{"product_id":"henle-verlag-dvorak-a-quatuor-a-cordes-op-61-parties-separees-341673","title":"Dvorak A. - Quatuor A Cordes Op.61 - Parties Separees","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003eComposed in autumn 1881, the \u003cstrong\u003eString Quartet in C major, Op. 61\u003c\/strong\u003e belongs to Antonín Dvo?ák's \"middle\" quartets, a period during which the composer consolidates his language by drawing on decisive references such as \u003cstrong\u003eBeethoven\u003c\/strong\u003e and \u003cstrong\u003eSchubert\u003c\/strong\u003e. In this work in C major, Beethoven's influence is clearly perceptible, both in the \u003cstrong\u003ethematic construction\u003c\/strong\u003e and the \u003cstrong\u003emotivic development\u003c\/strong\u003e, giving the whole a solid architecture and a continuity of discourse that is particularly stimulating for performers.\u003c\/p\u003e\u003cp\u003eNotably, due to lack of time and contrary to his usual practice, Dvo?ák reuses themes from earlier works (either rejected or unpublished) in \u003cstrong\u003ethree of the four movements\u003c\/strong\u003e. This choice lends the score a density of ideas and an effective writing style that are very well suited to rehearsal work: rhythmic precision, cohesion of attacks, common phrasing, and management of group dynamics.\u003c\/p\u003e\u003cp\u003eIt is especially in the \u003cstrong\u003eFinale\u003c\/strong\u003e that the typically Slavic inflection, so characteristic of Dvo?ák, is heard more distinctly, bringing contrasts, momentum, and color. Presented here in a perfectly reliable \u003cstrong\u003eUrtext edition\u003c\/strong\u003e, this publication is part of the prestigious Henle series dedicated to the composer's essential chamber music works, a reference choice for quartets seeking a clear, demanding, and musically convincing reading.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eAntonín Dvo?ák\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003echamber music, classical score\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003ePeter Jost (Editor)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eYear of publication\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003e1881\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003estring quartet\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Henle Verlag","offers":[{"title":"Default Title","offer_id":54361128501523,"sku":"341673","price":23.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/197e568804b96ca1b0306b27d6c735807d8a4e9f_HN1399.jpg?v=1789408324","url":"https:\/\/woodbrass.shop\/products\/henle-verlag-dvorak-a-quatuor-a-cordes-op-61-parties-separees-341673","provider":"Woodbrass.com","version":"1.0","type":"link"}