{"product_id":"emb-editio-musica-budapest-9-sonates-faciles-du-baroque-italien-violoncelle-et-bc-ou-deux-violoncelles-50718","title":"9 Sonates Faciles Du Baroque Italien - Violoncelle et BC Ou Deux Violoncelles","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003e\u003cstrong\u003e9 Sonate facili del barocco italiano per violoncello e basso continuo o due violoncelli\u003c\/strong\u003e gathers a selection of Italian Baroque sonatas chosen for their clear writing and progressive approach. The cellist works on the fundamentals of Baroque language (articulation, phrase breathing, sequential motifs, ground basses, cadences), while remaining at a comfortable technical level conducive to reading and musicality.\u003c\/p\u003e\u003cp\u003eThe edition is \u003cstrong\u003epublished by Pejtsik Árpád\u003c\/strong\u003e and offers flexible use: in the classical formation \u003cstrong\u003ecello + basso continuo\u003c\/strong\u003e (harpsichord, organ, or a second instrument realizing the harmony), or in a \u003cstrong\u003etwo-cello version\u003c\/strong\u003e for duo playing, working on voice balance and reinforcing rhythmic stability. The \u003cstrong\u003ebasso continuo realization by Vigh Lajos\u003c\/strong\u003e provides a ready-to-play harmonic framework, particularly useful for rehearsals, auditions, and learning ensemble playing reflexes.\u003c\/p\u003e\u003cul\u003e\u003cli\u003e1. Belisi, F. C.: Sonata in G major\u003c\/li\u003e\u003cli\u003e2. Marchesseli, D.: Sonata in D minor\u003c\/li\u003e\u003cli\u003e3. Perti, G. A.: Sonata in A minor\u003c\/li\u003e\u003cli\u003e4. Bernardi, B.: Sonata in G minor\u003c\/li\u003e\u003cli\u003e5. Laurenti, B. G.: Sonata in A minor\u003c\/li\u003e\u003cli\u003e6. Torelli, Giuseppe: Sonata in G major\u003c\/li\u003e\u003cli\u003e7. Jacchini, G. M.: Sonata in E minor\u003c\/li\u003e\u003cli\u003e8. Aldrovandini, G. A. V.: Sonata in B-flat major\u003c\/li\u003e\u003cli\u003e9. Grimandi, A.: Sonata in B-flat major\u003c\/li\u003e\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMethods\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBelisi, F. C.; Marchesseli, D.; Perti, G. A.; Bernardi, B.; Laurenti, B. G.; Torelli, Giuseppe; Jacchini, G. M.; Aldrovandini, G. A. V.; Grimandi, A.\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ecello and basso continuo or two cellos\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArranger\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eVigh Lajos (basso continuo realization)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBaroque score (sonatas)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePejtsik Árpád\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eDifficulty\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eeasy\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"EMB (Editio Musica Budapest)","offers":[{"title":"Default Title","offer_id":54358558015763,"sku":"50718","price":14.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/eeca40af6457f62ad4ba9aff6b7c122dc9565929_Z14110.jpg?v=1789422572","url":"https:\/\/woodbrass.shop\/products\/emb-editio-musica-budapest-9-easy-sonatas-from-the-italian-baroque-cello-and-bc-or-two-cellos-50718","provider":"Woodbrass.com","version":"1.0","type":"link"}