{"product_id":"fishman-afx-pocket-blender-a-b-y-d-i-377213","title":"Afx Pocket Blender A-b-y + DI","description":"\u003ch3\u003eA pedal designed for the AFX ecosystem and modern acoustic setups\u003c\/h3\u003e\u003cp\u003eThe Fishman AFX Pocket Blender was designed as an \"all-in-one\" solution to meet the practical needs of acoustic guitarists on stage: managing multiple sources, securing the output to the front of house, and organizing a smarter pedalboard without multiplying boxes. Its approach fits the spirit of current rigs, where both signal quality and quick ergonomics (one stomp, one stage change) are sought, notably thanks to \"dual path\" routing and the use of TRS cables to separate or combine audio paths.\u003c\/p\u003e\u003ch3\u003eFor whom, for which styles, and in what contexts?\u003c\/h3\u003e\u003cp\u003eThis pedal is primarily aimed at \u003cstrong\u003eacoustic-electric\u003c\/strong\u003e musicians who play \u003cstrong\u003elive\u003c\/strong\u003e (concerts, coffeehouse gigs, worship, theater, events) and need to send a reliable signal to the PA while maintaining control on stage. It is also very suitable for \u003cstrong\u003estudio\u003c\/strong\u003e use to capture a clean direct signal via the D.I., or to experiment with blends between two sources (piezo pickup + microphone, magnetic pickup + microphone, etc.).\u003c\/p\u003e\u003cp\u003eRegarding styles, it is comfortable anywhere acoustic clarity and dynamics are required: \u003cstrong\u003efolk\u003c\/strong\u003e, \u003cstrong\u003epop\u003c\/strong\u003e, \u003cstrong\u003eacoustic rock\u003c\/strong\u003e, \u003cstrong\u003eblues\u003c\/strong\u003e, fingerstyle, as well as all situations where you want to switch from a \"balanced rhythmic\" sound to a \"featured\/solo\" sound without adjusting settings between songs.\u003c\/p\u003e\u003ch3\u003eMixer, ABY, boost, D.I.: a simple yet powerful control logic\u003c\/h3\u003e\u003cp\u003eThe Pocket Blender combines several essential functions. First, it is a \u003cstrong\u003emixer\u003c\/strong\u003e : the TRS input allows you to receive two sources (tip\/ring) and \u003cstrong\u003eblend\u003c\/strong\u003e their levels to find the right balance between attack, air, and presence. Next, the \u003cstrong\u003eABY\u003c\/strong\u003e section allows you to \u003cstrong\u003esplit\u003c\/strong\u003e a signal, feed one or two stage amplifiers, or route your sound to multiple destinations depending on your setup.\u003c\/p\u003e\u003cp\u003eThe \u003cstrong\u003ebalanced D.I. output\u003c\/strong\u003e with \u003cstrong\u003eground lift\u003c\/strong\u003e is a major asset for the stage: you can send a stable signal to the PA system and quickly fix ground loop issues. Add to this a \u003cstrong\u003eboost\u003c\/strong\u003e (ideal for standing out during a solo or fingerpicking passage), and an A\/B logic that lets you define two behaviors and switch via footswitch: you get a pedal designed for the musician who needs to be operational in seconds, hassle-free.\u003c\/p\u003e\u003cp\u003eFinally, the presence of a \u003cstrong\u003e4-band EQ\u003c\/strong\u003e reinforces its role as the \"brain\" of the acoustic rig: handy for compensating for a too-bright room, taming an overwhelming low end, or restoring definition to the attack, without relying solely on the console's equalization.\u003c\/p\u003e\u003ch3\u003eSound\u003c\/h3\u003e\u003cp\u003eThe Fishman AFX Pocket Blender favors a \u003cstrong\u003eclean\u003c\/strong\u003e and \u003cstrong\u003emusical\u003c\/strong\u003e reproduction: the goal is not to color like saturation but to \u003cstrong\u003epreserve the instrument's dynamics\u003c\/strong\u003e while offering essential signal management tools. The blend between two sources allows you to go from a very direct sound (attack, precision, feedback control) to a more \"lively\" and organic sound (air, nuances, depth), adjusting the blend according to your playing and stage volume.\u003c\/p\u003e\u003cp\u003eThe boost is particularly useful when you want to gain presence without breaking the overall mix balance, and the balanced D.I. output targets a solid signal for long cable runs to the front of house. Note: this tool appears in performance- and signal-control-oriented rigs, including those of guitarists known for their demanding routing and live management, such as \u003cstrong\u003eEric Johnson\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol 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style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e2 x jack\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePower supply\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eDC 9 V\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:6;--wb-r:14;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eNumber of tracks\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e0.28 kg\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr 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