{"product_id":"henle-verlag-beethoven-l-v-piano-sonatas-volume-ii-55984","title":"Beethoven L.V. - Piano Sonatas Volume Ii","description":"\u003ch3\u003eSummary of This Book\u003c\/h3\u003e\u003cp\u003eThis volume brings together several \u003cstrong\u003esolo piano\u003c\/strong\u003e sonatas by Ludwig van Beethoven, offering a rich journey through his pianistic writing. It notably includes the triptych of \u003cstrong\u003eopus 31\u003c\/strong\u003e (Sonata in G major op. 31 no. 1, Sonata in D minor \"Tempest\" op. 31 no. 2, Sonata in E-flat major \"Hunting\" op. 31 no. 3), as well as the two sonatas of \u003cstrong\u003eopus 49\u003c\/strong\u003e, often approached as a progressive introduction to Beethoven's style. The collection then incorporates major landmarks of the repertoire with the Sonata in C major \"Waldstein\" op. 53, the Sonata in F major op. 54, and the Sonata in F minor \"Appassionata\" op. 57, whose rhythmic density and dramatic energy make it a flagship work.\u003c\/p\u003e\u003cp\u003eThe selection continues with pieces of very contrasting characters, such as the Sonata in F-sharp major \"A Thérèse\" op. 78 and the Sonata in G major \"Sonatina\" op. 79, before approaching the Sonata in E-flat major \"Les Adieux\" op. 81a, a true musical narrative. The volume finally leads to the late sonatas, where Beethoven pushes form, harmony, and contrapuntal writing to an exceptional level of depth: Sonata in A major op. 101, the imposing \"Hammerklavier\" op. 106, then the last three sonatas op. 109, op. 110, and op. 111, the culmination of a pianistic language both visionary and demanding. Thanks to its musicological orientation, this book provides a solid foundation for working on the text, analysis, and building an interpretation, whether preparing a concert program or deepening study of these works.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003ePublication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSheet music\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:3;--wb-lb:var(--wb-neutral-50);--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eBeethoven, Ludwig van\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eSolo piano\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:4;--wb-lb:transparent;--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eWallner, Bertha Antonia (musicological editor)\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Henle Verlag","offers":[{"title":"Default Title","offer_id":54356998553875,"sku":"55984","price":44.8,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/34cbe08cb5e0bd12f832b8111102d6a4539ae96a_HN0034.jpg?v=1792513462","url":"https:\/\/woodbrass.shop\/products\/henle-verlag-beethoven-l-v-piano-sonatas-volume-ii-55984","provider":"Woodbrass.com","version":"1.0","type":"link"}