{"product_id":"contemporanea-c-tim7-timbal-14-x-8cm-alu-8-tir-pro-410753","title":"C-TIM7 - Timbal 14\" x 8cm aluminum - 8 rods. - Pro","description":"\u003ch3\u003eHistorical Context and Positioning in the Range\u003c\/h3\u003e\u003cp\u003eBorn and popularized in \u003cstrong\u003eSalvador de Bahia\u003c\/strong\u003e, the timbal has established itself at the heart of Afro blocks and street ensembles as a percussion instrument that is both modern and deeply rooted in local culture. It has become one of the sonic markers of \u003cstrong\u003etimbalada\u003c\/strong\u003e and, more broadly, the \u003cstrong\u003esamba-reggae\u003c\/strong\u003e aesthetic: a powerful, festive playing style crafted to \"carry\" amidst a full ensemble. In a Brazilian bateria, it holds a unique place, halfway between a rhythmic foundation instrument and a language instrument, capable of dialoguing with other percussion and reigniting the group's energy.\u003c\/p\u003e\u003ch3\u003eWho This Drum Is For\u003c\/h3\u003e\u003cp\u003eThis timbal is aimed at \u003cstrong\u003ebeginners and advanced percussionists\u003c\/strong\u003e looking for an immediately musical instrument, simple to understand but rich enough to develop a true playing signature. In a group setting, it shines in \u003cstrong\u003ebatucadas\u003c\/strong\u003e, parades, street performances, and ensemble rehearsals, where projection and attack precision make the difference. Style-wise, it is naturally comfortable in \u003cstrong\u003esamba-reggae\u003c\/strong\u003e and timbalada, but also suits any music requiring a mobile, lively, and expressive percussion, including amplified stage settings. The \u003cstrong\u003ebare-hand playing\u003c\/strong\u003e will also appeal to musicians who prioritize nuance, articulation, and \"touch\" rather than a purely hammered approach.\u003c\/p\u003e\u003ch3\u003eFeatures and Innovations\u003c\/h3\u003e\u003cp\u003eA membranophone with a \u003cstrong\u003econical shell\u003c\/strong\u003e, the timbal is designed to offer two complementary registers on a single instrument. The central area favors a round and solid \u003cstrong\u003ebass\u003c\/strong\u003e to anchor the pulse, while the edges allow for sharper \u003cstrong\u003ehigh sounds\u003c\/strong\u003e, ideal for fast phrases, accents, and calls. This clear distribution of striking zones helps structure group playing and makes intentions readable, even within a dense formation.\u003c\/p\u003e\u003cp\u003eIts \u003cstrong\u003elightweight design\u003c\/strong\u003e addresses the demands of playing on the move: less fatigue over time, better agility to chain breaks, and a freer sensation in the upper body. The \u003cstrong\u003estrap carrying\u003c\/strong\u003e stabilizes the instrument, facilitating consistent strikes while walking, turning, or moving within a formation. The result: a timbal designed for real performance-played outdoors, loud, long, and with a smile-without sacrificing control.\u003c\/p\u003e\u003ch3\u003eSound\u003c\/h3\u003e\u003cp\u003eThe \u003cstrong\u003econical\u003c\/strong\u003e shape plays a crucial role in the instrument's response: it promotes a \u003cstrong\u003eclear attack\u003c\/strong\u003e and excellent transient clarity, very useful for cutting through the groove amid other percussion. In bare-hand playing, the timbal particularly highlights zone contrasts: near the edge, you get a more pronounced brightness and ideal precision for calls, while at the center, the skin delivers a broader bass, perfect for grounding the pulse and adding body to the rhythm.\u003c\/p\u003e\u003cp\u003eDepending on the \u003cstrong\u003eshell material\u003c\/strong\u003e (wood, metal, or composite), the character can vary: a more \"absorbing\" shell tends to bring more \u003cstrong\u003ewarmth\u003c\/strong\u003e and roundness, while a more \"responsive\" shell enhances \u003cstrong\u003eprojection\u003c\/strong\u003e and attack clarity. In all cases, the instrument's architecture is designed to stand out outdoors and remain intelligible in group settings, including when the timbal is miked or integrated into a sound system.\u003c\/p\u003e\u003cp\u003eIn a \u003cstrong\u003esamba-reggae\u003c\/strong\u003e context, this bass-treble duality allows switching from an accompaniment role to an \u003cstrong\u003eaccentuation\u003c\/strong\u003e role without changing instruments. The timbal then becomes a true engine: it supports the pulse, colors the playing with clear attacks, and actively participates in rhythmic exchanges, from the tightest grooves to the most explosive breaks.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol 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colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFamily\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003emembranophone\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eTransport and playing on the move\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estrap carrying during parades\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePlaying style\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ebare hands\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOrigin and roots\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSalvador de Bahia\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:8;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePlaying principle\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ehigh sounds on the edges and bass sounds in the center\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUsage context\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etimbalada\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:9;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTypical use\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003erhythmic patterns and calls in samba-reggae ensembles\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAssociated rhythms\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esamba-reggae\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr 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