{"product_id":"collision-devices-crushturnal-393728","title":"Crushturnal","description":"\u003ch3\u003eA Collision Devices Ambient Pedal Designed to Go Beyond Classic Shimmer\u003c\/h3\u003e\u003cp\u003eThe Crushturnal fits within Collision Devices' \"ambient\" and experimental approach: creating expressive, rich, and sometimes unpredictable effects capable of dressing a guitar, synth, or studio source. Its \u003cstrong\u003eAmbience\u003c\/strong\u003e section captures the spirit of a bright reverb with cascading pitch inspired by shimmer, while the \u003cstrong\u003eDigital Repeater\u003c\/strong\u003e pushes digital delay toward sample manipulation and resolution reduction. The whole is centered around a common clock, then animated by a \u003cstrong\u003esequencer\u003c\/strong\u003e that transforms clock speed into musical variations.\u003c\/p\u003e\u003ch3\u003eFor Which Musicians and Uses?\u003c\/h3\u003e\u003cp\u003eThe Collision Devices Crushturnal is aimed at guitarists and texture creators who enjoy sculpting space: post-rock, ambient, shoegaze, drone, film music, experimental electronic, as well as any situation where a delay\/reverb becomes a full-fledged instrument. Live, it excels at building pads, breathing life into a theme, or creating spectacular transitions between songs. In the studio, it becomes a \u003cstrong\u003esound design\u003c\/strong\u003e tool: you can freeze a sense of movement, dirty an echo with a lo-fi aesthetic, or generate unstable rhythmic patterns thanks to the sequencer.\u003c\/p\u003e\u003cp\u003eRegarding skill level, it suits both intermediate musicians (looking for an inspiring and immediate pedal) and advanced users (seeking limit zones, self-oscillation, granular textures, and fast modulations). If you like pedals that respond to playing and settings, and can shift from ethereal to \"broken,\" the Crushturnal clearly fits this philosophy.\u003c\/p\u003e\u003ch3\u003eControls, Sections, and Interactions: An Architecture Built for Exploration\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eAmbience\u003c\/strong\u003e (white controls) is a cathedral-type reverb with a bright and expressive character, enriched with cascading pitch effects. It offers \u003cstrong\u003eFX Level\u003c\/strong\u003e (reverb volume), \u003cstrong\u003eDiffusion\u003c\/strong\u003e (release and density of the tail), and \u003cstrong\u003eFilter\u003c\/strong\u003e (cutoff frequency of a low-pass filter to soften or brighten the high end).\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDigital Repeater\u003c\/strong\u003e (gray controls) combines digital delay and sample manipulation. The idea: a \"robotic\" sounding repeater where each repetition can be sampled then \"reduced\" to achieve a rawer, more granular, or intentionally degraded texture. Controls include \u003cstrong\u003eFX Level\u003c\/strong\u003e (delay volume and sample rate action), \u003cstrong\u003eTime\u003c\/strong\u003e (time between repetitions), \u003cstrong\u003eFeedback\u003c\/strong\u003e (number of repeats), \u003cstrong\u003eSample Rate\u003c\/strong\u003e (sample rate of the sample reducer), and \u003cstrong\u003eCrush\u003c\/strong\u003e (mix of delay and dry signal, then sent to the sample reducer).\u003c\/p\u003e\u003cp\u003eThe heart of the instrument is the large \u003cstrong\u003eClock\u003c\/strong\u003e knob (orange): it controls the processor's clock and influences both the length of the reverb and delay, as well as behavior related to sample rate. Result: a single gesture can shift from a spacious and clean environment to a more unstable, textured world, with a sense of \"pitch\" and transformation linked to clock changes.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSequencer\u003c\/strong\u003e (orange controls) adds a step dimension to the Clock control. It simulates clock movement according to selected musical intervals and rate, allowing rhythmic and harmonic variations. \u003cstrong\u003eRate\u003c\/strong\u003e sets the sequencer speed (from 2 seconds to 5 milliseconds), with the possibility at high speed to introduce behaviors close to ring modulation. \u003cstrong\u003eStep Size\u003c\/strong\u003e adjusts the amplitude of the step intervals: each new step abruptly changes the processor frequencies by multiplying the clock control frequency, generating a musical interval. \u003cstrong\u003eMode\u003c\/strong\u003e determines direction and number of steps through different modes, producing more or less predictable cycles.\u003c\/p\u003e\u003cp\u003eTo integrate the Crushturnal into a modern pedalboard or creative setup, the sequencer section also offers control tools: \u003cstrong\u003eCV\/Exp input\u003c\/strong\u003e to control the clock, \u003cstrong\u003eCV output\u003c\/strong\u003e to control other devices, \u003cstrong\u003etap tempo\u003c\/strong\u003e, and \u003cstrong\u003eSync input\u003c\/strong\u003e to set the speed. This allows synchronizing your textures, locking a groove, or conversely provoking perfectly intentional creative slips.\u003c\/p\u003e\u003ch3\u003eSound\u003c\/h3\u003e\u003cp\u003eThe Crushturnal has a decidedly \u003cstrong\u003eambient\u003c\/strong\u003e and cinematic personality: the Ambience reverb evokes large spaces, with a \"celestial\" brightness and pitch cascades adding a harmonic dimension. The Digital Repeater provides contrast: a digital delay capable of remaining clear but especially transforming into lo-fi material thanks to sample reduction and sample rate settings. Combining both yields reverb tails that seem to sing, repetitions that fragment, and pads that can become moving, granular, or intentionally \"crushed.\"\u003c\/p\u003e\u003cp\u003eThe dynamic is ideal for expressive playing: adjusting Filter, Sample Rate, and Clock shifts from a soft, enveloping sound to a more abrasive, \"degraded digital\" aesthetic. The sequencer adds a sense of a living effect: stair-step pitch and texture variations, looping patterns, and extreme accelerations flirting with metallic textures and radical modulations.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eReverb, Delay, Multi-effects\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTechnology\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDigital\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eWhite\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEQ\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFilter\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:10;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAmbient effect pedal\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ereverb \/ digital delay \/ sample reducer \/ clock sequencer\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eClock\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eprocessor clock affecting reverb and delay length and sample rate\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:11;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003e3-section architecture\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAmbience (white), Digital Repeater (gray), Sequencer (orange)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRate\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esequencer speed (2 seconds to 5 milliseconds), with extreme behaviors possible at high speed\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:12;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFX Level\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ereverb volume\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eStep Size\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estep amplitude, creating musical intervals via multiplication of the clock control frequency\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:13;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDiffusion\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ereverb release\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eMode\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edirection and number of steps through various modes\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:14;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFilter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003elow-pass filter cutoff frequency\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eTap tempo\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003espeed control\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:6;--wb-r:15;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTime\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etime between repetitions\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSync Input\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003espeed synchronization\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:7;--wb-r:16;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFeedback\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003enumber of repeats\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCV\/Exp Input\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eclock control\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:8;--wb-r:17;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSample Rate\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esample rate for the sample reducer\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCV Output\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003econtrol of other devices\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:9;--wb-r:18;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCrush\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edelay\/dry signal mix, then sent to the sample reducer\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRequired power supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9V DC (pedal power supply)\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Collision Devices","offers":[{"title":"Default Title","offer_id":54357390098707,"sku":"393728","price":389.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/162c5d48020cc0b9e2ade0e03e8b01b5f25c066a_FILLING_CDCTL.jpg?v=1789352312","url":"https:\/\/woodbrass.shop\/products\/collision-devices-crushturnal-393728","provider":"Woodbrass.com","version":"1.0","type":"link"}