{"product_id":"boss-slicer-sl-2-370645","title":"Slicer SL-2","description":"\u003ch3\u003eFrom the SL-20 to the SL-2: The Slicer Spirit, Pedalboard Version\u003c\/h3\u003e\u003cp\u003eThe SL-2 takes up the cult concept at BOSS: \"slicing\" the signal into rhythmic slices to create an instant pulse, as if your guitar, synth, or loop became a groove instrument in its own right. Designed as a modern evolution of the SL-20, it retains the Slicer DNA while adopting a compact BOSS format, easier to integrate on a pedalboard and faster to use on stage.\u003c\/p\u003e\u003cp\u003eThanks to current digital processing, the SL-2 offers single or dual Slicer paths, enriched with internal filters and effects. The result: more lively, denser, and more varied patterns, with a real sense of movement, especially spectacular when switching to stereo.\u003c\/p\u003e\u003ch3\u003eA Pedal for Groove Creators: Guitar, Keyboards, Loops, DJs, and Beatmaking\u003c\/h3\u003e\u003cp\u003eThe BOSS SL-2 is aimed at anyone who wants to add a rhythmic dimension to their sound without programming for hours. For a guitarist, it's an idea accelerator: chopped riffs in electro-rock style, syncopated arpeggios, pulsed ambient textures, or tremolo perfectly locked to the tempo. For a keyboardist, it transforms pads and chords into percussive sequences, ideal for pop, synthwave, techno, house, or soundtrack music.\u003c\/p\u003e\u003cp\u003eIn the studio, it serves both to generate precise patterns and to create controlled accidents (Random modes and stereo processing) to thicken an arrangement. Live, the Tap Tempo and memories allow quick switching between patterns, with reliable sync to a drum machine or MIDI setup.\u003c\/p\u003e\u003ch3\u003eControls, Memories, Stereo, and Sync: An SL-2 Designed to Play, Not Just Program\u003c\/h3\u003e\u003cp\u003eThe SL-2's ergonomics are designed to sculpt the pattern in real time. The \u003cstrong\u003eAttack\u003c\/strong\u003e and \u003cstrong\u003eDuty\u003c\/strong\u003e settings are at the heart of the feel: Attack adjusts the attack of each \"slice\" (from very sharp to softer), while Duty sets the slice length (short, percussive pulses or longer, musical blocks). The \u003cstrong\u003eTempo\u003c\/strong\u003e control allows locking the pulse, and the footswitch gives access to \u003cstrong\u003eTap Tempo\u003c\/strong\u003e for ear synchronization on the fly.\u003c\/p\u003e\u003cp\u003eNavigation via \u003cstrong\u003eTYPE\u003c\/strong\u003e and \u003cstrong\u003eVARIATION\u003c\/strong\u003e provides access to pattern families and their variations, while \u003cstrong\u003eBalance\u003c\/strong\u003e manages the blend between dry and effect sound. The overall effect level has a range of \u003cstrong\u003e+\/-12 dB\u003c\/strong\u003e, handy for maintaining consistent volume when switching from a dry sound to a heavily sliced pattern. For further customization, the \u003cstrong\u003eUSB\u003c\/strong\u003e connection to BOSS Tone Studio lets you listen to, load, and organize additional patterns, and optimize your memories per song.\u003c\/p\u003e\u003cp\u003eRegarding integration, the SL-2 supports \u003cstrong\u003emono\u003c\/strong\u003e or \u003cstrong\u003estereo\u003c\/strong\u003e configurations, with stereo output modes ranging from simple double-mono (Fixed) to animated panning (Ping-Pong, Auto) and spatial treatments (3D Cross, 3D Rotation). It also features a \u003cstrong\u003eMIDI IN\u003c\/strong\u003e stereo mini-jack (TRS) input for clock sync and Control Change reception, and a \u003cstrong\u003eCTL\/EXP\u003c\/strong\u003e jack to add two footswitches or an expression pedal depending on your playing style.\u003c\/p\u003e\u003ch3\u003eSound\u003c\/h3\u003e\u003cp\u003eThe SL-2 does not \"color\" your sound like an overdrive or fuzz: it \u003cstrong\u003estructures\u003c\/strong\u003e it. The result strongly depends on your attack, playing dynamics, and the Attack\/Duty settings. With a guitar on clean tones, you get sharp, punchy, and precise grooves, perfect for modern rhythms. With distorted sounds, the slices become thicker and more aggressive, ideal for mechanical riffs or industrial atmospheres.\u003c\/p\u003e\u003cp\u003eIn stereo, the pedal takes on another dimension: the sensation of space and movement becomes part of the groove as much as an effect. Random and 3D modes bring a \"living\" and surprising impression, while EFX\/Direct is excellent for separating a dry sound from a processed one (for example, sending to two amps or two interface inputs) and keeping a clear mix.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTremolo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDigital\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGreen\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:11;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSampling rate\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e48 kHz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum output level (OUTPUT A (MONO), OUTPUT B)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+7 dBu\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:12;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAD Conversion\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e24 bits + AF method (Adaptive Focus method)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOutput impedance (OUTPUT A (MONO), OUTPUT B)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1 k?\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:13;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDA Conversion\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e32 bits\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRecommended load impedance (OUTPUT A (MONO), OUTPUT B)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e10 k? or more\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:14;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of models\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e88\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eReference\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e0 dBu = 0.775 Vrms\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:15;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eOverall effect level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+\/-12 dB\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePotentiometers \/ controls\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTYPE, VARIATION, ATTACK, DUTY, TEMPO, BALANCE\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:16;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eStereo output modes\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFixed, EFX\/Direct, Random, Ping-Pong, Auto, 3D Cross, 3D Rotation\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eINPUT A (MONO), INPUT B on 6.35mm Jack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:7;--wb-r:17;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNominal input level (INPUT A (MONO), INPUT B)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-20 dBu\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOutputs\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eOUTPUT A (MONO), OUTPUT B on 6.35mm Jack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:8;--wb-r:18;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaximum input level (INPUT A (MONO), INPUT B)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e+7 dBu\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCTL\/EXP\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6.35mm TRS Jack\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:9;--wb-r:19;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInput impedance (INPUT A (MONO), INPUT B)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1 M?\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMIDI IN\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estereo mini-jack (TRS)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:10;--wb-r:20;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNominal output level (OUTPUT A (MONO), OUTPUT B)\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e-20 dBu\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUSB\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eUSB B\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Boss","offers":[{"title":"Default Title","offer_id":54361032196371,"sku":"370645","price":147.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/a43dc25e206eb6eed5295969b36928b9f7ef13cb_BOSS_SL2.jpg?v=1789403857","url":"https:\/\/woodbrass.shop\/products\/boss-slicer-sl-2-370645","provider":"Woodbrass.com","version":"1.0","type":"link"}