{"product_id":"dover-theodor-leschetizky-fundamental-principles-of-piano-technique-piano-solo-179094","title":"THEODOR LESCHETIZKY FUNDAMENTAL PRINCIPLES OF PIANO TECHNIQUE - PIANO SOLO","description":"\u003ch3\u003eSummary of This Method\u003c\/h3\u003e\u003cp\u003eDerived from the teachings of the renowned pedagogue Theodor Leschetizky, this method compiles working principles recorded by Marie Prentner, a prize-winning student of the master, and presented in an authoritative edition. Designed to structure the pianist's progression, it emphasizes building a solid technique in the service of expressive playing, with precise musical vocabulary and clear objectives at each stage.\u003c\/p\u003e\u003cp\u003eThe first part lays the foundations: finger and hand position, gesture organization, and the pursuit of controlled touch. You will find essential areas of work for regularity and evenness, notably around diatonic and chromatic scales, trills, chords, and arpeggios. The course also extends to essential repertoire techniques: double notes, thirds, fifths, and octaves, to strengthen independence, precision, and power without sacrificing flexibility.\u003c\/p\u003e\u003cp\u003eThe second part focuses on interpretation and musical context. It offers guidelines for playing with style and discernment, notably through advice dedicated to Bach and Handel. The work also addresses fundamentals that transform study into true musical discourse: sense of rhythm, pedal use, melody shaping, and notions of musical culture. A valuable resource for connecting technical work, sound, and intention, whether in training or advanced study.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMethods\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eTheodor Leschetizky\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePiano\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArranger\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMarie Prentner\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePiano method\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Dover","offers":[{"title":"Default Title","offer_id":54358882615571,"sku":"179094","price":18.5,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/2dc6a2ba60986d822307c11da5a477b00d2daa5d_0486442799_09635add-c462-47c0-a512-e669d7a9dcc9.jpg?v=1789478629","url":"https:\/\/woodbrass.shop\/products\/dover-theodor-leschetizky-fundamental-principles-of-piano-technique-piano-solo-179094","provider":"Woodbrass.com","version":"1.0","type":"link"}