{"product_id":"billaudot-boulay-millet-a-tempo-oral-vol-8-145329","title":"Boulay \u0026 Millet - A Tempo : Oral Vol.8","description":"\u003ch3\u003eSummary of This Method\u003c\/h3\u003e\u003cp\u003eFollowing the first four volumes of \"A Tempo cycle I,\" this new series supports the student throughout a \u003cstrong\u003esecond cycle\u003c\/strong\u003e designed over \u003cstrong\u003efour years\u003c\/strong\u003e. The approach emphasizes a lively musical education, enriched by \u003cstrong\u003eexcerpts from works\u003c\/strong\u003e and designed to connect listening, reading, and musical understanding with an \u003cstrong\u003einstrumental or vocal practical application\u003c\/strong\u003e.\u003c\/p\u003e\u003cp\u003eFor each level, the educational content remains divided into \u003cstrong\u003etwo volumes\u003c\/strong\u003e. The \u003cstrong\u003eOral\u003c\/strong\u003e volume develops \u003cstrong\u003esinging\u003c\/strong\u003e, \u003cstrong\u003elistening commentary\u003c\/strong\u003e, \u003cstrong\u003etheory\u003c\/strong\u003e, as well as \u003cstrong\u003enote and rhythm reading\u003c\/strong\u003e. New proposals deepen the student's autonomy, notably through \u003cstrong\u003esung sight-reading\u003c\/strong\u003e and the exploration of \u003cstrong\u003emajor excerpts from symphonic scores\u003c\/strong\u003e, useful for opening the ear and eye to richer orchestral textures.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003eWritten\u003c\/strong\u003e volume consolidates skills through activities in \u003cstrong\u003eaural training\u003c\/strong\u003e, \u003cstrong\u003elistening commentary\u003c\/strong\u003e, and \u003cstrong\u003etheory\u003c\/strong\u003e, aiming to structure musical thinking and establish reading reflexes. Since the two volumes are \u003cstrong\u003eindependent\u003c\/strong\u003e, they easily adapt to course organization, conservatory progression, or guided personal work, while maintaining coherence when used together.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTheme\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMusic theory\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003evocal and instrumental practice (music theory)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emusic theory\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eA Tempo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLanguage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFrench\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Billaudot","offers":[{"title":"Default Title","offer_id":54361923420435,"sku":"145329","price":28.2,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/9cf7e16fbd6e55e5d93d25cb078fec7b8acb874d_UP_GB8370.jpg?v=1789417461","url":"https:\/\/woodbrass.shop\/products\/billaudot-boulay-ch-a-tempo-vol-8-serie-oral-145329","provider":"Woodbrass.com","version":"1.0","type":"link"}