{"product_id":"eulenburg-haendel-g-f-organ-concerto-no-4-f-major-op-4-4-hwv-292-organ-2-oboes-bassoon-and-strings-44705","title":"Haendel G.F. - Organ Concerto No 4 F Major Op 4\/4 Hwv 292 - Organ 2 Oboes Bassoon And Strings","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e  \u003cp\u003eThis edition in \u003cstrong\u003estudy score\u003c\/strong\u003e format compiles a work referenced in the catalogue as \u003cstrong\u003eHWV 292\u003c\/strong\u003e, designed for in-depth music reading rather than \"desk\" use with separate parts. The content opens with a \u003cstrong\u003ePreface\u003c\/strong\u003e, a \u003cstrong\u003eVorwort\u003c\/strong\u003e, and \u003cstrong\u003eEditorial Notes\u003c\/strong\u003e: a set of elements particularly useful for understanding the context, source, and editorial direction, and for approaching the score with an informed perspective.\u003c\/p\u003e  \u003cp\u003eThe score then unfolds in \u003cstrong\u003efour movements\u003c\/strong\u003e with contrasting characters: two \u003cstrong\u003eAllegro\u003c\/strong\u003e movements framing the piece, a more measured \u003cstrong\u003eAndante\u003c\/strong\u003e, and an \u003cstrong\u003eAdagio\u003c\/strong\u003e offering space for breathing and singing. This arch-like organization facilitates formal identification, analysis of the musical discourse, and work on intentions (articulation, phrasing, dynamics), especially for students, teachers, conductors, or instrumentalists aiming to prepare a coherent interpretation.\u003c\/p\u003e  \u003cp\u003eEdited by \u003cstrong\u003ePeter Williams\u003c\/strong\u003e, this publication emphasizes readability and reliability of the musical text, with editorial markers allowing efficient navigation through the score. The indicated composition date is \u003cstrong\u003e1773\u003c\/strong\u003e (according to information provided by the edition), and the announced duration is approximately \u003cstrong\u003e14 minutes\u003c\/strong\u003e, making it a relevant resource for focused work, listening commentary, or stylistic study.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eGeorg Friedrich Haendel (HWV 292)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estudy score\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Eulenburg","offers":[{"title":"Default Title","offer_id":54359392125203,"sku":"44705","price":14.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/6c40db4e08673e654b5387f49d50b1ad1fd5e7b4_ETP1804.jpg?v=1789457245","url":"https:\/\/woodbrass.shop\/products\/eulenburg-haendel-g-f-organ-concerto-no-4-f-major-op-4-4-hwv-292-organ-2-oboes-bassoon-and-strings-44705","provider":"Woodbrass.com","version":"1.0","type":"link"}