (singing, voice-over, narration), it provides a solid and high-quality foundation\u0026#59; in \u003cstrong\u003eADR\u003c\/strong\u003e and \u003cstrong\u003eFoley\u003c\/strong\u003e, it meets the demands for consistency between takes, with a workflow suited to teams rapidly switching between microphones, actors, and scenes.\u003c\/p\u003e\u003cp\u003eIt also naturally fits in \u003cstrong\u003econtrol rooms\u003c\/strong\u003e, \u003cstrong\u003emobile control vehicles\u003c\/strong\u003e, or on \u003cstrong\u003estages\u003c\/strong\u003e when centralized control, streamlined cabling, and system scalability are desired: the 4081's architecture is designed to grow with your equipment without sacrificing channel independence.\u003c\/p\u003e\u003ch3\u003eLocal or Remote Control: Ergonomics Designed for DAWs and Multi-Channel Setups\u003c\/h3\u003e\u003ch4\u003eImmediate Front Panel Access or Software Control on Computer\u003c\/h4\u003e\u003cp\u003eEvery function of the 4081 can be controlled \u003cstrong\u003edirectly from the front panel\u003c\/strong\u003e for immediate adjustment close to the recording source. For installations where the unit is mounted in a remote rack, or for workflows requiring centralized supervision, the 4081 can also be controlled via \u003cstrong\u003eNeve Remote Control\u003c\/strong\u003e on \u003cstrong\u003eMac\u003c\/strong\u003e or \u003cstrong\u003ePC\u003c\/strong\u003e. This approach offers a simple and elegant solution for users of \u003cstrong\u003ePro Tools\u003c\/strong\u003e, \u003cstrong\u003eNuendo\u003c\/strong\u003e, \u003cstrong\u003eCubase\u003c\/strong\u003e, and other similar DAW systems, maintaining configuration control without unnecessary trips to the booth or technical room.\u003c\/p\u003e\u003ch4\u003eChaining Up to 64 Channels: One Control Station, a Scalable System\u003c\/h4\u003e\u003cp\u003eFor environments that expand over projects (post-production, multi-room studios, sound stages), multiple 4081 units can be \u003cstrong\u003elinked together\u003c\/strong\u003e to create up to \u003cstrong\u003e64 independent channels\u003c\/strong\u003e of microphone preamps or line-level inputs, all \u003cstrong\u003econtrolled from a single computer\u003c\/strong\u003e. This preserves a system logic: channels are added as needed while keeping coherent and centralized management.\u003c\/p\u003e\u003ch4\u003eDigital Option: Conversion and Analog Insertion Before the A\/D\u003c\/h4\u003e\u003cp\u003eThe 4081 can be equipped with an \u003cstrong\u003eoptional digital card\u003c\/strong\u003e providing \u003cstrong\u003eFireWire\u003c\/strong\u003e and \u003cstrong\u003eAES\u003c\/strong\u003e interfaces, with \u003cstrong\u003efour channels of A\/D conversion\u003c\/strong\u003e to AES or FireWire. A key feature for hybrid setups: an \u003cstrong\u003einsertion point\u003c\/strong\u003e is available \u003cstrong\u003ebefore the A\/D converter\u003c\/strong\u003e on each channel, allowing external analog processing (compression, equalization, saturation, etc.) to be inserted directly into the signal path while maintaining a clean and controlled capture workflow.\u003c\/p\u003e\u003cp\u003eThe optional card also provides \u003cstrong\u003efour channels of AES analog\u003c\/strong\u003e or \u003cstrong\u003eFireWire analog\u003c\/strong\u003e conversion, enabling integration of the 4081 into workflows where signals must also be retrieved from digital to analog, whether for monitoring, external summing, or distribution to other equipment.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e4\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e","brand":"Ams Neve","offers":[{"title":"Default Title","offer_id":54358089072915,"sku":"368681","price":3565.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/b2d084c4a4489c3b5956c46eb211507691f0accf_AMSNEVE_4081.jpg?v=1787332471"},{"product_id":"grace-design-m108-214559","title":"M108","description":"\u003ch3\u003eAn 8-Channel Solution Designed for Modern Production Environments\u003c\/h3\u003e\u003cp\u003eDesigned to integrate at the heart of a studio or stage, this preamp\/converter combines an ultra-quiet gain topology with high-resolution conversion. The high-contrast OLED screen facilitates reading and settings adjustment even in low-light conditions, while fan cooling ensures stability during long sessions.\u003c\/p\u003e\u003ch3\u003eWho Is It For and What Are Its Uses?\u003c\/h3\u003e\u003cp\u003eIdeal for professional studios, broadcast, and multichannel live recording, it excels on demanding sources: acoustic ensembles, vocals, ambient recordings, or instruments with wide dynamic range. Remote control allows placing the unit close to microphones, reducing cable lengths and optimizing signal-to-noise ratio, while managing gain and routing from the control room.\u003c\/p\u003e\u003ch3\u003eKey Features for an Uncompromising Workflow\u003c\/h3\u003e\u003ch4\u003ePre-amplification and Headroom\u003c\/h4\u003e\u003cp\u003eEach channel offers a wide gain range from -8 to 74 dB to precisely adjust levels, from ribbon microphones to the most sensitive condensers. Front-panel high-impedance inputs facilitate direct instrument connection without additional boxes.\u003c\/p\u003e\u003ch4\u003e192 kHz Conversion and Synchronization\u003c\/h4\u003e\u003cp\u003eThe conversion section ensures faithful reproduction up to 192 kHz. The \u003cstrong\u003eWord Clock\u003c\/strong\u003e input\/output guarantees solid synchronization with the rest of the digital setup, whether working with AES, ADAT, or via \u003cstrong\u003eUSB Class 2\u003c\/strong\u003e.\u003c\/p\u003e\u003ch4\u003eControl and Network Integration\u003c\/h4\u003e\u003cp\u003eBesides local control, the device can be controlled via RS485\/RS422\/MIDI (m802 RCU remote control or Pro Tools integration) and through the \u003cstrong\u003eRJ45\u003c\/strong\u003e network. An optional \u003cstrong\u003eAudinate\/DANTE\u003c\/strong\u003e slot provides access to audio-over-IP transport for large-scale configurations.\u003c\/p\u003e\u003ch4\u003eLow-Latency Reference Monitoring\u003c\/h4\u003e\u003cp\u003eThe built-in headphone amplifier, powered by a dedicated D\/A converter, offers direct monitoring of a pair of channels or computer playback with minimal latency, ideal for musicians and recording engineers.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e8\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWide gain range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-8 to 74 dB\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Grace Design","offers":[{"title":"Default Title","offer_id":54358089498899,"sku":"214559","price":4258.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/2766201bb12f7e4f56f1d38059d0419a9f1c4e07_GRACE_M108_33cdc217-f256-47b7-b8fa-bb278d35ec5e.jpg?v=1787336640"},{"product_id":"rupert-neve-designs-5025-dual-shelford-mic-preamp-354846","title":"5025 Dual Shelford mic preamp","description":"\u003ch3\u003eFrom the heritage of classic modules to the Shelford DNA: a dual-channel 1U version\u003c\/h3\u003e \u003cbr \/\u003eThe Shelford Channel has established itself as a modern reference at Rupert Neve Designs by extending the spirit of Rupert's historic circuits, associated with the great sonic aesthetics of the \"1073\", \"1064\", and \"2254\" series. The \u003cstrong\u003eDual Shelford Mic Pre\u003c\/strong\u003e follows this lineage with a decidedly studio-focused approach: offering \u003cstrong\u003etwo channels\u003c\/strong\u003e of Shelford preamplification in a single chassis, designed for current recording and production setups.\u003cbr \/\u003e \u003cbr \/\u003eA direct response to strong demand, this \u003cstrong\u003elimited edition\u003c\/strong\u003e version emphasizes the essentials: two Shelford mic preamps combined in \u003cstrong\u003eone rack space\u003c\/strong\u003e, with \u003cstrong\u003einternal power supply\u003c\/strong\u003e, to centralize a premium front-end without complicating cabling.\u003cbr \/\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eFor whom and for what: a premium front-end for vocals, instruments, and critical recording\u003c\/h3\u003e \u003cbr \/\u003eThe Dual Shelford Mic Pre is aimed at demanding studios and home studios seeking a \u003cstrong\u003etwo-channel microphone preamp\u003c\/strong\u003e capable of delivering highly detailed \u003cstrong\u003evocal\u003c\/strong\u003e takes as well as sources with strong dynamics (percussion, brass, miked amps), while maintaining a high-end sonic signature. It is also a relevant choice for engineers looking for a matched pair of preamps for \u003cstrong\u003estereo recording\u003c\/strong\u003e (overheads, piano, room, ensembles), with a usable gain range and excellent level handling.\u003cbr \/\u003e \u003cbr \/\u003eThanks to its low distortion and extended frequency response, it naturally integrates into modern chains oriented toward high-resolution conversion, while retaining the expected \"Rupert Neve\" imprint on recordings destined for professional mixing.\u003cbr \/\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eWhat makes the difference: two Shelford channels, headroom, and precision across the entire useful bandwidth\u003c\/h3\u003e \u003cbr \/\u003eThe Dual Shelford Mic Pre concentrates the essence of the Shelford preamp on \u003cstrong\u003etwo identical channels\u003c\/strong\u003e to ensure stable reproduction and a reliable stereo image when working in pairs. The unit is designed to handle high levels: the \u003cstrong\u003emaximum input level capacity\u003c\/strong\u003e extends to very high values at 1 kHz, which practically translates into excellent headroom before saturation and comfortable transient management.\u003cbr \/\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eExtended frequency response and very low distortion\u003c\/h4\u003e \u003cbr \/\u003eWith a tight response from 20 Hz to 20 kHz at +\/- 0.25 dB and a wide extension beyond the audible range, the Dual Shelford Mic Pre aims for precise capture, useful both for attack definition and bass depth. The specified THD+N distortion remains extremely low, even at high input levels, which helps preserve the naturalness of the source and clarity within dense arrangement layers.\u003cbr \/\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eNoise management: figures suited for sensitive recordings\u003c\/h4\u003e \u003cbr \/\u003eNoise measurements (including EIN) confirm a design oriented toward \u003cstrong\u003ecritical recordings\u003c\/strong\u003e, particularly interesting for demanding microphones or delicate sources. The presence of a dedicated measurement at \u003cstrong\u003e-6 dB Out\u003c\/strong\u003e also allows anticipating level management according to your conversion chain, maintaining useful margin.\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:9;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eZsource\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e150 ohms, balanced, 30 ft (approx. 9.1 m) XLR cable on specified output\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003e70 kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-3 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:10;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInput impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2.2 kOhms\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInput 0 dBu, 1 kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ebelow 0.0025%\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:11;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum input level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+24.9 dBu\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInput +20 dBu, 1 kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ebelow 0.008%\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:12;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum input level (Main Out)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+26.7 dBu\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGain 0 dB\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-102 dBu\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:13;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum input level (-6 dB Out)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+20.7 dBu\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGain +30 dB\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-94 dBu\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:14;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e20 Hz to 20 kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+\/- 0.25 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGain +66 dB\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-61 dBu\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:7;--wb-r:15;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e10 Hz to 62 kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+\/- 0.5 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eEIN (gain +66 dB)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-127 dBu\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:8;--wb-r:16;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e5 Hz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ebelow -3 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eProduct dimensions (W x D x H)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e19 inches (48.3 cm) x 9.2 inches (23.4 cm) x 1.75 inches (4.4 cm)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":54358097985811,"sku":"354846","price":3999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/d9718ec8f94787ae3593834f559eaf2e1f6990b5_1RND_5025.jpg?v=1789360905"},{"product_id":"golden-age-audio-pre-573-premier-378373","title":"PRE-573 Premier","description":"\u003ch3\u003eA Classic Revisited in 500 Series Format\u003c\/h3\u003e\u003cp\u003eThe PRE-573 PREMIER follows the tradition of \"old-school\" preamps designed before the widespread use of integrated circuits. Its circuit is said to be similar to the preamp section of the classic 1073 module, which explains its immediately familiar character: a presence that naturally sits in the mix, sharp attacks, smoothness in the high frequencies, and a musicality that is very forgiving. In \u003cstrong\u003e500 series module\u003c\/strong\u003e format, it makes this sonic aesthetic more accessible while remaining perfectly suited to modern studio workflows.\u003c\/p\u003e\u003ch3\u003eWho Is It For and What Studio Applications?\u003c\/h3\u003e\u003cp\u003eThis single-channel preamplifier is designed for sound engineers, demanding home studio users, and musicians who want \u003cstrong\u003ea vintage console sound\u003c\/strong\u003e without multiplying processing stages. It excels on \u003cstrong\u003evocals\u003c\/strong\u003e (grain, density, articulation), \u003cstrong\u003eguitars\u003c\/strong\u003e (DI or amp mic), \u003cstrong\u003ebass\u003c\/strong\u003e (foundation and impact), and transient-rich sources such as \u003cstrong\u003esnare drum\u003c\/strong\u003e, \u003cstrong\u003etoms\u003c\/strong\u003e, or \u003cstrong\u003eoverheads\u003c\/strong\u003e when seeking punch without harshness. With its wide gain range and recording switches, it adapts equally well to dynamic microphones, ribbon mics (depending on output level), and condensers via phantom power.\u003c\/p\u003e\u003ch3\u003eKey Features and Sonic Character\u003c\/h3\u003e\u003ch4\u003eDiscrete Signal Path: Dynamic and \"Body\" Sensation\u003c\/h4\u003e\u003cp\u003eThe PRE-573 PREMIER uses a topology where the audio path relies on discrete components (resistors, capacitors, transistors), with no integrated circuits in the signal path. This design philosophy aims for a more organic reproduction, with subtle harmonic saturation when pushing the gain, and a sense of dimensionality especially appreciated on recordings made through digital conversion.\u003c\/p\u003e\u003ch4\u003eCarnhill Transformers: Balanced Input\/Output and Characterful Grain\u003c\/h4\u003e\u003cp\u003eThe microphone and line inputs as well as the line output are \u003cstrong\u003etransformer-balanced\u003c\/strong\u003e, with two distinct transformers, each optimized for its function. In this \u003cstrong\u003ePREMIER\u003c\/strong\u003e version, the presence of \u003cstrong\u003eCarnhill\u003c\/strong\u003e transformers contributes to the expected sonic signature: solid lows, expressive mids, silkier highs, and a sense of cohesion that helps sources \"sit\" in a dense mix.\u003c\/p\u003e\u003ch4\u003eRecording Tools: Impedance, High-Pass Filter, Phase, and DI\u003c\/h4\u003e\u003cp\u003eTo work quickly and cleanly, the module offers a \u003cstrong\u003eswitchable impedance\u003c\/strong\u003e (1200 or 300 Ohms) that allows adjusting interaction with certain microphones (thus affecting perceived level, openness, and weight). The \u003cstrong\u003ehigh-pass filter\u003c\/strong\u003e (45 or 180 Hz) helps clean up sub-bass, control proximity effect, or secure a vocal take before compression. The \u003cstrong\u003ephase inversion\u003c\/strong\u003e is valuable in multi-mic setups, and the \u003cstrong\u003efront-panel 6.3 mm jack DI\u003c\/strong\u003e simplifies direct recording of guitar, bass, or synth.\u003c\/p\u003e\u003ch4\u003eAIR EQ: Air Without Harshness\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003eAIR EQ\u003c\/strong\u003e switch adds a 6 dB boost around 30 kHz (specified value), useful for restoring \"air\" to a vocal, brightening acoustics, opening overheads, or adding a sense of definition without tipping into harsh treble. It is a quick tool to regain a sense of detail, especially when recording through a very neutral chain.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eFilter\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e500 series preamplifier module\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eChannels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1 channel\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFunction\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003evintage-style mic\/line\/instrument preamplifier\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArchitecture\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003esignal path without integrated circuits, only discrete components (resistors, capacitors, transistors)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMic and line input and line output\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003etransformer-balanced\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTransformers\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eCarnhill (input and output)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum gain (microphone)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e80 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGain range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e-10 dB to +80 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSwitchable impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1200 \/ 300 Ohms\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSwitchable high-pass filter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e45 \/ 180 Hz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAIR EQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e6 dB boost around 30 kHz\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFront-panel instrument input (DI)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e6.3 mm jack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePhase inversion switch\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eyes\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePhantom power\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e+48V switchable\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Golden Age Audio","offers":[{"title":"Default Title","offer_id":54358129508627,"sku":"378373","price":399.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/28564ee3aaae9f0e1c80f4b84f5b18102e8a17c1_GA_1083750.jpg?v=1787332219"},{"product_id":"ams-neve-1073dpa-270091","title":"1073DPA","description":"\u003ch3\u003eThe Direct Descendant of the Legendary 1073, in a Modern Format\u003c\/h3\u003e \u003cbr \/\u003eAs the true heir to the legendary 1073, the 1073DPA concentrates Neve's reference sound in a stereo 1U chassis without the classic module's EQ. This \"DPA\" version serves as the most direct entry point to the 1073 color, offering two high-level preamplification channels ready to integrate into any recording or analog summing chain.\u003cbr \/\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eFor Studios and Creators Seeking Impeccable Sound Capture\u003c\/h3\u003e \u003cbr \/\u003eDesigned for professional studios, ambitious home studios, and engineers who want an immediately inspiring musical character, the 1073DPA excels on lead vocals, electric or acoustic guitars, overheads, pianos, ensembles, and any stereo recording. Its solid response and characteristic presence fit all styles, from rock to rap, jazz to classical.\u003cbr \/\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eKey Features and Workflow\u003c\/h3\u003e \u003cbr \/\u003e\u003ch4\u003eClass A Gain and Generous Headroom\u003c\/h4\u003e \u003cbr \/\u003eEach channel features two Class A gain stages faithful to the 1073 topology. The adjustable gain control allows optimizing the signal-to-noise ratio and exploiting Neve's typical musical harmonic saturation when pushing the level, or conversely maintaining a wide dynamic range.\u003cbr \/\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eSimple Connectivity, Immediate Settings\u003c\/h4\u003e \u003cbr \/\u003eMic and line inputs are accessible on the rear for clean rack integration, with switchable 48 V phantom power on the mic inputs. Class A analog XLR outputs deliver a robust signal, while the front panel +\/-10 dB trim facilitates fine level adjustment to your converter or tape machine without altering your main gain setting.\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e\u0026quot;DPA\u0026quot; version\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003epreamp only, without integrated EQ\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSuitable for all styles\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003erock, rap, jazz, classical\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Ams Neve","offers":[{"title":"Default Title","offer_id":54358156083475,"sku":"270091","price":2389.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/43a9e77a59a50464d7415d66f8862bfa443b8690_AMSNEVE_1073DPA.jpg?v=1787332451"},{"product_id":"universal-audio-solo-610-83171","title":"Solo 610","description":"\u003ch3\u003eDirect Heir to the Legendary 610 Console\u003c\/h3\u003e\u003cp\u003eThe SOLO\/610 translates the DNA of Bill Putnam's tube 610 console into a portable and rugged format. Designed as the gateway to Universal Audio's historic tonal character, it captures the sonic aesthetic that shaped countless classics while modernizing ergonomics for today's studios and mobile setups.\u003c\/p\u003e\u003ch3\u003eFor Engineers, Musicians, and Creators Seeking Character\u003c\/h3\u003e\u003cp\u003eIdeal for vocals, guitars, basses, keyboards, and close-miking, the SOLO\/610 shines when an organic timbre rich in harmonics is desired, with precise saturation control. Whether in a project studio or on tour, it integrates easily on a console, desk, or directly in the recording room.\u003c\/p\u003e\u003ch3\u003eKey Features for Inspired Recordings\u003c\/h3\u003e\u003cp\u003eUnlike early 610-inspired preamps, the SOLO\/610 introduces a \u003cstrong\u003econtinuously variable\u003c\/strong\u003e gain control with a wider range, allowing fine-tuning of gain structure and saturation point while adjusting output level. This \"gain + level\" duo offers musical control over headroom, from subtle tube warmth to singing drive.\u003c\/p\u003e\u003cp\u003eOn the utility side, it includes essentials of a professional preamp: switchable 48V phantom power for your condensers, switchable high-pass filter to tame unwanted lows, phase inversion to correct polarity issues, and impedance selection on mic and DI inputs to match your transducer or instrument.\u003c\/p\u003e\u003cp\u003eThe DI section features a \u003cstrong\u003eThru\u003c\/strong\u003e circuit to simultaneously feed an amplifier while capturing a direct signal, a versatile \u003cstrong\u003emic\/line output\u003c\/strong\u003e to adapt to your signal chain, and a \u003cstrong\u003eground lift\u003c\/strong\u003e to reduce hum and loops in live or hybrid environments.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eValve\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eYes\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArchitecture\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003efully tube-based preamplifier derived from the 610 console\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003econtinuously variable gain with extended range and output level\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePhantom Power\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eswitchable 48V\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFilters and Switches\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eswitchable high-pass filter, phase inversion\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eImpedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003etwo selectable impedances for mic input\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eUtility functions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eground lift to reduce noise and hum\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e356 x 152 x 127 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e4 kg\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLimited warranty\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1 year\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePositioning\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eall-in-one mic preamp and DI solution with vintage character, ready for modern workflows\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Universal Audio","offers":[{"title":"Default Title","offer_id":54358181282067,"sku":"83171","price":1099.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/4d4e94c6e39f657156b3b812e9a880afab11141c_UA_SOLO_610_PREAMPLI_7df07f0a-4ee3-4682-a12a-1d1950dd1128.jpg?v=1787332218"},{"product_id":"antelope-edge-strip-reconditionne-382676","title":"EDGE STRIP - REFURBISHED","description":"\u003ch3\u003eAn Antelope solution designed as a true modern recording channel\u003c\/h3\u003e\u003cp\u003eWith the Edge Strip, Antelope Audio brings together in a compact format what many studios usually assemble piece by piece: a character microphone, a high-end preamp and a processing environment capable of recreating different sonic signatures. Within the manufacturer’s range, this bundle stands out for its all-in-one approach, designed to deliver serious recording quality without relying on a collection of expensive microphones and outboard gear.\u003c\/p\u003e\u003cp\u003eThe combination of the Discrete MP and the Edge microphone was not designed as a simple assembly of components. Both elements share a common philosophy: a clean, fast and detailed analog foundation, enhanced by modeling tools designed to considerably expand the studio’s sonic palette.\u003c\/p\u003e\u003ch3\u003eWhat applications is this studio bundle best suited for?\u003c\/h3\u003e\u003cp\u003eThis pack is aimed at producers, sound engineers, composers and content creators who want versatile recording without sacrificing precision. It naturally finds its place in an advanced home studio, a production control room, a voice-over space, a premium podcast studio or a dedicated booth for vocals and acoustic instruments.\u003c\/p\u003e\u003cp\u003eThe Discrete MP is also well suited to those looking for a transparent preamp with enough gain headroom to handle different sources, while retaining the ability to shape the sound later using the included emulations. For vocals, acoustic guitar, overheads, digital pianos with line outputs or light stereo recordings, this setup offers a workflow that is both fast and inspiring.\u003c\/p\u003e\u003ch3\u003eA recording chain designed for precision, flexibility and color\u003c\/h3\u003e\u003ch4\u003eDiscrete MP: two discrete preamps dedicated to detail\u003c\/h4\u003e\u003cp\u003eAt the heart of the system is a fully analog two-channel microphone preamp. Its discrete-component design is intended to deliver an ultra-linear response, with plenty of clarity, solid dynamic headroom and clean transient behavior. Gain, adjustable in 1 dB steps, allows for precise fine-tuning, making it equally useful for delicate vocals and more energetic sources.\u003c\/p\u003e\u003cp\u003eThis digital gain control provides genuine day-to-day convenience. Settings can be recalled more easily, a pair of channels can be calibrated more quickly, and repeated sessions can be managed more securely. The integrated calibration oscillator further reinforces this approach, particularly when the preamp is integrated into a hybrid environment or a setup where level alignment needs to be extremely precise.\u003c\/p\u003e\u003ch4\u003eThe Edge microphone: modeling as a creative extension\u003c\/h4\u003e\u003cp\u003eThe Edge microphone features a dual large-diaphragm capsule specially designed for multidimensional modeling. This technical choice makes it possible not only to reproduce the character of several classic microphones, but also to adjust the polar pattern and the perception of the proximity effect. In practice, this opens up highly interesting possibilities for adapting a single recording to several mixing contexts.\u003c\/p\u003e\u003cp\u003eFor the user, the benefit is twofold: obtaining an immediately usable sound during recording, then refining the color later without starting from scratch. This is a highly relevant approach for studios recording a wide range of performers, or for artists who want to try out several vocal textures without changing the entire microphone chain.\u003c\/p\u003e\u003ch4\u003eAFX, compression and equalization: a palette ready for mixing\u003c\/h4\u003e\u003cp\u003eThe Edge Strip goes beyond recording alone. The pack includes a set of emulations designed to capture the spirit of vintage references, with several microphone models, classic preamps, the Stay-Levin compressor and a vintage-style equalizer. The combination makes it possible to move from a clean, open sound to denser, warmer or more pronounced midrange signatures.\u003c\/p\u003e\u003cp\u003eThis approach is particularly useful for those who want a compact yet creative setup. Instead of stacking external units, you start with a well-recorded source and shape the color using coherent tools designed to work together. The result is a lighter, faster production chain that is easier to integrate into a modern studio.\u003c\/p\u003e\u003ch4\u003eA compact format designed for real studio conditions\u003c\/h4\u003e\u003cp\u003eWith its XLR\/TRS combo inputs, TRS outputs and remote control via USB 2.0, the Discrete MP easily integrates into an existing setup. Thanks to its analog architecture, it can work with any system while providing the convenience of remote control from a computer. It offers a good balance between contemporary ergonomics and the dedicated studio preamp approach focused on audio quality.\u003c\/p\u003e\u003cp\u003eWith this refurbished version, you get the same sonic proposition as the new model, with an item advertised as new and only the original packaging damaged. An excellent option for accessing a highly musical setup without compromising on studio use.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWarranty\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e3 years\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLine input impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e21 kOhm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMic, XLR only\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e20 dBu max balanced\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum output level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e22 dBu\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMic input impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1.2 kOhm\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOutput impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e56 ohms\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLine, 1\/4\u0026quot; TRS only\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e29 dBu max balanced\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGain range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e0 dB to 61 dB in 1 dB increments\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Antelope","offers":[{"title":"Default Title","offer_id":54358253371667,"sku":"382676","price":985.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/13a09badf7718daf71c1deb525cef15237bd2b57_ANTELOPE_AUDIO_EDGE_STRIP.jpg?v=1791481091"},{"product_id":"chandler-limited-redd-47-208437","title":"REDD.47","description":"\u003ch3\u003eFrom the EMI REDD.51 Console to Today's Racks: The Legacy of the REDD.47\u003c\/h3\u003e\u003cp\u003eThe Chandler Limited \u003cstrong\u003eREDD.47\u003c\/strong\u003e is directly inspired by the EMI REDD.47 tube amplifier, a central module of the \u003cstrong\u003eEMI REDD.51\u003c\/strong\u003e consoles used at Abbey Road Studios between \u003cstrong\u003e1959 and 1968\u003c\/strong\u003e. At the time, this type of amplification was involved in many stages of a console's audio chain: mic and line inputs, effects sends, returns, and monitor outputs. It is precisely this sonic signature, associated with mid-60s Abbey Road productions, that Chandler Limited revives in a rack format designed for integration into today's studios.\u003c\/p\u003e\u003ch3\u003eWho Is It For and What Are Its Studio Uses?\u003c\/h3\u003e\u003cp\u003eThe REDD.47 is aimed at sound engineers, producers, and musicians seeking a \u003cstrong\u003etube mic preamp\u003c\/strong\u003e with a strong character, capable of adding density and impact right at the source. On vocals, it delivers natural presence and projection\u0026#59; on drums (overheads, room, snare), it enhances attack and energy feel\u0026#59; on guitar or bass via the instrument input, it adds thickness and harmonic detail that sits easily in a mix. It's an excellent choice when you want an authentic vintage color without sacrificing essential features like pad, phase, and phantom power.\u003c\/p\u003e\u003ch3\u003eTone, Gain, and Control: Features That Make the Difference\u003c\/h3\u003e\u003ch4\u003eUsable Tube Saturation, from Clean to Drive\u003c\/h4\u003e\u003cp\u003eOne of the major strengths of this Chandler Limited version lies in its \u003cstrong\u003eincreased gain\u003c\/strong\u003e compared to the original design. This headroom allows working with very clean takes, preserving high detail, or pushing the circuit to achieve a denser, more aggressive \u003cstrong\u003eharmonic saturation\u003c\/strong\u003e typical of '60s aesthetics. The pre-clipping behavior, specified at \u003cstrong\u003e2% harmonic distortion\u003c\/strong\u003e, makes the drive more gradual and musical-ideal for imprinting a strong character at the source.\u003c\/p\u003e\u003ch4\u003eIntegrated Modern Recording Tools\u003c\/h4\u003e\u003cp\u003eIn the studio, versatility also means control. The \u003cstrong\u003e-20 dB pad\u003c\/strong\u003e helps manage very loud sources (brass, drums, amps), while the \u003cstrong\u003ephase inversion\u003c\/strong\u003e aids in optimizing coherence when using multiple microphones. The \u003cstrong\u003esubsonic filter\u003c\/strong\u003e cleans up vibrations, mic stand noise, or rumble to preserve headroom before saturation and achieve a clearer low end.\u003c\/p\u003e\u003ch4\u003eTransformers, Tubes, and the \"Console\" Feel\u003c\/h4\u003e\u003cp\u003eThe REDD.47 relies on a vintage-style audio path, with \u003cstrong\u003ebalanced transformers\u003c\/strong\u003e on input and output to recover that full, solid response often associated with historic consoles. The \u003cstrong\u003eEF86\u003c\/strong\u003e and \u003cstrong\u003eE88CC\u003c\/strong\u003e tubes contribute to the sonic texture, natural compression, and the \"glue\" sensation in the low mids. The result: a preamp that doesn't just amplify but actively shapes the captured sound's identity.\u003c\/p\u003e\u003ch4\u003ePrecise Controls: Detented Steps + Fine Adjustment\u003c\/h4\u003e\u003cp\u003eThe main \u003cstrong\u003edetented gain control\u003c\/strong\u003e offers appreciated reproducibility during sessions, while the \u003cstrong\u003evariable fine adjustment\u003c\/strong\u003e allows precise level setting, dialing in saturation points, or maintaining the same tone at different volumes. This combination makes the REDD.47 equally comfortable in a \"commit\" recording approach or a more flexible workflow where every decibel counts.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eValve\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eYes\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTubes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eEF86, E88CC\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Chandler Limited","offers":[{"title":"Default Title","offer_id":54358258254099,"sku":"208437","price":2899.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/bd15ca6c28101f0612dfdcc33c15cf2f427452cf_CHANDLER_REDD47.jpg?v=1787336642"},{"product_id":"triton-audio-bigamp-355457","title":"Bigamp","description":"\u003ch3\u003eA Compact Format in the Spirit of Modern Stage and Studio Solutions\u003c\/h3\u003e\u003cp\u003eThe Triton BigAmp follows a simple and effective approach: offering a miniature format instrument preamp that advantageously replaces bulkier solutions when traveling light, while maintaining demanding audio quality. Whereas a classic DI box can depend on context (variable quality on site, long cables, induced noise), the BigAmp lets you bring your own consistent input chain from one gig to another and from one session to the next.\u003c\/p\u003e\u003cp\u003eIts concept is based on a pragmatic idea: bringing the input stage closer to the instrument. Placed as close as possible to the source, the BigAmp helps preserve signal integrity before driving a more robust balanced connection to a console, stagebox, or audio interface.\u003c\/p\u003e\u003ch3\u003eWho Is the BigAmp For and What Are Its Uses?\u003c\/h3\u003e\u003cp\u003eThe BigAmp is aimed at guitarists, bassists, keyboardists, and electronic musicians who want to send a clean and stable signal to a sound system or recording. Its 6.3 mm jack input accepts both an electric guitar pickup and a line-level output from a synthesizer, making it a versatile tool for modern rigs (pedalboards, multi-effects, synths, drum machines).\u003c\/p\u003e\u003cp\u003eIn the studio, it facilitates a clean direct input with a balanced output ready to feed a mic preamp, a suitable line input, or a patch bay. On stage, it secures long cable runs and reduces the risk of hum and high-frequency loss caused by overly long instrument cables.\u003c\/p\u003e\u003ch3\u003eDesign Focused on Audio Quality and Ease of Integration\u003c\/h3\u003e\u003ch4\u003eClass A JFET Preamplification: Precision and Low Noise\u003c\/h4\u003e\u003cp\u003eAt the heart of the BigAmp is a low-noise Class A JFET amplifier designed to preserve your instrument's character while providing a subtle 3 dB gain. The goal is not to \"over-process\" the signal but to offer clean amplification and better performance on subsequent connections in the audio chain.\u003c\/p\u003e\u003cp\u003eWith a maximum input level of 15 dBv, the BigAmp handles both instrument signals and some stronger sources, such as synthesizers or moderate line outputs, as long as the available headroom is respected.\u003c\/p\u003e\u003ch4\u003eLow-Impedance Balanced Output: A Signal Ready for the Stage\u003c\/h4\u003e\u003cp\u003eThe BigAmp converts the unbalanced instrument output into a balanced output via a 3-pin XLR, with a low-impedance output buffer. The result is a more robust signal, less sensitive to interference, and more reliable over long distances between stage and FOH or between a recording position and the control room.\u003c\/p\u003e\u003ch4\u003ePhantom Power 24\/48 V: No Batteries, No Stress\u003c\/h4\u003e\u003cp\u003eDesigned to be powered by 24\/48 V phantom power, the BigAmp integrates naturally with consoles, preamps, or interfaces that provide phantom power. You gain peace of mind on tours and sessions: no batteries to monitor and immediate operation as soon as phantom power is enabled.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e6.3 mm female jack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutput\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e3-pin male XLR (balanced)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e3 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum input level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e15 dBv\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePhantom power required\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e24\/48 V\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e24\/48 V phantom power necessary\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Triton Audio","offers":[{"title":"Default Title","offer_id":54358274015507,"sku":"355457","price":68.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/aac1303b0a93c3a4f48209c7c08487f219ed0dc9_TRITON_BIGAMP.jpg?v=1787336709"},{"product_id":"grace-design-m101-185003","title":"M101","description":"\u003ch3\u003eGrace Design m101: The \"studio precision\" approach in a compact format\u003c\/h3\u003eTrue to \u003cstrong\u003eGrace Design\u003c\/strong\u003e's tradition of quality, the \u003cstrong\u003em101\u003c\/strong\u003e carries the brand's DNA: amplification that is fast, musical, and extremely controlled, designed to respect the source rather than color it. Its \u003cstrong\u003etransformerless symmetrical trans-impedance\u003c\/strong\u003e circuit aims for extended bandwidth, high dynamic reserve, and clean reproduction, capable of highlighting both a high-end condenser microphone and a dynamic microphone used up close.\u003cbr \/\u003eWithin the lineup, the m101 positions itself as a highly qualitative \u003cstrong\u003emono microphone preamplifier\u003c\/strong\u003e, designed for sound engineers, demanding home studio users, and musicians who want a \"ready-to-mix\" recording: precise, stable, and noise-free. The unit is housed behind a \u003cstrong\u003eblack anodized metal front panel\u003c\/strong\u003e with laser-etched lettering, and each essential function features its own \u003cstrong\u003eLED indicator\u003c\/strong\u003e for immediate monitoring, even in a dark booth.\u003cbr \/\u003e\u003ch3\u003eA microphone preamp for serious recording: vocals, acoustic instruments, reamping, and DI\u003c\/h3\u003eThe Grace Design m101 is aimed at those seeking a \u003cstrong\u003estudio microphone preamp\u003c\/strong\u003e capable of capturing nuance: pick attacks, vocal breaths, snare drum transients, or the harmonic richness of a piano. Its wide gain range and clean operation make it a relevant choice for low-level recordings, low-sensitivity microphones, or recording chains where preserving intact dynamics is essential.\u003cbr \/\u003eIt also features a \u003cstrong\u003efront-panel Hi-Z input\u003c\/strong\u003e, convenient for plugging in a guitar, bass, or electro-acoustic directly. This is a simple solution for recording a clean DI, laying down a demo, or capturing an instrument signal before processing, while benefiting from the quality of the input stage and the stability of the internal power supply.\u003cbr \/\u003e\u003ch3\u003eKey features: precise gain, secure ribbon mode, and studio connectivity\u003c\/h3\u003e\u003ch4\u003eTrans-impedance architecture and selected components\u003c\/h4\u003eThe signal path uses high-quality \u003cstrong\u003emetal film resistors\u003c\/strong\u003e (0.5% tolerance) to ensure exemplary consistency and repeatability. Gain adjustment is handled by a \u003cstrong\u003e12-position precision rotary switch\u003c\/strong\u003e with gold contacts: ideal for recalling settings, making quick comparisons, or matching levels from session to session. The m101 also integrates a \u003cstrong\u003eline output stage\u003c\/strong\u003e and a high-performance \u003cstrong\u003ehigh-pass filter amplifier\u003c\/strong\u003e, designed to remain transparent while being effective in the field.\u003cbr \/\u003e\u003ch4\u003eSpecific \"ribbon microphone\" mode: designed for safety and performance\u003c\/h4\u003eThe m101 includes a \u003cstrong\u003ededicated ribbon microphone mode\u003c\/strong\u003e (also excellent with many dynamic microphones). This mode bypasses the input coupling capacitors, \u003cstrong\u003eincreases input impedance\u003c\/strong\u003e (from \u003cstrong\u003e8.1 kOhms\u003c\/strong\u003e to \u003cstrong\u003e20 kOhms\u003c\/strong\u003e), and \u003cstrong\u003edisables 48 V phantom power\u003c\/strong\u003e to avoid any potential risk to ribbon microphones. The result: safer use and an electrical adaptation often beneficial for achieving a more open response and tighter bass depending on the microphone used.\u003cbr \/\u003e\u003ch4\u003eLevel management, RF protection, and multiple outputs\u003c\/h4\u003eThe \u003cstrong\u003egain range\u003c\/strong\u003e extends up to \u003cstrong\u003e75 dB\u003c\/strong\u003e, including an additional \u003cstrong\u003e10 dB\u003c\/strong\u003e via the output gain \u003cstrong\u003eTRIM\u003c\/strong\u003e control. This provides comfortable headroom for handling very weak sources without pushing your chain to its limits. The m101 also benefits from \u003cstrong\u003eenhanced RF interference suppression\u003c\/strong\u003e, useful in busy environments (computers, lighting, stage, complex electrical installations).\u003cbr \/\u003eFor studio integration, the connectivity is designed to fit all setups: \u003cstrong\u003ebalanced XLR output\u003c\/strong\u003e, \u003cstrong\u003ebalanced 6.35 mm stereo jack output\u003c\/strong\u003e, and \u003cstrong\u003eunbalanced 6.35 mm mono jack output\u003c\/strong\u003e, plus a \u003cstrong\u003eXLR microphone input\u003c\/strong\u003e. Switching to the Hi-Z input is handled by a \u003cstrong\u003esealed gold-contact relay\u003c\/strong\u003e. Finally, the preamp features an \u003cstrong\u003einternal universal switching power supply\u003c\/strong\u003e (100 to 240 VAC) designed to remain discreet and noise-free, with no external power adapter to manage.\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eBlack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNew specific mode for ribbon microphones (also excellent for dynamic microphones)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ebypass of phantom power coupling capacitors via relay, higher input impedance, and phantom power 48 V cannot be activated\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eExtended gain range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e10 to 75 dB (including an additional 10 dB gain via output TRIM)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGain range (5 dB steps)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e10-65 dB (Mic Input), -10 to 45 dB (Hi-Z Input)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutput level adjustment\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e0 to +10 dB\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eThree output connectors\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003ebalanced XLR, balanced 6.35 mm stereo jack, and unbalanced 6.35 mm mono jack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInternal universal switching power supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e100 to 240 VAC (no need for external power adapters)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTotal Harmonic Distortion + Noise\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eNot provided\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eIntermodulation Distortion\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eSMPTE\/DIN 4:1 7 kHz\/50 Hz: Not provided\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInput-referred noise\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eSource 50 ?: Not provided\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePhase drift (high-pass filter disabled)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eNot provided\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Grace Design","offers":[{"title":"Default Title","offer_id":54358319792403,"sku":"185003","price":990.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/22ccf09b9927605f41e6baa7f37487312aabee64_GRACEDESIGN_GDAM101.jpg?v=1787340978"},{"product_id":"rme-12mic-d-371822","title":"12MIC-D","description":"\u003ch3\u003eA Logical Evolution in the RME M-Series Range, Designed for Network Audio\u003c\/h3\u003e\u003cp\u003eThe 12Mic-D continues RME's professional solutions dedicated to multi-channel environments and network audio infrastructures. It retains the sonic approach of the existing 12Mic, announced as \u003cstrong\u003eacoustically identical\u003c\/strong\u003e, while positioning itself as an alternative tailored for workflows where \u003cstrong\u003enetwork distribution\u003c\/strong\u003e and compatibility with studio and broadcast standards are priorities.\u003c\/p\u003e\u003cp\u003eWhere the 12Mic excels in an AVB configuration, the 12Mic-D emphasizes direct \u003cstrong\u003eMADI and Dante\u003c\/strong\u003e integration, making it a particularly relevant choice for quickly connecting preamp racks to a control room, console, stage system, or IP infrastructure without multiplying external boxes.\u003c\/p\u003e\u003ch3\u003eA 12-Channel Preamplifier for Studios, Live Recordings, Broadcast, and Fixed Installations\u003c\/h3\u003e\u003cp\u003eDesigned as a true \"hub\" of inputs, the RME 12Mic-D suits recording studios wanting to \u003cstrong\u003ecentralize 12 mic inputs\u003c\/strong\u003e with careful conversion, as well as live sound providers and broadcast control rooms needing a reliable, rack-mountable front-end that is quick to deploy. The presence of front-panel inputs, a headphone output, and an LCD screen facilitates adjustments on site, even when main control is remote.\u003c\/p\u003e\u003cp\u003eThe first four inputs also accept jacks and offer a \u003cstrong\u003eswitchable Hi-Z\u003c\/strong\u003e: convenient for directly recording guitar, bass, or instrument-level sources without an external DI. On the other hand, the network and digital connectivity allow sending channels to multiple destinations (recording, monitors, broadcast) depending on your studio or stage architecture.\u003c\/p\u003e\u003ch3\u003eFeatures and Performance: Conversion, Digital Control, and Internal Routing\u003c\/h3\u003e\u003ch4\u003ePreamps Without PAD, Generous Gain, and Comfortable Headroom\u003c\/h4\u003e\u003cp\u003eThe microphone input stages operate \u003cstrong\u003ewithout PAD attenuators\u003c\/strong\u003e and offer a gain range up to \u003cstrong\u003e75 dB\u003c\/strong\u003e, while accepting signals up to \u003cstrong\u003e+18 dBu\u003c\/strong\u003e. This combination allows handling everything from low-level dynamic microphones to louder sources without losing control. Digital gain control simplifies session recalls and integration in environments where settings must remain consistent day to day.\u003c\/p\u003e\u003ch4\u003eStudio-Quality Conversion and High Signal-to-Noise Ratio\u003c\/h4\u003e\u003cp\u003eThe 12Mic-D emphasizes conversion quality, with a \u003cstrong\u003esignal-to-noise ratio of 121.2 dB(A)\u003c\/strong\u003e specified across all channels. For the user, this translates to very low background noise and excellent clarity of recordings, a crucial point when stacking tracks (multi-mic drums, ensembles, layered vocals) or working with delicate and dynamic sources.\u003c\/p\u003e\u003ch4\u003eIntegrated Routing Matrix and SteadyClock FS Synchronization\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003eintegrated routing matrix\u003c\/strong\u003e provides appreciated flexibility to distribute signals to different output formats and organize a coherent virtual patch without relying solely on the computer or console. The \u003cstrong\u003eSteadyClock FS\u003c\/strong\u003e clock enhances synchronization stability, especially in systems where multiple digital devices must share a common timing (racks, converters, consoles, recorders).\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e12\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e440 x 44 x 243 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2.8 kg\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"RME","offers":[{"title":"Default Title","offer_id":54358444507411,"sku":"371822","price":3289.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/232661c071d2b212d9a6004113fa0e928fbe742a_1RME_12MICD.jpg?v=1787340978"},{"product_id":"soyuz-launcher-371842","title":"Launcher","description":"\u003ch3\u003eA \"piece of console\" in a box: the spirit of the Launcher\u003c\/h3\u003e\u003cp\u003eThe Launcher was designed with a clear idea: to recreate the feel of a vintage analog console mic input, but in an ultra-compact format to slip between your microphone and any preamp. While many gain amplifiers aim for neutral amplification, the Launcher claims a more organic and flattering sonic signature, particularly useful when recording on interfaces whose preamps lack character or gain reserve.\u003c\/p\u003e\u003ch3\u003eWho is the Launcher for, and when does it make a difference?\u003c\/h3\u003e\u003cp\u003eThis single-channel mic booster is aimed at anyone recording or amplifying demanding sources with dynamic or ribbon microphones: vocals, podcasts, rap, electric guitar, snare drum, \"soft\" overheads, brass, ambiances... Practically, it's ideal if you've experienced this scenario: you turn up your interface gain, the level remains low, and the noise becomes too prominent. By adding \u003cstrong\u003e+26 dB\u003c\/strong\u003e upstream, the Launcher allows you to work with a more comfortable gain setting on the interface while adding a sense of texture and depth.\u003c\/p\u003e\u003cp\u003eIn the studio, it naturally fits into a simple chain microphone \u0026gt; Launcher \u0026gt; interface, or a more ambitious chain microphone \u0026gt; Launcher \u0026gt; external preamp. On stage, it can also optimize the behavior of a dynamic or ribbon microphone before a console or PA system, with immediate implementation and zero latency since the processing is fully analog.\u003c\/p\u003e\u003ch3\u003eCharacter, gain, and efficiency: what defines the Launcher's signature\u003c\/h3\u003e\u003ch4\u003eA boost that doesn't seek neutrality\u003c\/h4\u003e\u003cp\u003eThe Launcher is not just an inline \"volume knob\": it was designed to \u003cstrong\u003epleasantly alter the perception\u003c\/strong\u003e of your recordings by adding coloration reminiscent of vintage input stages. This type of grain is especially appreciated on dynamic and ribbon microphones, which can gain presence, density, and a sense of proximity without having to compensate later with aggressive processing.\u003c\/p\u003e\u003ch4\u003eCustom transformer: warmth and a sense of depth\u003c\/h4\u003e\u003cp\u003eAt the heart of the Launcher is a \u003cstrong\u003ehand-wound custom transformer\u003c\/strong\u003e. This approach contributes to the promised \"warm\" signature, with a response that favors musicality over clinical precision. The result: sources sit more easily in a mix, especially vocals or instruments that sometimes sound too \"flat\" when going directly into a standard mic input.\u003c\/p\u003e\u003ch4\u003eLevel optimization and better noise management in the chain\u003c\/h4\u003e\u003cp\u003eWith its \u003cstrong\u003e+26 dB\u003c\/strong\u003e, the Launcher helps achieve a usable level earlier, which can reduce the audible noise associated with pushing interface gain to the extreme. It is a natural ally for low-output microphones and a relevant choice whenever you seek a stronger, more confident, and more inspiring capture right from the source.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e10 Hz - 20 kHz (-1 dB)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e+26 dB (load: \u0026gt;1 kOhm)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum output level (0.5% THD)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e8.3 dBV (2.6 V)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eImpedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1 kOhm\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e48V phantom power\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConnectors\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2x XLR male\/female (3-pin)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions (L x W x H)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e111 x 53 x 48 mm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e410 g\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Soyuz","offers":[{"title":"Default Title","offer_id":54358469706003,"sku":"371842","price":239.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/21231a6a08dff3e9a274dbc7fc1bffb192839e51_SOYUZ_LAUNCHER.jpg?v=1787340991"},{"product_id":"golden-age-audio-pre-73-jr-mkii-407145","title":"PRE-73 Jr MKII","description":"\u003ch3\u003eA Classic \"Budget Vintage\" Designed to Recapture the Approach of Vintage Circuits\u003c\/h3\u003eThe \u003cstrong\u003ePRE-73 Jr MKII\u003c\/strong\u003e follows the tradition of preamps with a strong character, inspired by an era when audio stages were built from \u003cstrong\u003ediscrete components\u003c\/strong\u003e (resistors, capacitors, transistors) rather than integrated circuits. This design philosophy, combined with a \u003cstrong\u003etransformer input and output\u003c\/strong\u003e (two different models, each optimized), aims to provide smooth harmonic saturation, a sense of density in the low-mids, and a more \"tangible\" presence in the signal, particularly appreciated during tracking.\u003cbr \/\u003eIn practice, it positions itself as a 1-channel \"vintage console\" style preamp in a \u003cstrong\u003edesktop format\u003c\/strong\u003e, easy to integrate into a home studio or mobile rig, to add character to an audio interface or an existing recording chain.\u003cbr \/\u003e\u003ch3\u003eFor Which Recordings and User Profiles\u003c\/h3\u003eThis preamp is aimed at musicians, beatmakers, podcasters, and sound engineers who want a simple and musical \u003cstrong\u003emicrophone preamplifier\u003c\/strong\u003e capable of transforming a \"clean\" take into a more embodied one. Thanks to its \u003cstrong\u003emaximum microphone gain of 70 dB\u003c\/strong\u003e, it is suitable for recording vocals, acoustic guitars, percussion, guitar amp mic'ing, as well as more delicate sources requiring higher levels.\u003cbr \/\u003eIts \u003cstrong\u003eHi-Z instrument input\u003c\/strong\u003e also allows direct recording of guitar or bass DI, with a firmer attack and a sense of texture often sought before an amp simulator or plugin chain. It's a relevant choice if you're looking for an analog color upstream while maintaining a modern DAW workflow.\u003cbr \/\u003e\u003ch3\u003eKey Controls to Shape the Sound at Recording\u003c\/h3\u003e\u003ch4\u003eHigh-Pass Filter: Clean Without Thinning\u003c\/h4\u003eThe \u003cstrong\u003eswitchable high-pass filter\u003c\/strong\u003e (off \/ approx. 40 Hz \/ approx. 170 Hz) helps control vibrations, handling noise, plosives, and hum. The position around \u003cstrong\u003e40 Hz\u003c\/strong\u003e is suitable for cleaning up sub-bass discreetly, while the position around \u003cstrong\u003e170 Hz\u003c\/strong\u003e is useful to brighten a voice that is too heavy, reduce proximity effect, or make space in a dense mix.\u003cbr \/\u003e\u003ch4\u003e30 kHz \"Air\" HF EQ: More Openness Without Harshness\u003c\/h4\u003eThe \u003cstrong\u003eswitchable HF EQ\u003c\/strong\u003e offers two boost levels (\u003cstrong\u003e3 dB\u003c\/strong\u003e or \u003cstrong\u003e6 dB\u003c\/strong\u003e) at \u003cstrong\u003e30 kHz\u003c\/strong\u003e. This type of setting, often associated with the sensation of \"air,\" can bring a sense of openness and finesse to vocals, overheads, acoustic instruments, or ambience, while remaining subtler than a classic high-frequency boost centered on a lower frequency.\u003cbr \/\u003e\u003ch4\u003ePhase and Phantom Power: Immediate Studio Compatibility\u003c\/h4\u003eThe \u003cstrong\u003eswitchable phase\u003c\/strong\u003e facilitates multi-mic setups (snare top\/bottom, amp + room, vocal + ambient mic) by helping to correct coherence issues. The \u003cstrong\u003e+48 V phantom power\u003c\/strong\u003e allows the use of condenser microphones without an external power supply, making the PRE-73 Jr MKII ready to work in most recording situations.\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eFilter\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eValve\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eNo\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum mic gain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e70 dB\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eIncluded\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eExternal power supply unit\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Golden Age Audio","offers":[{"title":"Default Title","offer_id":54358632202515,"sku":"407145","price":265.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/4ca83a304e5298aeda7630a09369b25b7b1284f7_GAA_PRE73JRMKII.jpg?v=1787345294"},{"product_id":"warm-audio-wa-2mpx-374910","title":"WA-2MPX","description":"\u003ch3\u003eA Modern Preamp That Revives the Golden Age of Tape Recording\u003c\/h3\u003e\u003cp\u003eThe Warm Audio WA-MPX follows in the tradition of tube preamps derived from the early great tape machines that shaped studio sound aesthetics: a dense grain, \"muscular\" dynamics, and a typically vintage sense of depth. This signature, combined with a high operating voltage rated at 300 V and generous tube gain, has defined decades of recordings that have become benchmarks. With the WA-MPX, the goal is clear: to recapture that harmonic response and midrange presence that make \"tape-like\" takes so charming, while adapting it for everyday use in modern studios.\u003c\/p\u003e\u003cp\u003eWithin the Warm Audio lineup, the WA-MPX positions itself as a high-end tube mic preamp designed for those seeking a true sonic identity during tracking, but also as a coloration tool capable of adding character to stems, a bus, or even a finishing stage in mixing and mastering thanks to its selectable tape saturation.\u003c\/p\u003e\u003ch3\u003eWho the WA-MPX Is For: Recording, Reamping, Mixing, and Mastering\u003c\/h3\u003e\u003cp\u003eThe WA-MPX targets demanding audio engineers, producers, and home studio users looking for a \u003cstrong\u003epreamp with strong personality\u003c\/strong\u003e: vocals that naturally sit in the mix, thicker guitars, more \"forward\" snare drums, silkier overheads, or basses that gain authority without becoming harsh. Its gain reserve (up to 90 dB per channel) makes it a natural ally for low-sensitivity microphones, while retaining headroom to sculpt levels between input gain and output attenuation.\u003c\/p\u003e\u003cp\u003eThanks to its mic, line, and instrument inputs, it can also serve as a \u003cstrong\u003eversatile front-end\u003c\/strong\u003e: direct recording of bass or synth, coloration of an already preamplified signal, or external processing during mixing. The built-in filters help achieve a clean, \"ready-to-record\" result without multiplying corrective steps in the DAW.\u003c\/p\u003e\u003ch3\u003eKey Features: From Clean Tube Tone to Full-On Saturation\u003c\/h3\u003e\u003ch4\u003eTrue Tube Behavior, from Clean to Drive\u003c\/h4\u003e\u003cp\u003eEach channel is based on a 100% discrete hand-wired design and houses \u003cstrong\u003ethree tubes\u003c\/strong\u003e (two 12AX7s and one 12AU7 per channel). The WA-MPX allows switching from a surprisingly clear sound for quieter sources to richer saturation when pushing the tube stages. The balance between \u003cstrong\u003einput gain\u003c\/strong\u003e and \u003cstrong\u003eoutput level\u003c\/strong\u003e (attenuator) becomes a real creative lever: more drive and harmonics, or conversely more headroom and precision.\u003c\/p\u003e\u003ch4\u003eEssential Studio Controls + Two Vintage-Style Filters\u003c\/h4\u003e\u003cp\u003eDesigned for session routine, the WA-MPX includes 48 V phantom power, polarity inversion, input impedance switching, and VU meter display to keep an eye on levels. The 80 Hz high-pass filter helps clean up vibrations, plosives, or hum, while the 2 kHz low-pass filter is ideal for taming excessive brightness and refocusing energy on the mids, in a distinctly vintage spirit.\u003c\/p\u003e\u003ch4\u003e\"Tone,\" High Gain, and Tape Saturation: Three Ways to Define Color\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003e\"Tone\"\u003c\/strong\u003e control modifies the input transformer impedance to add extra analog color and a more pronounced sense of texture. The \u003cstrong\u003eHigh Gain\u003c\/strong\u003e mode adds 20 dB (raising gain from 70 dB to 90 dB) to comfortably handle low-output microphones. Finally, the \u003cstrong\u003eselectable tape saturation\u003c\/strong\u003e activates a discrete circuit in the signal path: natural compression, harmonic distortion, and focused filtering to evoke the behavior of a tape machine running at 15 IPS. Compared to a \"full vintage\" approach, this switchable saturation offers a real modern advantage: access tape spirit on demand, without relying on a tape recorder or tying up a complex chain.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eHigh-pass filter\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eValve\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eYes\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHigh Gain mode\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e+20 dB (from 70 dB to 90 dB)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePer channel\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2 x 12AX7 and 1 x 12AU7\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMic input\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e600-ohm transformer (nominal 6000 ohms)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMic input with \u0026quot;Tone\u0026quot; engaged\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e150-ohm transformer (1500 ohms)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSelectable tape saturation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003enatural compression, harmonic distortion, and tape machine-style tonal filtering at 15 IPS\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHigh-pass filter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e80 Hz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLow-pass filter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2 kHz\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eXLR mic, TS instrument, TRS line\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eXLR line level, TRS line level\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e20 Hz to 20 kHz\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Warm Audio","offers":[{"title":"Default Title","offer_id":54358678602003,"sku":"374910","price":1267.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/3187d388a5864132ed2d956a0d44151feff24fd1_7248253W13006_TEST.jpg?v=1787345311"},{"product_id":"black-lion-auteur-mkii-411997","title":"Auteur MKII","description":"\u003ch3\u003eSecond Generation: The Evolution of a Preamp Designed for Modern Recording\u003c\/h3\u003e\u003cp\u003eThe Auteur MKII retains the DNA of the original model by maintaining a simple and effective approach: two channels, direct connectivity, and essential front-panel recording controls. This MKII version goes further on key studio aspects, featuring a \u003cstrong\u003e2nd generation\u003c\/strong\u003e preamp architecture designed to offer a \u003cstrong\u003ewider frequency response\u003c\/strong\u003e and an overall quieter performance, with \u003cstrong\u003elower noise\u003c\/strong\u003e and \u003cstrong\u003eless distortion\u003c\/strong\u003e than its predecessor.\u003c\/p\u003e\u003cp\u003eThe result is a preamp that keeps the \"ready to record\" spirit of the first generation while delivering a more controlled feel on transients, dynamics, and clarity. The \u003cstrong\u003eEdcor transformer-coupled\u003c\/strong\u003e output stages complete this evolution by adding a touch of \"vintage\" character without complicating usage.\u003c\/p\u003e\u003ch3\u003eIntended Uses and Studio Profiles\u003c\/h3\u003e\u003cp\u003eThe Auteur MKII is aimed at those seeking a \u003cstrong\u003e2-channel mic preamp\u003c\/strong\u003e capable of handling varied sessions: demanding home studios, mobile setups, recording racks, or channel expansion to complement an audio interface. Its \u003cstrong\u003egain up to 65 dB\u003c\/strong\u003e facilitates pairing with many microphones, while its dedicated front-panel controls speed up setup during recording.\u003c\/p\u003e\u003cp\u003eWith two channels, it is especially practical for recording vocals and an instrument simultaneously, making stereo takes, or keeping a backup chain ready to use. The \u003cstrong\u003eswitchable 48 V phantom power per channel\u003c\/strong\u003e allows quick switching between condenser and dynamic microphones without sacrificing ergonomics.\u003c\/p\u003e\u003ch3\u003eKey Features: Speed, Control, and Character\u003c\/h3\u003e\u003ch4\u003eHigh-Speed Input Stages: Natural Adaptation to Sources\u003c\/h4\u003e\u003cp\u003eThe Auteur MKII's \u003cstrong\u003eultra-fast input stages\u003c\/strong\u003e are designed to respond precisely to level changes and transients. This response speed helps preserve attack and definition, whether the source is soft and detailed or more percussive. Combined with a \u003cstrong\u003egain range of 14 to 65 dB\u003c\/strong\u003e, it makes adjustment more comfortable and gradual, even when pushing the preamp.\u003c\/p\u003e\u003ch4\u003eEdcor Output: A More \"Vintage\" Signature\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003eEdcor transformer-coupled outputs\u003c\/strong\u003e provide subtle coloration that can add density and a more organic feel to the recording while maintaining a control level suitable for modern recording environments. This is a relevant choice if you appreciate musical reproduction with a slight grain, without losing the precision needed for mixing.\u003c\/p\u003e\u003ch4\u003eEssential Studio Controls on the Front Panel\u003c\/h4\u003e\u003cp\u003eEach channel features its own gain control and recording-oriented functions: \u003cstrong\u003eswitchable 48 V phantom power\u003c\/strong\u003e (independent), \u003cstrong\u003ephase inversion\u003c\/strong\u003e, and a \u003cstrong\u003e10 dBu pad\u003c\/strong\u003e. These tools are essential for quickly managing an overly strong source, correcting polarity in multi-mic setups, or optimizing the level sent to your converters and monitoring chain.\u003c\/p\u003e\u003ch4\u003eSimple and Reliable Connectivity, Compact Rack Format\u003c\/h4\u003e\u003cp\u003eThe Auteur MKII offers clear connectivity for immediate integration: \u003cstrong\u003eXLR inputs\u003c\/strong\u003e and \u003cstrong\u003ebalanced TRS line outputs\u003c\/strong\u003e on channels 1 and 2. Its \u003cstrong\u003e1U half-rack\u003c\/strong\u003e chassis facilitates installation in a studio rack, touring flight case, or compact setup while maintaining a readable front panel and accessible controls.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e2\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInput gain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e14 to 65 dB\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMic inputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eXLR (channels 1 and 2)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLine outputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eBalanced TRS (channels 1 and 2)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eChassis\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1U half-rack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Black Lion","offers":[{"title":"Default Title","offer_id":54358808428819,"sku":"411997","price":495.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/47199cca480a1405f47851dc8f4b0e5643247768_BL_AUTEURMK2.jpg?v=1787349586"},{"product_id":"golden-age-audio-pre-73-premier-378369","title":"PRE-73 Premier","description":"\u003ch3\u003eA Studio Classic Revisited in an Affordable Version\u003c\/h3\u003e\u003cp\u003eThe PRE-73 PREMIER captures the spirit of console preamps that made recording history, featuring a circuit close to the preamp section of a 1073 module. The result: an instantly recognizable color, capable of thickening a vocal, adding density to a snare drum, or enriching an acoustic guitar without losing musicality. This \"transformer + discrete\" approach modernizes an audio design method inherited from the pre-integrated circuit era, providing an organic and flattering response.\u003c\/p\u003e\u003ch3\u003eWho It's For and Its Uses in Home Studio and Professional Studio\u003c\/h3\u003e\u003cp\u003eThis preamp is aimed at musicians, sound engineers, and content creators seeking an \u003cstrong\u003eexternal preamp with character\u003c\/strong\u003e to step up from the built-in preamps of an audio interface. It excels on vocals (condenser or dynamic mics), guitars (mic or DI), bass on instrument input, and more demanding sources thanks to its \u003cstrong\u003ehigh gain\u003c\/strong\u003e. Whether recording or reamping line sources, it becomes a simple yet highly expressive tool, perfect for building a solid tracking chain.\u003c\/p\u003e\u003ch3\u003eControl, Color, and Sonic Options Serving the Recording\u003c\/h3\u003e\u003ch4\u003eStepped Gain and Switchable Impedance\u003c\/h4\u003e\u003cp\u003eThe stepped gain control (23 positions in 5 dB increments) facilitates recall of settings and consistency between sessions. The switchable mic impedance (1200 or 300 Ohms) allows adapting the mic load to refine attack, level, and color, especially useful with certain dynamics and ribbons.\u003c\/p\u003e\u003ch4\u003eHigh-Pass Filter and \"Air\" to Open Up the High End\u003c\/h4\u003e\u003cp\u003eThe switchable high-pass filter (80 Hz or 200 Hz) helps clean up vibrations, proximity noise, or overwhelming low frequencies right at the input. The \"Air EQ\" function adds a boost in the extreme high frequencies (+3 or +6 dB at 30 kHz) to enhance presence and a sense of airiness without hardening the upper mids.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"flex:1 1 300px;width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eFilter\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display:flex;flex-wrap:wrap;gap:2rem\"\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum gain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e80 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMicrophone gain range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e20 to 80 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSwitchable microphone impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e1200 or 300 Ohms\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSwitchable high-pass filter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e80 Hz and 200 Hz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSwitchable Air EQ boost\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003e+3 or +6 dB at 30 kHz\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"flex:1 1 300px\"\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBalanced line outputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003eXLR and 6.3 mm jack\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable style=\"width:100%\"\u003e\n  \u003ctr\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDesign\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left\"\u003edesktop format\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Golden Age Audio","offers":[{"title":"Default Title","offer_id":54358815277331,"sku":"378369","price":469.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/389d141ff950b0c55a4a9d1be1809d860e7bfd99_GA_1083710.jpg?v=1787349479"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/collections\/preamplis-studio-900x600.jpg?v=1789045155","url":"https:\/\/woodbrass.shop\/collections\/studio-preamps.oembed?page=3","provider":"Woodbrass.com","version":"1.0","type":"link"}