{"product_id":"combre-chardonnens-zigana-clarinette-seule-ou-clarinette-et-piano-193101","title":"Chardonnens - Zigana - Clarinette Seule Ou Clarinette et Piano","description":"\u003ch3\u003eSummary of This Method\u003c\/h3\u003e\u003cp\u003eThis clarinet book offers a sequence of exercises and pieces designed as a true practice routine: \u003cstrong\u003eWarm-up I\u003c\/strong\u003e (tone, embouchure flexibility) and \u003cstrong\u003eWarm-up II\u003c\/strong\u003e (staccato) start the session, followed by a series of short pieces, each focused on a specific skill. It notably addresses \u003cstrong\u003eair column support\u003c\/strong\u003e and \u003cstrong\u003ethird passages\u003c\/strong\u003e (\"Entre chien et loup\"), \u003cstrong\u003ephrasing\u003c\/strong\u003e and \u003cstrong\u003esyncopation\u003c\/strong\u003e (\"Zénith\", \"Crépuscule\"), control of \u003cstrong\u003edynamics\u003c\/strong\u003e in 3\/8 (\"Pieds nus\"), as well as coordination and right\/left hand separation in 6\/8 (\"Déchirant\").\u003c\/p\u003e\u003cp\u003eThe method goes further with very practical playing situations: work on the \u003cstrong\u003ehigh register\u003c\/strong\u003e and rhythm (\"Danse des tricotets\", \"La Roulotte\"), chromaticism and phrase shaping (\"Un brin de rien\"), vibrato and low register with accompaniment (\"Même pas peur... !\"), accents and rhythmic asymmetry (\"OUla OUps !\", \"Les Saltimbanques\"). Ornaments and style are also included (appoggiaturas, mordents, rubato with \"La Petite bohémienne\", \"Doina\", \"Zigana\"), not to mention specific technical challenges such as \u003cstrong\u003ethumbless fingerings\u003c\/strong\u003e (\"Les Moustiques doppler\") or exploration of \u003cstrong\u003equarter tones \/ stair-step glissandi\u003c\/strong\u003e. Pieces for \u003cstrong\u003etwo clarinets\u003c\/strong\u003e (\"Le Mannelier\", \"Funambule\", \"Jonglages\") develop listening, ensemble playing, and character, culminating in preparation for \u003cstrong\u003e\"Le Serpent et la Mouche\"\u003c\/strong\u003e (contemporary writing).\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMethods\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClarinet (with piano accompaniment on some titles, and pieces for two clarinets)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMethod \/ studies and pedagogical pieces for clarinet\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Combre","offers":[{"title":"Default Title","offer_id":54360683839763,"sku":"193101","price":25.4,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/5bb36566d12f873315d876e5a8e67c590ab7bd4e_C06756.jpg?v=1789444551","url":"https:\/\/woodbrass.shop\/products\/combre-chardonnens-lehmann-sarah-zigana-clarinette-seule-ou-clarinette-et-piano-193101","provider":"Woodbrass.com","version":"1.0","type":"link"}