{"product_id":"barenreiter-mendelssohn-f-concerto-in-e-minor-op-64-1845-violon-piano-259305","title":"Mendelssohn F. - Concerto In E Minor Op.64 (1845) - Violon \u0026 Piano","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003eMendelssohn Bartholdy, Felix\u003cbr \/\u003eViolin Concerto in E minor, Op. 64\u003cbr \/\u003e\u003cbr \/\u003eSecond Version 1845\u003cbr \/\u003e\u003cbr \/\u003eThis edition highlights one of the most emblematic concertos of the 19th century, both heir to classical clarity and already oriented towards fully Romantic expression. For a long time, the history of the work was associated with Ferdinand David, dedicatee and premiere soloist, then with Joseph Joachim. However, the rediscovery of solo violin part proofs, accompanied by a letter from Mendelssohn to Hubert Léonard, reveals a new source situation and documents a musical working session in Frankfurt, February 1845.\u003c\/p\u003e\u003cp\u003eThese recovered proofs are not a mere bibliographic \"detail\": they show very concretely how Léonard played the concerto with the composer. They include bowings and fingerings, but also finer performance information such as position shifts, use of open strings, dynamic adjustments, and additional slurs. Altogether, this suggests a practice validated, or at least approved, by Mendelssohn, enriching reflection on the style, momentum, and cantilena characteristic of this major repertoire work.\u003c\/p\u003e\u003cp\u003eThe orchestral parts remain unchanged, while the solo part benefits from this Urtext revision. To complement the in-depth work, the edition includes a separate booklet devoted to performance practice (English\/German). The involvement of Clive Brown, a recognized specialist in Romantic performance, enhances the value of this publication for violinists seeking a reliable, informed, and musically coherent version, whether for study, audition, or stage.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFelix Mendelssohn Bartholdy\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eclassical score (Romantic concerto)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBärenreiter (Edition no. BA 9099-90)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLanguage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eEnglish\/German (performance practice booklet)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eviolin and orchestra\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Barenreiter","offers":[{"title":"Default Title","offer_id":54358756229395,"sku":"259305","price":24.6,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/c85667c1d2c7766a2f1967722f89cbd3573f375a_BA909990_c4d4da5c-664c-4dc0-8903-fa371f844741.jpg?v=1789457300","url":"https:\/\/woodbrass.shop\/products\/barenreiter-mendelssohn-f-concerto-in-e-minor-op-64-1845-violin-piano-259305","provider":"Woodbrass.com","version":"1.0","type":"link"}