{"product_id":"empress-effects-reverb-257098","title":"Reverb","description":"\u003ch3\u003eAn Empress \"workstation\" reverb: studio sound tradition in pedal format\u003c\/h3\u003e\u003cp\u003eWith the Reverb, Empress Effects aimed to put a true studio-quality reverberation unit at your feet: a pedal that's quick to dial in but capable of going very deep once presets, tap, and external control are activated. The concept is based on \u003cstrong\u003e12 effect families\u003c\/strong\u003e (Hall, Plate, Spring, Room, etc.) with variations, and especially on an evolving platform: new algorithms can be added via the \u003cstrong\u003eSD card\u003c\/strong\u003e through updates. \u003c\/p\u003e\u003cp\u003eNote: the pedal has continued to evolve, and Empress announces \u003cstrong\u003e32 algorithms in firmware 6.0\u003c\/strong\u003e (and counting), while maintaining the simple approach: each mode remains controllable via front panel controls, without tedious navigation. \u003c\/p\u003e\u003ch3\u003eWho is it for? From plug-and-play guitarists to pedalboard sound designers\u003c\/h3\u003e\u003cp\u003eThe Empress Reverb is aimed at anyone wanting a \u003cstrong\u003estereo reverb pedal\u003c\/strong\u003e capable of covering an entire set: from subtle slapback studio-style to infinite ambient washes. In blues, pop, rock, and indie, it adds depth and width without drowning the attack\u0026#59; in post-rock, shoegaze, and ambient, it becomes a true instrument thanks to modes like Swell, Reverse, Ghost, or Sparkle.\u003c\/p\u003e\u003cp\u003eOn stage, the \u003cstrong\u003epresets\u003c\/strong\u003e and two scrolling modes (Bank\/Scroll) facilitate sound changes between verse, chorus, and solo. In the home studio, the stereo and EQ controls (Low\/Hi) help position the reverb in the mix, while tap functions (depending on algorithms) simplify rhythmic timing on more modern parts. \u003c\/p\u003e\u003ch3\u003eControls, modes, and connectivity: lots of depth, without a screen\u003c\/h3\u003e\u003cp\u003eThe ergonomics are designed for speed: you adjust \u003cstrong\u003eDecay\u003c\/strong\u003e, \u003cstrong\u003eMix\u003c\/strong\u003e, and \u003cstrong\u003eOutput\u003c\/strong\u003e like on a studio unit, then shape the tone via \u003cstrong\u003eLow\u003c\/strong\u003e and \u003cstrong\u003eHi\u003c\/strong\u003e. The \u003cstrong\u003eThing 1\u003c\/strong\u003e and \u003cstrong\u003eThing 2\u003c\/strong\u003e knobs change function depending on the mode (e.g., modulation, dirt, diffusion, size, etc.), providing a wide range of customization while keeping a clear front panel. \u003c\/p\u003e\u003cp\u003eThe pedal offers clearly musical categories: \u003cstrong\u003eHall\/Plate\/Spring\/Room\u003c\/strong\u003e for realistic spaces, \u003cstrong\u003eSparkle\u003c\/strong\u003e for more \"shimmer\" atmospheres, \u003cstrong\u003eModulation\u003c\/strong\u003e to thicken and widen, \u003cstrong\u003eAmbient Swell\u003c\/strong\u003e for faded attacks, \u003cstrong\u003eDelay + Reverb\u003c\/strong\u003e for 80s and modern textures, and more radical modes (\u003cstrong\u003eReverse\u003c\/strong\u003e, \u003cstrong\u003eGhost\u003c\/strong\u003e, \u003cstrong\u003eLo-fi\u003c\/strong\u003e). And when you want to go off the beaten path, the \u003cstrong\u003eBeer\u003c\/strong\u003e mode is specifically designed for \"out of category\" algorithms. \u003c\/p\u003e\u003cp\u003eRegarding pedalboard integration, everything is there: \u003cstrong\u003eTrue Bypass or Buffered Bypass\u003c\/strong\u003e (useful for preserving trails), MIDI via the control port, and the \u003cstrong\u003eUniversal Control Port\u003c\/strong\u003e to centralize expression, external tap, control voltage, external audio input, or MIDI control via 6.35mm Jack. \u003c\/p\u003e\u003ch3\u003eThe sound\u003c\/h3\u003e\u003cp\u003eThe sonic character of the Empress Reverb stands out for its \u003cstrong\u003every \"studio\" definition\u003c\/strong\u003e: the high end remains clear, reverb tails are dense and clean, and the stereo rendering quickly gives a \"3D\" sense of space. Thanks to the \u003cstrong\u003eanalog dry signal\u003c\/strong\u003e, your playing's attack and dynamics remain intact: you add air around the note rather than \"blurring\" your basic tone. \u003c\/p\u003e\u003cp\u003eIt excels both in discreet reverb (short room, fine plate) and large cinematic formats (long hall, swell, reverse). The more creative modes (Ghost, Lo-fi, Beer) provide organic textures, perfect for atmospheric intros, interludes, or transforming a guitar into a pad. Artist-wise, the Reverb is associated with musicians and producers from diverse backgrounds, including \u003cstrong\u003eAndrew Huang\u003c\/strong\u003e, \u003cstrong\u003eJustin Meldal-Johnsen\u003c\/strong\u003e, \u003cstrong\u003eKid Koala\u003c\/strong\u003e, \u003cstrong\u003eDonna Grantis\u003c\/strong\u003e, and \u003cstrong\u003eBlair Dunlop\u003c\/strong\u003e. \u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] 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