{"title":"Summing Mixers","description":null,"products":[{"product_id":"rupert-neve-designs-5057-orbit-16x2-summing-mixer-342821","title":"5057 Orbit 16x2 Summing Mixer","description":"\u003ch3\u003eIn the Lineage of Rupert Neve's Legendary Consoles\u003c\/h3\u003eA strong heir to six decades of console design, the 5057 Orbit condenses Rupert Neve's sonic DNA into a compact rack format. It puts the brand's analog mix bus within reach to bring \"in-the-box\" mixes a wider soundstage, better cohesion, and instantly perceptible musicality.\u003cbr \/\u003e\u003ch3\u003eWho Is It For and What Are Its Uses?\u003c\/h3\u003eIdeal for producers, mixers, and hybrid studios looking to step outside the DAW to regain the glue, density, and three-dimensionality of a true summing mixer. Perfect for final summing or stem summing (drums, music, vocals), it integrates seamlessly into a modern setup while respecting your automation and recall habits.\u003cbr \/\u003e\u003ch3\u003eKey Features and Sounds\u003c\/h3\u003e\u003ch4\u003eClass A Summing with Wide Headroom\u003c\/h4\u003eThe Class A audio path and proprietary transformers provide headroom and image stability, delivering tight transients and clean lows even at high levels.\u003cbr \/\u003e\u003ch4\u003eVariable Saturation Silk Red \u0026 Blue\u003c\/h4\u003eActivate Silk Blue to tighten the low end and increase density, or Silk Red for silky highs and bright mids. Harmonic saturation is adjustable from transparent to \"broadcast-ready mix.\"\u003cbr \/\u003e\u003ch4\u003eCenter Control\u003c\/h4\u003eMono switches allow key elements to be placed in the center, ensuring a solid foundation before stereo, with better playback compatibility and a more stable image.\u003cbr \/\u003e\u003ch4\u003eUncompromising Studio Integration\u003c\/h4\u003eDesigned to fit naturally into a current production setup, the Orbit delivers sought-after analog color while maintaining easy editing within the DAW.\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estereo summing\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInput Impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e16 kOhms\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eTHD+N (22 Hz - 22 kHz)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e0 dBu at 1 kHz: 0.003%; +20 dBu at 1 kHz: 0.0006%\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:7;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e10 Hz to 50 kHz +\/-0.1 dB; 150 kHz: -3 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCrosstalk\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1 kHz: -103 dBu; 10 kHz: -93 dBu\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:8;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNoise (22 Hz - 22 kHz)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-90 dBu typical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eProduct Dimensions (W x D x H)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e48.3 cm x 22.9 cm x 4.4 cm (19\u0026quot; rack 1U format)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:9;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum Input Level at 1 kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+26 dBu\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e4.5 kg\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:10;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum Output Level at 1 kHz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+26 dBu\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":54356628472083,"sku":"342821","price":1879.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/71f6056e9433ed7ddac5ef9183ced747c819d339_RND_5057BK.jpg?v=1792666686"},{"product_id":"rupert-neve-designs-5059-satellite-shelford-184892","title":"5059 Satellite Shelford","description":"\u003ch3\u003eA Console Heritage, Adapted to Rack Format for Modern Mixing\u003c\/h3\u003e\u003cp\u003eThe 5059 Satellite follows the tradition of Rupert Neve's analog circuits, with an approach focused on both \"sound\" and workflow. Designed as a high-end rack-mountable summing module, it aims to bring the feel of a console to digital audio production: a mix bus that responds when levels are pushed, harmonic character linked to the transformers, and a presence that naturally builds through summing.\u003c\/p\u003e\u003cp\u003eWithin the range, the 5059 stands out for its flexibility in hybrid studios: it doesn't just sum channels, it also provides an architecture designed to integrate external hardware (inserts) and organize the mix into stems via its two stereo outputs. The \"new Class A topologies\" emphasize high purity and zero crossover distortion to maintain definition while allowing color to emerge when desired.\u003c\/p\u003e\u003ch3\u003eWho It's For and What It's For: Summing, Stems, and Hardware Integration\u003c\/h3\u003e\u003cp\u003eThe Rupert Neve Designs 5059 Satellite is aimed at sound engineers, mixers, and producers working in hybrid environments who want to move beyond \"all in the box\" without complicating their chain. It is particularly relevant if you want to:\u003c\/p\u003e\u003cp\u003eCreate a \u003cstrong\u003ewider and more coherent mix\u003c\/strong\u003e by summing 16 outputs from your audio interface, organize your session into \u003cstrong\u003estem mixes\u003c\/strong\u003e (two stereo buses), or add dimension to a mix that feels too clean, too dry, or too \"flat.\"\u003c\/p\u003e\u003cp\u003eIts format and connectivity also make it an excellent choice for those who already own bus compressors, EQs, or external saturators: you can process your stems (or your sum) analogically, then send everything back to an AD converter for the final print.\u003c\/p\u003e\u003ch3\u003eTexture, Silk, Routing: The Sonic Signature Under Control\u003c\/h3\u003e\u003ch4\u003eTwo Character Modes, Continuous Control\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003eTexture\u003c\/strong\u003e section is at the heart of the 5059 experience. Rather than altering the frequency curve like an equalizer, Texture works by saturating the output transformers to generate musical harmonics. The result: you modulate density, brightness, and the sense of \"3D\" while keeping the mix clear.\u003c\/p\u003e\u003cp\u003eThe 5059 offers two complementary flavors: \u003cstrong\u003eSilk\u003c\/strong\u003e, which emphasizes high-frequency saturation to add brilliance and enhance detail perception, and \u003cstrong\u003eSilk+\u003c\/strong\u003e, which boosts low and low-mid frequencies to thicken a source or add body to a thin mix. Since the adjustment is continuous, you can stay subtle (just a finish) or embrace a true analog signature.\u003c\/p\u003e\u003ch4\u003eTwo Stereo Outputs for Easier Stem Management\u003c\/h4\u003e\u003cp\u003eThe 5059 Satellite's \u003cstrong\u003etwo stereo outputs\u003c\/strong\u003e allow you to split your 16 inputs into two groups and build stems ready for processing: bus compression on drums, parallel processing on music, or two mix versions (cleaner \/ more colored) for quick comparison. Each output has its own level and Texture control, enabling you to tailor the color to the musical content.\u003c\/p\u003e\u003ch4\u003eChannel Inserts: The Missing Link in Hybrid Studios\u003c\/h4\u003e\u003cp\u003eOne limitation of \"integrated\" mixing is access to analog hardware on a per-channel basis. With its \u003cstrong\u003echannel inserts\u003c\/strong\u003e, the 5059 facilitates interconnection with external processors, extending processing possibilities without sacrificing the comfort of your DAW. The routing also opens expansion scenarios: by linking a second 5059 via the insert outputs, you can exploit the dual stereo outputs to add extra auxiliaries per channel, depending on your studio's architecture.\u003c\/p\u003e\u003ch4\u003eA Class A Topology Designed to Push Levels\u003c\/h4\u003e\u003cp\u003eThe behavior of the mix bus is part of the magic of a high-end summing mixer. On the 5059, the \u003cstrong\u003eClass A topologies\u003c\/strong\u003e and \u003cstrong\u003ecustom transformers\u003c\/strong\u003e were designed to provide galvanic isolation, headroom, and musicality that reveals itself when you \"push\" the mix. This yields a sound that is solid, more present, and more lively, with the option to remain very clean if your aesthetic requires it.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estereo summing\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eChannel level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efrom minus infinity to +10 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMaster output level (per stereo output)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efrom minus infinity to 0 dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePan law\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e3 dB\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Rupert Neve Designs","offers":[{"title":"Default Title","offer_id":54358455779603,"sku":"184892","price":3599.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/2500ef46545daea1e2a5ee3745319e7e7504318c_RND_5059BK.jpg?v=1792561651"},{"product_id":"ams-neve-8816-257617","title":"8816","description":"\u003ch3\u003eThe Legendary Neve Sound, Adapted for Hybrid Studios\u003c\/h3\u003e \u003cbr \/\u003eThe \u003cstrong\u003eNeve 8816\u003c\/strong\u003e concentrates the sonic DNA of the brand's large consoles into 2 U, while meeting the demands of today's digital audio workstations. Designed as a companion to a DAW, it offers the Neve analog signature and modern recall management, without the clutter of mic preamps or EQ when they are not needed.\u003cbr \/\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eWho Is It For and What Are Its Uses?\u003c\/h3\u003e \u003cbr \/\u003ePerfect for producers and mixers who work \"in the box\" but want to regain the cohesion, stereo width, and density of an \u003cstrong\u003eanalog bus\u003c\/strong\u003e. Whether in a fixed studio or mobile setup, the 8816 allows you to sum 16 converter outputs, insert your favorite processors on the Mix, and control two pairs of monitors with imperceptible latency on the summing side.\u003cbr \/\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eKey Features for a Modern Workflow\u003c\/h3\u003e \u003cbr \/\u003eEach channel includes the essentials of analog mixing: \u003cstrong\u003elevel, pan, mute, and \"Cue\" function\u003c\/strong\u003e to quickly build a balance or artist listen. The Master section features several \u003cstrong\u003esolo modes\u003c\/strong\u003e to check your sources, an \u003cstrong\u003einsert on the Mix\u003c\/strong\u003e to integrate a stereo compressor or equalizer, as well as A\/B monitoring on two sets of speakers, complemented by an integrated \u003cstrong\u003eheadphone output\u003c\/strong\u003e and \u003cstrong\u003etalkback mic\u003c\/strong\u003e.\u003cbr \/\u003e \u003cbr \/\u003eThe \u003cstrong\u003eUSB recall interface\u003c\/strong\u003e ensures instant return to session settings, and the optional \u003cstrong\u003edigital outputs\u003c\/strong\u003e facilitate capturing your analog sum into the DAW. Need more inputs? Multiple units can be \u003cstrong\u003edaisy-chained\u003c\/strong\u003e to expand the number of channels.\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estereo summing\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePer-channel controls\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003elevel, pan, mute, and \u0026quot;Cue\u0026quot;\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Ams Neve","offers":[{"title":"Default Title","offer_id":54358906601747,"sku":"257617","price":3698.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/a4247ae1f96e2b354f58b757029930216c8df2c8_NEVE_8816.jpg?v=1792573481"},{"product_id":"coleman-audio-red48-stock-b-385407","title":"RED48 - B-STOCK","description":"\u003cp\u003e\u003cstrong\u003eStock-B Product:\u003c\/strong\u003e this is a demonstration item showing visible signs of use and minor scratches. It is fully functional and comes with a 2-year warranty. The description below outlines the features of the model when sold new.\u003c\/p\u003e\u003ch3\u003eA summing solution designed for the modern hybrid studio\u003c\/h3\u003e\u003cp\u003eThe RED48 is aimed at users who want to regain the workflow of a genuine control section while retaining the flexibility of a DAW environment. Its 2U rack format allows it to fit into an advanced personal studio, a production control room or a professional mixing space without taking over the setup.\u003c\/p\u003e\u003cp\u003eIts design combines three essential functions in a single chassis: analog summing, control room monitoring and communication with the recording space. This centralized approach avoids multiplying the number of boxes, simplifies cabling and makes the workstation far more coherent on a daily basis.\u003c\/p\u003e\u003ch3\u003eWho is the RED48 for?\u003c\/h3\u003e\u003cp\u003eThis summing console is particularly well suited to sound engineers, beatmakers, producers and mixers who work with multiple converter outputs and want to bring a genuine hardware dimension back to their mixing chain. It is also ideal for studios that need to control several stereo sources quickly without wasting time on software operations.\u003c\/p\u003e\u003cp\u003eThe RED48 naturally fits into setups where users alternate between critical listening, mix printing and communication with the artist. Thanks to its independent monitoring section, it allows you to compare two pairs of speakers, manage the listening level precisely and keep control of the talkback functions without interrupting the workflow.\u003c\/p\u003e\u003ch3\u003eMonitoring, summing and communication: a true command center\u003c\/h3\u003e\u003cp\u003eThe RED48's major advantage lies in its ability to combine functions that are usually kept separate. You can sum up to 48 balanced analog inputs, retrieve a clean stereo output via XLR, then send this mix back to your digital audio workstation for recording or further processing. For a hybrid studio, this type of architecture provides genuine routing flexibility.\u003c\/p\u003e\u003ch4\u003eA clear and precise Control Room section\u003c\/h4\u003e\u003cp\u003eThe Control Room section features three stereo inputs, making it easy to compare multiple sources: DAW return, external player, secondary converter or reference chain. The selection of two pairs of speakers allows you to quickly check a mix on different monitoring systems without reconnecting anything.\u003c\/p\u003e\u003cp\u003eVolume control uses a passive signal path in the monitoring section. This design is intended to provide direct, stable and transparent monitoring. The stepped knob, specified in 0.05 dB increments, offers particularly fine control over the listening level—a real advantage when you need to precisely recall a volume setting from one session to the next.\u003c\/p\u003e\u003ch4\u003eAnalog summing built for mixing\u003c\/h4\u003e\u003cp\u003eWith its Mix bus capable of handling 48 balanced analog inputs, the RED48 allows you to combine stems, subgroups or individual outputs from your audio interface. This setup is ideal for those who want to mix outside the computer while retaining the flexibility of DAW editing.\u003c\/p\u003e\u003cp\u003eThe stereo insert on the Mix bus adds a highly practical dimension. You can insert a bus compressor, a stereo equalizer or another analog processor to finalize the color of the mix before routing it back into the DAW. This opens the door to a more tactile and immediate master bus processing workflow.\u003c\/p\u003e\u003ch4\u003eWell-integrated communication features\u003c\/h4\u003e\u003cp\u003eThe RED48 is not limited to mixing. Its communication section includes a talkback microphone with level control, making it easy to communicate with the artist or the recording booth. The independent slate output allows you to manage announcements or session markers cleanly in a demanding production environment.\u003c\/p\u003e\u003cp\u003eThe remote control further enhances ease of use. It features a remote Penny \u0026amp; Giles master fader, which is particularly useful for creating smooth fade-ins and fade-outs with a more musical feel than a simple software slider. The Talkback, Slate and Dim switches allow you to act quickly, at the right moment, without taking your attention away from the session.\u003c\/p\u003e","brand":"Coleman Audio","offers":[{"title":"Default Title","offer_id":54358980493587,"sku":"385407","price":1730.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/4746c05ca3da19417bc55761e4fa846002a6b4b0_COLEMAN_AUDIO_RED48.jpg?v=1792573530"},{"product_id":"dangerous-music-d-box-dm26-308468","title":"D-Box+ DM26","description":"\u003ch3\u003eA Revisited Dangerous Music Classic: The D-BOX + Continues the Legacy with a True Upgrade\u003c\/h3\u003e\u003cp\u003eThe D-BOX + carries forward the DNA of the renowned Dangerous Music monitoring controller and summing mixer: a philosophy focused on \u003cstrong\u003etransparency\u003c\/strong\u003e, \u003cstrong\u003eheadroom\u003c\/strong\u003e, and \u003cstrong\u003eprofessional reliability\u003c\/strong\u003e. This \"plus\" version features a thorough redesign with a \u003cstrong\u003enew 8-channel summing mixer\u003c\/strong\u003e and \u003cstrong\u003enew stereo D-A converters\u003c\/strong\u003e, engineered to enhance listening precision and the sense of openness. Like all products from the brand, it is designed and manufactured in the USA to strict audiophile standards, with particular attention to circuits and components.\u003c\/p\u003e\u003ch3\u003eA Central Hub for Mixing, Monitoring, and Switching Between Your Sources Instantly\u003c\/h3\u003e\u003cp\u003eThe Dangerous Music D-BOX + targets demanding sound engineers, producers, and home studio users who want a serious \u003cstrong\u003emonitoring controller\u003c\/strong\u003e with integrated \u003cstrong\u003eanalog summing\u003c\/strong\u003e, without adding multiple boxes. In daily use, it simplifies mixing decisions through clear source management (DAW via USB, digital player via AES\/SPDIF, smartphone via Bluetooth, or analog inputs) and comprehensive monitoring control across multiple speaker pairs. It quickly becomes the central tool to compare, check in mono, manage a subwoofer, and secure your balance, stereo width, and dynamics choices.\u003c\/p\u003e\u003ch3\u003eModern Features: Summing, Monitoring, Talkback, Headphones, and Remote Control\u003c\/h3\u003e\u003ch4\u003e8-Channel Analog Summing: More Space, More Depth\u003c\/h4\u003e\u003cp\u003eThe D-BOX + includes a recently upgraded \u003cstrong\u003e8-channel analog summing mixer\u003c\/strong\u003e designed to deliver a spacious stereo image and superior impact. The \u003cstrong\u003emono option on channels 7\/8\u003c\/strong\u003e provides valuable flexibility to group certain sources, check mono compatibility, or organize a dedicated pair according to your workflow.\u003c\/p\u003e\u003ch4\u003e5 Inputs, 3 Speaker Outputs: Ergonomics Designed for Speed\u003c\/h4\u003e\u003cp\u003eWith \u003cstrong\u003efive immediately accessible analog and digital inputs\u003c\/strong\u003e (stereo analog, analog summing, USB, AES\/SPDIF, Bluetooth), you can switch between sources without disrupting your workflow. On the monitoring side, the \u003cstrong\u003ethree independent speaker outputs\u003c\/strong\u003e are selectable from the front panel or via the app, facilitating A\/B\/C comparisons (nearfield, midfield, client system, etc.). The \u003cstrong\u003eprogrammable speaker selector\u003c\/strong\u003e allows use of the mono function and\/or a \u003cstrong\u003ededicated subwoofer\u003c\/strong\u003e on all outputs, and you have a \u003cstrong\u003efront-panel adjustable level trim\u003c\/strong\u003e for speaker outputs 2 and 3 to align your monitoring levels.\u003c\/p\u003e\u003ch4\u003eMastering-Quality D-A Conversion and Bluetooth Streaming\u003c\/h4\u003e\u003cp\u003eThe D-BOX + features \u003cstrong\u003ethree stereo D-A converters\u003c\/strong\u003e of mastering quality dedicated to precise listening of digital sources via \u003cstrong\u003eUSB\u003c\/strong\u003e, \u003cstrong\u003eAES\/SPDIF\u003c\/strong\u003e, and \u003cstrong\u003eBluetooth\u003c\/strong\u003e. The goal is clear: maintain clean, stable, and faithful conversion to finely judge transients, tonal balance, and soundstage depth. \u003cstrong\u003eBluetooth\u003c\/strong\u003e adds real convenience for quickly referencing commercial mixes or playing back a bounce without cables.\u003c\/p\u003e\u003ch4\u003eD-BOX + App: Remote Control and Studio Management\u003c\/h4\u003e\u003cp\u003eThe free D-BOX + app allows remote control of key functions: \u003cstrong\u003evolume\u003c\/strong\u003e, \u003cstrong\u003eattenuation (dim)\u003c\/strong\u003e, \u003cstrong\u003econversation\/talkback\u003c\/strong\u003e, \u003cstrong\u003einput\/output selection\u003c\/strong\u003e, etc. It works on compatible computers and mobile devices, providing appreciated flexibility in the control room, studio, or during sessions with musicians.\u003c\/p\u003e\u003ch4\u003eIntegrated Talkback and Dual High-End Headphone Amplifiers\u003c\/h4\u003e\u003cp\u003eFor recording and sessions, the D-BOX + includes a \u003cstrong\u003etalkback microphone\u003c\/strong\u003e with push-button activation (front panel or remotely via the app). It also offers \u003cstrong\u003etwo high-end headphone amplifiers\u003c\/strong\u003e with \u003cstrong\u003eindependent source selection\u003c\/strong\u003e and level control, enabling efficient management of engineer and artist monitoring or two distinct reference listening setups.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estereo summing\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSampling frequency\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e96 kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e8\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:15;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAnalog summing mixer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e8 channels (mono option on channels 7\/8)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003emacOS\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eUSB audio connectivity without driver\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:16;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estereo analog, analog summing, USB, AES\/SPDIF, Bluetooth\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eNote\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDangerous Music, Inc. publishes actual measurements, not theoretical figures derived from component manufacturer data\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:17;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAudio streaming\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBluetooth\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003elinear within 0.1dB from 10Hz to 50kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:18;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eConverters\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ethree dedicated stereo D-A converters (USB, AES\/SPDIF, Bluetooth)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eTHD+N at +4dBu\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e0.0019%\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:19;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMonitoring\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ethree independent speaker outputs\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eIMD\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e0.0020%\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:6;--wb-r:20;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMonitoring functions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emono and\/or dedicated subwoofer available on all outputs via programmable speaker selector\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCrosstalk rejection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003egreater than 114dB at 1kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:7;--wb-r:21;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSettings\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efront-panel adjustable output level trim for speaker 2 and speaker 3\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eNoise level at unity gain\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e22Hz to 22kHz below -90dBu\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:8;--wb-r:22;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTalkback\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ebuilt-in microphone, push-button activation (front panel or app)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum input level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+27dBu\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:9;--wb-r:23;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHeadphones\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etwo headphone amplifiers with independent source selection and level control (front panel or app)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eNoise level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e22Hz to 22kHz below -89dBu\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:10;--wb-r:24;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eRemote control\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eD-BOX + app (volume, dim, talkback, I\/O selection, etc.)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSignal off rejection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003egreater than 120dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:11;--wb-r:25;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eiPhone\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eiOS v10.2 up to 12.1.2 inclusive\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eTHD+N at -14dBfs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e0.0027%\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:12;--wb-r:26;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMac\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emacOS v10.10 up to 10.14 inclusive\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003egreater than 106dB\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:13;--wb-r:27;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAndroid\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eminimum v5.0 up to 9.0 inclusive\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLoad\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eminimum 4 ohms per amplifier (6-8 pairs of studio\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:14;--wb-r:28;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eWindows\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e7, 8, 10\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":54359653286163,"sku":"308468","price":2999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/b9ec77cabfc98d779834c47926c1e01bf8c2bc5e_DANGEROUSMUSIC_DM26.jpg?v=1792587592"},{"product_id":"dangerous-music-2-bus-207249","title":"2-Bus","description":"\u003ch3\u003eA Modern Evolution of a Hybrid Mixing Standard\u003c\/h3\u003e\u003cp\u003eIn the late 1990s, Dangerous Music established itself as a major player in \u003cstrong\u003erack-mounted analog summing\u003c\/strong\u003e dedicated to digital audio workstations. The \u003cstrong\u003eDangerous 2-BUS\u003c\/strong\u003e became a reference in many studios precisely because it addresses a central need of the hybrid workflow: regaining the sense of width, depth, and cohesion typical of analog, while maintaining the precision and editing flexibility of a DAW.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003e2-BUS +\u003c\/strong\u003e follows this lineage: it retains the 16-channel summing concept that made the line successful and adds a more contemporary approach to mixing, where the summing mixer is also expected to \u003cstrong\u003eshape the tone\u003c\/strong\u003e without multiplying outboard gear. The result: a high-end summing tool that keeps a simple \"studio\" philosophy but now offers options for \u003cstrong\u003econtrolled coloration\u003c\/strong\u003e directly within the chassis.\u003c\/p\u003e\u003ch3\u003eWho and What Uses the 2-BUS + Excels In\u003c\/h3\u003e\u003cp\u003eThe Dangerous Music 2-BUS + is aimed at engineers, producers, and mixers working in \u003cstrong\u003ehybrid analog-digital\u003c\/strong\u003e setups: dense sessions, multiple stems, virtual console returns, and the need for a reliable external summing stage to finalize a stereo mix with more dimension. It is also perfectly suited for studios wanting to standardize a \"stems to summing mixer\" workflow, maintaining effective \u003cstrong\u003erecallability\u003c\/strong\u003e on the DAW side while benefiting from a dedicated analog stage.\u003c\/p\u003e\u003cp\u003ePractically, you can send groups (drums, bass, guitars, keyboards, vocals, FX) to its 16 channels, then retrieve an analog stereo bus ready to be captured through your conversion. And if you prefer a more targeted approach, the integrated processing allows you to add character to the \u003cstrong\u003efull mix\u003c\/strong\u003e or \u003cstrong\u003ea pair of stems\u003c\/strong\u003e: ideal for thickening drums, bringing out a vocal, beefing up a synth, or solidifying a chorus without breaking the overall balance.\u003c\/p\u003e\u003ch3\u003eThree Built-In Character Engines to Sculpt Your Summing\u003c\/h3\u003e\u003cp\u003eOne of the major new features of the 2-BUS + compared to the original design is the integration of \u003cstrong\u003ethree independent audio processors\u003c\/strong\u003e dedicated to coloration. Where a summing mixer often just adds signals together, this one becomes a true \"decision station\" for the final texture: you choose when to stay transparent and when to inject density, saturation, and sustain.\u003c\/p\u003e\u003ch4\u003e\"Harmoniques\": Parallel Harmonic Distortion, Adjustable by Hand\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003e\"Harmoniques\"\u003c\/strong\u003e processor is a tuned harmonic distortion generator, used in \u003cstrong\u003eparallel\u003c\/strong\u003e and controlled via a rotary knob. The benefit of this architecture is immediate in mixing: you add presence and richness without crushing the attack or losing clarity. In practice, it helps to \"push forward\" a stem (or a mix) in the sound field while preserving perceived dynamics.\u003c\/p\u003e\u003ch4\u003e\"Paralimit\": Parallel FET Limiter for Impact and Stability\u003c\/h4\u003e\u003cp\u003e\u003cstrong\u003e\"Paralimit\"\u003c\/strong\u003e features a \u003cstrong\u003eFET limiter\u003c\/strong\u003e set to maximum threshold, also used in \u003cstrong\u003eparallel mode\u003c\/strong\u003e. This approach is particularly effective for adding sustain and punch, typically on transient elements or mix sections that need to stay solid as the arrangement thickens. Because the processing is parallel, you get a densification and control effect without falling into pumping compression or image narrowing.\u003c\/p\u003e\u003ch4\u003e\"X-Former\": Custom Transformers and Saturation Control\u003c\/h4\u003e\u003cp\u003eThe \u003cstrong\u003e\"X-Former\"\u003c\/strong\u003e module inserts a pair of \u003cstrong\u003ecustom transformers\u003c\/strong\u003e on the stereo mix and offers \u003cstrong\u003esaturation control\u003c\/strong\u003e. It's the ideal tool when you seek a more organic feel, a more \"physical\" foundation in the low-mids, or a subtle harmonic emphasis that makes the mix feel more cohesive without radically changing levels.\u003c\/p\u003e\u003ch4\u003eCombine, Order, Target: Custom Coloration\u003c\/h4\u003e\u003cp\u003eThe three coloration functions can be \u003cstrong\u003eactivated simultaneously\u003c\/strong\u003e, allowing you to build a progressive sonic signature from subtle to pronounced. Another key point: \u003cstrong\u003e\"Harmoniques\"\u003c\/strong\u003e and \u003cstrong\u003e\"Paralimit\"\u003c\/strong\u003e can be applied either on \u003cstrong\u003ethe stereo mix\u003c\/strong\u003e or on \u003cstrong\u003ea pair of stems\u003c\/strong\u003e, opening very musical strategies (for example, thickening drums without affecting vocals, or stabilizing a synth bus without crushing the rest).\u003c\/p\u003e\u003cp\u003eFinally, the signal path order between the harmonic distortion and the limiter is \u003cstrong\u003ereversible\u003c\/strong\u003e. This is a decisive detail in practice: depending on the source, placing saturation before limiting or vice versa changes the grain sensation, how transients respond, and how the mix \"glues\" together. You thus get a summing mixer that is not just an adder but a true \u003cstrong\u003ecreative gain staging\u003c\/strong\u003e tool serving hybrid mixing.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estereo summing\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e16\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003erack-mounted analog summing mixer\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003e\u0026quot;Paralimit\u0026quot; processor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFET limiter at maximum setting, in parallel\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2U\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003e\u0026quot;X-Former\u0026quot; processor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003einsertion of a pair of custom transformers on the stereo mix, with saturation control\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:8;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of summing channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e16\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAssignment of \u0026quot;Harmoniques\u0026quot; and \u0026quot;Paralimit\u0026quot;\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estereo mix or stem pair\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:9;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInput connectivity\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eXLR, D-Sub\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eActivation of the three coloration functions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esimultaneous operation possible\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:10;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e\u0026quot;Harmoniques\u0026quot; processor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etuned harmonic distortion generator, in parallel, rotary knob control\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eProcessing order between the harmonic distortion and the limiter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ereversible\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Dangerous Music","offers":[{"title":"Default Title","offer_id":54359854579987,"sku":"207249","price":3599.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/b43decdb8b269e7a627147ba4475872abebca2d4_DANGEROUS_MUSIC_DM24.jpg?v=1793382153"},{"product_id":"spl-mixdream-185057","title":"Mixdream","description":"\u003ch3\u003eAn SPL Approach to Hybrid Mixing: Summing and Processing\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eThe MixDream was designed to address a very current studio reality: mixing \"in the DAW\" while regaining the density, depth, and spatial feel of an analog bus, without sacrificing automation convenience. Rather than imposing level and pan controls on the front panel, SPL opts for an architecture that leaves these parameters to the DAW, while entrusting the summing of signals and integration of external processing to dedicated analog electronics.\u003c\/p\u003e \u003cbr \/\u003e\u003cp\u003eIn this logic, the MixDream is not limited to \"summing\": it emphasizes a crucial aspect of mixing, namely the quality and simplicity of integrating analog processing during the session. This chain (summing + inserts + stereo bus) enables building a coherent hybrid workflow, close to that of a console but adapted to modern conversion constraints.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eWho Is the SPL MixDream For?\u003c\/h3\u003e \u003cbr \/\u003e\u003cp\u003eThe MixDream is aimed at sound engineers, producers, and studios who want to \u003cstrong\u003eexternalize the mix bus\u003c\/strong\u003e and utilize their analog processors (compressors, equalizers, saturation, multi-effects) while retaining the editing precision, session recall, and automation of a DAW. It is suitable for music mixing (pop, rock, electro, hip-hop) as well as projects requiring a very stable stereo image and precise source localization.\u003c\/p\u003e \u003cbr \/\u003e\u003cp\u003eIt can also find its place in a \u003cstrong\u003emastering\u003c\/strong\u003e or stereo processing approach, and in multichannel configurations, with the possibility to expand by chaining multiple units.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch3\u003eKey Features: A Summing Mixer That Integrates Like a Real Console\u003c\/h3\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003e16 Channels, Switchable Inserts, and \"Hybrid\" Logic\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe MixDream sums up to \u003cstrong\u003e16 tracks\u003c\/strong\u003e into an analog stereo signal, with the possibility to sum more channels by linking multiple units. Each input features a \u003cstrong\u003epresence LED\u003c\/strong\u003e and a \u003cstrong\u003eswitchable insert loop\u003c\/strong\u003e, allowing insertion of external processing on a specific channel or keeping a completely clean chain depending on the mix needs.\u003c\/p\u003e \u003cbr \/\u003e\u003cp\u003eRelay switching and optimized signal paths contribute to reliable daily integration, whether working in tracking, production, or final mix.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eNo-Mix, Direct Outputs, and \"Bounce Back\" Technique\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe \u003cstrong\u003eNo-Mix\u003c\/strong\u003e function allows removing a channel from the summing bus while keeping it available for re-recording via its \u003cstrong\u003edirect output\u003c\/strong\u003e. In practice, this is a very effective tool to process a track in analog (e.g., compression) then send it back into the DAW to benefit from level automation afterward, without the compressor being \"after\" the automation. This method, often called \"bounce back,\" becomes simple to implement and neatly routed.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eReducing Conversions, Inserts, and Mono Mode\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe MixDream helps to \u003cstrong\u003ereduce the number of conversions\u003c\/strong\u003e during hybrid mixing, especially when inserts are used: instead of multiplying A\/D and D\/A conversions for each processing, the idea is to process analog in the analog domain and only reconvert the summed signal when relevant. The result is a more direct workflow and a chain where sensitive conversions (notably D\/A) can be limited to the strict minimum.\u003c\/p\u003e \u003cbr \/\u003e\u003cp\u003eTo further optimize converter channel usage, a \u003cstrong\u003emono mode\u003c\/strong\u003e allows switching certain pairs (1 and 2, 3 and 4, 5 and 6) to mono to group two signals for grouped D\/A conversion. This approach is particularly suited to often centered elements (kick drum, snare, lead vocals, bass) and contributes to more rational converter output management.\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eStereo Bus: Expansion, Limiting, and Lundahl Transformers\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eThe stereo section provides finishing tools directly on the mix bus: \u003cstrong\u003eadjustable insert level\u003c\/strong\u003e, \u003cstrong\u003econtinuous stereo expansion\u003c\/strong\u003e to widen the image with finesse, and an \u003cstrong\u003eadjustable analog peak limiter\u003c\/strong\u003e to control transients. The \u003cstrong\u003eswitchable Lundahl output transformers\u003c\/strong\u003e offer an additional choice of character and adaptation to the rest of the chain (converters, monitoring, recorder).\u003c\/p\u003e \u003cbr \/\u003e\u003cbr \/\u003e\u003ch4\u003eExpansion, Surround, and External Instrument Integration\u003c\/h4\u003e \u003cbr \/\u003e\u003cp\u003eBeyond tracks from the DAW, the MixDream facilitates connecting external sources (samplers, keyboards, expanders) and integrating them into the analog mix via the insert loops. Finally, the architecture allows \u003cstrong\u003eexpansion\u003c\/strong\u003e of the number of channels by chaining, and use in \u003cstrong\u003esurround\u003c\/strong\u003e with up to three linked units.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estereo summing\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRack unit\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e16\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:13;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAnalog summing mixer with 16 inserts\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFrequency response\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1Hz to 220kHz (+\/-3dB)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:14;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2U rack\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eTHD+N\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-104dB (20Hz to 22kHz, +10dBu input, all channels active)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:15;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAudio stages\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClass A circuits\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eNoise level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-97dBu (20Hz to 22kHz, A-weighted, all channels active)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:16;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAudio power rail\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e60V (+\/-30V)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum input level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+28dBu (at 1kHz)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:17;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAmplification\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eProprietary differential amplifiers on each input\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum output level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+28dBu (at 1kHz, THD+N -95dBu)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:6;--wb-r:18;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSwitching\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eOptimized signal paths, relay switching\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e125dB (20Hz to 22kHz, A-weighted, all channels active)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:7;--wb-r:19;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInserts\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e16 balanced inserts, individual bypass and global bypass\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eL\/R crosstalk\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e97dB at 1kHz\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:8;--wb-r:20;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNo-Mix\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eRemoval of a channel from the mix bus while keeping direct output for re-recording\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCMRR\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e70dB (at 1kHz, +10dBu input level)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:9;--wb-r:21;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMono mode\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSwitching pairs 1 and 2, 3 and 4, 5 and 6\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInput impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e10kOhm (inputs 1 to 16, Expansion, and Insert Return)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:10;--wb-r:22;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStereo section\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAdjustable insert level, continuous stereo expansion, adjustable analog peak limiter\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOutput impedance\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e82Ohm (Master and Monitor outputs without transformer, and insert send)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:11;--wb-r:23;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOutputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAdjustable outputs with switchable Lundahl transformers\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower consumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e75W\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:12;--wb-r:24;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSurround\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePossible with up to 3 linked units\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eLow noise\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"SPL","offers":[{"title":"Default Title","offer_id":54362030670099,"sku":"185057","price":2999.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/41c62aea6a73e8153bdc79eb87200fc38387e3e0_SPL_SPLMIX.jpg?v=1792666624"},{"product_id":"ams-neve-8804-368739","title":"8804","description":"\u003ch3\u003eAn Extension Designed to Complement the \"Console\" Philosophy of the Neve 8816\u003c\/h3\u003ePraised for its analog summing, the 8816 quickly generated an obvious demand: to have \u003cstrong\u003efaders\u003c\/strong\u003e for mixing by hand, like in a traditional studio. The \u003cstrong\u003eNeve 8804\u003c\/strong\u003e is designed as the direct companion to the 8816: it does not replace your summing unit, it \u003cstrong\u003eextends\u003c\/strong\u003e it by providing console ergonomics and more advanced routing, while remaining suitable for modern rack or desktop setups.\u003cbr \/\u003e\u003ch3\u003eWho Is It For and What Are Its Uses?\u003c\/h3\u003eThe 8804 is aimed at engineers and producers working in \u003cstrong\u003ehybrid mixing\u003c\/strong\u003e (DAW and hardware) who want to gain in \u003cstrong\u003eprecision\u003c\/strong\u003e and \u003cstrong\u003emusicality\u003c\/strong\u003e during balancing. It becomes especially relevant if you like to do volume rides, fine-tune balances by feel, or prepare stems while maintaining a console workflow. In post-production as well as music, it also facilitates quick adjustments thanks to the mutes and recall of settings.\u003cbr \/\u003e\u003ch3\u003eExtended Features: More Than Just a Set of Faders\u003c\/h3\u003e\u003ch4\u003eLong-Throw Control: Finesse, Comfort, and Faster Decisions\u003c\/h4\u003eWith its \u003cstrong\u003e16 long-throw faders\u003c\/strong\u003e and associated \u003cstrong\u003emutes\u003c\/strong\u003e, the 8804 provides immediate level control, particularly appreciated when every tenth of a dB counts. The \u003cstrong\u003etwo master faders\u003c\/strong\u003e offer natural management of the output bus, ideal for working on the overall mix dynamics without breaking your flow.\u003cbr \/\u003e\u003ch4\u003ePre or Post-Fader Direct Outputs: Recording, Effects, and Stems\u003c\/h4\u003eEach fader features a \u003cstrong\u003edirect output\u003c\/strong\u003e assignable in \u003cstrong\u003epre\u003c\/strong\u003e or \u003cstrong\u003epost-fader\u003c\/strong\u003e. This allows you to feed external effects processors, record individual elements from the summing, or organize \u003cstrong\u003emultitrack recording\u003c\/strong\u003e from the 8816 setup without losing the flexibility of your routing.\u003cbr \/\u003e\u003ch4\u003eA Dedicated Auxiliary Send for Your External Reverbs\u003c\/h4\u003eThe \u003cstrong\u003echannel level knob\u003c\/strong\u003e on the 8816 can become a \u003cstrong\u003ededicated auxiliary send\u003c\/strong\u003e to an external reverb unit. The result: you add an immediate \"studio\" dimension to your mixes, with more direct control over sends, without multiplying workarounds in the DAW.\u003cbr \/\u003e\u003ch4\u003eRecall: Continuity Between Analog and Computer\u003c\/h4\u003eThe 8804 includes the \u003cstrong\u003eRecall\u003c\/strong\u003e utility program for flexible use with a computer. Your settings can be \u003cstrong\u003estored\u003c\/strong\u003e and \u003cstrong\u003erecalled\u003c\/strong\u003e on \u003cstrong\u003eMac or PC\u003c\/strong\u003e, reducing reconfiguration time and improving productivity when switching between multiple projects.\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003econsole slice\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of channels\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e16\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCapabilities\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003efeeding effects processors, recording individual elements, multitrack recording from the 8816\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Ams Neve","offers":[{"title":"Default Title","offer_id":54362129694995,"sku":"368739","price":1499.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/b76cea661b302def5b381d35e0e05bce6e6610a3_NEVE_8804.jpg?v=1792661635"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/collections\/R077.jpg?v=1789295918","url":"https:\/\/woodbrass.shop\/collections\/summing-mixers.oembed","provider":"Woodbrass.com","version":"1.0","type":"link"}