{"product_id":"combre-jegoux-krug-laurence-le-rythme-au-fil-des-oeuvres-vol-6-41462","title":"JEGOUX-krug Laurence - Le Rythme Au Fil Des Oeuvres Vol.6","description":"\u003ch3\u003eSummary of This Book\u003c\/h3\u003e\u003cp\u003e\u003cem\u003eRhythm Through the Works\u003c\/em\u003eis a repertoire designed for music theory students who wish to strengthen their sense of rhythm in direct connection with musical language. Here, rhythmic practice is not limited to abstract formulas: each exercise is placed within a context of listening and interpretation, serving the reading and performance of scores. This approach makes the work more concrete, more lively, and promotes solid progress in mastering pulse, durations, articulations, and contrasts.\u003c\/p\u003e\u003cp\u003eThe book stands out for its constant concern with diversity. The examples cover a wide range of styles, periods, and characters to train the ear and body to respond to varied musical situations. From Purcell to Messiaen, the student explores rhythms carried by different writings and aesthetics, while traversing nuances of tempo and expression: from largo to presto, from piano to forte, from legato to staccato. The selected excerpts come from characteristic works in which the rhythmic element plays a primary role, naturally enhancing musical understanding and reading quality.\u003c\/p\u003e\u003cp\u003eFor the teacher, this collection opens up a very broad field of use: listening and memorization work, imitation (spoken, tapped or danced), rhythmic reading, then sung or instrumental reproduction. It thus becomes an effective support to structure a solfège\/music theory session, vary pedagogical situations, and connect rhythm to real music. Finally, \u003cem\u003eRhythm Through the Works\u003c\/em\u003eencourages curiosity: it inspires students to explore the works from which the examples are taken and to discover sometimes lesser-known composers, guided by the teacher.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTheme\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMusic theory\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eall instruments\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eLanguage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eFrench\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emusic theory\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Combre","offers":[{"title":"Default Title","offer_id":54357202043155,"sku":"41462","price":29.75,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/f52bc29fd5c38f57f5c68002c7c7eb008d81a85d_C06332.jpg?v=1789452978","url":"https:\/\/woodbrass.shop\/products\/combre-jegoux-krug-laurence-rhythm-through-the-works-vol-6-41462","provider":"Woodbrass.com","version":"1.0","type":"link"}