{"product_id":"combre-jegoux-krug-laurence-le-rythme-au-fil-des-oeuvres-vol-3-41297","title":"JEGOUX-krug Laurence - Le Rythme Au Fil Des Oeuvres Vol.3","description":"\u003ch3\u003eSummary of This Method\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003eRhythm Through the Works\u003c\/strong\u003e is a repertoire designed to place rhythmic practice at the heart of music, serving the reading and performance of scores. Rather than approaching rhythm as an isolated exercise, this work relies on excerpts taken from recognized works, chosen for their character and the importance of the rhythmic element. The student thus works on varied acquisitions, anchored in a genuine musical context.\u003c\/p\u003e\u003cp\u003eThe richness of the collection lies in its concern for diversity: changes in pulse, tempo contrasts, dynamics and articulation play, all parameters that develop rhythmic precision, stability, and responsiveness. This approach encourages a livelier reading, better anticipation of difficulties, and more confident execution, whether in sight-reading, ensemble playing, or within the framework of music theory assessments.\u003c\/p\u003e\u003cp\u003eFrom a pedagogical standpoint, the book offers the teacher great freedom of use. The excerpts can be approached through listening and memorization, then through imitation (spoken, struck, or danced) before moving on to reading and reproduction. The continuity between perception, body, voice, and instrument helps consolidate reflexes, refine timing, and make rhythmic work more concrete and motivating.\u003c\/p\u003e\u003cp\u003eFinally, this manual also aims to awaken curiosity: by encouraging students to explore the works from which the examples are taken, it invites them to discover sometimes lesser-known composers, guided by their teacher. An effective resource to structure rhythm teaching while enriching musical culture.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTheme\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMusic theory\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAll instruments (rhythmic work, voice and instruments)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLanguage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFrench\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMusic education\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDifficulty\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eEnd of 1st cycle and 2nd cycle\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Combre","offers":[{"title":"Default Title","offer_id":54357693694227,"sku":"41297","price":25.4,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/8c89fb38786813098d03732808ad560320afd68e_UP_C05924.jpg?v=1792537645","url":"https:\/\/woodbrass.shop\/products\/combre-jegoux-krug-laurence-rhythm-through-the-works-vol-3-41297","provider":"Woodbrass.com","version":"1.0","type":"link"}