{"product_id":"contemporanea-tamborim-fibre-ginga-6-g-taf01-151737","title":"G-TAF01 TAMBORIM SERIE GINGA FIBRE 6\" BRAZIL2014","description":"\u003ch3\u003eHistorical Context and Positioning in the Range\u003c\/h3\u003e\u003cp\u003eA membranophone often compared to the \"adufe\" in organological studies, the tamborim is part of a history of cultural exchanges where Portuguese influence contributed to its establishment in Brazil. Over time, it has become central to samba schools, becoming one of the most recognizable voices in a batucada ensemble. Its very high tessitura and precise articulation give it the role of a \u003cstrong\u003erhythmic signal\u003c\/strong\u003e: it cuts the groove, highlights calls, emphasizes responses, and makes variations clear even when the ensemble is dense.\u003c\/p\u003e\u003ch3\u003eWho This Tamborim Is For\u003c\/h3\u003e\u003cp\u003eThe tamborim is very suitable for \u003cstrong\u003ebeginners\u003c\/strong\u003e: it is straightforward to handle and quickly rewards clean technique (attack, rebound, placement). It then becomes a fantastic playground for \u003cstrong\u003eintermediate\u003c\/strong\u003e and \u003cstrong\u003eexpert\u003c\/strong\u003e percussionists, as it requires developing speed, endurance, and control of accents at fast tempos while maintaining stable dynamics. If you play samba, bossa nova, or pagode, it naturally integrates into your set\u0026#59; and if you perform pop, world music, or Latin styles, it adds a \u003cstrong\u003ecutting\u003c\/strong\u003e color that easily cuts through the mix whenever a rhythmic pattern needs to stand out clearly.\u003c\/p\u003e\u003ch3\u003eFeatures and Innovations\u003c\/h3\u003e\u003cp\u003eThe tamborim's personality comes from a simple and effective balance: a \u003cstrong\u003every tightly stretched synthetic head\u003c\/strong\u003e combined with a left-hand technique that transforms the instrument into a true ornamentation tool. By placing the middle finger under the head, you can influence the sensation of tension and response, allowing you to \u003cstrong\u003enuance\u003c\/strong\u003e the sharpness, harden the attack, or conversely slightly round off the stroke. The result: biting accents, lighter notes like \"ghost notes,\" and the typical expressiveness of Brazilian percussion.\u003c\/p\u003e\u003cp\u003eThe stick (wood or plastic) also contributes to comfort and sound. Wood often highlights a more natural attack and familiar feel, while plastic can favor a livelier sensation and very clear articulation depending on your technique. Finally, the choice of shell clearly directs your tone: \u003cstrong\u003efiber\u003c\/strong\u003e favors lightness and consistency (practical for long sessions), \u003cstrong\u003ewood\u003c\/strong\u003e brings a more organic presence and subtle warmth, and \u003cstrong\u003emetal\u003c\/strong\u003e enhances brightness and definition when you need to \"cut through\" a dense ensemble.\u003c\/p\u003e\u003ch3\u003eSound\u003c\/h3\u003e\u003cp\u003eThe tamborim is designed to speak fast and loud in the upper spectrum: \u003cstrong\u003eclear attack\u003c\/strong\u003e, short sustain, and focused projection. The high tension of the head produces the characteristic \"clack\" sought after in samba, with articulation that remains clean even as the tempo accelerates. This behavior makes the instrument highly effective for fast sequences, syncopated accents, and phrasing variations that bring a batucada to life.\u003c\/p\u003e\u003cp\u003eThe shell material refines the color and feel under the hand. A \u003cstrong\u003emetal\u003c\/strong\u003e shell emphasizes brightness and attack precision, with an immediate presence ideal for very energetic contexts. \u003cstrong\u003eWood\u003c\/strong\u003e slightly softens the upper spectrum and adds a warmer impression, appreciated when seeking a more blended integration. \u003cstrong\u003eFiber\u003c\/strong\u003e offers a modern, stable, and consistent sound, useful for maintaining constant articulation and homogeneous response over time, both in rehearsal and on stage.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] 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style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eRed\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaterial\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esynthetic\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eFinishing\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGlossy\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSkin type\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSynthetic\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDiameter\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e6 \u0026quot;\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHead\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esynthetic, very high tension\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eModulation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eleft-hand middle finger placed under the head to vary timbre and pitch\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:6;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eShell\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003echoice of fiber, wood, or metal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOrigin\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eArab influence (\u0026quot;adufe\u0026quot;), introduced to Brazil by the Portuguese\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eHeld\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eleft hand\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eStyles\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esamba, bossa nova, pagode, and Brazilian percussion\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:8;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePlayed\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ewooden or plastic stick held in the right hand\u003c\/td\u003e\u003ctd data-r 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