{"product_id":"billaudot-zavaro-pascal-les-empires-de-la-lune-390216","title":"Zavaro Pascal - Les Empires De La Lune","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003eThis original contemporary work offers an experience of \"music without instruments\" structured in five movements: \u003cstrong\u003eToucher\u003c\/strong\u003e (Touch), \u003cstrong\u003eGoûter\u003c\/strong\u003e (Taste), \u003cstrong\u003eRegarder\u003c\/strong\u003e (Look), \u003cstrong\u003eHumer\u003c\/strong\u003e (Smell), and \u003cstrong\u003eÉcouter\u003c\/strong\u003e (Listen). The conductor, placed among the performers and \u003cstrong\u003ewith their back to the audience\u003c\/strong\u003e, acts both as an arbiter and officiant, organizing the collective energy and precision of interventions. The movements flow \u003cstrong\u003ewithout interruption\u003c\/strong\u003e, reinforcing the sense of stage ritual and continuity of listening.\u003c\/p\u003e\u003cp\u003eThe score does not require \"singing\" in the traditional sense: the staves and signs rather describe \u003cstrong\u003erelative intonations of spoken language\u003c\/strong\u003e, vocal playing techniques (mouth noises, breaths), percussive impacts, and gestural actions. The sonic objective is clearly stated: all emitted sounds must remain \u003cstrong\u003efull\u003c\/strong\u003e and homogeneous, which implies both individual and collective preparation, in terms of technique as well as concentration. Silences are never neutral: they must be \u003cstrong\u003einhabited\u003c\/strong\u003e by attentive presence, like a suspended tension \"towards the Moon.\"\u003c\/p\u003e\u003cp\u003eEach movement imposes a specific color. In \u003cstrong\u003eToucher\u003c\/strong\u003e, the performer strikes their own body at indicated points, building a structured body percussion. \u003cstrong\u003eGoûter\u003c\/strong\u003e emphasizes mouth, tongue, and swallowing noises, with onomatopoeias to be interpreted as genuine sound materials. \u003cstrong\u003eRegarder\u003c\/strong\u003e is mostly silent: musicians perform like mimes or silent film actors, with deliberately exaggerated gestures and attitudes. \u003cstrong\u003eHumer\u003c\/strong\u003e highlights breathing noises, breaths, and airy sonorities, while \u003cstrong\u003eÉcouter\u003c\/strong\u003e creates a stage unease directed towards the flies (stage rigging), and also functions as a \"potpourri\" recapitulating previous playing techniques. Commissioned by the \u003cstrong\u003eConservatoire Maurice Ravel (Paris)\u003c\/strong\u003e, this score is particularly aimed at ensembles, conservatories, and creative workshops wishing to work on rhythmic precision, fine listening, and the theatricality of sound.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etwo groups of musicians without instruments (with conductor at the center)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLanguage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFrench\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003econtemporary score \/ stage work\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Billaudot","offers":[{"title":"Default Title","offer_id":54359646077203,"sku":"390216","price":14.6,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/b08d62c00c661007c66e9a5a25d50a1d6d5f2d40_GB10466_5ddf428b-37e7-45fa-9995-1b75eac8f0f2.jpg?v=1789478653","url":"https:\/\/woodbrass.shop\/products\/billaudot-zavaro-pascal-the-empires-of-the-moon-390216","provider":"Woodbrass.com","version":"1.0","type":"link"}