{"product_id":"barenreiter-mendelssohn-f-concerto-in-e-minor-op-64-1844-violon-piano-259306","title":"Mendelssohn F. - Concerto In E Minor Op.64 (1844) - Violon \u0026 Piano","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003eThe \u003cstrong\u003eViolin Concerto in E minor, Op. 64\u003c\/strong\u003e by \u003cstrong\u003eFelix Mendelssohn Bartholdy\u003c\/strong\u003e holds a central place in 19th-century violin literature. Heir to classical clarity (in the spirit of Beethoven) while heralding a more fully Romantic expressiveness, it demands from the soloist complete mastery of tone, articulation, and singing quality, with virtuosity always serving the musical line.\u003c\/p\u003e\u003cp\u003eThis \u003cstrong\u003erevised Urtext edition\u003c\/strong\u003e is based on a renewed source situation: proofs long considered lost have resurfaced, accompanied by correspondence related to the violinist \u003cstrong\u003eHubert Léonard\u003c\/strong\u003e. These documents provide valuable insight into a performance given with Mendelssohn in \u003cstrong\u003eFebruary 1845\u003c\/strong\u003e and highlight concrete playing details: \u003cstrong\u003ebowings\u003c\/strong\u003e, \u003cstrong\u003efingerings\u003c\/strong\u003e, management of \u003cstrong\u003eshifts\u003c\/strong\u003e, use of \u003cstrong\u003eopen strings\u003c\/strong\u003e, as well as revisions of \u003cstrong\u003edynamics\u003c\/strong\u003e and additional slurs. Altogether, this constitutes a direct aid for refining style, phrase breathing, and the logic of position changes.\u003c\/p\u003e\u003cp\u003eAs the orchestral parts remain unchanged, the major interest of this publication lies in the quality of the solo part and the interpretative approach proposed. A \u003cstrong\u003eseparate booklet on performance practice\u003c\/strong\u003e (English\/German) complements the score, with editorial expertise from \u003cstrong\u003eR. Larry Todd\u003c\/strong\u003e and \u003cstrong\u003eClive Brown\u003c\/strong\u003e, the latter renowned for his work on Romantic interpretation. An ideal choice for advanced violinists seeking to reconcile fidelity to the text, stylistic coherence, and efficient practice.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMendelssohn Bartholdy, Felix\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical score\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eRevised Urtext\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLanguage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eEnglish \/ German\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eViolin and orchestra\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Barenreiter","offers":[{"title":"Default Title","offer_id":54358566797587,"sku":"259306","price":28.1,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/a51eff4b8e9e4e2321837a458effc5e005f5782e_BA909992.jpg?v=1789457240","url":"https:\/\/woodbrass.shop\/products\/barenreiter-mendelssohn-f-concerto-in-e-minor-op-64-1844-violin-piano-259306","provider":"Woodbrass.com","version":"1.0","type":"link"}