{"product_id":"billaudot-ferling-f-w-48-etudes-op-31-vol-2-saxophone-alto-piano-266870","title":"Ferling F.W. - 48 Etudes Op.31 Vol.2 - Saxophone Alto \u0026 Piano","description":"\u003ch3\u003eSummary of This Method\u003c\/h3\u003e\u003cp\u003eEveryone knows the immense pedagogical value of Franz Wilhelm Ferling's 48 études, which have become a benchmark in saxophone learning over time. Originally written for oboe in 1831, these études were later adapted for saxophone and incorporated into class practices as early as 1942, helping to forge a shared technical and musical tradition among saxophonists worldwide.\u003c\/p\u003e\u003cp\u003eIn this edition, arranger Gaetano Di Bacco offers a decidedly musical reading of these essential pages. His goal is not only to help the performer overcome execution difficulties but also to provide a broader understanding of the work: phrasing breath, direction of the discourse, balance of tensions, and a clear perception of formal architecture.\u003c\/p\u003e\u003cp\u003eThe major specificity of this work lies in the creation of a piano part. Conceived as a true partner, it highlights harmonic progressions and supports the saxophone line with a singing logic. This contextualization transforms daily practice into a chamber music experience and allows these études to be approached as concert repertoire, beyond mere exercises.\u003c\/p\u003e\u003cp\u003eDi Bacco claims an aesthetic inspired by \"bel canto\": priority to vocality, legato, flexibility, and elegance of line. He also chooses not to impose strict metronomic markings, letting the piano accompaniment naturally suggest the tempo and character unique to each étude. Finally, the dedication to Claude Delangle underlines this edition's roots in the great saxophone school and in a demanding artistic approach.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFranz Wilhelm Ferling\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFor saxophone and piano\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArranger\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGaetano Di Bacco\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Billaudot","offers":[{"title":"Default Title","offer_id":54359877681427,"sku":"266870","price":29.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/eb3f192413c74911b3ff1b37bc8294a84384d998_GB9596.jpg?v=1789448542","url":"https:\/\/woodbrass.shop\/products\/billaudot-ferling-f-w-48-etudes-op-31-vol-2-alto-saxophone-and-piano-266870","provider":"Woodbrass.com","version":"1.0","type":"link"}