{"product_id":"henle-verlag-moz-three-movements-for-piano-trio-violon-violoncelle-piano-300092","title":"Moz - Three Movements For Piano Trio - Violon Violoncelle Piano","description":"\u003ch3\u003eSummary of This Score\u003c\/h3\u003e\u003cp\u003eMozart often left behind unfinished works, and some of these fragments reveal inspiration of exceptional value. This score highlights three fragments of \u003cstrong\u003ePiano Trio\u003c\/strong\u003e, composed as isolated movements at different times in his life. For a long time, these pages circulated in a misleading form: a first posthumous edition had gathered them as if they were a \"new\" Piano Trio, supposedly unknown.\u003c\/p\u003e\u003cp\u003eThus, the set was recorded under the number \u003cstrong\u003eK. 442\u003c\/strong\u003e in the Köchel catalogue. To make these fragments playable, Mozart's friend, the abbé \u003cstrong\u003eMaximilian Stadler\u003c\/strong\u003e, proposed completions considered stylistically accurate but relatively cautious creatively. The musical interest of the current edition lies in the fact that it does not limit itself to this tradition: the \u003cstrong\u003eHenle-Urtext edition\u003c\/strong\u003e also presents the particularly appreciated completions by \u003cstrong\u003eRobert D. Levin\u003c\/strong\u003e, offering a more developed and very convincing alternative for performance.\u003c\/p\u003e\u003cp\u003eResult: you have ideal material to compare completion solutions, refine interpretation, and enrich \u003cstrong\u003echamber music\u003c\/strong\u003e work between piano, violin, and cello. A score as stimulating for the stage as for study, where each editorial choice sheds different light on Mozart's thinking.\u003c\/p\u003e\n\n\u003ch2\u003eTechnical specifications\u003c\/h2\u003e\n\u003cstyle\u003e@media(max-width:632px){table[data-wb-spec]{display:grid;grid-template-columns:minmax(0,1fr) minmax(0,1fr)}table[data-wb-spec] colgroup{display:none}table[data-wb-spec] tbody,table[data-wb-spec] tr{display:contents}table[data-wb-spec] td{display:block;overflow-wrap:anywhere;grid-row:var(--wb-l);background-color:var(--wb-lb)}table[data-wb-spec] td[data-r]{grid-row:var(--wb-r);background-color:var(--wb-rb)}table[data-wb-spec] td[colspan=\"2\"]{grid-column:1\/-1}table[data-wb-spec] td:empty{display:none}}\u003c\/style\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:1;--wb-r:2;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eMusical Genre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eClassical\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e\n\u003ctable data-wb-spec style=\"width:100%;table-layout:fixed\"\u003e\n\u003ccolgroup\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003ccol style=\"width:25%\"\u003e\u003c\/colgroup\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:1;--wb-r:4;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eComposer\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eWolfgang Amadeus Mozart\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eInstrumentation\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003epiano trio (piano, violin, cello)\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:var(--wb-neutral-50);--wb-l:2;--wb-r:5;--wb-lb:var(--wb-neutral-50);--wb-rb:transparent\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eArranger\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eMaximilian Stadler; Robert D. Levin (completions)\u003c\/td\u003e\u003ctd data-r style=\"text-align:left\"\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e\u003c\/td\u003e\u003ctd data-r style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eclassical score\u003c\/td\u003e\u003c\/tr\u003e\n  \u003ctr style=\"background-color:transparent;--wb-l:3;--wb-r:6;--wb-lb:transparent;--wb-rb:var(--wb-neutral-50)\"\u003e\u003ctd style=\"text-align:left\"\u003e\u003cstrong\u003eEdition\u003c\/strong\u003e\u003c\/td\u003e\u003ctd style=\"text-align:left;font-weight:var(--font-body-weight-bolder)\"\u003eHenle-Urtext\u003c\/td\u003e\u003ctd data-r colspan=\"2\"\u003e\u003c\/td\u003e\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Henle Verlag","offers":[{"title":"Default Title","offer_id":54356773732627,"sku":"300092","price":34.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0984\/0872\/6803\/files\/a37cf4cf6abd6422bbd88d87076ecfd7628de18c_HN1379.jpg?v=1789466001","url":"https:\/\/woodbrass.shop\/products\/henle-verlag-mozart-w-a-trois-mouvements-pour-trio-avec-piano-fragments-kv-442-300092","provider":"Woodbrass.com","version":"1.0","type":"link"}