{"product_id":"death-by-audio-echo-dream-311638","title":"Echo Dream","description":"\u003ch3\u003eAn Echo Dream Designed as an Instrument, at the Heart of Death by Audio's Aesthetic\u003c\/h3\u003e\u003cp\u003eThe Echo Dream 2 embodies the Death by Audio DNA: effects that do not just \"beautify\" the sound but invite you to play with chaos. Here, the delay becomes a playground for experimentation thanks to an intentionally intense modulation section and a fuzz stage capable of mangling the delayed signal. The result is a pedal that fits both in the creative delay family and among texture machines, perfect for crafting a personal sonic signature on a pedalboard.\u003c\/p\u003e\u003ch3\u003eFor Which Guitarists and Styles?\u003c\/h3\u003e\u003cp\u003eThe Death by Audio Echo Dream 2 is aimed at musicians who like to sculpt space and texture: alternative rock, shoegaze, post-rock, indie, ambient, garage, noise guitarists, as well as anyone seeking a \"living\" delay to break out of overly tame repetitions. In the studio, it excels at creating layers, unstable doubles, worn tape effects, and feedback swells controlled by playing dynamics. Live, it's a formidable tool to fill the spectrum between parts, thicken riffs, or transform a simple line into a soundscape with just a few knob turns.\u003c\/p\u003e\u003cp\u003eIts very responsive character also makes it interesting for sources other than guitar: bass (textures and thickening), keyboards and machines (abrasive space-delay effects), or any signal you want to \"dirty\" and animate.\u003c\/p\u003e\u003ch3\u003e\"Out of This World\" Controls: From Clean Delay to Pulverized Signal\u003c\/h3\u003e\u003cp\u003eThe Echo Dream 2 combines a delay section, a fuzz section, and modulation that acts on the delay time to create pitch movements. The \u003cstrong\u003eD Time\u003c\/strong\u003e control sets the delay time (marked in milliseconds) between \u003cstrong\u003e20 ms and 1 second\u003c\/strong\u003e : as you lengthen the delay, the pedal can generate more beating, noise, and distortion, which is part of its charm.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003eFBack\u003c\/strong\u003e knob adjusts the amount of repeats: from a subtle echo to loops that spiral into self-oscillation. Then, the gain section lets you choose how the delayed signal is treated: raise the \u003cstrong\u003eFuzz\u003c\/strong\u003e to go from clean to thick saturation, then adjust \u003cstrong\u003eMaster\u003c\/strong\u003e to set the overall output level and \u003cstrong\u003eDelay\u003c\/strong\u003e to balance the volume of the repeats.\u003c\/p\u003e\u003cp\u003eOn the modulation side, \u003cstrong\u003eSpeed\u003c\/strong\u003e controls the rate and \u003cstrong\u003eDepth\u003c\/strong\u003e the amplitude. At high depth, the oscillation can cause pitch variations of several semitones, perfect for twisted chorus effects, unstable vibrato, or \"cassette\" style drift. Two toggles complete the approach: the left toggle allows a \u003cstrong\u003eclean blend\u003c\/strong\u003e (dry signal + repeats) or, conversely, \u003cstrong\u003ecuts the dry signal\u003c\/strong\u003e to hear only the delay\u0026#59; the right toggle selects a softer modulation or a sharper \u003cstrong\u003esquare wave\u003c\/strong\u003e ideal for stuttering, nervous effects.\u003c\/p\u003e\u003ch3\u003eThe Sound\u003c\/h3\u003e\u003cp\u003eThe Death by Audio Echo Dream 2 has an immediately recognizable signature: a spacious, rich delay that can remain delicate and \"pretty\" if kept moderate, but quickly reveals an abrasive and organic side when pushed. While some delays aim for transparency, this one embraces \u003cstrong\u003ecolor\u003c\/strong\u003e : saturated repeats, expressive modulation, and sometimes unpredictable reactions when delay time is long and feedback high.\u003c\/p\u003e\u003cp\u003eWith dynamic playing, the pedal responds very well to attack: you can keep a light echo to thicken arpeggios, then let the texture drift by turning depth\/speed, or trigger a feedback swell as a transition effect. It's also an excellent tool for modern sounds inspired by pedalboards of artists exploring alternative and experimental textures: it's notably used by \u003cstrong\u003eThom Yorke\u003c\/strong\u003e, \u003cstrong\u003eOmar Rodriguez-Lopez\u003c\/strong\u003e, \u003cstrong\u003eJoe Trohman\u003c\/strong\u003e, and \u003cstrong\u003eJamie Stewart\u003c\/strong\u003e, proof of its prime place when it comes to creating space, movement, and character.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffects\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTremolo, Delay, Fuzz\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eUse\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eelectric guitar\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePedal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eColor\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePurple\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esector\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:8;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMaster\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003econtrols overall volume\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDepth\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esets modulation amplitude on delay time\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:9;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFuzz\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eadjusts gain amount, from clean to fuzzed sound\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRight toggle\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eup for softer waveform, down for sharper square wave\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:10;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDelay\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eadjusts volume of the delayed signal\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e127 x 102 x 51 mm (including hardware)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:4;--wb-r:11;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eD Time\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003econtrols delay time between 20 ms and 1 second\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e595 g\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:5;--wb-r:12;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eFBack\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003econtrols feedback, from repeats to oscillation\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eRequired voltage\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e9V\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:6;--wb-r:13;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eLeft toggle\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eup for clean blend, down to cut dry signal and hear only repeats\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eConsumption\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e40 mA\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:7;--wb-r:14;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eSpeed\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003esets modulation speed\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Death By Audio","offers":[{"title":"Default Title","offer_id":54359653810451,"sku":"311638","price":339.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/5c796d3b7eaab5ec28594956a56e7cdbd34ae84d_DEATHBYAUDIO_ECHODREAMV2.jpg?v=1789382033","url":"https:\/\/woodbrass.shop\/products\/death-by-audio-echo-dream-311638","provider":"Woodbrass.com","version":"1.0","type":"link"}