{"product_id":"edition-peters-faure-g-3-romances-sans-paroles-op-17-piano-86634","title":"Faure G. - 3 Romances Sans Paroles Op.17 - Piano","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003eIn these \u003cstrong\u003eRomances sans paroles\u003c\/strong\u003e, Fauré already reveals a personal language: singing lines, refined rhythmic flexibility, and above all, sometimes unexpected \u003cstrong\u003emodulations and harmonic progressions\u003c\/strong\u003e that characterize his style. The title evokes the \"Songs without Words\" (Lieder ohne Worte) and suggests a youthful homage to Mendelssohn, while maintaining a fully Fauréan identity. These are the \u003cstrong\u003eonly three pieces\u003c\/strong\u003e that Fauré wrote in this genre, among his earliest published works for piano.\u003c\/p\u003e\u003cp\u003eThis score emphasizes the richness of the original piano text, often underestimated: the performer must simultaneously manage a \u003cstrong\u003every vocal melody\u003c\/strong\u003e and elaborate accompaniments, sometimes distributed in imitation between voices. The writing, dense and subtle, can even approach the study in some respects, as it demands hand independence, legato quality, and balance of sound layers.\u003c\/p\u003e\u003cp\u003eThe edition is part of a rediscovery effort: for a long time, these pages circulated also in the form of \u003cstrong\u003etranscriptions for violin or cello and piano\u003c\/strong\u003e, which may have softened some of the most daring harmonic passages, particularly in the second Romance. Here, the pianist regains the full breadth of the original colors, with a critical perspective enhanced by the contribution of \u003cstrong\u003ealternative readings\u003c\/strong\u003e drawn from the sound testimony left by the composer for the third piece.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGabriel Fauré\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eCollection\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eUrtext\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePeters Edition\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eclassical score (piano)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epiano\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Edition Peters","offers":[{"title":"Default Title","offer_id":54359835803923,"sku":"86634","price":13.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/f4631de14827afa57cb742b65d3a76141cbaeb33_EP7711_d26a2c31-f844-4574-9325-c87eb7592c2b.jpg?v=1789448573","url":"https:\/\/woodbrass.shop\/products\/edition-peters-faure-g-3-romances-without-words-op-17-piano-86634","provider":"Woodbrass.com","version":"1.0","type":"link"}