{"product_id":"billaudot-moz-gang-concerto-en-fa-majeur-d-apres-kv-538-315-et-368-390173","title":"Moz Gang - Concerto En Fa Majeur D'Apres Kv 538 315 Et 368","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003eIn November 1778, Mozart stayed in Mannheim and sketched a \u003cstrong\u003esecond oboe concerto in F major\u003c\/strong\u003e, one year after completing his concerto in C major KV 314 (early 1777), the only oboe concerto that has come down to us in its entirety. From this F major project, only an \u003cstrong\u003einitial tutti\u003c\/strong\u003e followed by the \u003cstrong\u003ebeginning of the solo\u003c\/strong\u003e remain: the exact genesis remains unknown, as does the reason for its abandonment, but the work might be linked to the meeting with \u003cstrong\u003eFriedrich Ramm\u003c\/strong\u003e, an oboist praised by Mozart for the purity of his sound.\u003c\/p\u003e\u003cp\u003eStarting from this point, this score offers a particularly appealing musical reinterpretation: rather than attempting a conjectural reconstruction, the choice was made to \u003cstrong\u003eshape a coherent concerto\u003c\/strong\u003e by drawing from the richness of Mozart's vocal repertoire. Two arias in F major, originally written for soprano, are thus integrated into the soloist's journey: \u003cstrong\u003eKV 538 \"Ah se il ciel, begnine stelle\"\u003c\/strong\u003e and \u003cstrong\u003eKV 638 \"Ma que vi fece\"\u003c\/strong\u003e, here presented \u003cstrong\u003ewithout the initial recitative\u003c\/strong\u003e. Their writing, close to instrumental virtuosity in the same register, offers the oboe ideal material to develop a \"cantabile\" playing style that is precise, bright, and expressive.\u003c\/p\u003e\u003cp\u003eFor the central movement, the \u003cstrong\u003eAndante KV 315\u003c\/strong\u003e (originally in C major) is \u003cstrong\u003elowered by a whole tone\u003c\/strong\u003e to establish a classical tonal relationship around F and B-flat. This movement, of \u003cstrong\u003emagical purity\u003c\/strong\u003e, highlights the line, breath, and sonic balance, while leaving the soloist the necessary space to cultivate nuance and continuity of the melody. An excellent opportunity for any oboist to move within a Mozart that is both elegant, lively, and ever-renewing.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eWolfgang Amadeus Mozart\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eclassical score\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eoboe and orchestra\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Billaudot","offers":[{"title":"Default Title","offer_id":54361834979603,"sku":"390173","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/862a59607e4c8d89cba443cf4904dbbe75d367b0_GB10279.jpg?v=1789461563","url":"https:\/\/woodbrass.shop\/products\/billaudot-mozart-wolfgang-amadeus-concerto-en-fa-majeur-d-apres-kv-538-315-et-368-390173","provider":"Woodbrass.com","version":"1.0","type":"link"}