{"product_id":"digitech-pedale-dod-boneshaker-391769","title":"PEDAL DOD BONESHAKER","description":"\u003ch3\u003eA DOD x Black Arts Toneworks Collaboration Designed for Modern \"Big Sound\"\u003c\/h3\u003e\u003cp\u003eThe Boneshaker embodies DOD's \"innovative and avant-garde\" spirit, with a simple idea: to offer a distortion with a strong personality but above all \u003cstrong\u003eultra-controllable\u003c\/strong\u003e. By entrusting the circuit design to Mark Wentz (Black Arts Toneworks), DOD aims for saturation that can handle high output levels, modern humbuckers, and extended registers, while providing a true sculpting tool thanks to its parametric EQ.\u003c\/p\u003e\u003ch3\u003eWho Is the Boneshaker For, and Which Styles Does It Excel In?\u003c\/h3\u003e\u003cp\u003eThe \u003cstrong\u003eDOD Boneshaker\u003c\/strong\u003e is intended for guitarists and bassists who want a \u003cstrong\u003ethick\u003c\/strong\u003e, \u003cstrong\u003earticulate\u003c\/strong\u003e distortion capable of \u003cstrong\u003ecutting through\u003c\/strong\u003e in a band mix. It excels in hard rock, metal (from modern to more \"old school\"), stoner, grunge, alt-rock, but can also serve as a \"dirty boost\" to thicken an already saturated channel.\u003c\/p\u003e\u003cp\u003eIn the studio, its EQ allows you to quickly find the midrange area that makes a riff stand out or, conversely, to scoop out space for vocals. Live, it's an asset for adapting to an unknown backline: a small frequency adjustment and your tone feels familiar again.\u003c\/p\u003e\u003ch3\u003eControls and Features: A Distortion + a True Sculpting Tool\u003c\/h3\u003e\u003cp\u003eAt the heart of the Boneshaker, you'll find a pair of \u003cstrong\u003eLevel\u003c\/strong\u003e and \u003cstrong\u003eDistortion\u003c\/strong\u003e controls to adjust output volume and gain, complemented by a \u003cstrong\u003eDepth\u003c\/strong\u003e control that reinforces the low-end foundation. What sets it apart is its \u003cstrong\u003e3-band parametric EQ\u003c\/strong\u003e : each band has both a \u003cstrong\u003elevel\u003c\/strong\u003e and a \u003cstrong\u003efrequency\u003c\/strong\u003e control. The result: you don't just add bass or treble\u0026#59; you target \u003cstrong\u003eexactly\u003c\/strong\u003e the zone that transforms your sound (pick attack, \"growl,\" presence, brightness, etc.).\u003c\/p\u003e\u003cp\u003eThe pedal operates in \u003cstrong\u003eTrue Bypass\u003c\/strong\u003e to preserve signal integrity when the effect is off. The connectivity is intentionally simple and effective: \u003cstrong\u003easymmetrical 6.35mm Jack\u003c\/strong\u003e input and output, perfect for quick integration into any pedalboard.\u003c\/p\u003e\u003ch3\u003eThe Sound\u003c\/h3\u003e\u003cp\u003eThe Boneshaker delivers a \u003cstrong\u003edense\u003c\/strong\u003e and \u003cstrong\u003eaggressive\u003c\/strong\u003e distortion, with a gritty edge that can flirt with a \"fuzz\" texture depending on settings. Its strong point is the feeling of control: you can make it sound massive and dark for doom\/stoner, or more tight and cutting for metal rhythms. It responds well to playing dynamics, and its parametric EQ helps maintain clarity even with heavy saturation.\u003c\/p\u003e\u003cp\u003eIn real-world use, the Boneshaker is found in rigs oriented toward rock and powerful sounds: \u003cstrong\u003eDoug Wimbish\u003c\/strong\u003e (Living Colour) has included it in his effects selection, and musicians like \u003cstrong\u003eEric Avery\u003c\/strong\u003e (Jane's Addiction) or \u003cstrong\u003eAce\u003c\/strong\u003e (Skunk Anansie) have also been seen using this pedal. In other words: a tool built for stages where character, level, and a low end that doesn't collapse are essential.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr 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style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEffect\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003edistortion\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003e9V battery\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003enot included\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:7;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e119 x 67 x 57 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