{"product_id":"contemporanea-timbal-14-x-80cm-bois-vernis-8-tir-pro-410751","title":"Timbal 14\" x 80cm - varnished wood - 8 rods. - Pro","description":"\u003ch3\u003eHistorical Context and Positioning in the Range\u003c\/h3\u003e\u003cp\u003eBorn and popularized in \u003cstrong\u003eSalvador de Bahia\u003c\/strong\u003e, the timbal has established itself at the heart of street formations and afro blocks, becoming one of the most recognizable sonic signatures of the \u003cstrong\u003etimbalada\u003c\/strong\u003e. Within the aesthetic of \u003cstrong\u003esamba-reggae\u003c\/strong\u003e, it holds a central role: a percussive, powerful, and danceable playing style designed to \"carry\" outdoors and interact with other percussion instruments in a Brazilian drum kit. Its conical shape and playing logic (center\/edges) make it an instrument that is both direct, spectacular, and extremely effective within an ensemble.\u003c\/p\u003e\u003ch3\u003eWho This Drum Is For\u003c\/h3\u003e\u003cp\u003eThis timbal is aimed at \u003cstrong\u003eboth beginner and advanced percussionists\u003c\/strong\u003e seeking an immediately musical, intuitive Brazilian percussion instrument highly oriented towards \u003cstrong\u003eensemble playing\u003c\/strong\u003e. Beginners will find it a formative instrument to work on stroke precision, hand independence, and dynamic control. Advanced musicians will appreciate its ability to chain fast phrases, clear calls, and sharp accents while maintaining a solid bass to anchor the groove.\u003c\/p\u003e\u003cp\u003eIt is particularly comfortable in Brazilian styles (samba-reggae, timbalada), but its projection and responsiveness make it relevant wherever a \u003cstrong\u003emobile\u003c\/strong\u003e and \u003cstrong\u003epresent\u003c\/strong\u003e percussion is needed: batucadas, parades, street performances, ensemble rehearsals, and amplified stages. Thanks to bare-hand playing, it is also suitable for musicians who prioritize \"touch,\" articulation, and nuance, with a palette of timbres achieved simply by the striking zone and intention.\u003c\/p\u003e\u003ch3\u003eFeatures and Innovations\u003c\/h3\u003e\u003cp\u003eAs a membranophone with a \u003cstrong\u003econical shell\u003c\/strong\u003e, this timbal is designed to offer two complementary registers in one instrument: \u003cstrong\u003esharp high sounds\u003c\/strong\u003e when played near the edges, and \u003cstrong\u003erounder low sounds\u003c\/strong\u003e at the center. This setup makes the timbal very effective for building clear rhythmic cells within a group, then instantly switching to call accents without changing instrument or role.\u003c\/p\u003e\u003cp\u003eIts \u003cstrong\u003elightweight design\u003c\/strong\u003e promotes quick handling and limits fatigue during long sessions. In real situations (parades, batucadas, moving performances), playing stability is essential: the \u003cstrong\u003estrap carrying\u003c\/strong\u003e helps maintain a consistent position, keeps the hands free for expressiveness, and secures the instrument during movement. The result: greater endurance, better rhythmic consistency, and cleaner playing even at fast tempos.\u003c\/p\u003e\u003ch3\u003eSound\u003c\/h3\u003e\u003cp\u003eThe \u003cstrong\u003econical\u003c\/strong\u003e shape directly influences the response: it favors a crisp attack and projection that naturally stands out in an ensemble. Played bare-handed, the timbal highlights gesture precision: near the edge, the strike produces \u003cstrong\u003ebrightness\u003c\/strong\u003e and definition ideal for fast phrases, offbeats, and calls\u0026#59; at the center, the instrument delivers a fuller \u003cstrong\u003ebass\u003c\/strong\u003e designed to anchor the pulse and \"drive\" the group.\u003c\/p\u003e\u003cp\u003eIn a samba-reggae context, this duality is a major musical advantage. The timbal can support the groove as a rhythmic engine, then become an \u003cstrong\u003eaccentuation\u003c\/strong\u003e instrument capable of punctuating transitions, announcing breaks, and dialoguing with other sections. Outdoors, its projection aids rhythm clarity\u0026#59; on stage, its articulation remains effective, especially when miked or amplified, as attacks retain their clarity and bass notes maintain presence.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol 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style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:7;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePlaying style\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ebare hands\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eOrigin and roots\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSalvador de Bahia\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:8;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePlaying principle\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ehigh sounds on the edges and low sounds at the center\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUsage context\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003etimbalada\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:9;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eTypical use\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003erhythmic patterns and calls in samba-reggae ensembles\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eAssociated rhythms\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esamba-reggae\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr 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