{"product_id":"henle-verlag-c-p-e-gambensonaten-wq-88-136-137-167398","title":"C.P.E. - Gambensonaten Wq 88 136 137","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003eIn this edition, you will find three sonatas composed by \u003cstrong\u003eCarl Philipp Emanuel Bach\u003c\/strong\u003e for \u003cstrong\u003eviola da gamba\u003c\/strong\u003e, written during his time at the Berlin court of \u003cstrong\u003eFrederick II\u003c\/strong\u003e. Like his father, the composer offers a demanding and brilliant repertoire designed to showcase the virtuosity of the gambist of the Hofkapelle, while maintaining the clarity of expression and expressiveness typical of the \"empfindsamer\" style.\u003c\/p\u003e\u003cp\u003eThe sonatas \u003cstrong\u003eWq 136\u003c\/strong\u003e and \u003cstrong\u003eWq 137\u003c\/strong\u003e are presented with \u003cstrong\u003ebasso continuo\u003c\/strong\u003e, an ideal setup for working with harpsichord (or other accompanying instruments) and particularly suited to the practice of Baroque chamber music. The sonata in \u003cstrong\u003eG minor Wq 88\u003c\/strong\u003e adopts a more ambitious conception: the harpsichord is not merely harmonic support but a full partner, with both hands competing and dialoguing with the viola in a balanced \u003cstrong\u003ethree-voice texture\u003c\/strong\u003e.\u003c\/p\u003e\u003cp\u003eThis \u003cstrong\u003eUrtext edition\u003c\/strong\u003e also stands out for its practical approach: the viola da gamba part respects the original tessitura while offering an \u003cstrong\u003ealternative for viola\u003c\/strong\u003e, an option documented by contemporary sources. The \u003cstrong\u003efingerings\u003c\/strong\u003e and the \u003cstrong\u003ebasso continuo realization\u003c\/strong\u003e complete the package for precise work on articulation, intonation, and phrasing, whether preparing a lesson, an audition, or a concert on historical or modern instruments.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eCarl Philipp Emanuel Bach\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eviola da gamba and harpsichord (with basso continuo according to the sonatas), alternative part for viola\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArranger\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eWolfgang Kostujak (basso continuo realization)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eclassical score\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eUrtext, critical edition (Ernst-Günter Heinemann, Wolfram Ensslin)\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Henle Verlag","offers":[{"title":"Default Title","offer_id":54357939486995,"sku":"167398","price":51.7,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/1b16341f77b812ee49fad7a2315ba2062397e371_HN990_7da033aa-9aef-4ac7-83a7-14e39daff5e0.jpg?v=1789440309","url":"https:\/\/woodbrass.shop\/products\/henle-verlag-bach-c-p-e-gambensonaten-wq-88-136-137-167398","provider":"Woodbrass.com","version":"1.0","type":"link"}