{"product_id":"contemporanea-c-reb05-rebolo-10-x-50cm-conique-bois-6-tir-222363","title":"C-REB05 - REBOLO 10\" X 50CM CONICAL WOOD - 6 TIR.","description":"\u003ch3\u003eHistorical Context and Positioning in the Range\u003c\/h3\u003e\u003cp\u003eA membranophone originating from \u003cstrong\u003esamba-pagode\u003c\/strong\u003e, the rebolo belongs to the family of cylindrical drums used to carry the pulse and anchor the groove. Its smaller size, while still focused on \"bass,\" meets a very concrete need: to replicate the foundation of a surdo in a \u003cstrong\u003emore mobile\u003c\/strong\u003e instrument, easier to integrate into close playing setups typical of pagode.\u003c\/p\u003e\u003cp\u003eOften described as \"identical to the tantam, but smaller,\" it positions itself as a practical alternative for percussionists who want to maintain a foundational rhythmic role without the bulk of a large batucada drum.\u003c\/p\u003e\u003ch3\u003eWho This Drum\/Rebolo Is For\u003c\/h3\u003e\u003cp\u003eThe rebolo is aimed at \u003cstrong\u003ebeginner to advanced\u003c\/strong\u003e musicians: its handling is intuitive (direct strikes, repetitive patterns), but it quickly becomes a very nuanced instrument once dynamics, accents, and placement are worked on. It is ideal for styles where the low end must remain present without overpowering the rest of the ensemble: \u003cstrong\u003esamba-pagode\u003c\/strong\u003e, samba de roda, roda de pagode, and more broadly any situations where a short, punchy bass is sought.\u003c\/p\u003e\u003cp\u003eIn a group setting, it naturally finds its place alongside other Brazilian percussion instruments (pandeiro, repique de mão, tantan), and can also bring an original color in more modern contexts (fusion, pop, urban music) thanks to its very characteristic \"head + body\" playing style.\u003c\/p\u003e\u003ch3\u003eFeatures and Innovations\u003c\/h3\u003e\u003cp\u003eThe uniqueness of this instrument lies in its \u003cstrong\u003edual playing surface\u003c\/strong\u003e. The hand working on the head produces the fundamental tone and variations in striking tension, while the other hand, by striking the body (wood or metal), adds a drier attack and immediate rhythmic relief. This complementarity allows alternating between a round bass, sharper slaps, and percussive effects close to a \"rim\" depending on the striking area and intensity.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003esynthetic leather (napa) head\u003c\/strong\u003e greatly contributes to the sound: it promotes a present and stable bass with a homogeneous response, useful for maintaining a steady groove over time. Its more compact size compared to the tantam enhances practicality: transport, quick setup, and comfortable playing whether seated or standing depending on use.\u003c\/p\u003e\u003ch3\u003eSound\u003c\/h3\u003e\u003cp\u003eThe rebolo is designed to hold a \u003cstrong\u003efoundational\u003c\/strong\u003e role: a clear bass, a readable attack, and a response that remains musically usable even at low volume. The napa head, noted for \"reinforcing the bass,\" contributes to a denser and more immediate low end sensation, particularly appreciated in samba-pagode where the foundation must remain constant yet agile.\u003c\/p\u003e\u003cp\u003eThe choice of \u003cstrong\u003ewood or metal body\u003c\/strong\u003e influences projection and tone. A wooden body tends to offer a warmer, more organic feel, with a slightly softer attack and often a rounder sound. A metal body generally provides more brightness, more direct projection, and more incisive strikes on the shell, useful when the pattern needs to stand out in a dense ensemble. In both cases, alternating head\/shell playing allows precise sound sculpting by playing on contrasts between bass, slaps, and percussive textures.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrument size\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSmall\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eSkin type\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSynthetic\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eCategory\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBrazilian\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDepth\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e50 cm\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eRebolo\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eNatural\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ewood\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDiameter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e10 \u0026quot;\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFamily\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emembranophone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eTechnique\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eone hand strikes the head while the other hand strikes the body of the instrument\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecylindrical drum\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eComparison\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eidentical to the tantam, but smaller\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:9;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMain use\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esamba-pagode\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRole\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edesigned to substitute the surdo in samba-pagode (more manageable and portable)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:4;--wb-r:10;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eBody material\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ewood or metal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOrigin\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esamba-pagode\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:5;--wb-r:11;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eAdditional playing surface\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epossible to strike the body (wood or metal) in addition to the head\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRecommended styles\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esamba-pagode and associated repertoires seeking a compact low-end foundation\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:6;--wb-r:12;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDesired sound\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ebass reinforcement\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Contemporanea","offers":[{"title":"Default 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